Reminiscences (Besset, Julian Raoul)

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Synthesized/MIDI

 Volume 1: Quasi Valses/Queasy Waltzes
#260311 - 14.14MB - 13:00 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 45x

OGG file (audio)
Jurabe (2012/11/27)

 Volume 2: 10 Etirements/10 Digital Jerks
#262824 - 17.55MB - 16:32 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 17x

OGG file (audio)
Jurabe (2012/12/22)

Performers:

Julian Besset + Finale Garritan

Publisher Info.:

Julian Raoul Besset

Copyright:

Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]

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 3 Tranches
#265158 - 9.50MB - 8'44 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 23x

OGG file (audio)
Jurabe (2013/1/7)

Performers:

Julian Besset + Finale Garritan

Publisher Info.:

Julian Raoul Besset

Copyright:

Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]

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Sheet Music

Piano Scores

 Volume 1: Quasi Valses/Queasy Waltzes
#255494 - 0.86MB, 20 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 104x

PDF typeset by Julian Besset
Jurabe (2012/10/22)

 Volume 2: 10 Etirements/10 Digital Jerks
#261789 - 0.94MB, 29 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 50x

PDF typeset by Julian Besset
Jurabe (2012/12/12)

PMLP411387-Quasi Valses.pdf
Publisher Info.:

Julian Raoul Besset

Copyright:

Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]

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 3 Tranches de Réminiscences 1
#264658 - 0.82MB, 16 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 45x

PDF typeset by Unknown
Jurabe (2013/1/4)

PMLP411387-3 Tranches.pdf
Publisher Info.:

Julian Raoul Besset

Copyright:

Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]

Misc. Notes:

An expansion of 3 selected pieces from vol.1

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General Information

Work Title Reminiscences
Alternative Title Quasi Valses/Queasy Waltzes
Composer Besset, Julian Raoul
Movements/Sections 10
Year/Date of Composition 2012
Dedication Edwige Espinasseau
Piece Style Modern
Instrumentation Piano Solo


Misc. Comments

Volume 1 & 2 with 10 untitled movements. The style is lighter than most of this composer's other works, harking back to what might be termed period pieces. The subtitle queasy was chosen for reasons of assonance with the word quasi which points to the fact that these short pieces are not strictly speaking waltzes. The less mellifluous second volume presents pieces that occasionally require inordinately stretching one's fingers. A selection from the first volume is submitted in the form of a triptich, with a number of modifications, which emphasize the often aleatory character of the composer's musical discourse. Their main purpose is to serve as a possible addition to an imaginary repertory of light modern encores.

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