School of Interpretation for the Violin, Op.16 (Ševčík, Otakar)

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Sheet Music

Scores and Parts

No.31 a. Serenade in A major (Vieuxtemps) and b. Andante Op. 10/4 (Ševčík)

 Piano score, violin with 2nd violin, and exercises (EU)
#93564 - 4.67MB, 18 pp. -  4.0/10 2 4 6 8 10 (1) - V/27/V - 2748x

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Brno: Ol. Pazdírek, 1931. Plate O.P. 531.

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No.32 a. Melody from Concerto No. 9-I (Bériot) and b. Larghetto from Violin Sonata "Devil's Trill" (Tartini)

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#93565 - 5.36MB, 21 pp. -  10.0/10 2 4 6 8 10 (1) - V/27/V - 1913x

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Brno: Ol. Pazdírek, 1931. Plate O.P. 532.

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No.33 a. Theme in Octaves op.10/4 (Ševčík) and b. Secondary Subject from Concerto No.2-II (Paganini)

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#93566 - 6.48MB, 24 pp. -  0.0/10 2 4 6 8 10 (0) - V/27/V - 1506x

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Brno: Ol. Pazdírek, 1931. Plate O.P. 533.

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No.34 a.Adagio from Concerto No.7 (Bériot) and b.Melody and Octaves from the Polonaise in Virtuoso Form (Laub)

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#93567 - 7.85MB, 28 pp. -  0.0/10 2 4 6 8 10 (0) - V/27/V - 1132x

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Brno: Ol. Pazdírek, 1931. Plate O.P. 534.

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No.35 Largo and Allegro from Violin Sonata in G minor (Tartini)

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#93576 - 6.60MB, 24 pp. -  0.0/10 2 4 6 8 10 (0) - V/27/V - 1611x

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Brno: Ol. Pazdírek, 1931. Plate O.P. 535.

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No.36 Air varié No.1 (Bériot)

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#93590 - 8.78MB, 32 pp. -  0.0/10 2 4 6 8 10 (0) - V/27/V - 1257x

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Brno: Ol. Pazdírek, 1931. Plate O.P. 536.

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No.37 a. Gigue for Solo Violin (Rust) and b. Courante from D Minor Sonata (Rust)

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#93597 - 5.23MB, 19 pp. -  0.0/10 2 4 6 8 10 (0) - V/27/V - 1217x

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Brno: Ol. Pazdírek, 1931. Plate O.P. 537.

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No.38 Larghetto from Concerto No.22 II (Spohr)

 Piano score, violin with 2nd violin, and exercises (EU)
#93631 - 6.00MB, 23 pp. -  2.0/10 2 4 6 8 10 (1) - V/27/V - 1038x

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Brno: Ol. Pazdírek, 1931. Plate O.P. 538.

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No.39 Andante sostenuto from Concerto No.2 (Vieuxtemps)

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Brno: Ol. Pazdírek, 1931. Plate O.P. 539.

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No.40 Scherzo - Tarantelle (Wieniawski)

 Piano score, violin with 2nd violin, and exercises
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PMLP190906-Sevcik op. 16 40.pdf
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Brno: Ol. Pazdírek, 1931. Plate O.P. 540.

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No.42 Hungarian Melodies (Ernst)

 Solo violin part (EU)
#94051 - 4.93MB, 8 pp. -  7.0/10 2 4 6 8 10 (2) - V/27/V - 1810x

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 Exercises (EU)
#94053 - 13.22MB, 40 pp. -  10.0/10 2 4 6 8 10 (1) - V/27/V - 1233x

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Brno: Ol. Pazdírek, 1931. Plate O.P. 542.

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No.43 Dance of the Gnomes (Bazzini)

 Exercises (EU)
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Brno: Ol. Pazdírek, 1931. Plate O.P. 543.

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Public Domain - Non-PD US [tag/del]

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For copyright reasons, violin part and piano score were not published together with the exercises.

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No.44 Moses-Fantasy (Paganini)

 Violin Part (monochrome) (EU)
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 Violin Part (color) (EU)
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 Exercises (EU)
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 Piano Score (C minor) (EU)
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 Piano Score (E minor) (EU)
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Brno: Ol. Pazdírek, 1932. Plate O.P. 544.

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No.45 Le Streghe (Paganini)

 Violin part (EU)
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 Exercises (EU)
#92776 - 8.48MB, 28 pp. -  2.0/10 2 4 6 8 10 (1) - V/28/V - 1558x

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Brno: Ol. Pazdírek, 1932. Plate O.P. 545.

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General Information

Work Title School of Interpretation for the Violin
Alternative Title School of Performing on a Melodical Basis; School of Interpretation for the violin on a Melodic Basis in 2 Parts
Composer Ševčík, Otakar
Opus/Catalogue Number Op.16
Movements/Sections 45 pieces in 2 parts, with technical studies
  • Part 1: Introduction to solo Playing
1. Rode: Melody, Concerto No.6, 1st Movement. (Styles of bowings on eighths)
2. Rode: Introduction to Rondo Concerto No.6. (Styles of bowing on eighths in 6/8 time)
3. Fiorillo: Andante, Etude No.13. (Shifting of position in various forms)
4. Wieniawsky-Warlamoff: Romance from Souvenir de Moscou. (Bowing styles on triplets)
5. Ševčík: Andante on the G string, Op.10/5. (Rhythmic studies)
6. Leclair: Sarabande. (Introduction into 3/2 measure. Bowings for legato, martelé and staccato)
7. Paganini: Theme from Non piú mesta. (Repeated raising of the bow at the up-stroke)
8. Mendelssohn: Melody in G, Concerto E-minor I. (Shading and nuance of the tone)
9. Rode: Adagio, Concerto No.7. (Studies on the G String)
10. Rust: Gigue. (Bowing style Spiccato)
11. Beethoven: Melody G-minor, Concerto in D-major III. (Rhythmical exercices in 6/8 time)
12. Rode: Adagio, Concerto No.6.
13. Wieniawski: Theme original from Op.15. (Drawn and sharp notes by turns)
14. Ševčík: Introduction to the natural and artificial harmonic tones.
15. Spohr: Introduction to I. Movement, Concerto No.2.
16. Ernst: Melodic Scene in A-major from the III. Concerto in F-sharp minor.
17. Rode: Introduction and Melody to the Concerto No.7-III. (on the dotted rhythm)
18. Molique: F-major Melody, Concerto No.5-I. (Bowing styles accompanied by 2nd violin)
19. Beethoven: Rondo theme from the Violin Concerto.
20. Spohr: Marchscene, Concerto No.8-III.
21. Viotti: Melody with Double-Stop Passages, Concerto No.18-I.
22. Wieniawski: Cantabile A-major Concerto 1-I. (Rhythmical exercices in triplets)
23. Vieuxtemps: Theme from the Fantasia Appassionata. (Softness of the tone)
24. Paganini: Theme from I Palpiti. (Shading of the tone)
25. Viotti: Rondo with Double-Stop Passage, Concerto No.28.
26. Wieniawski: Theme form Carneval Russe.
27. Molique: Ricochet-Scene from the Concerto No.5-III.
28. Ernst: Andante from the Hung. Melodies. (Graded Studies of tone)
29. Wieniawski: Melody with Octaves from the Concerto No.1-III.
30. Paganini: 7 Variations from the Carneval of Venice. (Rhythmical Studies)
  • Part 2: Introduction to Virtuoso Playing
31. Vieuxtemps: Serenade A-major on the G-string, Concerto No.1-III.
Ševčík: Andante, Op.10/4. (Changing of tempo moderato and quick)
32. Beriot: Melody in Octaves, Concerto No.9-I. (Independence of the fingers)
Tartini: Larghetto from the Devil's Sonata. (Independence of the fingers)
33. Ševčík: Theme in Octaves Op.10/4. (Preparation for the sautillé and glissando)
Paganini: Secondary Subject form the Concerto No.2-II.
34. Beriot: Adagio from the Concerto No.7. (Chain-trills)
Laub: Melody and Octaves from the Polonaise in virtuoso form. (Study of Nimbleness)
35. Tartini: Largo and Allegro from the G-minor Sonata. (Double-stops and suppleness of the wrist)
36. Beriot: Air varié No.1. (Double-stops and Chords in virtuoso form)
37. Rust: Gigue for Solo Violin. (Pizzicato with the left hand)
Rust: Courante. (Suppleness of wrist in crossing two and three strings)
38. Spohr: Larghetto in Double-Stops. (Third double-stops in virtuoso form)
39. Vieuxtemps: Andante sostenuto from the Concerto No.2 (Pliancy of Bowing)
40. Wieniawski: Scherzo -Tarantelle
41. Sarasate: Gipsy-Melodies
42. Ernst: Hungarian Melodies
43. Bazzini: Dance of Gnomes
44. Paganini: Moses-Fantasy
45. Paganini: Witches Dance
Year/Date of Composition 1929-32
First Publication 1932
Piece Style Romantic
Instrumentation violin, (piano)
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