School of Intonation on an Harmonic Basis for Violin, Op.11 (Ševčík, Otakar)

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Book I: Elementary Studies in the 1st position

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4 more: Part IIa. The Semitone and Tritone • Part IIb. The Semitone and Tritone. 12 Major Scales • Part III. Chromatic Shifting and Chromatic Tone-succession. • Part IV. Dissonant Chords

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Publisher. Info. New York: Harms, 1922. Plate
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Book II: Elementary Studies from the 2nd to the 7th Position

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Publisher. Info. New York: Harms, 1922. Plates Ševčík Op.11. V, VIa-c
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Book III: Intermediate Studies from the 2nd to the 7th Position

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4 more: Part VIII. Consonant Chords - DIssonant Chords • Part IX. The Diminished Triad • Part X. The Chord of the Dominant Seventh in All Keys • Part XI. The Chord of the Diminished Seventh

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Publisher. Info. New York: Harms, 1922. Plates Ševčík Op.11. VII-XI
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Book IV: Advanced Studies form the 2nd to the 7th Position

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Publisher. Info. New York: Harms, 1922, Plate Ševčík Op.11. XII-XIV.
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General Information

Work Title School of Intonation on an Harmonic Basis for Violin
Alternative. Title
Composer Ševčík, Otakar
Opus/Catalogue NumberOp./Cat. No. Op.11
I-Catalogue NumberI-Cat. No. IOS 11
Movements/SectionsMov'ts/Sec's 14 parts:
I. Introduction to the 1st Position
IIa. 1st Position Supplementary:
The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano.
IIb. 1st Position Supplementary:
The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano.
III. 1st Position Supplementary:
The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano.
IV. 1st Position Supplementary:
The Rhythmic Major Scales from Parts IIa and IIb - Pieces (1st position, Grade I) with piano.
V, Introduction to the 2nd-7th Position. Supplementary
Parts IIb, III, and IV, also the 2nd violin to the Duettinos from the Parts I, IIa and IIb.
Via. 2nd-7th Position Supplementary
Vib. 2nd-7th Position Supplementary: 40 Bohemian Melodies in the 2nd-7th position.
Vic. 2nd-7th Position, 40 Bohemian Melodies, Supplementary, Parts VIa and VIb.
VII. 2nd-7th Position, Supplementary, Part XII (Introduction to Shifting).
VIII. 2nd-7th Position Supplementary
IX. 2nd-7th Position Supplementary:
The 2nd violin to the 40 Bohemian Melodies (Part VIc).
W.A. Mozart, Sonatas for violin and piano, No.4, 7, and others.
X. 2nd-7th Position Supplementary
XI. 2nd-7th Position Supplementary
XII. 2nd-7th Position Introduction to Shifting. Supplementary:
Sonatas of W.A. Mozart, Nos. 4, 7, and others.
XIII. Transitional Tone used in Shifting
Diatonic Scales in a Variety of Forms through 3 Octaves. Supplementary:
Concert studies: Rode, Concerto No.6; Viotti, Concerto No.23; Pieces from Grade III.
XIV. Intonation of Double Stops. Supplementary:
Continuation of Concert-studies and Piaces form Grades III and IV.
Year/Date of CompositionY/D of Comp. 1922
Language English ; German ; French
Composer Time PeriodComp. Period Romantic
Piece Style Classical
Instrumentation Violin