Sie werden euch in den Bann thun, BWV 44 (Bach, Johann Sebastian)

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Aria: Es ist und bleibt der Christen Trost (No.6)

 MIDI performance
#239592 - 0.02MB - ? -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 42x

MID file (audio/video)
wrshannon (2012/7/1)

Performers:

Martin Straeten

Publisher Info.:

Martin Straeten

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

Misc. Notes:

These file(s) are part of the Werner Icking Music Collection.

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Sheet Music

Full Scores

Complete

 Complete Score
#01179 - 1.94MB, 24 pp. -  9.0/10 2 4 6 8 10 (2) - V/V/V - 1636x

PDF scanned by Unknown
Feldmahler (2006/8/06)

BWV0044.pdf
Editor:

Wilhelm Rust (1822–1892)
First edition

Publisher Info.:

Bach-Gesellschaft Ausgabe, Band 10 (pp.127-150)
Leipzig: Breitkopf & Härtel, 1860. Plate B.W. X.

Copyright:

Public Domain [tag/del]

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Aria: Es ist und bleibt der Christen Trost (No.6)

 Complete score
#239586 - 0.17MB, 11 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 289x

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wrshannon (2012/7/1)

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wrshannon (2012/7/1)

WIMA.037c-bwv 44.pdf
Editor:

Martin Straeten

Publisher Info.:

Martin Straeten

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Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

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Parts

Aria: Es ist und bleibt der Christen Trost (No.6)

 Soprano solo
#239587 - 0.05MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 63x

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wrshannon (2012/7/1)

 Violins I and II
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wrshannon (2012/7/1)

 Viola
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 Continuo
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wrshannon (2012/7/1)

WIMA.39b0-p s.pdf
Editor:

Martin Straeten

Publisher Info.:

Martin Straeten

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

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These file(s) are part of the Werner Icking Music Collection.

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Vocal Scores

 Complete Score
#24214 - 1.28MB, 22 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 690x

PDF scanned by bh2000
Perlnerd666 (2008/11/9)

PMLP03748-bwv044.pdf
Arranger:

Bernhard Todt (1822–1907)

Language:

German

Publisher Info.:

Leipzig: Breitkopf & Härtel, n.d.(ca.1890). Plate J.S.B. I.

Reprinted:

New York: Edwin F. Kalmus, n.d.(after 1933).

Copyright:

Public Domain [tag/del]

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Vocal Scores based on Bach-Gesellschaft Ausgabe

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Arrangements and Transcriptions

Chorale "Ach Gott, wie manches Herzeleid" (No.4)

For Soprano and Piano (Brahms)

 Complete Score
#23207 - 0.60MB, 4 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 272x

PDF scanned by Brahms Institut
Ivdruiz (2008/10/15)

PMLP53006-BraWV, S. 631.pdf
Arranger:

Johannes Brahms (1833–1897)

Editor:

First edition

Publisher Info.:

Hamburg: Karl Grädener, Boyes & Geisler Nachfolge, n.d.[1877].
Plate ABH 1.7.6.430

Copyright:

Public Domain [tag/del]

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Colour scan with digital watermark

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General Information

Work Title Sie werden euch in den Bann thun [I]
Alternative Title They will place you under a Ban
Composer Bach, Johann Sebastian
Opus/Catalogue Number BWV 44
Movements/Sections 7 movements
  1. Duet: Sie werden euch in den Bann thun (G minor)
  2. Chorus: Es Kömmt aber die Zeit (G minor)
  3. Aria (Alto): Christen müssen auf der Erden (C minor)
  4. Choral: Ach Gott, wie manches Herzeleid (E major)
  5. Recitativo (Bass): Es sucht der Antichrist (G minor-D minor)
  6. Aria (Soprano): Es ist und bleibt der Christen Trost (B major)
  7. Choral: So sei nun, Seele, deine (B major)
Year/Date of Composition 1724
First Performance 1724-05-21 in Leipzig
First Publication 1860 (BGA)
Librettist Anonymous
Language German
Average Duration 22 minutes
Piece Style Baroque
External Links Wikipedia article
Bach-Cantatas.com


Misc. Comments

For the Sunday after Ascension.

Commentary on the movements

  1. Duet: Sie werden euch in den Bann thun. The opening text is in two parts, the first of which is this duet. An imitative texture opens this movement. The low ranges of the voices colours this movement greatly. G minor
  2. Chorus: Es Kömmt aber die Zeit. Following attacca, this movement exposes the rest of the text. The tempo speeds up and the texture thins out until polyphony comes back at "Es kömmt aber die Zeit, daß" (II). G minor
  3. Aria (Alto): Christen müssen auf der Erden. Obbligto oboe supports the alto in this "calm" movement. C minor
  4. Choral: Ach Gott, wie manches Herzeleid. A setting of this choral in the tenor, unornamented, supported by continuo ostinato. E major
  5. Recitativo (Bass): Es sucht der Antichrist. Secco recitative. G minor-D minor
  6. Aria (Soprano): Es ist und bleibt der Christen Trost. A vivid contrast to the somewhat dark tone of the the preceding movements, in more dancing figurations. B major
  7. Choral: So sei nun, Seele, deine. A plain chorale setting. B major

Print Sources Consulted

Oxford: Oxford University Press, 2005.
Cantatas by Johann Sebastian Bach
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