Sie werden euch in den Bann thun, BWV 44 (Bach, Johann Sebastian)
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Performances
Recordings
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Synthesized/MIDI
Aria: Es ist und bleibt der Christen Trost (No.6)
MIDI performance
*#239592 - 0.02MB - ? - (0) - - !N/!N/!N - 16x⇩
Martin Straeten
Martin Straeten
Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]
These file(s) are part of the Werner Icking Music Collection.
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Sheet Music
Full Scores
Complete
Complete Score
*#01179 - 1.94MB, 24 pp. - (2) - V/V/V - 1051x⇩
PDF scanned by Unknown
Feldmahler (2006/8/06)
Wilhelm Rust (1822–1892)
First edition
Bach-Gesellschaft Ausgabe, Band 10 (pp.127-150)
Leipzig: Breitkopf & Härtel, 1860. Plate B.W. X.
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Aria: Es ist und bleibt der Christen Trost (No.6)
Complete score
*#239586 - 0.17MB, 11 pp. - (0) - !N/!N/!N - 139x⇩
Engraving files (PMX/MusiXTeX)
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Martin Straeten
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These file(s) are part of the Werner Icking Music Collection.
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Parts
Aria: Es ist und bleibt der Christen Trost (No.6)
Soprano solo
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Violins I and II
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Martin Straeten
Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]
These file(s) are part of the Werner Icking Music Collection.
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Vocal Scores
Complete Score
*#24214 - 1.28MB, 22 pp. - (0) - V/V/V - 425x⇩
PDF scanned by bh2000
Perlnerd666 (2008/11/9)
Bernhard Todt (1822–1907)
German
Leipzig: Breitkopf & Härtel, n.d.(ca.1890). Plate J.S.B. I.
New York: Edwin F. Kalmus, n.d.(after 1933).
Vocal Scores based on Bach-Gesellschaft Ausgabe
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Arrangements and Transcriptions
Chorale "Ach Gott, wie manches Herzeleid" (No.4)
For Soprano and Piano (Brahms)
Complete Score
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PDF scanned by Brahms Institut
Ivdruiz (2008/10/15)
Johannes Brahms (1833–1897)
First edition
Hamburg: Karl Grädener, Boyes & Geisler Nachfolge, n.d.[1877].
Plate ABH 1.7.6.430
Colour scan with digital watermark
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General Information
| Work Title | Sie werden euch in den Bann thun [I] |
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| Alternative Title | They will place you under a Ban |
| Composer | Bach, Johann Sebastian |
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| Opus/Catalogue Number | BWV 44 |
| Movements/Sections | 7 movements
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| Year/Date of Composition | 1724 |
| First Performance | 1724-05-21 in Leipzig |
| First Publication | 1860 (BGA) |
| Librettist | Anonymous |
| Language | German |
| Average Duration | 22 minutes |
| Piece Style | Baroque |
| External Links | Wikipedia article Bach-Cantatas.com |
Misc. Comments
For the Sunday after Ascension.
Commentary on the movements
- Duet: Sie werden euch in den Bann thun. The opening text is in two parts, the first of which is this duet. An imitative texture opens this movement. The low ranges of the voices colours this movement greatly. G minor
- Chorus: Es Kömmt aber die Zeit. Following attacca, this movement exposes the rest of the text. The tempo speeds up and the texture thins out until polyphony comes back at "Es kömmt aber die Zeit, daß" (II). G minor
- Aria (Alto): Christen müssen auf der Erden. Obbligto oboe supports the alto in this "calm" movement. C minor
- Choral: Ach Gott, wie manches Herzeleid. A setting of this choral in the tenor, unornamented, supported by continuo ostinato. E♭ major
- Recitativo (Bass): Es sucht der Antichrist. Secco recitative. G minor-D minor
- Aria (Soprano): Es ist und bleibt der Christen Trost. A vivid contrast to the somewhat dark tone of the the preceding movements, in more dancing figurations. B♭ major
- Choral: So sei nun, Seele, deine. A plain chorale setting. B♭ major
Print Sources Consulted
- Dürr, Alfred. The Cantatas of J.S. Bach. 2 ed. Richard D.P. Jones (Trans).
- Oxford: Oxford University Press, 2005.
- Recordings
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- Straeten, Martin/Editor
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- Bach, Johann Sebastian
- Baroque
- Sacred cantatas
- Cantatas
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- German language
- For voice, piano (arr)
- For voices with keyboard
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