Sortable list of compositions by Sergei Taneyev
Free public domain sheet music from IMSLP / Petrucci Music Library
- This list of compositions is manually maintained, therefore some of the available pieces may not yet be linked from this list. For an automatically generated alphabetical list of all available pieces, please see Category:Taneyev, Sergei.
The following information is given for each work:
- Op. — opus numbers.
- English Title — all Russian titles are translated into English.
- Original Title — as used by the composer (usually in Russian).
- Year — date of composition or arrangement, where known.
- Key — lower case is used for minor keys, and upper case for major keys (e.g. "c" = C minor, but "C" = C major).
- Genre — works are grouped in the following broad categories: Stage, Orchestral, Choral (for groups of voices), Vocal (for individual voices), Chamber, and Keyboard.
- Notes — descriptions, scoring, comments, etc.
| Op. | English Title | Original Title | Year | Key | Genre | Notes |
|---|---|---|---|---|---|---|
| – | Oresteia | Орестея | 1887–94 | Stage | Opera-trilogy in 8 scenes, to words by Aleksey Venkstern, based on a story by Aeschylus. Themes re-used in overture Oresteia, Op.6 (1889). |
|
| – | Quadrille | Квадрил | 1872–73 | D | Orchestral | For small orchestra. |
| – | Symphony No.1 | Симфония № 1 | 1873–74 | e | Orchestral | |
| – | Symphony No.2 | Симфония № 2 | 1877–78 | b♭ | Orchestral | unfinished; 3 movements only. |
| – | Symphony No.3 | Симфония № 3 | 1884 | d | Orchestral | |
| 12 | Symphony No.4 | Симфония № 4 | 1896–98 | c | Orchestral | Originally published as "Symphony No.1". |
| – | Overture | Увертюра | 1874–75 | g | Orchestral | |
| – | Overture | Увертюра | 1875 | d | Orchestral | |
| – | Adagio | Adagio | 1875? | C | Orchestral | For small orchestra. |
| – | Overture on a Russian Theme | Увертюра на русскую тему | 1882 | C | Orchestral | |
| 6 | Oresteia | Орестея | 1889 | Orchestral | Overture based on themes from the opera-trilogy of the same name (1887–94). Also arranged by the composer for piano 4 hands. |
|
| – | Symphony for Children’s Instruments | Симфония для детские инструментов | 1895? | Orchestral | ||
| – | Piano Concerto | Фортепианное концерт | 1875–76 | E♭ | Concertante | unfinished; 2 movements only. |
| – | Canzona | Канцона | 1883 | f | Concertante | For clarinet and string orchestra or string quintet. |
| 28 | Concert Suite
|
Концертная сюита (5):
|
1908–09 | Concertante | For violin solo and orchestra. Also arranged by the composer for violin with piano. |
|
| – | Glory to N.G. Rubinstein | Слава Н. Г. Рубинштейну | 1874 | Choral | For 4 solo voices, chorus and orchestra, to words by Ivan Samarin; based on the Russian Folksong "Glory to you, God" ( Слава Богу на небе). | |
| – | I Have Built myself a Monument not Made by Hands | Я памятник себе воздвиг нерукотворный | 1880 | E♭ | Choral | Cantata for the unveiling of the Pushkin memorial in Moscow, to words by Alexander Pushkin, for chorus and orchestra. |
| 1 | John of Damascus | Иоанн Дамаскин | 1883–84 | Choral | Cantata for mixed chorus and orchestra, to words by Aleksey Tolstoy | |
| 36 | At the Reading of a Psalm | По прочтении псалма | 1912–15 | Choral | Cantata for 4 solo voices, chorus and orchestra, to wordsy by Aleksey Khomyakov | |
| – | God be Merciful unto Us | Божe! будь милостив к нам | 1874–75 | Choral | For SATB chorus. | |
| – | The Pine | Сосна | 1877 | Choral | For SATB chorus, to words by Mikhail Lermontov. | |
| – | Serenade | Сeренада | 1877 | Choral | For SATB chorus, to words by "A.K.". | |
| – | Venice at Night | Венеция ночью | 1877 | Choral | For SATB chorus, to words by Afanasy Fet. Revised as No.1 of 3 Choruses for Male Voices (1880), and again as No.1 of 2 Romances (1896–97). |
|
| – | Civil Servants' Quartet | Квартeт чиновников | 1879 | Choral | For solo voice, chorus and string quartet. | |
| – | Fugue on a Russian Folksong | Фуга на русские песен | 1879 | Choral | For SATB chorus. | |
| – | Netherlandish Fantasia on a Russian Theme | Нидерландская фантазия на русскую тему | 1880 | Choral | For 12 voices | |
| – | Cherubim's Song | Хeрувимская | 1880 | Choral | For SSATBB voices | |
| – | Ceremonial Chorus for the Arrival of Guests | Торжественный хор для прибытия гостей | 1880 | Choral | ||
| – | Choruses for Male Voices (3)
|
Хора для мужских голосов (3)
|
1880 | Choral | To words by Afanasy Fet (Nos.1–2), Alexey Koltsov (No.3). No.2 is the 2nd version of the chorus Venice at Night (1877), and was revised as No.1 of 2 Romances (1896–97). |
|
| – | I Want to Lie in Bed | Лeчь бы в кровати | 1880 | Choral | Comic canon to words by the composer. | |
| – | Comic Fugues (2):
|
Шуточный хор-фугы (2):
|
1880 | Choral | For alto, baritone and bass (No.1) or alto, tenor and bass (No.2), to words by Kozma Prutkov. | |
| – | Once to a Priest's Wife | Однажды к попадье | 1880 | Choral | Terzetto for 3 bass voices, to words by Kozma Prutkov | |
| – | Apotheosis of the Artist | Апофeоз художника | 1881 | Choral | Cantata for bass, chorus and piano, to words by the composer | |
| – | First Verse | Ирмос | 1881 | Choral | From the First Hymn of Epiphany, for SATB chorus. | |
| – | Choruses for Male Voices (2):
|
Хора для мужских голосов (2):
|
1881 | Choral | To words by Nikolay Yazykov | |
| – | Evening Song | Вечерняя песня | 1881 | Choral | For male voices, to words by Aleksey Khomyakov | |
| – | Fugue | Фуга | 1883 | c | Choral | For SATB voices |
| – | Sacred Pieces (3)
|
Духовно-музыкальных сочинений (3):
|
1883 | Choral | For 5 voices (No.1), 4 voices (No.2) and 3 voices (No.3). | |
| – | Madrigal | Мадригал | 1884 | Choral | Terzetto for soprano, alto and bass voices, to words by the composer | |
| – | Glory to Saints Cyril and Methodius | Слава святых Кириллу и Мефодию | 1885 | Choral | For SATB chorus | |
| – | Tomorrow I Shall Sit by the Little Window | Сяду завтра я к окошeчку | 1887 | Choral | Romance for 4 solo voices, to words by the composer | |
| – | The Knight Struck Down | Сражeнный рыцарь | 1887 | Choral | For BBBB voices, to words by Alexander Pushkin | |
| – | Terzettos (2):
|
Терцета (2):
|
1887 | Choral | For BBB voices, to words by Gavriil Derzhavin | |
| – | The Echo | Эхо | 1888 | Choral | For SATBB voices, to words by Alexander Pushkin | |
| – | Comic Canons for Leonid Sabaneyev (3) | Шуточных каноны для Леонида Сабанеева (3) | 1895 | Choral | For mixed voices, to Esperanto texts. | |
| 8 | Sunrise | Восход солнца | 1897? | Choral | For mixed chorus, to words by Fyodor Tyutchev. | |
| 10 | From Border to Border | Из края в край | 1898–99 | Choral | For double chorus, to words by Fyodor Tyutchev | |
| 15 | Choruses a cappella (2):
|
Хора a cappella (2):
|
1900 | Choral | For mixed voices, to words by Aleksey Khomyakov (No.1), Fyodor Tyutchev (No.2). | |
| 27 | Choruses a cappella (12):
|
Хоров a cappella (12):
|
1909 | Choral | For mixed chorus in 4 parts (Nos.1–4), 5 parts (Nos. 5–8), 6 to 8 parts (Nos. 9–12), to words by Yakov Polonsky. | |
| – | Choruses (2):
|
Хора (2):
|
1909–10? | Choral | Quintets for SATBB voices, to words by George Byron. | |
| 35 | Choruses a cappella for male voices (16):
|
Хоры a cappella для мужских голосов (16):
|
1912–13 | Choral | To words by Konstantin Balmont. | |
| – | Summer Night | Лeтньая ночь | 1874 | Vocal | For voice with piano, to words by Nikolay Grekov. | |
| – | With Treachery the Servant Slew the Paladin | Измeной слуга паладина убил | 1874 | Vocal | For voice with piano, to words by Vasily Zhukovsky. | |
| – | The Moon in a Blue Sky | Луна на нeбеголубом | 1876 | Vocal | For soprano with piano, to words by Nikolay Yazykov. | |
| – | From Medieval Life | Из среднeвоковой жизни | 1876–80? | Vocal | For voice with piano, to words by the composer. | |
| – | The Valley in the Evening Twilight | В вечeрнем сумраке долина | 1877 | Vocal | Duet for 2 basses with piano, to words by Nikolay Ogarev. | |
| – | What's in My Name for You? | Что тебев имeни моем? | 1877 | Vocal | Eclogue for soprano with piano, to words by "N." | |
| – | Songs (3):
|
Песен (3):
|
1877 | Vocal | For voice with piano, to T. S. Sikorskaya's translation of Sully Prudhomme
(No.1), A. Borovikovsky (No.2); Afanasy Fet (No.3). No.3 was revised as No.10 of 10 Romances, Op.17 (1905). |
|
| – | The Godsend | Находка | 1878 | Vocal | For voice with piano, after V. P. Kolomitsova's translation of word by Johann Wolfgang von Goethe. | |
| – | Duets (2):
|
Дуэта (2):
|
1879 | Vocal | For 2 basses with piano, to words by Afanasy Fet | |
| – | Terzettos (2):
|
Терцета (2):
|
1880 | Vocal | For tenor, baritone and bass with piano, to words by Apollon Maykov. | |
| – | A Voice in the Forest | Голос в лeсу | 1880 | Vocal | For tenor with piano, to words by Apollon Maykov. | |
| – | It Blows from the Lake | С озера веет прохлада и нега | 1881 | Vocal | Terzetto for soprano, alto and tenor with piano, to words by Friedrich Schiller. Revised for soprano, alto and tenor with orchestra (1909) |
|
| – | From Schiller | Из Шиллера | 1881 | Vocal | Duet for tenor and bass with piano, to words by Fyodor Tyutchev | |
| – | Noon | Полдень | 1881 | Vocal | Duet for alto and bass with piano, to words by Fyodor Tyutchev | |
| – | Songs (3):
|
Песни (3):
|
1882 | Vocal | For voice with piano and harp, to words by the composer. | |
| – | How Spoiled You Are, Silvery Night | Как нежишь ты, серебряная ночь | 1883 | Vocal | Duet for tenor and bass with piano, to words by Afanasy Fet. Revised as Op.18/1 |
|
| – | Duets (2)
|
Дуэта (2):
|
1884 | Vocal | For 2 basses with piano, to words by Alexander Pushkin. No.2 was revised as Op.18/2. |
|
| – | Not the Wind Blowing from the Heights | Не ветер, вея с высоты | 1884 | Vocal | Serenade on the departure of the Marquise de Fige, for bass with piano, to words by Aleksey Tolstoy. Revised as No.5 of 10 Romances, Op.17 (1905). |
|
| – | The Sea Heaves | Колышeця морe | 1884 | Vocal | For bass with piano, to words by Aleksey Tolstoy. | |
| – | Duets (2)
|
Дуэта (2):
|
1886 | Vocal | For 2 basses with piano, to words by Alexander Pushkin (No.1) and Nikolay Grekov (No.2). | |
| – | From Hafiz | Из Гафиз | 1886 | Vocal | For baritone with piano, to words by Fyodor Maslov | |
| – | To Adèle | Адели | 1887 | Vocal | Quartet for 4 basses with piano, to words by Alexander Pushkin. Revised as Op.24/2. |
|
| – | To Her | К ней | 1890 | Vocal | For voice with piano, to words by Afanasy Fet | |
| – | The Approach of Spring | Близость весны | 1891 | Vocal | Duet for soprano and alto with piano, to words by Vasily Zhukovsky | |
| – | Duets (2):
|
Дуэта (2):
|
1891 | Vocal | For soprano and alto with piano, to translations by Mikhail Lermontov of words by Johann Wolfgang von Goethe (No.1) and Heinrich Heine (No.2). | |
| – | The Evening Bell | Сонорилои ди вeсперо | 1894–96? | Vocal | For voice with piano, to an Esperanto text | |
| – | From Shelley (3):
|
Из Шелли (3):
|
1895 | Vocal | For voice with piano, to Konstantin Balmont's translation of words by Percy Bysshe Shelley. Revised as Nos.2 & 3 of 10 Romances, Op.17 (1905). |
|
| – | Cradle Song | Колибeльная пeсня | 1896 | Vocal | For voice with piano, to Konstantin Balmont's translation of words by Percy Bysshe Shelley | |
| – | Prayer | Сепремас мин долорe | 1896 | Vocal | For voice with piano, to an Esperanto translation of words by Mikhail Lermontov | |
| 9 | Romances (2):
|
Романса (2)
|
1896–97 | Vocal | For voice with piano and mandolin, to words by Afanasy Fet (No.1) and "A.K." (No.2). Revised versions of the individual choruses Venice at Night (1877) and Serenade (1877). |
|
| 18 | Duets (2):
|
Дуэта (2):
|
1900–05 | Vocal | For mezzo-soprano and tenor (No.1) or tenor and baritone (No.2), with piano, to words by Afanasy Fet (No.1), Alexander Pushkin (No.2). Also arranged by the composer for voices with orchestra. No.1 is the 2nd version of How Spoiled You Are (1883) No.2 is the 2nd version of Bacchic Song (1884). |
|
| 17 | Romances (10):
|
Романсов (10):
|
1905 | Vocal | For voice with piano, to Balmont's translation of words by Shelley (Nos.1–4), Aleksey Tolstoy (No.5); Ellis's translation of L. Stecchetti (No.6), Nikolay Shcherbina (No.7); Afanasy Fet (Nos.8 & 10); Nikolay Nekrasov (No.9). Nos.2 & 3 are the 2nd version of From Shelley (1895). No.5 is the a revised version of Not the Wind Blowing from the Heights (1884). No.7 was written in 1878. No.10 is a revised version of No.3 of 3 Songs (1877). |
|
| 24 | Quartets (2):
|
Квартета (2):
|
1907 | Vocal | For 2 sopranos, alto and tenor with piano, to words by Alexander Pushkin. No.2 is 2nd version of To Adèle (1887). |
|
| – | Still Sweltering from the Heat | Неостывшая от зноя | 1907 | Vocal | Trio for soprano, alto and tenor with piano, to words by Fyodor Tyutchev; originally intended to be part of Op.23 | |
| 23 | Terzettos (3):
|
Терцета (3)
|
1907 | Vocal | For soprano, alto and tenor with piano, to words by Fyodor Tyutchev | |
| 26 | Romances from Ellis's Immortelles] (10):
|
Стихотворений из сборника Эллисъ «Иммортели» (10):
|
1908 | Vocal | For voice with piano, to translations by "Ellis" [pseudonym of Lev Kobylinsky] of words by Thomas Moore (No.1); Dante Alighieri (No.2), Maurice Maeterlinck (No.3); Charles Baudelaire (Nos.4–5); Sully Prudhomme (No.6); Georges Rodenbach (No.7); José Maira Heredia (No.8); C. D'Orias (No.9); Friedrich Nietzsche (No.10). No.2 was also arranged by the composer for voice, piano, violin and cello. |
|
| 25 | It Blows from the Lake | С озера веет прохлада и нега | 1909 | Vocal | Terzetto for soprano, alto and tenor with orchestra, to words by Friedrich Schiller. Revision of 1st version (1881). |
|
| 32 | Poems (4):
|
Стихотворения (4):
|
1911 | Vocal | For voice with piano, to words by Yakov Polonsky. | |
| 33 | Poems (5):
|
Стихотворений (5):
|
1911 | Vocal | For voice with piano, to words by Yakov Polonsky. | |
| 34 | Poems (7):
|
Стихотворений (7):
|
1911–12 | Vocal | For voice with piano, to words by Yakov Polonsky. | |
| – | String Quartet | Струнный квартет | 1874–76 | d | Chamber | unfinished; 2 movements only. |
| – | March | Марш | 1877 | Chamber | For 2 pianos, harmonium, 3 trombones, cello, oboe, glockenspiel and one other instrument. | |
| – | String Trio | Струнное трио | 1879–80 | D | Chamber | For violin, viola and cello. |
| – | String Quartet | Струнный квартет | 1880 | E♭ | Chamber | For 2 violins, viola and cello. |
| – | String Quartet | Струнный квартет | 1882–83 | C | Chamber | For 2 violins, viola and cello. |
| – | String Quartet | Струнный квартет | 1883 | A | Chamber | For 2 violins, viola and cello. |
| 7 | String Quartet | Струнный квартет | 1886 | d | Chamber | For 2 violins, viola and cello. Revised in 1896 |
| 4 | String Quartet No.1 | Струнный квартет № 1 | 1890 | b♭ | Chamber | For 2 violins, viola and cello |
| – | Sonatina for Jan Hřímalý | Сонатина для И. Гржимали | 1895 | A | Chamber | For violin with piano; 1st movement only (the remaining movements were contributed by Sergey Morozov, Arseny Koreshchenko and Georgy Konyus). |
| 5 | String Quartet No.2 | Струнный квартет № 2 | 1894–95 | C | Chamber | For 2 violins, viola and cello. |
| – | Variations on a Favourite Theme | Варияции на любимейшей теме | 1897 | Chamber | For mandolin, violin and piano. | |
| 11 | String Quartet No.4 | Струнный квартет № 4 | 1898–99 | a | Chamber | For 2 violins, viola and cello. |
| 14 | String Quintet No.1 | Струнный квинтет № 1 | 1900–01 | G | Chamber | For 2 violins, viola and 2 cellos. Revised in 1903. |
| 13 | String Quartet No.5 | Струнный квартет № 5 | 1902–03 | A | Chamber | For 2 violins, viola and cello. |
| 20 | Piano Quartet | Фортепианный квартет | 1902–06 | E | Chamber | For piano, violin, viola and cello. |
| 16 | String Quintet No.2 | Струнный квинтет № 2 | 1903–04 | C | Chamber | For 2 violins, 2 violas and cello. |
| 19 | String Quartet No.6 | Струнный квартет № 6 | 1903–05 | B♭ | Chamber | For 2 violins, viola and cello. |
| 21 | String Trio | Струнное трио | 1907 | D | Chamber | For 2 violins and viola. |
| 22 | Piano Trio | Фортенианное трио | 1906–08 | D | Chamber | For piano, violin and cello. |
| 31 | String Trio | Струнное трио | 1910–11 | E♭ | Chamber | For violin, viola and tenor viola. |
| 30 | Piano Quintet | Фортенианный квинтет | 1910–11 | g | Chamber | For piano, 2 violins, viola and cello |
| – | String Quartet | Струнный квартет | 1911 | c | Chamber | For 2 violins, viola and cello; unfinished (2 movements only) |
| – | Sonata | Соната | 1911 | a | Chamber | For violin and piano. |
| – | Andante | Andante | ? | E♭ | Chamber | For 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns. |
| – | String Trio | Струнное трио | ? | b | Chamber | For violin, viola and cello; unfinished (2 movements only) |
| – | Theme and Variations | Тема и вариации | 1874 | c | Keyboard | For piano solo. |
| – | Piano Sonata | Фортепианная соната | 1874–75 | E♭ | Keyboard | For piano solo; unfinished (1st movement only). |
| – | Scherzo | Скерцо | 1874–75 | e♭ | Keyboard | For piano solo. |
| – | Scherzos (4) | Скерцы (4) | 1875 | F C g d |
Keyboard | For piano solo. |
| – | Pieces (4)
|
Пьесы (4):
|
1879–81 | A d f♯ B♭ |
Keyboard | For piano solo |
| – | Cadenzas (2) | Каденции (2) | 1880 | E♭ | Keyboard | For the 1st and 3rd movements of the Concerto No.10 in E♭ for 2 pianos (KV 365) by Wolfgang Amadeus Mozart |
| – | March | Марш | 1881 | C | Keyboard | For piano 4 hands |
| – | The Composer’s Birthday | Дeнь рождeния композитора | 1892 | Keyboard | For piano solo; a musical joke based on themes by Tchaikovsky. | |
| – | Choral Variations | Хоровые варияция | 1894 | Keyboard | For organ | |
| – | Prelude | Прелюдия | 1894–95 | F | Keyboard | For piano solo; also arranged for piano 4 hands by the composer (1896) |
| – | Improvisations (4):
|
Импровизаций (4):
|
1896 | e C b♭ f |
Keyboard | For piano solo; composed jointly with Anton Arensky, Alexander Glazunovand Sergei Rachmaninoff. |
| 29 | Prelude and Fugue | Прелюдия и фуга | 1910 | g♯ | Keyboard | For piano solo. Also arranged by the composer for 2 pianos (1914) |
| – | Andantino semplice | Andante semplice | ? | Keyboard | For piano solo | |
| – | Symphony No.4 (Tchaikovsky) | Симфония № 4 (Чайковский) | 1878 | f | Keyboard | Arrangement for piano 4 hands of the Symphony No.4 (Op.36) by Pyotr Ilyich Tchaikovsky. |
| – | Italian Songs (2):
|
Итальянские песен (2):
|
1880 | Vocal | Arranged for SATB (No.1), SAB (No.2) soloists, with piano. | |
| – | Suite (Arensky) | Сюита (Аренский) | 1886? | g | Keyboard | Arrangement for piano 4 hands of the 1st movement from the suite for orchestra (Op.7) by Anton Arensky. |
| – | Symphony No.5(Tchaikovsky) | Симфония № 5 (Чайковский) | 1888 | e | Keyboard | Arrangement for piano 4 hands of the Symphony No.5 (Op.64) by Pyotr Ilyich Tchaikovsky. |
| – | Not a Word, o my Friend (Tchaikovsky) | Ни слова, о друг мой (Чайковский) | 1891 | Vocal | Arrangement for voice with orchestra of the romance (Op.6/2) by Pyotr Ilyich Tchaikovsky. | |
| – | Do Not Leave Me (Tchaikovsky) | Не отходи от меня (Чайковский) | 1891 | Vocal | Arrangement for voice with orchestra of the romance (Op.27/3) by Pyotr Ilyich Tchaikovsky. | |
| – | The Terrible Moment (Tchaikovsky) | Страшная минута (Чайковский) | 1891 | Vocal | Arrangement for voice with orchestra of the romance (Op.28/6) by Pyotr Ilyich Tchaikovsky. | |
| – | In the Garden, by the Ford (Tchaikovsky) | В огороде, возле броду (Чайковский) | 1891 | Vocal | Arrangement for voices with orchestra of the duet (Op.46/4) by Pyotr Ilyich Tchaikovsky. | |
| – | Song of a Gypsy Girl (Tchaikovsky) | Песнь цыганки (Чайковский) | 1891 | Vocal | Arrangement for voice with orchestra of the romance (Op.60/7) by Pyotr Ilyich Tchaikovsky. | |
| – | Serenade (Tchaikovsky) | Серенада (Чайковский) | 1891 | Vocal | Arrangement for voice with orchestra of the romance (Op.63/6) by Pyotr Ilyich Tchaikovsky. | |
| – | Iolanta (Tchaikovsky) | Иоланта (Чайковский) | 1892 | Stage | Arrangement of vocal score for the lyric opera in 1 act (Op.69) by Pyotr Ilyich Tchaikovsky. | |
| – | The Nutcracker (Tchaikovsky) | Щелкунчик (Чайковский) | 1892 | Stage | Arrangement for piano solo of the fairy ballet in 2 acts (Op.71) by Pyotr Ilyich Tchaikovsky. | |
| – | Night (Tchaikovsky) | Ночь (Чайковский) | 1893 | Vocal | Arrangement for SATB soloists with orchestra of the quartet (TH 88) by Pyotr Ilyich Tchaikovsky. | |
| – | Romeo and Juliet (Tchaikovsky) | Ромео и Джульетта (Чайковский) | 1894 | Vocal | Completion of the duet for soprano, tenor and orchestra (TH 215) by Pyotr Ilyich Tchaikovsky. | |
| – | Symphony No.5 (Glazunov) | Симфония № 5 (Глазунов) | 1896 | B♭ | Keyboard | Arrangement for piano 4 hands of the Symphony No.5 (Op.55) by Alexander Glazunov. |
| – | Andante and Finale (Tchaikovsky) | Andante и Финал (Чайковский) | 1896 | B♭–E♭ | Concertante | Completion of two movements for piano and orchestra (Op.79) by Pyotr Ilyich Tchaikovsky. |
| – | Impromptu (Momento lirico) (Tchaikovsky) | Экспромт (Чайковский) | 1897 | A♭ | Keyboard | Completion of the piano piece Moment lyrique (TH 149) by Pyotr Ilyich Tchaikovsky. |
| – | The Barber of Seville (Tchaikovsky) | Севильский циргюльник (Чайковский) | 1905 | Stage | Arrangement for tenor with piano of the music for Count Almaviva's couplets (TH 18) by Pyotr Ilyich Tchaikovsky. | |
| – | Hymn to Art (Arensky) | Гимн искусств (Аренский) | 1913 | Choral | Arrangement of vocal score for the cantata by Anton Arensky. | |
| – | Ukrainian Folk Songs | Украинские народные песни | 1880–90? | Vocal | Arranged for voice with or without piano, from the collection by V. D. Stengelmeier. | |
| – | Ukrainian Folk Songs (8): | Малорусских песен (8):
|
1880–90? | Vocal | Arranged for voice with piano from a collection by Nikolay Ianchuk. |


