Sortable list of works by Pyotr Ilyich Tchaikovsky
Free public domain sheet music from IMSLP / Petrucci Music Library
- This list of compositions is manually maintained, therefore some of the available pieces may not yet be linked from this list. For an automatically generated alphabetical list of all available pieces, please see Category:Tchaikovsky, Pyotr Ilyich.
Contents |
The two tables below give the following informaton for works by Pyotr Ilyich Tchaikovsky (where applicable):
- TH. — numbering as given in A. Poznansky & B. Langston, The Tchaikovsky Handbook, vol.1. Indiana University Press, 2002. ISBN 0253339219.
- Op. — opus numbers.
- Original Author — only given in cases where Tchaikovsky arranged or edited a work by another composer.
- Title — as used on IMSLP; these are usually translated into English, with Russian (Cyrillic) following in parentheses, but some French and Italian are given where there are widely used in preference to their English equivalents (e.g. Souvenir de Florence).
- Forces — the instrumentation used.
- Key — the principal key of the work.
- Date — the year(s) of composition or arrangement, where known.
- Genre — works are grouped in the following broad categories: Stage, Orchestra, Concerto, Choral (for many voices), Vocal (for individual voices), Chamber, Keyboard, and Writings. The note "[arr.]" indicates the composer's own arrangement of a work shown elsewhere in the table.
Original Works
Click on the column headings to sort alphabetically or by year/opus number.
| TH | Opus | Title | Forces | Key | Date | Genre | Notes |
|---|---|---|---|---|---|---|---|
| 1 | 3 | The Voyevoda (Воевода) | Solo Voices, Chorus (SATB), Orchestra | 1867–68 | Stage | opera in 3 acts and 4 scenes; mostly destroyed by Tchaikovsky, but reconstructed posthumously; see also Potpourri on Themes from "The Voyevoda" (TH 128) | |
| 1 | 3 | The Voyevoda (Воевода) [arr.] | Solo Voices, Chorus (SATB), Orchestra | 1868 | Stage | vocal score; partly destroyed by Tchaikovsky, but reconstructed posthumously; | |
| 1 | 3 |
| Piano | 1867 | Stage | arrangement of Entr'acte and Dances of the Chambermaids (Act II, No.4) from The Voyevoda (TH 1) | |
| 1 | 3 |
| Piano (4 hands) | 1868 | Stage | arr. of Entr'acte and Dances of the Chambermaids (Act II, No.4) from The Voyevoda (TH 1) | |
| 2 | – | Undina (Ундина) | Solo Voices, Chorus (SATB), Orchestra | 1869 | Stage | opera in 3 acts; mostly destroyed by the composer | |
| 2 | – | Undina (Ундина) [arr.] | Solo Voices, Chorus (SATB), Piano | 1869 | Stage | vocal score; destroyed by the composer | |
| 3 | – | The Oprichnik (Опричник) | Solo Voices, Chorus (SATB), Orchestra | 1870–72, rev.1874–78 | Stage | opera in 4 acts and 5 scenes; see also Funeral March on themes from the opera (TH 137) | |
| 3 | – | The Oprichnik (Опричник) [arr.] | Solo Voices, Chorus (SATB), Piano | 1872–73, rev.1874–78 | Stage | vocal score | |
| 4 | 14 | Vakula the Smith (Кузнец Вакула) | Solo Voices, Chorus (SATB), Orchestra | 1874 | Stage | comic opera in 3 acts and 8 scenes; 1st version of Cherevichki (TH 8). | |
| 4 | 14 | Vakula the Smith (Кузнец Вакула) [arr.] | Solo Voices, Chorus (SATB), Piano | 1874 | Stage | vocal score, including arrangements for piano 4 hands of Overture,Russian Dance (Act III, No.16) and Cossack Dance (Act III, No.17). | |
| 5 | 24 | Eugene Onegin (Евгений Онегин) | Solo Voices, Chorus (SATB), Orchestra | 1877–78, rev.1880, 1885 | Stage | lyrical scenes in 3 acts and 7 tableaux | |
| 5 | 24 | Eugene Onegin (Евгений Онегин) [arr.] | Solo Voices, Chorus (SATB), Piano | 1877–78, rev. 1880, 1885 | Stage | vocal score | |
| 6 | – | The Maid of Orleans (Орлеанская дева) | Solo Voices, Chorus (SATB), Orchestra | 1878–79, rev.1880, 1882 | Stage | opera in 4 acts and 6 scenes | |
| 6 | – | The Maid of Orleans (Орлеанская дева) [arr.] | Solo Voices, Chorus (SATB), Piano | 1879, rev.1880, 1882 | Stage | vocal score, arranged by the composer with Iosif Kotek, Yury Messer and Sergei Taneyev | |
| 7 | – | Mazeppa (Мазепа) | Solo Voices, Chorus (SATB), Orchestra | 1881–83, rev.1883–85 | Stage | opera in 3 acts and 6 scenes | |
| 7 | – | Mazeppa (Мазепа) [arr.] | Solo Voices, Chorus (SATB), Piano | 1882–83, rev.1883–85 | Stage | vocal score | |
| 8 | – | Cherevichki (Черевички) | Solo Voices, Chorus (SATB), Orchestra | 1885 | Stage | comic-fantastic opera in 4 acts and 8 scenes 2nd version of Vakula the Smith (TH 4). | |
| 8 | – | Cherevichki (Черевички) [arr.] | Solo Voices, Chorus (SATB), Piano | 1885 | Stage | vocal score, arranged by the composer with Alexandra Hubert | |
| 9 | – | The Enchantress (Чародейка) | Solo Voices, Chorus (SATB), Orchestra | 1885–87 | Stage | opera in 4 acts | |
| 9 | – | The Enchantress (Чародейка) [arr.] | Solo Voices, Chorus (SATB), Piano | 1886–87 | Stage | vocal score | |
| 10 | 68 | The Queen of Spades (Пиковая дама) | Solo Voices, Chorus (SATB), Orchestra | 1890 | Stage | opera in 3 acts and 7 scenes | |
| 10 | 68 | The Queen of Spades (Пиковая дама) [arr.] | Solo Voices, Chorus (SATB), Piano | 1890 | Stage | vocal score | |
| 11 | 69 | Iolanta (Иоланта) | Solo Voices, Chorus (SATB), Orchestra | 1891 | Stage | lyrical opera in 1 act | |
| 12 | 20 | Swan Lake (Лебединое озеро) | Orchestra | 1875–76, rev. 1877 | Stage | grand ballet in 4 acts; revised posthumously by Riccardo Drigo and others; see also the suite from the ballet (TH 219), published posthumously. | |
| 13 | 66 | The Sleeping Beauty (Спящая красавица) | Orchestra | 1888–89 | Stage | ballet in a 3 acts and 4 scenes with prologue; see also the suite from the ballet (TH 234), published posthumously | |
| 14 | 71 | The Nutcracker (Щелкунчик) | Orchestra, Chorus (SA or Children, ad lib) | 1891–92 | Stage | fairy ballet in 2 acts and 3 scenes; see also the suite from the ballet (TH 35) | |
| 14 | 71 | The Nutcracker (Щелкунчик) [arr.] | Piano | 1892 | Stage | ||
| 15 | – | Boris Godunov (Борис Годунов) | Orchestra | 1863–65? | Stage | music for the "Fountain Scene" in Alexander Pushkin's tragedy; lost. | |
| 16 | – | Dmitry the Pretender and Vasily Shuysky (Дмитрий Самозванец и Василий Шуйский) | Orchestra | 1866–67 | Stage | incidental music (2 numbers) | |
| 16 | – |
| Orchestra | A minor | 1866–67 | Stage | based on the Theme with Variations for piano (TH 121) |
| 16 | – |
| Orchestra | D minor | 1866–67 | Stage | 1st version of the Mazurka de salon (TH 131/3). |
| 16 | – |
| Piano | D minor | 1867 | Keyboard | |
| 17 | – | The Tangle (Путаница) | Voices, Piano (?) | 1867 | Stage | recitatives and music to a couplet for Pavel Fyodorov's vaudeville; lost. | |
| 18 | – | The Barber of Seville (Севильский циргюльник) | Tenor, 2 Violins | 1872 | Stage | music for Count Almaviva's couplets in Beaumarchais' comedy | |
| 19 | 12 | The Snow Maiden (Снегурочка) | Alto, 2 Tenors, Chorus (SATB), Orchestra | 1873 | Stage | incidental music to Alexander Ostrovsky's spring legend (19 numbers) | |
| 19 | 12 | The Snow Maiden (Снегурочка) [arr.] | Alto, 2 Tenors, Chorus (SATB), Piano | 1873 | Stage | vocal score | |
| 20 | – | The Fairy (Фея) | 1879 | Stage | cradle song and waltz for Octave Feuillet's comedy; lost. | ||
| 21 | – | Montenegro (Черногория) | Orchestra | 1880 | Stage | incidental music for a tableau vivant; lost. | |
| 22 | – | The Voyevoda (Воевода) | Orchestra | 1886 | Stage | melodrama for the Domovoy's monologue in Alexander Ostrovsky's play. | |
| 23 | 67a | Hamlet (Гамлет) | Soprano, Baritone, Orchestra | 1891 | Stage | incidental music to Shakespeare's tragedy; the overture is an abridged version of the overture-fantasia Hamlet (TH 53) | |
| 24 | 13 | Symphony No.1, | Orchestra | G minor | 1866–68, rev. 1874 | Orchestra | "Winter Daydreams" («Зимние грезы») |
| 25 | 17 | Symphony No.2 | Orchestra | C minor | 1872, rev. 1879–80 | Orchestra | "Little Russian" (unofficial nickname) |
| 25 | 17 | Symphony No.2 [arr.] | Piano (4 hands) | C minor | 1873, rev. 1880 | Orchestra | |
| 26 | 29 | Symphony No.3 | Orchestra | D major | 1875 | Orchestra | "Polish" (unofficial nickname) |
| 27 | 36 | Symphony No.4 | Orchestra | F minor | 1877 | Orchestra | |
| 28 | 58 | Manfred (Манфред) | Orchestra | B minor | 1885 | Orchestra | 'Symphony in 4 scenes' based on George Byron's dramatic poem. |
| 28 | 58 | Manfred (Манфред) [arr.] | Piano (4 hands) | B minor | 1885 | Orchestra | arr. by Tchaikovsky and Alexandra Hubert |
| 29 | 64 | Symphony No.5 | Orchestra | E minor | 1888 | Orchestra | |
| 30 | 74 | Symphony No.6 | Orchestra | B minor | 1893 | Orchestra | "Pathétique" («Патетическая») |
| 30 | 74 | Symphony No.6 [arr.] | Piano (4 hands) | B minor | 1893 | Orchestra | |
| 31 | 43 | Suite No.1 | Orchestra | D minor | 1878–79 | Orchestra | |
| 31 | 43 | Suite No.1 [arr.] | Piano (4 hands) | D minor | 1878–79 | Orchestra | |
| 32 | 53 | Suite No.2 | Orchestra | C major | 1883 | Orchestra | "Suite caractéristique" |
| 32 | 53 | Suite No.2 [arr.] | Piano (4 hands) | C major | 1883 | Orchestra | arr. by Tchaikovsky and Alexandra Hubert |
| 33 | 55 | Suite No.3 | Orchestra | G major | 1884 | Orchestra | |
| 33 | 55 | Suite No.3 [arr.] | Piano (4 hands) | G major | 1884 | Orchestra | |
| 34 | 61 | Suite No.4 | Orchestra | G major | 1887 | Orchestra | "Mozartiana"; arr. of 4 piano pieces by Mozart (see also table below) |
| 35 | 71a | The Nutcracker (Щелкунчик) | Orchestra | 1892 | Orchestra | suite from the ballet of the same name (TH 14). | |
| 36 | 76 | The Storm (Гроза) | Orchestra | E minor | 1864 | Orchestra | overture to Alexander Ostrovsky's drama. |
| 37 | – | Characteristic Dances (Характерные танцы) | Orchestra | 1865? | Orchestra | lost; revised as Entr'acte and Dances of the Chambermaids (Act II, No.4) in the opera The Voyevoda (TH 1). | |
| 38 | – | Overture | Orchestra | C minor | 1865–66 | Orchestra | |
| 39 | – | Overture | Small Orchestra | F major | 1865 | Orchestra | 1st version |
| 39 | – | Overture | Orchestra | F major | 1866 | Orchestra | 2nd version |
| 40 | 15 | Festival Overture on the Danish National Anthem (Торжественная увертюра на Датский гимн) | Orchestra | D major | 1866, rev.1892 | Orchestra | |
| 40 | 15 | Festival Overture on the Danish National Anthem (Торжественная увертюра на Датский гимн) [arr.] | Piano (4 hands) | D major | 1867 | Orchestra | |
| 41 | 77 | Fatum (Фатум) | Orchestra | C minor | 1868 | Orchestra | symphonic fantasia; destroyed by Tchaikovsky but reconstructed posthumously |
| 42 | – | Romeo and Juliet (Ромео и Джульетта) | Orchestra | B minor | 1869 | Orchestra | overture to Shakespeare's tragedy; 1st version |
| 42 | – | Romeo and Juliet (Ромео и Джульетта) | Orchestra | B minor | 1870 | Orchestra | overture to Shakespeare's tragedy; 2nd version |
| 42 | – | Romeo and Juliet (Ромео и Джульетта) | Orchestra | B minor | 1880 | Orchestra | overture-fantasia to Shakespeare's tragedy; 3rd version; themes used in sketches for an unrealized opera (TH 215) |
| 43 | – | Serenade for Nikolay Rubinstein's Name-Day (Серенада к именинам Н. Г. Рубинштейна) | Small Orchestra | A major | 1872 | Orchestra | |
| 44 | 18 | The Tempest (Буря) | Orchestra | F minor | 1873 | Orchestra | fantasia after Shakespeare's drama. |
| 45 | 31 | Slavonic March (Славянский марш) | Orchestra | B♭ minor | 1876 | Orchestra | |
| 45 | 31 | Slavonic March (Славянский марш) [arr.] | Piano | B♭ minor | 1876 | Orchestra | |
| 46 | 32 | Francesca da Rimini (Франческа да Римини) | Orchestra | E minor | 1876 | Orchestra | fantasia after Canto V of the Inferno from Dante's Divine Comedy |
| 47 | 45 | Italian Capriccio (Итальяанское каприччио) | Orchestra | A major | 1880 | Orchestra | on themes from folk songs |
| 47 | 45 | Italian Capriccio (Итальяанское каприччио) [arr.] | Piano (4 hands) | A major | 1880 | Orchestra | |
| 48 | 48 | Serenade for String Orchestra (Серенада для струнного оркестра) | String Orchestra | C major | 1880 | Orchestra | |
| 48 | 48 | Serenade for String Orchestra (Серенада для струнного оркестра) [arr.] | Piano (4 hands) | C major | 1880 | Orchestra | |
| 49 | 49 | 1812 (1812 год) | Orchestra | E♭ major | 1880 | Orchestra | "The Year 1812"; festival overture |
| 50 | – | Coronation March (Коронационный марш) | Orchestra | D major | 1883 | Orchestra | "Festival Coronation March" |
| 50 | – | Coronation March (Коронационный марш) [arr.] | Piano | D major | 1883 | Orchestra | |
| 51 | – | Elegy for String Orchestra (Элегия для струнного оркестра) | String Orchestra | G major | 1884 | Orchestra | "A Grateful Greeting" («Привет благодарности») |
| 52 | – | Jurisprudence March (Правоведский марш) | Orchestra | D major | 1885 | Orchestra | "Jurists' March" |
| 53 | 67 | Hamlet (Гамлет) | Orchestra | F minor | 1888 | Orchestra | overture-fantasia after Shakespeare's tragedy; abridged version used in the incidental music (TH 23) |
| 54 | 78 | The Voyevoda (Воевода) | Orchestra | A major | 1890–91 | Orchestra | symphonic ballad based on Alexander Pushkin's adaptation of a story by Adam Mickiewicz; destroyed by Tchaikovsky, score reconstructed posthumously |
| 55 | 23 | Piano Concerto No.1 | Piano, Orchestra | B♭ minor | 1874–75, rev. 1879, 1890? | Concerto | |
| 55 | 23 | Piano Concerto No.1 [arr.] | 2 Pianos | B♭ minor | 1874–75, rev. 1879, 1890? | Keyboard | |
| 56 | 26 | Sérénade mélancolique | Violin, Orchestra | B minor | 1875 | Concerto | |
| 56 | 26 | Sérénade mélancolique [arr.] | Violin, Piano | B minor | 1875? | Chamber | |
| 57 | 33 | Variations on a Rococo Theme (Вариации на тему рококо) | Cello, Orchestra | A major | 1876–77 | Concerto | later revised by Wilhelm Fitzenhagen |
| 57 | 33 | Variations on a Rococo Theme (Вариации на тему рококо) [arr.] | Cello, Piano | A major | 1877 | Chamber | |
| 58 | 34 | Valse-scherzo | Violin, Orchestra | C major | 1877 | Concerto | partly orchestrated by Iosif Kotek(?) |
| 58 | 34 | Valse-scherzo [arr.] | Violin, Piano | C major | 1877 | Chamber | |
| 59 | 35 | Violin Concerto | Violin, Orchestra | D major | 1878 | Concerto | |
| 59 | 35 | Violin Concerto [arr.] | Violin, Piano | D major | 1878 | Chamber | |
| 60 | 44 | Piano Concerto No.2 | Piano, Orchestra | G major | 1879–80 | Concerto | revised posthumously by Alexander Siloti |
| 60 | 44 | Piano Concerto No.2 [arr.] | 2 Pianos | G major | 1880 | Keyboard | |
| 61 | 56 | Concert Fantasia (Концертная фантазия) | Piano, Orchestra | G major | 1884 | Concerto | |
| 61 | 56 | Concert Fantasia (Концертная фантазия) [arr.] | 2 Pianos | G major | 1884 | Keyboard | |
| 62 | 62 | Pezzo capriccioso | Cello, Orchestra | B minor | 1887 | Concerto | |
| 62 | 62 | Pezzo capriccioso [arr.] | Cello, Piano | B minor | 1887 | Chamber | |
| 65 | 75 | Piano Concerto No.3 | Piano, Orchestra | E♭ major | 1893 | Concerto | based on sketches for the Symphony in E♭ major (TH 238); only the 1st movement Iwas completed at the composer's death; sketches for the Andante and Finale (TH 241) were completed by Sergei Taneyev |
| 65 | 75 | Piano Concerto No.3 | 2 Pianos | E♭ major | 1893 | Keyboard | |
| 66 | – | Ode to Joy (К радости) | Soprano, Alto, Tenor, Bass, Chorus (SATB), Orchestra | C minor–C major | 1865 | Choral | music to Friedrich Schiller's hymn |
| 67 | – | Cantata for the Opening of the Polytechnic Exhibition (Кантата на открытие Политехнической выставке) | Tenor, Chorus (SATB), Orchestra | G minor–G major | 1872 | Choral | |
| 68 | – | Chorus for the Jubilee of O. A. Petrov (Хор к юбилею О. А. Петрова) | Tenor, Orchestra | A major | 1875 | Choral | |
| 69 | – | Moscow (Москва) | Mezzo-Soprano, Baritone, Chorus (SATB), Orchestra | A major–D major | 1883 | Choral | coronation cantata |
| 69 | – | Moscow (Москва) [arr.] | Mezzo-Soprano, Baritone, Chorus (SATB), Piano | A major–D major | 1883 | Choral | vocal score |
| 70 | – | At Bedtime (На сон грядущий) | Chorus (SATB) | C minor | 1863–64? | Choral | 1st version, a cappella |
| 70 | – | At Bedtime (На сон грядущий) | Chorus (SATB), Orchestra | C minor | 1863–64? | Choral | 2nd version, with accompaniment |
| 71 | – | Chorus of Flowers and Insects (Хор цветов и насекомых) | Children's Choir, Chorus (SATB), Orchestra | D major | 1869–70 | Choral | originally intended for the abandoned opera Mandragora (TH 207) |
| 71 | – | Chorus of Flowers and Insects (Хор цветов и насекомых) [arr.] | Children's Choir, Chorus (SATB), Piano | D major | 1869 | Choral | vocal score |
| 72 | – | Nature and Love (Природа и любовь) | 2 Sopranos, Alto, Chorus (SSA), Piano | G♭ major | 1870 | Choral | |
| 73 | – | Spring (Весна) | Chorus (SSA) | C major | 1871? | Choral | |
| 74 | – | Evening (Вечер) | Chorus (TTB) | G major | 1871? | Choral | |
| 75 | 41 | Liturgy of St. John Chrysostom (Литургия святого Иоанна Златоуста) | Chorus (SATB), Piano (ad lib.) | 1878 | Choral | setting of 15 numbers from the Russian Orthodox Liturgy; piano part for rehearsal only | |
| 76 | – | Chorus for Students of the Patriotic Institute (Хор для студентиков Патриотического института) | 1880 | Choral | for unaccompanied female voices; lost | ||
| 77 | 52 | All-Night Vigil (Всенощное бдение) | Chorus (SATB), Piano (ad lib.) | 1881–82 | Choral | "Vesper Service"; piano part for rehearsal only | |
| 78 | – | Sacred Pieces (Духовно-музыкальных сочинений) (9): | Chorus (SATB), Piano (ad lib.) | 1884–85 | Choral | piano part for rehearsal only | |
| 78/1 | – |
| Chorus (SATB) | F major | 1884–85 | Choral | |
| 78/2 | – |
| Chorus (SATB) | D major | 1884–85 | Choral | |
| 78/3 | – |
| Chorus (SATB) | C major | 1884–85 | Choral | |
| 78/4 | – |
| Chorus (SATB) | C major | 1884–85 | Choral | |
| 78/5 | – |
| Chorus (SATB) | D minor | 1884–85 | Choral | |
| 78/6 | – |
| Chorus (SATB) | F major | 1884–85 | Choral | |
| 78/7 | – |
| Chorus (SATB) | E♭ major | 1884–85 | Choral | |
| 78/8 | – |
| Chorus (SATB) | D minor | 1884–85 | Choral | |
| 78/9 | – |
| Chorus (SATB) | G major | 1884–85 | Choral | |
| 79 | – | Hymn in Honour of Saints Cyril and Methodius' (Гимн в честь святых Кирилла и Мефодия) | Chorus (SATB), Piano (ad lib.) | F major | 1885 | Choral | arrangement of a Czech folk hymn; piano part for rehearsal only |
| 80 | – | Jurists' Song (Правоведская песнь) | Chorus (SATB) | B♭ major | 1885 | Choral | in honour of the 50th year of the Imperial School of Jurisprudence; original score lost, but performing version realized by Vitaly Mishchenko and S. S. Kotomina (1973) based on surviving sketches. |
| 81 | – | The Angel Cried Out (Ангел вопияше) | Chorus (SATB) | G major | 1887 | Choral | |
| 82 | – | The Golden Cloud Did Sleep (Ночевала тучка золотая) | Chorus (SATB) | F minor | 1887 | Choral | |
| 83 | – | Blessed is He Who Smiles (Бпажен, кто улыбается) | Chorus (TTBB) | F major | 1887 | Choral | |
| 84 | – | The Nightingale (Соловушко) | Chorus (SATB) | D major | 1889 | Choral | |
| 86 | – | A Greeting to Anton Rubinstein (Привет АГРубинштейну) | Chorus (SATB) | C major | 1889 | Choral | |
| 87 | – | Choruses (3): | Chorus (SATB) | 1891 | Choral | ||
| 87/1 | – |
| Chorus (SATB) | E minor | 1891 | Choral | |
| 87/2 | – |
| Chorus (TTBB) | G minor | 1891 | Choral | |
| 87/3 | – |
| Chorus (SSAA) | E minor | 1891 | Choral | |
| 88 | – | Night (Ночь) | Soprano, Alto, Tenor, Bass, Piano | B♭ major | 1893 | Vocal | after a theme from Mozart's Fantaisia No.4 for piano (K.475) |
| 89 | – | My Genius, My Angel, My Friend (Мой гений, мой ангел, мой друг) | Voice, Piano | C minor | 1855–59? | Vocal | |
| 90 | – | Zemfira's Song (Песнь Земфиры) | Voice, Piano | A major | 1860–65? | Vocal | |
| 91 | – | Mezza notte (Полночь) | Voice, Piano | G major | 1860–61? | Vocal | |
| 92 | – | Midnight Review]]' (Ночной парад) | Voice, Piano | 1862–64? | Vocal | lost | |
| 93 | 6 | Romances (6): | Voice, Piano | 1869 | Vocal | ||
| 93/1 | 6/1 |
| Voice, Piano | C♯ minor | 1869 | Vocal | |
| 93/2 | 6/2 |
| Voice, Piano | E minor | 1869 | Vocal | |
| 93/3 | 6/3 |
| Voice, Piano | A major | 1869 | Vocal | |
| 93/4 | 6/4 |
| Voice, Piano | G♭ major | 1869 | Vocal | |
| 93/5 | 6/5 |
| Voice, Piano | D major | 1869 | Vocal | |
| 93/6 | 6/6 |
| Voice, Piano | D♭ major | 1869 | Vocal | |
| 94 | – | To Forget So Soon (Забыть так скоро) | Voice, Piano | F major | 1870? | Vocal | |
| 95 | 16 | Romances (6) | Voice, Piano | 1872–73 | Vocal | ||
| 95/1 | 16/1 |
| Voice, Piano | A♭ minor | 1872–73 | Vocal | |
| 95/1 | 16/1 |
| Piano | A♭ minor | 1873? | Keyboard | 1st version |
| 95/1 | 16/1 |
| Piano | A minor | 1873? | Keyboard | 2nd version |
| 95/2 | 16/2 |
| Voice, Piano | A minor–A major | 1872–73 | Vocal | |
| 95/3 | 16/3 |
| Voice, Piano | C minor | 1872–73 | Vocal | |
| 95/4 | 16/4 |
| Voice, Piano | G major | 1872–73 | Vocal | |
| 95/4 | 16/4 |
| Piano | G major | 1873? | Keyboard | |
| 95/5 | 16/5 |
| Voice, Piano | F♯ minor–A major | 1872–73 | Vocal | |
| 95/5 | 16/5 |
| Piano | F♯ minor–A major | 1873? | Keyboard | |
| 95/6 | 16/6 |
| Voice, Piano | E♭ minor | 1872–73 | Vocal | on the theme "Dies irae" |
| 96 | – | Songs (2): | Voice, Piano | 1873 | Vocal | ||
| 96/1 | – |
| Voice, Piano | A minor | 1873 | Vocal | |
| 96/2 | – |
| Voice, Piano | A major | 1873 | Vocal | |
| 97 | 25 | Romances (6): | Voice, Piano | 1875 | Vocal | ||
| 97/1 | 25/1 |
| Voice, Piano | G minor | 1875 | Vocal | |
| 97/2 | 25/2 |
| Voice, Piano | B minor | 1875 | Vocal | |
| 97/3 | 25/3 |
| Voice, Piano | E♭ major | 1875 | Vocal | |
| 97/4 | 25/4 |
| Voice, Piano | G minor | 1875 | Vocal | |
| 97/5 | 25/5 |
| Voice, Piano | A major | 1875 | Vocal | |
| 97/6 | 25/6 |
| Voice, Piano | G minor | 1875 | Vocal | |
| 98 | 27 | Romances and Songs (6): | Voice, Piano | 1875 | Vocal | ||
| 98/1 | 27/1 |
| Voice, Piano | B♭ minor | 1875 | Vocal | |
| 98/2 | 27/2 |
| Voice, Piano | C minor | 1875 | Vocal | |
| 98/3 | 27/3 |
| Voice, Piano | F major | 1875 | Vocal | |
| 98/4 | 27/4 |
| Voice, Piano | B♭ major | 1875 | Vocal | |
| 98/5 | 27/5 |
| Voice, Piano | E♭ minor | 1875 | Vocal | |
| 98/6 | 27/6 |
| Voice, Piano | A major | 1875, rev. 1890 | Vocal | |
| 99 | 28 | Romances (6) | Voice, Piano | 1875 | Vocal | ||
| 99/1 | 28/1 |
| Voice, Piano | E♭ major | 1875 | Vocal | |
| 99/2 | 28/2 |
| Voice, Piano | F♯ minor | 1875 | Vocal | |
| 99/3 | 28/3 |
| Voice, Piano | D minor | 1875 | Vocal | |
| 99/4 | 28/4 |
| Voice, Piano | D minor | 1875 | Vocal | |
| 99/5 | 28/5 |
| Voice, Piano | C minor | 1875 | Vocal | |
| 99/6 | 28/6 |
| Voice, Piano | F♯ minor | 1875 | Vocal | |
| 100 | – | Songs (2): | Voice, Piano | 1875 | Vocal | ||
| 100/1 | – |
| Voice, Piano | D minor | 1875 | Vocal | |
| 100/2 | – |
| Voice, Piano | E major | 1875 | Vocal | |
| 101 | 38 | Romances (6): | Voice, Piano | 1878 | Vocal | ||
| 101/1 | 38/1 |
| Voice, Piano | B minor | 1878 | Vocal | |
| 101/2 | 38/2 |
| Voice, Piano | E♭ major | 1878 | Vocal | |
| 101/3 | 38/3 |
| Voice, Piano | B minor | 1878 | Vocal | |
| 101/4 | 38/4 |
| Voice, Piano | D major | 1878 | Vocal | |
| 101/5 | 38/5 |
| Voice, Piano | F major | 1878 | Vocal | |
| 101/6 | 38/6 |
| Voice, Piano | G major | 1878 | Vocal | |
| 102 | 46 | Duets (6): | 2 Voices, Piano | 1880 | Vocal | ||
| 102/1 | 46/1 |
| Soprano, Mezzo-Soprano, Piano | A♭ major | 1880 | Vocal | |
| 102/2 | 46/2 |
| Soprano, Baritone, Piano | A minor | 1880 | Vocal | |
| 102/3 | 46/3 |
| Soprano, Mezzo-Soprano, Piano | G minor | 1880 | Vocal | |
| 102/4 | 46/4 |
| Soprano, Mezzo-Soprano, Piano | A major | 1880 | Vocal | |
| 102/5 | 46/5 |
| Soprano, Tenor, Piano | F major | 1880 | Vocal | |
| 102/6 | 46/6 |
| Soprano, Mezzo-Soprano, Piano | E major | 1880 | Vocal | |
| 102/6 | 46/6 |
| Soprano, Mezzo-Soprano, Orchestra | E major | 1889 | Vocal | |
| 103 | 47 | Romances (7): | Voice, Piano | 1880 | Vocal | ||
| 103/1 | 47/1 |
| Voice, Piano | C minor | 1880 | Vocal | |
| 103/2 | 47/2 |
| Voice, Piano | E major | 1880 | Vocal | |
| 103/3 | 47/3 |
| Voice, Piano | F major | 1880 | Vocal | |
| 103/4 | 47/4 |
| Voice, Piano | G♭ major | 1880 | Vocal | |
| 103/5 | 47/5 |
| Voice, Piano | F major | 1880 | Vocal | |
| 103/6 | 47/6 |
| Voice, Piano | E major | 1880 | Vocal | |
| 103/6 | 47/6 |
| Voice, Orchestra | E major | 1888 | Vocal | lost |
| 103/7 | 47/7 |
| Voice, Piano | F♯ minor | 1880 | Vocal | |
| 103/7 | 47/7 |
| Soprano, Orchestra | F♯ minor | 1884 | Vocal | |
| 104 | 54 | Songs for Children (Песен для детей) (16): | Voice, Piano | 1881–83 | Vocal | see also the 5 unrealized songs for children (TH 221). | |
| 104/1 | 54/1 |
| Voice, Piano | A minor | 1883 | Vocal | |
| 104/2 | 54/2 |
| Voice, Piano | G major | 1883 | Vocal | |
| 104/3 | 54/3 |
| Voice, Piano | G major | 1883 | Vocal | |
| 104/4 | 54/4 |
| Voice, Piano | G major | 1883 | Vocal | |
| 104/5 | 54/5 |
| Voice, Piano | E minor | 1883 | Vocal | |
| 104/5 | 54/5 |
| Soprano, Orchestra | F minor | 1883 | Vocal | |
| 85 | 54/5 |
| Chorus (SATB) | E minor | 1889 | Choral | |
| 104/6 | 54/6 |
| Voice, Piano | C major | 1883 | Vocal | |
| 104/7 | 54/7 |
| Voice, Piano | C minor | 1883 | Vocal | |
| 104/8 | 54/8 |
| Voice, Piano | G major | 1883 | Vocal | |
| 104/9 | 54/9 |
| Voice, Piano | F major | 1883 | Vocal | |
| 104/10 | 54/10 |
| Voice, Piano | F minor | 1883 | Vocal | |
| 104/11 | 54/11 |
| Voice, Piano | F major | 1883 | Vocal | |
| 104/12 | 54/12 |
| Voice, Piano | D major | 1883 | Vocal | |
| 104/13 | 54/13 |
| Voice, Piano | A major | 1883 | Vocal | |
| 104/14 | 54/14 |
| Voice, Piano | F♯ minor | 1883 | Vocal | |
| 104/15 | 54/15 |
| Voice, Piano | G major | 1883 | Vocal | |
| 104/16 | 54/16 |
| Voice, Piano | A minor | 1881 | Vocal | |
| 105 | 57 | Romances (6): | Voice, Piano | 1884 | Vocal | ||
| 105/1 | 57/1 |
| Voice, Piano | E major | 1884 | Vocal | |
| 105/2 | 57/2 |
| Voice, Piano | F minor | 1884 | Vocal | |
| 105/3 | 57/3 |
| Voice, Piano | D minor | 1884 | Vocal | |
| 105/4 | 57/4 |
| Voice, Piano | F major | 1884 | Vocal | |
| 105/5 | 57/5 |
| Voice, Piano | F minor | 1884 | Vocal | |
| 105/6 | 57/6 |
| Voice, Piano | G major | 1884 | Vocal | |
| 106 | 60 | Romances (12): | Voice, Piano | 1886 | Vocal | ||
| 106/1 | 60/1 |
| Voice, Piano | A♭ major | 1886 | Vocal | |
| 106/2 | 60/2 |
| Voice, Piano | E major | 1886 | Vocal | |
| 106/3 | 60/3 |
| Voice, Piano | E♭ major | 1886 | Vocal | |
| 106/4 | 60/4 |
| Voice, Piano | C minor | 1886 | Vocal | |
| 106/5 | 60/5 |
| Voice, Piano | F major | 1886 | Vocal | |
| 106/6 | 60/6 |
| Voice, Piano | G minor | 1886 | Vocal | |
| 106/7 | 60/7 |
| Voice, Piano | A minor | 1886 | Vocal | |
| 106/8 | 60/8 |
| Voice, Piano | F major | 1886 | Vocal | |
| 106/9 | 60/9 |
| Voice, Piano | G minor | 1886 | Vocal | |
| 106/10 | 60/10 |
| Voice, Piano | F major | 1886 | Vocal | |
| 106/11 | 60/11 |
| Voice, Piano | G minor | 1886 | Vocal | |
| 106/12 | 60/12 |
| Voice, Piano | F major | 1886 | Vocal | |
| 107 | 63 | Romances (6): | Voice, Piano | 1887 | Vocal | see also the 2 unrealized songs (TH 225). | |
| 107/1 | 63/1 |
| Voice, Piano | B♭ major | 1887 | Vocal | |
| 107/2 | 63/2 |
| Voice, Piano | F major | 1887 | Vocal | |
| 107/3 | 63/3 |
| Voice, Piano | C major | 1887 | Vocal | |
| 107/4 | 63/4 |
| Voice, Piano | E♭ major | 1887 | Vocal | |
| 107/5 | 63/5 |
| Voice, Piano | E major | 1887 | Vocal | |
| 107/6 | 63/6 |
| Voice, Piano | G major | 1887 | Vocal | |
| 108 | 65 | French Songs (Французский романсов) (6): | Voice, Piano | 1888 | Vocal | see also the 3 unrealized French songs (TH 229) | |
| 108/1 | 65/1 |
| Voice, Piano | D major | 1888 | Vocal | |
| 108/2 | 65/2 |
| Voice, Piano | E minor | 1888 | Vocal | |
| 108/3 | 65/3 |
| Voice, Piano | B♭ major | 1888 | Vocal | |
| 108/4 | 65/4 |
| Voice, Piano | D minor | 1888 | Vocal | |
| 108/5 | 65/5 |
| Voice, Piano | G major | 1888 | Vocal | |
| 108/6 | 65/6 |
| Voice, Piano | G major | 1888 | Vocal | |
| 109 | 73 | Romances (6): | Voice, Piano | 1893 | Vocal | ||
| 109/1 | 73/1 |
| Voice, Piano | E minor–C♯ minor | 1893 | Vocal | |
| 109/2 | 73/2 |
| Voice, Piano | F minor | 1893 | Vocal | |
| 109/3 | 73/3 |
| Voice, Piano | A♭ major | 1893 | Vocal | |
| 109/4 | 73/4 |
| Voice, Piano | E major | 1893 | Vocal | |
| 109/5 | 73/5 |
| Voice, Piano | A♭ major | 1893 | Vocal | |
| 109/6 | 73/6 |
| Voice, Piano | A minor | 1893 | Vocal | |
| 110 | – | String Quartet | 2 Violins, Viola, Cello | B♭ major | 1865 | Chamber | |
| 111 | 11 | String Quartet No.1 | 2 Violins, Viola, Cello | D major | 1871 | Chamber | see also Andante cantabile (TH 63) |
| 63 | 11 |
| Cello, String Orchestra | B major | 1888? | Concerto | |
| 112 | 22 | String Quartet No.2 | 2 Violins, Viola, Cello | F major | 1873–74 | Chamber | |
| 113 | 30 | String Quartet No.3 | 2 Violins, Viola, Cello | E♭ minor | 1876 | Chamber | see also Andante funebre (TH 114) |
| 114 | 30 |
| Violin, Piano | E♭ minor | 1876 | Chamber | |
| 116 | 42 | Souvenir d'un lieu cher (Воспоминание о дорогом месте): | Violin, Piano | 1878 | Chamber | ||
| 116/1 | 42/1 |
| Violin, Piano | D minor | 1878 | Chamber | |
| 116/2 | 42/2 |
| Violin, Piano | C minor | 1878 | Chamber | |
| 116/3 | 42/3 |
| Violin, Piano | E♭ major | 1878 | Chamber | |
| 117 | 50 | Piano Trio | Violin, Cello, Piano | A minor | 1881–82 | Chamber | "In memory of a great artist" («Памяти великого художника») |
| 118 | 70 | Souvenir de Florence (Воспоминание о Флоренции) | 2 Violins, 2 Violas, 2 Cellos | D minor | 1890, rev. 1891–92 | Chamber | |
| 119 | – | Anastasie-Valse (Анастасия-вальс) | Piano | F major | 1854 | Keyboard | |
| 120 | – | By the River, By the Bridge (Возле речки, возле моста) | Piano | 1862 | Keyboard | comic piece for piano solo based on the theme of folk song; lost | |
| 121 | – | Theme with Variations (Тема с вариациями) | Piano | A minor | 1864? | Keyboard | |
| 122 | 1/2 | Impromptu (Экспромт) | Piano | E♭ minor | 1863–64? | Keyboard | |
| 123 | 80 | Piano Sonata | Piano | C♯ minor | 1865 | Keyboard | |
| 124 | 1/1 | Scherzo á la russe (Русское скерцо) | Piano | B♭ major | 1867 | Keyboard | |
| 125 | 2 | Souvenir de Hapsal (Воспоминание о Гапсале) | Piano | 1867 | Keyboard | ||
| 125/1 | 2/1 |
| Piano | E minor | 1867 | Keyboard | |
| 125/2 | 2/2 |
| Piano | F major | 1867 | Keyboard | |
| 125/3 | 2/3 |
| Piano | F major | 1867 | Keyboard | |
| 126 | 4 | Valse-Caprice (Вальс-каприс) | Piano | D major | 1868 | Keyboard | |
| 127 | 5 | Romance (Романс) | Piano | F minor | 1868 | Keyboard | |
| 128 | – | Potpourri on Themes from "The Voyevoda" | Piano | 1867–68 | Keyboard | based on extracts from the opera The Voyevoda (TH 1); published under the pseudonym "H. Kramer | |
| 129 | 7 | Valse-Scherzo (Вальс-скерцо) | Piano | A major | 1870 | Keyboard | |
| 130 | 8 | Capriccio (Каприччио) | Piano | G♭ major | 1870 | Keyboard | |
| 131 | 9 | Pieces (3): | Piano | 1870 | Keyboard | ||
| 131/1 | 9/1 |
| Piano | D major | 1870 | Keyboard | |
| 131/2 | 9/2 |
| Piano | B♭ major | 1870 | Keyboard | |
| 131/3 | 9/3 |
| Piano | D minor | 1870 | Keyboard | 2nd version of the Mazurka for Dmitry the Pretender and Vasily Shuysky (TH 16) |
| 132 | 10 | Pieces (2): | Piano | 1871–72 | Keyboard | ||
| 132/1 | 10/1 |
| Piano | F major | 1871–72 | Keyboard | |
| 132/2 | 10/2 |
| Piano | G major | 1871–72 | Keyboard | |
| 115 | 10/2 |
| Violin, Piano | G major | 1876 | Chamber | |
| 133 | 19 | Pieces (6): | Piano | 1873 | Keyboard | ||
| 133/1 | 19/1 |
| Piano | G minor | 1873 | Keyboard | |
| 133/2 | 19/2 |
| Piano | D major | 1873 | Keyboard | |
| 133/3 | 19/3 |
| Piano | D major | 1873 | Keyboard | |
| 133/4 | 19/4 |
| Piano | C♯ minor | 1873 | Keyboard | |
| 64 | 19/4 |
| Cello, Orchestra | D minor | 1888? | Concerto | |
| 133/5 | 19/5 |
| Piano | B♭ major | 1873 | Keyboard | |
| 133/6 | 19/6 |
| Piano | F major | 1873 | Keyboard | |
| 134 | 21 | Pieces (6): | Piano | 1873 | Keyboard | "on a single theme" | |
| 134/1 | 21/1 |
| Piano | G♯ minor | 1873 | Keyboard | |
| 134/2 | 21/2 |
| Piano | G♯ minor | 1873 | Keyboard | |
| 134/3 | 21/3 |
| Piano | C♯ minor | 1873 | Keyboard | |
| 134/4 | 21/4 |
| Piano | A♭ minor | 1873 | Keyboard | |
| 134/5 | 21/5 |
| Piano | A♭ major | 1873 | Keyboard | |
| 134/6 | 21/6 |
| Piano | A♭ major | 1873 | Keyboard | |
| 135 | 37a | The Seasons (Времена года) | Piano | 1875–76 | Keyboard | "12 characteristic scenes" | |
| 135/1 | 37a/1 |
| Piano | A major | 1875 | Keyboard | |
| 135/2 | 37a/2 |
| Piano | D major | 1875 | Keyboard | |
| 135/3 | 37a/3 |
| Piano | G minor | 1876 | Keyboard | |
| 135/4 | 37a/4 |
| Piano | B♭ minor | 1876 | Keyboard | |
| 135/5 | 37a/5 |
| Piano | G minor | 1876 | Keyboard | |
| 135/6 | 37a/6 |
| Piano | G minor | 1876 | Keyboard | |
| 135/7 | 37a/7 |
| Piano | E♭ major | 1876 | Keyboard | |
| 135/8 | 37a/8 |
| Piano | B minor | 1876 | Keyboard | |
| 135/9 | 37a/9 |
| Piano | G minor | 1876 | Keyboard | |
| 135/10 | 37a/10 |
| Piano | D minor | 1876 | Keyboard | |
| 135/11 | 37a/11 |
| Piano | E major | 1876 | Keyboard | |
| 135/12 | 37a/12 |
| Piano | A♭ major | 1876 | Keyboard | |
| 137 | – | Funeral March (Похоронный марш) | Piano (4 hands) | 1877 | Keyboard | on themes from the opera The Oprichnik, lost | |
| 138 | 40 | Pieces (12): | Piano | 1878 | Keyboard | "of moderate difficulty" | |
| 138/1 | 40/1 |
| Piano | G major | 1878 | Keyboard | |
| 138/2 | 40/2 |
| Piano | G minor | 1878 | Keyboard | |
| 138/3 | 40/3 |
| Piano | C minor | 1878 | Keyboard | |
| 138/4 | 40/4 |
| Piano | C major | 1878 | Keyboard | |
| 138/5 | 40/5 |
| Piano | D major | 1878 | Keyboard | |
| 138/6 | 40/6 |
| Piano | A major | 1878 | Keyboard | |
| 138/7 | 40/7 |
| Piano | A minor | 1878 | Keyboard | |
| 138/8 | 40/8 |
| Piano | A♭ major | 1878 | Keyboard | |
| 138/9 | 40/9 |
| Piano | F♯ minor | 1878 | Keyboard | |
| 138/10 | 40/10 |
| Piano | A minor | 1878 | Keyboard | |
| 138/11 | 40/11 |
| Piano | D minor | 1878 | Keyboard | |
| 138/12 | 40/12 |
| Piano | A♭ major | 1878 | Keyboard | |
| 139 | 37 | Grand Sonata (Большая соната) | Piano | G major | 1878 | Keyboard | |
| 140 | – | The Volunteer Fleet March (Добровольный флот) | Piano | C major | 1878 | Keyboard | march; published under the pseudonym "P. Sinopov". |
| 141 | 39 | Children's Album (Детский альбом): | Piano | 1878 | Keyboard | "24 simple pieces à la Schumann" | |
| 141/1 | 39/1 |
| Piano | G major | 1878 | Keyboard | |
| 141/2 | 39/2 |
| Piano | B minor | 1878 | Keyboard | |
| 141/4 | 39/3 |
| Piano | D major | 1878 | Keyboard | |
| 141/3 | 39/4 |
| Piano | G major | 1878 | Keyboard | |
| 141/5 | 39/5 |
| Piano | D major | 1878 | Keyboard | |
| 141/7 | 39/6 |
| Piano | G minor | 1878 | Keyboard | |
| 141/8 | 39/7 |
| Piano | C minor | 1878 | Keyboard | |
| 141/9 | 39/8 |
| Piano | E♭ minor | 1878 | Keyboard | |
| 141/6 | 39/9 |
| Piano | B♭ major | 1878 | Keyboard | |
| 141/11 | 39/10 |
| Piano | D minor | 1878 | Keyboard | |
| 141/12 | 39/11 |
| Piano | F major | 1878 | Keyboard | |
| 141/13 | 39/12 |
| Piano | B♭ major | 1878 | Keyboard | |
| 141/14 | 39/13 |
| Piano | D major | 1878 | Keyboard | |
| 141/10 | 39/14 |
| Piano | B♭ major | 1878 | Keyboard | |
| 141/15 | 39/15 |
| Piano | D major | 1878 | Keyboard | |
| 141/16 | 39/16 |
| Piano | G minor | 1878 | Keyboard | |
| 141/17 | 39/17 |
| Piano | E♭ major | 1878 | Keyboard | |
| 141/18 | 39/18 |
| Piano | E♭ major | 1878 | Keyboard | |
| 141/19 | 39/19 |
| Piano | C major | 1878 | Keyboard | |
| 141/20 | 39/20 |
| Piano | E minor | 1878 | Keyboard | |
| 141/21 | 39/21 |
| Piano | C major | 1878 | Keyboard | |
| 141/22 | 39/22 |
| Piano | G major | 1878 | Keyboard | |
| 141/24 | 39/23 |
| Piano | G major | 1878 | Keyboard | |
| 141/23 | 39/24 |
| Piano | E minor | 1878 | Keyboard | |
| 143 | 51 | Pieces | Piano | 1881 | Keyboard | ||
| 143/1 | 51/1 |
| Piano | A♭ major | 1881 | Keyboard | |
| 143/2 | 51/2 |
| Piano | B minor | 1881 | Keyboard | |
| 143/3 | 51/3 |
| Piano | E♭ major | 1881 | Keyboard | |
| 142 | – |
| Piano | G major | 1878 | Keyboard | 1st version of Natha-valse (TH 143/4) |
| 143/4 | 51/4 |
| Piano | A major | 1881 | Keyboard | 2nd version of Nathalie-valse (TH 142) |
| 143/5 | 51/5 |
| Piano | F major | 1881 | Keyboard | |
| 143/6 | 51/6 |
| Piano | F minor | 1881 | Keyboard | |
| 144 | – | Impromptu-caprice (Экспромт-каприс) | Piano | G major | 1884 | Keyboard | |
| 145 | 59 | Dumka (Думка) | Piano | C minor | 1886 | Keyboard | "Russian rustic scene" |
| 146 | – | Valse-Scherzo (Вальс-скерцо) | Piano | A major | 1889 | Keyboard | |
| 147 | – | Impromptu (Экспромт) | Piano | A♭ major | 1889 | Keyboard | |
| 148 | – | Aveu passionné (Страстное признание) | Piano | E minor | 1891? | Keyboard | |
| 149 | – | Moment lyrique (Лирический момент) | Piano | A♭ major | 1892 | Keyboard | Revised posthumously by Sergei Taneyev as Momento lirico |
| 150 | – | Military March (Военный марш) | Piano | B♭ major | 1893 | Keyboard | |
| 151 | 72 | Pieces (18): | Piano | 1893 | Keyboard | ||
| 151/1 | 72/1 |
| Piano | F minor | 1893 | Keyboard | |
| 151/2 | 72/2 |
| Piano | A♭ major | 1893 | Keyboard | |
| 151/3 | 72/3 |
| Piano | C♯ minor | 1893 | Keyboard | |
| 151/4 | 72/4 |
| Piano | D major | 1893 | Keyboard | |
| 151/5 | 72/5 |
| Piano | D major | 1893 | Keyboard | |
| 151/6 | 72/6 |
| Piano | B♭ major | 1893 | Keyboard | |
| 151/7 | 72/7 |
| Piano | E♭ major | 1893 | Keyboard | |
| 151/8 | 72/8 |
| Piano | B major | 1893 | Keyboard | |
| 151/9 | 72/9 |
| Piano | D♭ major | 1893 | Keyboard | |
| 151/10 | 72/10 |
| Piano | E♭ minor | 1893 | Keyboard | based on the Scherzo of the unfinished Symphony in E♭ major (TH 238). |
| 151/11 | 72/11 |
| Piano | E♭ major | 1893 | Keyboard | |
| 151/12 | 72/12 |
| Piano | E major | 1893 | Keyboard | |
| 151/13 | 72/13 |
| Piano | E♭ major | 1893 | Keyboard | |
| 151/14 | 72/14 |
| Piano | D♭ major | 1893 | Keyboard | |
| 151/15 | 72/15 |
| Piano | C♯ minor | 1893 | Keyboard | |
| 151/16 | 72/16 |
| Piano | D minor | 1893 | Keyboard | |
| 151/17 | 72/17 |
| Piano | E♭ major | 1893 | Keyboard | |
| 151/18 | 72/18 |
| Piano | C major | 1893 | Keyboard | |
| 152 | – | Allegretto moderato | Violin, Viola, Cello | D major | 1863–64? | Chamber | |
| 153 | – | Allegretto | 2 Violins, Viola, Cello | E major | 1863–64? | Chamber | |
| 154 | – | Allegro vivace | 2 Violins, Viola, Cello | B♭ major | 1863–64? | Chamber | |
| 155 | – | Andante molto | 2 Violins, Viola, Cello | G major | 1863–64? | Chamber | |
| 156 | – | Adagio | 4 Horns | C major | 1863–64? | Chamber | |
| 157 | – | Andante ma non troppo | 2 Violins, Viola, Cello, Double Bass | E minor | 1863–64? | Chamber | |
| 158 | – | Adagio molto | 2 Violins, Viola, Cello, Harp | E♭ major | 1863–64? | Chamber | |
| 159 | – | Allegro | 2 Violins, Viola, Cello, Piano | C minor | 1863–64? | Chamber | |
| 160 | – | Adagio | 2 Flutes, 2 Oboes, English Horn, 2 Clarinets, Bass Clarinet | F major | 1863–64? | Chamber | |
| 161 | – | Allegro ma non tanto | String Orchestra | G major | 1863–64? | Orchestra | |
| 162 | – | Largo and Allegro | 2 Flutes, String Orchestra | D major | 1863–64? | Orchestra | |
| 163 | – | Agitato and Allegro | Orchestra | E minor | 1863–64? | Orchestra | |
| 164 | – | Andante ma non troppo | Orchestra | A major | 1863–64? | Orchestra | |
| 165 | – | Allegro vivo | Orchestra | C minor | 1863–64? | Orchestra | |
| 166 | – | The Romans in the Coliseum (Римляне в колизее) | Orchestra | 1863–64? | Orchestra | musical picture for orchestra; lost | |
| 176 | – | Russian Folk Songs (Русских народных песен (50): | Piano (4 hands) | 1868–69 | Keyboard | ||
| 194 | – | It's Not the Wind that Bends the Branch (То не ветер ветку клонит) | Piano | F minor | 1893 | Keyboard | harmonisation of the Russian folk-song. |
| 195 | – | The Underdog (Собака низкая) | Voice, Piano | 1876 | Vocal | musical joke | |
| 196 | – | The Siskin (Чижик) | High Voice | 1876 | Vocal | album leaf | |
| 197 | – | The Little Rifleman (Стрелочек) | Piano | 1882 | Keyboard | 2-part humorous canon on the theme of the folk song; lost | |
| 198 | – | I Don't Know! (Не знаю!) | Voice, Piano | 1891 | Vocal | musical tongue-twister | |
| 199 | – | Polka de Salon (Салонная полька) | Piano (Voice?) | 1893 | Keyboard | musical joke | |
| 200 | – | No News From My Dear One (От милого нету вести) | Voice, Piano | 1893 | Vocal | musical joke | |
| 201 | – | Hyperbola (Гипербола) | 1854 | Stage | lyrical opera in 1 act,; unrealized. | ||
| 202 | – | Adagio | G major | 1860–64? | Orchestra | sketches; unrealized | |
| 203 | – | Allegro | Piano | F minor | 1863–64? | Keyboard | partly lost; performing versions by Leslie Howard (1977) and Konstantin Kalinenko (1980) |
| 204 | – | The Storm (Гроза) | 1864–67? | Stage | projected opera based on a story by Alexander Ostrovsky; unrealized. | ||
| 205 | – | The Palm (Пальма) | 1867–68? | Stage | projected opera; unrealized. | ||
| 206 | – | Alexander of Macedon (Александр Македонский) | 1868 | Stage | projected opera to a libretto by Alexander Ostrovsky; unrealized. | ||
| 207 | – | Mandragora (Мандрагора) | 1869–70 | Stage | projected opera to a libretto by Sergey Rachinsky; unrealized, but sketches reworked as Chorus of Flowers and Insects (TH 71). | ||
| 208 | – | Raimond Lully (Раймонд Люллий) | 1870 | Stage | projected opera to a libretto by Sergey Rachinsky; unrealized. | ||
| 209 | – | Cinderella (Сандрильона) | 1870 | Stage | projected ballet in 4 acts; unrealized. | ||
| 210 | – | Symphony (Симфония) | B♭ major | 1873 | Orchestra | projected symphony; unrealized, but one theme later reworked in the piano piece Capriccoso (TH 133/5) | |
| 211 | – | Ephraim (Эфраим) | 1875–76? | Stage | projected opera to a libretto by Konstantin Shilovsky; unrealized | ||
| 212 | – | Francesca da Rimini (Франческа да Римини) | 1876 | Stage | projected opera to a libretto by Konstantin Zvantsev, after a story by Dante; unrealized | ||
| 213 | – | Othello (Отелло) | 1876–77 | Stage | projected opera in 4 acts, to a libretto by Vladimir Stasov, after the tragedy by William Shakespeare; unrealized | ||
| 214 | – | Undina (Ундина) | 1878 | Stage | projected opera to a libretto by Modest Tchaikovsky, based on a story by Friedrich de La Motte Fouqué; unrealized. | ||
| 215 | – | Romeo and Juliet(Ромео и Джульетта) | 1878–81? | Stage | projected opera based on Alexander Sokolovsky's translation of William Shakespeare's tragedy; sketches for duet scene only, using themes from the overture-fantasia (TH 42); performing version realized posthumously by Sergei Taneyev | ||
| 216 | – | Les caprices de Marianne (Прихоти Марианны) | 1878 | Stage | projected opera based on a story by Alfred de Musset | ||
| 217 | – | Nessun maggior dolore (Nessun maggior dolore) | 1881–85? | Vocal | settings of part of Canto V from Dante's Divine Comedy; fragments | ||
| 218 | – | Vanka the Steward (Ванька-ключник) | 1881 | Stage | projected opera to a libretto by Dmitry Averkiev; unrealized | ||
| 219 | 20a | Swan Lake (Лебединое озеро) | 1882 | Orchestra | projected suite from the ballet (TH 12); unrealized, but completed posthumously by others | ||
| 220 | – | Alyosha and the Laundress (Алëша и прачка) | 1883 | Vocal | themes for a vocal piece; unrealized | ||
| 221 | – | Children's Songs (Песни для детей) (5): | 1883 | Vocal | unrealized sketches for the cycle of 16 Songs for Children (TH 104) | ||
| 221/1 | – |
| 1883 | Vocal | |||
| 221/2 | – |
| 1883 | Vocal | |||
| 221/3 | – |
| 1883 | Vocal | |||
| 221/4 | – |
| 1883 | Vocal | |||
| 221/5 | – |
| 1883 | Vocal | |||
| 222 | – | Imitations of Russian Song (Подделки под русскую песнь) | 1884? | Vocal | sketches for vocal pieces; unrealized | ||
| 223 | – | The Captain's Daughter (Капитанская дочка) | 1885–88 | Stage | projected opera to a libretto by Ippolit Shpazhinsky, after a story by Alexander Pushkin; unrealized | ||
| 224 | – | Etude (Этюд) | A minor | 1885 | Keyboard | sketch for an unrealized cycle of piano pieces | |
| 225 | – | Songs (2): | 1886–87 | Vocal | unrealized sketches for the 6 Romances, Op.63 (TH 107) | ||
| 225/1 | – |
| 1886–87 | Vocal | |||
| 225/2 | – |
| 1886–87 | Vocal | |||
| 226 | – | Undina (Ундина) | 1886–87 | Stage | projected ballet to a libretto by Modest Tchaikovsky, based on a story by Friedrich de La Motte Fouqué; unrealized | ||
| 227 | – | Song of Triumphant Love (Песнь торжествуюшей любви) | 1887 | Vocal | unrealized sketches for a vocal piece | ||
| 228 | – | Waltz (Вальс) | E major | 1887 | Keyboard | unrealized sketch for a piano piece | |
| 229 | – | French Songs (3): | 1888 | Vocal | unrealized sketches for the cycle of 6 French Songs, Op.65 (TH 108) | ||
| 229/1 | – |
| G minor | 1888 | Vocal | ||
| 229/2 | – |
| A major | 1888 | Vocal | ||
| 229/3 | – |
| A minor | 1888 | Vocal | ||
| 230 | – | La bayadère (Баяадерка) | 1888 | Stage | projected opera in 3 acts, to a libretto by Ippolit Shpazhinsky, based on a story by Johann Wolfgang von Goethe; unrealized | ||
| 231 | – | The Courtesan (Куртезанка) | 1888–91 | Stage | "Sadia" (Садя); projected opera to a libretto by Louis Gallet and Léonce Détroyat, based on a story by Johann Wolfgang von Goethe; unrealized | ||
| 232 | – | Suite (Сюита) | D minor | 1889–90? | Orchestra | unrealized sketch for Andante | |
| 233 | – | Béla (Бэла) | 1889–93 | Stage | projected opera to a libretto by Anton Chekhov or Vladimir Namirovich-Danchenko, based on a story by Mikhail Lermontov; unrealized | ||
| 234 | 66a | The Sleeping Beauty (Спящая красавица) | 1890 | Orchestra | projected suite from the ballet (TH 13); unrealized, but completed posthumously by others | ||
| 235 | – | Concerto for 2 Pianos | 1891–92? | Concerto | unrealized project. | ||
| 236 | – | Cello Sonata | G major | 1891 | Chamber | unrealized sketch for Allegro | |
| 237 | – | Do Not Wake, My Friend (Не просыпайся, мой друг) | A minor | 1892–92? | Choral | unrealized sketch | |
| 238 | – | Symphony | Orchestra | E♭ major | 1892 | Orchestra | unfinished; sketches re-used in Piano Concerto No.3 (TH 65), Andante & Finale (TH 241) and Scherzo-fantaisie (TH 151/10); performing version realized posthumously by Semyon Bogatyrev. |
| 239 | – | Nocturne (Ноктюрн) | B major | 1893 | Keyboard | unrealized sketch for the cycle of 18 Pieces for piano (TH 151) | |
| 240 | – | Etude (Этюд) | E♭ major | 1893 | Keyboard | unrealized sketch for the cycle of 18 Pieces for piano (TH 151) | |
| 241 | 79 | Andante and Finale (Andante и Финал) | B♭ major/E♭ major | 1893 | Concerto | unfinished sketches for the Piano Concerto No.3, Op.75 (TH 65), based on the 2nd and 4th movements of the Symphony in E♭ major (TH 238); completed posthumously by Sergei Taneyev | |
| 242 | – | Momento lirico (Лирический момент) | G major | 1893 | Keyboard | unrealized sketch for piano | |
| 243 | – | March (Марш) | 1893 | Keyboard | on Belorussian and Ukrainian folk-tunes; unrealized sketches | ||
| 244 | – | The Sad Fortunes of the Reverend Amos Barton (Печальная судьба преподобного Амоса Бартона) | 1893 | Stage | projected opera, based on a story by George Eliot; unrealized | ||
| 245 | – | Mr Gilfil's Love Story (Любовь Мистера Гильфиля) | 1893 | Stage | projected opera, based on a story by George Eliot; unrealized | ||
| 246 | – | Adam Bede (Адам Беде) | 1893 | Stage | projected opera, based on a story by George Eliot; unrealized | ||
| 247 | – | Flute Concerto | C major | 1893 | Concerto | unrealized sketches | |
| 248 | – | Pieces for Violin | 1893 | Chamber | unrealized project | ||
| 249 | – | Cello Concerto | B minor | 1893 | Concerto | unrealized sketches; performing version based on the composer's themes completed by Yuriy Leonovich (2006) | |
| 250 | – | The Complicated Case (Мудреный слючай) | 1893? | Vocal | unrealized sketch for voice with piano, to words by Pyotr Shumakher | ||
| 251 | – | Eternity in an Instant (Вечность в мгновении) | 1893? | Vocal | unrealized sketch to words by Tatyana Shchepkina-Kupernik | ||
| 252 | – | Waltz (Вальс) | 1893? | Chamber | unrealized sketch for cello with piano (or with orchestra?) | ||
| 253 | – | Fragments (Фрагменты) | 1893? | Keyboard | miscellaneous sketches found with the Waltz (TH 252) | ||
| 254 | – | Piano Piece (Пьес для фортепиянно) | A minor | 1893? | Keyboard | fragment of an unidentified piece | |
| 255 | – | Guide to the Practical Study of Harmony (Руководство к практическому изучению гармоний) | 1871 | Writings | text book for students | ||
| 256 | – | A Short Study Manual of Harmony (Краткий учебник гармоний) | 1875 | Writings | 'Adapted for the study of church music in Russia'; text book for students |
Arrangements, Transcriptions, Editions
Click on the column headings to sort alphabetically or by year/opus number.
| TH | Opus | Original Author | Title | Forces | Key | Date | Genre | Notes |
|---|---|---|---|---|---|---|---|---|
| 187 | – | Anonymous | Gaudeamus Igitur (Будем веселы, друзья) | Chorus (TTBB), Piano | D major | 1874 | Choral | arrangement of the student song; with Russian text |
| 175 | – | Auber, Daniel François Esprit | Le Domino Noir (Черное домино) | Solo Voices, Chorus (SATB), Piano | 1868 | Stage | recitatives and chorus for Auber's opera; text in Russian | |
| 168 | – | Beethoven, Ludwig van | Kreutzer Sonata | Orchestra | E minor–A minor | 1863–64? | Orchestra | after the 1st movement of Beethoven's Violin Sonata, Op.47; unfinished (exposition only) |
| 190 | – | Dmytro Bortniansky | Complete Church Music (Полное собрание духовно-музыкальных сочинений) | Chorus (SATB), Piano | 1881 | Choral | editing and arranging Bortnianskii's complete sacred works | |
| 179 | – | Cimarosa, Domenico | Le faccio un inchino (К графине прелестной) | Soprano, 2 Altos, Orchestra | G major | 1870? | Vocal | after the trio from Act I of Cimarosa's opera Il matrimonio segreto |
| 174 | – | Dargomyzhsky, Alexander Sergeyevich | Little-Russian Kazachok (Малороссийский казачок) | Piano | C minor–C major | 1867? | Keyboard | after Dargomyzhsky's symphonic fantasia |
| 189 | – | Dargomyzhsky, Alexander Sergeyevich | The Golden Cloud Did Sleep (Ночевала тучка золотая) | Soprano, Tenor, Baritone, Orchestra | G minor | 1876? | Vocal | after Dargomyzhsky's vocal trio |
| 171 | – | Dubuque, Alexander | Mariya-Dagmar (Мария-Дагмара) | Orchestra | F major | 1866 | Orchestra | after Dubuque's polka for piano |
| 191 | – | Glinka, Mikhail Ivanovich | Glory (Славься) | Orchestra | 1883 | Choral | after the chorus from Glinka's opera A Life for the Tsar, linked to the anthem God Save the Tsar (Боже Царя храни) by Alexander Lvov; lost. | |
| 178 | – | Gluck, Christoph Willibald von | O, del mio dolce ardor | Voice, Orchestra | F major | 1870 | Vocal | after the aria from Act I of Gluck's opera Paris and Helen; misattributed to Alessandro Stradella in Tchaikovsky's arrangement |
| 170 | – | Gungl, Johann | Le Retour (Возвращение) | Orchestra | C major | 1864? | Orchestra | after Gungl's waltz for piano; partially lost. |
| 185 | – | Haydn, Joseph | Gott Erhalte Franz den Kaiser (Боже храни императора Франца) | Orchestra | G major | 1874? | Orchestra | after Haydn's Austrian National Anthem |
| 173 | – | Kral, Karel | Festival March (Торжественный марш) | Orchestra | 1867 | Orchestra | after Kral's piece for piano; lost | |
| 192 | – | Laroche, Herman | Overture-Fantasia (Увертюра-фантазиа) | Orchestra | D major | 1888 | Orchestra | orchestration of the work from Laroche's piano score |
| 186 | – | Franz Liszt | Der König von Thüle (Фульский король) | Baritone, Orchestra | F minor | 1874 | Vocal | after Liszt's ballad Es war ein König in Thule, S.278 |
| 182 | – | Mamontova, Mariya Alexandrovna | Children's Songs on Russian and Ukrainian Melodies (Детские песнии на русские и малороссийские напевы) (39) | Voice, Piano | 1872–77 | Vocal | collected and arranged by Mamontova, edited by Tchaikovsky | |
| 193 | – | Menter, Sophie | Ungarische Zigeunerweisen (Венгерские цыганские напевы) | Piano, Orchestra | 1892 | Concerto | "Hungarian Rhapsody"; orchestration of the work from Menter's piano score | |
| 188 | – | Mozart, Wolfgang Amadeus | The Marriage of Figaro (Свадьба Фигаро) | Solo Voice, Chorus (SATB), Piano | 1876? | Stage | Russian translation and revision of Mozart's opera Le Nozze di Figaro, K.492 | |
| 34/1 | 64/1 | Mozart, Wolfgang Amadeus | Gigue | Orchestra | G major | 1887 | Orchestra | after Mozart's Eine kleine Gigue (K.574); used as movt. I of the Suite No.4 (see also table above) |
| 34/2 | 64/2 | Mozart, Wolfgang Amadeus | Menuet | Orchestra | D major | 1887 | Orchestra | after Mozart's Menuett (K.355); used as movt. II of the Suite No.4 (see also table above) |
| 34/3 | 64/3 | Mozart, Wolfgang Amadeus (arr. Liszt, Franz) | Pregheira | Orchestra | B♭ major | 1887 | Orchestra | after Liszt's transcription (S.360a) of Mozart's motet Ave Verum Corpus (K.618); used as movt. III of the Suite No.4 (see also table above) |
| 34/4 | 64/4 | Mozart, Wolfgang Amadeus | Thème et variations | Orchestra | G major | 1887 | Orchestra | after Mozart's Variations on "Unser dummer Pöbel meint" (K.455); used as movt. IV of the Suite No.4 (see also table above) |
| 88 | – | Mozart, Wolfgang Amadeus | Night (Ночь) | Soprano, Alto, Tenor, Bass, Piano | B♭ major | 1893 | Vocal | after a theme from Mozart's Fantaisia No.4 for piano (KV 475) [see also table above) |
| 183 | – | Prokunin, Vasily Pavlovich | Russian Folk Songs (Русские народные песни (65) | Voice, Piano | 1872 | Vocal | collected and arranged by Prokunin, edited by Tchaikovsky | |
| 177 | – | Rubinstein, Anton | Ivan the Terrible (Иван Грозный) | Piano (4 hands) | D major | 1869 | Orchestra | after Rubinstein's musical picture, Op.79 |
| 180 | – | Rubinstein, Anton | Don Quixote (Дон кихот) | Piano (4 hands) | C major | 1871 | Keyboard | after Rubinstein's musical picture, Op.87 |
| 169 | – | Schumann, Robert | Symphonic Studies (Симфонические этюды) | Orchestra | A minor–D major | 1863–64? | Orchestra | after variatons 11 and 12 from Schumann's Symphonic Etudes, Op.13, for piano |
| 184 | – | Schumann, Robert | Ballade vom Haideknaben (Вещий сон) | Orchestra | D major | 1874 | Orchestra | after Schumann's declamation with piano, Op.122/1 |
| 172 | – | Tarnovskaya, Elizaveta (arr. Dubuque, Alexander) | I Remember All (Я помню все) | Piano (4 hands) | E♭ major | 1866–67? | Keyboard | after Dubuque's solo piano transcription of the romance by Tarnovskaya |
| 167 | – | Weber, Carl Maria von | Menuetto Capriccioso | Orchestra | A♭ major | 1863 | Orchestra | after the 3rd movement of Weber's Piano Sonata No.2, Op.39 |
| 181 | – | Weber, Carl Maria von | Perpetuum mobile (Вечное движение) | Piano | C major | 1871? | Keyboard | after the finale from Weber's Piano Sonata No.1, Op.24 |


