Stabat Mater, G.532 (Boccherini, Luigi)

Movements/SectionsMov'ts/Sec's	11 (first version); 12 (second version)
Composition Year	1781 (first version); 1800 (second version)
Genre Categories	Stabat Mater; Religious works; Masses; Sequences; For voice, strings, continuo; For voices with strings; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring string ensemble; Scores with basso continuo; For 3 voices, strings, continuo; Scores featuring the alto voice; Scores featuring the tenor voice; For 3 voices, strings; Latin language

Performances

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Complete Score
*#912513 - 68.18MB, 75 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 8×⇩ - Pablo Alonso Diez

PDF scanned by Unknown
Pablo Alonso Diez (2024/5/2)

Editor	Jean-Georges Sieber (1738-1822)
Publisher. Info.	París: Sieber, 1805. Plate 1692.
Copyright	Public Domain [tag/del]
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Complete Score
*#80332 - 9.02MB, 47 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 10414×⇩ - Valedeg

PDF scanned by valedeg
Valedeg (2010/10/2)

Arranger	Hans Michel Schletterer (1824-1893)
Publisher. Info.	Leipzig: Breitkopf und Härtel, n.d.[1880]. Plate V.A. 168.
Copyright	Public Domain [tag/del]
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Work Title	Stabat mater
Alternative. Title
Name Translations	Stabat Mater; Stabat Mater (Boccherini)
Authorities	Wikipedia; BNF: 13990858h
Composer	Boccherini, Luigi
Opus/Catalogue NumberOp./Cat. No.	G.532; Op.61
I-Catalogue NumberI-Cat. No.	ILB 31
Movements/SectionsMov'ts/Sec's	11 (first version); 12 (second version)
Year/Date of CompositionY/D of Comp.	1781 (first version); 1800 (second version)
First Publication.	1801 (second version)
Average DurationAvg. Duration	40-45 minutes
Composer Time PeriodComp. Period	Classical
Piece Style	Classical
Instrumentation	1st Version: soprano, 2 violins, viola, 2 cellos 2nd Version: soprano, contralto (or 2 sopranos), tenor, 2 violins, viola, 2 cellos, double bass
External Links	Hyperion Records (notes) List of Boccherini Sacred Vocal Works (French)
Extra Information	Op.61 in Boccherini's autograph catalogue (second version); published under the opus number of the composer. Both versions use basso continuo (that in the 2nd version may be optional. Certainly the recording of the version of 1800 on Hyperion uses b.c.).