PDF typeset by New Notations
||Lisbeth Ahlgren Jensen
||Vaerker, Series II, No.10 |
Copenhagen: Carl Nielsen Udgaven / Kongelige Bibliotek, 2004.
Made available by courtesy of DCM.
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However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.
||Digital release of already printed volumes|
Worth checking their accompanying critical report to see whether "sentimento" is indeed correct for the heading of the second movement; it seems everyone else has sentimentio, presumably attributing it to Nielsen's penchant for unusual movement headers... but as with an infamous instruction in the first (posthumous) full score of Symphony 5, this whole Nielsen edition has been a good opportunity to start getting things right that have traditionally been gotten wrong... Likewise the third movement here and innocente.
||String Quartet No.4
|Opus/Catalogue NumberOp./Cat. No.
||Op.19 / 44 (but see below) ; CNW 58
- Allegro non tanto e comodo (F major)
- Adagio con sentiment[i]o religioso (C major)
- Allegretto moderato ed innocente (A minor)
- Molto adagio - Allegro non tanto, ma molto scherzoso (F major)
|Year/Date of CompositionY/D of Comp.
||1906 (9 February to 2 July) / revised 1919
||1907-11-30 in Copenhagen, small hall of the Odd Fellow Palæ (original version)
|Average DurationAvg. Duration
|Composer Time PeriodComp. Period
||Early 20th century
||2 violins, viola, cello
First composed as a quartet "Piacevolezza" Op.19, later revised in 1919, published in 1923.
Nielsen composed the quartet, Op. 44, between two of his major achievements: the opera Maskarade (CNW 2) and the music for the melodrama Hr. Oluf han rider– (CNW 7). The first two movements of the quartet were dated at the beginning of 1906, while the last two ones were finished in the summer. It seems that the quartet was revised several times, between different performances (1906–12) and up until its publication in 1923.