Student Concerto No.2 for Violin and Piano, Op.13 (Seitz, Friedrich)

		Movements/Sections 3 connected movements Allegro non troppo - Adagio - Allegretto moderato First Publication 1893 – Magdeburg: Rathke (possibly earlier) Genre Categories Concertos; For violin, piano; Scores featuring the violin; Scores featuring the piano; For 2 players; For viola, piano (arr); Scores featuring the viola

Sheet Music

• Scores and Parts (2)
• Arrangements and Transcriptions (2)

Scores and Parts

 Complete Score
*#81360 - 1.61MB, 11 pp. -  6.4/10 2 4 6 8 10 (38) - V/V/V - 6711x⇩

PDF scanned by Unknown
UnnamedBOY (2010/10/11)

 Violin Part
*#81359 - 0.75MB, 6 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 13454x⇩

PDF scanned by Unknown
UnnamedBOY (2010/10/11)

Publisher Info.:

New York: Carl Fischer, n.d.(ca.1900).

Copyright:

Public Domain [tag/del]

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Arrangements and Transcriptions

For Viola and Piano (Howard)

 Piano Score
*#265999 - 0.56MB, 11 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 293x⇩

PDF typeset by JDH
JDH (2013/1/13)

 Viola part
*#266000 - 0.36MB, 7 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 261x⇩

PDF typeset by JDH
JDH (2013/1/13)

Editor:

JDH

Publisher Info.:

Purcellville, VA: John D Howard, 2010.

Copyright:

Creative Commons Attribution 3.0 [tag/del]

Misc. Notes:

Transposed from G major down to C major. Hence, the piano range is quite low, begging for a resonant instrument (not a spinet!).

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General Information

Work Title	Student Concerto No.2 for Violin and Piano
Alternative Title	Schüler-Concert No. 2 (G, 1. Lage)

Composer	Seitz, Friedrich
Opus/Catalogue Number	Op.13
Key	G major
Movements/Sections	3 connected movements Allegro non troppo - Adagio - Allegretto moderato
First Publication	1893 – Magdeburg: Rathke (possibly earlier)
Piece Style	Romantic
Instrumentation	Violin and piano

Misc. Comments

HMB lists no publication of a version with any sort of orchestral accompaniment (even arranged by someone else!) before 1901 in a quick search at least so presumably this really is a work for violin and piano. Of course, ‘concertos’ for solo or chamber forces are as old or older than JS Bach (as symphonies for solo piano, e.g., older than Alkan...) - the concerto idea applied to a different context. still, will hold off on tagging until a biography of Seitz can be found...-Schissel

Publication first noted in Hofmeister's Monatsbericht (1893), p.253.