Suite No.9 in G minor (Mattheson, Johann)

Contents

Performances

Recordings

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Synthesized/MIDI

MID file (audio/video)
wrshannon (2012/5/10)

Performers Hermann Hinsch
Publisher Info. Hermann Hinsch
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Gigue (No.6)

For Oboe and Harpsichord (Rondeau)

MP3 file (audio)
Michrond (2018/3/21)

Performers MIDI
Publisher Info. Michel Rondeau, 2018.
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Scores

Complete

PDF typeset by editor
mikimanson (2007/3/27)

ZIP typeset by editor
mikimanson (2007/3/27)

Editor Hermann Hinsch
Publisher. Info. Hermann Hinsch, 2005
Copyright
Misc. Notes See: Critical Notes.
These file(s) are part of the Werner Icking Music Collection.
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Air (No.5)

PDF scanned by RUS-Mrg
Bassani (2011/9/20)

Editor Leopold Josef Beer (1865-1956)
Publisher. Info. Leipzig: Pro Musica Verlag, n.d. Plate P.V. 21.
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Arrangements and Transcriptions

Gigue (No.6)

For Oboe and Harpsichord (Rondeau)

PDF typeset by arranger
Michrond (2018/3/21)

ZIP typeset by arranger
Michrond (2018/3/21)

Arranger Michel Rondeau (b. 1948)
Publisher. Info. Michel Rondeau, 2018.
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title Suite No.9 in G minor
Alternative. Title
Composer Mattheson, Johann
I-Catalogue NumberI-Cat. No. IJM 15
Key G minor
Movements/SectionsMov'ts/Sec's 6 movements:
  1. Boutade
  2. Allemande
  3. Courante première -- Courante deuxième
  4. Air
  5. Louré
  6. Gigue
Year/Date of CompositionY/D of Comp. 1714 or before
First Publication. 1714 in Harmonisches Denckmahl
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation harpsichord

Misc. Comments

Hrm. I think a Courante deuxième is like a 2nd minuet when it immediately follows the first - that is, a trio, meant to have the first courante played as a "da capo"- but I do not know, am not an expert... the one here is long enough that - perhaps not. ... Hrm. - Schissel (I think this is one of those rare cases where 1714 is actually the composition date, not the publication date- one does usually know the latter but not the former; it appears on the manuscript, or at least, the manuscript copy, but as a date of composition, I think. Not sure when first publication was, though for some items in the suites it was 19th century or earlier, and perhaps it was soon after composition for all of them- no.5, for instance, was published as no.37 of a series edited by Ernst Pauer in 1870...)