Delitiae musicales oder Lust Music (Pezel, Johann Christoph)

Contents

Sheet Music

Scores and Parts

Selections

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ctesibius (2009/11/11)

Editor Arnold Schering (1877-1941)
Publisher. Info. Denkmäler deutscher Tonkunst, Erste Folge; Bd.63:
Johann Pezel: Turmmusiken und Suiten
 (pp.xx, 79-115)
Leipzig: Breitkopf und Härtel, 1928. Plate D.D.T. LXIII.
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Homerdundas (2014/2/8)

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Homerdundas (2014/2/8)

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Homerdundas (2014/2/8)

Editor Arnold Schering (1877-1941)
Hans Joachim Moser (1889–1967), reissue editor
Publisher. Info. Denkmäler deutscher Tonkunst, Erste Folge; Bd.63:
Johann Pezel: Turmmusiken und Suiten
 (pp.79-115)
Leipzig: Breitkopf und Härtel, 1928. Plate D.D.T. LXIII.
Reissue — Wiesbaden: 1959.
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Suite No.3 in G minor (8 dances)

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Fynnjamin (2009/8/26)

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Fynnjamin (2009/8/26)

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Fynnjamin (2009/8/26)

PDF scanned by US-R
Fynnjamin (2009/8/26)

PDF scanned by US-R
Fynnjamin (2009/8/26)

PDF scanned by US-R
Fynnjamin (2009/8/26)

PDF scanned by US-R
Fynnjamin (2009/8/26)

PDF scanned by US-R
Fynnjamin (2009/8/26)

Editor Arnold Schering (1877-1941)
Publisher. Info. Perlen Alter Kammermusik, No.20
Leipzig: C.F. Kahnt, 1913. Plate C.F.K. 6665, 6666.
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Misc. Notes This file is part of the Sibley Mirroring Project.
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General Information

Work Title Delitiae musicales oder Lust-Music
Alternative. Title Title-page transcription
Delitiae musicales, oder, Lust-Music : bestehend in sonaten, Allemanden, Balleten, Gavotten, Courenten, Sarabanden, und Chiquen : mit 5. Stimmen, als zwei Violinen, zwei Violen, einem Fagott, nebst dem Basso continuo
Composer Pezel, Johann Christoph
Opus/Catalogue NumberOp./Cat. No. WP 5 ; RISM A/I: P-1696
Movements/SectionsMov'ts/Sec's 63 pieces in 7 suites
First Publication. 1678 - Frankfurt: Balthasar Christoph Wust
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 2 violins, 2 violas, violone/bassoon, continuo

Misc. Comments

  • 7 suites containing 63 pieces
  • In most cases, the cello line simply follows the continuo line, so no further bass instrument would be necessary for the continuo. In a few places, the lines diverge slightly, but not in any major way. It would be up to the performers to decide whether a second bass instrument would be desirable for these.