Symphonischer Prolog zu einer Tragödie, Op.108 (Reger, Max)

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 Complete Score
#46311 - 19.24MB, 128 pp. -  7.0/10 2 4 6 8 10 (2) - V/V/V - 552x

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Hobbypianist (2009/11/17)

PMLP95810-Reger op.108 Symphonischer Prolog fs EP.pdf
Publisher Info.:

Leipzig: C.F. Peters, 1909. Plate 10161.

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Public Domain [tag/del]

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 Complete Score
#47275 - 15.21MB, 89 pp. -  6.0/10 2 4 6 8 10 (2) - V/V/V - 356x

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Hobbypianist (2009/11/28)

PMLP95810-Reger op.108 Symphonischer Prolog fs RGA.pdf
Publisher Info.:

Leipzig: C.F. Peters, 1909.

Reprinted:

Max Reger: Sämtliche Werke, Band 3: Orchesterwerke III.
Wiesbaden: Breitkopf & Härtel, 1959. Plate M.R. 3.

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Arrangements and Transcriptions

For Piano 4 hands (Composer)

 Complete Score
#44587 - 33.94MB, 35 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 117x

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Regermann (2009/10/31)

PMLP95810-Reger Symph Prolog PianoDuet Op108.pdf
Publisher Info.:

Leipzig: C.F. Peters, No.3217, 1909. Plate 9428.

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Public Domain [tag/del]

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Suitable for 2-sided printing + binding

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 Complete Score
#140691 - 3.23MB, 40 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 104x

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Morel (2011/10/22)

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Morel (2011/10/22)

SIBLEY1802.16875.5a22-39087011327733score.pdf
Arranger:

[Composer's transcription]

Publisher Info.:

Leipzig: C.F. Peters, No.3217, 1909. Plate 9428.

Copyright:

Public Domain [tag/del]

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This file is part of the Sibley Mirroring Project.

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General Information

Work Title Symphonischer Prolog zu einer Tragödie
Alternative Title
Composer Reger, Max
Opus/Catalogue Number Op.108
Key A minor
Movements/Sections 1
First Publication 1909
Dedication Arthur Nikisch zugeeignet
Average Duration 30-35 Minutes
Piece Style Romantic
Instrumentation Piccolo, 2 Flutes, 2 Oboes, English Horn, 2 Clarinets in B, Bassclarinet in B, 2 Bassoons, Contrabassoon, 6 Horns in F, 3 Trumpets in C, 3 Trombones, Bass-tuba, 3 Timpani, Bass drum, Cymbals, Strings
External Links MPH preface


Misc. Comments

At least one of the themelets is a (direct? exact?) quote from Psalm 100, Op.106 (admittedly, thematic borrowings/hints/etc. by Reger between works are not unusual; consider the 8th violin sonata and the 5th string quartet, 2nd movements. The development of one starts with the beginning of the main theme of the other.) - Schissel

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