Symphony No.6 (Mahler, Gustav)

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 I. Allegro energico, ma non troppo. Heftig, aber markig
#13120 - 12.87MB, 76 pp. -  7.0/10 2 4 6 8 10 (39) - V/V/V - 14535x

PDF scanned by Univ. Michigan
Horndude77 (2007/9/1)

 II. Andante moderato
#13121 - 4.03MB, 23 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 7499x

PDF scanned by Univ. Michigan
Horndude77 (2007/9/1)

 III. Scherzo: Wuchtig
#13122 - 8.54MB, 49 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 6219x

PDF scanned by Univ. Michigan
Horndude77 (2007/9/1)

 IV. Finale: Sostenuto - Allegro moderato - Allegro energico
#13123 - 19.89MB, 115 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 9413x

PDF scanned by Univ. Michigan
Horndude77 (2007/9/1)

Publisher Info.:

Leipzig: C.F. Kahnt Nachfolger, 1906. Plate 4526.

Copyright:

Public Domain [tag/del]

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 I. Allegro energico, ma non troppo (EU)
#110803 - 14.13MB, 40 pp. -  8.1/10 2 4 6 8 10 (14) - C*/59/V* - 2734x

PDF scanned by Unknown
worov (2011/7/25)

 II. Wuchtig (EU)
#110804 - 10.52MB, 25 pp. -  0.0/10 2 4 6 8 10 (0) - C*/59/V* - 1134x

PDF scanned by Unknown
worov (2011/7/25)

 III. Andante moderato (EU)
#110805 - 4.86MB, 12 pp. -  0.0/10 2 4 6 8 10 (0) - C*/59/V* - 1251x

PDF scanned by Unknown
worov (2011/7/25)

 IV. Allegro moderato (EU)
#110806 - 21.56MB, 58 pp. -  0.0/10 2 4 6 8 10 (0) - C*/59/V* - 1496x

PDF scanned by Unknown
worov (2011/7/25)

Editor:

Erwin Ratz (1898-1973), reissue editor

Publisher Info.:

Leipzig: C.F. Kahnt Nachfolger, (1906). Plate 4526.
Reissue (corrected printing) - Leipzig: C.F. Kahnt, 1963.

Reprinted:

Leipzig: C.F. Kahnt, 1998/2000 (with bogus copyright claim).

Copyright:

Public Domain - Non-PD US [tag/del]

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 I. Allegro energico, ma non troppo. Heftig, aber markig.
#61734 - 8.62MB, 91 pp. -  8.6/10 2 4 6 8 10 (7) - V*/V*/V - 3218x

PDF scanned by Unknown
Daphnis (2010/4/14)

 II. Scherzo: Wuchtig
#61735 - 6.06MB, 58 pp. -  0.0/10 2 4 6 8 10 (0) - V*/V*/V - 1340x

PDF scanned by Unknown
Daphnis (2010/4/14)

 III. Andante moderato
#61736 - 3.36MB, 33 pp. -  0.0/10 2 4 6 8 10 (0) - V*/V*/V - 1448x

PDF scanned by Unknown
Daphnis (2010/4/14)

 IV. Finale: Sostenuto - Allegro moderato - Allegro energico
#61737 - 16.71MB, 146 pp. -  0.0/10 2 4 6 8 10 (0) - V*/V*/V - 2278x

PDF scanned by Unknown
Daphnis (2010/4/14)

Publisher Info.:

Moscow: Muzyka, n.d.(1969). Plate 5854.

Reprinted:

Melville, NY: Belwin Mills, n.d. Catalog 1475 (Kalmus Miniature Scores).

Copyright:

Public Domain [tag/del]

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Parts

 Flute 1, 2, 3 (also Piccolo), 4 (also Piccolo), Piccolo
#44696 - 6.16MB, 102 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 1932x

PDF scanned by Unknown
Horndude77 (2009/10/31)

PDF scanned by Unknown
Horndude77 (2009/10/31)

PDF scanned by Unknown
Horndude77 (2009/10/31)

 Bassoon 1, 2, 3, 4, Contrabassoon
#44699 - 6.08MB, 99 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 1488x

PDF scanned by Unknown
Horndude77 (2009/10/31)

 Horn 1, 2, 3, 4, 5, 6, 7, 8 (F)
#44700 - 9.97MB, 168 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 4433x

PDF scanned by Unknown
Horndude77 (2009/10/31)

 Trumpet 1, 2, 3, 4, 5, 6 (B, C, F)
#44701 - 4.88MB, 81 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 4287x

PDF scanned by Unknown
Horndude77 (2009/10/31)

 Trombone 1, 2, 3, 4 (bass), Tuba
#44702 - 4.00MB, 68 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 3424x

PDF scanned by Unknown
Horndude77 (2009/10/31)

 Celesta
#44704 - 0.60MB, 10 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 651x

PDF scanned by Unknown
Horndude77 (2009/10/31)

 Harp 1 and 2
#44705 - 1.04MB, 19 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 633x

PDF scanned by Unknown
Horndude77 (2009/10/31)

 Violins I
#44706 - 2.61MB, 41 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 2571x

PDF scanned by Unknown
Horndude77 (2009/10/31)

 Violins II
#44707 - 2.39MB, 36 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 1090x

PDF scanned by Unknown
Horndude77 (2009/10/31)

 Violas
#44708 - 2.66MB, 41 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 1325x

PDF scanned by Unknown
Horndude77 (2009/10/31)

 Cellos
#26427 - 2.77MB, 40 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/V - 1390x

PDF scanned by Unknown
Generoso (2009/1/7)

 Basses
#44709 - 1.94MB, 34 pp. -  8.3/10 2 4 6 8 10 (21) - V/V/V - 1390x

PDF scanned by Unknown
Horndude77 (2009/10/31)

Publisher Info.:

Leipzig: C.F. Kahnt Nachfolger, 1906. Plate 4693

Reprinted:

Miami: Edwin F. Kalmus, n.d.(1982).

Copyright:

Public Domain [tag/del]

Misc. Notes:

These files are part of the Orchestra Parts Project.

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 Bass Clarinet (in B)
#25180 - 3.23MB, 22 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 346x

PDF typeset by kalliwoda
Kalliwoda (2008/12/6)

Publisher Info.:

Leipzig: C.F. Kahnt Nachfolger, 1906. Plate 4693 (scans)
Kalliwoda (typeset)

Copyright:

Creative Commons Attribution Share Alike 3.0 [tag/del]

Misc. Notes:

Sections of B part are scans, sections in A are typeset and transposed to B

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 Percussion score (without Timpani 1)
#62828 - 1.42MB, 27 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 646x

PDF typeset by Meinte Boersma
Meinte Boersma (2010/4/28)

Editor:

Meinte Boersma

Publisher Info.:

Meinte Boersma

Copyright:

Creative Commons Attribution 3.0 [tag/del]

Misc. Notes:

I re-typeset the percussion parts (without first Timpani part) because I found the (division of the) existing parts to be impractical and poorly readable. The combined parts also provide insights in how to play in ensemble. Note that I switched II and III movements (II = Scherzo now) which coincides with most modern interpretations. I also re-numbered the rehearsal marks to comply with the re-ordering which may not be very practical for everyone. I didn't enter as many Stich notes which would be practical for bass drum as I could have. If you find this useful and have corrections, remarks, request, etc., please drop me a line. (Type-setting done using Sibelius 5.)

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Arrangements and Transcriptions

Complete

For Piano 4 hands (Zemlinsky)

 Color cover (Preview)
#60331 - 0.41MB, 1 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/C - 424x

PDF scanned by Sibley Library
Morel (2010/3/31)

 Complete score (Preview)
#60330 - 7.85MB, 130 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/13 - 2008x

PDF scanned by Sibley Library
Morel (2010/3/31)

 Complete score (Preview)
#04282 - 7.16MB, 129 pp. -  9.0/10 2 4 6 8 10 (3) - V/V/13 - 1301x

PDF scanned by ArcticWind7
ArcticWind7 (2007/3/10)

Mahler-Symphony-6-TN.JPG
Arranger:

Alexander von Zemlinsky (1871-1942)

Publisher Info.:

Leipzig: C.F. Kahnt Nachfolger, 1906. Plate 4649

Reprinted:

Vienna: Universal Edition, n.d.

Copyright:

Public Domain [tag/del]

Misc. Notes:

This file is part of the Sibley Mirroring Project.

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Andante moderato

For Piano Solo (Phœte)

 Complete Score
#152471 - 0.18MB, 12 pp. -  8.0/10 2 4 6 8 10 (1) - !N/!N/!N - 1775x

PDF typeset by Our Organization
arranger (2011/11/16)

Arranger:

Edgar Phœte

Publisher Info.:

Edgar Phœte

Copyright:

Creative Commons Attribution 3.0 [tag/del]

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General Information

Work Title Symphony No.6
Alternative Title Tragische ('Tragic')
Composer Mahler, Gustav
Movements/Sections 4 movements
I. Allegro energico, ma non troppo. Heftig, aber markig.
II. Andante moderato
III. Scherzo: Wuchtig
IV. Finale: Sostenuto - Allegro moderato - Allegro energico
Year/Date of Composition 1903-04
First Performance 1906-05-26 in Essen
First Publication 1906
Average Duration 80 minutes
Piece Style Romantic
Instrumentation Orchestra
4 flutes (3-4 also piccolo), 4 oboes (3-4 also English horn),
E clarinet (also clarinet 4), 3 clarinets, bass clarinet, 4 bassoons, contrabassoon,
8 horns, 6 trumpets, 4 trombones, tuba
timpani (2 players), 2 or more off-stage bells, on and off-stage cowbells,
bass drum, triangle, snare drum, cymbals, slapstick, tambourine, tam-tam, switch, hammer,
xylophone, celesta (2 or more if possible), 2 harps, strings
External Links Wikipedia article


Misc. Comments

As in several other of his compositions, Mahler indicates in several places that extra instruments should be added, including multiple celestas, multiple harps (in the Scherzo, four harps are called for), "several" triangles at the end of the first movement, doubled snare drum (side drum), and in one place in the fourth movement "several" cymbals.

Unlike several other Mahler symphonies, there are no vocal forces.

The sound of the hammer, which features in the last movement, was stipulated by Mahler to be "brief and mighty, but dull in resonance and with a non-metallic character". The sound achieved in the premiere did not quite carry far enough from the stage, and indeed the problem of achieving the proper volume while still remaining dull in resonance remains a challenge to the modern orchestra. Various methods of producing the sound have involved a wooden mallet striking a wooden surface, a sledgehammer striking a wooden box, or a particularly large bass drum, or sometimes simultaneous use of more than one of these methods.

-Wikipedia

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