The Bartered Bride, JB 1:100 (Smetana, Bedřich)

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Contents

Music Files

Unless otherwise noted, all scores relate to the 4th and definitive version of the opera (1870).

Parts

Overture

 Clarinet 1, 2 (C)
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 Timpani
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 Cellos I / II
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Editor:


Publisher Info.:

Berlin: Bote & Bock, n.d. Plates 13143, 13727
Reprint — New York: Edwin F. Kalmus, n.d. (after 1933).

Copyright:

Public Domain

Misc. Notes:


Vocal Scores

Czech

 Complete score
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Editor:

Jindřich Kaan von Albest (1852–1926), piano reduction

Publisher Info.:

Prague: Umělecká beseda, n.d. (1909). Plate U. 3 B.

Copyright:

Public Domain

Misc. Notes:


Russian

 Preliminaries, Overture
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 Act I
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 Act II
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 Act III
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Editor:

Sergei Mikhalikov, Russian text
K. Konrashen, editor

Publisher Info.:

Moscow: Muzgiz, 1949, plate M. 20047 Г.

Copyright:

Public Domain

Misc. Notes:


Arrangements and Transcriptions

Overture

For Piano solo (Kàan)

 Complete score
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Editor:

Jindřich z Albestů Kàan (1852–1926), transcriber

Publisher Info.:

Prague: Umělecká beseda, n.d. Plate U. 3 B.

Copyright:

Public Domain

Misc. Notes:


Dances

Polka (Act I), Furiant (Act II), and Dance of the Comedians (Act III).

For Small Orchestra (Riesenfeld)

 Clarinet 1, 2 (B)
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 Percussion
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 Cellos
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Editor:

Hugo Riesenfeld (1879–1939), transcriber

Publisher Info.:

New York: G. Schirmer, 1912.

Copyright:

Public Domain

Misc. Notes:


For Piano solo (Kàan)

 Polka (Act I)
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 Furiant (Act II)
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 Dance of the Comedians (Act III)
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Editor:

Jindřich z Albestů Kàan (1852–1926), transcriber

Publisher Info.:

Prague: Umělecká beseda, n.d.(1909), plate U. 3 B.

Copyright:

Public Domain

Misc. Notes:


Selections

For Piano solo (Stetka)

 Potpurri (Excerpts arr. for piano)
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Editor:

Bohumir Stetka, arranger

Publisher Info.:

Prague: A. Urbánek & Synove, n.d.(ca.1880), Plate U.730.

Copyright:

Public Domain

Misc. Notes:

This file is from the MIT archive project.

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General Information

Work Title The Bartered Bride
Alternative Title Prodaná nevěsta / Die Verkaufte Braut
Composer Smetana, Bedřich
Opus/Catalogue Number 1st version — JB 1:100, B.131, T.93
2nd version — JB 1:100, B.137, T.93
3rd version — JB 1:100, B.140, T.93
4th version — JB 1:100, T.93
Number of Movements/Sections 1st and 2nd versions — 2 acts
3rd and 4th versions — 3 acts
Average Duration 127 minutes (complete opera), 7 minutes (overture)
Year/Date of Composition 1st version — 1863–66
2nd version — 1868–69
3rd version — 1869
4th version — 1870
First Performance 1st version — Prague, Provisional Theatre, 30 May 1866
2nd version — Prague, Provisional Theatre, 29 January 1869
3rd version — Prague, Provisional Theatre, 1 June 1869
4th version — Prague, Provisional Theatre, 25 September 1870
Year of First Publication 3rd version — 1872 (vocal score)
4th version — 1892 (full score)
Librettist Karel Sabina (1811–1877)
Language Czech
Genre Opera
Piece Style Romantic
Instrumentation Solo Voices, Chorus, Orchestra
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Misc. Comments

Cast

  • Krušina, a peasant — baritone
  • Ludmila, his wife — soprano
  • Mařenka, their daughter — soprano
  • Mícha, a landowner — bass
  • Háta, his wife — mezzo-soprano
  • Vašek, their son — tenor
  • Jeník, Mícha's son by a former marriage — tenor
  • Kecal, a marriage broker — bass
  • Circus Master (Principál komediantů) — tenor
  • Indian (Indián), an Indian comedian — bass
  • Esmeralda, dancer and comedienne — soprano

Version History

  • Composed for solo voices, chorus and orchestra, 1863–66 (= 1st version)
  • Revised by Smetana, 1866
after the first two performances, a "Gypsy ballet" borrowed from The Brandenburgers in Bohemia was introduced to replace a duet for Esmerelda and the Circus Master
  • Further revised by Smetana, 1868–69 (= 2nd version)
Act I was divided into two scenes, with a new drinking chorus in the second scene, a new polka at the start of Act II, and an extended version of Mařenka’s final solo
  • Further revised by Smetana, 1869 (= 3rd version)
now in 3 acts, the first of which concluded with the polka and a new furiant; Act III included a new skočná (replacing the 'Gypsy ballet'), and a new march to introduce the circus troupe
  • Further revised by Smetana, 1870 (= 4th version)
in the final 'definitive' version, new recitatives replaced spoken dialogue, and the furiant was moved from the end of Act I to after the drinking chorus in Act II

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