The Cook's Estampie (Eijkhout, Victor)

		Genre Categories Dances; For recorder; Scores featuring the recorder; For 1 player; For recorder, continuo; Scores with basso continuo; For 1 player with continuo

Performances

• Recordings (2)

Recordings

 Complete Performance
*#114267 - 7.76MB - 4:14 -  10.0/10 2 4 6 8 10 (1) - - !N/!N/!N - 449x⇩

MP3 file (audio)
VictorEijkhout (2011/8/20)

Performers:

Victor Eijkhout, recorders

Publisher Info.:

Victor Eijkhout

Copyright:

Creative Commons Attribution Share Alike 3.0 [tag/del]

Misc. Notes:

These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.

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 Complete Performance
*#252929 - 11.04MB - 4:49 -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 47x⇩

MP3 file (audio)
Papalin (2012/10/1)

Performer Pages:

Papalin (recorder ensemble)

Publisher Info.:

Papalin

Copyright:

Creative Commons Attribution Share Alike 3.0 [tag/del]

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Sheet Music

• Scores (2)

Scores

 Complete Score
*#114258 - 0.45MB, 4 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 776x⇩

PDF typeset by Unknown
VictorEijkhout (2011/8/20)

 Recorder Part
*#114259 - 0.20MB, 2 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 339x⇩

PDF typeset by Unknown
VictorEijkhout (2011/8/20)

Publisher Info.:

Victor Eijkhout

Copyright:

Creative Commons Attribution Share Alike 3.0 [tag/del]

Misc. Notes:

These file(s) are part of the Werner Icking Music Collection, and are also included in the Mondrup Recorder Collection.

Purchase:

Javascript is required for this feature.

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General Information

Work Title	The Cook's Estampie
Alternative Title

Composer	Eijkhout, Victor
Piece Style	Renaissance
Instrumentation	Alto recorder and optional continuo

Misc. Comments

Antone the cook shakes his spice cans to the rhythm of the music that vaguely comes through the kitchen walls. Pepper, shake, shake; salt; shake, shake; rosemary; skake; thyme, shake; pepper, shake,..... Wait. Did I already do that one?

Estampie is an old dance form, where variations are played twice, once with the so-called open ending, and once with the closed ending. Some pieces in estampie form are very artful, such as the famous Gaetta from the London manuscript. Others, however betray a clear origin in improvisation: the subsequent variations are far from independent, but rather build on each other. This estampie is modeled after the latter kind.

(This is a movement in The Courtly Suite.)