The First Set of English Madrigales to 3, 4, 5 and 6 Voices (Bateson, Thomas)

Contents

Performances

Scores and Parts

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5 more: Madrigals for three voices • Madrigals for four voices • Madrigals for five voices • Madrigals for six voices • Clefs used in the original

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Editor Edward Francis Rimbault (1816-1876)
Publisher. Info. London: Musical Antiquarian Society, 1848.
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Arrangements and Transcriptions

Madrigals for 3 Voices

For 3 viols (Folop)

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Madrigals for 4 Voices

For 4 viols (Folop)

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Madrigals for 5 Voices

For 5 viols (Folop)

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Madrigals for 6 Voices

For 6 viols (Folop)

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General Information

Work Title The First Set of English Madrigales to 3, 4, 5 and 6 Voices
Alternative. Title
Composer Bateson, Thomas
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 29 madrigals:
  1. Beauty is a lovely sweet (3 voices)
  2. Love would discharge the duty (3 voices)
  3. The nightingale (3 voices)
  4. Ah me! my mistress scorns my love (3 voices)
  5. Come follow me, fair nymphs (3 voices)
  6. Your Shining Eyes (3 voices)
  7. Whither so fast (4 voices)
  8. Dame Venus hence to Paphos go (4 voices)
  9. Down from above (4 voices)
  10. Adieu! sweet love, adieu (4 voices)
  11. If Love be blind (4 voices)
  12. Phyllis, farewell (4 voices)
  13. Those sweet, delightful lilies (5 voices)
  14. And must I needs depart then? (5 voices)
  15. Sweet Gemma first part (5 voices)
  16. Yet stay alway second part (5 voices)
  17. Strange were the life (5 voices)
  18. Alas, alas! where is my love (5 voices)
  19. O fly not love (5 voices)
  20. Who prostrate lies (5 voices)
  21. Sister awake! (5 voices)
  22. Hark, hear you not? (Oriana's Epitaph) (5 voices)
  23. Dear, if you wish (6 voices)
  24. Fair Hebe, when dame Flora meets (6 voices)
  25. Phyllis, farewell (6 voices)
  26. Thirsis, on his fair Phyllis' breast reposing (6 voices)
  27. Merrily my love and I (6 voices)
  28. Music, some think, no music is (6 voices)
  29. When Oriana walk'd (6 voices)
First Publication. 1604
Language English
Composer Time PeriodComp. Period Renaissance
Piece Style Renaissance
Instrumentation 3-6 voices
Manuscript Sources Mss copy, 1780-1800 (GB-Lms, C.18)
External Links Choral-wiki page