The Nightingale (Fine, Vivian)

Free public domain sheet music from IMSLP / Petrucci Music Library
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Performances

Recordings

 Complete Performance
#176330 - 4.57MB - 10 minutes -  0.0/10 2 4 6 8 10 (0) - - !N/!N/!N - 183x

MP3 file (audio)
Peggy Karp (2012/2/6)

Performers:

Stephanie Friedman, soprano

Publisher Info.:

Vivian Fine Estate

Copyright:

Creative Commons Attribution Non-commercial No Derivatives 3.0 [tag/del]

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Sheet Music

Scores

 Complete score
#176328 - 0.84MB, 6 pp. -  0.0/10 2 4 6 8 10 (0- !N/!N/!N - 289x

PDF scanned by Paul Hawkins
Peggy Karp (2012/2/6)

PMLP310340-Nightingale.pdf
Publisher Info.:

Vivian Fine Estate

Copyright:

Performance Restricted Attribution Non-commercial No Derivatives 1.0 [tag/del]

© COPYRIGHT NOTICE. THIS FILE IS PROTECTED UNDER COPYRIGHT LAW.
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.

Misc. Notes:

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Report performances to Vivian Fine Estate

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General Information

Work Title The Nightingale
Alternative Title
Composer Fine, Vivian
Movements/Sections One movement
Year/Date of Composition 1976
First Performance 1977-03-04 in Albany, NY. Albany Arts Center, Julie Kabat, soprano
Librettist John Keats, T.S. Eliot, John Lyly, Richard Barnfield, and the Encyclopedia Brittanica
Language English
Average Duration 10 minutes
Piece Style Modern
Instrumentation mezzo soprano, accompanying herself on percussion
External Links Vivian Fine website


Misc. Comments

Reviews

[The piece] is set as an extended fantasy for solo singer, accompanying herself with triangle, woodblock and cymbal….the result is eloquently moving.”

—Heuwell Tircuit, San Francisco Chronicle

Nightingale is an avian tour de force….Woodblock, triangle, suspended cymbal and voice created a nostalgic, almost mystical mood which left me wishing that the work were longer.”

—Richard Capparela, KITE, Albany, New York
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