|Genre Categories||; ; ; ; ; ; ; ; ; ; ;; ; ;|
|Work Title||The Venus Effect|
|Opus/Catalogue NumberOp./Cat. No.||Chamber Opera|
|Year/Date of CompositionY/D of Comp.||2015|
|Librettist||Edward Lambert & Max Waller|
|Average DurationAvg. Duration||35 minutes|
|Composer Time PeriodComp. Period||Modern|
|Instrumentation||Vocal: soprano, mezzo-soprano, tenor, baritone, bass|
Instrumental: violin, cello, marimba, accordion
In 2013, the selection process began to find crews for the first one-way missions to Mars. In 2027, as the spacecraft hurtles through space, humanity holds its breath… can the planet be colonised? But has anyone reckoned on Venus? A 'classical' opera about the power of the gods - and a myth waiting to happen.
We are introduced to Three Earthlings as they blast off from Earth on their one-way mission to settle on Mars. Mars himself recalls his union with Venus and his glorious past as a god; if only humans would return to him and he could see Venus once more in the flesh. In the confines of their spacecraft, the Earthlings are excited and apprehensive about their future: they are moved to ecstasy by their view of Earth to which they will never return and the prospect of their new life on the Red Planet. As they report to Mission Control, Mars thinks he hears voices, then is surprised and delighted by the appearance of Venus herself. Older now, she scornfully refuses his advances; degraded in Art as an object of human lust, she has come in revenge to thwart the Earthlings’ plan. She destroys the nude painting Mars has of her. Learning that humans are coming not as worshippers but as conquerors, Mars falls grief-stricken and Venus castrates him with her knife. Triumphantly she observes the spacecraft plummet into oblivion.