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||Tiento de falsas 1° tono, WSC 125
|Opus/Catalogue NumberOp./Cat. No.
||WSC 125 ; M387.180
||Mode I Dorian
||1695 or later in M387 [Versets, tientos, gallardes, folies, etc., pera orgue]
|Composer Time PeriodComp. Period
It appears that in this tiento that Cabanilles is making use of the blending effect of a reverberant space as part of the composition. This piece is very different if performed 'dry' and at a fast tempo, and sounds odd (to me) and is less effective when performed in that way. See also Tiento octavo tono Correado, WSC 42 especially, for a similar use of reverberant space. Wrshannon 16:04, 24 November 2015 (EST)