Toccatas and Arias for Harpsichord (Fine, Vivian)

Contents

Performances

Recordings

MP3 file (audio)
Peggy Karp (2012/2/7)

Performers Barbara Harbach, harpsichord
Publisher Info. Gasparo Records, Inc.
Copyright
Misc. Notes From Gasparo Records GSCD-266 "20th Century Harpsichord Music, Vol II," Barbara Harbach, harpsichord.

Used with permission.

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Sheet Music

Harpsichord Scores

PDF typeset by Paul Hawkins
Peggy Karp (2012/2/7)

Publisher. Info. Vivian Fine Estate
Copyright
Misc. Notes Request Licenses from ASCAP
Report performances to Vivian Fine Estate
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PMLP310738-Toccatas and Arias for Harpsichord.pdf
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General Information

Work Title Toccatas and Arias for Harpsichord
Alternative. Title
Composer Fine, Vivian
Movements/SectionsMov'ts/Sec's 5
Toccata I
Aria I
Toccata II
Aria II
Toccata III
Year/Date of CompositionY/D of Comp. 1986
Average DurationAvg. Duration 10 1/2 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation solo harpsichord

Misc. Comments

Toccatas and Arias for Harpsichord was composed in July, 1986 for Barbara Harbach as a meditiation on Baroque forms, in which the mingling of linear elements produces the harmonic relationships. The first Toccata is based on baroque style toccatas. Both Arias are in song form and feature inverted counterpoint. The short second Toccata is the only one which has a chordal pivotal point. It features such varying meters as 13/16, 5/8, 5/16 and9/8. The last movement uses a fascinating techinque of instant replay, with each repetition a half step apart and interspersed with arpeggiated triadic chords.

—liner notes to "20th Century Harpsichord Music, Vol II,” Gasparo GSCD-266

Review

The work…is bracing and brisk, playful and clear….Ms. Fine’s music emphasizes the play of the mind; not to discount the fresh harmonic relationships she gets from lines mingling…..There is no built-in response to her music; it is not trading on some well-used emotion…I think Ms. Fine’s music really belongs on the harpsichord; it suits her clear and lively pieces.

—Thomas Putnam, The Buffalo News, August 10, 1987