Sortable list of works by Sergei Rachmaninoff
Free public domain sheet music from IMSLP / Petrucci Music Library
(Redirected from Transcriptions (Rachmaninoff, Sergei))
- This list of compositions is manually maintained, therefore some of the available pieces may not yet be linked from this list. For an automatically generated alphabetical list of all available pieces, please see Category:Rachmaninoff, Sergei.
Contents |
The two tables below give the following informaton for works by Sergei Rachmaninoff (where applicable):
- Op. — opus numbers, supplemented by
- TN — additional numbers used in R. Threlfall & G. Norris (eds.), A Catalogue of the Compositions of S. Rachmaninoff (London, 1982). ISBN 085967617X
- Original Author — only given in cases where Rachmaninoff arranged or edited a work by another composer.
- Title — as used on IMSLP; these are usually translated into English, with Russian (Cyrillic) following in parentheses
- Forces — the instrumentation used.
- Key — the principal key of the work.
- Date — the year(s) of composition or arrangement, where known.
- Genre — works are grouped in the following broad categories: Stage, Orchestra, Concerto, Choral (for many voices), Vocal (for individual voices), Chamber, and Keyboard. The note "[arr.]" indicates the composer's own arrangement of a work shown elsewhere in the table.
Original Works
Click on the column headings to sort alphabetically or by year/opus number.
| Opus | Title | Forces | Key | Date | Genre | Notes |
|---|---|---|---|---|---|---|
| Op.1 | Piano Concerto No.1 | Piano, Orchestra | F♯ minor | 1890–91, rev.1917 | Concerto | |
| Op.1 | Piano Concerto No.1 [arr.] | 2 Pianos | F♯ minor | 1891, rev.1917 | Concerto | |
| Op.2 | Pieces (Пьес) (2): | Cello, Piano | 1892 | Chamber | ||
| Op.2/1 |
| Cello, Piano | F major | 1892 | Chamber | 2nd version of TN ii/15 |
| Op.2/2 |
| Cello, Piano | A minor | 1892 | Chamber | |
| Op.3 | Morceaux de fantaisie (Пьесы-фантазии) (5): | Piano | 1892 | Keyboard | ||
| Op.3/1 |
| Piano | E♭ minor | 1892 | Keyboard | |
| Op.3/2 |
| Piano | C♯ minor | 1892 | Keyboard | |
| Op.3/2 |
| 2 Pianos (4 hands) | C♯ minor | 1938 | Keyboard | |
| Op.3/3 |
| Piano | E major | 1892, rev.1940 | Keyboard | |
| Op.3/4 |
| Piano | F♯ minor | 1892 | Keyboard | |
| Op.3/5 |
| Piano | B♭ minor | 1892, rev.1940? | Keyboard | |
| Op.4 | Romances (Романсы) (6): | Voice, Piano | 1890–93 | Vocal | ||
| Op.4/1 |
| Voice, Piano | D minor | 1892 | Vocal | |
| Op.4/2 |
| Voice, Piano | F major | 1891–92? | Vocal | |
| Op.4/3 |
| Voice, Piano | D major | 1892? | Vocal | |
| Op.4/4 |
| Voice, Piano | A minor | 1892–93? | Vocal | |
| Op.4/5 |
| Voice, Piano | D minor | 1893 | Vocal | |
| Op.4/6 |
| Voice, Piano | G minor | 1893 | Vocal | |
| Op.5 | Suite No.1 | 2 Pianos (4 hands) | G minor | 1893 | Keyboard | "Fantaisie-tableaux" (original title) |
| Op.6 | Morceaux de salon (Салонные пьесы) (2): | Violin, Piano | 1893 | Chamber | ||
| Op.6/1 |
| Violin, Piano | D minor | 1893 | Chamber | |
| Op.6/2 |
| Violin, Piano | D minor | 1893 | Chamber | |
| Op.7 | The Rock (Утёс) | Orchestra | 1893 | Orchestra | ||
| Op.7 | The Rock (Утёс) [arr.] | Piano (4 hands) | 1893 | Keyboard | ||
| Op.8 | Romances (Романсы) (6): | Voice, Piano | 1893 | Vocal | ||
| Op.8/1 |
| Voice, Piano | G major | 1893 | Vocal | |
| Op.8/2 |
| Voice, Piano | E♭ major | 1893 | Vocal | |
| Op.8/3 |
| Voice, Piano | D minor | 1893 | Vocal | |
| Op.8/4 |
| Voice, Piano | G minor | 1893 | Vocal | |
| Op.8/5 |
| Voice, Piano | E♭ major | 1893 | Vocal | |
| Op.8/6 |
| Voice, Piano | C minor | 1893 | Vocal | |
| Op.9 | Trio élégiaque(Элегическое трио) | Violin, Cello, Piano | D minor | 1893, rev. 1907, 1917 | Chamber | |
| Op.10 | Morceaux de salon (Салонные пьесы) (3): | Piano | 1893–94 | Keyboard | ||
| Op.10/1 |
| Piano | A minor | 1893–94 | Keyboard | |
| Op.10/2 |
| Piano | A major | 1893–94 | Keyboard | |
| Op.10/3 |
| Piano | G minor | 1893–94 | Keyboard | |
| Op.10/4 |
| Piano | E minor | 1893–94 | Keyboard | |
| Op.10/5 |
| Piano | G major | 1893–94, rev.1940 | Keyboard | |
| Op.10/6 |
| Piano | F minor | 1893–94 | Keyboard | |
| Op.10/7 |
| Piano | D♭ major | 1893–94 | Keyboard | |
| Op.11 | Morceaux (Пьесы) (6): | Piano (4 hands) | 1894 | Keyboard | ||
| Op.11/1 |
| Piano (4 hands) | G minor | 1894 | Keyboard | |
| Op.11/2 |
| Piano (4 hands) | D major | 1894 | Keyboard | |
| Op.11/3 |
| Piano (4 hands) | B minor | 1894 | Keyboard | |
| Op.11/4 |
| Piano (4 hands) | A major | 1894 | Keyboard | |
| Op.11/5 |
| Piano (4 hands) | C minor | 1894 | Keyboard | |
| Op.11/6 |
| Piano (4 hands) | C major | 1894 | Keyboard | |
| Op.12 | Caprice bohémien (Capriccio on Gypsy Themes / Каприччио на цыганские темы) | Orchestra | E minor/E major | 1892–94 | Orchestra | |
| Op.12 | Caprice bohémien(Capriccio on Gypsy Themes / Каприччио на цыганские темы) [arr.] | Piano (4 hands) | E minor/E major | 1894 | Keyboard | |
| Op.13 | Symphony No.1 | Orchestra | D minor | 1895 | Symphonic | destroyed by the composer; score reconstructed posthumously |
| Op.13 | Symphony No.1 [arr.] | Piano (4 hands) | D minor | 1895? | Keyboard | |
| Op.14 | Romances (Романсы) (12): | Voice, Piano | 1894–96 | Vocal | ||
| Op.14/1 |
| Voice, Piano | F major | 1894 | Vocal | |
| Op.14/2 |
| Voice, Piano | G major | 1896 | Vocal | |
| Op.14/3 |
| Voice, Piano | F♯ minor | 1896 | Vocal | |
| Op.14/4 |
| Voice, Piano | E♭ major | 1896 | Vocal | |
| Op.14/5 |
| Voice, Piano | E major | 1896 | Vocal | |
| Op.14/6 |
| Voice, Piano | G minor | 1896 | Vocal | |
| Op.14/7 |
| Voice, Piano | C major | 1896 | Vocal | |
| Op.14/8 |
| Voice, Piano | F minor | 1896 | Vocal | |
| Op.14/9 |
| Voice, Piano | E♭ major | 1896 | Vocal | |
| Op.14/10 |
| Voice, Piano | D major | 1896 | Vocal | |
| Op.14/11 |
| Voice, Piano | E♭ major | 1896 | Vocal | |
| Op.14/12 |
| Voice, Piano | E♭ minor | 1896 | Vocal | |
| Op.15 | Choruses (Хоров) (6): | Female (or Children's) Chorus (SA), Piano | 1895–96 | Choral | ||
| Op.15/1 |
| Female (or Children's) Chorus (SA), Piano | 1895–96 | Choral | ||
| Op.15/2 |
| Female (or Children's) Chorus (SA), Piano | 1895–96 | Choral | ||
| Op.15/3 |
| Female (or Children's) Chorus (SA), Piano | 1895–96 | Choral | ||
| Op.15/4 |
| Female (or Children's) Chorus (SA), Piano | 1895–96 | Choral | ||
| Op.15/5 |
| Female (or Children's) Chorus (SA), Piano | 1895–96 | Choral | ||
| Op.15/6 |
| Female (or Children's) Chorus (SA), Piano | 1895–96 | Choral | ||
| Op.16 | Moments Musicaux (Музыкальные моменты) (6): | Piano | 1896 | Keyboard | ||
| Op.16/1 |
| Piano | B♭ minor | 1896 | Keyboard | |
| Op.16/2 |
| Piano | E♭ minor | 1896, rev.1940 | Keyboard | |
| Op.16/3 |
| Piano | B minor | 1896 | Keyboard | |
| Op.16/4 |
| Piano | E minor | 1896 | Keyboard | |
| Op.16/5 |
| Piano | D♭ major | 1896 | Keyboard | |
| Op.16/6 |
| Piano | C major | 1896 | Keyboard | |
| Op.17 | Suite No.2 | 2 Pianos (4 hands) | C major | 1900–01 | Keyboard | |
| Op.18 | Piano Concerto No.2 | Piano, Orchestra | C minor | 1900–01 | Concerto | |
| Op.18 | Piano Concerto No.2 [arr.] | 2 Pianos | C minor | 1900–01 | Concerto | |
| Op.19 | Cello Sonata | Cello, Piano | G minor | 1901 | Chamber | |
| Op.20 | Spring (Весна) | Baritone solo, Chorus (SATB), Orchestra | E major | 1902 | Choral | |
| Op.21 | Romances (Романсы) (12) | Voice, Piano | 1900–02 | Vocal | ||
| Op.21/1 |
| Voice, Piano | C minor | 1900 | Vocal | |
| Op.21/2 |
| Voice, Piano | E minor | 1902 | Vocal | |
| Op.21/3 |
| Voice, Piano | E minor | 1902 | Vocal | |
| Op.21/4 |
| Voice, Piano, | D♭ major | 1902 | Vocal | |
| Op.21/5 |
| Voice, Piano | A♭ major | 1902 | Vocal | |
| Op.21/5 |
| Piano | A♭ major | 1913–14 | Keyboard | |
| Op.21/6 |
| Voice, Piano | F♯ minor | 1902 | Vocal | |
| Op.21/7 |
| Voice, Piano | A major | 1902 | Vocal | |
| Op.21/8 |
| Voice, Piano | C minor | 1902 | Vocal | |
| Op.21/9 |
| Voice, Piano | B♭ major | 1902 | Vocal | |
| Op.21/10 |
| Voice, Piano | E♭ minor | 1902 | Vocal | |
| Op.21/11 |
| Voice, Piano | E♭ major | 1902 | Vocal | |
| Op.21/12 |
| Voice, Piano | G minor | 1902 | Vocal | |
| Op.22 | Variations on a Theme of Chopin (Вариации на тему Шопена) | Piano | C minor | 1902–03 | Keyboard | After the Prelude, Op.28/20 by Frederic Chopin |
| Op.23 | Preludes (Прелюдии) (10): | Piano | 1901–03 | Keyboard | ||
| Op.23/1 |
| Piano | F♯ minor | 1903 | Keyboard | |
| Op.23/2 |
| Piano | B♭ major | 1903 | Keyboard | |
| Op.23/3 |
| Piano | D minor | 1903 | Keyboard | |
| Op.23/4 |
| Piano | D major | 1903 | Keyboard | |
| Op.23/5 |
| Piano | G minor | 1901 | Keyboard | |
| Op.23/6 |
| Piano | E♭ major | 1903 | Keyboard | |
| Op.23/7 |
| Piano | C minor | 1903 | Keyboard | |
| Op.23/8 |
| Piano | A♭ major | 1903 | Keyboard | |
| Op.23/9 |
| Piano | E♭ minor | 1903 | Keyboard | |
| Op.23/10 |
| Piano | G♭ major | 1903 | Keyboard | |
| Op.24 | The Miserly Knight (Скупой рыцарь) | Solo Voices, Chorus (SATB), Orchestra | 1903–05 | Stage | ||
| Op.25 | Francesca da Rimini (Франческа да Римини) | Solo Voices, Chorus (SATB), Orchestra | 1900–05 | Stage | ||
| Op.26 | Romances (Романсы) (15): | Voice, Piano | 1906 | Vocal | ||
| Op.26/1 |
| Voice, Piano | D♭ major | 1906 | Vocal | |
| Op.26/2 |
| Voice, Piano | F♯ minor | 1906 | Vocal | |
| Op.26/3 |
| Voice, Piano | D minor | 1906 | Vocal | |
| Op.26/4 |
| Baritone, Soprano, Piano | C minor | 1906 | Vocal | |
| Op.26/5 |
| Voice, Piano, | A♭ major | 1906 | Vocal | |
| Op.26/6 |
| Voice, Piano | F minor | 1906 | Vocal | |
| Op.26/7 |
| Voice, Piano | F major | 1906 | Vocal | |
| Op.26/8 |
| Voice, Piano | A minor | 1906 | Vocal | |
| Op.26/9 |
| Voice, Piano | D minor | 1906 | Vocal | |
| Op.26/10 |
| Voice, Piano | A major | 1906 | Vocal | |
| Op.26/11 |
| Voice, Piano | D major | 1906 | Vocal | |
| Op.26/12 |
| Voice, Piano | B minor | 1906 | Vocal | |
| Op.26/13 |
| Voice, Piano, | D minor | 1906 | Vocal | |
| Op.26/14 |
| Voice, Piano | B minor | 1906 | Vocal | |
| Op.26/15 |
| Voice, Piano | E♭ minor | 1906 | Vocal | |
| Op.27 | Symphony No.2 | Orchestra | E minor | 1906–07 | Symphonic | |
| Op.28 | Piano Sonata No.1 | Piano | D minor | 1907 | Keyboard | |
| Op.29 | Isle of the Dead(Остров мёртвых) | Orchestra | 1909 | Orchestra | ||
| Op.30 | Piano Concerto No.3 | Piano, Orchestra | D minor | 1909 | Concerto | |
| Op.30 | Piano Concerto No.3 [arr.] | 2 Pianos | D minor | 1909 | Concerto | |
| Op.31 | Liturgy of St John Chrysostom (Литургия святого Иоанна Златоуста) | Chorus) | 1910 | Choral | ||
| Op.32 | Preludes (Прелюдии) (13): | Piano | 1910 | Keyboard | ||
| Op.32/1 |
| Piano | C major | 1910 | Keyboard | |
| Op.32/2 |
| Piano | B♭ major | 1910 | Keyboard | |
| Op.32/3 |
| Piano | E major | 1910 | Keyboard | |
| Op.32/4 |
| Piano | E minor | 1910 | Keyboard | |
| Op.32/5 |
| Piano | G major | 1910 | Keyboard | |
| Op.32/6 |
| Piano | F minor | 1910 | Keyboard | |
| Op.32/7 |
| Piano | F major | 1910 | Keyboard | |
| Op.32/8 |
| Piano | A minor | 1910 | Keyboard | |
| Op.32/9 |
| Piano | A major | 1910 | Keyboard | |
| Op.32/10 |
| Piano | B minor | 1910 | Keyboard | |
| Op.32/11 |
| Piano | B major | 1910 | Keyboard | |
| Op.32/12 |
| Piano | G♯ minor | 1910 | Keyboard | |
| Op.32/13 |
| Piano | D♭ major | 1910 | Keyboard | |
| Op.33 | Etudes-tableaux (Этюды-картины) (6): | Piano | 1911 | Keyboard | 3 other pieces written for this set were withdrawn before publication; later published as Op.39/6 and Op.posth. | |
| Op.33/1 |
| Piano | F minor | 1911 | Keyboard | |
| Op.33/2 |
| Piano | C major | 1911 | Keyboard | |
| Op.33/3 |
| Piano | E♭ minor | 1911 | Keyboard | |
| Op.33/4 |
| Piano | E♭ major | 1911 | Keyboard | |
| Op.33/5 |
| Piano | G minor | 1911 | Keyboard | |
| Op.33/6 |
| Piano | C♯ minor | 1911 | Keyboard | |
| Op.34 | Romances (Романсы) (14): | Voice, Piano | 1912 | Vocal | ||
| Op.34/1 |
| Voice, Piano | E minor | 1912 | Vocal | |
| Op.34/2 |
| Voice, Piano | C major | 1912 | Vocal | |
| Op.34/3 |
| Voice, Piano | E minor | 1912 | Vocal | |
| Op.34/4 |
| Voice, Piano | C major | 1912 | Vocal | |
| Op.34/5 |
| Voice, Piano | D minor | 1912 | Vocal | |
| Op.34/6 |
| Voice, Piano | F minor | 1912 | Vocal | |
| Op.34/7 |
| Voice, Piano | E♭ minor | 1910, rev.1912 | Vocal | |
| Op.34/8 |
| Voice, Piano | E♭ minor | 1912 | Vocal | |
| Op.34/9 |
| Voice, Piano | D major | 1912 | Vocal | |
| Op.34/10 |
| Voice, Piano | A♭ major | 1912 | Vocal | |
| Op.34/11 |
| Voice, Piano | C♯ minor | 1912 | Vocal | |
| Op.34/12 |
| Voice, Piano | A major | 1912 | Vocal | |
| Op.34/13 |
| Voice, Piano | E♭ minor | 1912 | Vocal | |
| Op.34/14 |
| Voice, Piano | C♯ minor | 1912, rev.1915 | Vocal | |
| Op.34/14 |
| Soprano, Orchestra | C♯ minor | 1916? | Vocal | |
| Op.34/14 |
| Violinists, Orchestra | E minor | 1919 | Orchestra | |
| Op.35 | The Bells (Колокола) | Soprano, Tenor, Baritone, Chorus (SATB), Orchestra | 1913 | Choral | ||
| Op.36 | Piano Sonata No.2 | Piano | B♭ minor | 1913, rev.1931 | Keyboard | |
| Op.37 | Vespers (All-Night Vigil / Всенощное бдение) | Alto, Tenor, Chorus | 1915 | Choral | ||
| Op.38 | Romances (Романсы) (6): | Voice, Piano | 1916 | Vocal | ||
| Op.38/1 |
| Voice, Piano | G minor | 1916 | Vocal | |
| Op.38/2 |
| Voice, Piano | F major | 1916 | Vocal | |
| Op.38/3 |
| Voice, Piano | F major | 1916 | Vocal | |
| Op.38/3 |
| Piano | F major | 1922?, rev.1940 | Keyboard | |
| Op.38/4 |
| Voice, Piano | C major | 1916 | Vocal | |
| Op.38/5 |
| Voice, Piano | D♭ major | 1916 | Vocal | |
| Op.38/6 |
| Voice, Piano | D♭ major | 1916 | Vocal | |
| Op.39 | Etudes-tableaux (Этюды-картины) (8): | Piano | 1916–17 | Keyboard | ||
| Op.39/1 |
| Piano | C minor | 1916–17 | Keyboard | |
| Op.39/2 |
| Piano | A minor | 1916–17 | Keyboard | |
| Op.39/3 |
| Piano | F♯ minor | 1916–17 | Keyboard | |
| Op.39/4 |
| Piano | B minor | 1916–17 | Keyboard | |
| Op.39/5 |
| Piano | E♭ minor | 1916–17 | Keyboard | |
| Op.39/6 |
| Piano | A minor | 1916–17 | Keyboard | originally written for Op.33 |
| Op.39/7 |
| Piano | C minor | 1916–17 | Keyboard | |
| Op.39/8 |
| Piano | D minor | 1916–17 | Keyboard | |
| Op.39/9 |
| Piano | D major | 1916–17 | Keyboard | |
| Op.40 | Piano Concerto No.4 | Piano, Orchestra | G minor | 1926, rev.1928, 1941 | Concerto | |
| Op.40 | Piano Concerto No.4 [arr.] | 2 Pianos | G minor | 1926, rev.1928, 1941 | Concerto | |
| Op.41 | Russian Songs (Русские песни) (3): | Chorus, Orchestra | 1926 | Choral | ||
| Op.41/1 |
| Chorus, Orchestra | E minor | 1926 | Choral | |
| Op.41/2 |
| Chorus, Orchestra | D minor | 1926 | Choral | |
| Op.41/3 |
| Chorus, Orchestra | B minor | 1926 | Choral | |
| Op.41/3 |
| Voice, Piano | B minor | 1926 | Vocal | |
| Op.42 | Variations on a Theme of Corelli (Вариации на тему Корелли) | Piano | D minor | 1931 | Keyboard | |
| Op.43 | Rhapsody on a Theme of Paganini (Рапсодия на тему Паганини) | Piano, Orchestra | A minor | 1934 | Concerto | |
| Op.43 | Rhapsody on a Theme of Paganini (Рапсодия на тему Паганини) [arr.] | 2 Pianos | A minor | 1934 | Keyboard | |
| Op.44 | Symphony No.3 | Orchestra | A minor | 1935–36, rev.1938 | Symphonic | |
| Op.45 | Symphonic Dances (Симфонические танцы) | Orchestra | 1940 | Orchestra | ||
| Op.45 | Symphonic Dances (Симфонические танцы) [arr.] | 2 Pianos (4 hands) | 1940 | Keyboard | ||
| Op.posth. | Etude-Tableau | Piano | C minor | 1911 | Keyboard | originally part of Op.33 |
| Op.posth. | Etude-Tableau | Piano | D minor | 1911 | Keyboard | Originally part of Op.33 |
| TN ii/11 | Song Without Words (Песнь без слов) | Piano | D minor | 1886–87? | Keyboard | |
| TN ii/12 | Pieces (Пьесы) (4): | Piano | 1887–88? | Keyboard | ||
| TN ii/12/1 |
| Piano | F♯ minor | 1888? | Keyboard | |
| TN ii/12/2 |
| Piano | E♭ minor | 1887? | Keyboard | |
| TN ii/12/3 |
| Piano | E major | 1888? | Keyboard | |
| TN ii/12/4 |
| Piano | D major | 1888? | Keyboard | |
| TN ii/13 | Nocturnes(Ноктюрна) (3): | Piano | 1887–88 | Keyboard | ||
| TN ii/13/1 |
| Piano | F♯ minor | 1887 | Keyboard | |
| TN ii/13/2 |
| Piano | F major | 1887 | Keyboard | |
| TN ii/13/3 |
| Piano | C minor–E♭ major | 1888 | Keyboard | |
| TN ii/14 | Canon | Piano | D minor | 1890–91 | Keyboard | |
| TN ii/15 | Prelude (Прелюдия) | Piano | F major | 1891 | Keyboard | revised for cello and piano as Op.2/1 |
| TN ii/16 | Improvisations (Импровизации) (4) | Piano | 1896? | Keyboard | collaborative work with Anton Arensky, Alexander Glaznuov and Sergey Taneyev | |
| TN ii/17 | Pieces (Пьесы) (2): | Piano | 1899 | Keyboard | ||
| TN ii/17/1 |
| Piano | G minor | 1899 | Keyboard | |
| TN ii/17/2 |
| Piano | F major | 1899 | Keyboard | |
| TN ii/18 | Polka de W.R. (Полька В. Р.) | Piano | A♭ major | 1911 | Keyboard | Transcription of Lachtäubchen (Op.303) by Franz Behr |
| TN ii/19 | Pieces (Пьесы) (3): | Piano | 1917 | Keyboard | ||
| TN ii/19/1 |
| Piano | D minor | 1917 | Keyboard | |
| TN ii/19/2 |
| Piano | B♭ major | 1917 | Keyboard | |
| TN ii/19/3 |
| Piano | A♭ major | 1917 | Keyboard | |
| TN ii/20 | Romance (Романс) | Piano (4 hands) | G major | 1894 | Keyboard | |
| TN ii/21 | Polka italienne (Итальянская полька) | Piano (4 hands) | E♭ minor | 1906? | Keyboard | |
| TN ii/21 | Polka italienne (Итальянская полька) [arr.] | Trombone, Piano (4 hands) | E♭ minor | 1906? | Orchestra | |
| TN ii/22 | Pieces (Пьесы) (2): | Piano (6 hands) | 1890–91 | Keyboard | ||
| TN ii/22/1 |
| Piano (6 hands) | A major | 1890 | Keyboard | |
| TN ii/22/2 |
| Piano (6 hands) | A major | 1891 | Keyboard | |
| TN ii/23 | Russian Rhapsody (Русская рапсодия) | 2 Pianos (4 hands) | E minor | 1891 | Keyboard | |
| TN ii/30 | String Quartet No.1 | 2 Violins, Viola, Cello | 1889? | Chamber | unfinished; only 2nd and 3rd movements survive | |
| TN ii/31 | Romance (Романс) | Violin, Piano | A minor | 1885? | Chamber | |
| TN ii/32 | Lied (Romance) | Cello, Piano | F minor | 1890 | Chamber | |
| TN ii/33 | Melodie on a Theme by S. Rachmaninov | Cello (or Violin), Piano | D major | 1890 | Chamber | |
| TN ii/34 | Trio élégiaque (Элегическое трио) | Volin, Cello and Piano | G minor | 1892 | Chamber | |
| TN ii/35 | String Quartet No.2 | 2 Violins, Viola, Cello | G minor | 1896? | Chamber | unfinished; only 1st and 2nd movements survive |
| TN ii/40 | Scherzo (Скерцо) | Orchestra | D minor | 1888 | Orchestra | |
| TN ii/41 | Piano Concerto | Piano, Orchestra | C minor | 1889 | Concerto | unfinished; sketches for 1st movement only |
| TN ii/43 | Symphony ("Youth" / «Юношеская») | Orchestra | D minor | 1891 | Symphonic | unfinished; 1st movement only |
| TN ii/44 | Prince Rostislav (Князь Ростислав) | Orchestra | 1891 | Orchestra | ||
| TN ii/50 | Songs (Песен) (2): | Voice, Piano | 1890 | Keyboard | ||
| TN ii/50/1 |
| Voice, Piano | G minor | 1890 | Vocal | |
| TN ii/50/2 |
| Voice, Piano | C minor | 1890 | Vocal | |
| TN ii/51 | Again You Leapt, my Heart (Опять встрепенулось ты, сердце) | Voice, Piano | G minor | 1890? | Vocal | |
| TN ii/52 | Songs (Песен) (2): | Voice, Piano | 1891 | Vocal | ||
| TN ii/52/1 |
| Voice, Piano | E♭ major | 1891 | Vocal | |
| TN ii/52/2 |
| Voice, Piano | G major | 1891 | Vocal | |
| TN ii/53 | Songs (Песен) (3): | Voice, Piano | 1893? | Vocal | ||
| TN ii/53/1 |
| Voice, Piano | F minor | 1893? | Vocal | |
| TN ii/53/2 |
| Voice, Piano | A minor | 1893? | Vocal | |
| TN ii/53/3 |
| Voice, Piano | E major | 1893? | Vocal | |
| TN ii/54 | Were You Hiccoughing? (Икалось ли тебе?) | Voice, Piano | F major | 1899 | Vocal | |
| TN ii/55 | Night (Ночь) | Voice, Piano | A minor | 1900 | Vocal | |
| TN ii/56 | Letter to K. S. Stanislavsky (Письмо К. С. Станиславскому) | Voice, Piano | E♭ major | 1908 | Vocal | |
| TN ii/57 | From the Gospel of St John (Из Евангелия от Иоанна) | Voice, Piano | A minor | 1915 | Vocal | |
| TN ii/58 | Songs (Песен) (2): | Voice, Piano | 1891 | Vocal | ||
| TN ii/58/1 |
| Voice, Piano | 1916 | Vocal | ||
| TN ii/58/2 |
| Voice, Piano | 1916 | Vocal | ||
| TN ii/60 | Deus Meus | 6 Voices | 1890 | Vocal | ||
| TN ii/61 | O Mother of God vigilantly praying (В молитвах неусыпающую Богородицу) | Chorus | 1893 | Choral | ||
| TN ii/62 | Chorus of Spirits (Хор духов) | Chorus | 1894 | Choral | ||
| TN ii/63 | Panteley the Healer (Пантелей-целитель) | Chorus (SATB) | 1899 | Choral | ||
| TN ii/70 | Aleko (Алеко) | Solo Voices, Chorus (SATB), Orchestra | 1892 | Stage | ||
| TN ii/71 | Monna Vanna (Монна Ванна) | Solo Voices, Chorus (SATB), Orchestra | 1906–08 | Stage | unfinished (piano score of Act I and sketches for Act II only) | |
| TN ii/80 | Monologues from "Boris Godunov" (2): | Voice, Piano | 1890–91? | Vocal | ||
| TN ii/80/1 |
| Voice, Piano | 1890–91? | Vocal | ||
| TN ii/80/2 |
| Voice, Piano | 1890–91? | Vocal | ||
| TN ii/81 | A Night Spent Without Dreams (Ночь, проведённая без сна) | Voice, Piano | 1890–91 | Vocal | ||
| TN ii/83 | Russian boatmen's song | Violin, Piano | 1891 | Chamber | ||
| TN ii/84 | Russian Songs (Русские песни) (2): | Voice, Piano | 1899 | Vocal | ||
| TN ii/84/1 |
| Voice, Piano | 1899 | Vocal | ||
| TN ii/84/2 |
| Voice, Piano | 1899 | Vocal | ||
| TN ii/85 | Russian Songs (Русские песни) (2): | Voice, Piano | 1920 | Vocal | ||
| TN ii/85/1 |
| Voice, Piano | 1920 | Vocal | ||
| TN ii/85/2 |
| Voice, Piano | 1920 | Vocal | ||
| TN ii/86 | Powder and Paint | Voice, Piano | 1925 | Vocal | ||
| — | Piece | Piano | D minor | 1884? | Keyboard | |
| — | Romance (Романс) | Piano | E♭ major | 1887? | Keyboard | possibly spurious |
| — | Esmerelda (Эсмеральда) | Solo Voices, Chorus (SATB), Orchestra | 1888 | Stage | unfinished (piano score of Introduction to Act I and fragment of Act III only) | |
| — | Manfred (Манфред) | Orchestra | 1890 | Orchestra | destroyed by the composer | |
| — | Mazepa (Мазепа) | 4 solo voices | 1891? | Vocal | unfinished (fragment only) | |
| — | Suite | Orchestra | D minor | 1891 | Orchestra | lost |
| — | Suite [arr.] | Piano | D minor | 1891 | Keyboard | |
| — | Fugue (Фуга) | Piano | D minor | 1891 | Keyboard | |
| — | Burlesque Song (Бурлацкая песня) | Voice, Piano | 1891 | Vocal | ||
| — | Symphony | Orchestra | 1897 | Symphonic | unfinished (sketches only) | |
| — | Choboty (Чоботы, Ukrainian song) | Chorus (SATB) | 1899 | Choral | ||
| — | Fragments (Осколки) | Piano | A♭ major | 1917 | Keyboard |
Arrangements, Transcriptions, Editions
Click on the column headings to sort alphabetically or by year/opus number.
| Opus | Original Author | Title | Forces | Key | Date | Genre | Notes |
|---|---|---|---|---|---|---|---|
| TN iii/1 | Bach, Johann Sebastian | Suite from the Violin Partita No.3 | Piano | E major | 1933 | Keyboard | transcription of the Prelude, Gavotte and Gigue from Bach's Partita No.3 in E major (BWV 1006a) |
| — | Beethoven, Ludwig van (arr. Rubinstein, Anton) | Turkish March | Piano | ? | Keyboard | edtion of Rubinstein's piano transcription of the Marcia alla turca from Beethoven's incidental music to The Ruins of Athens | |
| TN ii/18 | Behr, Franz | Polka de W.R. (Полька В. Р.) | Piano | A♭ major | 1911 | Keyboard | after Behr's Lachtäubchen (Scherzpolka) in F major, Op.303; attributed in Rachmaninoff's transcription to his father Vasily (Wassily) Rachmaninoff |
| TN iii/3 | Bizet, Georges | Minuet | Piano | C minor | 1903, rev.1922 | Keyboard | after the Intermezzo (Minuetto) from Bizet's incidental music to L'Arlesienne |
| Op.22 | Chopin, Frederic | Variations on a Theme of Chopin (Вариации на тему Шопена) | Piano | C minor | 1902–03 | Keyboard | after No.20 of Chopin's 24 Preludes, Op.28 (see also table above) |
| Op.42 | Corelli, Arcangelo | Variations on a Theme of Corelli (Вариации на тему Корелли) | Piano | D minor | 1931 | Keyboard | after No.12 of Corelli's 12 Violin Sonatas, Op.5 (see also table above) |
| TN iii/4 | Glazunov, Alexander | Symphony No.6 | Piano (4 hands) | C minor | 1896–97 | Keyboard | complete transcription of Glazunov's Symphony No.6, Op.58 |
| — | Henselt, Adolf von | Si Oiseau j'Etais ("If I Were a Bird") | Piano | ? | Keyboard | after No.6 from Henselt's 12 Études caractéristiques de Concert, Op.2 | |
| TN iii/5/1 | Kreisler, Fritz | Liebesleid (Муки любви) | Piano | 1921 | Keyboard | after Kriesler's Alt-Wiener Tanzweisen No.1 | |
| TN iii/5/2 | Kreisler, Fritz | Liebesfreud (Радость любви) | Piano | C major | 1925 | Keyboard | after Kriesler's Alt-Wiener Tanzweisen No.2 |
| TN iii/6 | Liszt, Franz | Cadenza | Piano | C♯ minor | 1919 | Keyboard | for Liszt's Hungarian Rhapsody No.2 (S.244/2) |
| TN iii/7 | Mendelssohn, Felix | Scherzo | Piano | G minor | 1933 | Keyboard | from Mendelssohn's incidental music to Shakespeare's A Midsummer Night's Dream |
| TN iii/8 | Mussorgsky, Modest Petrovich | Hopak (Гопак) | Piano | G major | 1923–24 | Keyboard | after the Gopak from Mussorgsky's opera Sorochinsky Fair |
| TN iii/8 | Mussorgsky, Modest Petrovich | Hopak (Гопак) | Violin, Piano | G major | 1926 | Chamber | after the Gopak from Mussorgsky's opera Sorochinsky Fair |
| Op.43 | Paganini, Nicolo | Rhapsody on a Theme of Paganini (Рапсодия на тему Паганини) | Piano, Orchestra | A minor | 1934 | Concerto | after No.19 of the 24 Caprices for solo violin, Op.1 (see also above table) |
| TN iii/9 | Rimsky-Korsakov, Nikolai | Flight of the Bumblebee (Полёт шмеля) | Piano | A mnior | 1929? | Keyboard | after the interlude from Act I of Rimsky-Korsakov's opera The Tale of Tsar Saltan |
| TN iii/10 | Schubert, Franz | Wohin? (Куда?) | Piano | G major | 1925 | Keyboard | after No.2 from Schubert's Die Schöne Müllerin |
| TN iii/11 | Smith, John Stafford | American National Anthem (Американский гимн) | Piano | B♭ major | 1918 | Keyboard | after Smith's anthem "The Star-Spangled Banner" |
| — | Tchaikovsky, Pyotr Ilyich | Manfred (Манфред) | Piano (4 hands) | B minor | 1886 | Keyboard | piano reduction of Tchaikovsky's Manfred Symphony, Op.58 |
| TN iii/13 | Tchaikovsky, Pyotr Ilyich | The Sleeping Beauty (Спящая красавица) | Piano (4 hands) | 1890 | Keyboard | piano reduction of Tchaikovsky's complete ballet The Sleeping Beauty, Op.66 | |
| TN iii/14 | Tchaikovsky, Pyotr Ilyich | Lullaby (Колыбельная песня) | Piano | A♭ major | 1941 | Keyboard | after the Cradle Song, No.1 of Tchaikovsky's 6 Romances, Op.16 |


