List of compositions by Franz Liszt

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This list is manually maintained, therefore some of the available pieces may not yet be linked from this page. For an automatically generated alphabetical list of all available pieces, please see Category:Liszt, Franz.


Literature from/about Liszt:


The table below gives the following information for works by Franz Liszt (where applicable):

  • S. — numbering as given in Humphrey Searle, The Music of Liszt, 1966 (with additions by Sharon Winklhofer and Leslie Howard). An asterisk (*) signifies that a number is no longer in use.
  • LW. — numbering by R. Charnin Mueller and M. Eckhardt referenced in Grove Music Online (2010)
  • Title — normally following the New Liszt Edition and Library of Congress, as well as other authoritative sources.
  • Forces — the instrumentation used.
  • Key — the principal key of the work.
  • Date — the year(s) of composition or arrangement, where known.
  • Genre — works are grouped in the following broad categories: Stage, Orchestral, Concerto, Choral (for many voices), Vocal (for individual voices), Chamber and Keyboard.
  • Notes — Liszt's works often exist in multiple versions, which are cross-referenced here.

See the Talk page for more on the arrangement of Searle's catalogue.

S. LW Title Forces Key Date Genre Notes
001 O01 Don Sanche (Le château de l'amour) Voices, Chorus, Orchestra 1824–25 Stage opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first performed in Paris, 17 October 1825; unpublished
002 I04 Die Legende von der Heiligen Elisabeth 6 Voices, Mixed Chorus, Organ, Orchestra 1857–62 Choral extracts arranged for solo piano as S.498a, S.693a; for piano 4 hands as S.578; introduction arranged for organ as S.663a
003 I07 Christus 5 Voices, Mixed Chorus, Organ, Orchestra 1866–72 Choral Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arranged for piano as S.498b, for piano 4 hands as S.579; No.8 arranged for organ as S.664
004/1 I08a Cantico di San Francesco Baritone, (Male Chorus ad lib.), Organ (or Harmonium), Piano F major 1862 Choral 1st version of S.4/2; 'Alleluja' arranged for organ (and trombone ' ad lib.) as S.677
004/2 I08b Cantico del sol di Francesco d'Assisi Baritone, Male Chorus, Organ, Orchestra F major 1879–82 Choral 2nd version; arranged for solo piano as S.499, for organ as S.760; Prelude arranged for piano as S.498c, for organ as S.665
005/1 I01a Sainte Cécile (Die heilige Cäcilia) Mezzo-Soprano, Orchestra [?] 1845 Choral 1st version of S.5/2 (lost)
005/2 I01b Sainte Cécile (Die heilige Cäcilia)
(Legende) 		Mezzo-Soprano, (Mixed Chorus ad lib.), Orchestra 1874 Choral 2nd version of S.5/1; arranged for mezzo-soprano (mixed chorus ad lib.) and piano (or harmonium or harp) as S.5/2a
005/2a I01b Sainte Cécile (Die heilige Cäcilia)
(Legende) 		Mezzo-Soprano, (Mixed Chorus ad lib.), Piano (or Harmonium or Harp) 1874 Choral arrangement of S.5/2
006 L15 Die Glocken des Strassburger Münsters 2 Voices, Mixed Chorus, Organ, Orchestra 1874–75 Choral oratorio; prelude arranged for piano 4 hands as S.580; for solo piano as S.500; for organ (and mixed chorus ad lib.) as S.666; for voice, organ as S.767 [?]
007 I10 Cantantibus organis (Antiphona in festo Santa Caeciliae) Alto, Mixed Chorus, Orchestra G major–G minor 1879 Choral
007a I10 Cantantibus organis (Antiphona in festo Santa Caeciliae) Alto, Mixed Chorus, Harmonium G major–G minor 1879 Choral
008/1 J05a Missa quattuor vocum ad aequales Male Chorus, Organ 1846–47 Choral 1st version of S.8/2
008/2 J05b Missa quattuor vocum ad aequales (Szekszárd Mass) Male Chorus, Organ 1869 Choral 2nd version of S.8/1; themes used in S.264
009 I02 Missa Solennis (Graner Mass) 4 Voices, Mixed Chorus, Orchestra 1857–58 Choral extract ('Poco adagio') arranged for piano as S.747 [?]
010 J18 Missa choralis Mixed Chorus, Organ 1859–65 Choral
011 I09 Ungarische Krönungsmesse (Hungarian Coronation Mass) 4 Voices, Mixed Chorus, Orchestra 1866–69 Choral Nos.5 and 7 arranged for piano as S.501, for piano 4 hands as S.581, for violin and piano as S.381, for violin and organ (or harmonium) as S.678; No.5 arranged for organ as S.667; No.6 arranged for male voices and piano as S.15a/1, for mixed voices and piano as S.15a/2; No.7 arranged for violin and orchestra as S.362
012 J22 Requiem (Messe des morts) 4 Voices, Male Chorus, Organ (Brass, Percussion ad lib.) 1867–71 Choral includes S.45 as No.6; adapted for organ as S.266; No.6 arranged for male chorus and organ as S.45
013/1 I03a Psalm 13 (Herr, wie lange willst du meiner so gar vergessen) 4 Voices, Mixed Chorus, Orchestra 1855–56 Choral 1st version of S.13/2
013/2 I03b Psalm 13 (Herr, wie lange willst du meiner so gar vergessen) Tenor, Mixed Chorus, Orchestra 1859–63 Choral 2nd version of S.13/1; arranged for tenor, mixed chorus and organ as S.132/2a
013/2a I03b Psalm 13 (Herr, wie lange willst du meiner so gar vergessen) Tenor, Mixed Chorus, Organ 1866 Choral arrangement of S.13/2
014/1 I05a Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) Male Chorus (Organ ad lib.), Orchestra 1860 Choral 1st version of S.14/2; arranged for male chorus and wind band as S.14/1a, for organ as S.667a
014/1a I05a Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) Male Chorus, Wind Band 1860 Choral arrangement of S.14/1; 1st version of S.14/2a
014/2 I05b Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) Male Chorus, Organ 1870 Choral 2nd version of S.14/1; arranged for male chorus and wind band as S.14/2a
014/2a I05b Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) Male Chorus, Wind Band 1870 Choral arrangement of S.14/2; 2nd version of S.14/1a
015/1a J10a Psalm 23 (Mein Gott, der ist mein Hirt) Tenor (or Soprano), Male Chorus, Harp (or Piano and Organ, or Harmonium) 1859–61? Choral 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis
015/1b K01 Psalm 23 (Mein Gott, der ist mein Hirt) Tenor (or Soprano), Harp (or Piano and Organ, or Harmonium) 1859–62 Choral 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis
015/2a J10b Psalm 23 (Mein Gott, der ist mein Hirt) Tenor (or Soprano), Male Chorus, Harp (or Piano) 1859–62 Choral 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis
015/2b I01b Psalm 23 (Mein Gott, der ist mein Hirt) Tenor (or Soprano), Harp (or Piano) 1859–62 Choral 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis
015bis S53 Psalm 23 (Mein Gott, der ist mein Hirt) Mixed Chorus, Orchestra 1862 Choral 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost
015a/1 J06 Psalm 116 (Laudate Dominum) Male Chorus, Piano 1869–74 Choral arrangement of S.11/6
015a/2 J06 Psalm 116 (Laudate Dominum) Mixed Chorus, Piano 1869–74 Choral arrangement of S.11/6
016/1 K06 Psalm 129 (De profundis) Baritone, Male Chorus, Organ 1880–81 Choral originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4
016/2 J45 Psalm 129 (De profundis) Alto, Piano (or Organ) 1883 Choral 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4
017/1 K02 Psalm 137 (An den Wassern zu Babylon) Alto, Violin, Harp (or Piano), Organ (or Harmonium) 1859 Choral 1st version of S.17/2, S.17/3
017/2 J11 Psalm 137 (An den Wassern zu Babylon) Soprano, Female Chorus, Violin, Harp (or Piano), Organ (or Harmonium) 1859–62 Choral 2nd version of S.17/1, S.17/3
017/3 S54 Psalm 137 (An den Wassern zu Babylon) Mixed Chorus, Orchestra 1862 Choral 3rd version of S.17/2, S.17/3; lost
018 J04 Choruses with French texts (5): Mixed Chorus 1846? Choral
018/1 J04/5
    Qui m'a donné la naissance
 Mixed Chorus 1846? Choral incomplete
018/2 J04/1
    L'Eternel est son nom
 Mixed Chorus 1846? Choral
018/3 J04/2
    Chantons, chantons l'auteur de la lumière
 Mixed Chorus 1846? Choral
018/4 J04/3
    (Allegretto, moderato con grazia)
 Mixed Chorus A major 1846? Choral possibly same as S.762
018/5 J04/4
    Combien j'ai douce souvenance
 Mixed Chorus 1846? Choral based on an Auverge folksong
019/1 J02/1 Hymne de l'enfant á son réveil (O père qu'adore mon père) Female Chorus, Harmonium (or Piano), (Harp ad lib.) 1840–44? Choral based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost
019/2 J02/2 Hymne de l'enfant á son réveil (O père qu'adore mon père) Chorus, Piano (or Harmonium) 1860–62? Choral 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian
019/3 J02/3 Hymne de l'enfant á son réveil (O père qu'adore mon père) Chorus, Piano (or Harmonium) 1865 Choral 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian
019/4 J02/4 Hymne de l'enfant à son réveil (O père qu'adore mon père) Female Chorus, Harmonium (or Piano), (Harp ad lib.) 1874 Choral 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian
020/1 J01/1 Ave Maria I Mixed Chorus, (Organ ad lib.) B♭ major 1842 Choral 1st version of S.20/2; arranged for organ as S.667b/1
020/2 J01/2 Ave Maria I Mixed Chorus, Organ A major 1852 Choral 2nd version of S.20/1; arranged for organ as S.667b/2
021/1 J03/1 Pater noster I Male Chorus 1846 Choral based on S.172a/6; 1st version of S.21/2; sometimes "Pater noster II" in older listings
021/2 J03/2 Pater noster I Male Chorus 1852 Choral 2nd version of S.21/1
022 J52 Pater noster IV Mixed Chorus, Organ C major 1850? Choral
023 J08 Domine salvum fac regem (Psalm 20) Tenor, Male Chorus, Organ 1853 Choral
024 J07 Te Deum I Male Chorus, Organ 1853? Choral sometimes "Te Deum II" in older listings
025 J09 Die Seligkeiten (Les béatitudes) Baritone, Mixed Chorus (Organ ad lib.) 1859 Choral revised as S.3/6
026 M33 Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung (Wir bau’n und bestellen das edelste Feld) Male Chorus (Organ ad lib.) 1858 Choral
027 J12 Te Deum II Mixed Chorus, Organ (Brass, Percussion ad lib.) 1867 Choral sometimes "Te Deum I" in older listings
028 J13 An den heiligen Franziskus von Paula (Gebet) 4 Voices, Male Chorus, Harmonium (or Organ), (3 Trombones, Timpani ad lib.) 1860–74? Choral based on S.175/2
029 J14 Pater noster II (Das Vater unser) Mixed Chorus, Organ A♭ major 1860 Choral revised as S.3/7
030 J20 Responsorien und Antiphonen (Répons et Antiennes) Male Chorus (Organ ad lib.) 1860 Choral
031/1 J15a/1 Christus ist geboren I (Weihnachtslied I) Mixed Chorus, Organ 1863 Choral 1st version of S.31/2
031/2 J15a/2 Christus ist geboren I (Weihnachtslied I) Male Chorus, Organ 1863 Choral 2nd version of S.31/1
032/1 J15b/1 Christus ist geboren II (Weihnachtslied II) Mixed Chorus, Organ (or Harmonium) 1863 Choral 1st version of S.32/2, S.32/3; arranged for solo piano as S.502
032/2 J15b/2 Christus ist geboren II (Weihnachtslied II) Male Chorus (Organ ad lib.) 1863 Choral 2nd version of S.32/1, S.32/3
032/3 J15c Christus ist geboren II (Weihnachtslied II) Female Chorus 1863 Choral 3rd version of S.32/1, S.32/2
033 J16 Slavimo slavno, Slaveni! Male Chorus, Organ 1863–66 Choral arranged for solo piano as S.503, for organ as S.668
034/1 J19/1 Ave maris stella Mixed Chorus, Organ G major 1865–66 Choral 1st version of S.34/2
034/2 J19/2 Ave maris stella Male Chorus, Organ B♭ major 1868 Choral 2nd version of S.34/1; arranged for voice and harmonium (or piano) as S.680, for solo piano as S.506, for harmonium as S.669/2a, for organ (or hamonium) as S.669/2b
035/1 J17a Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) Male Chorus 1865 Choral 1st version of S.35/2
035/2 J17b Crux! (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX) Female (or Children's) Chorus, Piano 1865 Choral 2nd version of S.35/1
036 J21 Dall' alma Roma 2 Voices (Organ ad lib.) 1867–68 Choral based on S.261
037 J23 Mihi autem adhaerere (Offertoire de la messe du patriarche séraphique San François) Male Chorus, Organ 1868 Choral
038 J24 Ave Maria II Mixed Chorus, Organ D major 1869 Choral arranged for harmonium as S.667c, for voice and organ (or harmonium) as S.681, for solo piano as S.504/1 and S.504/2
039/1 J25a Inno a Maria Vergine Mixed Chorus, Harp, Organ 1869 Choral 1st version of S.39/2
039/2 J25b Inno a Maria Vergine Mixed Chorus, Harp, Harmonium (or Organ), Piano 4 hands 1869 Choral 2nd version of S.39/1
040 J28 O salutaris hostia I Female Chorus, Organ 1869 Choral
041/1 J26/1 Pater noster III Mixed Chorus, Organ (or Piano) F major 1869 Choral 1st version of S.41/2
041/2 J26/2 Pater noster III Male Chorus, Organ (or Harmonium or Piano) B♭ major 1869 Choral 2nd version of S.41/1
042/1 J27/1 Tantum ergo Female Chorus, Organ 1869 Choral 1st version of S.42/2
042/2 J27/2 Tantum ergo Male Chorus, Organ 1869 Choral 2nd version of S.42/3
043 J29 O salutaris hostia II Mixed Chorus, (Organ ad lib.) E major 1870 Choral
044 J31 Ave verum corpus Mixed Chorus, (Organ ad lib.) 1871 Choral
045 J30 Libera me Male Chorus, Organ 1871 Choral arrangement of S.12/6
046/1 J32/1 Anima Christi sanctifica me Male Chorus, Organ 1874 Choral 1st version of S.46/1
046/2 J32/2 Anima Christi sanctifica me Male Chorus, Organ 1874 Choral 2nd version of S.46/2
047 J41 Sankt Christoph (Legend) Female Chorus, Piano, Harmonium, (Harp ad lib.) 1881 Choral unpublished
048 I06 Der Herr bewahret die Seelen seiner Heiligen Mixed Chorus, Organ, Brass, Timpani 1860–75? Choral
049 J42 O heilige Nacht (Weihnachtslied) Tenor, Female Chorus, Organ (or Harmonium) 1881 Choral based on S.186/2
049a — Adeste fidelis Female Chorus  ? Choral incomplete
050 A286b Alte deutsche geistliche Weisen Mixed Chorus, Keyboard 1878–79 Choral probably misattributed to Liszt, who arranged the pieces as S.504b and S.669a
050/01 A286b/8
    Es segne uns Gott
Mixed Chorus, Keyboard 1878–79 Choral arranged for solo piano as S.504b/3a, for mixed chorus and organ as S.669a/1
050/02 A286b/4
    Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig)
Mixed Chorus, Keyboard 1878–79 Choral arranged for solo piano as S.504b/3, for voice and mixed chorus or organ as S.669a/2, for mixed chorus and organ as S.51
050/03 A286b/3
    Nun ruhen alle Wälder
Mixed Chorus, Keyboard 1878–79 Choral arranged for solo piano as S.504b/5, for voice and organ as S.669a/3
050/04 A286b/5
    O Haupt voll Blut und Wunden
Mixed Chorus, Keyboard 1878–79 Choral arranged for solo piano as S.504b/6, for voice and organ as S.669a/4
050/05 A286b/6
    O Lamm Gottes!
Mixed Chorus, Keyboard 1878–79 Choral arranged for solo piano as S.504b/7, for voice and organ or piano as S.669a/5
050/06 A286b/1
    Was Gott tut, das ist wohlgetan
Mixed Chorus, Keyboard 1878–79 Choral arranged for solo piano as S.504b/10, for voice and organ as S.669a/6
050/07 A286b/7
    Wer nur den lieben Gott läßt walten
Mixed Chorus, Keyboard 1878–79 Choral arranged for solo piano as S.504b/11, for voice and organ as S.669a/7
050/08 A286b/9
    Vexilla Regis
Mixed Chorus, Keyboard 1878–79 Choral arranged for solo piano as S.504b/9
050/09 A286b/10
    Crux ave benedicta
Mixed Chorus, Keyboard 1878–79 Choral arranged for solo piano as S.504b/1
050/10 A286b/2
    O Traurigkeit
Mixed Chorus, Keyboard 1878–79 Choral arranged for solo piano as S.504b/8
050/11 A286b/12
    Nun danket alle Gott!
Mixed Chorus, Keyboard 1878–79 Choral arranged for solo piano as S.504b/4
050/12 A286b/11
    Jesu Christe (Die fünf Wunden)
Mixed Chorus, Keyboard 1878–79 Choral arranged for solo piano as S.504b/2
051 J34 Meine Seel' erhebt den Herrn! (Gott sei uns gnädig und barmherzig) (Der Kirchensegen) Mixed Chorus, Organ 1878 Choral arrangement of S.50/2
052 J35 Septem sacramenta Mezzo-Soprano, Baritone, Mixed Chorus, Organ (or Harmonium) 1878–84 Choral
053 J33 Via Crucis (Les 14 stations de la croix) Voices, Mixed Chorus, Organ (or Piano) 1876–79 Choral arranged for organ as S.669b, for piano 4 hands as S.583, for solo piano as S.504
054 J36 O Roma nobilis Mixed Chorus, Organ 1878–79 Choral based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrangements for organ as S.669c, for solo piano as S.506b
055 J38 Ossa arida Male Chorus, Organ 4 hands 1879 Choral
056 J37 Rosario Baritone (ad lib.), Mixed Chorus, Organ (or Harmonium) 1879 Choral
056/1 J37/1
    Mysteria gaudiosa
 Mixed Chorus, Organ (or Harmonium) 1879 Choral arranged for organ or harmonium as S.670/1
056/2 J37/2
    Mysteria dolorosa
 Mixed Chorus, Organ (or Harmonium) 1879 Choral arranged for organ or harmonium as S.670/2
056/3 J37/3
    Mysteria gloriosa
 Mixed Chorus, Organ (or Harmonium) 1879 Choral arranged for organ or harmonium as S.670/3
056/4 J37/4
    Pater noster
 Baritone (or Male Chorus), Organ (or Harmonium) 1879 Choral
057 J46 In domum Domini ibimus Mixed Chorus, Organ, Brass, Percussion 1884 Choral arranged for solo piano as S.505, for organ as S.671
058 J40 O sacrum convivium Alto, Female Chorus, Organ (or Harmonium) 1880–85 Choral arranged for organ or harmonium as S.674a
059 J39 Pro Papa Chorus, Organ 1880 Choral
059/1 J39/1
    Tu es Petrus
 Male Chorus, Organ 1880 Choral
059/2 J39/2
    Dominus conservet eum
 Mixed Chorus, Organ 1880 Choral
060 J44 Ave Maria III (Sposalizio) Alto, Female Chorus, Organ (or Harmonium) 1883 Choral based on S.161/1; arranged for organ or harmonium as S.671a, for voice and 2 pianos as S.700g
061 J43 Nun danket alle Gott Mixed (or Male) Chorus, 2 Trumpets, 3 Trombones, Timpani, Organ 1883 Choral arranged for organ as S.674c
062 J47 Mariengarten Mixed Chorus (Alto, Tenor ad lib.), Organ 1884? Choral
063 J48 Qui seminant in lacrimis Mixed Chorus, Organ 1883 Choral
064 J49 Pax vobiscum! Male Chorus, (Organ ad lib.) 1885 Choral
065 J50 Qui Mariam absolvisti Baritone, Mixed Chorus, Organ (or Harmonium) 1885 Choral
066 J51 Salve Regina Mixed Chorus 1885 Choral
067 L01 Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn (Was versammelt hier die Menge)
(Beethoven Cantata No.1) 		6 Voices, Orchestra 1845 Choral arranged for piano 4 hands as S.584; extracts arranged for solo piano in S.507
068 L12 Zur Säcularfeier Beethovens
(Beethoven Cantata No.2) 		4 Voices, Mixed Chorus, Orchestra 1869–70 Choral
069/1 L08/1 Chöre zu Herders Entfesseltem Prometheus 6 Voices, Mixed Chorus, Orchestra 1850 Choral 1st version of S.69/2, S.69/3; No.4 arranged for solo piano as S.507a (incomplete); No.5 arrannged for solo piano as S.692e (unfinished); overture revised as S.99
069/2 L08/2 Chöre zu Herders Entfesseltem Prometheus 6 Voices, 2 Mixed Choruses, Orchestra 1855–59 Choral 2nd version of S.69/1, S.69/3; No.4 arranged for solo piano as S.508, for piano 4 hands as S.585
069/3 L08/3 Chöre zu Herders Entfesseltem Prometheus 6 Voices, 2 Mixed Choruses, Orchestra 1877? Choral 3rd version of S.69/1, S.69/2
070/1 L09/1 An die Künstler 4 Voices, Male Chorus, WInd Band 1853 Choral orchestrated by Joachim Raff;1st version of S.70/2, S.70/3
070/2 L09/2 An die Künstler 4 Voices, Male Chorus, Orchestra 1853–54 Choral 2nd version of S.70/1, S.70/3
070/3 L09/3 An die Künstler 4 Voices, Male Chorus, Organ, Orchestra 1856–57 Choral 3rd version of S.70/1, S.70/2; themes used in S.114
071a L11/1 Gaudeamus igitur (Humoreske) Orchestra 1869–70 Orchestral 1st version of S.71b, S.71c; arranged for piano as S.509; for piano 4 hands as S.586
071b L11/2 Gaudeamus igitur (Humoreske) Male Chorus, Orchestra 1869–70 Choral 2nd version of S.71a, S.71c
071c L11/3 Gaudeamus igitur (Humoreske) Mixed Chorus, Orchestra 1869–70 Choral 3rd version of S.71a, S.71b
072 M01a Vierstimmige Männergesänge (4): Male Chorus, Piano 1841–42 Choral
072/1a M02/1
    Rheinweinlied (Wo solch ein Feuer)
 Male Chorus, Piano 1841 Choral 1st version
072/1b M02/2
    Rheinweinlied (Wo solch ein Feuer)
 Male Chorus, Piano 1884 Choral 2nd version
072/2 M03
    Studentenlied aus Goethe's Faust (Es lebt’ eine Ratt im Kellernest)
 Male Chorus 1841–42 Choral
072/3 M04
    Reiterlied I (Die bange Nacht ist nun herum)
 Male Chorus B♭ major 1841–42 Choral for alternative setting see S.72/4
072/4 M05
    Reiterlied II (Die bange Nacht ist nun herum)
 Male Chorus C major 1841–42 Choral for alternative setting see S.72/3
073 M19 Es war einmal ein König (Flohlied) Baritone (or Bass), Male Chorus, Piano 1844–45 Choral
074/1 M01 Das deutsche Vaterland I (Was ist das deutsche Vaterland?) 4 Voices, Male Chorus, Piano D major 1841 Choral 1st version of S.74/2
074/2 M27 Das deutsche Vaterland II (Was ist das deutsche Vaterland?) Male Chorus C major 1848 Choral 2nd version of S.74/1
075/1 M12/1 UberÜber allen Gipfeln ist Ruh’ (Wanderers Nachtlied) Male Chorus 1842 Choral No.3 of Vierstimmige Männergesänge; 1st version of S.75/2, S.75/3
075/2 M12/2 UberÜber allen Gipfeln ist Ruh’ (Wanderers Nachtlied) Male Chorus 1849 Choral 2nd version of S.75/1, S.75/3
075/3 M12/3 UberÜber allen Gipfeln ist Ruh’ (Wanderers Nachtlied) Male Chorus, 2 Horns 1856 Choral 3rd version of S.75/1, S.75/2
076 M11 Das düstre Meer umrauscht mich Male Chorus, Piano 1842 Choral No.2 of Vierstimmige Männergesänge
076a M15 Heil! Unsrer Glocke heil Unison Male Chorus, Piano 1843 Choral
077 M26 Die lustige Legion Male Chorus, (Piano ad lib.) 1846? Choral
078 M17 Trinkspruch (Giesst Wein in die Gläser, ihr Zecher!) Male Chorus, Piano 1843–44 Choral No.1 of Sechs Männerchöre;
079/1 M14/2 Titan (Auf des Athos blauen Felsenspitzen) Baritone, Male Chorus, Piano 1842–47 Choral 2nd version of S.700j; arranged for baritone, male chorus and orchestra as S.79/2
079/2 L04 Titan (Auf des Athos blauen Felsenspitzen) Baritone, Male Chorus, Orchestra 1848 Choral arrangement of S.79/1
080a M20 Les quatre éléments Male Chorus, Piano (or Piano 4 hands) 1844–45 Choral arranged for male chorus and orchestra by Liszt and August Conradi as S.80b
080a/1 M20/1
    La terre
 Male Chorus, Piano 1844–45 Choral arranged for male chorus and orchestra by Liszt and August Conradi as S.80b/1
080a/2 M20/2
    Les aquilons
 Male Chorus, Piano 4 hands 1844 Choral arranged for male chorus and orchestra by Liszt and August Conradi as S.80b/2
080a/3 M20/3
    Les flots
 Male Chorus, Piano 1845 Choral arranged for male chorus and orchestra by Liszt and August Conradi as S.80b/3
080a/4 M20/4
    Les astres
 Male Chorus, Piano 1845? Choral arranged for male chorus and orchestra by Liszt and August Conradi as S.80b/4
080b L02 Les quatre éléments Male Chorus, Orchestra 1844–48 Choral arrangement of S.80a by Liszt and August Conradi; sketches for overture revised as S.97
080b/1 L02/1
    La terre
 Male Chorus, Orchestra 1844–48 Choral arrangement of S.80a/1 by Liszt and August Conradi
080b/2 L02/2
    Les aquilons
 Male Chorus, Orchestra 1844–48 Choral arrangement of S.80a/2 by Liszt and August Conradi
080b/3 L02/3
    Les flots
 Male Chorus, Orchestra 1845–48 Choral arrangement of S.80a/3 by Liszt and August Conradi
080b/4 L02/4
    Les astres
 Male Chorus, Orchestra 1845–48 Choral arrangement of S.80a/4 by Liszt and August Conradi
081/1 M21 Le forgeron (Le fer est dur, frappons, frappons) 2 Voices, Male Chorus, Piano 1845 Choral arranged for 2 voices, male chorus and orchestra by Liszt and August Conradi as S.81/2
081/2 L03 Le forgeron (Le fer est dur, frappons, frappons) 2 Voices, Male Chorus, Orchestra 1845–48 Choral arrangement of S.81/1 by Liszt and August Conradi
081a M25 A patakhoz (A patakcsa) Male Chorus 1846 Choral
082 M16 Arbeiterchor (Herbei, herbei, den Spath’ und Schaufel ziert) Baritone, Male Chorus, Piano 1843–48? Choral arranged for solo piano as S.510; arranged for piano 4 hands as S.587
083a L05 Ungaria-Kantate (Aus Osten aus der Sonne Tor) Voices, Male Chorus, Piano 1842–48? Choral arranged for voices, male chorus and orchestra by Liszt and August Conradi as S.83b
083b L05 Ungaria-Kantate (Aus Osten aus der Sonne Tor) Voices, Male Chorus, Orchestra 1848 Choral arrangement of S.83a by Liszt and August Conradi
084/1 M28/1 Licht, mehr Licht Male Chorus, 3 Trombones, Tuba 1849 Choral 1st version of S.84/2
084/2 M28/2 Licht, mehr Licht Male Chorus, 2 Trumpets, 3 Trombones 1856 Choral 2nd version of S.84/1
085/1 M29/1 Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden) Male Chorus, Piano 1849 Choral 1st version of S.85/2, S.85/3
085/2 M29/2 Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden) Female Chorus, Harp, Piano (or Harmonium) 1849 Choral 2nd version of S.85/1, S.85/3
085/3 L07 Chor der Engel aus Goethe's Faust II (Rosen, ihr blendenden) Mixed Chorus, Harp (or Piano) 1849 Choral 3rd version of S.85/1, S.85/2
086a M30 Festchor zur Enthüllung des Herder-Denkmals in Weimar Male Chorus, Piano 1850 Choral arranged for male chorus, brass band as S.86b
086b M30 Festchor zur Enthüllung des Herder-Denkmals in Weimar Male Chorus, Brass Band 1850 Choral arrangement of S.86a
087/1a L10a Weimars Volkslied (Von der Wartburg) Male Chorus, Military Band E major 1857 Choral arrangement of S.313; 1st version of S.87/1bis; arranged for male chorus and piano as S.87/1b
087/1b M32a Weimars Volkslied (Von der Wartburg) Male Chorus, Piano E major 1857, rev. 1875? Choral arrangement of S.87/1a
087/1bis L10a Weimars Volkslied (Von der Wartburg) Male Chorus, Military Band E major 1875? Choral 2nd version of S.87/1a
087/2 M32b Weimars Volkslied (Von der Wartburg) Male Chorus, (Piano ad lib.) F major 1857? Choral arrangement of S.313
087/3a M32c/1 Weimars Volkslied (Von der Wartburg) Male Chorus E major 1860? Choral arrangement of S.313; 1st version of S.87/3b
087/3b M32c/2 Weimars Volkslied (Von der Wartburg) Male Chorus E major 1875? Choral 2nd version of S.87/3a; not published
087/4 M32d Weimars Volkslied (Von der Wartburg) Male Chorus, Organ F major 1875 Choral arrangement of S.313
087/5 M32e Weimars Volkslied (Von der Wartburg) Mixed Chorus, (Piano ad lib.) E major 1875 Choral byarrangement of S.313 [by Bernhard Sulze ?]
087/6 M32f Weimars Volkslied (Von der Wartburg) Unison Chorus E major 1875? Choral arrangement of S.313
087/7 M32g Weimars Volkslied (Von der Wartburg) Children's Chorus F major 1875? Choral arrangement of S.313
087/8a L10b/1 Weimars Volkslied (Von der Wartburg) Unison Chorus, Brass Band C major 1857? Choral arrangement of S.313; arranged for unison chorus with piano as S.87/8b
087/8b L10b/2 Weimars Volkslied (Von der Wartburg) Unison Chorus, Piano C major 1857? Choral arrangement of S.87/8a
088 M34b Mit klingendem Spiel I (Morgenlied) Female Chorus 1859 Choral alternative text to S.89
089 M34a Mit klingendem Spiel II (Morgenlied) Children's Chorus 1859 Choral alternative text to S.88
090/01a M31/1 Vereins-Lied (Frisch auf, zu neuem Leben) Male Chorus 1855 Choral 1st version of S.90/1b, S.90/1c
090/01b M31/2 Vereins-Lied (Frisch auf, zu neuem Leben) Male Chorus 1857 Choral 2nd version of S.90/1a, S.90/1c
090/01c M31/3 Vereins-Lied (Frisch auf, zu neuem Leben) Male Chorus 1860 Choral No.1 of Für Männergesang; 3rd version of S.90/1a, S.90/1b
090/02a M07/1 Ständchen (Hüttelein, still und klein) Tenor, Male Chorus A major 1841–43? Choral 1st version of S.90/2b, S.90/2c
090/02b M07/2 Ständchen (Hüttelein, still und klein) Tenor, Male Chorus A major 1845–49? Choral No.6 of Sechs Männerchöre; 2nd version of S.90/2a, S.90/2c
090/02c M07/3 Ständchen (Hüttelein, still und klein) Tenor, Male Chorus G major 1857–60 Choral No.2 of Für Männergesang; 3rd version of S.90/2a, S.90/2b
090/03a M10/1 Wir sind nicht Mumien Male Chorus, Piano 1842 Choral No.1 of Vierstimmige Männergesänge; 1st version of S.90/3b
090/03b M10/2 Wir sind nicht Mumien Male Chorus, Piano 1860–61 Choral No.3 of Für Männergesang; 2nd version of S.90/3a
090/04a M22/1 Vor der Schlacht (Es rufet Gott uns mahnend) Male Chorus, Piano 1845 Choral 1st version of S.90/4b; arranged for solo piano as S.511/1
090/04b M22/2 Vor der Schlacht (Es rufet Gott uns mahnend) Male Chorus 1860 Choral No.4 of Für Männergesang; 2nd version of S.90/4a
090/05a M23/1 Nicht gezagt Male Chorus, Piano A♭ major 1845 Choral 1st version of S.90/5b; arranged for solo piano as S.511/2
090/05b M23/2 Nicht gezagt Male Chorus G major 1860 Choral No.5 of Für Männergesang; 2nd version of S.90/5a
090/06a M24/1 Es rufet Got Male Chorus, Piano 1845 Choral 1st version of S.90/6b; arranged for solo piano as S.511/3
090/06b M24/2 Es rufet Got Male Chorus 1860 Choral No.6 of Für Männergesang; 2nd version of S.90/6a
090/07a M18/1 Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen) Male Chorus, (Trumpets, Timpani ad lib.) 1844 Choral No.5 of Sechs Männerchöre; 1st version of S.90/7b
090/07b M18/2 Soldatenlied aus Faust (Burgen mit hohen Mauern und Zinnen) Male Chorus, (Trumpets, Timpani ad lib.) 1860–61 Choral No.7 of Für Männergesang; 2nd version of S.90/7a
090/08a M09/1 Die alten Sagen kunden Male Chorus, Piano B♭ major 1841–45? Choral No.2 of Sechs Männerchöre; 1st version of S.90/8b
090/08b M09/2 Die alten Sagen kunden 4 Voices, Male Chorus A minor 1860–61 Choral No.8 of Für Männergesang; 2nd version of S.90/8a
090/09a M08/1 Saatengrün Male Chorus, Piano (or Harp?) 1843? Choral No.3 of Sechs Männerchöre; 1st version of S.90/9b
090/09b M08/2 Saatengrün Male Chorus A major 1860–61 Choral No.9 of Für Männergesang; 2nd version of S.90/9a
090/10a M06/1 Der Gang um Mitternacht (Ich schreite mit dem Geist) Male Chorus 1841–43? Choral No.4 of Sechs Männerchöre; 1st version of S.90/10b
090/10b M06/2 Der Gang um Mitternacht (Ich schreite mit dem Geist) Tenor, Male Chorus 1860 Choral No.10 of Für Männergesang; 2nd version of S.90/10a
090/11a M35/1 Festlied zu Schillers Jubelfeier 10 November 1859 Baritone, Male Chorus 1859 Choral 1st version of S.90/11b
090/11b M35/2 Festlied zu Schillers Jubelfeier 10 November 1859 Baritone, Male Chorus 1860 Choral No.11 of Für Männergesang; 2nd version of S.90/11a
090/12a M13/1 Gottes ist der Orient Male Chorus B major 1842 Choral No.4 of Vierstimmige Männergesänge; 1st version of S.90/12b
090/12b M13/2 Gottes ist der Orient Male Chorus A major 1860–61 Choral No.12 of Für Männergesang; 2nd version of S.90/12a
091/1 M36/1 Das Lied der Begeisterung (A lelkesedés dala) Male Chorus 1871 Choral 1st version of S.91/2; German and Hungarian text
091/2 M36/2 Das Lied der Begeisterung (Was nützt mir der Erde reichstes Gut) Male Chorus, Organ 1874 Choral 2nd version of S.91/1; German text nly
092 — Carl August weilt mit uns (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar) Female Chorus, Brass, Timpani 1875 Choral fanfare arranged for solo piano as S.542b
093/1 L17a Magyar király-dal (Ungarisches Königslied) Male Chorus 1883 Choral arrangement of S.340
093/2 L17b Magyar király-dal (Ungarisches Königslied) Mixed Chorus 1883 Choral arrangement of S.340
093/3 L17c Magyar király-dal (Ungarisches Königslied) Male Chorus, Piano 1883 Choral arrangement of S.340
093/4 L17d Magyar király-dal (Ungarisches Königslied) Mixed Chorus, Piano 1883 Choral arrangement of S.340
093/5 L17e Magyar király-dal (Ungarisches Königslied) Male Chorus, Orchestra 1883 Choral arrangement of S.340
093/6 L17f Magyar király-dal (Ungarisches Königslied) Mixed Chorus, Orchestra 1883 Choral arrangement of S.340
093/7 L17g Magyar király-dal (Ungarisches Königslied) Children's Chorus 1883 Choral arrangement of S.340
094 M38 Gruss (Glück auf) Male Chorus 1885 Choral
095 G01 Ce qu'on entend sur la montagne
(Symphonic Poem No.1) 		Orchestra 1848–49, rev. 1850, 1854 Orchestral arranged for piano 4 hands as S.589; arranged for 2 pianos as S.635; see also S.261a
096 G02 Tasso: Lamento e Trionfo
(Symphonic Poem No.2) 		Orchestra 1849, rev. 1850–51, 1854 Orchestral arranged for piano 4 hands as S.590; arranged for 2 pianos as S.636; see also S.112/3
097 G03 Les préludes
(Symphonic Poem No.3) 		Orchestra 1850–55 Orchestral based on projected overture to S.80b; arranged for piano 4 hands as S.591, for 2 pianos as S.637; for solo piano as S.511a
098 G09 Orpheus
(Symphonic Poem No.4) 		Orchestra 1853–54 Orchestral arranged for solo piano as S.511b, for piano 4 hands as S.592. for 2 pianos as S.638, for organ as S.672a; see also S.167d
099 G06 Prometheus
(Symphonic Poem No.5) 		Orchestra 1855 Orchestral based on overture to S.69; arranged for piano 4 hands as S.593, for 2 pianos as S.639
100 G07 Mazeppa
(Symphonic Poem No.6) 		Orchestra 1851–54 Orchestral partly based on S.139/4; arranged for solo piano as S.511c, for piano 4 hands as S.594, for 2 pianos as S.640
101 G10 Festklänge
(Symphonic Poem No.7) 		Orchestra 1853, rev. 1861 Orchestral arranged for solo piano as S.511d, for piano 4 hands as S.595, for 2 pianos as S.641
102 G04 Héroïde funèbre
(Symphonic Poem No.8) 		Orchestra 1854–56 Orchestral based on 1st movement of S.690; arranged for piano 4 hands as S.596a, for 2 pianos as S.642
103 G13 Hungaria
(Symphonic Poem No.9) 		Orchestra 1854 Orchestral arranged for solo piano as S.511e, for piano 4 hands as S.596, for 2 pianos as S.643
104 G22 Hamlet
(Symphonic Poem No.10) 		Orchestra 1858 Orchestral arranged for piano 4 hands as S.597, for 2 pianos as S.644
105 G17 Hunnenschlacht
(Symphonic Poem No.11) 		Orchestra 1855–57 Orchestral arranged for piano 4 hands as S.596b, for 2 pianos as S.645
106 G15 Die Ideale
(Symphonic Poem No.12) 		Orchestra 1856–57 Orchestral arranged for piano 4 hands as S.596c, for 2 pianos as S.646
107 G38 Von der Wiege bis zum Grabe (From the Cradle to the Grave)
(Symphonic Poem No.13) 		Orchestra 1881–82 Orchestral arranged for solo piano as S.512, for piano 4 hands as S.598; see also S.133
108 G12 Faust Symphony (Eine Faust-Symphonie) Orchestra (Tenor, Male Chorus ad lib.) 1854, 1857–61, 1880 Orchestral arranged for 2 pianos as S.647; 2nd movement arranged for solo piano as S.513
109 G14 Dante Symphony (Eine Symphonie zu Dantes Divina Commedia) Orchestra 1855–56 Orchestral themes re-used in S.182a?; arranged for 2 pianos as S.648; partially arranged for organ (or harmonium) as S.672b; see also S.167f
110 G16 Episoden aus Lenau's Faust (2): Orchestra 1856–61? Orchestral
110/1 G16/1
    Der nächtliche Zug
 Orchestra 1856–61? Orchestral arranged for piano 4 hands as S.599/1; for solo piano as S.513a
110/2 G16/2
    Der Tanz in der Dorfschenke (Mephisto Waltz)
 Orchestra 1856–61? Orchestral arrangement of S.514
111 G37 Mephisto Waltz No.2 (Zweiter Mephisto-Walzer) Orchestra 1880–81 Orchestral arrangement of S.515
112 G25 Odes funèbres (3): Orchestra 1860–66 Orchestral
112/1 G25/1 Orchestra (Male Chorus ad lib.) 1860 Orchestral arranged for piano as S.516; for piano 4 hands as S.601; for organ as S.268/2
112/2 G25/2 Orchestra 1860–64 Orchestral arranged for piano as S.516a; for piano 4 hands as S.602; for violin and piano as S.377a
112/3 G25/3 Orchestra 1866 Orchestral epilogue to S.96; arranged for piano as S.517, for piano 4 hands as S.602/3; also for 2 pianos as S.757(?)
113/1 G28/1 Boze coś Polskę Orchestra 1863 Orchestral based on an old Polish song [formerly S.709]; 1st version of S.113/2; arranged for piano 4 hands as S.604/1
113/2 G28/2 Salve Polonia (Interludium aus dem Oratorium St. Stanislaus) Orchestra 1884 Orchestral interlude to S.688; 2nd version of S.113/1; arranged for solo piano as S.518, for piano 4 hands as S.604/2
113a G27 Légendes (2): Orchestra 1863 Orchestral arrangement of S.175
113a/1 G27/1
    St François d'Assise: la prédication aux oiseaux
 Orchestra 1863 Orchestral arrangement of S.175/1
113a/2 G27/2
    St François de Paule: marchant sur les flots
Orchestra 1863 Orchestral arrangement of S.175/2
114 G20 Künstlerfestzug zur Schillerfeier 1859 Orchestra 1857–59 Orchestral uses themes from S.70/3; arranged for piano as S.520; arranged for piano 4 hands as S.605
115 G05 Festmarsch zur Goethe-Jubiläumfeier Orchestra 1857 Orchestral based on S.227; arranged for solo piano as S.522; arranged for piano 4 hands as S.606
116 G23 Festmarsch nach Motiven von E.H.z.S.-C.-G. Orchestra 1858–59 Orchestral based on themes from the opera Diana von Solang by Ernst II, Duke of Saxe-Coburg-Gotha; arranged for solo piano as S.522; for piano 4 hands as S.607
117 G29 Rákóczi-Marsch Orchestra 1863–67 Orchestral based on S.244/15; arranged for piano as S.244a, S.244b; arranged for piano 4 hands as S.608; arranged for 2 pianos as S.652a
118 G33 Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867 Orchestra 1870 Orchestral arranged for piano as S.523; arranged for piano 4 hands as S.609
119 G35 Ungarischer Sturmmarsch (Hungarian Battle March) Orchestra 1875 Orchestral based on S.232; arranged for piano as S.524, for piano 4 hands as S.610
120 H02 Grande fantaisie symphonique (über Themen aus Hector Berlioz’ Lélio) Piano, Orchestra 1834 Concerto based on themes from Lélio, ou le retour à la vie, H 55, by Hector Berlioz; not orchestrated by Liszt
121 H01 Malédiction Piano, Strings E minor 1833 Concerto
121a H03 De Profundis (Psaume instrumentale) Piano, Orchestra 1834–35 Concerto formerly S.691; unfinished
122 H09 Fantasie über Motive aus Beethovens Ruinen von Athen Piano, Orchestra 1852 Concerto based on S.388b, using themes from Die Ruinen von Athen, Op.113, by Ludwig van Beethoven; arranged for 2 pianos as S.649, for solo piano as S.389; themes also used in S.388
123 H12 Fantasie über ungarische Volksmelodien Piano, Orchestra 1846–52 Concerto based on S.244/14
124 H04 Piano Concerto No.1 Piano, Orchestra E♭ major 1835–56 Concerto arranged for 2 pianos as S.650
125 H06 Piano Concerto No.2 Piano, Orchestra A major 1849–61 Concerto based on S.524a; arranged for 2 pianos as S.651
125a Q06 Piano Concerto No.3 [No.3] Piano, Orchestra E♭ major 1835–39 Concerto unfinished; performing version realized by Jay Rosenblatt
126/1 H08 Totentanz Piano, Orchestra 1847–53 Concerto 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)
126/2 H08 Totentanz Piano, Orchestra 1859–64? Concerto 2nd version of S.126/2; arranged for piano as S.525, for 2 pianos as S.652
126a* W14 Piano Concerto in the Hungarian Style Piano, Orchestra Concerto not by Liszt (see Hungarian Gypsy Melodies by Sophie Menter)
126b D01 Waltzes (2): Violin, Piano 1823–25? Chamber
126b/1 D01/1
    Waltz
 Violin, Piano A major 1823–25? Chamber
126b/2 D01/2
    Waltz aus dem Ballet "Die Amazonen"
 Violin, Piano A major 1823–25? Chamber based on a theme from the ballet Die Amazonen by Robert von Gallenberg; arranged for solo piano as S.126b
127 D03 Duo (Sonata) ["sur des thèmes polonais"] Violin, Piano C♯ minor 1835 Chamber based on No.2 of the Mazurkas, Op.6, by Frederic Chopin
128 D04 Grand Duo Concertant (sur la romance de M. Lafont, "Le marin") Violin, Piano 1849? Chamber
129 D12 Epithalam (zu Eduard Reményis Vermählungsfeier) Violin, Piano 1872 Chamber arranged for solo piano as S.526; arranged for piano 4 hands as S.611 [?]
130a D13a Elegy No.1 Cello, Piano, Harp, Harmonium 1874 Chamber arrangement of S.196; see also S.130b, S.130c, S.612
130b D13b Elegy No.1 Cello, Piano 1874 Chamber arrangement of S.196; see also S.130a, S.130c, S.612
130c D13c Elegy No.1 Violin, Piano (Harmonium ad lib.) 1874 Chamber arrangement of S.196; see also S.130a, S.130b, S.612
131 D14 Elegy No.2 Cello, Piano 1877–78 Chamber arrangement of S.197; see also S.131bis
131bis D14 Elegy No.2 Violin, Piano 1877–78 Chamber arrangement of S.197; see also S.131
132a D16a Romance oubliée Viola, Piano 1880 Chamber arrangement of S.527; see also S.132b, S.132c
132b D16b Romance oubliée Violin, Piano 1880 Chamber arrangement of S.527; see also S.132a, S.132c
132c D16c Romance oubliée Cello, Piano 1880 Chamber arrangement of S.527; see also S.132a, S.132b
133 S61 Die Wiege (The Cradle) 4 Violins 1881? Chamber arranged from the 1st movement of S.107; unpublished (in private collection)
134 D19/2 La lugubre gondola (Die Trauer-Gondel) Cello, Piano 1882–83 Chamber arrangement of S.200/1
134bis D19/1 La lugubre gondola (Die Trauer-Gondel) Violin, Piano 1885 Chamber arrangement of S.200/2
135 D20 Am Grabe Richard Wagners 2 Violins, Viola, Cello (Harp ad lib.) 1883 Chamber using theme from the Prelude of S.6; arranged for solo piano as S.202, for organ as S.267
136 A008 EtudeÉtude en douze exercices: Piano 1826 Keyboard published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); revised as S.137
136/01 A008/01
    (Allegro con fuoco)
 Piano C major 1826 Keyboard revised as S.137/1
136/02 A008/02
    (Allegro non molto)
 Piano A minor 1826 Keyboard revised as S.137/2
136/03 A008/03
    (Allegro sempre legato)
 Piano F major 1826 Keyboard revised as S.137/3
136/04 A008/04
    (Allegretto)
 Piano D minor 1826 Keyboard revised as S.137/4
136/05 A008/05
    (Moderato)
 Piano B♭ major 1826 Keyboard revised as S.137/5
136/06 A008/06
    (Molto agitato)
 Piano G minor 1826 Keyboard revised as S.137/6
136/07 A008/07
    (Allegretto con molto espressione)
 Piano E♭ major 1826 Keyboard revised as S.137/7
136/08 A008/08
    (Allegro con spirito)
 Piano C minor 1826 Keyboard revised as S.137/8
136/09 A008/09
    (Allegro grazioso)
 Piano A♭ major 1826 Keyboard revised as S.137/9
136/10 A008/10
    (Moderato)
 Piano F minor 1826 Keyboard revised as S.137/10
136/11 A008/11
    (Allegro grazioso)
 Piano D♭ major 1826 Keyboard revised as S.137/11
136/12 A008/12
    (Allegro non troppo)
 Piano B♭ minor 1826 Keyboard revised as S.137/12
136a A008/13 Preludio (Allegro maestoso) Piano F♯ major 1826? Keyboard intended for 2nd series of 48 pieces (with S.136)
137 A039 Grandes études: Piano 1837 Keyboard based on S.136; revised as S.139
137/01 A039/01
    (Presto)
 Piano C major 1837 Keyboard based on S.136/1; revised as S.139/1
137/02 A039/02
    (Molto vivace)
 Piano A minor 1837 Keyboard based on S.136/2; revised as S.139/2
137/03 A039/03
    (Poco adagio)
 Piano F major 1837 Keyboard based on S.136/3; revised as S.139/3
137/04 A039/04
    (Allegro patetico)
 Piano D minor 1837 Keyboard based on S.136/4; revised as S.138, S.139/4
137/05 A039/05
    (Egualmente)
 Piano B♭ major 1837 Keyboard based on S.136/5; revised as S.139/5
137/06 A039/06
    (Largo patetico)
 Piano G minor 1837 Keyboard based on S.136/6; revised as S.139/6
137/07 A039/07
    (Allegro deciso)
 Piano E♭ major 1837 Keyboard based on S.136/7; revised as S.139/7
137/08 A039/08
    (Presto strepitoso)
 Piano C minor 1837 Keyboard based on S.136/8; revised as S.139/8
137/09 A039/09
    (Andantino)
 Piano A♭ major 1837 Keyboard based on S.136/9; revised as S.139/9
137/10 A039/10
    (Presto molto agitato)
 Piano F minor 1837 Keyboard based on S.136/10; revised as S.139/10
137/11 A039/11
    (Lento assai)
 Piano D♭ major 1837 Keyboard based on S.136/11; revised as S.139/11
137/12 A039/12
    (Andantino)
 Piano B♭ minor 1837 Keyboard based on S.136/12; revised as S.139/12
138 A172/04 Mazeppa Piano D minor 1840 Keyboard based on S.137/4; revised as S.139/4
139 A172 EtudesÉtudes d'exécution transcendante (12 Transcendental Etudes): Piano 1851 Keyboard based on S.137
139/01 A172/01
    Preludio
 Piano C major 1851 Keyboard based on S.137/1
139/02 A172/02
    [Fusées] (Molto vivace)
 Piano A minor 1851 Keyboard based on S.137/2
139/03 A172/03
    Paysage
 Piano F major 1851 Keyboard based on S.137/3
139/04 A172/04
    Mazeppa
 Piano D minor 1851 Keyboard based on S.137/4, S.138
139/05 A172/05
    Feux-follets (Irrlichter)
 Piano B♭ major 1851 Keyboard based on S.137/5
139/06 A172/06
    Vision
 Piano G minor 1851 Keyboard based on S.137/6
139/07 A172/07
    Eroica
 Piano E♭ major 1851 Keyboard based on S.137/7
139/08 A172/08
    Wilde Jagd
 Piano C minor 1851 Keyboard based on S.137/8
139/09 A172/09
    Ricordanza
 Piano A♭ major 1851 Keyboard based on S.137/9
139/10 A172/10
    [Appassionata] (Allegro agitato molto)
 Piano F minor 1851 Keyboard based on S.137/10
139/11 A172/11
    Harmonies du soir
 Piano D♭ major 1851 Keyboard based on S.137/11; themes re-used in S.166o
139/12 A172/12
    Chasse-neige
 Piano B minor 1851 Keyboard based on S.137/12
140 A052 EtudesÉtudes d'exécution transcendante d'après Paganini: Piano 1838 Keyboard based on themes from 24 Caprices for Solo Violin, Op.1, and Violin Concerto No.2, Op.7, by Niccolò Paganini; 1st version of S.141
140/1 A052/1
    Tremolo
 Piano G minor 1838 Keyboard 1st version of S.140/1a, S.141/1
140/1a A052/1
    Tremolo
 Piano G minor 1838 Keyboard 2nd version of S.140, S.141/1 (incorporating No.2 of 6 Concert Etudes after Paganini Caprices, Op.10, by Robert Schumann
140/2 A052/2
    Octave
Piano E♭ major 1838 Keyboard 1st version of S.141/2
140/3 A052/3
    Campanella
 Piano A♭ minor 1838 Keyboard 1st version of S.141/3
140/4a A052/4a
    Arpeggio
 Piano E major 1838 Keyboard 1st version of S.140/4b, S.141/4
140/4b A052/4b
    Arpeggio
 Piano E major 1838 Keyboard 2nd version of S.140/4a, S.141/4
140/5 A052/5
    La chasse
 Piano E major 1838 Keyboard 1st version of S.140/5a, S.141/5
140/5a A052/5
    La chasse
 Piano E major 1838 Keyboard 2nd version of S.140/5, S.141/5
140/6 A052/6
    Tema con Variazioni
 Piano A minor 1838 Keyboard 1st version of S.141/6
141 A173 Grandes études de Paganini: Piano 1851 Keyboard based on themes from 24 Caprices for Solo Violin, Op.1, and Violin Concerto No.2, Op.7, by Niccolò Paganini; 2nd version of S.140
141/1 A173/1
    Preludio (Andante). Etude (Non troppo lento)
 Piano G minor 1851 Keyboard 2nd version of S.140/1, S.140/1a
141/2 A173/2
    (Andante)
 Piano E♭ major 1851 Keyboard 2nd version of S.140/2
141/3 A173/3
    La campanella (Allegretto)
 Piano G♯ minor 1851 Keyboard 2nd version of S.140/3
141/4 A173/4
    (Vivo)
 Piano E major 1851 Keyboard 3rd version of S.140/4a, S.140/4b
141/5 A173/5
    (Allegretto)
 Piano E major 1851 Keyboard 3rd version of S.140/5, S.140/5a
141/6 A173/6
    (Quasi presto)
 Piano A minor 1851 Keyboard 2nd version of S.140/6
141/6bis — Album Leaf ("Introduction to the Grande Étude de Paganini No 6") Piano 1884 Keyboard
142 A063a Morceau de salon (Étude de perfectionnement) Piano 1840 Keyboard 1st version of S.143
143 A063b Ab irato (Étude de perfectionnement) Piano 1852 Keyboard 2nd version of S.142
144 A118 Etudes3 Études de concert (3): Piano 1845–49 Keyboard
144/1 A118/1
    Il lamento
 Piano A♭ major 1845–49 Keyboard
144/2 A118/2
    La leggierezza
 Piano F minor 1845–49 Keyboard
144/3 A118/3
    Un sospiro
 Piano D♭ major 1845–49 Keyboard
144/3bis A118/3
    Two additional cadenzas to Un Sospiro
 Piano D♭ major circa 1848 Keyboard
145 A218 Konzertetüden (Concert-Studies) (2): Piano 1862 Keyboard
145/1 A218/1
    Waldesrauschen (Forest Murmurs)
 Piano A♭ major 1862 Keyboard
145/2 A218/2
    Gnomenreigen (Gnomes' Round Dance)
Piano A major–C♯ minor 1862 Keyboard
146 A242 Technische Studien (Technical Studies) Piano 1868–73 Keyboard 68 studies in 3 books
147 A001 Variation on a Waltz by Diabelli (Variation über einen Walzer von Diabelli) Piano C major 1822 Keyboard contribution to the album Vaterländische Künstlerverein by Anton Diabelli
147a* — Variationen über Romanze aus Joseph von Méhul Piano Keyboard spurious (by Franz Xaver Wolfgang Mozart); see S.997
148 A003 Variations (8) Piano A♭ major 1824 Keyboard published as Op.1
149 A004 Variations brillantes sur un thème de Rossini (7) Piano 1824 Keyboard published as Op.2
150 A005 Impromptu brillant sur des thèmes de Rossini et Spontini Piano 1824 Keyboard published as Op.3; using themes from Armida and La donna del lago by Gioacchino Rossini, and Fernand Cortez and Olimpie by Gaspare Spontini
151 A006 Allegro di bravura Piano E♭ minor 1824–25 Keyboard published as Op.4/1; arranged for orchestra as S.700a(?)
151a — Adagio non troppo Piano 1824? Keyboard
152 A007 Rondo di bravura Piano E minor 1824–25 Keyboard published as Op.4/2
152a — Klavierstück Piano A♭ major 1824–27? Keyboard
153 A009 Scherzo (Allegro molto quasi presto) Piano G minor 1827 Keyboard
153a — Marche funèbre Piano 1827 Keyboard
153b Q03 Grand solo caractèristique d'apropos une chansonette de Panseron Piano 1830–32 Keyboard formerly S.754a; unpublished (in private collection)
154 A018 Harmonies poétiques et religieuses I Piano 1833–34 Keyboard 1st version of S.172a/8, S.173/4
155 A019 Apparitions Piano 1834 Keyboard
155/1 A019/1
    (Senza lentezza quasi Allegretto)
 Piano F♯ major 1834 Keyboard
155/2 A019/2
    (Vivamanete)
 Piano A minor 1834 Keyboard
155/3 A019/3
    Fantaisie sur une valse de François Schubert (Molto agitato ed appassionato)
 Piano 1834 Keyboard based on No.33 of 36 Original Dances (First Waltzes), D.365 (Op.9), by Franz Schubert
155a A027a Airs Suisses (3) Piano 1835–36 Keyboard published as Op.10; 1st version of S.156/17–19, S.156a
155a/1 A027a/1
    Improvisata sur le Ranz des vaches (Départ pour les Alpes)
 Piano 1835–36 Keyboard 1st version of S.156/17, S.156a/1
155a/2 A027a/2
    Nocturne sur le Chant Montagnard
 Piano 1835–36 Keyboard 1st version of S.156/18, S.156a/2
155a/3 A027a/3
    Rondeau sur le Ranz des chèvres
 Piano 1835–36 Keyboard 1st version of S.156/19, S.156a/3
156 A040a Album d'un voyageur
I. Impressions et Poésies 		Piano 1837–38 Keyboard
156/01 A040a/1
    Lyon
 Piano C major 1837–38 Keyboard
156/02 A040a/2a
    Le lac de Wallenstadt
 Piano A♭ major 1837–38 Keyboard 1st version of S.160/2
156/03 A040a/2b
    Au bord d'une source
 Piano A♭ major 1837–38 Keyboard 1st version of S.160/4, S.160/4bis
156/04 A040a/3
    Les cloches de G[enève]
 Piano B major 1837–38 Keyboard 1st version of S.160/9
156/05 A040a/4
    Vallée d'Obermann
 Piano E minor 1837–38 Keyboard 1st version of S.160/6
156/06 A040a/5
    La chapelle de Guilaume Tell
 Piano C major 1837–38 Keyboard 1st version of S.160/1
156/07 A040a/6
    Psaume (de l'église á Genève)
 Piano F major 1837–38 Keyboard
156/7a A040b Album d'un voyageur
II. Fleurs mélodiques des Alpes 		Piano C major 1837–38 Keyboard
156/08 A040b/1
    (Allegro)
 Piano C major 1837–38 Keyboard
156/09 A040b/2
    (Lento– Allegro vivace)
 Piano E minor–G major 1837–38 Keyboard
156/10 A040b/3
    (Allegro pastorale)
 Piano G major 1837–38 Keyboard 1st version of S.159/3
156/11 A040b/4
    (Andante con sentimento– Allegretto)
 Piano G major 1837–38 Keyboard
156/12 A040b/5
    (Andante molto espressivo)
 Piano G minor 1837–38 Keyboard
156/13 A040b/6
    (Allegro moderato)
 Piano E major 1837–38 Keyboard
156/14 A040b/7
    (Allegretto)
 Piano A♭ major 1837–38 Keyboard
156/15 A040b/8
    (Allegretto)
 Piano D♭ major 1837–38 Keyboard
156/16 A040b/9
    (Andantino con molto sentimento)
 Piano G major 1837–38 Keyboard
156/16a A040c Album d'un voyageur
III. Paraphrases 		Piano 1837–38 Keyboard 2nd version of S.155a, S.156a
156/17 A040c/1
    Ranz de vaches (Montée aux Alpes: Improvisata)
 Piano G major 1837–38 Keyboard 2nd version of S.155a/1, S.156a/1
156/18 A040c/2
    Un soir dans les montagnes (Nocturne pastoral)
 Piano C major 1837–38 Keyboard 2nd version of S.155a/2, S.156a/2
156/19 A040c/3
    Ranz de chèvres de F. Huber (Allegro finale)
 Piano 1837–38 Keyboard 2nd version of S.155a/3, S.156a/3
156a A027b Morceaux suisses (3): Piano 1876–77 Keyboard 3rd version of S.155a, S.156/17–19
156a/1 A027b/1
    Ranz de vaches (Mélodie de Ferdinand Huber, avec variations)
 Piano 1876–77 Keyboard 3rd version of S.155a/1, S.156/17
156a/2 A027b/2
    Un soir dans la montagne (Mélodie d'Ernest Knop)
 Piano 1876–77 Keyboard 3rd version of S.155a/2, S.156/18
156a/3 A027b/3
    Ranz de chèvres (Rondeau)
 Piano 1876–77 Keyboard 3rd version of S.155a/3, S.156/19
157 A021 Fantaisie romantique sur deux mélodies suisses Piano 1835–36 Keyboard
157a A055/1 Sposalizio Piano 1838–39 Keyboard 1st version of S.161/1
157b A055/2 Il penseroso Piano 1839 Keyboard 1st version of S.161/2
157c A055/3 Canzonetta del Salvator Rosa Piano 1838–39 Keyboard 1st version of S.161/3
157d A101 Quasi Mazurka Piano 1843 Keyboard
158 A102 Sonetti di Petrarca (3): Piano 1843–46 Keyboard arrangements of S.270a
158/1 A102/2
    Sonetto CIV ("Pace non trovo")
 Piano 1843–46 Keyboard arrangement of S.270a/1; 1st version of S.161/5
158/2 A102/1
    Sonetto XLVII ("Benedetto sia il giorno")
 Piano 1843–46 Keyboard arrangement of S.270a/2; 1st version of S.161/4
158/3 A102/3
    Sonetto CXXIII ("I' vidi in terra")
 Piano 1843–46 Keyboard arrangement of S.270a/3; 1st version of S.161/6
158a A055/7 Paralipomènes á la Divina Commedia (Fantaisie symphonique pour piano) Piano 1839 Keyboard 1st version of S.158b, S.158c, S.161/7
158b A055/7 Prolégomènes á la Divina Commedia (Fantaisie symphonique) Piano 1839 Keyboard 2nd version of S.158a, S.158c, S.161/7
158c A055/7 Aprés une lecture du Dante (Fantasia quasi Sonata) Piano 1839 Keyboard 3rd version of S.158a, S.158b, S.161/7
158d — Adagio Piano C major 1841 Keyboard fragment from S.158c? may also have been formerly S.998?
159 A053 Venezia e Napoli Piano 1840 Keyboard 1st version of S.162
159/1 A053/1
    (Lento)
 Piano C minor 1840 Keyboard
159/2 A053/2
    (Allegro)
 Piano C major 1840 Keyboard
159/3 A053/3
    (Andante placido)
 Piano F♯ major 1840 Keyboard based on the popular song La biondina in gondoletta by Giovanni Battista Perucchini; 1st version of S.162/1
159/4 A053/4
    Tarantelles napolitaines
 Piano G minor 1840 Keyboard based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3
160 A159 Années de pèlerinage I (Première année: Suisse) Piano 1848–55 Keyboard
160/1 A159/1
    Chapelle de Guilaume Tell
 Piano C major 1848–55 Keyboard 2nd version of S.156/5
160/2 A159/2
    Au lac de Wallenstadt
 Piano A♭ major 1848–55 Keyboard 2nd version of S.156/2
160/3 A159/3
    Pastorale
 Piano E major 1848–55 Keyboard 2nd version of S.156/10
160/4 A159/4
    Au bord d'une source
 Piano A♭ major 1848–55 Keyboard 2nd version of S.156/3, S.160/4bis
160/4bis A159/4
    Au bord d'une source
 Piano A♭ major? 1863 Keyboard 3rd version of S.156/3, S.160/4
160/5 A159/5
    Orage
 Piano C minor 1848–55 Keyboard
160/6 A159/6
    Vallée d'Obermann
 Piano E minor 1848–55 Keyboard 2nd version of S.156/5; arranged for violin, cello and piano by Eduard Lassen and Liszt as S.378a, S.378b, S.378c
160/7 A159/7
    Eglogue
 Piano A♭ major 1848–55 Keyboard
160/8 A159/8
    Le mal du pays (Heimweh)
 Piano E minor 1848–54 Keyboard
160/9 A159/9
    Les cloches de Genève
 Piano B major 1848–55 Keyboard 2nd version of S.156/3
161 A055 Années de pèlerinage II
(Deuxième année: Italie) 		Piano 1846–49 Keyboard for supplement see S.162
161/1 A055/1
    Sposalizio
 Piano 1849 Keyboard 2nd version of S.157a; revised for voices and organ or harmonium as S.60
161/2 A055/2
    Il penseroso
 Piano C♯ minor 1846–49 Keyboard 2nd version of S.157b
161/3 A055/3
    Canzonetta del Salvator Rosa
 Piano A major 1846 Keyboard 2nd version of S.157c
161/4 A055/4
    Sonetto 47 del Petrarca
 Piano 1846 Keyboard 2nd version of S.158/2
161/5 A055/5
    Sonetto 104 del Petrarca
 Piano 1846 Keyboard 2nd version of S.158/1
161/6 A055/6
    Sonetto 123 del Petrarca
 Piano 1846 Keyboard 2nd version of S.158/3
161/7 A055/7
    Aprés une lecture du Dante (Fantasia quasi Sonata).
 Piano 1849 Keyboard 4th version of S.158a, S.158b, S.158c
162 A197 Années de pèlerinage II, Supplément
(Supplément: Venezia e Napoli) 		Piano 1859 Keyboard 2nd version of S.159
162/1 A197/1
    Gondoliera. Canzone del Cavaliere Peruchini ("La biondina in gondoletta")
Piano 1859 Keyboard 2nd version of S.159/3; based on La biondina in gondoletta by Giovanni Battista Perucchini
162/2 A197/2
    Canzone (‘Nessun maggior dolore")
 Piano E♭ minor 1859 Keyboard based on the theme of the Gondolier's song from Act III of Otello by Gioacchino Rossini
162/3 A197/3
    Tarantella da Guillaume Louis Cottrau
 Piano G minor 1859 Keyboard 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau
162a/1 A283/1 Den Schutz-Engeln (Angelus! Prière à l'ange gardien) Piano 1877 Keyboard 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1
162a/1bis A283/1 Aux anges gardiens (Den Schutz Engeln) Piano 1877 Keyboard 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1
162a/2 A283/1 Den Schutz-Engeln (Angelus! Pri ère á l'ange gardien) Piano 1880 Keyboard 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1
162a/3 A283/1 Den Schutz-Engeln (Angelus! Pri ère á l'ange gardien) Piano 1880 Keyboard 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1
162a/4 A283/1 Den Schutz-Engeln (Angelus! Pri ère á l'ange gardien) Piano 1880 Keyboard 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1
162b A283/3 Den Cypressen der Villa d'Este Piano 1872 Keyboard 1st version of S.163/3
162c A283/5 Sunt lacrymae rerum Piano 1877 Keyboard 1st version of S.163/5, S.162d
162e A283/6 En mémoire de Maximilian I Piano 1867 Keyboard 1st version of S.163/6
162d A283/5 Sunt lacrymae rerum (in ungarischer Weise) Piano 1877 Keyboard 2nd version of S.162c, S.163/5
162f A283/7 Postludium (Sursum Corda) Piano 1877 Keyboard 1st version of S.163/7
163 A283 Années de pèlerinage III
(Troisième année) 		Piano 1877–82 Keyboard
163/1 A283/1
    Angelus! Priere aux anges gardiens
 Piano E major 1882 Keyboard 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arranged for harmonium as S.672c, for string quartet as S.378, for string orchestra (or string quintet) as S.362a
163/2 A283/2
    Aux cyprès de la Villa d'Este (Thrénodie I)
 Piano 1877 Keyboard
163/3 A283/3
    Aux cyprès de la Villa d'Este (Thrénodie II)
 Piano E minor 1877 Keyboard 2nd version of S.162b
163/4 A283/4
    Les jeux d'eaux á la Ville d'Este
 Piano F♯ major 1877 Keyboard
163/5 A283/5
    Sunt lacrymae rerum, en mode hongrois
 Piano 1872 Keyboard 2nd version of S.162c, S.162d
163/6 A283/6
    Marche funèbre
 Piano 1867 Keyboard 2nd version of S.162e
163/7 A283/7
    Sursum corda (Erhebet eure Herzen)
 Piano E major 1877 Keyboard 2nd version of S.162f
163a/1 — Album Leaf (Allegro vivace quasi presto) Piano F♯ minor 1828 Keyboard
163a/2 — Andantino ("pour Emile et Charlotte Loudon") Piano E♭ major 1828 Keyboard
163b — Album Leaf ("Ah! vous dirai-je, Maman") Piano A♭ major 1833 Keyboard
163c — Album Leaf ("Pressburg") Piano C minor 1839 Keyboard
163d — Album Leaf ("Leipzig") Piano E major 1840 Keyboard exists in two versions
163e - Album Leaf ("Quasi mazurek in C major") Piano C major 1843 Keyboard
164 A066 Albumblatt (Feuille d'album No.1) Piano E major 1840 Keyboard based on S.210
164a — Album Leaf ("Vienna") Piano E major 1840 Keyboard
164b — Album Leaf ("Leipzig") Piano E♭ major 1840 Keyboard
164c — Album Leaf ("Exeter Preludio") Piano 1840 Keyboard
164d — Album Leaf ("Detmold) Piano E major 1841 Keyboard
164e — Three Album Leaves ("Magyar") Piano 1840-41 Keyboard
164e/1 — Album Leaf ("Magyar") Piano B♭ minor 1840 Keyboard 1st version of S.164e/2; themes re-used in S.242/11
164e/2 — Album Leaf ("Magyar") Piano B♭ minor 1840 Keyboard 2nd version of S.164e/1; themes re-used in S.242/11
164e/3 — Album Leaf ("Magyar") Piano D♭ major 1841 Keyboard
164f — Album Leaf ("Rákóczi-Marsch") Piano A minor 1841 Keyboard based on S.242a
164g — Album Leaf ("Berlin Preludio") Piano C major 1842 Keyboard
164h — Album Leaf Piano D major early 1840s? Keyboard
164j — Album Leaf ("Preludio") Piano 1842 Keyboard
164k — Album Leaf ("Moderato in D♭ major") Piano D♭ major 1842 Keyboard
164l — Album Leaf ("Adagio — religioso in C major") Piano C major 1825 Keyboard
165 A104 Feuilles d'album Piano A♭ major 1844 Keyboard
166 A083 Albumblatt in Walzerform Piano A major 1842 Keyboard
166a — Album Leaf Piano E major 1843 Keyboard cataloguing mistake?; maybe 1st version of 166a (below)
166a — Album Leaf Piano A major 1870 Keyboard cataloguing mistake?; maybe 2nd version of 166a (above)
166b — Album Leaf ("Portugal") Piano A♭ major 1845 Keyboard
166c — Album Leaf Piano A♭ major 1845 Keyboard
166d — Album Leaf ("Lyon Prélude") Piano 1844 Keyboard
166e — Album Leaf ("Prélude omnitonique") Piano 1844 Keyboard
166f — Album Leaf ("Braunschweig Preludio") Piano F♯ major? 1844 Keyboard
166g — Album Leaf ("Serenade") Piano A minor 1840 Keyboard
166h — Album Leaf ("Andante religioso in G major") Piano G major 1846 Keyboard 1st version of S.166j
166j — Album Leaf ("Andante religiosamente in G major") Piano G major 1846 Keyboard 2nd version of S.166h
166k — Album Leaf ("Friska") Piano A major late 1840s Keyboard
166l/1 R3 Album Leaf Piano A♭ major circa 1840s Keyboard
166l/2 — Album Leaf Piano G minor 1840s? Keyboard
166m A135 Albumblätter für Prinzessin Marie von Sayn-Wittgenstein (Album-Leaves for Princess Marie von Sayn-Wittgenstein) Piano 1847 Keyboard
166m/1 A135/1
    Lilie (Andantino)
 Piano C major 1847 Keyboard
166m/2 A135/2
    Hryc
 Piano 1847 Keyboard
166m/3 A135/3
    Mazurek: Gdy w czystem polu (Mazurka: When on the Clean Earth)
 Piano A major 1847 Keyboard
166m/4 A135/4
    Krakowiak
 Piano F major 1847 Keyboard
166n A134 Album Leaf ("Freudvoll und leidvoll") Piano 1847 Keyboard partial arrangement of S.280
166o — Album Leaf ("Langsam in C♯ minor") Piano C♯ minor 1876 Keyboard uses themes from S.139/11
166p — Album Leaf ("Andantino in A♭ major") Piano A♭ major 1847 Keyboard
166q — Album Leaf Piano G major 1847 Keyboard
166r — Two Album Leaves ("Purgatorio") Piano 1857? Keyboard
166r/1 — Album Leaf ("Purgatorio") Piano B minor 1857 Keyboard
166r/2 — Album Leaf ("Aus dem Purgatorio des Dante Sinfonie") Piano B minor circa 1857 Keyboard
166s — Album Leaf Piano A major 1870 Keyboard
167* — Feuille d'album No.2 Keyboard see S.534/2bis
167a* — Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice Keyboard see S.571a
167b A075 Miniatur Lieder Piano 1840–49 Keyboard unpublished; score inaccessible (in private collection?)
167c — Album Leaf (Poco adagio) Piano 1860? Keyboard from the Agnus Dei of Beethoven's Missa Solemnis
167d — Album Leaf Piano 1860 Keyboard from S.98
167e — Album Leaf Piano 1861 Keyboard from S.106
167f — Album Leaf ("Dante Symphony progression") Piano G major circa 1860? Keyboard based on material from S.109
167g — Album Leaf ("Vivace ma non troppo in D♭ major") Piano D♭ major 1835 Keyboard
167h — Album Leaf Piano 1860–69? Keyboard
167j — Album Leaf ("Fugue chromatique - Allegro in G minor") Piano G minor 1844 Keyboard
167k — Album Leaf Piano E♭ major 1840 Keyboard based on S.219 and S.219bis
167l — Album Leaf ("Agitato in G major") Piano G major 1849 Keyboard based on S.577, S.577bis, S.577a, and S.577ter
167m — Album Leaf ("Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke") Piano after 1859? Keyboard possible intended for S.216, S.216b, S.514, or S.515?
167n — Album Leaf ("Allegretto in A major") Piano A major 1842 Keyboard
167o — Album Leaf ("Tempo di marcia in E♭ major") Piano E♭ major 1845 Keyboard themes re-used in S.227
167p — Album Leaf ("Larghetto in D♭ major") Piano D♭ major 1883 Keyboard on a Henselt Concerto
167q — Album Leaf ("Schlusschor des entfesselten Prometheus – Andante solenne in D♭ major") Piano D♭ major 1883 Keyboard
167r — Album Leaf ("Andante in E♭ major") Piano E♭ major 1850s Keyboard
167s — Album Leaf ("Lyon") Piano C major 1839 Keyboard
167t — Album Leaf Piano E major 1853 Keyboard based on S.173/10
168/1 A094 ElegieÉlégie sur des motifs du Prince Louis Ferdinand de Prusse Piano A♭ major 1842–43 Keyboard 1st version of S.168/2
168/2 A094 ElegieÉlégie sur des motifs du Prince Louis Ferdinand de Prusse Piano A♭ major 1851 Keyboard 2nd version of S.168/1
168a A145 Andante amoroso Piano 1847? Keyboard from S.395?
168b — Pensées (Nocturne) Piano A major 1845 Keyboard
169 A148 Romance "O pourquoi donc" Piano E minor 1848 Keyboard based on S.301a; revised as S.527
170 A117 Ballade No.1 (Le chant du croisé) Piano D♭ major 1848–49 Keyboard 2nd version of S.171d/4
170a A181 Ballade No.2 Piano B minor 1853 Keyboard 1st version of S.171
171 A181 Ballade No.2 Piano B minor 1853 Keyboard 2nd version of S.170a
171a A111a/1 Consolations: Piano 1844–48 Keyboard 1st version of S.172
171a/1 A111a/1
    (Andante con moto)
 Piano E major 1844–48 Keyboard 1st version of S.172/1
171a/2 A111a/2
    (Un poco più mosso)
 Piano E major 1844–48 Keyboard 1st version of S.172/2
171a/3 A111a/3
    (Lento, quasi recitativo)
 Piano E major 1844–48 Keyboard 1st version of S.172/3; theme re-used in S.243b
171a/4 A111a/4
    (Quasi adagio; cantabile con devozione)
 Piano D♭ major 1844–48 Keyboard 1st version of S.172/4
171a/5 A111a/5
    (Andantino)
 Piano E major 1844–48 Keyboard 1st version of S.172/5
171a/6 A111a/6
    (Allegretto)
 Piano E major 1844–48 Keyboard 1st version of S.172/6
171b — Album Leaf (Consolation No.1) Piano 1849–50 Keyboard originally intended for S.172
171c — Prière d'un enfant á son réveil Piano 1840 Keyboard 1st version of S.172a/7, S.173/6; theme used in S.19/1
171d — Préludes et Harmonies poétiques et religieuses (8): Piano 1845–47 Keyboard
171d/1 —
    [untitled]
 Piano E♭ major 1845–47 Keyboard 1st version of S.172a/11 and S.173/3
171d/2 —
    Languer
 Piano C minor 1845–47 Keyboard
171d/3 —
    [untitled]
 Piano E major 1845–47 Keyboard
171d/4 —
    Dernière illusion
 Piano D♭ major 1845–47 Keyboard incomplete; 1st version of S.170
171d/5 —
    [untitled]
 Piano G♭ major 1845–47 Keyboard
171d/6 —
    Attente
 Piano A major 1845–47 Keyboard incomplete
171d/7 —
    Alternative
 Piano E major 1845–47 Keyboard
171d/8 —
    M.K.
 Piano D♭ major 1845–47 Keyboard incomplete
171e A061/4 Litanies de Marie Piano E major 1846–47 Keyboard formerly S.695a; 1st version of S.172a/4
172 A111b Consolations (Pensées poétiques) (6): Piano 1849–50 Keyboard 2nd version of S.171a
172/1 A111b/1
    (Andante con moto)
 Piano E major 1849–50 Keyboard 2nd version of S.171a/1; arranged for cello and piano by Liszt and Jules de Swert as S.382a/1
172/2 A111b/2
    (Un poco più mosso)
 Piano E major 1849–50 Keyboard 2nd version of S.171a/2
172/3 A111b/3
    (Lento placido)
 Piano D♭ major 1849–50 Keyboard 2nd version of S.171a/3; arranged for organ or harmonium as S.672d/1
172/4 A111b/4
    (Quasi Adagio)
 Piano D♭ major 1849–50 Keyboard 2nd version of S.171a/4; arranged for organ or harmonium by Liszt and Alexander Wilhelm Gottschalg as S.672d/2; ; arranged for cello and piano (or organ or harmonium) by Liszt and Jules de Swert as S.382a/2
172/5 A111b/5
    (Andantino)
 Piano E major 1849–50 Keyboard 2nd version of S.171a/5; arranged for organ or harmonium by Liszt and Alexander Wilhelm Gottschalg as S.672d/3
172/6 A111b/6
    (Allegretto sempre cantabile)
 Piano E major 1849–50 Keyboard 2nd version of S.171a/6; arranged for organ or harmonium as S.672d/4
172a A061 Harmonies poétiques et religieuses II (10): Piano 1840–47 Keyboard 1st version of S.173
172a/01 A061/01
    Elevez-vous voix
Piano E major 1840–47 Keyboard 1st version of S.172c, S.173/1
172a/02 A061/02
    Hymne de la nuit
 Piano E major 1840–47 Keyboard 1st version of S.173a/1
172a/03 A061/03
    Hymne du matin
 Piano B major 1840–47 Keyboard 1st version of S.173a/2
172a/04 A061/04
    Litanies de Marie
 Piano E major 1840–47 Keyboard 2nd version of S.171e
172a/05 A061/05
    Miserere
 Piano E minor 1840–47 Keyboard 1st version of S.173/8
172a/06 A061/06
    Pater noster (d'apres la Psalmodie de l'Eglise)
 Piano C major 1840–47 Keyboard 1st version of S.173/5; adapted for male chorus as S.21
172a/07 A061/07
    Hymne de l'enfant a son reveil
 Piano A♭ major 1840–47 Keyboard 2nd version of S.171c, S.173/6
172a/08 A061/08
    Prose des morts (De profundis)
 Piano 1840–47 Keyboard 2nd version of S.154, S.173/4
172a/09 A061/09
    La lampe du temple
Piano G minor 1840–47 Keyboard 1st version of S.173/9
172a/10 A061/10
    hymn[Hymn]
 Piano E♭ major 1840–47 Keyboard
172a/11 A061/11
    Benediction (Prelude)
 Piano E♭ major 1840–47 Keyboard 2nd version of S.171d/1 and S.173/3
172a/12 A061/12
    Ave Maria
Piano 1840–47 Keyboard 1st version of S.173/2; now lost
172b A142 Stabat Mater Piano 1847 Keyboard formerly S.579/3
172c A061/1 Invocation Piano E major 1847 Keyboard 2nd version of S.172a/1, S.173/1
173a/1 A061/2 Hymne de la nuit Piano E major 1847 Keyboard 2nd version of S.172a/2
173a/2 A061/3 Hymne du matin Piano B major 1847 Keyboard 2nd version of S.172a/3
173 A158 Harmonies poétiques et religieuses III (10): Piano 1848–53 Keyboard 2nd version of S.172a
173/01 A158/01
    Invocation
 Piano E major 1848–51 Keyboard 3rd version of S.172a/1, S.172c
173/02 A158/02
    Ave Maria
 Piano B♭ major 1842 Keyboard 2nd version of S.172/12
173/03 A158/03
    Bénédiction de Dieu dans la solitude
 Piano F♯ major 1851 Keyboard 3rd version of S.171d/1 and S.172a/11
173/04 A158/04
    Pensée des morts
 Piano 1851 Keyboard 3rd version of S.154, S.172a/8
173/05 A158/05
    Pater noster
 Piano C major 1847 Keyboard 2nd version of S.172a/6
173/06 A158/06
    Hymne de l'enfant á son réveil
 Piano A♭ major 1847 Keyboard 2nd version of S.171c, S.172a/7
173/07 A158/07
    Funérailles
 Piano F minor 1849 Keyboard 2nd version of S.226a
173/08 A158/08
    Miserere d'après Palestrina
 Piano E minor 1851 Keyboard 2nd version of S.172a/6
173/09 A158/09
    Andante lagrimoso
 Piano G♯ minor 1851 Keyboard 2nd version of S.172a/9
173/10 A158/10
    Cantique d'amour
 Piano E major 1847 Keyboard
174 A186 Berceuse Piano D♭ major 1854, 1862 Keyboard 2 versions
175 A219 Légendes (2): Piano 1863 Keyboard
175/1 A219/1
    St François d'Assise: la prédication aux oiseaux
 Piano A major 1862–63 Keyboard version for orchestra as S.113a/1
175/2 A219/2
    St François de Paule: marchant sur les flots
Piano E major 1862–63 Keyboard simplified version as S.175/2bis; version for orchestra as S.113a/2; for voice as S.28
175/2bis A219/2
    St François de Paule, marchant sur les flots
 Piano E major? 1863 Keyboard simplified version of S.175/2
175a A167 Grand Solo de concert Piano E minor? 1849 Keyboard revised as S.176
176 A167 Grosses Konzertsolo Piano E minor 1849–50 Keyboard based on S.175a; revised for 2 pianos as S.258, for piano and orchestra as S.365
176a — Wilde Jagd - Scherzo Piano D minor/B♭ major 1851 Keyboard 1st version of S.177
177 A174 Scherzo und Marsch Piano D minor and B♭ major 1851 Keyboard 2nd version of S.176a
178 A179 Piano Sonata Piano B minor 1852–53 Keyboard
179 A198 Weinen, Klagen, Sorgen, Zagen Piano F minor 1859 Keyboard prelude based on a theme from the Weinen, Klagen, Sorgen, Zagen, BWV 12, by Johann Sebastian Bach; not related to S.180
180 A214 Variationen über das Motiv von Bach Piano F minor 1862 Keyboard prelude based on themes from the Weinen, Klagen, Sorgen, Zagen, BWV 12, by Johann Sebastian Bach; not related to S.179; arranged for organ as S.673
181 A290 Sarabande und Chaconne aus dem Singspiel Almira Piano G minor 1879 Keyboard after extracts from the Singspiel Almira, HWV 1, by George Frideric Handel
182 A215 Ave Maria (Die Glocken von Rom) Piano E major 1862 Keyboard also known as Ave Maria für die große Klavierschule von Lebert und Stark
182a — Magnificat Piano F major 1862 Keyboard unpublished; 1st version of S.183/1
183/1 A216/1 Alleluja Piano F major 1862 Keyboard 2nd version of S.182a
183/2 A216/2 Ave Maria d'Arcadelt Piano F major 1862 Keyboard based on Dietsch's adaptation of a madrigal by Arcadelt
184 A229 Urbi et Orbi (Bénédiction papale) Piano C♯ minor 1864 Keyboard
185 A226 Vexilla regis prodeunt (Kreuzes Hymne) Piano 1864 Keyboard arranged for orchestra as S.355
185a A267 Weihnachtsbaum Piano 1873–74 Keyboard 1st version ("Paris manuscripts") of S.186; arranged for piano 4 hands as S.612a
185a/01 A267/01
    Psallite (Altes Weihnacthen)
 Piano F major 1873–74 Keyboard 1st version of S.186/1; arranged for piano 4 hands as S.612a/1
185a/02 A267/02
    O heilige Nacht!
 Piano D minor 1873–74 Keyboard 1st version of S.186/2; arranged for piano 4 hands as S.612a/2
185a/03 A267/03
    Die Hirten an der Krippe ("In dulci jubilo")
 Piano D♭ major 1873–74 Keyboard 1st version of S.186/3; arranged for piano 4 hands as S.612a/3
185a/04 A267/04
    Adeste fideles (gleichsam als Marsch der heiligen drei Konige)
 Piano A major 1873–74 Keyboard 1st version of S.186/4; arranged for piano 4 hands as S.612a/4
185a/05 A267/05
    Scherzoso
 Piano F major 1873–74 Keyboard 1st version of S.186/5; arranged for piano 4 hands as S.612a/5
185a/06 A267/06
    Reveille-Matin(Wecker)
Piano 1873–74 Keyboard 1st version of S.186/6; arranged for piano 4 hands as S.612a/6
185a/07 A267/07
    Schlummerlied
 Piano F♯ major 1873–74 Keyboard 1st version of S.186/7, S.186/7a; arranged for piano 4 hands as S.612a/7
185a/08 A267/08
    Alt-provenzalisches Noel (Alt-provenzalisches Noel)
 Piano B minor 1873–74 Keyboard 1st version of S.186/8; arranged for piano 4 hands as S.612a/8
185a/09 A267/09
    Abendglocken (Abendglocken)
 Piano 1873–74 Keyboard 1st version of S.186/9; arranged for piano 4 hands as S.612a/9
185a/10 A267/10
    Ehemals(Ehemals)
 Piano F minor 1873–74 Keyboard 1st version of S.186/10; arranged for piano 4 hands as S.612a/10
185a/11 A267/11
    Ungarisch
 Piano F minor 1873–74 Keyboard 1st version of S.186/11; arranged for piano 4 hands as S.612a/11
185a/12 A267/12
    Polnisch
 Piano B♭ minor 1873–74 Keyboard 1st version of S.186/12; arranged for piano 4 hands as S.612a/12
186 A267 Weihnachtsbaum Piano 1874–76 Keyboard 2nd version of S.185a; arranged for piano 4 hands as S.613
186/01 A267/01
    Altes Weihnacthslied (Psalite)
Piano F major 1874–76 Keyboard 2nd version of S.185a/1; arranged for piano 4 hands as S.613/1
186/02 A267/02
    O heilige Nacht!
 Piano D minor 1874–76 Keyboard 2nd version of S.185a/2; arranged for piano 4 hands as S.613/2; revised for tenor, female chorus and organ (or harmonium) as S.49
186/03 A267/03
    Die Hirten an der Krippe ("In dulce jubilo")
 Piano D♭ major 1874–76 Keyboard 2nd version of S.185a/3; arranged for piano 4 hands as S.613/3
186/04 A267/04
    Adeste fideles (Gleichsam als Marsch der heiligen drei Könige)
 Piano A major 1874–76 Keyboard 2nd version of S.185a/4; arranged for piano 4 hands as S.613/4
186/05 A267/05
    Scherzoso (Man zündet die Kerzen des Baumes an)
 Piano F major 1874–76 Keyboard 2nd version of S.185a/5; arranged for piano 4 hands as S.613/5
186/06 A267/06
    Carillon
 Piano 1874–76 Keyboard 2nd version of S.185a/6; arranged for piano 4 hands as S.613/6
186/07 A267/07
    Schlummerlied
 Piano F♯ major 1874–76 Keyboard 2nd version of S.185a/7, S.186/7a; arranged for piano 4 hands as S.613/7
186/07a A267/07
    Schlummerlied
 Piano F♯ major? 1882 Keyboard 3rd version of S.185a/7, S.186/7; version for Lachmund
186/08 A267/08
    Altes provenzalisches Weihnachtslied
 Piano B minor 1874–76 Keyboard 2nd version of S.185a/8; arranged for piano 4 hands as S.613/8
186/09 A267/09
    Abendglocken
 Piano 1874–76 Keyboard 2nd version of S.185a/9; arranged for piano 4 hands as S.613/9
186/10 A267/10
    Ehemals
 Piano F minor 1874–76 Keyboard 2nd version of S.185a/10; arranged for piano 4 hands as S.613/ 10
186/11 A267/11
    Ungarisch
 Piano F minor 1874–76 Keyboard 2nd version of S.185a/11; arranged for piano 4 hands as S.613/11
186/12 A267/12
    Polnisch
 Piano B♭ minor 1874–76 Keyboard 2nd version of S.185a/12; arranged for piano 4 hands as S.613/12
187 A278 Sancta Dorothea Piano E major 1877 Keyboard
187a E028 Resignazione Piano or Organ E major 1877 Keyboard 1st version of S.187b
187b E028 Resignazione Piano or Organ E major 1881 Keyboard 2nd version of S.187a
188 A300 In festo transfigurationis Domini nostri Jesu Christi Piano C major 1880 Keyboard
189 A234 Klavierstück No.1 Piano A♭ major 1866 Keyboard
189a A116 Klavierstück No.2 Piano A♭ major 1845 Keyboard 1st version of S.189b
189b A116 Klavierstück No.2 Piano D♭ major after 1845 Keyboard 2nd version of S.189a; themes re-used in S.170 and S.171d/4
190 A241 La marquise de Blocqueville (Un portrait en musique) Piano 1869 Keyboard 1st movement is by Henri Herz, the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements.
191 A256 Impromptu Piano F♯ major 1872 Keyboard
192 A233 Klavierstücke (5) Piano 1865–79 Keyboard
192/1 A233/1
    Sehr langsam
 Piano E major 1865 Keyboard
192/2 A233/2
    Lento assai
 Piano A♭ major 1865 Keyboard
192/3 A233/3
    Sehr langsam
 Piano F♯ major 1873 Keyboard
192/4 A233/4
    Andantino
 Piano F♯ major 1876 Keyboard
192/5 A233/5
    Sospiri! (Andante)
 Piano 1879 Keyboard
193 — Klavierstück Piano F♯ major 1854 Keyboard
194 A249 Mosonyis Grabgeleit (Mosonyi gyázmenete) Piano 1870 Keyboard re-used as S.205/7; arranged for 2 pianos as S.756(?)
195 A279 Dem Andenken Petöfis Piano 1877 Keyboard based on S.349 ; arranged for piano 4 hands as S.614; same as S.205/6
195a A266 Schlummerlied im Grabe Piano 1874 Keyboard revised as S.196
196 A266 Elegy No.1 Piano 1874 Keyboard based on S.195a; arranged for piano 4 hands as S.612; for cello, harp, piano and harmonium as S.130a; for cello and piano as S.130b; for violin, piano (and harmonium ad lib.) as S.130c
196a A277 Entwurf der Ramann-Elegie Piano 1877 Keyboard 1st version of S.197
197 A277 Elegy No.2 Piano 1877 Keyboard 2nd version of S.197a; arranged for cello and piano as S.131, and for violin and piano as S.131bis
197a A295 Toccata Piano C major 1879? Keyboard
197b A272 Kaiser Wilhelm! Piano 1876 Keyboard
198 A303 Wiegenlied (Chant du berceau) Piano 1881 Keyboard
199 A305 Trübe Wolken (Nuages gris) Piano 1881 Keyboard
199a A319 Die Trauer-Gondel (La lugubre gondola) Piano 1882 Keyboard 1st version of S.200/1, S.200/2; incomplete sketch as S.701k
200/1 A319a La lugubre gondola (Die Trauer-Gondel) Piano 1882–83 Keyboard 2nd version of S.199a, S.200/2; arranged for violin and piano as S.134bis
200/2 A319b La lugubre gondola (Die Trauer-Gondel) Piano 1885 Keyboard 3rd version of S.199a, S.200/1; arranged for cello and piano as S.134
201 A320 R.W. - Venezia Piano 1883 Keyboard
202 A321 Am Grabe Richard Wagners Piano 1883 Keyboard arrangement of S.135
203 A322 Schlaflos! Frage und Antwort Piano 1883 Keyboard
204 A280 Receuillement Piano 1877 Keyboard
205 A335 Historische ungarische Bildnisse Piano 1885 Keyboard 1st version of S.205a
205/1 A335/1
    Stephan Széchenyi
 Piano 1885 Keyboard same as S.205a/1
205/2 A335/4
    Joseph Eötvös
Piano 1885 Keyboard same as S.205a/4
205/3 A335/5
    Michael Vörösmarty
Piano 1885 Keyboard same as S.205a/5
205/4 A335/3
    Ladislaus Teleki
Piano 1885 Keyboard same as S.205a/3
205/5 A335/2
    Franz Deák
 Piano 1885 Keyboard same as S.205a/2
205/6 A335/6
    Alexander Petofi
 Piano 1885 Keyboard same as S.195, S.205a/6
205/7 A335/7
    Michael Mosonyi
Piano 1885 Keyboard same as S.194; 1st version of S.205a/7
205a A335 Historische ungarische Bildnisse Piano 1885 Keyboard 2nd version of S.205
205a/1 A335/1
    Széchenyi István
 Piano 1885 Keyboard same as S.205/1
205a/2 A335/2
    Deák Ferenc
Piano 1885 Keyboard same as S.205/5
205a/3 A335/3
    Teleki László
Piano 1885 Keyboard same as S.205/4
205a/4 A335/4
    Eötvös József
 Piano 1885 Keyboard same as S.205/2
205a/5 A335/5
    Vörösmarty Mihály
 Piano 1885 Keyboard same as S.205/3
205a/6 A335/6
    Petofi Sándor
 Piano 1885 Keyboard same as S.195, S.205/6
205a/7 A335/7
    Mosonyi Mihály
 Piano 1885 Keyboard 2nd version of S.205a/7
206 A334 Trauervorspiel und Trauermarsch Piano 1885 Keyboard
206/1 A334/1
    Preludio funebre
 Piano 1885 Keyboard
206/2 A334/2
    Marcia funebre
 Piano 1885 Keyboard based on a theme from Funeral Music for István Széchenyi by Mihály Mosonyi
207 A336 En rêve (Nocturne) Piano 1885 Keyboard
207a A296 Prélude á la Polka d'Alexandre Porfiryevitch Borodine (Variation sur le thème favori et obligé) Piano 1880 Keyboard formerly listed as S.256; based on the "Chopsticks" polka by Aleksandr Borodin from the album Paraphrases
208 A312 Unstern (Sinistre) Piano 1881 Keyboard
208a A002/2 Waltzes (2): Piano A major circa 1823 Keyboard arrangement of S.126b/2
209 A032a Grande valse di bravura (Le bal de Berne) Piano 1836 Keyboard themes re-used in S.209a; 1st version of S.214/1; arranged for piano 4 hands as S.615
209a — Waltz Piano E♭ major 1840 Keyboard uses themes from S.209
210 A057a Valse mélancolique Piano E major 1839 Keyboard 2nd version of S.210a, S.214/2
210a A057a Valse mélancolique Piano E major circa 1840? Keyboard 1st version of S.210, S.214/2
210b A028 Waltz Piano A major 1835? Keyboard
211 A095 Ländler Piano A♭ major 1843 Keyboard
211a A289/1 Ländler Piano D major 1879 Keyboard formerly S.734
212 A084 Petite valse favorite (Souvenir de St Pétersbourg) Piano 1842 Keyboard 1st version of S.212a, S.213, and S.213bis
212a A084a Petite valse favorite (Souvenir de St Pétersbourg) Piano 1843 Keyboard 2nd version of S.212, S.213, and S.213bis; formerly S.222
212b A082 Valse de Marie (Mariotte) Piano 1842 Keyboard
213 A084c Valse-Impromptu Piano 1850–52 Keyboard 3rd version of S.212, S.212a, and S.213bis
213bis A084c Valse-Impromptu Piano 1870s? Keyboard 4th version (edition facilitée) of S.212, S.212a, and S.213
214 — Caprices-Valses (3): Piano 1850–52 Keyboard
214/1 A032b
    Valse de bravoure
 Piano B♭ major 1850–52 Keyboard 2nd version of S.209
214/2 A057b
    Valse mélancolique
 Piano E major 1850 Keyboard 3rd version of S.210, S.210a
214/3 A088b
    Valse de concert sur deux motifs de "Lucia" et "Parisina" de Donizetti
 Piano A major 1850–52 Keyboard 2nd version of S.401; using themes from Parisina and Lucia di Lammermoor by Gaetano Donizetti
214a A271 Carrousel de Madame Pelet-Narbonne Piano 1879? Keyboard
215 A311 Valses oubliées (4): Piano 1881–84 Keyboard
215/1 A311/1
    Valse oubliée No.1
 Piano 1881 Keyboard
215/2 A311/2
    Valse oubliée No.2
 Piano 1883 Keyboard
215/3 A311/3
    Valse oubliée No.3
 Piano 1883 Keyboard 1st version of S.215/3a
215/3a A311/3
    Valse oubliée No.3
 Piano 1883? Keyboard 2nd version of S.215/3
215/4 A311/4
    Valse oubliée No.4
 Piano 1884 Keyboard
215a A325 Mephisto Waltz No.3 Piano 1883 Keyboard 1st version of S.216
216 A325 Mephisto Waltz No.3 Piano 1883 Keyboard 2nd version of S.215a; arranged for piano 4 hands as S.615a
216a A338 Bagatelle sans tonalité Piano 1885 Keyboard
216b A337 Mephisto Waltz No.4 Piano 1885 Keyboard 1st version of S.696
217 A317 Mephisto Polka Piano 1882–83 Keyboard exists in two versions
218 A119 Galop Piano A minor 1846 Keyboard
219 A043 Grand galop chromatique Piano E♭ major 1838 Keyboard 1st version of S.219bis; arranged for piano 4 hands as S.616
219bis A043 Grand galop chromatique Piano E major circa 1840 Keyboard 2nd (simplified) version of S.219 (sometimes wrongly attributed to Johann Strauss Jr.)
220 A064 Galop de bal Piano 1840 Keyboard
221 A168 Mazurka brillante Piano 1850 Keyboard
221a* A221 Mazurka Piano F minor Keyboard now believed to be spurious
222* — Petite valse favorite Piano Keyboard renumbered as S.212
223 A171 Polonaises (2): Piano 1850–51 Keyboard
223/1 A171/1
    Polonaise mélancolique
 Piano C minor 1850–51 Keyboard
223/2 A171/2
    Polonaise
 Piano E major 1850–51 Keyboard
224 A313 Csárdás macabre Piano 1881–82 Keyboard arranged for piano 4 hands as S.617
225 A333 Csárdás (2): Piano 1884 Keyboard
225/1 A333/1
    Csárdás
 Piano 1884 Keyboard
225/2 A333/2
    Csárdás obstinée (Hartnäckiger Csardas)
 Piano 1884 Keyboard possibly arranged for piano 4 hands as S.618
226 A188 Festvorspiel (Preludio pomposo) Piano 1856 Keyboard arranged for orchestra as S.356
226a A010 Marche funèbre Piano G minor 1827 Keyboard formerly S.745
227 A164a Festmarsch zur Säcularfeier von Goethes Geburtstag Piano E♭ major 1849 Keyboard uses themes from S.167o; 1st version of S.227, S.115, S.606, S.521
227a A182 Festmarsch Piano C major 1853 Keyboard 1st version of S.228; arranged for orchestra by Liszt and Joachim Raff as S.357/1
228 A182 Huldigungsmarsch Piano C major 1857 Keyboard 2nd version of S.227a; arranged for orchestra as S.357/2
229 A184 Vom Fels zum Meer! (Deutscher Siegesmarsch) Piano E♭ major 1853–56 Keyboard arranged for piano 4 hands as S.618a; for orchestra as S.368
229a — Ungarischer Marsch Piano B♭ major 1859 Keyboard unpublished
230 A326 Bülow-Marsch Piano 1883 Keyboard arranged for piano 4 hands as S.619; for 2 pianos (8 hands) as S.657b
230a A274 Festpolonaise Piano 1876 Keyboard formerly S.528; arranged for piano 4 hands as S.619a
231 A065 Heroischer Marsch in ungarischem Stil (Marche héroïque dans le genre hongrois) Piano A minor 1840 Keyboard partly based on S.103
232 A112/1 Seconde marche hongroise (Ungarischer Sturmmarsch) Piano 1842 Keyboard 1st version of S.119
233 A252 Ungarischer Geschwindmarsch (Magyar Gyors induló) Piano 1870–71 Keyboard possibly 1st version of S.460
233a A332 Siegesmarsch (Marche triomphale) Piano E♭ major 1884 Keyboard
233b A105 Marche hongroise Piano E♭ minor 1844 Keyboard
233c* — Tyrolean Melody Piano Keyboard see S.385a
234 A067 Hussitenlied (Aus dem 15. Jahrhundert) Piano 1840 Keyboard based on the song Těšme se blahou nadějć by Josef Theodor Krov; arranged for piano 4 hands as S.620
235 A076 God Save the Queen (Paraphrase de concert) Piano 1841–49 Keyboard based on the British national anthem; revised as S.694
236/1 A106 Faribolo Pasteur (Chanson tirée du poème de Françonetto de Jacques Jasmin) Piano 1844 Keyboard
236/2 A107 Chanson du Béarn (Pastorale) Piano 1844 Keyboard based on a song by René de Galard de Béarn, Marquis de Brassac
237 A236 La Marseillaise (Chant de guerre par Claude-Joseph Rouget de Lisle) Piano 1866–72 Keyboard after the French national anthem La Marseillaise by Claude Joseph Rouget de Lisle
238 A169 La cloche sonne Piano C minor 1850? Keyboard based on an old French song
239 A262 Vive Henri IV Piano 1879–80 Keyboard based on the French anthem Marche de Henri IV
240 A096 Gaudeamus igitur (Chanson des étudiants) Piano 1843 Keyboard exists in two versions; based on a traditional student song
241 A011 Zum Andenken (Ungarische Werbungstänze) (2): Piano 1828 Keyboard Hungarian recruiting songs
241/1 A011/1
    Kiniszi notája
 Piano 1828 Keyboard based on a dance by László Fáy
241/2 A011/2
    Lassú magyar
 Piano 1828 Keyboard based on a dance by János Bihari
241a A180 Ungarischer Romanzero (Hungarian Romances) (18): Piano 1853 Keyboard based on popular Hungarian themes, by Liszt and Eduard Remenyi
241a/01 A180/01
    Ungarischer Romanzero No.1
 Piano F minor 1853 Keyboard composed by Eduard Remenyi
241a/02 A180/02
    Ungarischer Romanzero No.2
 Piano A minor 1853 Keyboard
241a/03 A180/03
    Ungarischer Romanzero No.3
 Piano A minor 1853 Keyboard
241a/04 A180/04
    Ungarischer Romanzero No.4
 Piano A minor 1853 Keyboard composed by Eduard Remenyi
241a/05 A180/05
    Ungarischer Romanzero No.5
 Piano D minor 1853 Keyboard
241a/06 A180/06
    Ungarischer Romanzero No.6
 Piano A major 1853 Keyboard
241a/07 A180/07
    Ungarischer Romanzero No.7
 Piano A major 1853 Keyboard
241a/08 A180/08
    Ungarischer Romanzero No.8
 Piano D minor 1853 Keyboard
241a/09 A180/09
    Ungarischer Romanzero No.9
 Piano A major 1853 Keyboard
241a/10 A180/10
    Ungarischer Romanzero No.10
 Piano G minor 1853 Keyboard
241a/11 A180/11
    Ungarischer Romanzero No.11
 Piano F major 1853 Keyboard
241a/12 A180/12
    Ungarischer Romanzero No.12
 Piano C major 1853 Keyboard composed by Eduard Remenyi
241a/13 A180/13
    Ungarischer Romanzero No.13
 Piano F♯ minor 1853 Keyboard composed by Eduard Remenyi
241a/14 A180/14
    Ungarischer Romanzero No.14
 Piano D major 1853 Keyboard composed by Eduard Remenyi
241a/15 A180/15
    Ungarischer Romanzero No.15
 Piano D major 1853 Keyboard composed by Eduard Remenyi
241a/16 A180/16
    Ungarischer Romanzero No.16
 Piano C major 1853 Keyboard composed by Eduard Remenyi
241a/17 A180/17
    Ungarischer Romanzero No.17
 Piano A major 1853 Keyboard composed by Eduard Remenyi
241a/18 A180/18
    Ungarischer Romanzero No.18
 Piano A major 1853 Keyboard composed by Eduard Remenyi
241b — Magyar Tempo Piano 1840 Keyboard sketches only
242 A060a Magyar dalok (Ungarische Nationalmelodien) Piano 1839–40 Keyboard originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11)
242/01 A060a/01
    (Lento)
 Piano C minor 1839–40 Keyboard
242/02 A060a/02
    (Andantino)
 Piano C major 1839–40 Keyboard
242/03 A060a/03
    (Sehr langsam)
 Piano D♭ major 1839–40 Keyboard
242/04 A060a/04
    (Animato)
 Piano C♯ major 1839–40 Keyboard 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6
242/05 A060a/05
    (Tempo giusto)
 Piano D♭ major 1839–40 Keyboard 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6
242/06 A060a/06
    (Lento)
 Piano G minor 1839–40 Keyboard themes re-used in S.242/12, S.244/5
242/07 A060a/07
    (Andante cantabile, quasi Adagio)
 Piano E♭ major 1839–40 Keyboard 1st version of S.244/4
242/08 A060a/08
    (Lento. Tempo marcato)
 Piano F minor 1839–40 Keyboard
242/09 A060a/09
    (Lento. Quasi Presto)
 Piano A minor 1839–40 Keyboard
242/10 A060a/10
    (Adagio sostenuto a capriccio. Allegro vivace)
 Piano D major 1839–40 Keyboard
242/11 A060a/11
    (Andante sostenuto. Allegretto)
 Piano B♭ major 1839–40 Keyboard 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6
242/11 A060b Magyar rapszódiák Piano 1846–47 Keyboard originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17)
242/12 A060b/12
    Mesto ["Héroïde élégiaque"]
 Piano E minor 1846–47 Keyboard partly based on S.242/6. themes re-used in S.244/5
242/13 A060b/13
    (Tempo di Marcia) ["Rakoczi-Marsch"]
 Piano A minor 1846–47 Keyboard based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117
242/13bis A060b
    Ungarische National-Melodie ["Rakoczi-Marsch"]
 Piano A minor circa 1846 Keyboard simplified version of S.242/13
242/14 A060b/14
    (Lento a capriccio)
 Piano A minor 1846–47 Keyboard themes re-used in S.244/11
242/15 A060b/15
    (Lento. Tempo e stilo zingarese)
 Piano D minor 1846–47 Keyboard themes re-used in S.244/7
242/16 A060b/16
    (Preludio. Andante deciso)
 Piano E major 1846–47 Keyboard themes re-used in S.244/10, S.244/10bis
242/17 A060b/17
    (Andante sostenuto)
 Piano A minor 1846–47 Keyboard themes re-used in S.244/13
242/18 A060c/18
    (Adagio)
 Piano C♯ minor 1846–47 Keyboard themes re-used in S.244/12
242/19 A060c/19
    (Lento patetico)
 Piano F♯ minor 1846–47 Keyboard themes re-used in of S.244/8
242/20 A060c/20
    (Allegro vivace. Andante) ["Romanian Rhapsody"]
 Piano G minor 1846–47 Keyboard themes re-used in S.244/6, S.244/12
242/21 A060c/21
    (Lento, tempo di marcia funèbre)
 Piano E minor 1846–47 Keyboard themes re-used in S.244/14
242/22 A060e
    Pester Karneval
 Piano E♭ major 1846–48 Keyboard themes re-used in S.244/9 , S.244/14
242a A059 Rákóczi Marsch Piano A minor 1839–40 Keyboard simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.
243 A060d Ungarische Nationalmelodien (3): Piano 1840–43 Keyboard
243/1 A060d/1
    (Tempo giusto)
 Piano D major 1843 Keyboard 2nd version of S.242/5, S.243bis/1
243/2 A060d/2
    (Animato)
 Piano C♯ major 1843 Keyboard 2nd version of S.242/4, S.243bis/2
243/3 A060d/3
    Prélude (Allegretto)
 Piano B♭ major 1843 Keyboard 2nd version of S.242/11, 243bis/3
243bis A060d Ungarische Nationalmelodien (Im leichten Stile bearbeitet) Piano 1846 Keyboard
243bis/1 A060d/1
    (Tempo giusto)
Piano D major 1846 Keyboard 3rd version of S.242/5, S.243/1
243bis/2 A060d/2
    (Animato)
Piano C major 1846 Keyboard 3rd version of S.242/4, S.243/2
243bis/3 A060d/3
    Prélude (Allegretto)
 Piano B♭ major 1846 Keyboard 3rd version of S.242/11, S.243/3
243a — Célèbre mélodie hongroise Piano after 1866 Keyboard
243b — Rêves et fantaisies Piano C♯ minor 1844–46? Keyboard partly based on S.171a; 1st version of S.244/1
244 A132 Hungarian Rhapsodies (Ungarische Rhapsodien) Piano 1846–85 Keyboard
244/01 A132/01 Piano C♯ minor 1846 Keyboard 2nd version of S.243b
244/02 A132/02 Piano C♯ minor 1847 Keyboard 1st version of S.244/2bis; arranged for orchestra by Liszt and Franz Doppler as S.359/4, and for piano 4 hands as S.621/4
244/02bis A132/02 Piano C♯ minor 1885 Keyboard Cadenzas for S.244/2
244/03 A132/03 Piano B♭ major 1847 Keyboard uses themes from S.164e/1 and 2; partly based on S.242/11
244/04 A132/04 Piano E♭ major 1847 Keyboard uses themes from S.242/7
244/05 A132/05 Piano E minor 1847 Keyboard uses themes from S.242/6, S.242/12; arranged for orchestra by Liszt and Franz Doppler as S.359/5, and for piano 4 hands as S.621/5
244/06 A132/06 Piano D♭ major 1847 Keyboard uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arranged for orchestra by Liszt and Franz Doppler as S.359/3, and for piano 4 hands as S.621/3
244/07 A132/07 Piano D minor 1847 Keyboard uses themes from S.242/15
244/08 A132/08 Piano F♯ minor 1846 Keyboard uses themes from S.242/19
244/09 A132/09 Piano E♭ major 1847 Keyboard uses themes from S.242/22; arranged for orchestra by Liszt and Franz Doppler as S.359/6, for piano 4 hands as S.621/6, and for piano trio as S.379
244/10 A132/10 Piano E major 1847 Keyboard 1st version of S.244/10bis; uses themes from S.242/16
244/10bis A132/10 Piano E major 1847 Keyboard 2nd (easier) version of S.244/10; uses themes from S.242/16
244/11 A132/11 Piano A minor 1847 Keyboard uses themes from S.242/14
244/12 A132/12 Piano C♯ minor 1847 Keyboard uses themes from S.242/18, S.242/20; arranged for orchestra by Liszt and Franz Doppler as S.359/2, for piano 4 hands as S.621/2, and for violin and piano as S.379a
244/13 A132/13 Piano A minor 1847 Keyboard uses themes from S.242/17
244/14 A132/14 Piano F minor 1847 Keyboard uses themes from S.242/21, S.242/22; arranged for orchestra by Liszt and Franz Doppler as S.359/1; themes used in S.123
244/15 A132/15 Piano A minor 1847 Keyboard 1st version of S.244/15bis; based on S.242/13; revised for orchestra as S.117
244/15bis A132/15 Piano A minor 1847 Keyboard 2nd (easier) version of S.244/15; based on S.242/13; revised for orchestra as S.117
244/16 A132/16 Piano A minor 1882 Keyboard exists in two versions; arranged for piano 4 hands as S.622
244/17 A132/17 Piano D minor 1883 Keyboard
244/18 A132/18 Piano C♯ minor 1885 Keyboard exists in two versions; arranged for piano 4 hands as S.623 [?]
244/19 A132/19 Piano D minor 1885 Keyboard arranged for piano 4 hands as S.623a [?]
244a A224 Rákóczi-Marsch Piano A minor 1863 Keyboard arrangement of orchestral version (S.117); simplified version as S.244b
244b A224 Rákóczi-Marsch Piano A minor 1871 Keyboard simplified version of S.244a
244c A132/15a Marche de Rákóczy (Édition populaire) Piano A minor 1851 Keyboard based on S.242/13; see also S.244/15, S.117
245 A263 Ungarische Volkslieder (Magyar népdal) (5) Piano 1873 Keyboard
245/1 A263/1
    Csak titokban
 Piano D major 1873 Keyboard
245/2 A263/2
    Jaj, beh szennyes
 Piano G major 1873 Keyboard
245/3 A263/3
    Beh szomoru ez az élet
 Piano G major 1873 Keyboard
245/4 A263/4
    Beh! Sok falut
 Piano C♯ minor 1873 Keyboard
245/5 A263/5
    Erdt, erdt, sfrf erdt
 Piano F minor 1873 Keyboard
246 A255 Puszta-Wehmut (A puszta keserve) Piano 1871 Keyboard based on a song by Lyudmilla Gizycka-Zámoyská; also arranged for violin and piano as S.379b
247* — La romanesca Piano Keyboard see S.252a
248 A085 Canzone Napolitana (Notturno) Piano 1842 Keyboard 1st version
248a A085 Canzone Napolitana (Notturno) Piano 1842 Keyboard 2nd version ("Arrangement élégant")
249 A143 Glanes de Woronince (3): Piano 1847 Keyboard
249/1 A143/1
    Ballade d'Ukraïne (Dumka)
 Piano 1847 Keyboard
249/2 A143/2
    Mélodies polonaises
 Piano 1847 Keyboard based on No.1 of the Polish Songs, Op.74, by Frederic Chopin
249/3 A143/3
    Complainte (Dumka)
 Piano 1847 Keyboard
249a — Mélodie polonaise Piano 1843 Keyboard
249b — Dumka Piano 1871 Keyboard
249c A289/2 Air cosaque Piano 1879 Keyboard formerly S.735
249d A086/1 Le rossignol (Air russe d'Alexander Alabieff) Piano 1842 Keyboard based on a romance by Aleksandr Alyabyev; 1st version of S.250/1
250 A086 Mélodies russes (Arabesques) (2): Piano 1842 Keyboard
250/1 A086/1 Piano 1842 Keyboard 2nd version of S.249d
250/2 A086/2 Piano 1842 Keyboard based on a song by Petr Bulakhov
251 A324 Abschied (Russisches Volkslied) Piano 1885 Keyboard
252 A033 Rondeau fantastique sur un thème espagnol (El contrabandista) Piano B♭ major 1836 Keyboard based on an aria from Manuel Garcia's opera El poeta calculista
252a A014/1 La romanesca (Mélodie du 16ième siècle) Piano 1832–33 Keyboard formerly S.247; 1st version of S.252b
252b A014/2 La romanesca (Mélodie du 16ième siècle) Piano circa 1852 Keyboard 2nd version of S.252a
253 A114 Grosse Konzertfantasie über spanische Weisen Piano 1845 Keyboard 2nd version of S.738; themes used in S.254
254 A195 Rhapsodie espagnole (Folies d’espagne et Jota aragonesa) Piano 1858 Keyboard based on S.254
255* — Festpolonaise Piano 4 hands Keyboard renumbered as S.619a
256* — Variation über das Thema von Borodin Piano 4 hands Keyboard renumbered as S.207a
256a* — Nocturne Piano 4 hands E minor Keyboard arrangement of S.161/5; spurious (not by Liszt)
257 C01 Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte 2 Pianos 1834 Keyboard based on themes from Songs Without Words, Op.19b, by Felix Mendelssohn
258/1 C18 Concerto pathétique 2 Pianos 1855 Keyboard based on S.176; 1st version of S.258/2
258/2 C18 Concerto pathétique 2 Pianos 1866 Keyboard 2nd version of S.258/1; arranged for piano and orchestra by Liszt and Edward Reuss as S.365a
259 E01 Fantasie und Fuge über den Choral Ad nos, ad salutarem undam Organ 1850 Keyboard based on a theme from the opera Le prophète by Giacomo Meyerbeer; published as No.4 of S.259; arranged for piano 4 hands as S.624
260/1 E03/1 Präludium und Fuge über den Namen BACH Organ 1855–56 Keyboard 1st version of S.260/2; arranged for solo piano as S.529/1
260/2 E03/2 Präludium und Fuge über den Namen BACH Organ 1869–70 Keyboard 2nd version of S.260/1; arranged for solo piano as S.529/2
261 E19a Pio IX (Der Papsthymnus) Organ 1863–65 Keyboard arranged for solo piano as S.530, for piano 4 hands as S.625, for orchestra as S.361; revised for 2 voices (and organ ad lib.) as S.36; revised for mixed chorus and orchestra as S.3/8
261a E12 Andante religioso Organ 1861 Keyboard arrangement by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV
262 E20 Ora pro nobis Organ 1864 Keyboard
263* — Resignazione Organ 1877–81 Keyboard see S.187
264 E33 Missa pro organo lectarum celebrationi missarum adjumento inserviens Organ 1879 Keyboard based on S.8, S.265, S.504
265 E32 Gebet (Preghiera) Organ 1879 Keyboard revised as movt. III of S.264
266 E39 Requiem für die Orgel Organ 1883 Keyboard based on S.12
267 E38 Am Grabe Richard Wagners Organ 1883 Keyboard arrangement of S.135
268 — Vortragsstücke (2): Organ 1884 Keyboard
268/1 E41
    Introitus
 Organ 1884 Keyboard
268/2 E07
    Trauerode (Die Todten)
 Organ 1884? Keyboard arrangement of S.112/1
268a E25 Preludio Organ 1885? Keyboard version of S.666 without voices
269/1 N01 Angiolin dal biondo crin (Englein hold im Lockengold) Voice, Piano 1839 Vocal 1st version of S.269/2; arranged for solo piano as S.531/6
269/2 N01 Angiolin dal biondo crin (Englein hold im Lockengold) Voice, Piano 1849? Vocal 2nd version of S.269/1
270a N14 Sonetti di Petrarca(Petrarca-Sonette) (3): Voice, Piano 1843–46 Vocal 1st version of S.270b (for tenor voice)
270a/1 N14/1
    Pace non trovo (Fried' ist versagt mir)
Voice, Piano 1843–46 Vocal 1st version of S.270b/2 (for tenor voice); arranged for solo piano as S.158/1
270a/2 N14/2
    Benedetto sia'l giorno (Sei gesegnet immerdar)
Voice, Piano 1843–46 Vocal 1st version of S.270b/1 (for tenor voice); arranged for solo piano as S.158/2
270a/3 N14/3
    I vidi in terra (So sah ich denn auf Erden Engelsfrieden und Glanz)
Voice, Piano 1843–46 Vocal 1st version of S.270b/3 (for tenor voice); arranged for solo piano as S.158/3
270b N14 Sonetti di Petrarca(Petrarca-Sonette) (3): Voice, Piano 1864–82 Vocal 2nd version of S.270a (for low voice)
270b/1 N14/2
    Benedetto sia'l giorno (Sei gesegnet immerdar)
Voice, Piano 1864–82 Vocal 2nd version of S.270a (for low voice)
270b/2 N14/1
    Pace non trovo (Fried' ist versagt mir)
Voice, Piano 1864–82 Vocal 2nd version of S.270a (for low voice)
270b/3 N14/3
    I vidi in terra (So sah ich denn auf Erden Engelsfrieden und Glanz)
 Voice, Piano 1864–82 Vocal 2nd version of S.270a (for low voice)
271 N04 Il m'aimait tant Voice, Piano 1840–42 Vocal arranged for solo piano as S.533
272/1 N03 Im Rhein, im schönen Strome Voice, Piano 1840 Vocal 1st version of S.272/2; arranged for voice and piano as S.531/2
272/2 N03 Im Rhein, im schönen Strome Voice, Piano 1855 Vocal 2nd version of S.272/1
273/1 N05 Die Loreley Voice, Piano 1841 Vocal 1st version of S.273/2; arranged for solo piano as S.531/1
273/2 N05 Die Loreley Voice, Piano 1854–56 Vocal 2nd version of S.273/1; arranged for solo piano as S.532; arranged for voice and orchestra as S.369
274/1 N06 Die Zelle in Nonnenwerth (Ach, nun taucht die Klosterzelle) Voice, Piano 1841 Vocal 1st version of S.274/2, S.301b/1, S.301b/2; arranged for solo piano as S.534/1
274/2 N05 Die Zelle in Nonnenwerth (Ach, nun taucht die Klosterzelle) Voice, Piano 1858–60 Vocal 4th version of S.274/1, S.301b/1, S.301b/2; arranged for solo piano as S.534/3, for violin or cello with piano as S.382
275/1 N08/1 Mignons Lied (Kennst du das Land) Voice, Piano 1842 Vocal 1st version of S.275/2, S.275/3; arranged for solo piano as S.531/3
275/2 N08/2 Mignons Lied (Kennst du das Land) Voice, Piano 1854 Vocal 2nd version of S.275/1, S.275/3
275/3 N08/3 Mignons Lied (Kennst du das Land) Voice, Piano 1860 Vocal 3rd version of S.275/1, S.275/2; arranged for voice and orchestra as S.370
276/1 N12/1 Comment disaient-ils (Was tun?) Voice, Piano 1842 Vocal 1st version of S.276/2; arranged for solo piano as S.534
276/2 N12/2 Comment disaient-ils Voice, Piano 1849–59 Vocal 2nd version of S.276/1
277/1 N21/1 Bist du (Mild wie ein Lufthauch) Voice, Piano 1844 Vocal 1st version of S.277/2
277/2 N21/2 Bist du (Mild wie ein Lufthauch) Voice, Piano 1878 Vocal 2nd version of S.277/1
278/1 N09/1 Es war ein König in Thule Voice, Piano 1842 Vocal 1st version of S.278/2; arranged for solo piano as S.531/4
278/2 N09/2 Es war ein König in Thule Voice, Piano 1856 Vocal 2nd version of S.278/2
279/1 N10/1 Der du von dem Himmel bist Voice, Piano 1842 Vocal 1st version of S.279/2, S.279/3, S.279/4; arranged for piano as S.531/5
279/2 N10/2 Der du von dem Himmel bist Voice, Piano 1849 Vocal 2nd version of S.279/1, S.279/3, S.279/4
279/3 N10/3 Der du von dem Himmel bist Voice, Piano 1860 Vocal 3rd version of S.279/1, S.279/2, S.279/4
279/4 N10/4 Der du von dem Himmel bist Voice, Piano 1870 Vocal 4th version of S.279/1, S.279/2, S.279/3
280/1 N23/1 Freudvoll und leidvoll I Voice, Piano 1844 Vocal 1st version of S.280/2; arranged for solo piano as S.167a; for 2nd setting see S.280bis
280/2 N23/2 Freudvoll und leidvoll I Voice, Piano 1849 Vocal 2nd version of S.280/1; for 2nd setting see S.280bis
280bis N23/3 Freudvoll und leidvoll II Voice, Piano 1848? Vocal for 1st setting see S.280
281 N22a Die Vätergruft Voice, Piano 1844 Vocal arranged for voice and orchestra as S.371
282/1 N11/1 Oh! quand je dors Voice, Piano 1842 Vocal 1st version of S.282/2; arranged for solo piano as S.536
282/2 N11/2 Oh! quand je dors Voice, Piano 1849 Vocal 2nd version of S.282/1
283/1 N24/1 Enfant, si j'étais roi Voice, Piano 1844 Vocal 1st version of S.283/2; arranged for solo piano as S.537
283/2 N24/2 Enfant, si j'étais roi Voice, Piano 1849 Vocal 2nd version of S.283/1
284/1 N25/1 S'il est un charmant gazon Voice, Piano 1844 Vocal 1st version of S.284/2; arranged for solo piano as S.538
284/2 N25/2 S'il est un charmant gazon Voice, Piano 1849–59 Vocal 2nd version of S.284/1
285 N26 La tombe et la rose Voice, Piano 1844 Vocal arranged for solo piano as S.539
286 N27 Gastibelza (Bolero) Voice, Piano 1844 Vocal arranged for solo piano as S.540
287/1 N19/1 Du bist wie eine Blume Voice, Piano 1843 Vocal 1st version of S.287/2
287/2 N19/2 Du bist wie eine Blume Voice, Piano 1849 Vocal 2ndt version of S.287/1
288/1 N07/1 Was Liebe sei Voice, Piano 1842 Vocal 1st version of S.288/2, S.288/3
288/2 N07/2 Was Liebe sei Voice, Piano 1854–55 Vocal 2nd version of S.288/1, S.288/3
288/3 N07/3 Was Liebe sei Voice, Piano 1878–79 Vocal 3rd version of S.288/1, S.288/2
289/1 N29/1 Vergiftet sind meine Lieder Voice, Piano 1843 Vocal 1st version of S.289/2
289/2 N29/2 Vergiftet sind meine Lieder Voice, Piano 1859 Vocal 2nd version of S.289/1
290/1 N16/1 Morgens steh ich auf und frage Voice, Piano 1843 Vocal 1st version of S.290/2
290/2 N16/2 Morgens steh ich auf und frage Voice, Piano 1849–59 Vocal 2nd version of S.290/1
291/1 N17/1 Die tote Nachtigall Voice, Piano 1843 Vocal 1st version of S.291/2
291/2 N17/2 Die tote Nachtigall Voice, Piano 1870–79 Vocal 2nd version of S.291/1
292a N32/1 Lieder aus Schiller's Wilhelm Tell (3) Voice, Piano 1845 Vocal 1st version of S.292b
292a/1 N32/1/1
    Der Fischerknabe (Es lächelt der See)
Voice, Piano 1845 Vocal 1st version of S.292b/1
292a/2 N32/1/2
    Der Hirt (Ihr Matten lebt wohl)
Voice, Piano 1845 Vocal 1st version of S.292b/2
292a/2 N32/1/3
    Der Alpenjäger (Es donnern die Höh'n)
Voice, Piano 1845 Vocal 1st version of S.292b/3
292b N32/2 Lieder aus Schiller's Wilhelm Tell (3) Voice, Piano 1855? Vocal 2nd version of S.292a; arranged for voice and orchestra as S.372
292b/1 N32/2/1
    Der Fischerknabe (Es lächelt der See)
Voice, Piano 1855? Vocal 2nd version of S.292a/1; arranged for voice and orchestra as S.372/1
292b/2 N32/2/2
    Der Hirt (Ihr Matten lebt wohl)
Voice, Piano 1855? Vocal 2nd version of S.292a/2; arranged for voice and orchestra as S.372/2
292b/2 N32/2/3
    Der Alpenjäger (Es donnern die Höh'n)
Voice, Piano 1855? Vocal 2nd version of S.292a/3; arranged for voice and orchestra as S.372/3
293/1 N37/1 Jeanne d'Arc au bûcher Voice, Piano 1845 Vocal 1st version of S.293/2; arranged for voice and orchestra as S.373/1
293/2 N37/2 Jeanne d'Arc au bûcher Voice, Piano 1874–75 Vocal 2nd version of S.293/1; arranged for voice and orchestra as S.373/2
294/1 N33/1 Es rauschen die Winde Voice, Piano 1845 Vocal 1st version of S.294/2
294/2 N33/2 Es rauschen die Winde Voice, Piano 1849? Vocal 2nd version of S.294/1
295 N28 Wo weilt er? Voice, Piano 1844 Vocal
296 N31 Ich möchte hingehn Voice, Piano 1844–56? Vocal
297/1 N34/1 Wer nie sein Brot mit Tränen aß Voice, Piano 1845 Vocal 1st version of S.297/2
297/2 N34/2 Wer nie sein Brot mit Tränen aß Voice, Piano 1849 Vocal 2nd version of S.297/1
298/1 N18/3/1 O lieb so lang du lieben kannst Voice, Piano 1843 Vocal 1st version of S.298/2
298/2 N18/3/2 O lieb so lang du lieben kannst
(Liebestraum No.3) 		Voice, Piano 1843 Vocal 2nd version of S.298/1; arranged for solo piano as S.541/3
298a N38 Über die Aeolsharfe Voice, Piano 1846 Vocal
299/1 N39/1 Isten veled Voice, Piano 1847 Vocal 1st version of S.299/2
299/2 N39/2 Isten veled Voice, Piano 1879 Vocal 2nd version of S.299/1
300 N40 Le Juif errant Voice, Piano 1847 Vocal unpublished
301/1 N42/1 Kling leise, mein Lied Voice, Piano 1848 Vocal 1st version of S.301/2
301/2 N42/2 Kling leise, mein Lied Voice, Piano 1849–60 Vocal 2nd version of S.301/1
301a N30 Oh pourquoi donc Voice, Piano 1844? Vocal revised for solo piano as S.169
301b/1 N06/2/1 En ces lieux tout me parle d'elle (Élégie) Voice, Piano 1844 Vocal 2nd version of S.274/1, S.274/2, S.301b/2; arranged for solo piano as S.534/2
301b/2 N06/2/2 Elégie (En ces lieux) Voice, Piano 1845 Vocal 2nd version of S.274/1, S.274/2, S.301b/1; arranged for solo piano as S.534/2bis
302 N45 Die Macht der Musik Voice, Piano 1848 Vocal
303 N43 Weimars Toten Voice, Piano 1848 Vocal
304 N44 Le vieux vagabond (Der alte Vagabund) Voice, Piano 1848 Vocal
305/1 N35/1 Schwebe, schwebe, blaues Auge Voice, Piano 1845 Vocal 1st version of S.305/2
305/2 N35/2 Schwebe, schwebe, blaues Auge Voice, Piano 1849–60 Vocal 2nd version of S.305/1
306/1 N46/1 UberÜber allen Gipfeln ist Ruh Voice, Piano 1848 Vocal 1st version of S.306/2
306/2 N46/2 UberÜber allen Gipfeln ist Ruh Voice, Piano 1859 Vocal 2nd version of S.306/1
306a N13 Quand tu chantes bercée Voice, Piano 1842 Vocal
306b N41 Göttliche Gedanken, selige Gefühle Voice, Piano 1848 Vocal
307 N18/1 Hohe Liebe (In Liebesarmen ruht ihr trunken)
(Liebestraum No.1) 		Voice, Piano 1850 Vocal arranged for solo piano as S.541/1
308 N18/2 Gestorben war ich (Seliger tod)
(Liebstraum No.2) 		Voice, Piano 1845–46 Vocal arranged for solo piano as S.541/2
309 N36/1 Ein Fichtenbaum steht einsam I Voice, Piano 1845 Vocal 1st setting of S.309bis
309bis N36/2 Ein Fichtenbaum steht einsam II Voice, Piano 1860 Vocal 2nd setting of S.309
310 N20 Nimm einen Strahl der Sonne (Ihr Auge) Voice, Piano 1843–49 Vocal
311/1 N48/1 Anfangs wollt' ich fast verzagen Voice, Piano 1849 Vocal 1st version of S.311/2
311/2 N48/2 Anfangs wollt' ich fast verzagen Voice, Piano 1860? Vocal 2nd version of S.311/1
312 N51 Wie singt die Lerche schön Voice, Piano 1855 Vocal
313 N53 Weimars Volkslied Voice, Piano 1857 Vocal arranged for piano 4 hands as S.588; for solo piano as S.542/1; for male chorus and military band as S.87/1a, S.87/1bis.; for orchestra by Liszt and Franz Doppler as S.359a; for male chorus (and piano ad lib.) as S.87/2; for unison chorus and brass band as S.87/8; for male chorus as S.87/3a, S.87/3b; for organ as S.672/1; for organ or harmonium as S.672/2; for male chorus and organ as S.87/4; for mixed voices (and piano ad lib.) as S.87/5; for unison chorus as S.87/6; for children's chorus as S.87/7
314 N49 Es muss ein Wunderbares sein Voice, Piano 1852 Vocal
315 N52 Ich liebe dich Voice, Piano 1857 Vocal arranged for solo piano as S.542a
316 N54 Muttergottes-Sträusslein zum Mai-Monate Voice, Piano 1857 Vocal see also S.765
316/1 N54/1
    Das Veilchen
Voice, Piano 1857 Vocal
316/2 N54/2
    Das Schlüsselblumen
 Voice, Piano 1857 Vocal
317 N55 Lasst mich ruhen Voice, Piano 1858 Vocal
318 N56 In Liebeslust Voice, Piano 1858 Vocal
319 N58 Ich scheide Voice, Piano 1860 Vocal
320 N62/1 Die drei Zigeuner Voice, Piano 1860 Vocal arranged for violin and piano as S.383, for voice and orchestra as S.374
321 N59 Die stille Wasserrose Voice, Piano 1860 Vocal
322 N60 Wieder möcht ich dir begegnen Voice, Piano 1860 Vocal
323 N61 Jugendglück Voice, Piano 1860 Vocal
324 N50 Blume und Duft Voice, Piano 1854 Vocal
325 N65 Die Fischerstochter Voice, Piano 1871 Vocal
326 N67 La perla (Die Perle) Voice, Piano 1872 Vocal
327 N68 J'ai perdu ma force et ma vie (Ich verlor die Kraft und das Leben) Voice, Piano 1872 Vocal
328 N69 Ihr Glocken von Marling Voice, Piano 1874 Vocal
329 N70 Und sprich Voice, Piano 1875–79 Vocal
330 N71 Sei still Voice, Piano 1877–79? Vocal
331 N72 Gebet Voice, Piano 1878 Vocal
332 N73 Einst Voice, Piano 1878 Vocal
333 N74 An Edlitam (Zur silbernen Hochzeit) Voice, Piano 1878 Vocal
334 N75 Der Glückliche (Wie glänzt nun die welt) Voice, Piano 1878 Vocal
335 N76 Go Not, Happy Day (Weil noch, Sonnenstrahl) Voice, Piano 1879 Vocal
336 N77 Verlassen (Mir ist die Welt so freudenleer) Voice, Piano 1880 Vocal
337 N78 Des Tages laute Stimmen schweigen Voice, Piano 1880 Vocal
338 N66 Und wir dachten der Toten Voice, Piano 1871? Vocal
339 M37 A magyarok Istene (Ungarns Gott) Voice (Male Chorus ad lib.), Piano 1881 Vocal arranged for solo piano as S.543, for piano left hand as S.543bis, for organ or harmonium as S.674, for piano 4 hands as S.755a[?], for baritone, male chorus and military band as S.345a, for violin and piano as S.381a
340 N81 Magyar király-dal (Ungarisches Königslied) Voice, Piano 1883 Vocal arranged for solo piano as S.544, for piano 4 hands as S.626, for male chorus as S.93/1, for mixed chorus as S.93/2, for male chorus and piano as S.93/3, for mixed chorus and piano as S.93/4, for male chorus and orchestra as S.93/5, for mixed chorus and orchestra as S.93/6, for children's chorus as S.93/7
340a N64 Do Not Reproach Me, My Friend (Не брани меня, мой друг) Voice, Piano 1866 Vocal
341 K08 Ave Maria IV Voice, Organ (or Harmonium) G major 1881 Vocal arranged for solo piano as S.545; for organ as S.674b
342/1 K09/1 Le Crucifix Voice, Piano (or Harmonium) 1879 Vocal 1st version of S.342/2, S.342/3
342/2 K09/2 Le Crucifix Voice, Piano (or Harmonium) 1879 Vocal 2nd version of S.342/1, S.342/3
342/3 K09/3 Le Crucifix Voice, Piano (or Harmonium) 1881–83 Vocal 3rd version of S.342/1, S.342/2
343 K07 Sancta Caecilia Voice, Organ (or Harmonium) 1880–85 Vocal
344 N79 O Meer im Abendstrahl 2 Voices, Piano (or Harmonium) 1881? Vocal
345 L14 Wartburg-Lieder (7): 3 Voices, Mixed Chorus, Orchestra (or Piano) 1872–73 Choral
345/0 L14/0
    An Frau Minne (Die Erde ist erschlossen)
Mixed Chorus, Orchestra (or Piano) 1872–73 Choral
345/1 L14/1
    Wolfram von Eschenbach (Als wir mit deutschen Klingen)
Voice, Mixed Chorus, Orchestra (or Piano) 1872–73 Choral
345/2 L14/2
    Heinrich von Ofterdingen (Hab' ich geträumt?)
Voice, Orchestra (or Piano) 1872–73 Vocal
345/3 L14/3
    Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert)
Voice, Orchestra (or Piano) 1872–73 Vocal arranged for voice, violin and piano as S.345/3a
345/3a L14/3a
    Walther von der Vogelweide (Beim Scheiden der Sonne erschimmert)
Voice, Violin, Piano 1872–73 Vocal arrangement of S.345/3
345/4 L14/4
    Der tugendhafte Schreiber (Ich schrieb allzeit nur wenig)
2 Voices, Orchestra (or Piano) 1872–73 Vocal
345/5 L14/5
    Biterolf und der Schmied von Ruhla (Thüringens Wälder senden den Waidmann und den Schmied)
Voice, Orchestra (or Piano) 1872–73 Vocal
345/6 L14/6
    Reimar der Alte (Wo liebende Herzen sich innig vermählt)
Voice, Orchestra (or Piano) 1872–73 Vocal
345a L16 A magyarok Istene (Ungarns Gott) Voice, Male Chorus, Military Band 1882 Choral arrangement of S.339
346 P1 Lenore (Der Bräutigam) Narrator, Piano 1857–58 Vocal
347 P2 Vor hundert Jahren Narrator, Orchestra 1859 Vocal unpublished
348 P3 Der traurige Mönch (In Schweden steht ein grauer Turm) Narrator, Piano 1860 Vocal
349 P5 Des toten Dichters Liebe (A holt költó szerelme) Narrator, Piano 1874 Vocal revised for piano as S.195
350 P6 Der blinde Sänger (Слепой) Narrator, Piano 1875–77 Vocal arranged for solo piano as S.546
351 G32 Mazurka-Fantaisie [H. von Bülow] Orchestra B minor 1865 Orchestral arrangement of the Mazurka-fantaisie for piano, Op.13 by Hans von Bülow
352 G36 Zweite Ouvertüre zum Barbier von Bagdad [P. Cornelius] Orchestra 1877–80 Orchestral second overture to the opera Der Barbier von Bagdad by Peter Cornelius, completed and orchestrated by Liszt
353 G34 Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) Orchestra 1872 Orchestral arrangements of the Hungarian patriotic songs Szózat by Béni Egressy and Hymnus by Ferenc Erkel; also arranged for solo piano as S.486, for piano 4 hands as S.628b
353a* — Angelus! Prière aux anges gardiens String Orchestra Orchestral renumbered as S.362a
354* — Légendes (2) Orchestra 1863 Orchestral renumbered as S.113a
355 G30 Vexilla regis prodeunt (Kreuzeshymne) Orchestra 1864 Orchestral arrangement of S.185
356 G18 Festvorspiel Orchestra 1857 Orchestral arrangement of S.226
357/1 G08/1 Festmarsch Military Band 1853 Keyboard arrangement of S.227a by Liszt and Joachim Raff
357/2 G08/2 Huldigungsmarsch Orchestra 1857 Orchestral arrangement of S.228
358 G11 Vom Fels zum Meer! (Deutscher Siegesmarsch) Orchestra 1853–56? Orchestral arrangement of S.229
359 G21 Hungarian Rhapsodies (6) Orchestra 1857–60 Orchestral arranged from S.244; arranged for piano 4 hands as S.621
359/1 G21/1 Orchestra F minor 1857–60 Orchestral arrangement by Liszt and Franz Doppler of S.244/14; arranged for piano 4 hands by Liszt as S.621/1
359/2 G21/2 Orchestra D minor 1857–60 Orchestral arrangement by Liszt and Franz Doppler of S.244/12; arranged for piano 4 hands by Liszt as S.621/2
359/3 G21/3 Orchestra D major 1857–60 Orchestral arrangement by Liszt and Franz Doppler of S.244/6; arranged for piano 4 hands by Liszt as S.621/3
359/4 G21/4 Orchestra D minor 1857–60 Orchestral arrangement by Liszt and Franz Doppler of S.244/2; arranged for piano 4 hands by Liszt as S.621/4
359/5 G21/5 Orchestra E minor 1857–60 Orchestral arrangement by Liszt and Franz Doppler of S.244/5; arranged for piano 4 hands by Liszt as S.621/5
359/6 G21/6 Orchestra D major 1857–60 Orchestral arrangement by Liszt and Franz Doppler of S.244/9; arranged for piano 4 hands by Liszt as S.621/6
359a G19 Weimars Volkslied Orchestra C major 1857 Orchestral arrangement of S.313
360 G26 A la ChapelleÀ la Chapelle Sixtine Orchestra 1862 Orchestral arrangement of S.461/1
361 G31 Der Papsthymnus Orchestra 1864 Orchestral arrangement of S.261
362 H14 Benedictus aus der Ungarischen Krönungsmesse Violin, Orchestra 1875–77 Concerto arrangement of S.11/7
362a D15 Angelus! Priere aux anges gardiens String Orchestra (or String Quintet) 1882 Orchestral arrangement of S.162/1
363 G24 Märsche von Franz Schubert (4) Orchestra 1859–70 Orchestral arranged for piano 4 hands as S.632
363/1 G24/1
    (Vivace)
 Orchestra B minor 1859–70 Orchestral orchestration of No.3 of 6 Grandes Marches, D.819, by Franz Schubert; arranged for piano 4 hands as S.632/1
363/2 G24/2
    Trauermarsch
 Orchestra E♭ minor 1859–70 Orchestral orchestration of No.5 of 6 Grandes Marches, D.819, by Franz Schubert; arranged for solo piano as S.426/1, for piano 4 hands as S.632/2
363/3 G24/3
    Reitermarsch
 Orchestra C major 1859–70 Orchestral orchestration of No.1 of 2 Marches caractéristiques, D.968b, by Franz Schubert; arranged for piano 4 hands as S.633/3
363/4 G24/4
    Ungarischer Marsch
 Orchestra D minor 1859–70 Orchestral orchestration of Divertissement à la hongroise, D.818, by Franz Schubert; arranged for piano 4 hands as S.632/4
364 G39 Danses galiciennes de Zarembski Orchestra 1881–82 Orchestral orchestration of 3 Danses galiciennes by Juliusz Zarębski
365 H11/1 Grand solo de concert Piano, Orchestra 1849–50 Concerto based on S.176
365a H11/2 Concerto pathétique Piano, Orchestra E minor 1885–86 Concerto arrangement of S.258 by Liszt and Edward Reuss
365b H05 Hexaméron (Morceau de concert) Piano, Orchestra 1837–39 Concerto arrangement of S.392
366 H13 Franz Schuberts Grosse Fantasie Piano, Orchestra C major 1851 Concerto arrangement of the Wanderer Fantasy, D.760 (Op.15), by Franz Schubert; arranged for 2 pianos as S.653
367 H10 Polonaise brillante [Weber] Piano, Orchestra E major 1848 Concerto arrangement of the Polacca brillante, Op.72, by Carl Maria von Weber; arranged for solo piano as S.455
368 N80 Lieder von Francis Korbay (2): Voice, Orchestra 1883 Vocal arrangements of songs by Francis Korbay
368/1 N80/1
    Le matin
 Voice, Orchestra 1883 Vocal arrangement of the song by Francis Korbay
368/2 N80/2
    Gebet
 Voice, Orchestra 1883 Vocal arrangement of the song by Francis Korbay; also arranged for voice and organ as S.683a
369 N05/3 Die Loreley Voice, Orchestra 1860 Vocal arrangement of S.273/2
370 N08/4 Mignons Lied (Kennst du das Land) Voice, Orchestra 1860 Vocal arrangement of S.275/3
371 N22/2 Die Vätergruft Voice, Orchestra 1886 Vocal arrangement of S.281
372 N32/3 Lieder aus Schiller's Wilhelm Tell (3) Voice, Orchestra 1855 Vocal arrangement of S.292b
372/1 N32/3/1
    Der Fischerknabe (Es lächelt der See)
Voice, Orchestra 1855 Vocal arrangement of S.292b/1
372/2 N32/3/2
    Der Hirt (Ihr Matten lebt wohl)
Voice, Orchestra 1855 Vocal arrangement of S.292b/2
372/3 N32/3/3
    Der Alpenjäger (Es donnern die Höh'n)
Voice, Orchestra 1855 Vocal arrangement of S.292b/3
373/1 N37/5/1 Jeanne d'Arc au bûcher Voice, Orchestra 1858 Vocal arrangement of S.293/1; 1st version of S.373/2
373/2 N37/5/2 Jeanne d'Arc au bûcher Voice, Orchestra 1875 Vocal arrangement of S.293/2; 1st version of S.373/1
374 N62/2 Die drei Zigeuner Voice, Orchestra 1871 Vocal arrangement of S.320
375 N63 Lieder von Schubert (6) Voice, Orchestra 1860 Vocal arrangements of songs by Franz Schubert
375/1 N63/1
    Die junge Nonne
 Voice, Orchestra 1860 Vocal arrangement of Die junge Nonne, D.828 (Op.43 No.1), by Franz Schubert
375/2 N63/2
    Gretchen am Spinnrade
 Voice, Orchestra 1860 Vocal arrangement of Gretchen am Spinnrade, D.118 (Op.2), by Franz Schubert
375/3 N63/3
    Mignons Lied (Kennst du das Land)
 Voice, Orchestra 1860 Vocal arrangement of Mignon's Gesang ('Kennst du das Land?'), D.321, by Franz Schubert
375/4 N63/4
    Erlkönig
 Voice, Orchestra 1860 Vocal arrangement of Erlkönig, D.328 (Op.1), by Franz Schubert
375/5 N63/5
    Der Doppelgänger (Still ist die Nacht)
 Voice, Orchestra 1860 Vocal arrangement of No.13 from Schwanengesang, D.957, by Franz Schubert
375/6 N63/6
    Abschied
 Voice, Orchestra 1860 Vocal arrangement of No.7 from Schwanengesang, D.957, by Franz Schubert
376 L13 Die Allmacht von Franz Schubert (Gross ist Jehova, der Herr) Male Chorus, Orchestra, Organ (or Harmonium) 1871 Choral arrangement of Die Allmacht, D.852 (Op.79 No.2), by Franz Schubert
377 N82 Der Zaubersee (Bűvös tó) Tenor, Orchestra 1884 Vocal arrangement of a ballad (now lost) by Géza Zichy
377a D09 La notte Violin, Piano 1864–66? Chamber arrangement of S.112/2; formerly S.722
378 D15 Angelus! Priere aux anges gardiens 2 Violins, Viola, Cello 1883 Chamber arrangement of S.163/1
378a D18/1 Vallée d'Obermann Violin, Viola, Cello 1880 Chamber arrangement by Eduard Lassen and Liszt of S.160/6; 1st version of S.378b, S.378c
378b D18/2 Vallée d'Obermann Violin, Viola, Cello 1880 Chamber 2nd version of S.378a, S.378c
378c D18/3 Tristia (Vallée d'Obermann) Violin, Viola, Cello 1880 Chamber 3rd version of S.378a, S.378b
379 D06 Hungarian Rhapsody No.9 Violin, Cello, Piano E♭ major 1848 Chamber arrangement of S.244/9
379a — Hungarian Rhapsody No.12 Violin, Piano C♯ minor 1850–59 Chamber arrangement of S.244/12
379b D17 Puszta-Wehmut Violin, Piano 1880 Chamber arrangement of S.246
380 D07 O du mein holder Abendstern Cello, Piano 1852 Chamber arrangement of S.444 (with Bernhard Cossmann)
381 D10 Aus der Ungarischen Krönungsmesse Violin, Piano 1869 Chamber arranged from S.11
381/1 D10/1
Benedictus
 Violin, Piano 1869 Chamber

arrangement of S.11/7

381/2 D10/2
Offertorium
 Violin, Piano 1869 Chamber arrangement of S.11/5
381a — A magyarok Istene (Ungarns Gott) Violin, Piano 1882 Chamber arrangement of S.339
382 D21 Die Zelle im Nonnenwerth (Elegie) Violin (or Cello), Piano 1883? Chamber arrangement of S.274/2
382a D11 Consolations (2): Cello, Organ (or Piano) 1870 Chamber arrangement of extracts from S.172 by Liszt and Jules de Swert
382a/1 D11/1
    (Andante con moto)
 Cello, Piano 1870 Chamber arrangement of S.172/1 by Liszt and Jules de Swert
382a/2 D11/2
    (Quasi Adagio)
 Cello, Piano (or Organ or Harmonium) 1870 Chamber arrangement of S.172/2 by Liszt and Jules de Swert
383 D08 Die drei Zigeuner Violin, Piano 1864 Chamber arrangement of S.320
383a V12 Virag Dál (Chant des Fleurs) [Ábrányi] Piano 1880 Keyboard additions and corrections by Liszt to the piano piece by Kornél Ábrányi
384 A093 Mazurka pour piano composée par un amateur de St. Pétersbourg Piano about 1868 Keyboard arrangement of a piano piece by Mikhail Vielgorsky [attributed in some sources to Aleksandr Alyabyev]
384a — Variations on "Tiszantuli szép leany" Piano 1846 Keyboard variations on the Hungarian folk song "Tiszantuli szép leany"
385/1 A012a/1 Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber Piano A major 1829 Keyboard based on a theme from the opera La fiancée by Daniel François Esprit Auber (also used in S.385a); 1st version of S.385/2, S.385/3
385/2 A012a/2 Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber Piano A major 1843? Keyboard 2nd version of S.385/1, S.385/3
385/3 A012a/3 Souvenir de La fiancée (Grande fantaisie sur la tyrolienne de l'opéra La Fiancée d'Auber) Piano A major 1842 Keyboard 3rd version of S.385/1, S.385/2
385a A012b Tyrolean Melody Piano G major 1829 Keyboard formerly S.233c; based on the same theme as S.385
386/1 A125 Tarantelle di bravura d’après la tarantelle de La muette de Portici Piano 1846 Keyboard based on a theme from the opera La muette de Portici by Daniel François Esprit Auber;1st version of S.386/2
386/2 A125 Tarantelle di bravura d’après la tarantelle de La muette de Portici Piano 1869 Keyboard 2nd version of S.386/1
387 A144/1 Stücke aus der Oper La muette de Portici von Auber (3): Piano 1847–48 Keyboard
387/1 A144/1
    Introduction e Cavatine
 Piano 1847–48 Keyboard based on themes from the opera La muette de Portici by Daniel François Esprit Auber
387/2 A144/2
    Klavierstück über ein fremdes Thema
 Piano 1847–48 Keyboard based on an unidentified theme
388 A124 Capriccio alla turca sur des motifs de Beethoven Piano 1846 Keyboard based on themes from Die Ruinen von Athen, Op.113, by Ludwig van Beethoven; themes also used in S.388b, S.122
388a A124 Marche des Ruines d'Athenes de Beethoven Piano 1846 Keyboard extracted from S.388
388b A177 Fantasie über Themen aus Beethovens Ruinen von Athen Piano 1839 Keyboard based on themes from Die Ruinen von Athen, Op.113, by Ludwig van Beethoven; revised as S.122; themes also used in S.388
389 A177 Fantasie über Motive aus Beethovens Ruinen von Athen Piano 1852 Keyboard arrangement of S.122
389a C27 Cadenza to the first movement of Piano Concerto No.3 by Beethoven Piano 1878–79 Keyboard extracted from S.657a/1
390/1 A034/1 Réminiscences des Puritains de Bellini Piano 1836 Keyboard based on themes from the opera I puritani by Vincenzo Bellini; 1st version of S.390/2
390/2 A034/2 Réminiscences des Puritains de Bellini Piano 1837 Keyboard 2nd version of S.390/1; ending used in S.391
391 A074 Introduction et Polonaise de l'opéra I puritani Piano 1840–41 Keyboard based on the conclusion of S.390/2
392 A041 Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini) Piano 1837–38 Keyboard collaborative work with Sigismond Thalberg, Johann Peter Pixis, Henri Herz, Carl Czerny and Frederic Chopin; arranged for piano and orchestra as S.365b, for 2 pianos as S.654
393/1 A056/1 Fantaisie sur des motifs favoris de l'opera Somnambula de Bellini Piano 1841 Keyboard based on themes from the opera La sonnambula by Vincenzo Bellini; 1st version of S.393/2, S.393/3,
393/2 A056/2 Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula Piano 1852 Keyboard 2nd version of S.393/1, S.393/3; arranged for piano 4 hands as S.627
393/3 A056/3 Grosse Concert-Fantasie aus der Oper Sonnambula Piano 1874 Keyboard 3rd version of S.393/1, S.393/2
394 A077 Réminiscences de Norma Piano 1841 Keyboard based on themes from the opera Norma by Vincenzo Bellini; arranged for 2 pianos as S.655
395 — L'idée fixe Piano 1833 Keyboard renumbered as S.470a/1
396 A178 Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz) Piano 1852–53 Keyboard based on themes from the opera Benvenuto Cellini, H 76, by Hector Berlioz; arranged for piano 4 hands as S.628
397 A022 Réminiscences de Lucia di Lammermoor Piano 1835–36 Keyboard based on themes from the opera Lucia di Lammermoor by Gaetano Donizetti
398 A023 Marche et Cavatine de Lucie de Lammermoor Piano 1835–36 Keyboard based on themes from the opera Lucia di Lammermoor by Gaetano Donizetti; arranged for piano 4 hands as S.628a
399 A044 Nuits d'été à Pausilippe (Amusements sur des motifs de l'album de Donizetti) (3): Piano 1838 Keyboard based on themes from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399/1 A044/1
    Barcarola (Il barcajuolo)
 Piano 1838 Keyboard based on No.1 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399/2 A044/2
    Notturno (L’alito di Bice)
 Piano 1838 Keyboard based on No.9 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399/3 A044/3
    Canzone Napoletana (La torre di Biasone)
 Piano 1838 Keyboard based on No.4 from the cycle Nuits d'été a Pauslippe by Gaetano Donizetti
399a A071a Fantaisie sur des motifs favoris de l'opéra Lucrezia Borgia Piano 1840 Keyboard based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti;1st version of S.400/2
400 A071b Réminiscences de Lucrezia Borgia(Grande fantaisie sur des motifs de l'opéra de Gaetano Donizetti) Piano 1848 Keyboard based on themes from the opera Lucrezia Borgia
400/1 A071b/1
    Trio du seconde Acte
 Piano 1848 Keyboard based on the trio from Act II of the opera Lucrezia Borgia by Gaetano Donizetti
400/2 A071b/2
    Chanson á boire (Orgie). Duo. Finale
 Piano 1848 Keyboard based on the Chanson à boire and Orgie from the opera Lucrezia Borgia by Gaetano Donizetti; 2nd version of S.399a
400a A136 Spirito gentil (Kavatine aus der Oper La favorita) Piano 1847 Keyboard based on a theme from Act IV of La favorite
401 A088a Valse a capriccio (sur deux motifs de Lucia et Parisina) Piano 1842 Keyboard based on themes from the operas Parisina and Lucia di Lammermoor by Gaetano Donizetti;1st version of S.214/3
402 A108 Marche funèbre de Dom Sébastien de Donizetti Piano 1844 Keyboard based on the funeral march from the opera Dom Sébastien by Gaetano Donizetti
403 A137 Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan Piano 1847 Keyboard based on the Grande marche militaire by Giuseppe Donizetti; 1st version of S.403bis
403bis A137 Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan Piano 1848 Keyboard 2nd version of S.403 ("version facilitée")
404 A160 Halloh! (Jagdchor und Steirer aus der Oper Tony von E. H. z. S. C. G.) Piano 1849 Keyboard based on themes from the opera by Tony, oder die Vergeltung by Ernst II, Duke of Saxe-Coburg-Gotha
405 A140 Schwanengesang und Marsch aus Hunyadi László Piano 1847 Keyboard based on themes from the opera Hunyadi László by Ferenc Erkel
405a V04 Pásztor Lakodalmus (Magyar nóták) Piano 1858 Keyboard corrections and alterations to Les noces du Pâtre by Leo Festetics
406/1 — Marcia Circassa tratta dall'opera Russlan e Ludmilla di Glinka (Marche des Tcherkesses de l'opera Rouslan et Loudmila) Piano 1843 Keyboard based on Chernomor's March (Act IV, No.19) from the opera Ruslan and Lyudmila by Mikhail Glinka; 1st version of S.406/2
406/2 — Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla Piano 1843, 1875 Keyboard 2nd version of S.406/2; arranged for piano 4 hands as S.629
407 A208 Valse de l'opéra Faust Piano 1861 Keyboard based on the waltz and duet from Act II of the opera Faust by Charles Gounod
408 A231 Les Sabéennes (Berceuse de l'opéra La reine de Saba) Piano 1865 Keyboard based on the berceuse from the opera La reine de Saba by Charles Gounod
409 A237 Les adieux (Rêverie sur un motif de l'opéra Roméo et Juliette) Piano 1867 Keyboard based on a theme from the opera Roméo et Juliette by Charles Gounod
409a A020 Réminiscences de La juive (Fantaisie brillante sur des motifs de l'opéra de Halévy) Piano 1835 Keyboard based on themes from the opera La Juive by Fromental Halévy
410 A166 Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum Piano 1849–50 Keyboard based on themes from the incidental music to A Midsummer Night's Dream, Op.61, by Felix Mendelssohn
411 A047 Soirées italiennes (Amusements sur des motifs de Mercadante) (6): Piano 1838–39 Keyboard based on 6 of the 12 Soirées italiennes by Saverio Mercadante
411/1 A047/1
    La primavera (Canzonetta)
 Piano 1838–39 Keyboard based on No.2 of the Soirées italiennes by Saverio Mercadante
411/2 A047/2
    Il galop
 Piano 1838–39 Keyboard based on No.10 of the Soirées italiennes by Saverio Mercadante
411/3 A047/3
    Il pastore svizzero (Tirolese)
 Piano 1838–39 Keyboard based on No.4 of the Soirées italiennes by Saverio Mercadante
411/4 A047/4
    La serenata del marinaro
 Piano 1838–39 Keyboard based on No.5 of the Soirées italiennes by Saverio Mercadante
411/5 A047/5
    Il Brindisi (Rondoletto)
 Piano 1838–39 Keyboard based on No.11 of the Soirées italiennes by Saverio Mercadante
411/6 A047/6
    La zingarella spagnuola (Bolero)
 Piano 1838–39 Keyboard based on No.8 of the Soirées italiennes by Saverio Mercadante
412/1 A035 Réminiscences des Huguenots (Grande fantaisie dramatique) Piano 1836 Keyboard based on themes from the opera Les Huguenots by Giacomo Meyerbeer; 1st version of S.412/2, S.412/3
412/2 A035 Réminiscences des Huguenots (Grande fantaisie dramatique) Piano 1838 Keyboard 2nd version of S.412/1, S.412/3
412/3 A035 Grande fantaisie dramatique sur des thèmes de l'opéra Les Huguenots Piano 1842 Keyboard 3rd version of S.412/2, S.412/3
412a A120 Cavatine de Robert le diable Piano 1841–46? Keyboard based on Isabella's cavatina from the opera Robert le diable by Giacomo Meyerbeer
413 A078 Réminiscences de Robert le diable Piano 1841 Keyboard based on the Valse infernale and Air de ballet from the opera Robert le diable by Giacomo Meyerbeer; arranged for piano 4 hands as S.630 [?]
414 A165 Illustrations du Prophète Piano 1849–50 Keyboard based on themes from the opera Le prophète by Giacomo Meyerbeer
414/1 A165/1
    Prière. Hymne triomphal. Marche du sacre
 Piano 1849–50 Keyboard based on themes from the opera Le prophète by Giacomo Meyerbeer
414/2 A165/2
    Les patineurs. Scherzo
 Piano 1849–50 Keyboard based on themes from the opera Le prophète by Giacomo Meyerbeer
414/3 A165/3
    Pastorale. Appel aux armes
 Piano 1849–50 Keyboard based on themes from the opera Le prophète by Giacomo Meyerbeer
415 A230 Illustrations de l'opéra L'Africaine Piano 1865 Keyboard based on themes from the opera L'Africaine by Giacomo Meyerbeer
415/1 A230/1
    Prière des matelots
Piano 1865 Keyboard based on the sailors' prayer from Act III of the opera L'Africaine by Giacomo Meyerbeer
415/2 A230/2
    Marche indienne
 Piano 1865 Keyboard based on the Indian March from Act IV of the opera L'Africaine by Giacomo Meyerbeer
416 A079 Le moine [Meyerbeer] Piano 1841 Keyboard arrangement of the song by Giacomo Meyerbeer
417 A232 Fantaisie sur l'opéra hongroise Szép Ilonka Piano 1865–67 Keyboard based on themes from the opera Szép Ilonka by Mihály Mosonyi
418 A080 Réminiscences de Don Juan (Grande fantaisie) Piano 1841 Keyboard based on themes from the opera Don Giovanni, K.527, by Wolfgang Amadeus Mozart; arranged for 2 pianos as S.656
419 A024 Grande fantaisie sur des motifs de Niobe (Divertissement sur la cavatine "I tuoi frequenti palpiti") Piano 1835–36 Keyboard based on themes from the opera Niobe by Giovanni Pacini
420 A015 Grande fantaisie de bravoure sur La clochette Piano 1832–34 Keyboard based on the main theme of the last movement of the Violin Concerto No.2, Op.7, by Niccolò Paganini
421 A183 Andante Finale und Marsch aus der Oper König Alfred Piano 1853 Keyboard based on extracts from the opera König Alfred, WoO.14, by Joachim Raff; arranged for piano 4 hands as S.631
421/1 A183/1
    Andante
 Piano 1853 Keyboard arranged for piano 4 hands as S.631/1
421/2 A183/2
    Marsch
 Piano 1853 Keyboard arranged for piano 4 hands as S.631/2
421a A013 Introduction et variations sur une marche du Siège de Corinthe Piano 1830 Keyboard based on themes from the opera Le siège de Corinthe by Gioacchino Rossini; formerly S.750
422/1 A025 Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales Piano 1835–36 Keyboard based on Nos.4 and 11 of the song cycle Les soirées musicales by Gioacchino Rossini; 1st version of S.422/2
422/2 A025 Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales Piano 1840 Keyboard 2nd version of S.422/1
423 A026 Fantaisie sur des motifs de La pastorella dell’Alpi e Li marinari des Soirées musicales Piano 1835–36 Keyboard based on Nos.12 and 6 of the song cycle Les soirées musicales by Gioacchino Rossini
424 A036 Soirées musicales de Rossini Piano 1837 Keyboard based on the song cycle Les soirées musicales by Gioacchino Rossini
424/1 A036/01
    La promessa (Canzonetta)
 Piano 1837 Keyboard based on No.1 of the Les soirées musicales by Gioacchino Rossini
424/2 A036/02
    La regata veneziana (Notturno)
 Piano 1837 Keyboard based on No.9 of the Les soirées musicales by Gioacchino Rossini
424/3 A036/03
    L'invito (Bolero)
 Piano 1837 Keyboard based on No.5 of the Les soirées musicales by Gioacchino Rossini
424/4 A036/04
    La gita in gondola (Barcarola)
 Piano 1837 Keyboard based on No.7 of the Les soirées musicales by Gioacchino Rossini
424/5 A036/05
    Il rimprovero (Canzonetta)
 Piano 1837 Keyboard based on No.2 of the Les soirées musicales by Gioacchino Rossini
424/6 A036/06
    La pastorella dell'Alpi (Tirolese)
 Piano 1837 Keyboard based on No.6 of the Les soirées musicales by Gioacchino Rossini
424/7 A036/07
    La partenza (Canzonetta)
 Piano 1837 Keyboard based on No.3 of the Les soirées musicales by Gioacchino Rossini
424/8 A036/08
    La pesca (Notturno)
 Piano 1837 Keyboard based on No.10 of the Les soirées musicales by Gioacchino Rossini
424/9 A036/09
    La danza (Tarantella Napoletana)
 Piano 1837 Keyboard based on No.8 of the Les soirées musicales by Gioacchino Rossini
424/10 A036/10
    La serenata (Notturno)
 Piano 1837 Keyboard based on No.11 of the Les soirées musicales by Gioacchino Rossini
424/11 A036/11
    L'orgia (Arietta)
 Piano 1837 Keyboard based on No.4 of the Les soirées musicales by Gioacchino Rossini
424/12 A036/12
    Li marinari (Duetto)
 Piano 1837 Keyboard based on No.12 of the Les soirées musicales by Gioacchino Rossini
425 A048 Mélodies hongroises d'après Franz Schubert (Schuberts ungarische Melodien) Piano 1838–39 Keyboard based on Divertissement à la hongroise, D.818, by Franz Schubert;
1st version of S.425a
425/1 A048/1
    Andante
 Piano 1838–39 Keyboard based on No.1 of Divertissement à la hongroise, D.818, by Franz Schubert; 1st version of S.425a/1
425/2a A048/2
    Marche hongroise
 Piano 1838–39 Keyboard based on No.2 of Divertissement à la hongroise, D.818, by Franz Schubert;1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 ("1st Diabelli edition")
425/2b A048/2
    Marche hongroise
 Piano 1840 Keyboard 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 ("Richault edition")
425/2c A048/2
    Marche hongroise
 Piano 1840 Keyboard 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 ("Lucca edition")
425/2d A048/2
    Marche hongroise
 Piano 1879 Keyboard 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 ("Menter transcription")
425/2e A048/2
    Marche hongroise
 Piano 1883 Keyboard 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 ("3rd edition")
425/3 A048/3
    Allegretto
 Piano 1838–39 Keyboard based on No.3 of Divertissement à la hongroise, D.818, by Franz Schubert;1st version of S.425a/3
425a A048 Mélodies hongroises d'après Franz Schubert (Schuberts ungarische Melodien) Piano 1846 Keyboard 2nd (simplified) version of S.425
425a/1 A048/1
    Andante
 Piano 1846 Keyboard 2nd (simplified) version of S.425a/1
425a/2 A048/2
    Marcia
 Piano 1846 Keyboard 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e ("2nd Diabelli edition")
425a/3 A048/3
    Allegretto
 Piano 1846 Keyboard 2nd (simplified) version of S.425/3
426 A123 Märsche von Franz Schubert (3): Piano 1846 Keyboard
426/1 A123/1
    Trauermarsch (Grande marche funèbre)
 Piano 1846 Keyboard based on No.5 of 6 Grandes marches, D.819, by Franz Schubert; arranged for orchestra as S.363/2, for piano 4 hands as S.632/2
426/2 A123/2
    Grande marche
 Piano 1846 Keyboard using themes from No.3 of 6 Grandes marches, D.819, and Grand Funeral March, D.859, by Franz Schubert
426/3 A123/3
    Grande marche caractéristique
 Piano 1846 Keyboard using themes from Nos.1 and 2 of 2 Marches caractéristiques, D.968b, and Nos.1 and 2 of 6 Grandes marches, D.819, by Franz Schubert
426a — Marche militaire (Grande paraphrase de concert) Piano 1870? Keyboard based on No.1 of 3 Marches militaires, D.733, by Franz Schubert
427 A131 Soirées de Vienne (Valses-caprices d''après François Schubert) Piano 1846–52 Keyboard based on piano pieces by Franz Schubert
427/1 A131/1
    (Allegretto malinconico)
 Piano A♭ major 1846–52 Keyboard based on themes from Originaltänze, D.365; Wiener Damen-Ländler, D.734; and 18 Deutsche und Ecossaisen, D.783, by Franz Schubert
427/2 A131/2
    (Poco Allegro)
 Piano A♭ major 1846–52 Keyboard based on themes from Originaltänze, D.365, and Walzer, Ländler und Ecossaisen, D.145, by Franz Schubert
427/3 A131/3
    (Allegro vivace)
 Piano E major 1846–52 Keyboard based on themes from 18 Deutsche und Ecossaisen, D.783; Originaltänze, D.365; and Walzer, Ländler und Ecossaisen, D.145, by Franz Schubert
427/4 A131/4
    (Andantino a capriccio)
 Piano D♭ major 1846–52 Keyboard based on themes from Originaltänze, D.365, by Franz Schubert
427/5 A131/5
    (Moderato cantabile con affetto)
 Piano G♭ major 1846–52 Keyboard based on themes from Originaltänze, D.365; and 12 Valses nobles, D.969, by Franz Schubert
427/6 A131/6
    (Allegro con strepito)
 Piano A minor 1846–52 Keyboard based on themes from 12 Valses nobles, D.969; and Valses sentimentales, D.779, by Franz Schubert; 1st version of S.427/6a, S.427/6b
427/6a A131/6
    (Allegro con spirito)
 Piano A minor 1879 Keyboard 2nd version of S.427/6, S.427/6a
427/6b A131/6
    (Allegro con spirito)
 Piano A minor 1883? Keyboard 3rd version of S.427/6, S.427/6a
427/7 A131/7
    (Allegro spiritoso)
 Piano A major 1846–52 Keyboard based on themes from 18 Deutsche und Ecossaisen, D.783, by Franz Schubert
427/8 A131/8
    (Allegro con brio)
 Piano D major 1846–52 Keyboard based on themes from 18 Deutsche und Ecossaisen, D.783; and 12 Valses nobles, D.969, by Franz Schubert
427/9 A131/9
    (Preludio a capriccio)
 Piano A♭ major 1846–52 Keyboard based on themes from Originaltänze, D.365, by Franz Schubert
428 A115 Feuille morte (Élégie d'après Soriano) Piano 1845 Keyboard based on an unidentified composition by Mariano Soriano Fuertes
429 A293 Polonaise aus der Oper Jewgeny Onegin Piano 1879 Keyboard based on the Polonaise from the opera Eugene Onegin, Op.24, by Pyotr Tchaikovsky
430 A318 Valse de concert Piano 1882–83 Keyboard based on part of the Suite en forme de valse byJános Végh
431/1 A149/1 Salve Maria de Jérusalem Piano 1848 Keyboard arrangement of Giselda's prayer from the opera I Lombardi alla prima crociata by Giuseppe Verdi; 1st version of S.431/2
431/2 A149/2 Salve Maria de Jérusalem Piano 1882 Keyboard 2nd version of S.431/1
431a A138 Paraphrase de concert sur Ernani I Piano 1847 Keyboard based on different themes from the opera Ernani by Giuseppe Verdi than S.432
432 A203 Paraphrase de concert sur Ernani II Piano 1859 Keyboard based on different themes from the opera Ernani by Giuseppe Verdi than S.431a
433 A199 Miserere du Trovatore (Paraphrase de concert) Piano 1859 Keyboard based on the Miserere from Act IV of the opera Il Trovatore by Giuseppe Verdi
434 A187 Paraphrase de concert sur Rigoletto Piano 1855–59? Keyboard based on the quartet from Act III of the opera Rigoletto by Giuseppe Verdi
435 A240 Finale de Don Carlos (Coro di festa e Marcia funebre) Piano 1867–68 Keyboard arrangement of the finale ("Ce jour est plein d'allégresse") from the opera [[Don Carlos (Verdi, Giuseppe)|</span>Don Carlos]] by Giuseppe Verdi
436 A276 Danza sacra e duetto finale d’Aida Piano 1876? Keyboard arrangements of extracts from
437/1 A284 Agnus Dei della Messa da Requiem di Giuseppe Verdi Piano 1877 Keyboard based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.437/1
437/2 A284 Agnus Dei della Messa da Requiem di Giuseppe Verdi Piano 1882 Keyboard 2nd version of S.437/2
438 A314 Réminiscences de Boccanegra Piano 1882 Keyboard based on themes from the revised version of the opera Simon Boccanegra by Giuseppe Verdi
439 A200 Phantasiestück über Motive aus Rienzi Piano 1859 Keyboard based on the battle-hymn "Santo spitiro cavaliere" (Act III, No.10) from the opera Rienzi, WWV 49, by Richard Wagner
440 A204 Spinnerlied aus dem Fliegenden Holländer Piano 1860 Keyboard based on the Chœur des fileuses from Act II of the opera Der fliegende Holländer, WWV 63, by Richard Wagner
441 A259 Ballade aus dem Fliegenden Holländer Piano 1872 Keyboard based on Senta's ballad from Act II of the opera Der fliegende Holländer, WWV 63, by Richard Wagner
442 A146 Ouvertüre zu Tannhäuser Piano 1848 Keyboard based on the Overture to the opera Tannhäuser by Richard Wagner
443/1 A210a Pilgerchor aus Tannhäuser Piano 1861 Keyboard based on the opening of the overture from the opera Tannhäuser, WWV 70, by Richard Wagner; 1st version of S.443/2
443/2 A210b Pilgerchor aus Tannhäuser Piano circa 1885 Keyboard 2nd version of S.443/1
444 A163 O du mein holder Abendstern (Rezitativ und Romanze aus der Oper Tannhäuser) Piano 1849 Keyboard based on Wolfram's aria from Act III of the opera Tannhäuser, WWV 70, by Richard Wagner; arranged for cello, piano (with Bernhard Cossmann) as S.380
445 A176 Stücke aus Tannhäuser und Lohengrin (2): Piano 1852 Keyboard arranged for piano 4 hands as S.634b
445/1a A176/1
    Einzug der Gäste auf der Wartburg
 Piano 1852 Keyboard based on the March from Act II of the opera Tannhäuser, WWV 70, by Richard Wagner;
1st version of S.445/1b, S.445/1c; arranged for piano 4 hands as S.634b/1
445/1b A176/1
    Einzug der Gäste auf der Wartburg
Piano 1874 Keyboard 2nd version of S.445/1a, S.445/1c
445/1c A176/1
    Einzug der Gäste auf der Wartburg
Piano 1876 Keyboard 3rd version ("Neue vermehtre Ausgabe") of S.445/1a, S.445/1b
445/2 A176/2
    Elsas Brautzug zum Münster
 Piano 1852 Keyboard based on Elsa's bridal procession from Act II of the opera Lohengrin, WWV 75, by Richard Wagner; arranged for piano 4 hands as S.634b/2
446 A185 Aus Lohengrin Piano 1854 Keyboard based on themes from the opera Lohengrin, WWV 75, by Richard Wagner
446/1 A185/1
    Festspiel und Brautlied
Piano 1854 Keyboard based on the Prelude and Bridal Chorus from Act III of the opera Lohengrin, WWV 75, by Richard Wagner
446/2 A185/2
    Elsas Traum
 Piano 1854 Keyboard based on Elsa's Dream from Act I of the opera Lohengrin, WWV 75, by Richard Wagner
446/3 A185/3
    Lohengrins Verweis an Elsa
 Piano 1854 Keyboard based on Lohengrin's Rebuke to Elsa from Act III of the opera Lohengrin, WWV 75, by Richard Wagner
447 A239 Isoldens Liebestod (Schlußszene) Piano 1867 Keyboard arrangement of the transfiguration scene from the opera Tristan und Isolde, WWV 90, by Richard Wagner
448 A254 Am stillen Herd Piano 1871 Keyboard based on the song from Act I of Die Meistersinger von Nürnberg, WWV 96
449 A269 Walhall aus Der Ring des Nibelungen Piano 1875 Keyboard based on themes from the final scene of the opera Das Rheingold, WWV 86A, by Richard Wagner
450 A315 Feierlicher Marsch zum heiligen Gral aus Parsifal Piano 1882 Keyboard based on the theme of the march from Act I of the opera Parsifal, WWV 111, by Richard Wagner
451 A068 Freischütz Fantasie Piano 1840 Keyboard based on "Und ob die Wolke sie verhülle" (Act III) and Waltz (Act I) from the opera Der Freischütz, Op.77, by Carl Maria von Weber
452 A151 Leyer und Schwerdt (Heroide nach Carl Maria von Weber) Piano 1848 Keyboard based on the themes of Nos.6, 3 and 2 from the choral song collection Leyer und Schwerdt by Carl Maria von Weber
453 A152 Einsam bin ich, nicht allein (Volkslied aus dem Schauspiel Preziosa) Piano 1848 Keyboard based on Preciosa's song (Act II, No.7) from the incidental music to Preciosa, Op.78, by Carl Maria von Weber
454 A150 Schlummerlied mit Arabesken Piano 1848 Keyboard based on the chorus Schlummerlied, Op.68 No.4, by Carl Maria von Weber
455 A175 Polonaise brillante [Weber] Piano 1851 Keyboard arrangement of the Polacca brillante, Op.72, by Carl Maria von Weber; arranged for piano and orchestra as S.367
456 A281 Valse d'Adèle (Transcription brillante) Piano 1877 Keyboard arrangement of No.3 of 6 Etudes pour la main gauche seule by Géza Zichy
457* — number not allocated
458 A051 Reminiscences de La Scala (Fantasie über italienische Opernmelodien) Piano 1838–39 Keyboard using themes from the opera Il giuramento by Saverio Mercadante and another unidentified source
459* — number not allocated
460 A330 Kavallerie-Geschwindmarsch Piano 1883? Keyboard lost; possibly 2nd version of S.233
461/1 A217 A la ChapelleÀ la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart) Piano 1862 Keyboard based on the Miserere by Gregorio Allegri and Ave verum corpus, K.618, by Wolfgang Amadeus Mozart; 1st version of S.461/2; arranged for orchestra as S.360
461/2 A217 A la ChapelleÀ la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart) Piano 1862 Keyboard 2nd version of S.461/1; arranged for piano 4 hands as S.633, for organ as S.658
461a — Ave verum corpus de Mozart Piano 1867 Keyboard arrangement of the Ave verum corpus, K.618, by Wolfgang Amadeus Mozart; arranged for organ or harmonium as S.674d
462 A092 Preludes and Fugues by J.S. Bach (6): Piano 1842–50 Keyboard
462/1 A092/1
    Präludium und Fuge
 Piano A minor 1842–50 Keyboard arrangement of Prelude and Fugue, BWV 543, A minor, by Johann Sebastian Bach
462/2 A092/2
    Präludium und Fuge
 Piano C major 1842–50 Keyboard arrangement of Prelude and Fugue, BWV 545, C major, by Johann Sebastian Bach
462/3 A092/3
    Präludium und Fuge
 Piano C minor 1842–50 Keyboard arrangement of Prelude and Fugue, BWV 546, C minor, by Johann Sebastian Bach
462/4 A092/4
    Präludium und Fuge
 Piano C major 1842–50 Keyboard arrangement of Prelude and Fugue, BWV 547, C major, by Johann Sebastian Bach
462/5 A092/5
    Präludium und Fuge
 Piano E minor 1842–50 Keyboard arrangement of Prelude and Fugue, BWV 548, E minor, by Johann Sebastian Bach
462/6 A092/6
    Präludium und Fuge
 Piano B minor 1842–50 Keyboard arrangement of Prelude and Fugue, BWV 544, B minor, by Johann Sebastian Bach
463 A244 Orgel Fantasie und Fuge Piano G minor 1861? Keyboard arrangement of Fantasia and Fugue, BWV 542, G minor, by Johann Sebastian Bach
463 A244 Orgel Fantasie und Fuge Piano G minor 1868 Keyboard 2nd version of S.463/1
463a A037b/1 Symphonie No.5 de Beethoven Piano C minor 1837 Keyboard arrangement of the Symphony No.5, Op.67, by Ludwig van Beethoven; 1st version of S.464/5
463b A037b/2 Symphonie No.6 de Beethoven Piano F major 1837 Keyboard arrangement of the Symphony No.6, Op.68, by Ludwig van Beethoven;1st version of S.463c, S.464/6
463c A037b/2 Symphonie No.6 de Beethoven Piano F major 1837 Keyboard arrangement of the Symphony No.6, Op.68, by Ludwig van Beethoven;2nd version of S.463b, S.464/6
463d A037b/3 Symphonie No.7 de Beethoven Piano A major 1837 Keyboard arrangement of the Symphony No.7, Op.92, by Ludwig van Beethoven; 1st version of S.464/7
463e A037a Marche funèbre de la Symphonie héroïque de Beethoven Piano 1837 Keyboard arrangement of movt. III from the Symphony No.3, Op.55, by Ludwig van Beethoven; revised in S.464/3
464 A037 Symphonies de Beethoven (9): Piano 1863–64 Keyboard
464/1 A037c/1 Piano C major 1863–64 Keyboard arrangement of the Symphony No.1, Op.21, by Ludwig van Beethoven
464/2 A037c/2 Piano D major 1863–64 Keyboard arrangement of the Symphony No.2, Op.36, by Ludwig van Beethoven;
464/3 A037c/3 Piano E♭ major 1863–64 Keyboard arrangement of the Symphony No.3, Op.55, by Ludwig van Beethoven; movt.II based on S.463e
464/4 A037c/4 Piano B♭ major 1863–64 Keyboard arrangement of the Symphony No.4, Op.60, by Ludwig van Beethoven;
464/5 A037c/5 Piano C minor 1863–64 Keyboard arrangement of the Symphony No.5, Op.67, by Ludwig van Beethoven; 2nd version of S.463a
464/6 A037c/6 Piano F major 1863–64 Keyboard arrangement of the Symphony No.6, Op.68, by Ludwig van Beethoven; 3rd version of S.463b, S.463c
464/7 A037c/7 Piano A major 1863–64 Keyboard arrangement of the Symphony No.7, Op.92, by Ludwig van Beethoven; 2nd version of S.463c
464/8 A037c/8 Piano F major 1863–64 Keyboard arrangement of the Symphony No.8, Op.93, by Ludwig van Beethoven
464/9 A037c/9 Piano D minor 1863–64 Keyboard arrangement of the Symphony No.9, Op.125, by Ludwig van Beethoven; arranged for solo piano as S.657
465 A069 Grand septuor de Beethoven Piano 1840 Keyboard arrangement of the Septet, Op.20, by Ludwig van Beethoven; also arranged for piano 4 hands as S.634
466a A058 Adelaide von Beethoven Piano 1839 Keyboard arrangement of the song Adelaide, Op.46, by Ludwig van Beethoven;1st version of S.466, S.466b
466b A058 Adelaide von Beethoven Piano 1841 Keyboard arrangement of the song Adelaide, Op.46, by Ludwig van Beethoven;2nd version of S.466, S.466a
466 A058 Adelaide by Beethoven Piano 1847 Keyboard arrangement of the song Adelaide, Op.46, by Ludwig van Beethoven;3rd version of S.466a, S.466b
467 A070 Beethovens geistliche Lieder von Gellert (6): Piano 1840 Keyboard arrangement of 6 Lieder von Gellert, Op.48, by Ludwig van Beethoven; published as vol.1 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert
467/1 A070/1
    Gottes Macht und Vorsehung
 Piano 1840 Keyboard arrangement of No.5 of 6 Lieder von Gellert, Op.48, by Ludwig van Beethoven
467/2 A070/2
    Bitten
 Piano 1840 Keyboard arrangement of No.1 of 6 Lieder von Gellert, Op.48, by Ludwig van Beethoven
467/3 A070/3
    Bußlied
 Piano 1840 Keyboard arrangement of No.6 6 Lieder von Gellert, Op.48, by Ludwig van Beethoven
467/4 A070/4
    Vom Tode
 Piano 1840 Keyboard arrangement of No.3 of 6 Lieder von Gellert, Op.48, by Ludwig van Beethoven
467/5 A070/5
    Die Liebe des Nächsten
 Piano 1840 Keyboard arrangement of No.2 of 6 Lieder von Gellert, Op.48, by Ludwig van Beethoven
467/6 A070/6
    Die Ehre Gottes aus der Natur
 Piano 1840 Keyboard arrangement of No.4 of 6 Lieder von Gellert, Op.48, by Ludwig van Beethoven
468 A161 Beethovens Lieder von Goethe (6) Piano 1849 Keyboard
468/1 A161/1 Piano 1849 Keyboard arrangement of No.1 of 6 Songs, Op.75, by Ludwig van Beethoven
468/2 A161/2
    Mit einem gemalten Bande
 Piano 1849 Keyboard arrangement of No.3 of 3 Songs, Op.83, by Ludwig van Beethoven
468/3 A161/3
    Freudvoll und leidvoll
 Piano 1849 Keyboard arrangement of the song from the incidental music to Egmont, Op.84, by Ludwig van Beethoven
468/4 A161/4
    Es war einmal ein König
 Piano 1849 Keyboard arrangement of No.3 of 6 Songs, Op.75, by Ludwig van Beethoven
468/5 A161/5
    Wonne der Wehmut
 Piano 1849 Keyboard arrangement of No.1 of 3 Songs, Op.83, by Ludwig van Beethoven
468/6 A161/6
    Die Trommel gerühret
 Piano 1849 Keyboard arrangement of the song from the incidental music to Egmont, Op.84, by Ludwig van Beethoven
469 A162 An die ferne Geliebte (Liederkreis von Ludwig van Beethoven): Piano 1849 Keyboard arrangement of the song cycle An die ferne Geliebte, Op.98, by Ludwig van Beethoven
469/1 A162/1
    Auf dem Hügel
 Piano 1849 Keyboard arrangement of No.1 from An die ferne Geliebte, Op.98, by Ludwig van Beethoven
469/2 A162/2
    Wo die Bergen
 Piano 1849 Keyboard arrangement of No.2 from An die ferne Geliebte, Op.98, by Ludwig van Beethoven
469/3 A162/3
    Leichte Segler
 Piano 1849 Keyboard arrangement of No.3 from An die ferne Geliebte, Op.98, by Ludwig van Beethoven
469/4 A162/4
    Diese Wolken
 Piano 1849 Keyboard arrangement of No.4 from An die ferne Geliebte, Op.98, by Ludwig van Beethoven
469/5 A162/5
    Es kehret der Maien
 Piano 1849 Keyboard arrangement of No.5 from An die ferne Geliebte, Op.98, by Ludwig van Beethoven
469/6 A162/6
    Nimm sie hin denn
 Piano 1849 Keyboard arrangement of No.6 from An die ferne Geliebte, Op.98, by Ludwig van Beethoven
470 A016a Episode de la vie d'un artiste (Grande symphonie fantastique par Hector Berlioz) Piano 1833 Keyboard arrangement of the Symphonie fantastique, H 48, by Hector Berlioz; 4th movement revised as S.470a/2
470a/1 A016b L'idée fixe (Andante amoroso d'après une mélodie de Berlioz) Piano 1833 Keyboard formerly S.395; based on the main theme from the Symphonie fantastique, H 48, by Hector Berlioz
470a/2 A016c Marche au supplice de la Symphonie fantastique (Episode de la vie d'un artiste de Hector Berlioz) Piano 1865 Keyboard 2nd version of 4th movement from S.470
471 A031 Ouverture des Francs-juges de Hector Berlioz Piano 1833 Keyboard arrangement of the concert overture to the opera Les francs-juges, H 23, by Hector Berlioz
472/1 D05a Harold en Italie (Symphonie de Berlioz) Piano, (Viola) 1836 Keyboard arrangement of the symphony Harold en Italie, H 68, by Hector Berlioz; 1st version of S.472/2
472/2 D05b Harold en Italie (Symphonie de Berlioz) Piano, (Viola) 1850–59? Keyboard 2nd version of S.472/1
473/1 A029a Marche des pèlerins chantant la prière du soir (de la symphonie Harold en Italie de Hector Berlioz) Piano 1836–37 Keyboard 1st version of S.473/1
473/2 A029b Marche des pèlerins (de la symphonie Harold en Italie de Hector Berliioz) Piano 1862 Keyboard 2nd version of S.473/2
474 A030 Ouverture du Roi Lear de Hector Berlioz Piano 1836–37 Keyboard arrangement of the overture to Roi Lear, H 53, by Hector Berlioz
475 A205 Danse des Sylphes de La damnation de Faust de Hector Berlioz Piano 1860 Keyboard arrangement of the Ballet des Sylphes from part II of La damnation de Faust, H 111, by Hector Berlioz
476 A038a Esmeralda (Opéra en 4 actes de L. Bertin) Voices, Chorus, Piano 1837 Stage vocal score arrangement of the opera La Esmeralda by Louise Angelique Bertin; see also S.477 and S.477a
477 A038b Air chanté par Massol de Esmerelda de L. Bertin Piano 1837 Keyboard arrangement of Quasimodo’s aria "Mon Dieu! j’aime" (No.13) from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2
477a A038c Morceaux detachés d‘Esmeralda de L. Bertin (3): Piano 1837 Keyboard arrangements of extracts from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476
477a/1 A038c/1
    Entracte, Recitatif et Romance
 Piano 1837 Keyboard arrangement of "Quoi! lui" (No.11) from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476
477a/2 A038c/2
    Air
 Piano 1837 Keyboard see S.476
477a/3 A038c/3
    Scène et Trio
 Piano 1837 Keyboard arrangement of "D’ici vous pourrez voir, sans être vu" (No.10) from the opera La Esmeralda by Louise Angelique Bertin; extracted from S.476
478 A099 Russischer Galop Piano 1843 Keyboard arrangement of the song You Will Not Believe by Petr Petrovich Bulakhov
479 A265 Tanto gentile e tanto onesta (Dante's Sonett von Hans von Bülow) Piano 1874 Keyboard arrangement of the song Wenn sie euch grüsst mit freundlicher Gebärde, Op.22, by Hans von Bülow
480 A193 6 Polish Songs (after Chopin) Piano 1857–60 Keyboard arrangement of 6 of the Polish Songs, Op.74, by Frederic Chopin
480/1 A193/1
    Mädchens Wunsch (Zyczenie)
 Piano 1857–60 Keyboard arrangement of No.1 of the Polish Songs, Op.74, by Frederic Chopin
480/2 A193/2
    Frühling (Wiosna)
 Piano 1857–60 Keyboard arrangement of No.2 of the Polish Songs, Op.74, by Frederic Chopin
480/3 A193/3
    Das Ringlein (Pierścień)
 Piano 1857–60 Keyboard arrangement of No.14 of the Polish Songs, Op.74, by Frederic Chopin
480/4 A193/4
    Bacchanal (Hulanka)
 Piano 1857–60 Keyboard arrangement of No.4 of the Polish Songs, Op.74, by Frederic Chopin
480/5, A193/5
    Meine Freuden (Moja pieszczotka)
 Piano 1857–60 Keyboard arrangement of No.12 of the Polish Songs, Op.74, by Frederic Chopin;1st version of S.480/5bis
480/5bis A193/5
    Mes Joies
 Piano after 1860 Keyboard 2nd version of S.480
480/6 A193/6
    Die Heimkehr (Narzeczony)
 Piano 1857–60 Keyboard arrangement of No.15 of the Polish Songs, Op.74, by Frederic Chopin
481 A147 Zigeuner-Polka (La célèbre Zigeunerpolka d'August Conradi) Piano 1848 Keyboard arrangement of No.2 of 2 Zigeuner-Polkas, Op.5, by August Conradi
482 A327 Tarentelle de César Cui Piano 1885 Keyboard arrangement of the Tarantella, Op.12, by César Cui
483 A291 Tarantella de Dargomijski Piano 1879 Keyboard arrangement of the Tarantella slave by Aleksandr Dargomyzhsky
483bis A091 Souvenir de Russie (d'après Ferdinand David) Piano B♭ minor 1842 Keyboard arrangement of No.22 from Bunte Reihe, Op.30, by Ferdinand David;1st version of S.484/22
484 A170 Bunte Reihe (24 Stücke von Ferdinand David) Piano 1850 Keyboard arrangement of the collection Bunte Reihe, Op.30, by Ferdinand David
484/1 A170/01
    Scherzo
 Piano C major 1850 Keyboard arrangement of No.1 from Bunte Reihe, Op.30, by Ferdinand David
484/2 A170/02
    Erinnerung
 Piano C minor 1850 Keyboard arrangement of No.2 from Bunte Reihe, Op.30, by Ferdinand David
484/3 A170/03
    Mazurka
 Piano D♭ major 1850 Keyboard arrangement of No.3 from Bunte Reihe, Op.30, by Ferdinand David
484/4 A170/04
    Tanz
 Piano C♯ mino 1850 Keyboard arrangement of No.4 from Bunte Reihe, Op.30, by Ferdinand David
484/5 A170/05
    Kinderlied
 Piano D major 1850 Keyboard arrangement of No.5 from Bunte Reihe, Op.30, by Ferdinand David
484/6 A170/06
    Capriccio
 Piano D minor 1850 Keyboard arrangement of No.6 from Bunte Reihe, Op.30, by Ferdinand David
484/7 A170/07
    Bolero
 Piano E♭ major 1850 Keyboard arrangement of No.7 from Bunte Reihe, Op.30, by Ferdinand David
484/8 A170/08
    Elegie
 Piano E♭ minor 1850 Keyboard arrangement of No.8 from Bunte Reihe, Op.30, by Ferdinand David
484/9 A170/09
    Marsch
 Piano E major 1850 Keyboard arrangement of No.9 from Bunte Reihe, Op.30, by Ferdinand David
484/10 A170/10
    Toccata
 Piano E minor 1850 Keyboard arrangement of No.10 from Bunte Reihe, Op.30, by Ferdinand David
484/11 A170/11
    Gondellied
 Piano F major 1850 Keyboard arrangement of No.11 from Bunte Reihe, Op.30, by Ferdinand David
484/12 A170/12
    Im Sturm
 Piano F minor 1850 Keyboard arrangement of No.12 from Bunte Reihe, Op.30, by Ferdinand David
484/13 A170/13
    Romanze
 Piano F♯ major 1850 Keyboard arrangement of No.13 from Bunte Reihe, Op.30, by Ferdinand David
484/14 A170/14
    Allegro agitato
 Piano F♯ minor 1850 Keyboard arrangement of No.14 from Bunte Reihe, Op.30, by Ferdinand David
484/15 A170/15
    Menuetto
 Piano G major 1850 Keyboard arrangement of No.15 from Bunte Reihe, Op.30, by Ferdinand David
484/16 A170/16
    Etüde
 Piano G minor 1850 Keyboard arrangement of No.16 from Bunte Reihe, Op.30, by Ferdinand David
484/17 A170/17
    Intermezzo
 Piano A♭ major 1850 Keyboard arrangement of No.17 from Bunte Reihe, Op.30, by Ferdinand David
484/18 A170/18
    Serenade
 Piano G♯ minor 1850 Keyboard arrangement of No.18 from Bunte Reihe, Op.30, by Ferdinand David
484/19 A170/19
    Ungarisch
 Piano A major 1850 Keyboard arrangement of No.19 from Bunte Reihe, Op.30, by Ferdinand David; 1st version of S.484/19bis
484/19bis A170/19b
    Ungarisch
 Piano A major 1850 Keyboard 2nd version of S.484/19
484/20 A170/20
    Tarantella
 Piano A minor 1850 Keyboard arrangement of No.20 from Bunte Reihe, Op.30, by Ferdinand David
484/21 A170/21
    Impromptu
 Piano B♭ major 1850 Keyboard arrangement of No.21 from Bunte Reihe, Op.30, by Ferdinand David
484/22 A170/22
    Im russischer Weise
 Piano B♭ minor 1850 Keyboard 2nd version of S.483bis
484/23 A170/23
    Lied
 Piano B major 1850 Keyboard arrangement of No.23 from Bunte Reihe, Op.30, by Ferdinand David
484/24 A170/24
    Capriccio
Piano B mnor 1850 Keyboard arrangement of No.24 from Bunte Reihe, Op.30, by Ferdinand David
485 A130 Dessauers Lieder (3): Piano 1846–47 Keyboard
485/1 A130/1
    Lockung
 Piano 1846–47 Keyboard arrangement of the song by Josef Desauer
485/2 A130/2
    Zwei Wege
 Piano 1846–47 Keyboard arrangement of the song by Josef Desauer
485/3 A130/3
    Spanisches Lied (Bolero)
 Piano 1846–47 Keyboard arrangement of the song by Josef Desauer
485a A251 Der Schwur am Rütli (von F. Draeseke) Piano 1870 Keyboard arrangement of the cantata by Felix Draeseke
485b A089 Die Gräberinsel (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha) Piano 1842 Keyboard arrangement of the song by Ernst II, Duke of Saxe-Coburg-Gotha
486 A261 Szózat und Ungarischer Hymnus (Szózat és Magyar Himnusz) Piano 1872 Keyboard arrangement of S.353
487 A110 Spanisches Ständchen (Melodie von Graf Leó Festetics) Piano 1844 Keyboard arrangement of the song by Leo Festetics
488 A154 Er ist gekommen in Sturm und Regen (Lied von Robert Franz) Piano 1848 Keyboard arrangement of No.7 of 12 Gesänge, Op.4, by Robert Franz
489 A157 Lieder von Robert Franz (12):
Heft I: Schilflieder 		Piano 1848 Keyboard
489/1 A157/1
    Auf geheimen Waldespfadeie
 Piano 1848 Keyboard arrangement of No.1 of Schilflieder, Op.2, by Robert Franz
489/2 A157/2
    Drüben geht die Sonne scheiden
 Piano 1848 Keyboard arrangement of No.2 of Schilflieder, Op.2, by Robert Franz
489/3 A157/3
    Trübe wird's
 Piano 1848 Keyboard arrangement of No.3 of Schilflieder, Op.2, by Robert Franz
489/4 A157/4
    Sonnenuntergang
 Piano 1848 Keyboard arrangement of No.4 of Schilflieder, Op.2, by Robert Franz
489/5 A157/5
    Auf dem Teich
 Piano 1848 Keyboard arrangement of No.5 of Schilflieder, Op.2, by Robert Franz
489/5a A157/5a Lieder von Robert Franz (12):
Heft II: Drei Lieder 		Piano 1848 Keyboard
489/6 A157/6
    Der Schalk
Piano 1848 Keyboard arrangement of No.1 of 6 Gesänge, Op.3, by Robert Franz
489/7 A157/7
    Der Bote
 Piano 1848 Keyboard arrangement of No.1 of 6 Gesänge, Op.8, by Robert Franz
489/8 A157/8
    Meeresstille
 Piano 1848 Keyboard arrangement of No.2 of 6 Gesänge, Op.8, by Robert Franz
489/8a A157/8a Lieder von Robert Franz (12):
Heft III: Vier Lieder 		Piano 1848 Keyboard
489/9 A157/9
    Treibt der Sommer seinen Rosen
 Piano 1848 Keyboard arrangement of No.5 of 6 Gesänge, Op.8, by Robert Franz
489/10 A157/10
    Gewitternacht
 Piano 1848 Keyboard arrangement of No.6 of 6 Gesänge, Op.8, by Robert Franz
489/11 A157/11
    Das ist ein Brausen und Heulen
 Piano 1848 Keyboard arrangement of No.4 of 6 Gesänge, Op.8, by Robert Franz
489/12 A157/12
    Frühling und Liebe
 Piano 1848 Keyboard arrangement of No.3 of 6 Gesänge, Op.3, by Robert Franz
490 A298 Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden (Fantasiestück nach Adalbert von Goldschmidt) Piano 1880 Keyboard arrangement of extracts from the oratorio Die sieben Todsünden by Adalbert von Goldschmidt
491 A235 Hymne á Sainte Cécile de Charles Gounod Piano 1866 Keyboard arrangement of Hymne à Sainte Cécile by Charles Gounod
492 A245 Tanzmomente von Johann Herbeck Piano 1869 Keyboard arrangement of the Tanzmomente, Op.14, by Johann von Herbeck
492/1 A245/1
    Tanzmomente No.1
 Piano G major 1869 Keyboard arrangement of No.1 of the Tanzmomente, Op.14, by Johann von Herbeck
492/2 A245/2
    Tanzmomente No.2
 Piano A minor 1869 Keyboard arrangement of No.2 of the Tanzmomente, Op.14, by Johann von Herbeck
492/3 A245/3
    Tanzmomente No.3
 Piano F major 1869 Keyboard arrangement of No.3 of the Tanzmomente, Op.14, by Johann von Herbeck
492/4 A245/4
    Tanzmomente No.4
 Piano A major 1869 Keyboard arrangement of No.4 of the Tanzmomente, Op.14, by Johann von Herbeck;1st version of S.492/4bis
492/4bis A245/4
    Tanzmomente No.4
 Piano A major 1869 Keyboard 2nd version of S.492/4
492/5 A245/5
    Tanzmomente No.5
 Piano F major 1869 Keyboard arrangement of No.5 of the Tanzmomente, Op.14, by Johann von Herbeck
492/6 A245/6
    Tanzmomente No.6
 Piano D major 1869 Keyboard arrangement of No.6 of the Tanzmomente, Op.14, by Johann von Herbeck
492/7 A245/7
    Tanzmomente No.7
 Piano G major 1869 Keyboard arrangement of No.7 of the Tanzmomente, Op.14, by Johann von Herbeck
492/8 A245/8
    Tanzmomente No.8
 Piano D major 1869 Keyboard arrangement of No.8 of the Tanzmomente, Op.14, by Johann von Herbeck
493/1 A155 Großes Septett von Johann Nepomuk Hummel Piano D minor 1848 Keyboard arrangement of Septet No.1, Op.74, by Johann Nepomuk Hummel;1st version of S.493/2
493/2 U12 Großes Septett von Johann Nepomuk Hummel Piano D minor 1869? Keyboard 2nd version of S.493/1
494/1 A211/1 Löse, Himmel, meine Seele (Lied von Eduard Lassen) Piano 1861 Keyboard arrangement of No.5 of 6 Lieder von Peter Cornelius, Op.5, by Eduard Lassen; 1st version of S.494/2
494/2 A211/1 Löse, Himmel, meine Seele (Lied von Eduard Lassen) Piano 1872 Keyboard 2nd version of S.494/1
495 A211/2 Ich weil' in tiefer Einsamkeit (Lied von Eduard Lassen) Piano 1872 Keyboard arrangement of No.4 of 6 Lieder von Peter Cornelius, Op.5, by Eduard Lassen
496 A285/I Aus der Musik zu Hebbels Nibelungen und Goethes Faust Piano 1878–79 Keyboard
496/1 A285/I/1
    Hagen und Kreimhild
 Piano 1878–79 Keyboard arranged from the incidental music to Nibelungen, Op.47, by Eduard Lassen
496/2 A285/I/2
    Bechlarn
 Piano 1878–79 Keyboard arranged from the incidental music to Nibelungen, Op.47, by Eduard Lassen
496/3 A285/II/1
    Osterhymne
 Piano 1878–79 Keyboard arranged from No.2 of part I of the incidental music to Faust, Op.57, by Eduard Lassen
496/4 A285/II/2
    Hoffestliche Marsch und Polonaise
 Piano 1878–79 Keyboard arranged from Nos.2 and 3 of part II of the incidental music to Faust, Op.57, by Eduard Lassen
497 A323 Symphonisches Zwischenspiel zu Über allen Zauber Liebe (Intermezzo von Eduard Lassen) Piano 1883 Keyboard arranged from the orchestral intermezzo to Über allen Zauber Liebe, Op.77, by Eduard Lassen
498 A316 Lieder zu Tannhäuser (Komponiert von Otto Lessmann) (3): Piano 1882 Keyboard arrangement of 3 Lieder aus Wolff’s Tannhäuser, Op.27, by Otto Lessmann
498/1 A316/1
    Der Lenz ist gekommen
 Piano 1882 Keyboard arrangement of No.1 from 3 Lieder aus Wolff’s Tannhäuser, Op.27, by Otto Lessmann
498/2 A316/2
    Trinklied ("Itzt hört ein neues Liedlein an")
 Piano 1882 Keyboard arrangement of No.2 from 3 Lieder aus Wolff’s Tannhäuser, Op.27, by Otto Lessmann
498/3 A316/3
    Du schaust mich an mit stummen Fragen
 Piano 1882 Keyboard arrangement of No.3 from 3 Lieder aus Wolff’s Tannhäuser, Op.27, by Otto Lessmann
498a A192 Die Legende von der Heiligen Elisabeth: Piano 1857–62 Keyboard arrangements of extracts from S.2
498a/1 A192/1
    Orchester Einleitung (Orchestral Introduction)
 Piano 1857–62 Keyboard arrangement of the introduction to S.2
498a/2 A192/2
    Marsch der Kreuzritter (Crusaders' March)
 Piano 1857–62 Keyboard arrangement of S.2/3e
498a/3 A192/3
    Interludium
 Piano 1857–62 Keyboard arrangement of S.2/6a
498b A222 Christus (2 Orchestersätze aus dem Oratorium) Piano 1871 Keyboard arrangements of extracts from S.3
498b/1 A222/1
    Hirtengesang an der Krippe
 Piano 1871 Keyboard arrangement of S.3/4
498b/2 A222/2
    Die heiligen drei Könige
 Piano 1871 Keyboard arrangement of S.3/5
498c A301 San Francesco (Preludio per il Cantico del sol di San Francesco d'Assisi) Piano 1880? Keyboard arrangement of prelude from S.4/2
499 A307 Cantico di San Francesco Piano 1881–82 Keyboard arrangement of S.4/2
500 — Excelsior! (Preludio zu dem Glocken des Strassburger Münsters) Piano 1874 Keyboard

arrangement of prelude from S.6

501 A238 Aus der Ungarischen Krönungsmesse Piano 1867 Keyboard arrangement of extracts from S.11
501/1 A238/1
    Benedictus
 Piano 1867 Keyboard arrangement of S.11/4
501/2 A238/2
    Offertorium
 Piano 1867 Keyboard arrangement of S.11/5
502 A227 Weinachtslied (Christus ist geboren) Piano 1864 Keyboard arrangement of S.32
503 A223 Slavimo slavno, Slaveni! Piano 1863 Keyboard arrangement of S.33
504/1 A247/1 Ave Maria II Piano D major 1869–70 Keyboard arrangement of S.38; 1st version of S.504/2
504/2 A247/2 Ave Maria II Piano D♭ major 1872 Keyboard arrangement of S.38; 2nd version of S.504/1
504a A287 Via Crucis (Les 14 stations de la croix) Piano 1878–79 Keyboard arrangement of S.53
504b A286a Alte deutsche geistliche Weisen (12): Piano 1878–79 Keyboard arrangement of S.50
504b/1 A286a/1
    Crux ave benedicta
 Piano 1878–79 Keyboard arrangement of S.50/9
504b/2 A286a/2
    Jesu Christe (Die fünf Wunden)
 Piano 1878–79 Keyboard arrangement of S.50/12
504b/3 A286a/3
    Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig)
 Piano 1878–79 Keyboard arrangement of S.50/2
504b/3a A286a/3a
    Es segne uns Gott
 Piano 1878–79 Keyboard arrangement of S.50/1
504b/4 A286a/4
    Nun danket alle Gott!
 Piano 1878–79 Keyboard arrangement of S.50/11
504b/5 A286a/5
    Nun ruhen alle Wälder
 Piano 1878–79 Keyboard arrangement of S.50/3
504b/6 A286a/6
    O Haupt voll Blut und Wunden
 Piano 1878–79 Keyboard arrangement of S.50/4
504b/7 A286a/7
    O Lamm Gottes!
 Piano 1878–79 Keyboard arrangement of S.50/5; arranged for piano 4 hands as S.582
504b/8 A286a/8
    O Traurigkeit
 Piano 1878–79 Keyboard arrangement of S.50/10
504b/9 A286a/9
    Vexilla Regis
 Piano 1878–79 Keyboard arrangement of S.50/8
504b/10 A286a/10
    Was Gott tut, das ist wohlgetan
 Piano 1878–79 Keyboard arrangement of S.50/6
504b/11 A286a/11
    Wer nur den lieben Gott läßt walten
 Piano 1878–79 Keyboard arrangement of S.50/7
505 A331 In domum Domini ibimus (Zum Haus des Herrn ziehen wir) Piano 1884 Keyboard arrangement of S.57
506 A243 Ave maris stella Piano 1868 Keyboard arrangement of 2nd version of S.34
506b A294 O Roma nobilis Piano 1879 Keyboard arrangement of S.54
507 A126 Klavierstück aus der Bonner Beethoven-Kantate Piano 1846 Keyboard based on themes from the 1st movement of S.507
507a A213 Schnitterchor aus den entfesselten Prometheus Piano 1850 Keyboard arrangement of No.4 from S.69/1 (incomplete); 1st version of S.508
508 A213 Pastorale (Schnitterchor aus den Entfesselten Prometheus) Piano 1861 Keyboard arrangement of No.4 from S.69/2; 2nd version of S.507a
509 A246 Gaudeamus igitur (Humoreske) Piano 1869–70 Keyboard arrangement of S.71a
510 A153 Marche héroïque Piano 1847–48? Keyboard based on S.82; arranged for piano 4 hands as S.587
510a — Chansons (3) Piano 1852? Keyboard 1st version of S.511
510a/1 —
    La consolation
 Piano 1852? Keyboard 1st version of S.511/1; arrangement of S.90/4a
510a/2 —
    Avant la bataille
Piano 1852? Keyboard 1st version of S.511/2; arrangement of S.90/5a
510a/3 —
    L'espérance
Piano 1852? Keyboard 1st version of S.511/3; arrangement of S.90/6a
511 A207 Geharnischte Lieder (3): Piano 1860 Keyboard 2nd version of S.510a
511/1 A207/1
    Vor der Schlacht
 Piano 1860 Keyboard 2nd version of S.510a/1
511/2 A207/2
    Nicht gezagt
 Piano 1860 Keyboard 2nd version of S.510a/2
511/3 A207/3
    Es rufet Gott uns mahnend
 Piano 1860 Keyboard 2nd version of S.510a/3
511a — Les préludes (Poème symphonique No 3) Piano 1863 Keyboard arrangement of S.97 by Karl Klauser, with revisions by Liszt
511b — Orpheus (Poème symphonique No.4) Piano 1879 Keyboard arrangement of S.98 by Friedrich Spiro, with revisions by Liszt
511c — Mazeppa (Poème symphonique No.6) Piano 1870–79? Keyboard arrangement of S.100 by Theophil Forchhammer, with revisions by Liszt
511d — Festklänge (Poème symphonique No.7) Piano 1870–79? Keyboard arrangement of S.101 by Ludwig Stark, with revisions by Liszt
511e — Hungaria (Poème symphonique No.9) Piano 1872 Keyboard arrangement of S.103 by Friedrich Spiro, with revisions by Liszt
512 A310 Von der Wiege bis zum Grabe (Poème symphonique No.13) Piano 1881 Keyboard arrangement of S.107
513 A190 Faust Symphony (Andante soave aus der Faust-Symphonie) Piano 1867 Keyboard arrangement of movt. II from S.108
513a A189/1 Der nächtliche Zug (Episode aus Lenaus Faust) Piano 1859–61 Keyboard arrangement of S.110/1
514 A189/1 Mephisto Waltz No.1 Piano 1859–61 Keyboard arranged for orchestra as S.110/2
515 A288 Mephisto Waltz No.2 Piano 1878–81? Keyboard arranged for orchestra as S.111; arranged for piano 4 hands as S.600
516 A202/1 Les morts Piano 1860? Keyboard arrangement of S.112/1
516a A202/2 La notte Piano 1864–66 Keyboard arrangement of S.112/2 (formerly S.699)
517 A202/3 Le triomphe funèbre du Tasse Piano 1866–69 Keyboard arrangement of S.112/3
518 A225 Salve Polonia (Interludium aus dem Oratorium Stanislaus) Piano 1863 Keyboard arrangement of S.113/2
519 A302 Polonaises de l'oratorio St. Stanislaus Piano 1875 Keyboard arrangement of extracts from S.688
519/1 A302/1
    Polonaise No.1
 Piano 1875 Keyboard arrangement of extract from S.688
519/2 A302/2
    Polonaise No.2
 Piano 1875 Keyboard arrangement of extract from S.688
520 A201 Künstlerfestzug zur Schillerfeier 1859 Piano 1859–60 Keyboard arrangement of S.114
521 A164b Goethe-Festmarsch Piano 1859 Keyboard arrangement of S.115
522 A196 Festmarsch nach Motiven von E.H. z. S.-C.-G Piano 1858–59 Keyboard arrangement of S.116
523 A248 Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867 Piano 1870 Keyboard arrangement of S.118
524 A112/2 Ungarischer Sturmmarsch (Hungarian Battle March) Piano 1875–76 Keyboard arrangement of S.119
524a H06 Concerto sans orchestre Piano A major 1839? Keyboard unfinished; revised as S.125
525 A062 Totentanz Piano 1865 Keyboard arrangement of S.126/2
526 A260 Epithalam (zu Eduard Reményis Vermählungsfeier) Piano 1872 Keyboard arrangement of S.129
527 A299 Romance oubliée Piano 1880 Keyboard based on S.169; arranged for viola and piano as S.132a, for violin and piano as S.132b, for cello and piano as S.132c; arranged for orchestra as S.712[?]
528* — Festpolonaise Piano Keyboard renumbered as S.528
529 A250/1 Präludium und Fuge über das Motiv B.A.C.H. Piano 1855 Keyboard arrangement of S.260/1; 1st version of S.529/2
529 A250/2 Fantasie und Fuge über das Thema B–A–C–H Piano 1870 Keyboard arrangement of S.260/2; 2nd version of S.529/1
530 A228 Hymne du Pape Piano 1864 Keyboard arrangement of S.261
531 A097 Buch der Lieder I (6) Piano 1843 Keyboard arrangements of various solo songs
531/1 A097/1
    Die Loreley
 Piano 1843 Keyboard arrangement of S.273/1
531/2 A097/2
    Am Rhein in schönen Strome
 Piano 1843 Keyboard arrangement of S.272/1
531/3 A097/3
    Kennst du das Land
 Piano 1843 Keyboard arrangement of S.275/1
531/4 A097/4
    Es war ein König in Thule
 Piano 1843 Keyboard arrangement of S.278/1
531/5 A097/5
    Der du von dem Himmel bist
 Piano 1843 Keyboard arrangement of S.279/1
531/6 A097/6
    Angiolin
 Piano 1843 Keyboard arrangement of S.269/1
532 A209 Die Loreley Piano 1861 Keyboard arrangement of S.273/2
533 A098 Il m'aimait tant! Piano 1843 Keyboard arrangement of S.271
534/1 A081a Die Zelle im Nonnenwerth Piano 1840 Keyboard arrangement of S.274/1
534/2 A081b Elégie Piano 1841 Keyboard arrangement of S.301b/1
534/2bis A081c Feuille d'album No.2 Piano 1849 Keyboard arrangement of S.301b/2
534/3 A081d Die Zelle im Nonnenwerth (Elegie) Piano 1881 Keyboard arrangement of S.274/2
— A139 Buch der Lieder II Piano 1847 Keyboard
535 A139/2
    Comment, disaient-ils
 Piano 1847 Keyboard arrangement of S.276/1
536 A139/1
    Oh, quand je dors
 Piano 1847 Keyboard arrangement of S.282/1
537 A139/3
    Enfant, si j'étais roi
 Piano 1847 Keyboard arrangement of S.283/1
538 A139/4
    S'il est un charmant gazon
 Piano 1847 Keyboard arrangement of S.284/1
539 A139/5
    La tombe et la rose
 Piano 1847 Keyboard arrangement of S.285
540 A139/6
    Gastibelza
 Piano 1847 Keyboard arrangement of S.286
540a — O lieb, so lang du lieben kannst! Piano 1843? Keyboard arrangement of S.298/1; original version lost; reconstructed by Leslie Howard
541 A103 Liebesträume (3): Piano 1850 Keyboard
541/1 A103/1
    Liebesträume No.1 (Hohe Liebe)
 Piano A♭ major 1850 Keyboard arrangement of S.307
541/2 A103/2
    Liebesträume No.2 (Seliger Tod)
 Piano E♭ major 1850 Keyboard arrangement of S.308; an album leaf on themes from this work exist, entitled "Nocturne No.2"
541/3 A103/3
    Liebesträume No.3 (Oh Lieb, so lang du lieben kannst)
 Piano A♭ major 1850 Keyboard arrangement of S.298/2
542/1 A191a Weimars Volkslied Piano C major 1857 Keyboard arrangement of S.313; 1st version of S.542/2
542/2 A191b Weimars Volkslied Piano F major 1873 Keyboard 2nd version of S.542/1
542a A194 Ich liebe dich Piano 1857–60? Keyboard arrangement of S.315
542b A268b Fanfare zur Enthüllung des Carl-Augusts Monument Piano 1875 Keyboard arrangement of Fanfare from S.92
543 A309/1 A magyarok Istene (Ungarns Gott) Piano 1881 Keyboard arrangement of S.339
543bis A309/2 A magyarok Istene (Ungarns Gott) Piano left hand 1881 Keyboard arrangement of S.339
544 A328 Magyar király-dal (Ungarisches Königslied) Piano 1883 Keyboard arrangement of S.340
545 A308 Ave Maria IV Piano 1881 Keyboard arrangement of S.341
546 A282 Der blinde Sänger (Слепой) Piano 1878 Keyboard arrangement of S.350
546a — O Roma nobilis Piano 1879 Keyboard renumbered as S.506b
547 A072 Mendelssohns Lieder

(Lieders de Mendelssohn)

Piano 1840 Keyboard
547/1 A072/1
    Auf Flügeln des Gesanges (Les ailes du chant)
 Piano 1840 Keyboard arrangement of No.2 of 6 Songs, Op.34, by Felix Mendelssohn
547/2 A072/2
    Sonntagslied (Chant du dimanche)
 Piano 1840 Keyboard arrangement of No.5 of 6 Songs, Op.34, by Felix Mendelssohn
547/3 A072/3
    Reiselied (Chant du voyage)
 Piano 1840 Keyboard arrangement of No.6 of 6 Songs, Op.34, by Felix Mendelssohn
547/4 A072/4
    Neue Liebe (Amour nouveau)
 Piano 1840 Keyboard arrangement of No.4 of 6 Songs, Op.19a, by Felix Mendelssohn
547/5 A072/5
    Frühlingslied (Chant du printemps)
 Piano 1840 Keyboard arrangement of No.3 of 6 Songs, Op.47, by Felix Mendelssohn
547/6 A072/6
    Winterlied (Chant d'hiver)
 Piano 1840 Keyboard arrangement of No.3 of 6 Songs, Op.19a, by Felix Mendelssohn
547/7 A072/7
    Suleika
 Piano 1840 Keyboard arrangement of No.4 of 6 Songs, Op.34, by Felix Mendelssohn
548 A156 Mendelssohns Wasserfahrt und Jäger-Abschied Piano 1848 Keyboard
548/1 A156/1
    Wasserfahrt
 Piano 1848 Keyboard arrangement of No.4 of 6 Lieder, Op.50, by Felix Mendelssohn
548/2 A156/2
    Der Jäger Abschied
 Piano 1848 Keyboard arrangement of No.2 of 6 Lieder, Op.50, by Felix Mendelssohn
549 A206 Festmarsch zu Schillers 100 jähriger Geburtstagsfeier (von Giacomo Meyerbeer) Piano 1860 Keyboard arrangement of the Festmarsch zu Schillers 100 jähriger Geburtstagsfeier by Giacomo Meyerbeer
550 A220 Transcriptionen aus Mozarts Requiem (2): Piano 1865 Keyboard arrangement of extracts from the Requiem, K.626, by Wolfgang Amadeus Mozart
550/1 A220/1
    Confutatis maledictis
 Piano 1865 Keyboard arrangement of extract from the Requiem, K.626, by Wolfgang Amadeus Mozart
550/2 A220/2
    Lacrymosa
 Piano 1865 Keyboard arrangement of extract from the Requiem, K.626, by Wolfgang Amadeus Mozart
551 A270 Una stella amica (Polka mazurka de F. Pezzini) Piano 1874–75? Keyboard arrangement of an unidentified waltz attributed to "F. Pezzini"
551a V03 Tanz-Capricen No.1 (Einleitung und Coda zu Raffs Walzer) Piano D♭ major 1854 Keyboard additional introduction and coda to No.1 of the Tanz-Capricen, Op.54, by Joachim Raff
552 A054 Ouverture de l'opéra Guillaume Tell de Gioachino Rossini Piano 1838 Keyboard arrangement of the overture from the opera Guillaume Tell by Gioacchino Rossini
552a — Caritas (nach Rossini) Piano 1847 Keyboard arrangement of No.3 of 3 Chœurs religieux by Gioacchino Rossini; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a
552b — La caritá (d'après Rossini) Piano 1847 Keyboard 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a
553 A141 Transcriptions d'après Rossini (2): Piano 1847 Keyboard
553/1 A141/1
    Air du Stabat Mater
 Piano 1847 Keyboard arrangement of "Cujus animam" from Stabat Mater by Gioacchino Rossini; arranged for trombone and organ as S.679; for tenor and organ as S.682
553/2 A141/2
    La charité
 Piano 1847 Keyboard arrangement of No.3 of 3 Chœurs religieux by Gioacchino Rossini; 3rd version of S.552a, S.552b
554/1 A304 O! Wenn es doch immer so bliebe! (Lied von Anton Rubinstein) Piano 1881 Keyboard arrangement of No.9 of 12 Lieder des Mirza-Schaffy, Op.34, by Anton Rubinstein
554/2 A329 Der Asra (Lied von Anton Rubinstein) Piano 1880 Keyboard arrangement of No.6 of 6 Lieder von Heine, Op.32, by Anton Rubinstein
554a V05 EtudeÉtude sur des notes fausses (Einleitung und Coda zu Anton Rubinsteins Etude) Piano C major circa 1880? Keyboard revisions and additions to Etude on False Notes by Anton Rubinstein
555 A273 Danse macabre (Poème symphonique de Camille Saint-Saëns) Piano 1876 Keyboard arrangement of the symphonic poem Danse macabre, Op.40, by Camille Saint-Saëns
556/1 A017 Die Rose (Lied von Franz Schubert) Piano 1833 Keyboard arrangement of the song Die Rose, D.745 (Op.73), by Franz Schubert; 1st version of S.556/2, S.556/3
556/2 A017 Die Rose (Lied von Franz Schubert) Piano 1838 Keyboard 2nd version of S.556/1, S.556/3
556/3 A017 Die Rose (Lied von Franz Schubert) Piano 1837 Keyboard 3rd version of S.556/1, S.556/2
557 A045 Lob der Tränen (Lied von Franz Schubert) Piano 1838 Keyboard arrangement of the song Lob der Tränen, D.711 (Op.13/2), by Franz Schubert
557a A042/04 Erlkönig(Lied von Franz Schubert) Piano 1837 Keyboard arrangement of the song Erlkönig, D.328 (Op.1), by Franz Schubert;1st version of S.558/4, S.558/4bis
557b A042/05 Meeresstille (Lied von Franz Schubert) Piano 1837 Keyboard arrangement of the song Meeres Stille, D.216 (Op.3 No.2), by Franz Schubert; 1st version of S.558/5
557c A042/07 Frühlingsglaube (Lied von Franz Schubert) Piano 1837 Keyboard arrangement of the song Frühlingsglaube, D.686 (Op.20 No.2); 1st version of S.558/7, S.558/7bis
557d A042/12 Ave Maria (Lied von Franz Schubert) Piano 1837 Keyboard arrangement of the song Ave Maria, D.839, by Franz Schubert;1st version of S.558/12
558 A042 Lieder von Franz Schubert (12): Piano 1837–38 Keyboard
558/01 A042/01
    Sei mir gegrüßt (Sois toujours mes seuls amours)
 Piano 1837–38 Keyboard arrangement of the song Sei mir gegrüsst!, D.741 (Op.20 No.1), by Franz Schubert
558/02 A042/02
    Auf dem Wasser zu singen (Barcarolle)
 Piano 1837–38 Keyboard arrangement of the song Auf dem Wasser zu singen, D.774 (Op.72), by Franz Schubert
558/03 A042/03
    Du bist die Ruh' (L'attente)
 Piano 1837–38 Keyboard arrangement of the song Du bist die Ruh, D.776 (Op.59 No.3), by Franz Schubert; 1st version of S.558/3bis
558/03bis A042/03
    Du bist die Ruh' (L'attente)
 Piano 1876 Keyboard 2nd version of S.558/3
558/04 A042/04
    Erlkönig (Le roi des Aulnes)
 Piano 1837–38 Keyboard arrangement of the song Erlkönig, D.328 (Op.1), by Franz Schubert; 2nd version of S.557a, S.558/4bis
558/04bis A042/04
    Erlkönig (Le roi des Aulnes)
 Piano 1876 Keyboard 3rd version of S.557a, S.558/4
558/05 A042/05
    Meeresstille (La mer calme)
 Piano 1837–38 Keyboard arrangement of the song Meeres Stille, D.216 (Op.3 No.2), by Franz Schubert; 2nd version of S.557b
558/06 A0420/6
    Die junge Nonne (La jeune r éligieuse)
 Piano 1837–38 Keyboard arrangement of the song Die junge Nonne, D.828 (Op.43 No.1), by Franz Schubert
558/07 A0420/7
    Frühlingsglaube (Espoir dans le printemps)
 Piano 1837–38 Keyboard arrangement of the song Frühlingsglaube, D.686 (Op.20 No.2), by Franz Schubert; 2nd version of S.557c, S.558/7bis
558/07bis A042/07
    Frühlingsglaube (Espoir dans le printemps)
 Piano 1876 Keyboard 3rd version of S.557c, S.558/7
558/08 A042/08
    Gretchen am Spinnrade (Marguerite)
 Piano 1837–38 Keyboard arrangement of the song Gretchen am Spinnrade, D.118 (Op.2), by Franz Schubert; 1st version of S.558/8bis
558/08bis A042/08
    Gretchen am Spinnrade (Marguerite)
 Piano 1876 Keyboard 2nd version of S.558/8
558/09 A042/09
    Ständchen von Shakespeare (La sérénade de Shakspeare)
 Piano 1837–38 Keyboard arrangement of the song Ständchen (Horch! Horch! die Lerch!), D.889, by Franz Schubert; 1st version of S.558/9bis
558/09bis A0420/9
    Ständchen von Shakespeare (La sérénade de Shakspeare)
 Piano 1876 Keyboard 2nd version of S.558/9
558/10 A042/10
    Rastlose Liebe
 Piano 1837–38 Keyboard arrangement of the song Rastlose Liebe, D.138 (Op.5 No.1), by Franz Schubert
558/11 A042/11
    Der Wanderer (Le pèlerin)
 Piano 1837–38 Keyboard arrangement of the song Der Wanderer, D.493 (Op.4/1), by Franz Schubert; 1st version of S.558/11bis
558/11bis A042/11
    Der Wanderer (Le pèlerin)
 Piano 1876 Keyboard 2nd version of S.558/11
558/12 A042/12
    Ave Maria
 Piano 1837–38 Keyboard arrangement of the song Ave Maria, D.839, by Franz Schubert; 2nd version of S.557d
559 A046 Der Gondelfahrer (Männerquartett von Franz Schubert) Piano 1838 Keyboard arrangement of the chorus Der Gondelfahrer, D.809 (Op.28), by Franz Schubert
559a A049/7 La sérénade de Franz Schubert Piano 1837 Keyboard arrangement of No.4 of the song cycle Schwanengesang, D.957, by Franz Schubert; 1st version of S.560/7, S.560/7a
560 A049 Schwanengesang (Lieder von Franz Schubert) Piano 1838–39 Keyboard arrangement of the song cycle Schwanengesang, D.957, by Franz Schubert
560/1 A049/01
    Die Stadt
 Piano 1838–39 Keyboard arrangement of No.11 of the song cycle Schwanengesang, D.957, by Franz Schubert
560/2 A049/02
    Das Fischermädchen
 Piano 1838–39 Keyboard arrangement of No.10 of the song cycle Schwanengesang, D.957, by Franz Schubert
560/3 A049/03
    Aufenthalt
 Piano 1838 Keyboard arrangement of No.5 of the song cycle Schwanengesang, D.957, by Franz Schubert
560/4 A049/04
    Am Meer
 Piano 1838–39 Keyboard arrangement of No.12 of the song cycle Schwanengesang, D.957, by Franz Schubert
560/5 A049/05
    Abschied
 Piano 1838–39 Keyboard arrangement of No.7 of the song cycle Schwanengesang, D.957, by Franz Schubert
560/6 A049/06
    In der Ferne
 Piano 1838–39 Keyboard arrangement of No.6 of the song cycle Schwanengesang, D.957, by Franz Schubert
560/7 A049/07
    Ständchen
 Piano 1838 Keyboard arrangement of No.4 of the song cycle Schwanengesang, D.957, by Franz Schubert; 2nd version of S.559a, S.560/7a
560/7a A049/07
    Ständchen
 Piano 1880 Keyboard 3rd version of S.559a, S.560/7
560/8 A049/08
    Ihr Bild
 Piano 1838–39 Keyboard arrangement of No.9 of the song cycle Schwanengesang, D.957, by Franz Schubert
560/9 A049/09
    Frühlingssehnsucht
 Piano 1838–39 Keyboard arrangement of No.3 of the song cycle Schwanengesang, D.957, by Franz Schubert
560/10 A049/10
    Liebesbotschaft
 Piano 1838–39 Keyboard arrangement of No.1 of the song cycle Schwanengesang, D.957, by Franz Schubert
560/11 A049/11
    Der Atlas
 Piano 1838–39 Keyboard arrangement of No.8 of the song cycle Schwanengesang, D.957, by Franz Schubert
560/12 A049/12
    Der Doppelgänger
 Piano 1838–39 Keyboard arrangement of No.13 of the song cycle Schwanengesang, D.957, by Franz Schubert
560/13 A049/13
    Die Taubenpost
 Piano 1838–39 Keyboard arrangement of No.14 of the song cycle Schwanengesang, D.957, by Franz Schubert
560/14 A049/14
    Kriegers Ahnung
 Piano 1838–39 Keyboard arrangement of No.2 of the song cycle Schwanengesang, D.957, by Franz Schubert
561 A050 Winterreise (12 Lieder von Franz Schubert) Piano 1839 Keyboard arrangement of 12 songs from the cycle Winterreise by Franz Schubert
561/1 A050/01
    Gute Nacht
 Piano 1839 Keyboard arrangement of No.1 from the cycle Winterreise by Franz Schubert
561/2 A050/02
    Die Nebensonnen
 Piano 1839 Keyboard arrangement of No.23 from the cycle Winterreise by Franz Schubert
561/3 A050/03
    Mut!
 Piano 1839 Keyboard arrangement of No.22 from the cycle Winterreise by Franz Schubert
561/4 A050/04
    Die Post
 Piano 1839 Keyboard arrangement of No.13 from the cycle Winterreise by Franz Schubert
561/5 A050/05
    Erstarrung
 Piano 1839 Keyboard arrangement of No.4 from the cycle Winterreise by Franz Schubert
561/6 A050/06
    Wasserflut
 Piano 1839 Keyboard arrangement of No.6 from the cycle Winterreise by Franz Schubert
561/7 A050/07
    Der Lindenbaum
 Piano 1839 Keyboard arrangement of No.5 from the cycle Winterreise by Franz Schubert
561/8 A050/08
    Der Leiermann
 Piano 1839 Keyboard arrangement of No.24 from the cycle Winterreise by Franz Schubert
561/9 A050/09
    Täuschung
 Piano 1839 Keyboard arrangement of No.19 from the cycle Winterreise by Franz Schubert
561/10 A050/10
    Das Wirtshaus
 Piano 1839 Keyboard arrangement of No.21 from the cycle Winterreise by Franz Schubert
561/11 A050/11
    Der stürmische Morgen
 Piano 1839 Keyboard arrangement of No.18 from the cycle Winterreise by Franz Schubert
561/12 A050/12
    Im Dorfe
 Piano 1839 Keyboard arrangement of No.17 from the cycle Winterreise by Franz Schubert
562 A073 Franz Schuberts geistliche Lieder Piano 1840 Keyboard vol. 2 of Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert
562/1 A073/1
    Litaney
 Piano 1840 Keyboard arrangement of the song Litanei (Auf das Fest Aller Seelen), D.343, by Franz Schubert
562/2 A073/2
    Himmelsfunken
 Piano 1840 Keyboard arrangement of the song Himmelsfunken, D.651, by Franz Schubert
562/3 A073/3
    Die Gestirne
 Piano 1840 Keyboard arrangement of the song Die Gestirne, D.444, by Franz Schubert
562/4 A073/4
    Hymne
 Piano 1840 Keyboard arrangement of No.4 from the incidental music to Rosamunde, D.797, by Franz Schubert
563 A109 Melodien von Franz Schubert (6): Piano 1844 Keyboard
563/1 A109/1
    Lebe wohl!
 Piano 1844 Keyboard
563/2 A109/2
    Mädchens Klage
 Piano 1844 Keyboard arrangement of the song Des Mädchens Klage (2nd version), D.191 (Op.58 No.3), by Franz Schubert
563/3 A109/3
    Das Sterbeglöcklein
 Piano 1844 Keyboard arrangement of the song Das Zügenglöcklein, D.871, by Franz Schubert
563/4 A109/4
    Trockne Blumen
 Piano 1844 Keyboard arrangement of No.18 from the song cycle Die Schöne Müllerin, D.795 (Op.25), by Franz Schubert
563/5 A109/5
    Ungeduld
 Piano 1844 Keyboard arrangement of No.7 from the song cycle Die Schöne Müllerin, D.795 (Op.25), by Franz Schubert; 1st version of S.565/6, S.565bis/6
563/6 A109/6
    Die Forelle
 Piano 1844 Keyboard arrangement of the song Die Forelle, D.550, by Franz Schubert; 1st version of S.564
564 A127 Die Forelle (Lied von Franz Schubert) Piano 1846 Keyboard arrangement of the song Die Forelle, D.550, by Franz Schubert; 2nd version of S.563/6
565 A128 Müllerlieder von Franz Schubert Piano 1846 Keyboard 1st version of S.565bis
565/1 A128/1
    Das Wandern
 Piano 1846 Keyboard arrangement of No.1 from the song cycle Die Schöne Müllerin, D.795 (Op.25), by Franz Schubert; 1st version of S.565bis/1
565/2 A128/2
    Der Müller und der Bach
Piano 1846 Keyboard arrangement of No.19 from the song cycle Die Schöne Müllerin, D.795 (Op.25), by Franz Schubert; 1st version of S.565bis/2
565/3 A128/3
    Der Jäger
 Piano 1846 Keyboard arrangement of No.14 from the song cycle Die Schöne Müllerin, D.795 (Op.25), by Franz Schubert; 1st version of S.565bis/3
565/4 A128/4
    Die böse Farbe
 Piano 1846 Keyboard arrangement of No.17 from the song cycle Die Schöne Müllerin, D.795 (Op.25), by Franz Schubert; 1st version of S.565bis/4
565/5 A128/5
    Wohin?
 Piano 1846 Keyboard arrangement of No.2 from the song cycle Die Schöne Müllerin, D.795 (Op.25), by Franz Schubert; 1st version of S.565bis/5
565/6 A128/6
    Ungeduld
 Piano 1846 Keyboard arrangement of No.7 from the song cycle Die Schöne Müllerin, D.795 (Op.25), by Franz Schubert; 2nd version of S.563/5, S.565bis/6
565bis A128 Müllerlieder von Franz Schubert Piano 1879 Keyboard 2nd (simplified) version of S.565
565bis/1 A128/1
    Das Wandern
 Piano 1879 Keyboard arrangement of No.1 from the song cycle Die Schöne Müllerin, D.795 (Op.25), by Franz Schubert; 2nd version of S.565/1
565bis/2 A128/2
    Der Müller und der Bach
Piano 1879 Keyboard arrangement of No.19 from the song cycle Die Schöne Müllerin, D.795 (Op.25), by Franz Schubert; 2nd version of S.565/2
565bis/3 A128/3
    Der Jäger
 Piano 1879 Keyboard arrangement of No.14 from the song cycle Die Schöne Müllerin, D.795 (Op.25), by Franz Schubert; 2nd version of S.565/3
565bis/4 A128/4
    Die böse Farbe
 Piano 1879 Keyboard arrangement of No.17 from the song cycle Die Schöne Müllerin, D.795 (Op.25), by Franz Schubert; 2nd version of S.565/4
565bis/5 A128/5
    Wohin?
 Piano 1879 Keyboard arrangement of No.2 from the song cycle Die Schöne Müllerin, D.795 (Op.25), by Franz Schubert; 2nd version of S.565/5
565bis/6 A128/6
    Ungeduld
 Piano 1879 Keyboard arrangement of No.7 from the song cycle Die Schöne Müllerin, D.795 (Op.25), by Franz Schubert; 2nd version of S.563/5, S.565/6
565a U14/1 Grosse Fantasie von Franz Schubert Piano C major 1868 Keyboard edited with additions to the Wanderer Fantasy, D.760 (Op.15), by Franz Schubert
565b U14/2 4 Impromptus von F. Schubert Piano 1868 Keyboard edited, with additions to Nos.2 and 3 of 4 Impromptus, D.899 (Op.90), by Franz Schubert
565b U14/2 4 Impromptus von F. Schubert Piano 1868 Keyboard
566 A133 Liebeslied (Widmung von Robert Schumann) Piano 1848 Keyboard arrangement of No.1 of Myrthen, Op.25, by Robert Schumann; 1st version of S.566a
566a A133 Liebeslied (Widmung von Robert Schumann) Piano 1850-59? Keyboard 2nd version of S.566
567 A212 Lieder von Robert Schumann Piano 1861 Keyboard
567/1 A212/1
    An den Sonnenschein
 Piano 1861 Keyboard arrangement of No.4 of 6 Gedichte, Op.36, by Robert Schumann
567/2 A212/2
    Rotes Röslein
 Piano 1861 Keyboard arrangement of No.2 of Lieder und Gesänge, Vol.I, Op.27, by Robert Schumann
568 A257 Frühlingsnacht (Lied von Robert Schumann) Piano 1872 Keyboard arrangement of No.12 of Liederkreis, Op.39, by Robert Schumann
569 A264a Lieder von Robert und Clara Schumann (10): Piano 1874 Keyboard
569/1 A264a/1
    Weihnachtslied
 Piano 1874 Keyboard arrangement of No.16 of Liederalbum für die Jugend, Op.79, by Robert Schumann
569/2 A264a/2
    Die wandelnde Glocke
 Piano 1874 Keyboard arrangement of No.17 of Liederalbum für die Jugend, Op.79, by Robert Schumann
569/3 A264a/3
    Frühlings Ankunft
 Piano 1874 Keyboard arrangement of No.19 of Liederalbum für die Jugend, Op.79, by Robert Schumann
569/4 A264a/4
    Des Sennen Abschied
 Piano 1874 Keyboard arrangement of No.22 of Liederalbum für die Jugend, Op.79, by Robert Schumann
569/5 A264a/5
    Er ist's
 Piano 1874 Keyboard arrangement of No.23 of Liederalbum für die Jugend, Op.79, by Robert Schumann
569/6 A264a/6
    Nur wer die Sehnsucht kennt
 Piano 1874 Keyboard arrangement of No.3 of Lieder und Gesänge aus 'Wilhelm Meister', Op.98a, by Robert Schumann
569/7 A264a/7
    An die Türen will ich schleichen
 Piano 1874 Keyboard arrangement of No.5 of Lieder und Gesänge aus 'Wilhelm Meister', Op.98a, by Robert Schumann
569/8 A264b/1
    Warum willst du and're fragen
 Piano 1874 Keyboard arrangement of No.9 of Gedichte aus Rückerts Liebesfrühling, Op.12, by Clara Schumann
569/9 A264b/2
    Ich hab' in deinem Auge
 Piano 1874 Keyboard arrangement of No.5 of 6 Lieder, Op.13, by Clara Schumann
569/10 A264b/3
    Geheimes Flüstern hier und dort
 Piano 1874 Keyboard arrangement of No.10 of 6 Lieder aus Jucunde von Rollet, Op.23, by Clara Schumann
570 A306 Provenzalisches Minnelied (von Robert Schumann) Piano 1881 Keyboard arrangement of No.4 of Des Sängers Fluch, Op.139, by Robert Schumann
570a V16 Polka de salon (Einleitung und Coda zu Smetanas Polka) Piano F♯ major 1885 Keyboard additions and revisions to No.1 of 3 Polkas de salon, Op.7, by Bedřich Smetana
571 A275 Die Rose (Romanze von Louis Spohr) Piano 1876 Keyboard arrangement of Zemire's romance from the opera Zemire und Azor by Louis Spohr
571a V15 Valse-Caprice No.3 (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice) Piano 1880 Keyboard additions and revisions to of Valse-Caprice No.3; formerly S.167a
572 A292 Marche hongroise de Szabadi (Revive Szegedin!) Piano 1879 Keyboard arrangement of the Marche hongroise de Szabady by Jules Massenet
573 A258 Einleitung und Ungarischer Marsch von Graf Imre Széchényi (Bevezetés és magyar induló Gróf Széchényi Imrétõl ) Piano 1872 Keyboard based on the Ungarischer Marsch by Imre Széchényi
573a A297 Seconda Mazurka di Tirindelli Piano 1880 Keyboard additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli
574 A122 Ouvertüre zur Webers Oper Oberon Piano 1846 Keyboard arrangement of the overture from the opera Oberon, J.306, by Carl Maria von Weber
575 A129 Ouvertüre aus Webers Oper Der Freischütz Piano 1846 Keyboard arrangement of the overture from the opera Der Freischütz, Op.77
576 A121 Webers Jubelovertüre Piano 1846 Keyboard arrangement of the Jubel-Ouvertüre, Op.59, by Carl Maria von Weber
576a — Konzertstück (von Weber) Piano 1868–70 Keyboard arrangement of the Konzertstück, Op.79, by Carl Maria von Weber
577/1 A087 I Love (Romanze von Wielhorski) Piano 1842 Keyboard arrangement of the romance I Love by Mikhail Vielgorsky; 2nd version of S.577/2, S.577bis, and S.577ter
577/2 A087 Autrefois (Romance du Comte Mikaïl Yourievitch Wielhorsky) Piano 1843 Keyboard 4th version of S.577/1, S.577bis, and S.577ter
577bis — Romance "Lyubila ya" Piano circa 1842 Keyboard 1st version of S.577ter, S.577/1, and S.577/2
577ter — Romance "Lyubila ya" Piano circa 1843 Keyboard 3rd version of S.577bis, S.577/1, and S.577/2
577a T33 12 Nocturnes (John Field) Piano 4 hands 1877 Keyboard
577a/01 T33/01
    Nocturne No.1
 Piano 4 hands 1877 Keyboard arrangement of Nocturne No.1 in E♭ major, H.24, by John Field
577a/02 T33/02
    Nocturne No.2
 Piano 4 hands 1877 Keyboard arrangement of Nocturne No.2 in C minor, H.25, by John Field
577a/03 T33/03
    Nocturne No.3
 Piano 4 hands 1877 Keyboard arrangement of Nocturne No.3 in A♭ major, H.26, by John Field
577a/04 T33/04
    Nocturne No.4
 Piano 4 hands 1877 Keyboard arrangement of Nocturne No.4 in A major, H.36, by John Field
577a/05 T33/05
    Nocturne No.5
 Piano 4 hands 1877 Keyboard arrangement of Nocturne No.5 in B♭ major, H.37, by John Field
577a/06 T33/06
    Nocturne No.6
 Piano 4 hands 1877 Keyboard arrangement of Nocturne No.6 in F major, H.40, by John Field
577a/07 T33/07
    Nocturne No.7
 Piano 4 hands 1877 Keyboard arrangement of Pastorale in A major, H.14, by John Field
577a/08 T33/08
    Nocturne No.8
 Piano 4 hands 1877 Keyboard arrangement of Romance in E♭ major, H.30, by John Field
577a/09 T33/09
    Nocturne No.9
 Piano 4 hands 1877 Keyboard arrangement of Nocturne No.8 in E minor, H.46, by John Field
577a/10 T33/10
    Nocturne No.10
 Piano 4 hands 1877 Keyboard arrangement of Nocturne No.17 in E major, H.65, by John Field
577a/11 T33/11
    Nocturne No.11
 Piano 4 hands 1877 Keyboard arrangement of Nocturne No.11 in E♭ major, H.56, by John Field
577a/12 T33/12
    Nocturne No.12
 Piano 4 hands 1877 Keyboard arrangement of Nocturne No.18 in E major ("Midi"), H.13, by John Field
578 B27 Die Legende von der Heiligen Elisabeth: Piano 4 hands 1862–66? Keyboard arranged from S.2
578/1 B27/1
    Orchester Einleitung
 Piano 4 hands 1862–66? Keyboard arrangement of Introduction from S.2
578/2 B27/2
    Marsch der Kreuzritter
 Piano 4 hands 1862–66? Keyboard arrangement of No.3e from S.2
578/3 B27/3
    Der Sturm
 Piano 4 hands 1862–66? Keyboard arrangement of No.4d from S.2
578/4 B27/4
    Interludium
 Piano 4 hands 1862–66? Keyboard arrangement of No.6a from S.2
579 B30 Orchestersätze aus dem Oratorium Christus (2): Piano 4 hands 1866–73? Keyboard arranged from S.3
579/1 B30/1
    Hirtengespiel an der Krippe
 Piano 4 hands 1866–73? Keyboard arrangement of No.4 from S.3
579/2 B30/2
    Die heiligen drei Könige
 Piano 4 hands 1866–73? Keyboard arrangement of No.5 from S.3
580 B42 Excelsior! (Preludio zu dem Glocken des Strassburger Münsters) Piano 4 hands 1874 Keyboard arrangement of prelude from S.6
581 B31 Aus der Ungarischen Krönungsmesse Piano 4 hands 1869 Keyboard arranged from S.11
581/1 B31/1
    Benedictus
 Piano 4 hands 1869 Keyboard arrangement of No.5 from S.11
581/2 B31/2
    Offertorium
 Piano 4 hands 1869 Keyboard arrangement of No.7 from S.11
582 B53 O Lamm Gottes! Piano 4 hands 1878-79 Keyboard arrangement of S.504b/7
583 B52 Via Crucis (Les 14 stations de la croix) Piano 4 hands 1878–79 Keyboard arrangement of S.53
584 B06 Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn Piano 4 hands 1845 Keyboard arrangement of S.67
585 B24 Pastorale (Schnitterchor aus dem Entfesselten Prometheus) Piano 4 hands 1861 Keyboard arrangement of No.4 from S.69/2
586 B34 Gaudeamus igitur (Humoreske) Piano 4 hands 1870? Keyboard arrangement of S.71a
587 B07 Marche héroique Piano 4 hands 1848? Keyboard arrangement of S.510
588 B16 Weimars Volkslied Piano 4 hands 1857 Keyboard arrangement of S.313
589 B37 Ce qu'on entend sur la montagne (Symphonic Poem No.1) Piano 4 hands 1874 Keyboard arrangement of S.95 (3rd version)
590 B20 Tasso: Lamento e Trionfo
(Symphonic Poem No.2) 		Piano 4 hands 1858 Keyboard arrangement of S.96
591 B12 Les préludes
(Symphonic Poem No.3) 		Piano 4 hands 1853–58 Keyboard arrangement of S.97
592 B17 Orpheus
(Symphonic Poem No.4) 		Piano 4 hands 1858 Keyboard arrangement of S.98
593 B18 Prometheus
(Symphonic Poem No.5) 		Piano 4 hands 1858? Keyboard arrangement of S.99
594 B38 Mazeppa
(Symphonic Poem No.6) 		Piano 4 hands 1874 Keyboard arrangement of S.100
595 B13 Festklänge
(Symphonic Poem No.7) 		Piano 4 hands 1854–61 Keyboard arrangement of S.101
596 B39 Hungaria
(Symphonic Poem No.9) 		Piano 4 hands 1874 Keyboard arrangement of S.103
596a B49 Héroïde funèbre
(Symphonic Poem No.8) 		Piano 4 hands 1877 Keyboard arrangement of S.102
596b B51 Hunnenschlacht
(Symphonic Poem No.11) 		Piano 4 hands 1877 Keyboard arrangement of S.105
596c B44 Die Ideale
(Symphonic Poem No.12) 		Piano 4 hands 1874–77 Keyboard arrangement of S.106 by Liszt and Giovanni Sgambati
597 B40 Hamlet
(Symphonic Poem No.10) 		Piano 4 hands 1874 Keyboard arrangement of S.104
598 B55 Von der Wiege bis zum Grabe (From the Cradle to the Grave)
(Symphonic Poem No.13) 		Piano 4 hands 1881 Keyboard arrangement of S.107
599 B15 Episoden aus Lenau's Faust(2) Piano 4 hands 1856–61? Keyboard arrangement of S.110
599/1 B15/1
    Der nächtliche Zug
 Piano 4 hands 1856–61? Keyboard arrangement of S.110/1
599/2 B15/2
    Der Tanz in der Dorfschenke (Mephisto Waltz)
 Piano 4 hands 1856–61? Keyboard arrangement of S.110/2
600 B54 Mephisto Waltz No.2 Piano 4 hands 1880–81 Keyboard arrangement of S.515
— B23 Odes funèbres (3): Piano 4 hands 1860–69 Keyboard arranged from S.112
601 B23/1
    Les morts
 Piano 4 hands 1860 Keyboard arrangement of S.112/1
602 B23/2
    La notte
 Piano 4 hands 1866 Keyboard arrangement of S.112/2
603 B23/3 Piano 4 hands 1866–69 Keyboard arrangement of S.112/3
604/1 B28/1 Boze coś Polskę Piano 4 hands 1863 Keyboard arrangement of S.113/1
604/2 B28/2 Salve Polonia (Interludium aus dem Oratorium St. Stanislaus) Piano 4 hands 1884 Keyboard arrangement of S.113/2
605 B22 Künstlerfestzug zur Schillerfeier 1859 Piano 4 hands 1859 Keyboard arrangement of S.114
606 B19 Festmarsch zur Goethe-Jubiläumfeier Piano 4 hands 1858? Keyboard arrangement of S.115
607 B21 Festmarsch nach Motiven von E.H.z.S.-C.-G. Piano 4 hands 1858–59 Keyboard arrangement of S.116
608 B33 Rákóczi-Marsch Piano 4 hands 1870 Keyboard arrangement of S.117
609 B32 Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867 Piano 4 hands 1870 Keyboard arrangement of S.118
610 B46 Ungarischer Sturmmarsch (Hungarian Battle March) Piano 4 hands 1875 Keyboard arrangement of S.119
611 W07 Epithalam (zu Eduard Reményi‘s Vermählungsfeier) Piano 4 hands 1872 Keyboard arrangement of S.129; Liszt's authorship doubtful
612 B36 Elegy No.1 Piano 4 hands 1874 Keyboard arrangement of S.196
612a B43 Weihnachtsbaum Piano 4 hands 1875? Keyboard arrangement of S.185a; 1st version of S.613
612a/1 B43/1
    Psallite (Altes Weihnacthen)
 Piano 4 hands 1875? Keyboard arrangement of S.185a/1; 1st version of S.613/1
612a/2 B43/2
    O heilige Nacht!
 Piano 4 hands 1875? Keyboard arrangement of S.185a/2; 1st version of S.613/2
612a/3 B43/3
    Die Hirten an der Krippe ("In dulci jubilo")
 Piano 4 hands 1875? Keyboard arrangement of S.185a/3; 1st version of S.613/3
612a/4 B43/4
    Adeste fideles (gleichsam als Marsch der heiligen drei Konige)
Piano 4 hands 1875? Keyboard arrangement of S.185a/4; 1st version of S.613/4
612a/5 B43/5
    Scherzoso
 Piano 4 hands 1875? Keyboard arrangement of S.185a/5; 1st version of S.613/5
612a/6 B43/6
    Reveille-Matin (Wecker)
 Piano 4 hands 1875? Keyboard arrangement of S.185a/6; 1st version of S.613/6
612a/7 B43/7
    Schlummerlied
 Piano 4 hands 1875? Keyboard arrangement of S.185a/7; 1st version of S.613/7
612a/8 B43/8
    (Alt-provenzalisches Noel)
 Piano 4 hands 1875? Keyboard arrangement of S.185a/8; 1st version of S.613/8
612a/9 B43/9
    (Abendglocken)
 Piano 4 hands 1875? Keyboard arrangement of S.185a/9; 1st version of S.613/9
612a/10 B43/10
    (Ehemals)
 Piano 4 hands 1875? Keyboard arrangement of S.185a/10; 1st version of S.613/10
612a/11 B43/11
    Ungarisch
 Piano 4 hands 1875? Keyboard arrangement of S.185a/11; 1st version of S.613/11
612a/12 B43/12
    Polnisch
 Piano 4 hands 1875? Keyboard arrangement of S.185a/12; 1st version of S.613/12
613 B43 Weihnachtsbaum Piano 4 hands 1876–81 Keyboard arrangement of S.186; 2nd version of S.613
613/1 B43/1
    Altes Weihnacthen (Psalite)
 Piano 4 hands 1876–81 Keyboard arrangement of S.186/1; 2nd version of S.613/1
613/2 B43/2
    O heilige Nacht!
 Piano 4 hands 1876–81 Keyboard arrangement of S.186/2; 2nd version of S.613/2
613/3 B43/3
    Die Hirten an der Krippe ("In dulci jubilo")
 Piano 4 hands 1876–81 Keyboard arrangement of S.186/3; 2nd version of S.613/3
613/4 B43/4
    Adeste fideles (Gleichsam als Marsch der heiligen drei Konige
 Piano 4 hands 1876–81 Keyboard arrangement of S.186/4; 2nd version of S.613/4
613/5 B43/5
    Scherzoso (Man zündet die Kerzen des Baumes an)
 Piano 4 hands 1876–81 Keyboard arrangement of S.186/5; 2nd version of S.613/5
613/6 B43/6
    Carillon
 Piano 4 hands 1876–81 Keyboard arrangement of S.186/6; 2nd version of S.613/6
613/7 B43/7
    Schlummerlied
 Piano 4 hands 1876–81 Keyboard arrangement of S.186/7; 2nd version of S.613/7
613/8 B43/8
    Altes provenzalisches Weihnachtslied
 Piano 4 hands 1876–81 Keyboard arrangement of S.186/8; 2nd version of S.613/8
613/9 B43/9
    Abendglocken
 Piano 4 hands 1876–81 Keyboard arrangement of S.186/9; 2nd version of S.613/9
613/10 B43/10
    Ehemals
 Piano 4 hands 1876–81 Keyboard arrangement of S.186/10; 2nd version of S.613/10
613/11 B43/11
    Ungarisch
 Piano 4 hands 1876–81 Keyboard arrangement of S.186/11; 2nd version of S.613/11
613/12 B43/12
    Polnisch
 Piano 4 hands 1876–81 Keyboard arrangement of S.186/12; 2nd version of S.613/12
614 B50 Dem Andenken Petöfis Piano 4 hands 1877 Keyboard arrangement of S.349
615 B01 Grande valse di bravura (La bal de Berne) Piano 4 hands 1836 Keyboard arrangement of S.209
615a — Mephisto Waltz No.3 Piano 4 hands 1883 Keyboard arrangement of S.216
616 B02 Grand galop chromatique Piano 4 hands 1838 Keyboard arrangement of S.219
617 B56 Csárdás macabre Piano 4 hands 1881–82 Keyboard arrangement of S.224 [by Liszt and János Végh?]
618 W11 Csárdás obstiné Piano 4 hands 1884? Keyboard arrangement of S.225/2 [Liszt's authorship uncertain]
618a B14 Vom Fels zum Meer! (Deutscher Siegesmarsch) Piano 4 hands 1853–56? Keyboard arrangement of S.229
619 B59 Bülow-Marsch Piano 4 hands 1883 Keyboard arrangement of S.230
619a B48 Festpolonaise Piano 4 hands 1876 Keyboard arrangement of S.230a
620 B03 Hussitenlied (Aus dem 15. Jahrhundert) Piano 4 hands 1840–41 Keyboard arrangement of S.234
621 B41 Hungarian Rhapsodies (6): Piano 4 hands 1857–60 Keyboard arrangement of S.359
621/1 B41/1 Piano 4 hands F minor 1860 Keyboard arrangement of S.359/1 (based on S.244/14)
621/2 B41/2 Piano 4 hands D minor 1860 Keyboard arrangement of S.359/2 (based on S.244/12)
621/3 B41/3 Piano 4 hands D major 1860 Keyboard arrangement of S.359/3 (based on S.244/6)
621/4 B41/4 Piano 4 hands D minor 1860 Keyboard arrangement of S.359/4 (based on S.244/2)
621/5 B41/5 Piano 4 hands E minor 1860 Keyboard arrangement of S.359/5 (based on S.244/5)
621/6 B41/6 Piano 4 hands 1860 Keyboard arrangement of S.359/6 (based on S.244/9)
622 B57 Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten Piano 4 hands 1882 Keyboard arrangement of S.244/16
623 W12 Hungarian Rhapsody No.18 Piano 4 hands 1885 Keyboard arrangement of S.244/18 (Liszt's authorshop doubtful)
623a W13 Hungarian Rhapsody No.19 Piano 4 hands 1885? Keyboard arrangement of S.244/19 (Liszt's authorshop doubtful)
624 B08 Fantasie und Fuge über den Choral Ad nos, ad salutarem undam Piano 4 hands 1850 Keyboard arrangement of S.259; published as S.414/4
625 B29 Der Papsthymnus Piano 4 hands 1865 Keyboard arrangement of S.261
626 B60 Magyar király-dal (Ungarisches Königslied) Piano 4 hands 1883 Keyboard arrangement of S.340
627 B09 Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula Piano 4 hands 1852 Keyboard arrangement of S.393
628 B10 Bénédiction et serment (Deux motifs de Benvenuto Cellini de Berlioz) Piano 4 hands 1852–53 Keyboard arrangement of S.396
628a B05 Marche et Cavatine de Lucie de Lammermoor Piano 4 hands 1844? Keyboard arrangement of S.398
628b — Szózat und Hymnus (2 vaterländische Dichtungen von Vörösmarty and Kölcsey) Piano 4 hands 1873 Keyboard arrangement of S.353 (Liszt's authorship doubtful)
629 B45 Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla Piano 4 hands 1875 Keyboard arrangement of S.406/2
630 W02 Réminiscences de Robert le diable (Valse infernale) Piano 4 hands 1841-43 Keyboard arrangement of S.413 (Liszt's authorship doubtful)
631 B11 Andante Finale und Marsch aus der Oper König Alfred Piano 4 hands 1853? Keyboard arrangement of S.421
631/1 B11/1
    Andante
 Piano 4 hands 1853? Keyboard arrangement of S.421/1
631/2 B11/2
    Marsch
 Piano 4 hands 1853? Keyboard arrangement of S.421/2
632 B35 Franz Schuberts Märsche (4) Piano 4 hands 1859–70 Keyboard arranged from S.363
632/1 B35/1
    (Vivace)
 Piano 4 hands B minor 1859–70 Keyboard arrangement of S.363/1
632/2 B35/2
    Trauermarsch
 Piano 4 hands E♭ minor 1859–70 Keyboard arrangement of S.363/2
632/3 B35/3
    Reitermarsch
 Piano 4 hands C major 1859–70 Keyboard arrangement of S.363/3
632/4 B35/4
    Ungarischer Marsch
 Piano 4 hands D minor 1859–70 Keyboard arrangement of S.363/4
633 B26 A la ChapelleÀ la Chapelle Sixtine (Miserere d'Allegri et Ave verum Corpus de Mozart) Piano 4 hands 1865 Keyboard arrangement of S.461/2
634 B04 Grand septuor de Beethoven Piano 4 hands 1840–42 Keyboard arrangement of S.465
634a B47 Adagio von Die Zauberflöte (Der welcher wandelt diese Strasse) Piano 4 hands 1875–81? Keyboard arrangement of "Der, welcher wandelt diese Straße voll Beschwerden" from Act II of the opera Die Zauberflöte, K.620, by Wolfgang Amadeus Mozart
634b B25 Stücke aus Tannhäuser und Lohengrin (2): Piano 4 hands 1862? Keyboard arrangement of S.445
634b/1 B25/1
    Einzug der Gäste auf der Wartburg
 Piano 4 hands 1862? Keyboard arrangement of S.445/1a
634b/2 B25/2
    Elsas Brautzug zum Münster
 Piano 4 hands 1862? Keyboard arrangement of S.445/2
635 C09 Ce qu'on entend sur la montagne (Symphonic Poem No.1) 2 Pianos 1854–56 Keyboard arrangement of S.95
636 C10 Tasso: Lamento e Trionfo
(Symphonic Poem No.2) 		2 Pianos 1854–56 Keyboard arrangement of S.96
637 C11 Les préludes
(Symphonic Poem No.3) 		2 Pianos 1855? Keyboard arrangement of S.97
638 C12 Orpheus
(Symphonic Poem No.4) 		2 Pianos 1855–56 Keyboard arrangement of S.98
639 C14 Prometheus
(Symphonic Poem No.5) 		2 Pianos 1855–56 Keyboard arrangement of S.99
640 C13 Mazeppa
(Symphonic Poem No.6) 		2 Pianos 1855 Keyboard arrangement of S.100
641 C07 Festklänge
(Symphonic Poem No.7) 		2 Pianos 1853 Keyboard arrangement of S.101
642 C15 Héroïde funèbre
(Symphonic Poem No.8) 		2 Pianos 1854–56 Keyboard arrangement of S.102
643 C16 Hungaria
(Symphonic Poem No.9) 		2 Pianos 1855–56 Keyboard arrangement of S.103
644 C22 Hamlet
(Symphonic Poem No.10) 		2 Pianos 1858–60 Keyboard arrangement of S.104
645 C21 Hunnenschlacht
(Symphonic Poem No.11) 		2 Pianos 1857–60 Keyboard arrangement of S.105
646 C17 Die Ideale
(Symphonic Poem No.12) 		2 Pianos 1857–58 Keyboard arrangement of S.106
647 C19 Faust Symphony (Eine Faust-Symphonie) 2 Pianos 1856 Keyboard arrangement of S.108
648 C20 Dante Symphony (Eine Symphonie zu Dantes Divina Commedia) 2 Pianos 1856–57 Keyboard arrangement of S.109
649 C06 Fantasie über Motiven aus Beethovens Ruinen von Athen 2 Pianos 1852 Keyboard arrangement of S.122
650 C08 Piano Concerto No.1 2 Pianos E♭ major 1853–56? Keyboard arrangement of S.124
651 C23 Piano Concerto No.2 2 Pianos A major 1859 Keyboard arrangement of S.125
652 C24 Totentanz 2 Pianos 1859–65? Keyboard arrangement of S.126/2
652a C25 Rákóczi-Marsch 2 Pianos 1870 Keyboard arrangement of S.117
653 C05 Franz Schuberts Grosse Fantasie 2 Pianos C major 1851–62? Keyboard arrangement of S.366
654/1 C02 Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini) 2 Pianos 1840 Keyboard arrangement of S.392; 1st version
654/2 C02 Hexaméron (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini) 2 Pianos 1870? Keyboard arrangement of S.392; 2nd version
655 C03 Réminiscences de Norma 2 Pianos 1845–74? Keyboard arrangement of S.394
656 C26 Réminiscences de Don Juan (Grande fantaisie) 2 Pianos 1876–77 Keyboard arrangement of S.418
657 C04 Symphony No.9 [Beethoven] 2 Pianos D minor 1851 Keyboard arrangement of the Symphony No.9, Op.125, by Ludwig van Beethoven; arranged for solo piano as S.464/9
657a/1 C27 Piano Concerto No.3 [Beethoven] 2 Pianos C minor 1878–79 Keyboard arrangement of the Piano Concerto No.3, Op.37; includes new cadenza for 1st movement, S.389a
657a/2 C28 Piano Concerto No.4 [Beethoven] 2 Pianos G major 1878–79 Keyboard arrangement of the Piano Concerto No.4, Op.58
657a/3 C29 Piano Concerto No.5 [Beethoven] 2 Pianos E♭ major 1878–79 Keyboard arrangement of the Piano Concerto No.5, Op.73
657b C30 Bülow-Marsch 2 Pianos, 8 hands 1884 Keyboard arrangement of S.230
658 E15 Evocation á la Chapelle Sixtine Organ (or Harmonium) 1862–65? Keyboard arrangement of S.461
659 E14 Ave Maria d'Arcadelt Organ (or Harmonium) 1862–63 Keyboard arrangement of S.183/2
660/1 E09 Einleitung und Fuge (aus der Motette Ich hatte viel Bekümmernis) Organ (or Harmonium) 1860–66 Keyboard arrangement of the introduction and fugue from the cantata Ich hatte viel Bekümmernis, BWV 21, by Johann Sebastian Bach
660/2 E05 Andante (Aus tiefer Not) Organ (or Harmonium) 1856–60? Keyboard arrangement of part of the cantata Aus tiefer Noth schrei ich zu dir, BWV 38, by Johann Sebastian Bach
661 E13 Adagio vom Bach Organ (or Harmonium) 1861–63 Keyboard arrangement of the 3rd movement of Violin Sonata No.4, BWV 1017, by Johann Sebastian Bach
662/1 E16/1 Prelude Organ E minor 1862–63? Keyboard arrangement of No.4 of the Preludes, Op.28, by Frederic Chopin
662/2 E16/2 Prelude Organ E major 1862–63? Keyboard arrangement of No.9 of the Preludes, Op.28, by Frederic Chopin
663 E21 Regina coeli laetare Organ (or Harmonium) 1865 Keyboard arrangement of the motet Regina coeli laetare by Orlande de Lassus
663a E25 Einleitung zur Legende von der heiligen Elisabeth Organ (or Harmonium) 1872 Keyboard arrangement by Liszt and Carl Müller-Hartung of the introduction from S.2
664/1 E19b/1 Tu es Petrus aus dem Oratorio Christus Organ (or Harmonium) 1867 Keyboard arrangement of No.8 from S.3; 1st version of S.664/2
664/2 E19b/2 Tu es Petrus aus dem Oratorio Christus Organ 1867 Keyboard arrangement of movt. VIII from S.3; 2nd (simplified) version of S.664/1
665 E35 San Francesco Organ 1880 Keyboard arrangement of the prelude from S.4/2
666 E26 Preludio (Excelsior!) Organ, (Mixed Chorus ad lib.) 1874–75 Choral arrangement of prelude from S.6
667 E23 Offertorium aus der Ungarischen Krönungsmesse Organ (or Harmonium) 1868? Keyboard arrangement of No.5 from S.11
667a — Psalm 18 (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes) Organ 1860 Keyboard arrangement of S.14/1
667b/1 — Gebet (Ave Maria) Organ 1842? Keyboard arrangement of S.20/1
667b/2 E04 Ave Maria I Organ 1856–59? Keyboard arrangement of S.20/2; incomplete sketch as S.701n
667c E24 Ave Maria II Harmonium D major 1869 Keyboard arrangement of S.38
668 E18 Slavimo slavno, Slaveni! Organ 1863 Keyboard arrangement of S.33
668a E27/2a Ave maris stella Harmonium 1871 Keyboard arrangement of S.34; 1st version of S.669/2
669 E27 Kirchenhymnen (2) Organ (or Harmonium) 1877 Keyboard
669/1 E27/1
    Salve Regina
 Organ (or Harmonium) 1877 Keyboard
669/2 E27/2b
    Ave maris stella
 Organ (or Harmonium) 1877 Keyboard arrangement of S.34; 2nd version of S.668a
669a — Deutsche Kirchenlieder (7): Voice, Mixed Chorus, Organ (or Piano) 1878-1879 Choral arranged from S.50
669a/1 —
    Es segne uns Gott
 Mixed Chorus, Organ 1878–79 Choral arrangement of S.50/1
669a/2 —
    Gott sei gnädig (Der Kirchensegen)
 Voice, Organ (or Mixed Chorus) 1878–79 Choral arrangement of S.50/2
669a/3 —
    Nun ruhen alle Wälder
 Voice, Organ 1878–79 Vocal arrangement of S.50/3
669a/4 —
    O Haupt voll Blut und Wunden
 Voice, Organ 1878–79 Vocal arrangement of S.50/4
669a/5 —
    O Lamm Gottes!
 Voice, Organ (or Piano) 1878–79 Vocal arrangement of S.50/5
669a/6 —
    Was Gott tut, das ist wohlgetan
 Voice, Organ 1878–79 Vocal arrangement of S.50/6
669a/7 —
    Wer nur den lieben Gott läßt walten
 Voice, Organ 1878–79 Vocal arrangement of S.50/7
669b E31 Via Crucis (Les 14 stations de la croix) Organ 1876–79 Keyboard arrangement of S.53
669c — O Roma nobilis Organ 1878–79 Keyboard arrangement of S.54
670 E34 Rosario Organ (or Harmonium) 1879 Keyboard arranged from S.56
670/1 E34/1
    Mysteria gaudiosa
Organ (or Harmonium) 1879 Keyboard arrangement of S.56/1
670/2 E34/2
    Mysteria dolorosa
Organ (or Harmonium) 1879 Keyboard arrangement of S.56/2
670/3 E34/3
    Mysteria gloriosa
Organ (or Harmonium) 1879 Keyboard arrangement of S.56/3
671 E40 In domum Domini ibimus (Zum Haus des Herrn ziehen wir) Organ 1884 Keyboard arrangement of S.57
671a J44 Zur Trauung Organ 1883? Keyboard arrangement of S.60
672/1 E06/1 Weimars Volkslied Organ 1857–63? Keyboard arrangement of S.313; 1st version of S.672/2
672/2 E06/2 Weimars Volkslied Organ (or Harmonium) 1872–73? Keyboard arrangement of S.313; 2nd version of S.672/1
672a E11 Orpheus
(Symphonic Poem No.4) 		Organ (or Harmonium) 1860–72 Keyboard arrangement of S.98
672b E08 Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia Organ (or Harmonium) 1860 Keyboard arrangement by Liszt [and Alexander Wilhelm Gottschalg?] of S.109
672c E30 Angelus! Prière aux anges gardiens Harmonium 1877–82 Keyboard arrangement of S.163/1
672d E22 Consolations (4): Organ (or Harmonium) 1866–79 Keyboard arranged from S.172
672d/1 E22/1
    (Lento placido)
 Organ (or Harmonium) A major 1879? Keyboard arrangement of S.172/3
672d/2 E22/2
    (Adagio)
 Organ (or Harmonium) D♭ major 1866–67? Keyboard arrangement of S.172/4 by Liszt and Alexander Wilhelm Gottschalg
672d/3 E22/3
    (Andantino)
 Organ (or Harmonium) E major 1872–73? Keyboard arrangement of S.172/5 by Liszt and Alexander Wilhelm Gottschalg
672d/4 E22/4
    (Trôstung)
 Organ (or Harmonium) E major 1879? Keyboard arrangement of S.172/6
673 E17 Variationen über das Motiv von Bach Organ 1862–63 Keyboard arrangement of S.180
674 E37 A magyarok Istene (Ungarns Gott) Organ (or Harmonium) 1881 Keyboard arrangement of S.339
674a E36 O sacrum convivium Organ (or Harmonium) 1881–85? Keyboard arrangement of S.58
674b — Ave Maria IV Organ (or Harmonium) 1881 Keyboard arrangement of S.341
674c — Nun danket alle Gott Organ 1884 Keyboard arrangement of S.61
674d E42 Ave verum corpus de Mozart Organ 1886 Keyboard arrangement of the Ave verum corpus, K.618, by Wolfgang Amadeus Mozart; arranged for solo piano as S.461a
675 E02 Kirchliche Fest-Ouvertüre Organ (or Pedal Piano) 1852 Keyboard arrangement of the Kirchliche Fest-Ouvertüre über den Choral Ein feste Burg ist unser Gott by Otto Nicolai
675a V10 In der Christmette Violin, Organ 1873? Keyboard corrections to No.1 of 5 Charakterstücke, Op.3, by Alexander Ritter
675b V18 Davidsbündlertänze Organ 1870? Keyboard arrangement by Alexander Wilhelm Gottschalg and Liszt of No.14 of the Davidsbündlertänze, Op.6, by Robert Schumann
675c/1 E29 Agnus Dei della Messa da Requiem di Giuseppe Verdi Organ (or Harmonium) 1877–78 Keyboard based on No.5 of the Requiem by Giuseppe Verdi; 1st version of S.675c/2
675c/2 E29 Agnus Dei della Messa da Requiem di Giuseppe Verdi Organ (or Harmonium or Armonipiano) 1883 Keyboard 2nd version of S.675c/1
676/1 E10a Chor der jüngeren Pilger (Der Gnade Heil) Organ (or Harmonium) 1860 Keyboard based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera Tannhäuser, WWV 70, by Richard Wagner; 1st version of S.676/2
676/2 E10b Chor der jüngeren Pilger (Der Gnade Heil) Organ (or Harmonium) 1862 Keyboard 2nd version of S.676/1
677 F2 Hosannah (Alleluja del Cantico del sol) Organ (Trombone ad lib.) 1862–63 Chamber arrangement of 'Alleluja' from S.4/1
678 F3 Aus der Ungarischen Krönungsmesse Violin, Organ (or Harmonium) 1871 Chamber arrangement of extracts from S.11
678/1 F3/1
    Benedictus
 Violin, Organ (or Harmonium) 1871 Chamber arrangement of S.11/5
678/2 F3/2
    Offertorium
 Violin, Organ (or Harmonium) 1871 Chamber arrangement of S.11/7
679 F1 Cujus animam aus Rossinis Stabat Mater Trombone, Organ 1860–70? Chamber arrangement of "Cujus animam" from Stabat Mater by Gioacchino Rossini; arranged for tenor and organ as S.682; for solo piano as S.553/1
680 K03 Ave maris stella Voice, Organ (or Harmonium) D major 1868 Vocal arrangement of S.34/2
681 K04 Ave Maria II Voice, Organ (or Harmonium) 1869 Vocal arrangement of S.38
682 K05 Cujus animam aus Rossinis Stabat Mater Tenor, Organ 1874? Vocal arrangement of "Cujus animam" from Stabat Mater by Gioacchino Rossini; arranged for trombone and organ as S.682; for solo piano as S.553/1
683 N57 Serbisches Lied (Ein Mädchen sitzt am Meeresstrand) Voice, Piano 1858? Vocal
683a K10 Gebet Voice, Organ 1883? Vocal arrangement of the song by Francis Korbay; also arranged for voice and orchestra as S.368/2
684 N02 Barcarole vénitienne de Pantaleoni Voice, Piano 1840 Vocal arrangement of the song by Luigi Pantaleoni
685 N47 Es hat geflammt die ganze Nacht (Lied der Grossherzogin Marie Pavlovna) Voice, Piano 1849–54 Vocal arrangement of the song by Maria Pavlovna, Grand Duchess of Russia
686 P4 Helges Treue Narrator, Piano 1860 Vocal arrangement of the ballad Helges Treue, Op.1, by Felix Draeseke
687 Q13 Sardanapale Voices, Mixed Chorus, Orchestra   1846–55? Stage unfinished sketches for an opera, based on Byron's Sardanapalus
688 Q17 Die Legende vom heiligen Stanislaus Voices, Mixed Chorus, Orchestra 1869–85 Choral unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arranged for piano as S.688a
688a Q17 Die Legende vom heiligen Stanislaus Piano 1868? Keyboard arranged from S.688; incomplete sketches
689 Q14 Singe wem Gesang gegeben Male Chorus, Orchestra 1848? Choral orchestrated by Liszt and August Conradi; incomplete
689a Q09 Manfred Chorus, Orchestra 1842–44 Choral incomplete
690 Q01 Symphonie révolutionnaire Orchestra 1830–53 Orchestral incomplete sketches; 1st movement revised as S.102; 5th movement revised as S.703
691* — De Profundis Piano, Orchestra 1834 Concerto renumbered as S.121a
692 S49 Violin Concerto Violin, Orchestra 1860 Concerto lost
692a Q18 Die vier Jahreszeiten 2 Violins, Viola, Cello 1880? Chamber arrangement of Le Quattro Stagioni by Antonio Vivaldi; incomplete sketches; formerly S.719
692b S22 Piano Sonata Piano F minor 1880 Keyboard the first page of S.725/1 (now lost), copied by Liszt in 1880
692c — Allegro maestoso (Etude No. 13) Piano F♯ major 1826 Keyboard incomplete sketches
692d — Rakoczi-Marsch Piano 1839–40 Keyboard simplified arrangement of S.242a; incomplete sketches
692e — Winzerchor aus den entfesselten Prometheus Piano 1850? Keyboard arrangement of No.5 from S.69; incomplete sketches
693 Q12 Marches dans le genre hongrois (2): Piano circa 1840? Keyboard incomplete sketches
693/1 Q12/1
    March No.1
Piano D minor circa 1840? Keyboard incomplete sketches
693/2 Q12/2
    March No.2
Piano B♭ minor circa 1840? Keyboard incomplete sketches
693a — Die Legende von der Heiligen Elisabeth: Piano 1862 Keyboard arranged from S.2
693a/1 —
    Das Rosenmirakel
Piano 1862 Keyboard arrangement of S.2/2c
693a/2 —
    Der Sturm
Piano 1862 Keyboard arrangement of S.2/4d
694 Q08 Grande paraphrase de concert sur God Save the Queen et Rule Britannia (Fantasie sur thèmes anglais) Piano, Orchestra 1841 Concerto partly based on S.235, using the themes of the British national anthem and Rule Britannia by Thomas Augustine Arne; fragment only survives (completed by Leslie Howard as Fantasy on English Themes); arranged for piano 4 hands as S.755b, and for piano quartet as S.718e
695 A100 Klavierstück Piano F major 1843 Keyboard
695a* — Litanies de Marie Piano 1846–47 Keyboard renumbered as S.171e
695b — Zigeuner-Epos (11): Piano circa 1848 Keyboard sketches
695b/1 —
    (Lento)
Piano C minor circa 1848 Keyboard sketches
695b/2 —
    (Andantino)
Piano C major circa 1848 Keyboard sketches
695b/3 —
    (Sehr langsam)
Piano D♭ major circa 1848 Keyboard sketches
695b/4 —
    (Animato)
Piano C♯ major circa 1848 Keyboard sketches
695b/5 —
    (Tempo giusto)
Piano D♭ major circa 1848 Keyboard sketches
695b/6 —
    (Lento)
Piano G minor circa 1848 Keyboard sketches
695b/7 —
    Tempo di marca
Piano A minor circa 1848 Keyboard sketches
695b/8 —
    (Adagio sostenuto a capriccio)
Piano D major circa 1848 Keyboard sketches
695b/9 —
    (Andante cantabile quasi adagio)
Piano E♭ major circa 1848 Keyboard sketches
695b/10 —
    (Lento)
Piano F minor circa 1848 Keyboard sketches
695b/11 —
    (Lento)
Piano A minor circa 1848 Keyboard incomplete sketches
695c Q11b Romancero espagnol (3) Piano 1845 Keyboard incomplete sketches for S.253, S.254; 2nd version of S.738(?)
695c/1 Q11b/1 Introduction and Fandango with variations Piano 1845 Keyboard
695c/2 Q11b/2 Elaboration of an unidentified theme Piano 1845 Keyboard
695c/3 Q11b/3 Jota aragonesa and coda Piano 1845 Keyboard
695d Q21 Petite valse ("Nachspiel zu den drei vergessenen Walzer") Piano 1884? Keyboard incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?
695e Q21? Petite valse ("Nachspiel zu den drei vergessenen Walzer") Piano 1884? Keyboard incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?
695f — Cadenza Piano 1883-85? Keyboard for S.514
696 A337 Mephisto Waltz No.4 Piano 1885 Keyboard 2nd version of S.216b; unfinished
697 A090 Fantasie über Themen aus Mozarts Figaro und Don Giovanni Piano 1842 Keyboard based on themes from the operas Le nozze di Figaro, K.492 and Don Giovanni, K.527, by Wolfgang Amadeus Mozart; unfinished; completions by Ferruccio Busoni and Leslie Howard
698 Q19 La mandragore (Ballade de l'opera Jean de Nivelle) Piano 1881 Keyboard arrangement of "Tant que le jour dure" from the opera Jean de Nivelle by Léo Delibes; incomplete
699* — La notte Piano 1864-66 Keyboard renumbered as S.516a
700/1 A113 Grande Fantaisie sur des thèmes de Paganini Piano 1845 Keyboard using themes from the Violin Concerto No.2, Op.7 and Il carnevale di Venezia, Op.10, by Niccolò Paganini; unfinished; completed by Imre Mezö; 1st version of S.700/2
700/2 A113 Variations de bravoure sur des thèmes de Paganini Piano 1845 Keyboard 2nd version of S.700/1
700a Q07 Variations sur le Carnaval de Venise Piano 1843 Keyboard based on the Il carnevale di Venezia, Op.10, by Niccolò Paganini; incomplete
700f Q04 La belle en robe des Dimanches Voice, Piano 1830–39? Vocal incomplete
700g J44 Zur Trauung Voice, 2 Pianos 1883–87? Vocal arrangement of S.60
700j M14/1 Titan (Auf des Athos blauen Felsenspitzen) Voice, Piano 1842 Vocal 1st version of S.79/1; piano part incomplete
701 N15 Den Felsengipfel stieg ich einst hinan Voice, Piano 1843? Vocal
701a Q02 Allegro di bravura Orchestra 1830 Orchestral arrangement of S.151 [by Liszt?]; incomplete sketch
701b Q05 Marie-Poème Piano (Strings?) 1837 Keyboard incomplete sketch
701c — Andante sensibilissimo Piano 1880–86 Keyboard incomplete sketch
701d Q16 Melodie in Dorische Tonart (Prose des Morts) Piano 1861 Keyboard incomplete sketch; based on the Dies irae
701e — Album Leaf ("Dante fragment") Piano 1837 Keyboard incomplete sketch
701f — Album Leaf ("Glasgow fragment") Piano 1841? Keyboard incomplete sketch
701g A253 Polnisch Piano 1876? Keyboard sketch
701h/1 — Valse infernale Piano 1841? Keyboard arrangement of theme of the Valse infernale (Act III, No.10) from the opera Robert le diable by Giacomo Meyerbeer; incomplete sketch
701h/2 — Album Leaf Piano 1841 Keyboard arrangement of an unidentified operatic aria and one sketched variation; incomplete sketch
701j — La Charité Piano 1847 Keyboard incomplete sketch for S.552a; originally intended for S.172a
701k — Korrekturblatt Piano 1882 Keyboard incomplete sketch for S.199a
701l — Album Leaf ("Weimar fragment") Piano 1886? Keyboard incomplete sketch
701m — Trio (2 des Harmonies poétiques et religieuses) Violin, Cello, Piano G minor 1886? Chamber incomplete sketch
701n — Korrekturblatt Organ 1853? Keyboard incomplete sketch for S.667b/2
701o R1 Scherzo Piano 1830 Keyboard incomplete
701v — Marche de Prozinsky Piano C♯ minor 1846 Keyboard incomplete sketch for S.171d
702 S01 Tantum ergo Chorus 1822 Choral lost
703 Q15 Psalm 2 (Quare fremuerunt gentes et populi) Tenor, Mixed Chorus, Orchestra 1851 Choral incomplete sketches; originally intended as 5th movement of S.690
704 — Requiem (on the death of Emperor Maximilian of Mexico) Voices, Mixed Chorus, Orchestra(?) 1867? Choral lost
705 — The Creation Voices, Mixed Chorus, Orchestra(?) 1867? Choral lost
706 T45 Benedictus Chorus  ? Choral unrealized project
707 — Excelsior Chorus?  ? Choral unrealized project
708a L06 Rinaldo Tenor, Male Chorus, Orchestra 1848 Choral cantata to words by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and August Conradi as S.708b
708b L06 Rinaldo Tenor, Male Chorus, Piano 1848 Choral arrangement of S.708a by Liszt and August Conradi
709* — Salve Polonia Orchestra 1863 Orchestral renumbered as S.113
710 S41 Funeral March Orchestra 1850 Orchestral lost; possibly the same as S.102 or S.761
711 S62 Csárdás macabre Orchestra 1882? Orchestral lost; reconstruction by G. Darvos not based on authentic material
712 W09 Romance oubliée Orchestra 1881 Orchestral arrangement of S.527; Liszt's authorship doubtful
713/1 S08 Piano Concerto Piano, Orchestra A minor 1825? Concerto lost; not the same as S.713/2
713/2 S09 Piano Concerto Piano, Orchestra 1825? Concerto lost; not the same as S.713/1
714 Q20 Piano Concerto (in the Hungarian style) Piano, Orchestra 1880–85? Concerto incomplete sketches; not the same as S.126a
715 S19 Piano Concerto (in the Italian style) Piano, Orchestra 1830–39? Concerto lost
716 — Grande fantaisie symphonique Piano(?), Orchestra  ? Concerto lost; maybe based on S.120?
717 D02 Trio Violin, Cello, Piano D♭ major 1825 Chamber only violin and piano parts traced; original cello part lost, but a manuscript copy of the cello part was sold on 6 November 1997 in Paris; piano part sold at Stargardt in July 1998
718 S11 Quintet 2 Violins, Viola, Cello, Double Bass? 1825 Chamber lost
718a — Duo on Rossini's Semiramide Violin and Piano 1827 Chamber based on themes from the opera Semiramide by Gioacchino Rossini; lost
718b — The Fall of Paris ms, a Military Air with Variations Flute and Piano 1827 Chamber lost
718c — Un petit morceau Violin and Piano 1830-31? Chamber lost
718d — Sextet 2 Violins, 2 Violas, 2 Cellos? by 1835 Chamber lost
718e — Grand Fantasie on God Save the Queen and Rule Britannia Piano, Violin, Viola, Cello 1841 Chamber arrangement of S.694; lost
719* — Die vier Jahreszeiten 2 Violins, Viola, Cello 1880? Chamber renumbered as S.692a
720 S18 Allegro moderato Violin, Piano E major 1829 Chamber lost
721 S63 Prelude Violin (and Piano?) 1882 Chamber lost
722* — La notte Violin, Piano 1864-66 Chamber renumbered as S.377a
723* — Tristia Violin, Cello, Piano 1880? Chamber renumbered as S.378a, S.378b, S.378c
723a* W06 Postlude (on a theme from Orpheus)  ? 1871 Chamber based on S.98; now attributed to Leopold Alexander Zellner
724/1 S03 Rondo Piano 1824 Keyboard lost; possibly S.152?
724/2 S04 Fantasia Piano 1824 Keyboard lost
725/1 S05 Piano Sonata Piano F minor 1825 Keyboard lost; only several bars were copied down from memory later by Liszt
725/2 S06 Piano Sonata Piano C minor 1825 Keyboard lost; only three bars were copied down from memory in a letter from Liszt to his mother
725/3 S07 Piano Sonata Piano 1825 Keyboard lost
726 — Etude Piano  ? Keyboard lost
726a S23 Valse Piano E major 1835 Keyboard lost
727* — Prélude omnitonique Piano 1844 Keyboard renumbered as S.166e
728* — Sospiri! Piano 1879 Keyboard renumbered as S.192/5
729 — Tantum ergo Piano 1869 Keyboard lost; possibly arrangement of S.42 or S.702
730 — Dem Andenken Petöfis Piano 1877 Keyboard renumbered as S.195
731* — Valse élégiaque Piano 1839 Keyboard renumbered as S.210
732* — Valse oubliée No.4 Piano 1884 Keyboard renumbered as S.215/4
733* — Marche hongroise Piano E♭ minor 1844 Keyboard renumbered as S.233b
734* — Ländler Piano 1879 Keyboard renumbered as S.211a
735* — Air cosaque Piano 1879 Keyboard renumbered as S.249c
736 W16 Kerepsi csárdás Piano  ? Keyboard lost; Liszt's authorship doubtful
737 W15 Morceaux en style de danse ancien hongrois (3) Piano 1850 Keyboard manuscript lost; Liszt's authorshop doubtful
738 A114 Grosse Konzertfantasie über spanische Weisen Piano 1844 Keyboard rediscovered, but not renumbered; 1st version of S.253
739 S38 Corolian Overture Piano 1846–47 Keyboard arrangement of Coriolan, Op.62, by Ludwig van Beethoven; lost
740 S39 Egmont Overture Piano 1846–47 Keyboard arrangement of the overture from the incidental music to Egmont, Op.84, by Ludwig van Beethoven; lost
741 S37 Le carnaval romain Piano 1844–49? Keyboard arrangement of the overture Le carnaval romain, H 95, by Hector Berlioz; lost
742* — Duettino de La favorite Piano 1847 Keyboard renumbered as S.400a
743 S55 Chœur des soldats de Faust Piano 1864 Keyboard arrangement of the soldiers' chorus from Act IV of the opera Faust by Charles Gounod; lost
743a S31 Fantaisie sur des thèmes de l'opéra Guitarero Piano 1841 Keyboard based on themes from the opera Guitarrero by Fromental Halévy; lost
744 S36 Dom Sebastien (Paraphrase de concert) Piano 1843–44? Keyboard based on themes from Act IV of the opera Dom Sebastien by Theodor Kullak; lost
745* — Marche funèbre Piano 1827 Keyboard renumbered as S.226a
746 — Andante maestoso Piano  ? Keyboard lost
747 W03 Poco adagio Piano 1847? Keyboard arranged from S.9; lost; Liszt's authorship uncertain
748 S35 Die Zauberflöte Piano 1843? Keyboard arrangement of the overture to the opera Die Zauberflöte, K.620; lost
749 S56 Preussischer Armeemarsch Piano 1866? Keyboard arrangement of an unidentified composition, attributed to "Radovsky"; lost
750* — Introduction et variations sur une marche du Siège de Corinthe Piano 1830? Keyboard renumbered as S.421a
751 — Fantaisie sur des thèmes de Maometto et Mose (Maometto-Fantasie) Piano 1839-41 Keyboard lost, but recently rediscovered; based on themes from the operas Maometto Secondo and Mosè in Egitto by Gioacchino Rossini
752* S43 Gelb rollt Piano 1881 Keyboard renumbered as S.554/1
753 S42 Alfonso und Estrella Piano 1850–51 Keyboard arrangement of Act I of the opera Alfonso und Estrella, D.732, by Franz Schubert; lost
754* — Seconda mazurka variata Piano 1880 Keyboard renumbered as S.573a
755 S10 Sonata Piano 4 hands 1825 Keyboard lost
755a W10 A magyarok Istene (Ungarns Gott) Piano 4 hands 1881 Keyboard arrangement of S.339; Liszt's authorship doubtful
755b S30 Grosse Fantasie über God Save the Queen und Rule Britannia (Fantasie uber englische Themen) Piano 4 hands 1841 Keyboard arrangement of S.694; lost
756 W05 Mosonyis Grabgeleit 2 Pianos 1870 Keyboard arrangement of S.194; Liszt's authorship uncertain
757 S57 Le triomphe funèbre du Tasse 2 Pianos 1866–69 Keyboard arrangement of S.112/3; lost
758 S40 Die Orgel Organ 1850–59? Keyboard symphonic poem after Johann Gottfried Herder; lost
759* E22/2 Adagio Organ D♭ major 1866–67? Keyboard renumbered as S.672d/2
760 S59 Cantico del sol di Francesco d'Assisi Organ 1881 Keyboard arrangement of S.4/2; lost
761 S51 Marche funèbre Piano, Organ, Cello 1860–69? Keyboard arrangement of the 2nd movement from the Piano Sonata No.2, Op.35, by Frederic Chopin
762 S46 Air de Chateaubriand Voice (and Piano?) 1858 Vocal lost; possibly the same as S.18/4
763 S47 Strophes de Herlossohn Voice, Piano 1858 Vocal lost
764 S48 Kränze pour chant Voice, Piano 1858 Vocal lost
765 S45 Die Glöckchen Voice, Piano 1857 Vocal intended as S.316/3; lost
765a S32 L'aube naît Voice, Piano 1842 Vocal lost
766 W04 Der Papsthymnus Voice, Piano 1865? Vocal Liszt's authorship doubtful
767 W08 Excelsior! (Preludio zu dem Glocken des Strassburger Münsters) Voice, Organ 1874 Vocal arrangement of prelude from S.6; Liszt's authorship doubtful
768 S60 Der ewige Jude Narrator, Piano, Orchestra 1881 Vocal melodrama to words by Christian Friedrich Daniel Schubart; lost

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