Trio Sonata in B-flat major, Z.791 (Purcell, Henry)

Contents

Performances

Recordings

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Synthesized/MIDI

For Trumpet and Organ (Rondeau)

MP3 file (audio)
Michrond (2015/8/13)

Performers MIDI
Publisher Info. Michel Rondeau
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Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Parts

PDF typeset by editor
MStemmer (2015/8/11)

PDF typeset by editor
MStemmer (2015/8/11)

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MStemmer (2015/8/11)

PDF typeset by editor
MStemmer (2015/8/11)

PDF typeset by editor
MStemmer (2015/8/11)

Editor MStemmer
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Misc. Notes These notes follow those of the first printed edition. In this edition parts for viola are added, that can replace the second violin or the cello part. I tried to create parts that enable viola players to play in baroque trio sonatas. The original composition has a continuo part, but it also sounds complete without it.
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PMLP629727-Purcell-sonata-b-flat major-Z.791-Vln1.pdf

Arrangements and Transcriptions

For 2 Violins, Viola and Cello (Bartoli)

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RussBart (2015/10/8)

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RussBart (2015/10/8)

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RussBart (2015/10/8)

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RussBart (2015/10/8)

PDF typeset by arranger
RussBart (2015/10/8)

Arranger Russ Bartoli
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PMLP85673-Purcell Z 790 Sonata no. 1 in g s4 russ va only D - Full Score.pdf
For Trumpet and Organ (Rondeau)

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Michrond (2015/8/13)

ZIP typeset by arranger
Michrond (2015/8/13)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title Trio Sonata in B-flat major
Alternative. Title
Composer Purcell, Henry
Opus/Catalogue NumberOp./Cat. No. Z.791
Key B-flat major
First Publication. 1683 in 12 Sonatas of Three Parts (No.2)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation 2 violins, bass viol, continuo

Misc. Comments

Martin Adams ("Henry Purcell: The Origins and Development of His Musical Style"): and it is partly this (discovery of a manuscript - BL Add Ms 30930 - which contains among other things an early version of 8 of the (now called trio) sonatas, all works in the manuscript except one dated 1680 or earlier) which suggests that all twenty-two known sonatas were written across a period not longer than the late 1670s to 1684 or 1685, and could well be much more concentrated in the early 1680s