Trio for Strings (Davidson, Robert)

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Sheet Music

Scores

 Complete score
#03461 - 0.97MB, 24 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 1882x

PDF typeset by composer
Robert Davidson (2007/1/29)

 Violin part
#03464 - 0.38MB, 8 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 549x

PDF typeset by composer
Robert Davidson (2007/1/29)

 Viola part
#03463 - 0.36MB, 7 pp. -  4.0/10 2 4 6 8 10 (1) - !N/!N/!N - 400x

PDF typeset by composer
Robert Davidson (2007/1/29)

 Double bass part
#03462 - 0.29MB, 7 pp. -  10.0/10 2 4 6 8 10 (2) - !N/!N/!N - 736x

PDF typeset by composer
Robert Davidson (2007/1/29)

Trio for strings.pdf
Publisher Info.:

Australian Music Centre

Copyright:

Creative Commons NonCommercial-ShareAlike 2.5 [tag/del]

Misc. Notes:


© COPYRIGHT NOTICE. THIS FILE IS PROTECTED UNDER COPYRIGHT LAW.
However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons licenses or the IMSLP Performance Restricted License, which allow for the free distribution (with proper attribution) of the file with various levels of restriction with respect to the creation of derivative works, commercial usage, or public performances.

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General Information

Work Title Trio for strings
Alternative Title
Composer Davidson, Robert
Movements/Sections 1
Year/Date of Composition 1998
First Publication 1998
Piece Style Modern
Instrumentation violin, viola, double bass


Misc. Comments

Program Note: I came to write a trio for violin, viola and double bass partly out of a desire to play in such a trio myself as a bassist. It is a particularly resonant ensemble, and the bass is free to occupy a wide range with no cello as competition.

Throughout the piece, several strands of time are heard simultaneously, marked out by the three players individually. Similarly, there are often several tonalities gently layered together in strata.

Each performer spends substantial time in improvisational flights, departing from the constraints marked out in other sections of the music. These constraints often take the form (in my mind) of small spinning cogs in a complex machine (the cogs being self-focused repeating figures).

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