Trio for strings (Davidson, Robert)

Free public domain sheet music from IMSLP / Petrucci Music Library

Jump to: navigation, search

Contents

Music Files

 Complete score
#03461 - 0.97MB - 24 pages - Scan Quality: No ratings yet - !N/!N/!N

PDF file, Scanned by composer
Uploader: Robert Davidson (29 January 2007)

 Violin part
#03464 - 0.38MB - 8 pages - Scan Quality: No ratings yet - !N/!N/!N

PDF file, Scanned by composer
Uploader: Robert Davidson (29 January 2007)

 Viola part
#03463 - 0.36MB - 7 pages - Scan Quality: No ratings yet - !N/!N/!N

PDF file, Scanned by composer
Uploader: Robert Davidson (29 January 2007)

 Double bass part
#03462 - 0.29MB - 7 pages - Scan Quality: No ratings yet - !N/!N/!N

PDF file, Scanned by composer
Uploader: Robert Davidson (29 January 2007)

Editor:

composer

Publisher Info.:

Australian Music Centre

Copyright:

Creative Commons NonCommercial-ShareAlike 2.5

Misc. Notes:


© COPYRIGHT NOTICE
This file is still under copyright. However, the lawful copyright owner has generously released the file for distribution at IMSLP under one of the Creative Commons or similar licenses, which allow for the free distribution (with proper attribution) of the work with various levels of restriction regarding creation of derivative works and commercial usage.

Add a file to this page
Add multiple files to this page
Upload from external sources: Sibley, FTP

Commercial Recordings

General Information

Work Title Trio for strings
Alternative Title
Composer Davidson, Robert
Number of Movements/Sections 1
Year/Date of Composition 1998
Year of First Publication 1998
Genre Trio
Piece Style Modern
Instrumentation violin, viola, double bass
Discuss this piece


Misc. Comments

Program Note: I came to write a trio for violin, viola and double bass partly out of a desire to play in such a trio myself as a bassist. It is a particularly resonant ensemble, and the bass is free to occupy a wide range with no cello as competition.

Throughout the piece, several strands of time are heard simultaneously, marked out by the three players individually. Similarly, there are often several tonalities gently layered together in strata.

Each performer spends substantial time in improvisational flights, departing from the constraints marked out in other sections of the music. These constraints often take the form (in my mind) of small spinning cogs in a complex machine (the cogs being self-focused repeating figures).

Personal tools
Donate via Paypal