User talk:Pjones235

Dear Philip, Is the score you just added your own typeset? Please advise ASAP since we delete unattributed typesets in 24 hours or less unless the uploader is the typesetter, or there is clear proof the item was released under a Creative Commons or similar license. Carolus 02:54, 2 June 2011 (UTC) (IMSLP Copyright Admin)

It is my own version of it... Well, I am new at this. It is my arrangement of a public domain version of it. I'm somewhat confused as to how this all works. Forgive me! Thanks! --Philip Addison Jones

OK, thanks. The original was for keyboard, so it appears you've made your own edition rather than an arrangement - unless you altered the piece in some way. I already moved it to the correct page. When you create a score like this in the future (and you really did a pretty decent job) choose "typeset" for the File/Image Type from the little menu when uploading and Creative Commons Attribution 3.0. List yourself as Editor and Publisher. Look at the entry in a few minutes when I'm finished with it to see. Carolus 03:13, 2 June 2011 (UTC)

Oh I see. Thanks, I see what I need to do. --Philip Addison Jones

1 Restored page: Philip Addison Jones
2 Johannes Brahms' Ausgewählten Lieder
3 Copyright review test
4 WIMA files
5 Asplmayr Symphony in C
6 Tagging
7 Copyright Project

Restored page: Philip Addison Jones

As it says on the tin. Previous instances of the page had been speedily deleted, as there were no works there. Now there is. Philip _{@ © talk} 04:16, 2 June 2011 (UTC)

Johannes Brahms' Ausgewählten Lieder

I was planning on finishing my new typesets by now, but my awesome computer had a virus and I have to wait a few weeks to get it back because we had to ship it to Texas. Only one of the six songs were backed up online, so it will be awhile until I can finish. Sorry for the inconvenience!!! ---Philip Addison Jones _{@ © talk} 20:56, 2 July 2011 (UTC)

Copyright review test

Hi Pjones. Once you complete the test, you can email your answers to Carolus and he will give you your score. Cheers, KGill _{talk email} 22:06, 23 July 2011 (UTC)

Alrighty. Thanks! --Philip Addison Jones _{shoot an email © talk} 22:47, 23 July 2011 (UTC)

WIMA files

Hi Pjones235, and thanks for your helpful efforts to upload files here for the WIMA merge project. Unfortunately, since you did not use the proper WIMA automated file uploader, which is linked to on every work page ("Upload from external sources: Sibley, WIMA, FTP"), I regret that your uploads will have to be removed. The purpose of using the automatic uploader is to automatically log each file transferred; this cannot be done using the normal file submitter, and it is essential for the successful completion of the project. Thanks, KGill _{talk email} 02:21, 1 September 2011 (UTC)

So what I need to do when adding the files, is create a page for the score, but when adding the actual file I need to click on the WIMA uploading link instead of clicking the "add file" button? --Philip Addison Jones _{mail me © talk} 21:37, 1 September 2011 (UTC)

Correct. Cheers, KGill _{talk email} 03:20, 2 September 2011 (UTC)

In the WIMA queue you've marked the transfer of the compositions by Tiziano Bedetti as completed. But apparently you didn't apply the WIMA uploader for any of them. Reccmo 08:18, 8 September 2011 (UTC)

And what neither Kenny nor Christian mentioned, is that one way or the other, the uploaded files have to be logged, and since the Benedetti files weren’t logged automatically, they will have to be logged manually. This is done at the page IMSLP:WIMA/Log. Each file you uploaded has to be recorded on a single line, consisting of two URLs:

The URL of the file over at WIMA. (then, after a space:)
The URL of the work page at IMSLP.

This is necessary to redirect traffic from WIMA to IMSLP. If you can’t log the entries yourself, please “yelp for help”.

Cheers, Phi1ip 13:54, 8 September 2011 (UTC)

Darn... though I didn't actually transfer many, Bedetti did himself before WIMA planned to merge... I'll take care of it. --Philip Addison Jones _{mail me © talk} 21:46, 8 September 2011 (UTC)

I also believe these files have the marking {{WIMAProject|yes}} in the Misc. Notes field. Unfortunately, more work to do possibly! Thanks, Phi1ip 22:34, 8 September 2011 (UTC)

How do I log those files if the files have already been added? --Philip Addison Jones _{mail me © talk} 23:51, 9 September 2011 (UTC)

┌─────────────────────────────────┘
Re-read my first contribution to this subthread; previously added/manually transferred files need to be added to IMSLP:WIMA/Log by pasting URLs as I described. Cheers, Phi1ip 01:48, 10 September 2011 (UTC)

In other words all of those files need to be duplicated on that Bedetti's composer page? Would all of Bedetti's original transfers need to be deleted? --Philip Addison Jones _{mail me © talk} 13:38, 10 September 2011 (UTC)

Hello Pjones235

If you continue transferring WIMA contributions to IMSLP then please make sure to transfer engraving files along with the pdf scores and make sure to transfer sound files using the dedicated special page for WIMA sound files. And please don't mark contributors completed before all file types have been transferred

You may want to have a look at the IMSLP page for Alleluia by Alberto Guerzoni --Reccmo 13:08, 18 March 2012 (EDT)

Whoops! Thanks for catching that. I'll remember to do so in the future. Sorry! Philip Addison Jones _{mail me © talk} 15:36, 18 March 2012 (EDT)

Asplmayr Symphony in C

Replied at the work talk page. In a nutshell, it comes down to how you record your part. Alonso del Arte 19:07, 19 December 2011 (UTC)

Tagging

Hi Pjones. Please remember to put all three tags in when applicable - type of piece, instrumentation, and language (if it has one). On À ce Joly Moys de May (Janequin, Clément), for instance, you only put in the instrumentation - the correct tag is actually 'chansons ; ch sop alt ten bass ; fr'; on Abide with Me (Monk, William Henry), you left out the language, and also I think it would be better to put in two alternate instrumentations (so it would be 'hymns ; ch sop alt ten bass ; ch sop alt ten bass pf ; en'); and on Ballade 2, Op.11 (Fries, Albin), you just put the 'pf' tag, although the type of piece should also be tagged, viz. 'ballades ; pf'. Please remember to fill in all three when applicable - in almost all situations you'll end up with at least two (piece type and instrumentation). Thanks, KGill _{talk email} 16:59, 22 December 2011 (UTC)

Whoops! I'll remember to do so in the future. Thanks! --Philip Addison Jones _{mail me © talk} 18:43, 22 December 2011 (UTC)

Copyright Project

Hi Pjones235. Thanks for lending a hand with the copyright information project, there are a number of things that you can do. I notice that you are not yet a copyright reviewer, so I'm not sure whether I can officially make you a team member. Carolus is really in charge of everything, so I think you'll have to ask him. There are a number of things that we would love to have you help us with though. For example, editing is very important - my conventions aren't always the best. Also, any ideas on how to improve any aspect of this project are welcome. If you really want to help write a page, feel free to make an outline and one of our experienced copyright project members can check along the way. Please feel free to contact either me or Carolus if you have any questions. Respectfully yours, Emery 03:42, 4 January 2012 (UTC)