Venezia e Napoli, S.159 (Liszt, Franz)

Contents

Performances

Recordings

Tarentelle (No.3)

MP3 file (audio)
Vangi (2019/11/19)

Performer Pages György Cziffra (piano)
Publisher Info. Philips, 1963. 6500 250.
Copyright
Misc. Notes It is unclear which version this is.
Audio digital d'après microsillon - Collection personnelle - Extrait de l’album “Cziffra interprète Liszt”
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Cziffra interprète Liszt (Philips 6500 250, 1963).jpg

Naxos

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Sheet Music

Scores

1st version

PDF scanned by D-Mbs
piupianissimo (2009/5/31)

Editor José Vianna da Motta (1868-1948)
Publisher. Info. Musikalische Werke. Serie II, Band 5
Leipzig: Breitkopf & Härtel, 1917. Plate F.L. 49.
Copyright
Misc. Notes Originally scanned at about 163dpi, changed to 600dpi monocrome and cleaned from dust and dirt pixels manually by the uploader.
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PDF scanned by piupianissimo
piupianissimo (2012/2/9)

Editor Imre Mező (1932–)
Imre Sulyok (1912–2008)
Publisher. Info. Neue Liszt-Ausgabe. Serie 1, Band 7
Budapest: Editio Musica, 1974. Plate Z.6785.
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Copyright
Misc. Notes scan: score scanned at 600dpi
filter: score filtered with 2-point algorithm explained in High Quality Scanning. I provide the original scanned version and the filtered, because the filter does some changes (smoothening, sharpening borders) and some portions of the scan get lost sometimes (when they are too small e.g.) - so you can choose your favorite. You may ask me for a manually cleaned version.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland), and only if the edition is published after the copyrights of the original creator(s) have expired. In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States, as the copyright on the original work may not have expired.

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PDF scanned by Unknown
Funper (2007/3/21)

Publisher. Info. Unidentified Publisher, n.d.
Copyright
Misc. Notes Tarrantelles Napolitaines (S.159/4) is excluded.
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2nd version (S.162)

See Années de pèlerinage II, Supplément, S.162

Arrangements and Transcriptions

Tarantelles napolitaines (No.4)

For Orchestra (Müller Berghaus)

PDF scanned by RUS-Mrg
Schalltrichter (2017/3/31)

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Schalltrichter (2017/3/31)

Arranger Karl Müller Berghaus (1829-1907)
Publisher. Info. Mainz: B. Schott's Söhne, n.d. Plate 23478.
Copyright
Misc. Notes grayscale
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General Information

Work Title Venezia e Napoli
Alternative. Title
Name Aliases Venedig und Neapel; Searle 162; S. 162; Venice and Naples; Années de pèlerinage, 2e année: Italie. Supplément, Venezia e Napoli
Authorities WorldCat; LCCN: n81079997
Composer Liszt, Franz
Opus/Catalogue NumberOp./Cat. No. S.159
I-Catalogue NumberI-Cat. No. IFL 408
Movements/SectionsMov'ts/Sec's 4 pieces:
  1. Lento
  2. Allegro
  3. Andante placido [1st version of S.162/1]
    based on the popular song La Biondina in Gondoletta by Giovanni Battista Perucchini (1784–1870)
  4. Tarantelles napolitaines . Allegro vivace
    based on the song Fenesta vascia by G.L. Cottrau (1797–1847); 1st version of S.163/3
Year/Date of CompositionY/D of Comp. 1838–40
First Publication. 1840
Dedication Clara Schumann (1819–1896)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano

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Version History

  • Nos.1 to 4 composed for solo piano, 1838–40 (= S.159)
Published 1917 by Breitkopf & Härtel (Leipzig)
  • Nos.3 and 4 revised by Liszt, 1859 (= S.162/1 and S.162/3)
Published 1861 by Schott (Mainz) with one newly-composed piece, as Venezia e Napoli in Années de pèlerinage II, Supplément, S.162