Vergnügte Ruh beliebte Seelenlust, GWV 1147/11 (Graupner, Christoph)

		Composition Year 1711 Genre Categories Sacred cantatas; Cantatas; Religious works; For voice, orchestra; For voices with orchestra; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the orchestra; German language

Sheet Music

• Scores and Parts (4)
• Vocal Scores (1)

Scores and Parts

 Complete score and parts
*#67171 - 10.70MB, 44 pp. -  0.0/10 2 4 6 8 10 (0) - V/V/C - 172x⇩

PDF scanned by ULB Darmstadt
Boccaccio (2010/6/10)

Publisher Info.:

Autograph manuscript, July 1711

Copyright:

Public Domain [tag/del]

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 Complete Score (urtext)
*#246359 - 0.49MB, 29 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 102x⇩

PDF typeset by Richard Kram
Richard Kram (2012/8/12)

 Complete Score (with viola clefs & reduction)
*#246360 - 0.49MB, 26 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 38x⇩

PDF typeset by Richard Kram
Richard Kram (2012/8/12)

 Complete Parts
*#246376 - 0.74MB, 33 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 39x⇩

PDF typeset by Richard Kram
Richard Kram (2012/8/12)

Editor:

Richard Kram

Publisher Info.:

Richard Kram

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

Misc. Notes:

New versions now posted correcting numerous text errors.

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Vocal Scores

 Complete Score
*#246361 - 0.31MB, 18 pp. -  0.0/10 2 4 6 8 10 (0) - !N/!N/!N - 72x⇩

PDF typeset by Richard Kram
Richard Kram (2012/8/12)

Arranger:

Richard Kram, keyboard reduction

Publisher Info.:

Richard Kram

Copyright:

Creative Commons Attribution Non-commercial Share Alike 3.0 [tag/del]

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General Information

Work Title	Vergnügte Ruh beliebte Seelenlust, GWV 1147/11
Alternative Title

Composer	Graupner, Christoph
Opus/Catalogue Number	GWV 1147/11
Key	F major
Year/Date of Composition	1711
First Performance	1711
Librettist	Georg Christian Lehms (1684–1717)
Language	German
Piece Style	Baroque
Instrumentation	Soprano, 2 flutes, violetta, strings, basso continuo

Misc. Comments

About the Kram Editions

Three versions are posted. The first is true to the original (though the violetta line is transcribed into treble clef). Movements 1 and 5 use two viols notated in alto and tenor clefs, though the parts (which might have been written later) say viola. The second complete orchestral version places the two viols as violas and notates them both in alto clef. A piano reduction is also included to assist in easily creating your own continuo part (though some continuo is added where only continuo was present). The final version is a piano vocal score on the Arrangements and Transcriptions tab. The continuo part at the end of the original scan contains figures which obviously were written in at a later date. For the most part they seem reasonable so I kept them. Very interesting comparing this with Bach's Cantata on the same text (BWV170, written in 1726).