Violin Sonata, K.11 (Mozart, Wolfgang Amadeus)
Free public domain sheet music from IMSLP / Petrucci Music Library
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Piano score (Preview)
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Violin part (Preview)
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Wolfgang Amadeus Mozarts Werke, Serie XVIII:
Sonaten und Variationen für Pianoforte und Violine.
Leipzig: Breitkopf & Härtel, 1877-1910. Plate W.A.M. 11
Originally scanned at 300dpi grayscale, converted to 600dpi monocrome.
Piano score
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Violin (Flute) part
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Violoncello part (optional)
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DALTORPS (Brian Cohn)
DALTORPS (Brian Cohn)
Creative Commons Attribution 3.0
Sources: Breitkopf & Härtel 1885; Bärenreiter NMA (Plath/Rehm) 1966 (Violoncello part only)
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General Information
| Work Title | Violin Sonata in G |
|---|---|
| Alternative Title | Sonata No.6 Op.3 No.2 |
| Composer | Mozart, Wolfgang Amadeus |
|---|---|
| Opus/Catalogue Number | KV 11 |
| Key | G major |
| Number of Movements/Sections | 3 |
| Year/Date of Composition | 1764 (London) |
| Year of First Publication | 1765 in London |
| Dedication | Queen Consort Charlotte of Mecklenburg-Strelitz |
| Genre | Sonata (other) |
| Piece Style | Classical |
| Instrumentation | piano, violin and cello ad lib. |
| Discuss this piece |
Misc. Comments
Introduction The eight year old Wolfgang Amadeus Mozart received a comission on these sonatas Kv.10-15, "Op.3", from King George III's consort Queen Charlotte of Mecklenburg-Strelitz (1744-1818). Mozart was granted for these sonatas, which possibly where written before Mozart recieved rhe commission, 50 guineas. Commentary: As the basis of the my retypestting of these sonatas I´ve used the 1885 edtion by Breitkopf&Härtel. However , because is seems that most editions excludes the cello part, wich is a addition possibly made for the cello playing King himself, I had to use the Neue Mozart Ausgabe Edition from 1966 (Plath/Rehm) to include this part. I have only used dashed legato slures in cello part to mark that the part is taken from another editon and that it´s optional. All wedges are replaces by regular stacctato dots as they are in the Breitkof&Härtel edtion. Concerning the differences in the ranges of the flute and the violin: Since I ´am definitely not a professional musician myself, and don´t want to tamper with the music, I have left it up to the eventual performers to do whatever he or she wishes.
Sonata II in G Major:
Movement 1: This movement is a kind of “pocket” sonata
Movement 2: In this menuetto Mozart alternates between major and , G, minor.
Movement 3: After this Allegro in 2/4 time, the menuetto returns.
Introduction The eight year old Wolfgang Amadeus Mozart received a comission on these sonatas Kv.10-15, "Op.3", from King George III's consort Queen Charlotte of Mecklenburg-Strelitz (1744-1818). Mozart was granted for these sonatas, which possibly where written before Mozart recieved rhe commission, 50 guineas. Commentary: As the basis of the my retypestting of these sonatas I´ve used the 1885 edtion by Breitkopf&Härtel. However , because is seems that most editions excludes the cello part, wich is a addition possibly made for the cello playing King himself, I had to use the Neue Mozart Ausgabe Edition from 1966 (Plath/Rehm) to include this part. I have only used dashed legato slures in cello part to mark that the part is taken from another editon and that it´s optional. All wedges are replaces by regular stacctato dots as they are in the Breitkof&Härtel edtion. Concerning the differences in the ranges of the flute and the violin: Since I ´am definitely not a professional musician myself, and don´t want to tamper with the music, I have left it up to the eventual performers to do whatever he or she wishes. Sonata II in G Major: Movement 1: This movement is a kind of “pocket” sonata Movement 2: In this menuetto Mozart alternates between major and, G minor. Movement 3: After this Allegro in 2/4 time, the menuetto returns.
| Mozart Piano Trios | |
|---|---|
|
6 Early Trios for Piano, Violin (or Flute) and Violoncello (London, 1764) |
Mature Piano Trios (Vienna, 1786/88)
|


