Violin Sonata, K.11 (Mozart, Wolfgang Amadeus)

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 Piano score (Preview)
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 Violin part (Preview)
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Publisher Info.:

Wolfgang Amadeus Mozarts Werke, Serie XVIII:
Sonaten und Variationen für Pianoforte und Violine.

Leipzig: Breitkopf & Härtel, 1877-1910. Plate W.A.M. 11

Copyright:

Public Domain

Misc. Notes:

Originally scanned at 300dpi grayscale, converted to 600dpi monocrome.

 Piano score
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Uploader: DALTORPS (25 August 2008)

 Violin (Flute) part
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 Violoncello part (optional)
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Uploader: DALTORPS (25 August 2008)

Editor:

DALTORPS (Brian Cohn)

Publisher Info.:

DALTORPS (Brian Cohn)

Copyright:

Creative Commons Attribution 3.0

Misc. Notes:

Sources: Breitkopf & Härtel 1885; Bärenreiter NMA (Plath/Rehm) 1966 (Violoncello part only)

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General Information

Work Title Violin Sonata in G
Alternative Title Sonata No.6 Op.3 No.2
Composer Mozart, Wolfgang Amadeus
Opus/Catalogue Number KV 11
Key G major
Number of Movements/Sections 3
Year/Date of Composition 1764 (London)
Year of First Publication 1765 in London
Dedication Queen Consort Charlotte of Mecklenburg-Strelitz
Genre Sonata (other)
Piece Style Classical
Instrumentation piano, violin and cello ad lib.
Discuss this piece


Misc. Comments

Introduction The eight year old Wolfgang Amadeus Mozart received a comission on these sonatas Kv.10-15, "Op.3", from King George III's consort Queen Charlotte of Mecklenburg-Strelitz (1744-1818). Mozart was granted for these sonatas, which possibly where written before Mozart recieved rhe commission, 50 guineas. Commentary: As the basis of the my retypestting of these sonatas I´ve used the 1885 edtion by Breitkopf&Härtel. However , because is seems that most editions excludes the cello part, wich is a addition possibly made for the cello playing King himself, I had to use the Neue Mozart Ausgabe Edition from 1966 (Plath/Rehm) to include this part. I have only used dashed legato slures in cello part to mark that the part is taken from another editon and that it´s optional. All wedges are replaces by regular stacctato dots as they are in the Breitkof&Härtel edtion. Concerning the differences in the ranges of the flute and the violin: Since I ´am definitely not a professional musician myself, and don´t want to tamper with the music, I have left it up to the eventual performers to do whatever he or she wishes.

Sonata II in G Major:

Movement 1: This movement is a kind of “pocket” sonata

Movement 2: In this menuetto Mozart alternates between major and , G, minor.

Movement 3: After this Allegro in 2/4 time, the menuetto returns.

Introduction The eight year old Wolfgang Amadeus Mozart received a comission on these sonatas Kv.10-15, "Op.3", from King George III's consort Queen Charlotte of Mecklenburg-Strelitz (1744-1818). Mozart was granted for these sonatas, which possibly where written before Mozart recieved rhe commission, 50 guineas. Commentary: As the basis of the my retypestting of these sonatas I´ve used the 1885 edtion by Breitkopf&Härtel. However , because is seems that most editions excludes the cello part, wich is a addition possibly made for the cello playing King himself, I had to use the Neue Mozart Ausgabe Edition from 1966 (Plath/Rehm) to include this part. I have only used dashed legato slures in cello part to mark that the part is taken from another editon and that it´s optional. All wedges are replaces by regular stacctato dots as they are in the Breitkof&Härtel edtion. Concerning the differences in the ranges of the flute and the violin: Since I ´am definitely not a professional musician myself, and don´t want to tamper with the music, I have left it up to the eventual performers to do whatever he or she wishes. Sonata II in G Major: Movement 1: This movement is a kind of “pocket” sonata Movement 2: In this menuetto Mozart alternates between major and, G minor. Movement 3: After this Allegro in 2/4 time, the menuetto returns.

Mozart Piano Trios

 6 Early Trios for Piano, Violin (or Flute) and Violoncello (London, 1764)

 Mature Piano Trios (Vienna, 1786/88)

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