Weinen, Klagen, Sorgen, Zagen, BWV 12 (Bach, Johann Sebastian)
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Performances
General
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Synthesized/MIDI
I. Sinfonia
For Oboe and Keyboard (Kahlert)
MIDI Performance
*#212425 - 0.01MB - ? - (0) - !N/!N/!N - 2x⇩
Synthesized MIDI
Matthias Kahlert
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These file(s) are part of the Werner Icking Music Collection.
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Scores
Full Scores
Complete Score
*#83203 - 7.80MB, 12 pages - (1) - V/V/V - 2466x⇩
PDF file, Scanned by Bach Digital
Ivdruiz (29 October 2010)
Composer's manuscript, n.d.[1724]
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Complete Score
*#00737 - 1.59MB, 20 (#59-78) pages - (3) - V/V/V - 3085x⇩
Moritz Hauptmann (1792–1868)
Bach-Gesellschaft Ausgabe, Band 2
Leipzig: Breitkopf & Härtel, 1852. Plate B.W. II.
Page 10 has unreadably low Resolution
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Incomplete score
*#22964 - 14.17MB, 3 pages - (1) - V/V/V - 355x⇩
PDF file, Scanned by Unknown
Perlnerd666 (12 October 2008)
Hermann Kretzschmar (1848-1924)
Composer's manuscript, n.d.[1724]
Bach-Gesellschaft Ausgabe, Band 44
Leipzig: Breitkopf & Härtel, 1895. Plate B.W. XLIV.
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Vocal Scores
Complete Score
*#98142 - 1.48MB, 24 pages - (0) - V/V/V - 748x⇩
PDF file, Scanned by bh2000
Perlnerd666 (9 November 2008)
Bernhard Todt (1822-1907), piano reduction
German
Leipzig: Breitkopf & Härtel, n.d.(1891). Plate J.S.B. I.12
New York: Edwin F. Kalmus, n.d.(after 1933)
Based on the Bach-Gesellschaft Ausgabe
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Arrangements and Transcriptions
I. Sinfonia
For Oboe and Keyboard (Kahlert)
Piano Score
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Engraving files (NoteEdit, Lilypond)
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M. Kahlert
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For Piano solo (Liszt)
- See: Weinen, Klagen, Sorgen, Zagen, S.179, by Franz Liszt
- See: Variationen über das Motiv von Bach, S.180, by Franz Liszt
VI. Aria: Sei getreu, alle Pein (with chorale Jesu, meine Freude)
For Organ solo (Bækgaard)
Complete Score
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Complete Score (transposed to C minor)
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about the transcription
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Engraving files (Finale)
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Peter Bækgaard
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These file(s) are part of the Werner Icking Music Collection, and are also included in the Peter Bækgaard Collection.
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Books
Complete book, with score examples
*#55675 - 4.38MB, 107 pages - (0) - !N/!N/!N - 473x⇩
Antonio Armendáriz (2nd edition)
Spanish / German / French / English
Lodosa: Antonio Armendáriz Navarro
Creative Commons Attribution 3.0 [tag all]
Textos en Alemán, Francés, Español e Inglés. Alta calidad
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General Information
| Work Title | Weinen, Klagen, Sorgen, Zagen, BWV 12 |
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| Alternative Title | Weeping, lamenting, worrying, fearing, BWV 12 |
| Composer | Bach, Johann Sebastian |
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| Opus/Catalogue Number | BWV 12 |
| Key | F minor |
| Movements/Sections | 7 movements
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| Year/Date of Composition | 1724 |
| First Performance | 1724-04-22 |
| Librettist | Salomo Franck (?) |
| Language | German |
| Average Duration | 28 minutes |
| Piece Style | Baroque |
| Instrumentation | Vocal—Soloists (ATB), Chorus (SATB) Orchestra—Oboe, Bassoon, Trumpet, Strings (2 Violins, 2 Viole da Gamba), BC |
| External Links | Wikipedia article Bach.de (German) Bach-Cantatas.com |
Misc. Comments
For the Third Sunday after Easter (Jubilate)
Section Listing
- Sinfonia – For oboe, two violins, two violas da gamba and basso continuo with a bassoon. As of many of Bach's early cantatas, the work opens with a brief instrumental passage, marked adagio assai, which includes an expressive and plaintive solo oboe. (F minor)
- Chorus "Weinen, Klagen, Sorgen, Zagen" ("Weeping, lamenting, worrying, fearing") – For soprano, alto, tenor, bass, two violins, two violas da gamba and basso continuo with a bassoon. The opening chorus is built upon a basso ostinato, in an old-style 3/2 passacaglia. The words are each pronounced by another vocal part, overlapping the next one. The middle section takes a somewhat festive mood and modulates to the key of E♭ major (F minor)
- Recitative "Wir müssen durch viel Trübsal" ("We must through much tribulation") – For alto, two violins, two violas da gamba, and basso continuo with a basoon, this is the only recitative in the cantata, what confirms this cantata's old style. (c minor)
- Aria "Kreuz und Kronen sind verbunden" ("Cross and crown are bound together") for alto, oboe and basso continuo. (C minor)
- Aria "Ich folge Christo nach" ("I follow after Christ") – For bass, two violins and basso continuo. (E♭ major)
- Aria "Sei getreu, alle Pein" ("Be faithful, all suffering") – For tenor, trumpet and basso continuo. Simultaneously with the tenor line, the trumpet plays the chorale tune Jesu, meine Freude, resembling a Central German 17th century compositional technique. (G minor)
- Chorale "Was Gott tut, das ist wohlgetan" ("What God does, that is well-done") (B♭ major)
Print Sources Consulted
- Dürr, Alfred. The Cantatas of J.S. Bach. 2 ed. Richard D.P. Jones (Trans).
- Oxford: Oxford University Press, 2005.
- F minor
- C minor
- E-flat major
- G minor
- B-flat major
- Recordings
- WIMA files
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- Hauptmann, Moritz
- Kretzschmar, Hermann
- Todt, Bernhard
- Kahlert, M.
- Bækgaard, Peter
- Peter Bækgaard Collection
- Armendáriz, Antonio
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