IMSLP - User contributions [en]

Children's Album, Op.39 (Tchaikovsky, Pyotr)

2026-04-24T15:56:53Z

Albrights: Properly place new version of existing scan

{{#fte:imslppage

| *****AUDIO***** =
====Selections====
{{#fte:imslpaudio
|File Name 1=PMLP19418-Y2mate.mx_-_Luis_Kolodin_plays_Tchaikovsky's_Morning_Prayer_(128_kbps).mp3
|File Name 2=PMLP19418-Y2mate.mx_-_Luis_Kolodin_plays_Tchaikovsky's_Waltz_(128_kbps).mp3
|File Name 3=PMLP19418-Y2mate.mx_-_Luis_Kolodin_plays_Tchaikovsky's_Mazurka_(128_kbps).mp3
|File Name 4=PMLP19418-Y2mate.mx_-_Luis_Kolodin_plays_Tchaikovsky's_Italian_Song_(128_kbps).mp3
|File Name 5=PMLP19418-Y2mate.mx_-_Luis_Kolodin_plays_Tchaikovsky's_Old_French_Song_(128_kbps).mp3
|File Name 6=PMLP19418-Y2mate.mx_-_Luis_Kolodin_plays_Tchaikovsky's_Neapolitan_Song_(128_kbps).mp3
|File Description 1=1. Morning Prayer
|File Description 2=8. Waltz
|File Description 3=10. Mazurka
|File Description 4=15. Italian Song
|File Description 5=16. Old French Song
|File Description 6=19. Neapolitan Song
|Performers=
|Performer Categories=Kolodin, Luis=Piano
|Uploader=[[User:Luiskaludin|Luiskaludin]]
|Date Submitted=2022/9/8
|Publisher Information=Luis Kolodin, 2021.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=
}}
{{#fte:imslpaudio
|File Name 1=PMLP19418-TchaikovskiAlbum.mp3
|File Description 1=Nos.6, 7, 8, 15, 16, 17, 19
|Performers=
|Performer Categories=Sauter, Louis=piano
|Uploader=[[User:Lsauter|Lsauter]]
|Date Submitted=2013/2/18
|Publisher Information=Louis Sauter, 2012
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 3.0
|Misc. Notes=
}}
{{#fte:imslpaudio
|File Name 1=PMLP19418-Tchaikovsky_-_Morning_Prayer_from_Album_for_the_Young_for_piano_performed_by_Ramón_León_Egea.mp3
|File Description 1=1. Morning Prayer
|Performers=Ramón León Egea, piano
|Performer Categories=
|Uploader=[[User:Ramón León Egea|Ramón León Egea]]
|Date Submitted=2025/6/21
|Publisher Information=Ramón León Egea, 2025.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Thumb Filename=TN-PMLP19418-Tchaikovsky_-_Morning_Prayer_from_Album_for_the_Young_for_piano_performed_by_Ramón_León_Egea-1455.jpg
|Misc. Notes=I decided to play this piece by Tchaikovsky, after studying his harmony book.
}}
=====For Guitar (León Egea)=====
{{#fte:imslpaudio
|File Name 1=PMLP19418-Tchaikovsky_-_Morning_Prayer_from_Album_for_the_Young_arranged_for_guitar_by_Ramón_León_Egea.mp3
|File Description 1=1. Morning Prayer
|Performers=Ramón León Egea, guitar
|Performer Categories=
|Uploader=[[User:Ramón León Egea|Ramón León Egea]]
|Date Submitted=2025/6/22
|Publisher Information=Ramón León Egea, 2025.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Thumb Filename=TN-PMLP19418-Tchaikovsky_-_Morning_Prayer_from_Album_for_the_Young_arranged_for_guitar_by_Ramón_León_Egea-2678.jpg
|Misc. Notes=
}}

===Synthesized/MIDI===
====Complete====
=====For Piano (Composer/Beer)=====
{{#fte:imslpaudio
|File Name 1=WIMA.3ecd-morgen.mid
|File Name 2=WIMA.f3ed-winter.mid
|File Name 3=WIMA.93d0-reiter.mid
|File Name 4=WIMA.d1a8-mama.mid
|File Name 5=WIMA.b3d0-holzsoldat.mid
|File Name 6=WIMA.8b43-krankep.mid
|File Name 7=WIMA.5739-beerdip.mid
|File Name 8=WIMA.c921-walzer.mid
|File Name 9=WIMA.17a6-neuep.mid
|File Name 10=WIMA.85a2-mazurka.mid
|File Name 11=WIMA.6e33-russisch.mid
|File Name 12=WIMA.2ad0-laendlich.mid
|File Name 13=WIMA.8c61-volkslied.mid
|File Name 14=WIMA.37aa-polka.mid
|File Name 15=WIMA.ff88-italienisch.mid
|File Name 16=WIMA.d238-Tschaikowsky-rom.mid
|File Name 17=WIMA.078b-deutsch.mid
|File Name 18=WIMA.2dc4-ammenm.mid
|File Name 19=WIMA.c63a-neapel.mid
|File Name 20=WIMA.fdad-hexe.mid
|File Name 21=WIMA.f4e5-traum.mid
|File Name 22=WIMA.5e7e-lerche.mid
|File Name 23=WIMA.606b-leierkasten.mid
|File Name 24=WIMA.2131-kirche.mid
|File Description 1=1. Morning Prayer
|File Description 2=2. Winter Morning
|File Description 3=3. Playing Hobby-Horses
|File Description 4=4. Mama
|File Description 5=5. March of the Wooden Soldiers
|File Description 6=6. The Sick Doll
|File Description 7=7. The Doll's Funeral
|File Description 8=8. Waltz
|File Description 9=9. The New Doll
|File Description 10=10. Mazurka
|File Description 11=11. Russian Song
|File Description 12=12. The Accordion Player
|File Description 13=13. Kamarinskaya
|File Description 14=14. Polka
|File Description 15=15. Italian Song
|File Description 16=16. Old French Song
|File Description 17=17. German Song
|File Description 18=18. Nanny's Story
|File Description 19=19. Neapolitan Song
|File Description 20=20. The Sorcerer
|File Description 21=21. Sweet Dreams
|File Description 22=22. Lark Song
|File Description 23=23. The Organ-Grinder Sings
|File Description 24=24. In Church
|Performers=Hans-Peter Beer
|Performer Categories=
|Uploader=[[User:Hapebe|Hapebe]]
|Date Submitted=2011/11/26
|Publisher Information=Hans-Peter Beer
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0
|Misc. Notes={{WIMAProject}}
}}
=====For Flute, Oboe, Clarinet, Bassoon and Horn (Rondeau)=====
{{#fte:imslpaudio
|File Name 1=WIMA.c20a-MorSco.mp3
|File Name 2=WIMA.a4f4-WinSco.mp3
|File Name 3=WIMA.bb46-DeSco.mp3
|File Name 4=WIMA.456a-MaSco.mp3
|File Name 5=WIMA.30bc-HolzSco.mp3
|File Name 6=WIMA.e184-DiSco.mp3
|File Name 7=WIMA.445f-BeSco.mp3
|File Name 8=WIMA.90b5-WalSco.mp3
|File Name 9=WIMA.ea04-DnpSco.mp3
|File Name 10=WIMA.95bf-MazSco.mp3
|File Name 11=WIMA.4d6b-RusSco.mp3
|File Name 12=WIMA.ed0c-LanSco.mp3
|File Name 13=WIMA.7d48-13VolSco.mp3
|File Name 14=WIMA.837d-PolSco.mp3
|File Name 15=WIMA.4e46-15ItaSco.mp3
|File Name 16=WIMA.c564-RoSco.mp3
|File Name 17=WIMA.c564-RoSco.mp3
|File Name 18=WIMA.c04d-18AmmSco.mp3
|File Name 19=WIMA.814a-19NeaSco.mp3
|File Name 20=WIMA.d008-20HexSco.mp3
|File Name 21=WIMA.e49e-21SussSco.mp3
|File Name 22=WIMA.6e58-22LieSco.mp3
|File Name 23=WIMA.883d-23DerSco.mp3
|File Name 24=WIMA.8b6d-24KirSco.mp3
|File Description 1=1. Morning Prayer
|File Description 2=2. Winter Morning
|File Description 3=3. Playing Hobby-Horses
|File Description 4=4. Mama
|File Description 5=5. March of the Wooden Soldiers
|File Description 6=6. The Sick Doll
|File Description 7=7. The Doll's Funeral
|File Description 8=8. Waltz
|File Description 9=9. The New Doll
|File Description 10=10. Mazurka
|File Description 11=11. Russian Song
|File Description 12=12. The Accordion Player
|File Description 13=13. Kamarinskaia
|File Description 14=14. Polka
|File Description 15=15. Italian Song
|File Description 16=16. Old French Song
|File Description 17=17. German Song
|File Description 18=18. Nanny's Story
|File Description 19=19. Neapolitan Song
|File Description 20=20. The Sorcerer
|File Description 13=13. Kamarinskaya
|File Description 14=14. Polka
|File Description 15=15. Italian Song
|File Description 16=16. Old French Song
|File Description 17=17. German Song
|File Description 18=18. Nanny's Story
|File Description 19=19. Neapolitan Song
|File Description 20=20. The Sorcerer
|File Description 21=21. Sweet Dreams
|File Description 22=22. Lark Song
|File Description 23=23. The Organ-Grinder Sings
|File Description 24=24. In Church
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/6/14
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
====Selections====
=====For Piano (Knuth)=====
{{#fte:imslpaudio
|File Name 1=WIMA.8b56-Tchaikovsky_The-witch.mid
|File Description 1=20. The Sorcerer
|Performers=Synthesized MIDI
|Performer Categories=
|Uploader=[[User:Reccmo|Reccmo]]
|Date Submitted=2012/6/20
|Publisher Information={{knuth}}
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
====Nos.1-19, 21, 23-24====
=====For 4 Recorders (Kemp)=====
{{#fte:imslpaudio
|File Name 1=PMLP19418-Album_For_the_Young.mp3
|File Description 1=Synthesized Performance
|Performers=Synthesized MIDI
|Performer Categories=
|Uploader=[[User:Dadvid|Dadvid]]
|Date Submitted=2020/10/21
|Publisher Information=David Kemp, 2017.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=Transcribed for Recorders - 1 Soprano 1 Altos 1 Tenor 1 Bass
}}
====Lark Song (No.22)====
=====For Flute and Guitar (Höger)=====
{{#fte:imslpaudio
|File Name 1=PMLP19418-Tchaikovsky,_Pyotr_-_Lerchenlied_Op._37a_No_3_(Flute_&_Guitar).mp3
|File Description 1=Synthesized Performance
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Hoeger|Hoeger]]
|Date Submitted=2019/1/1
|Publisher Information=Anton Höger
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

| *****FILES***** =
====Complete====
{{#fte:imslpfile
|File Name 1=Tchaikovsky_-_Op.39_-_Album_for_the_Young.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Adolf|Ruthardt|1849|1934}}
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Mcroskell|Mcroskell]]
|Date Submitted=2007/6/18
|Publisher Information={{P|Schirmer|G. Schirmer|New York||1904||17224}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-TH141-PSSM.pdf
|File Name 2=PMLP19418-39-Album-denfants--GA-Moskva-1948--A4-600.pdf
|File Name 3=PMLP19418-39-Album-denfants--1948-Moskva-GA--letter-600.pdf
|File Description 1=Complete Score
|File Description 2=Complete Score (A4, 600dpi)
|File Description 3=Complete Score (letter, 600dpi)
|Editor={{LinkEd|Anatoly|Drozdov|1883|1950}}
|Image Type=Normal Scan
|Scanner=tchaikovsky.pro
|Uploader 1=[[User:P.davydov|P.davydov]]
|Uploader 2,3=[[User:Albrights|Albrights]]
|Date Submitted 1=2022/10/1
|Date Submitted 2=2023/6/22
|Date Submitted 3=2026/4/24
|Publisher Information={{TchaikovskyComplete1|52|1948|18608}}
|Copyright=Public Domain
|Misc. Notes={{Urtext}}
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-Tchaikovsky_-_Album_per_la_gioventu_op.39_Jacopo_Tore.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Ernesto|Marciano|1869|1930}}
|Image Type=Normal Scan
|Scanner=Jacopo Tore
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2022/4/13
|Publisher Information={{P|Carisch & Jänichen||Milan||1973||20174}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-Tchaikovsky_Children's_Album_Muzyka_1980.pdf
|File Description 1=Complete Score
|Arranger=
|Editor=P. Lukyanchenko
|Image Type=Normal Scan
|Scanner=Hammerklavier
|Uploader=[[User:Hammerklavier|Hammerklavier]]
|Date Submitted=2016/5/7
|Publisher Information={{P|Muzgiz|Muzyka|Moscow||1980||10929}}{{Urtext}}
|Copyright=Public Domain
|Misc. Notes=Monochrome, 600 dpi. Full table of contents in Russian and English with English translations of the footnotes
}}
{{#fte:imslpfile
|File Name 1=WIMA.7069-morgen.pdf
|File Name 2=WIMA.1e93-winter.pdf
|File Name 3=WIMA.e381-reiter.pdf
|File Name 4=WIMA.787e-mama.pdf
|File Name 5=WIMA.6b08-holzsoldat.pdf
|File Name 6=WIMA.78f8-krankep.pdf
|File Name 7=WIMA.9b10-beerdip.pdf
|File Name 8=WIMA.80b7-walzer.pdf
|File Name 9=WIMA.7284-neuep.pdf
|File Name 10=WIMA.d44e-mazurka.pdf
|File Name 11=WIMA.fbfc-russisch.pdf
|File Name 12=WIMA.3d83-laendlich.pdf
|File Name 13=WIMA.779f-volkslied.pdf
|File Name 14=WIMA.37ef-polka.pdf
|File Name 15=WIMA.c623-italienisch.pdf
|File Name 16=WIMA.fd00-Tschaikowsky-rom.pdf
|File Name 17=WIMA.ec7a-deutsch.pdf
|File Name 18=WIMA.e455-ammenm.pdf
|File Name 19=WIMA.0c7e-neapel.pdf
|File Name 20=WIMA.1d2a-hexe.pdf
|File Name 21=WIMA.ca73-traum.pdf
|File Name 22=WIMA.3bb7-lerche.pdf
|File Name 23=WIMA.0fe4-leierkasten.pdf
|File Name 24=WIMA.58fc-kirche.pdf
|File Name 25=WIMA.8bca-Op39.zip
|File Description 1=1. Morning Prayer
|File Description 2=2. Winter Morning
|File Description 3=3. Playing Hobby-Horses
|File Description 4=4. Mama
|File Description 5=5. March of the Wooden Soldiers
|File Description 6=6. The Sick Doll
|File Description 7=7. The Doll's Funeral
|File Description 8=8. Waltz
|File Description 9=9. The New Doll
|File Description 10=10. Mazurka
|File Description 11=11. Russian Song
|File Description 12=12. The Harmonica Player
|File Description 13=13. Kamarinskaya
|File Description 14=14. Polka
|File Description 15=15. Italian Song
|File Description 16=16. Old French Song
|File Description 17=17. German Song
|File Description 18=18. Nanny's Story
|File Description 19=19. Neapolitan Song
|File Description 20=20. The Sorcerer
|File Description 21=21. Sweet Dreams
|File Description 22=22. Lark Song
|File Description 23=23. The Organ-Grinder Sings
|File Description 24=24. In Church
|File Description 25=Engraving files (abcm2ps)
|Editor={{LinkEd|Hans-Peter|Beer}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Hapebe|editor]]
|Date Submitted=2011/11/22
|Date Submitted 25=2012/3/23
|Publisher Information=Hans-Peter Beer
|Copyright=Creative Commons Attribution Non-commercial 3.0
|Misc. Notes={{WIMAProject}}
}}
====Selections====
{{#fte:imslpfile
|File Name 1=PMLP109589-Il_mio_primo_Tchaikovsky.pdf
|File Name 2=PMLP19418-Il_mio_primo_Ciaikosvki.pdf
|File Description 1=Nos.1, 6, 9, 4, 5, 10, 8, 22, 11 (monochrome)
|File Description 2=Nos.1, 6, 9, 4, 5, 10, 8, 22, 11 (color)
|Editor={{LinkEd|Ettore|Pozzoli|1873|1957}}
|Image Type=Normal Scan
|Scanner 1=ctesibius
|Scanner 2=
|Uploader 1=[[User:Ctesibius|ctesibius]]
|Uploader 2=[[User:JacopoTore|JacopoTore]]
|Date Submitted 1=2010/1/15
|Date Submitted 2=2025/3/19
|Publisher Information={{P|Ricordi||Milan||1959||ER 2599}}
|Copyright=Public Domain
|Misc. Notes=Most opus numbers for pieces in score are incorrect. Color file should replace monochrome file with a black and white conversion with markings removed.
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-Tchaikovsky--Childrens-Album-Op39--Ed-Boildeau--Nos-15-16-17.pdf
|File Description 1=Nos.15-17
|Editor=
|Image Type=Normal Scan
|Scanner=Guifré
|Uploader=[[User:Guifre|Guifré]]
|Date Submitted=2010/7/22
|Publisher Information={{P|Edition Peters|C.F. Peters|Leipzig|n.d.(ca.1910)|||}}
|Reprint=''P. Tscaïkowski: Álbum para la Juventud - Edición Ibérica'' (pp.18-20)<br>{{P|Editorial Boileau|Boileau|Barcelona|n.d.(ca.1950)||186|1833}} - ''later printing'' (ca.1980).
|Copyright=Public Domain
|Misc. Notes=Scanned at 600 dpi.<br> Some manual re-inking has been carried out.
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-lanning_mbm_7.pdf
|File Description 1=15. Italian Song
|Editor={{LinkEd|Russell E.|Lanning|1916|1958}}
|Image Type=Normal Scan
|Scanner={{IArchS}}
|Uploader=[[User:Feduol|Feduol]]
|Date Submitted=2024/8/4
|Publisher Information=''Music by the Masters''. No.7<br>{{P|Musicord Publications||New York|1946|||EL 2543}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=WIMA.be5e-Tchaikovsky_The-witch.pdf
|File Name 2=WIMA.1889-Op39-Knuth.zip
|File Description 1=20. The Sorcerer
|File Description 2=Engraving files (Capella)
|Editor={{LinkEd|Jürgen|Knuth}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Reccmo|Reccmo]]
|Date Submitted=2012/6/20
|Publisher Information={{knuth}}
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-Tchaikovsky-Op039No021.pdf
|File Description 1=21. Sweet dream (Rêverie)
|Editor={{LinkEd|William|Scharfenberg|1819|1895}}<br>{{LinkEd|William Kipp|Bassford|1839|1902}}
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Mcroskell|Mcroskell]]
|Date Submitted=2007/6/18
|Publisher Information=''Tchaikovsky: Selected Pieces for the Pianoforte in Two Volumes''<br>{{P|Schirmer|G. Schirmer|New York|n.d.(1896)|||12498, 12499}}
|Copyright=Public Domain
|Misc. Notes=
}}

===Arrangements and Transcriptions===
====Complete====
=====For Orchestra (Rogal-Lewizkij)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-00_Tchaikovsky-RL-Children_-_Conductor_Score.pdf
|File Name 2=PMLP19418-01_Tchaikovsky-RL-Children_-_Piccolo,_Flute.pdf
|File Name 3=PMLP19418-02_Tchaikovsky-RL-Children_-_Oboe-EH.pdf
|File Name 4=PMLP19418-03_Tchaikovsky-RL-Children_-_Clarinet_1-2-ASax.pdf
|File Name 5=PMLP19418-04_Tchaikovsky-RL-Children_-_Bassoon.pdf
|File Name 6=PMLP19418-05_Tchaikovsky-RL-Children_-_Horn_1-2.pdf
|File Name 7=PMLP19418-06_Tchaikovsky-RL-Children_-_Trumpet_1-2.pdf
|File Name 8=PMLP19418-07_Tchaikovsky-RL-Children_-_Trombone.pdf
|File Name 9=PMLP19418-08_Tchaikovsky-RL-Children_-_Timpani.pdf
|File Name 10=PMLP19418-09_Tchaikovsky-RL-Children_-_Percussion.pdf
|File Name 11=PMLP19418-10_Tchaikovsky-RL-Children_-_Harp-Accordion.pdf
|File Name 12=PMLP19418-11_Tchaikovsky-RL-Children_-_Balalaika.pdf
|File Name 13=PMLP19418-12_Tchaikovsky-RL-Children_-_Mandolin.pdf
|File Name 14=PMLP19418-13_Tchaikovsky-RL-Children_-_Violins_I.pdf
|File Name 15=PMLP19418-14_Tchaikovsky-RL-Children_-_Violins_II.pdf
|File Name 16=PMLP19418-15_Tchaikovsky-RL-Children_-_Violas.pdf
|File Name 17=PMLP19418-16_Tchaikovsky-RL-Children_-_Cellos.pdf
|File Name 18=PMLP19418-17_Tchaikovsky-RL-Children_-_Basses.pdf
|File Description 1=Complete Score
|File Description 2=Piccolo, Flute
|File Description 3=Oboe/English Horn
|File Description 4=Clarinet 1, 2 (A/B{{flat}})/Alto Saxophone (E{{flat}})
|File Description 5=Bassoon
|File Description 6=Horn 1, 2 (F)
|File Description 7=Trumpet 1, 2 (B{{flat}})
|File Description 8=Trombone
|File Description 9=Timpani
|File Description 10=Triangle/Tambourine/Wood Block/Snare Drum/Slapstick, Bass Drum/Cymbals
|File Description 11=Harp/Accordion
|File Description 12=Balalaika
|File Description 13=Mandolin
|File Description 14=Violins I
|File Description 15=Violins II
|File Description 16=Violas
|File Description 17=Cellos
|File Description 18=Basses
|Arranger={{LinkArr|Dmitrij|Rogal-Lewizkij|1898|1962}}
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Geniusboy98|Geniusboy98]]
|Date Submitted=2022/6/21
|Publisher Information={{P|Muzgiz|Muzyka|Moscow||1968||5061}}
|Reprint={{RpEFKbr}} Catalog A6758.
|Copyright=Public Domain
|Misc. Notes=Transcription completed in 1943.<br>The Xylophone and Jeu de Timbres parts are missing. {{Missing}}
}}
=====*For Flute, Oboe, Clarinet, Bassoon and Horn (Rondeau)=====
{{#fte:imslpfile
|File Tags=fl ob cl bn hn (arr)
|File Name 1=WIMA.c5ca-MorSco.pdf
|File Name 2=WIMA.a214-MorFl.pdf
|File Name 3=WIMA.4ea6-MorOb.pdf
|File Name 4=WIMA.96f4-MorCl.pdf
|File Name 5=WIMA.3a0f-MorHn.pdf
|File Name 6=WIMA.53fd-MorBsn.pdf
|File Name 7=WIMA.69f4-Op39_Rondeau.zip
|File Description 1=Complete Score
|File Description 2=Flute
|File Description 3=Oboe
|File Description 4=Clarinet
|File Description 5=Horn
|File Description 6=Bassoon
|File Description 7=Engraving files (Finale)
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/6/14
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
=====For 2 Violins, Viola and Cello (Sauter)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Tchaikovski_Album_pour_enfants_Op.39_-_Score.pdf
|File Name 2=PMLP19418-Tchaikovski_Album_pour_enfants_Op.39_-_Violon_I.pdf
|File Name 3=PMLP19418-Tchaikovski_Album_pour_enfants_Op.39_-_Violon_II.pdf
|File Name 4=PMLP19418-Tchaikovski_Album_pour_enfants_Op.39_-_Alto.pdf
|File Name 5=PMLP19418-Tchaikovski_Album_pour_enfants_Op.39_-_Violoncelle.pdf
|File Description 1=Complete Score
|File Description 2=Violin 1
|File Description 3=Violin 2
|File Description 4=Viola
|File Description 5=Cello
|Arranger={{LinkArr|Louis|Sauter|1955|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Lsauter|Lsauter]]
|Date Submitted=2019/1/31
|Publisher Information=Louis Sauter, 2019.
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0
|Misc. Notes=A synthesized recording is available {{YT|RTl-ro_TTy4|here}}.
}}
====Nos.1-19, 21, 23-24====
=====For 4 Recorders (Kemp)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Album_for_the_Young_-_Score_&_Parts.pdf
|File Description 1=Complete Score and Parts
|Arranger={{LinkArr|David Edward|Kemp|1948|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Dadvid|Dadvid]]
|Date Submitted=2020/4/25
|Publisher Information=David Edward Kemp, 2015.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=Selections: (Nos 1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,21,23, & 24) Instrumentation: 4 Players using Soprano thru Greatbass recorders as need
}}
====Nos.1, 2, 5====
=====For Flute Trio (Grist)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Morning_Song_(etc).pdf
|File Name 2=PMLP19418-March_of_the_Tin_Soldiers_(etc).pdf
|File Name 3=PMLP19418-Winter_Morning_(etc).pdf
|File Description 1=Morning Song Score and Parts
|File Description 2=March of the Tin Soldiers Score and Parts
|File Description 3=Winter Morning Score and Parts
|Arranger={{LinkArr|Ange|Grist||}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Nang ang|Nang ang]]
|Date Submitted=2023/5/15
|Publisher Information=Ange Grist, 2023.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====Nos.16, 18, 19, 21-23====
=====For Violin and Piano (Burmester)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Burmester_Tch_chilren_all_v.pdf
|File Description 1=Violin Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Thumb Filename=Burm tch Spuk cover.jpg
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Schalltrichter|Schalltrichter]]
|Date Submitted=2021/8/13
|Publisher Information={{P|Breitkopf und Härtel||Leipzig||1911||V.A. 3681-3686}}
|Copyright=Public Domain
|Misc. Notes=All 6 Burmester arrangements<br>Nos 2 and 5 are difficult. Nos 4 and 6 are easy.<br>See below for the piano scores.
}}
====Nos.16, 22, 23====
=====*For Violin or Flute and Piano (Burmester/Piguet)=====
{{#fte:imslpfile
|File Tags=fl pf (arr) ; vn pf (arr)
|File Name 1=PMLP19418-TchaikovskyPiguet_Op39No162223.pdf
|File Name 2=PMLP19418-TchaikovskyPiguet_Op39No162223_Flute.pdf
|File Description 1=Complete Score
|File Description 2=Flute Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}, complete score<br>{{LinkArr|Alfred|Piguet||}}, flute part
|Editor=
|Image Type=Normal Scan
|Scanner=afp0815
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2022/12/31
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|1911|||V.A. 3776, 3780/1}}
|Copyright=Public Domain
|Misc. Notes=
}}
====Nos.16, 21====
=====For Violin and Piano (Seybold)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-TchaikovskySeybold_Op39No1620_Piano.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Arthur|Seybold|1868|1948}}
|Editor=
|Thumb Filename=Seyb magicfiddlecv.jpg
|Image Type=Normal Scan
|Scanner=afp0815
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2022/5/17
|Publisher Information=''Die Wundergeige, Heft II''<br>{{P|Anton J. Benjamin||Leipzig|1930|||}}
|Copyright=Public Domain
|Misc. Notes=No.21 'Dreaming' wrongly labelled as No.20. See below for ''Musikalishes Uniwersum'' edition, with violin part.<br>{{EVln}} Fingered for 1st pos, but also good pieces for students learning 3rd pos.
}}
====Nos.16, 18, 19, 21, 23====
=====For Cello and Piano (Burmester/Klengel)=====
{{#fte:imslpfile
|File Name 1=SIBLEY1802.17868.7ff3-39087004861938score.pdf
|File Name 2=SIBLEY1802.17868.b186-39087004861938cello.pdf
|File Name 3=SIBLEY1802.17868.a6c0-39087004861938color_covers.pdf
|File Description 1=Complete Score
|File Description 2=Cello Part
|File Description 3=Color Covers
|Arranger={{LinkArr|Julius|Klengel|1859|1933}}<br>after {{LinkArr|Willy|Burmester|1869|1933}}
|Thumb Filename=Tchaik bur kl cov.jpg
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/17868}}
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2014/9/8
|Publisher Information={{P|Breitkopf und Härtel||Leipzig||1913||V.A. 3791-3795}}
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}<br>Klengel omitted Burmester's ''Lark'' No.22
}}
====Nos.1, 9====
=====For Violin and Piano (Mittel)=====
{{LinkWorkNMono|Mittell's Popular Graded Course||Mittell, Philipp|0}}
====Morning Prayer (No.1)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Morning_Prayer_-_Score_(etc).pdf
|File Description 1=Complete Score and Parts
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/9/6
|Publisher Information=Hans Jorgen Messerschmidt, 2019.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
=====For Guitar (León Egea)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Op.237_(Guitar)_Tchaikovsky_-_Morning_Prayer_from_Album_for_the_Young_arranged_and_carefully_fingered_by_Ramón_León_Egea.pdf
|File Description 1=1. Morning Prayer
|Arranger={{LinkArr|Ramón|León Egea|1975|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Ramón León Egea|Ramón León Egea]]
|Date Submitted=2025/6/22
|Publisher Information=Ramón León Egea, 2025.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=
}}
====Winter Morning (No.2)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-In_the_Morning_in_Winter_-_Score.pdf
|File Name 2=PMLP19418-In_the_Morning_in_Winter_-_Horn_F.pdf
|File Name 3=PMLP19418-In_the_Morning_in_Winter_-_trp_Bb.pdf
|File Name 4=PMLP19418-In_the_Morning_in_Winter_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (B{{Flat}})
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/5/27
|Publisher Information=Hans Jorgen Messerschmidt, 2018.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====Playing Hobby-Horses (No.3)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-The_little_Rider_-_Score_(etc).pdf
|File Description 1=Complete Score and Parts
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2023/2/18
|Publisher Information=Hans Jorgen Messerschmidt, 2020.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====March of the Wooden Soldiers (No.5)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Marches_des_Soldats_de_Bois_-_Score.pdf
|File Name 2=PMLP19418-Marches_des_Soldats_de_Bois_-_Horn_F.pdf
|File Name 3=PMLP19418-Marches_des_Soldats_de_Bois_-_trp_Bb.pdf
|File Name 4=PMLP19418-Marches_des_Soldats_de_Bois_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (B{{Flat}})
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/8/10
|Publisher Information=Hans Jorgen Messerschmidt, 2019.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====The Sick Doll (No.6)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-La_Poupee_Malade_-_Score_(etc).pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/7/14
|Publisher Information=Hans Jorgen Messerschmidt, 2019.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-The_new_Doll_-_Score.pdf
|File Name 2=PMLP19418-The_new_Doll_-_Horn_F.pdf
|File Name 3=PMLP19418-The_new_Doll_-_trp_Bb.pdf
|File Name 4=PMLP19418-The_new_Doll_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (B{{Flat}})
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2023/2/23
|Publisher Information=Hans Jorgen Messerschmidt, 2020.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====The Doll's Funeral (No.7)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-La_Poupee_-_Score_(etc).pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/7/14
|Publisher Information=Hans Jorgen Messerschmidt, 2020.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====Waltz (No.8)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Waltz_-_Opus_39-9_-_Score.pdf
|File Name 2=PMLP19418-Waltz_-_Opus_39-9_-_Horn_F.pdf
|File Name 3=PMLP19418-Waltz_-_Opus_39-9_-_trp_Bb.pdf
|File Name 4=PMLP19418-Waltz_-_Opus_39-9_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (B{{Flat}})
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2026/2/17
|Publisher Information=Hans Jorgen Messerschmidt, 2016.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=
}}
====Mazurka (No.10)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Mazurka_-_Opus_39-11_-_Score.pdf
|File Name 2=PMLP19418-Mazurka_-_Opus_39-11_-_Horn_F.pdf
|File Name 3=PMLP19418-Mazurka_-_Opus_39-11_-_trp_C.pdf
|File Name 4=PMLP19418-Mazurka_-_Opus_39-11_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (C)
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/8/11
|Publisher Information=Hans Jorgen Messerschmidt, 2017.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====The Harmonica Player (No.12)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Russe_-_Opus_39-12_-_Score.pdf
|File Name 2=PMLP19418-Russe_-_Opus_39-12_-_Horn_F.pdf
|File Name 3=PMLP19418-Russe_-_Opus_39-12_-_trp_C.pdf
|File Name 4=PMLP19418-Russe_-_Opus_39-12_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (C)
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2022/11/16
|Publisher Information=Hans Jorgen Messerschmidt, 2020.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====Kamarinskaya (No.13)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Kamarinskaya_-_Opus_39-14_-_Score_(etc).pdf
|File Description 1=Complete Score and Parts
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/6/4
|Publisher Information=Hans Jorgen Messerschmidt, 2020.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====Polka (No.14)====
=====For Orchestra (Rowley)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-00_Tchaik-Rowley-Polka_-_Conductor_Score.pdf
|File Name 2=PMLP19418-01_Tchaik-Rowley-Polka_-_Flute.pdf
|File Name 3=PMLP19418-02_Tchaik-Rowley-Polka_-_Oboe.pdf
|File Name 4=PMLP19418-03_Tchaik-Rowley-Polka_-_Clarinet.pdf
|File Name 5=PMLP19418-04_Tchaik-Rowley-Polka_-_Bassoon.pdf
|File Name 6=PMLP19418-05_Tchaik-Rowley-Polka_-_Horn.pdf
|File Name 7=PMLP19418-06_Tchaik-Rowley-Polka_-_Trumpet.pdf
|File Name 8=PMLP19418-07_Tchaik-Rowley-Polka_-_Trombone.pdf
|File Name 9=PMLP19418-08_Tchaik-Rowley-Polka_-_Timpani.pdf
|File Name 10=PMLP19418-09_Tchaik-Rowley-Polka_-_Piano.pdf
|File Name 11=PMLP19418-10_Tchaik-Rowley-Polka_-_Violins_I.pdf
|File Name 12=PMLP19418-11_Tchaik-Rowley-Polka_-_Violins_II.pdf
|File Name 13=PMLP19418-12_Tchaik-Rowley-Polka_-_Violins_III.pdf
|File Name 14=PMLP19418-13_Tchaik-Rowley-Polka_-_Violas.pdf
|File Name 15=PMLP19418-14_Tchaik-Rowley-Polka_-_Cellos.pdf
|File Name 16=PMLP19418-15_Tchaik-Rowley-Polka_-_Basses.pdf
|File Description 1=Complete Score
|File Description 2=Flute
|File Description 3=Oboe
|File Description 4=Clarinet (B{{flat}})
|File Description 5=Bassoon
|File Description 6=Horn (F)
|File Description 7=Trumpet (B{{flat}})
|File Description 8=Trombone
|File Description 9=Timpani
|File Description 10=Piano
|File Description 11=Violins I
|File Description 12=Violins II
|File Description 13=Violins III
|File Description 14=Violas
|File Description 15=Cellos
|File Description 16=Basses
|Arranger={{LinkArr|Alec|Rowley|1892|1958}}
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Geniusboy98|Geniusboy98]]
|Date Submitted=2022/6/24
|Publisher Information={{P|Joseph Williams||London||1949||W. 5806}}<br>Williams' Orchestra Series, No.11.
|Reprint={{RpEFK}} Catalog A6038. Licensed reprint.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Polka_-_Opus_39-10_-_Score.pdf
|File Name 2=PMLP19418-Polka_-_Opus_39-10_-_Horn_F.pdf
|File Name 3=PMLP19418-Polka_-_Opus_39-10_-_trp_C.pdf
|File Name 4=PMLP19418-Polka_-_Opus_39-10_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (C)
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/10/10
|Publisher Information=Hans Jorgen Messerschmidt, 2019.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====Italian Song (No.15)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Chanson_Italienne_-_Opus_39-15_-_Score_(etc).pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/4/12
|Publisher Information=Hans Jorgen Messerschmidt, 2020.
|Copyright=Creative Commons Zero 1.0
|Misc. Notes=Chanson italienne - Op. 39, No. 15
}}
====Old French Song (No.16)====
=====For 4 Recorders (Wiebes)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-----------_------_-----------_-------.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Jaap|Wiebes||}}
|Editor=
|Image Type=Normal Scan
|Scanner=arranger
|Uploader=[[User:Zandeavande|Zandeavande]]
|Date Submitted=2018/7/20
|Publisher Information=Jaap Wiebes
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=Old French Song
}}
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Melodie_Antique_Francaise_No_16_-_Score.pdf
|File Name 2=PMLP19418-Melodie_Antique_Francaise_No_16_-_Horn_F.pdf
|File Name 3=PMLP19418-Melodie_Antique_Francaise_No_16_-_trp_Bb.pdf
|File Name 4=PMLP19418-Melodie_Antique_Francaise_No_16_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (B{{Flat}})
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/8/28
|Publisher Information=Hans Jorgen Messerschmidt, 2019.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
=====For Violin and Piano (Burmester)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Cajkovskij_Burmester_Altes_franzoesisches_Lied.pdf
|File Name 2=SIBLEY1802.10751.d771-39087004882942score.pdf
|File Name 3=SIBLEY1802.10751.aa94-39087004882942violin.pdf
|File Description 1=Complete Score and Violin Part
|File Description 2=Complete Score
|File Description 3=Violin Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Image Type=Normal Scan
|Scanner 1=afp0815
|Scanner={{SibleyScan|1802/10751}}
|Uploader 1=[[User:Afp0815|Afp0815]]
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted 1=2010/4/20
|Date Submitted=2015/4/26
|Publisher Information={{P|Breitkopf und Härtel|Breitkopf & Härtel|Leipzig||1911||V.A. 3681}}
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}} {{EVln}}
}}
====Neapolitan Song (No.18)====
=====For Violin and Piano (Burmester)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-TchaikovskyBurmester_NeapolitanischOp39No18_Piano.pdf
|File Name 2=PMLP19418-TchaikovskyBurmester_NeapolitanischOp39No18_Violin.pdf
|File Description 1=Complete Score
|File Description 2=Violin Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Editor=
|Image Type=Normal Scan
|Scanner=afp0815
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2021/2/28
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|1911|||V.A. 3682}}
|Copyright=Public Domain
|Misc. Notes=
}}
====Nanny's Story (No.19)====
=====For Violin and Piano (Burmester)=====
{{#fte:imslpfile
|File Name 1=SIBLEY1802.10752.de3a-39087004882959score.pdf
|File Name 2=SIBLEY1802.10752.7524-39087004882959violin.pdf
|File Name 3=SIBLEY1802.10752.70e4-39087004882959color_cover.pdf
|File Description 1=Complete Score
|File Description 2=Violin Part
|File Description 3=Cover
|Thumb Filename=Burm tch Spuk cover.jpg
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10752}}
|Uploader=[[User:Bryan P. C. C.|Bryan P. C. C.]]
|Date Submitted=2010/6/9
|Publisher Information={{P|Breitkopf und Härtel|Breitkopf & Härtel|Leipzig||1911||V.A. 3683}}
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
====Sweet Dreams (No.21)====
=====For Violin and Piano (Burmester)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Burm_Tch_Rev_39_21.pdf
|File Description 1=Complete Score and Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Thumb Filename=Bur Tch Rev cv Jurg.jpg
|Image Type=Normal Scan
|Scanner=Polona
|Uploader=[[User:Schalltrichter|Schalltrichter]]
|Date Submitted=2019/1/13
|Publisher Information={{P|P. Jurgenson||Moscow||||36010}}
|Copyright=Public Domain
|Misc. Notes=Titled "Rêverie" in the score
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-TchaikovskyBurmester_TraeumereiOp39No21_Piano.pdf
|File Name 2=PMLP19418-TchaikovskyBurmester_TraeumereiOp39No21_Violin.pdf
|File Description 1=Complete Score
|File Description 2=Violin Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Editor=
|Image Type=Normal Scan
|Scanner=afp0815
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2021/2/28
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|1911|||V.A. 3684}}
|Copyright=Public Domain
|Misc. Notes={{EVln}}<br>Intermediate violinists should practice this piece on the D and A strings only.
}}
=====For Violin and Piano (Seybold)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Tch_Seyb_Traum.pdf
|File Description 1=Complete Score and Violin Part
|Arranger={{LinkArr|Arthur|Seybold|1868|1948}}
|Editor=
|Image Type=Normal Scan
|Scanner=HBG
|Uploader=[[User:Schalltrichter|Schalltrichter]]
|Date Submitted=2023/8/19
|Publisher Information={{MusikUniv|1942/3|||A.J.B. 4525}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP19418-Tch_Seyb_Traum-9776.jpg
|Misc. Notes=color, violin part color and monochrome (low def)<br>There is also a viola arrangement, entitled ''Reverie'' by Watson Forbes (non-PD) in ''Classical and Romantic Pieces for Viola'' (OUP)
}}
====Lark Song (No.22)====
=====For Violin and Piano (Burmester)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Tchaikovsky_-_Die_Lerche_(The_lark)_L’alouette_Op39_No22_(Burmester)_score.pdf
|File Name 2=PMLP19418-Tchaikovsky_-_Die_Lerche_(The_lark)_L’alouette_Op39_No22_(Burmester)_violin.pdf
|File Description 1=Complete Score
|File Description 2=Violin Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10753}}
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/5/25
|Publisher Information={{P|Breitkopf und Härtel|Breitkopf & Härtel|Leipzig||1911||V.A. 3685}}
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
====The Organ-Grinder sings (No.23)====
=====For Violin and Piano (Burmester)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-TchaikovskyBurmester_DrehorgelmannOp39No23_Piano.pdf
|File Name 2=PMLP19418-TchaikovskyBurmester_DrehorgelmannOp39No23_Violin.pdf
|File Description 1=Complete Score
|File Description 2=Violin Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Editor=
|Image Type=Normal Scan
|Scanner=afp0815
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2021/2/28
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|1911|||V.A. 3686}}
|Copyright=Public Domain
|Misc. Notes=
}}
====March of the Wooden Soldiers (No.5)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Wooden_soldiers_March_-_Score.pdf
|File Name 2=PMLP19418-Wooden_soldiers_March_-_HornF.pdf
|File Name 3=PMLP19418-Wooden_soldiers_March_-_trp._Bb.pdf
|File Name 4=PMLP19418-Wooden_soldiers_March_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (B{{Flat}})
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2026/3/1
|Publisher Information=Hans Jorgen Messerschmidt, 2017.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=
}}

|NCRecordings=
*{{ps|797|Chris Breemer, piano (Piano Society)}}
*Lyle Neff, piano (YouTube video, in 5 parts)
:{{YT|LO_02gOOJzg|Nos.1-5}}
:{{YT|DWzua0Zha2k|Nos.6-9}}
:{{YT|BJEA-xYiLDk|Nos.10-14}}
:{{YT|kb5udn-kHg0|Nos.15-18}}
:{{YT|c-nSofKfmp0|Nos.19-24}}
*{{YT|tuFJ06wtcmM|Valentina Lisitsa, piano}}

*{{YT|rbpPdpVQBZ8|Leander, piano}} Morning Prayer
*{{YT|yn2YUPO4fU4|Leander, piano}} The Sick Doll/The Doll's Funeral/The New Doll
*{{YT|wn-VDtVCs5s|Leander, piano}} Song of the Lark

| *****WORK INFO*****

|Work Title=Children's Album
|Alternative Title=Детский альбом
|Opus/Catalogue Number=Op.39 ; TH 141
|Movements Header=24 pieces
|Number of Movements/Sections=24 pieces:
#Morning Prayer (Утренная молитва)<br>Andante ({{K|G}}, 24 bars)
#Winter Morning (Зимнее утро)<br>Allegro ({{K|b}}, 64 bars)
#Playing Hobby-Horses (Игра в лошадки)<br>Presto ({{K|D}}, 72 bars)
#Mama (Мама)<br>Moderato ({{K|G}}, 36 bars)
#March of the Wooden Soldiers (Марш деревянных солдатиков)<br>Moderato ({{K|D}}, 48 bars)
#The Sick Doll (Болезнь куклы)<br>Moderato ({{K|g}}, 42 bars)
#The Doll's Funeral (Похороны куклы)<br>Adagio ({{K|c}}, 48 bars)
#Waltz (Вальс)<br>Allegro assai ({{K|Eb}}, 85 bars)
#The New Doll (Новая кукла)<br>Allegro ({{K|Bb}}, 57 bars)
#Mazurka (Мазурка)<br>Allegro non troppo (''Tempo di mazurka'') ({{K|d}}, 52 bars)
#Russian Song (Русская песня)<br>Allegro ({{K|F}}, 30 bars)
#The Harmonica Player (Мужик на гармонике играет)<br>Adagio ({{K|Bb}}, 22 bars)
#Kamarinskaya (Камаринская)<br>Vivace ({{K|D}}, 49 bars)
#Polka (Полька)<br>Moderato. Tempo di Polka ({{K|Bb}}, 30 bars)
#Italian Song (Итальянская песенка)<br>Moderato assai ({{K|D}}, 49 bars)
#Old French Song (Старинная французская песенка)<br>Molto moderato ({{K|g}}, 32 bars)
#German Song (Немецкая песенка)<br>Molto moderato ({{K|Eb}}, 26 bars)
#Neapolitan Song (Неаполитанская песенка)<br>Andante ({{K|Eb}}, 54 bars)
#Nanny's Story (Нянина сказка)<br>Moderato ({{K|C}}, 48 bars)
#The Old Witch (Баба-Яга)<br>Presto ({{K|e}}, 45 bars)
#Sweet Dreams (Сладкая греза)<br>Moderato ({{K|C}}, 48 bars)
#Lark Song (Песня жаворонка) Die_Lerche - The Lark - L’alouette<br>Moderato ({{K|G}}, 32 bars)
#The Organ-Grinder Sings (Шарманщик поет)<br>Andante ({{K|G}}, 32 bars)
#In Church (В церкви)<br>Moderato ({{K|e}}, 52 bars)
The above sequence reflects the published editions during Tchaikovsky's lifetime, but some later editions use different numbering based on the composer's autograph score.
|Dedication=Vladimir Davydov (1871-1906)
|Year/Date of Composition=1878
|Year of First Publication=1878 — Moscow: [[P. Jurgenson]]. 27 pages. Plate 3347.
|Librettist=
|Language=
|Piece Style=Romantic
|Average Duration=28 minutes
|External Links={{THcat|Children%27s_Album}}
|Related Works=The Neapolitan song is {{LinkWorkN|Le femmene so nfà!||Cottrau|Teodoro}}
|Instrumentation=piano
|Tags=pieces ; pf

| *****COMMENTS***** =

{{Bluefatbox|title=See Also|body=<center>[[List of Intermediate Piano Repertoire]]</center>}}

| *****END OF TEMPLATE***** }}

Children's Album, Op.39 (Tchaikovsky, Pyotr)

2026-04-24T15:54:49Z

Albrights: Added 1 files to Children's Album, Op.39 (Tchaikovsky, Pyotr)

{{#fte:imslppage

| *****AUDIO***** =
====Selections====
{{#fte:imslpaudio
|File Name 1=PMLP19418-Y2mate.mx_-_Luis_Kolodin_plays_Tchaikovsky's_Morning_Prayer_(128_kbps).mp3
|File Name 2=PMLP19418-Y2mate.mx_-_Luis_Kolodin_plays_Tchaikovsky's_Waltz_(128_kbps).mp3
|File Name 3=PMLP19418-Y2mate.mx_-_Luis_Kolodin_plays_Tchaikovsky's_Mazurka_(128_kbps).mp3
|File Name 4=PMLP19418-Y2mate.mx_-_Luis_Kolodin_plays_Tchaikovsky's_Italian_Song_(128_kbps).mp3
|File Name 5=PMLP19418-Y2mate.mx_-_Luis_Kolodin_plays_Tchaikovsky's_Old_French_Song_(128_kbps).mp3
|File Name 6=PMLP19418-Y2mate.mx_-_Luis_Kolodin_plays_Tchaikovsky's_Neapolitan_Song_(128_kbps).mp3
|File Description 1=1. Morning Prayer
|File Description 2=8. Waltz
|File Description 3=10. Mazurka
|File Description 4=15. Italian Song
|File Description 5=16. Old French Song
|File Description 6=19. Neapolitan Song
|Performers=
|Performer Categories=Kolodin, Luis=Piano
|Uploader=[[User:Luiskaludin|Luiskaludin]]
|Date Submitted=2022/9/8
|Publisher Information=Luis Kolodin, 2021.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=
}}
{{#fte:imslpaudio
|File Name 1=PMLP19418-TchaikovskiAlbum.mp3
|File Description 1=Nos.6, 7, 8, 15, 16, 17, 19
|Performers=
|Performer Categories=Sauter, Louis=piano
|Uploader=[[User:Lsauter|Lsauter]]
|Date Submitted=2013/2/18
|Publisher Information=Louis Sauter, 2012
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 3.0
|Misc. Notes=
}}
{{#fte:imslpaudio
|File Name 1=PMLP19418-Tchaikovsky_-_Morning_Prayer_from_Album_for_the_Young_for_piano_performed_by_Ramón_León_Egea.mp3
|File Description 1=1. Morning Prayer
|Performers=Ramón León Egea, piano
|Performer Categories=
|Uploader=[[User:Ramón León Egea|Ramón León Egea]]
|Date Submitted=2025/6/21
|Publisher Information=Ramón León Egea, 2025.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Thumb Filename=TN-PMLP19418-Tchaikovsky_-_Morning_Prayer_from_Album_for_the_Young_for_piano_performed_by_Ramón_León_Egea-1455.jpg
|Misc. Notes=I decided to play this piece by Tchaikovsky, after studying his harmony book.
}}
=====For Guitar (León Egea)=====
{{#fte:imslpaudio
|File Name 1=PMLP19418-Tchaikovsky_-_Morning_Prayer_from_Album_for_the_Young_arranged_for_guitar_by_Ramón_León_Egea.mp3
|File Description 1=1. Morning Prayer
|Performers=Ramón León Egea, guitar
|Performer Categories=
|Uploader=[[User:Ramón León Egea|Ramón León Egea]]
|Date Submitted=2025/6/22
|Publisher Information=Ramón León Egea, 2025.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Thumb Filename=TN-PMLP19418-Tchaikovsky_-_Morning_Prayer_from_Album_for_the_Young_arranged_for_guitar_by_Ramón_León_Egea-2678.jpg
|Misc. Notes=
}}

===Synthesized/MIDI===
====Complete====
=====For Piano (Composer/Beer)=====
{{#fte:imslpaudio
|File Name 1=WIMA.3ecd-morgen.mid
|File Name 2=WIMA.f3ed-winter.mid
|File Name 3=WIMA.93d0-reiter.mid
|File Name 4=WIMA.d1a8-mama.mid
|File Name 5=WIMA.b3d0-holzsoldat.mid
|File Name 6=WIMA.8b43-krankep.mid
|File Name 7=WIMA.5739-beerdip.mid
|File Name 8=WIMA.c921-walzer.mid
|File Name 9=WIMA.17a6-neuep.mid
|File Name 10=WIMA.85a2-mazurka.mid
|File Name 11=WIMA.6e33-russisch.mid
|File Name 12=WIMA.2ad0-laendlich.mid
|File Name 13=WIMA.8c61-volkslied.mid
|File Name 14=WIMA.37aa-polka.mid
|File Name 15=WIMA.ff88-italienisch.mid
|File Name 16=WIMA.d238-Tschaikowsky-rom.mid
|File Name 17=WIMA.078b-deutsch.mid
|File Name 18=WIMA.2dc4-ammenm.mid
|File Name 19=WIMA.c63a-neapel.mid
|File Name 20=WIMA.fdad-hexe.mid
|File Name 21=WIMA.f4e5-traum.mid
|File Name 22=WIMA.5e7e-lerche.mid
|File Name 23=WIMA.606b-leierkasten.mid
|File Name 24=WIMA.2131-kirche.mid
|File Description 1=1. Morning Prayer
|File Description 2=2. Winter Morning
|File Description 3=3. Playing Hobby-Horses
|File Description 4=4. Mama
|File Description 5=5. March of the Wooden Soldiers
|File Description 6=6. The Sick Doll
|File Description 7=7. The Doll's Funeral
|File Description 8=8. Waltz
|File Description 9=9. The New Doll
|File Description 10=10. Mazurka
|File Description 11=11. Russian Song
|File Description 12=12. The Accordion Player
|File Description 13=13. Kamarinskaya
|File Description 14=14. Polka
|File Description 15=15. Italian Song
|File Description 16=16. Old French Song
|File Description 17=17. German Song
|File Description 18=18. Nanny's Story
|File Description 19=19. Neapolitan Song
|File Description 20=20. The Sorcerer
|File Description 21=21. Sweet Dreams
|File Description 22=22. Lark Song
|File Description 23=23. The Organ-Grinder Sings
|File Description 24=24. In Church
|Performers=Hans-Peter Beer
|Performer Categories=
|Uploader=[[User:Hapebe|Hapebe]]
|Date Submitted=2011/11/26
|Publisher Information=Hans-Peter Beer
|Copyright=Creative Commons Attribution Non-commercial No Derivatives 3.0
|Misc. Notes={{WIMAProject}}
}}
=====For Flute, Oboe, Clarinet, Bassoon and Horn (Rondeau)=====
{{#fte:imslpaudio
|File Name 1=WIMA.c20a-MorSco.mp3
|File Name 2=WIMA.a4f4-WinSco.mp3
|File Name 3=WIMA.bb46-DeSco.mp3
|File Name 4=WIMA.456a-MaSco.mp3
|File Name 5=WIMA.30bc-HolzSco.mp3
|File Name 6=WIMA.e184-DiSco.mp3
|File Name 7=WIMA.445f-BeSco.mp3
|File Name 8=WIMA.90b5-WalSco.mp3
|File Name 9=WIMA.ea04-DnpSco.mp3
|File Name 10=WIMA.95bf-MazSco.mp3
|File Name 11=WIMA.4d6b-RusSco.mp3
|File Name 12=WIMA.ed0c-LanSco.mp3
|File Name 13=WIMA.7d48-13VolSco.mp3
|File Name 14=WIMA.837d-PolSco.mp3
|File Name 15=WIMA.4e46-15ItaSco.mp3
|File Name 16=WIMA.c564-RoSco.mp3
|File Name 17=WIMA.c564-RoSco.mp3
|File Name 18=WIMA.c04d-18AmmSco.mp3
|File Name 19=WIMA.814a-19NeaSco.mp3
|File Name 20=WIMA.d008-20HexSco.mp3
|File Name 21=WIMA.e49e-21SussSco.mp3
|File Name 22=WIMA.6e58-22LieSco.mp3
|File Name 23=WIMA.883d-23DerSco.mp3
|File Name 24=WIMA.8b6d-24KirSco.mp3
|File Description 1=1. Morning Prayer
|File Description 2=2. Winter Morning
|File Description 3=3. Playing Hobby-Horses
|File Description 4=4. Mama
|File Description 5=5. March of the Wooden Soldiers
|File Description 6=6. The Sick Doll
|File Description 7=7. The Doll's Funeral
|File Description 8=8. Waltz
|File Description 9=9. The New Doll
|File Description 10=10. Mazurka
|File Description 11=11. Russian Song
|File Description 12=12. The Accordion Player
|File Description 13=13. Kamarinskaia
|File Description 14=14. Polka
|File Description 15=15. Italian Song
|File Description 16=16. Old French Song
|File Description 17=17. German Song
|File Description 18=18. Nanny's Story
|File Description 19=19. Neapolitan Song
|File Description 20=20. The Sorcerer
|File Description 13=13. Kamarinskaya
|File Description 14=14. Polka
|File Description 15=15. Italian Song
|File Description 16=16. Old French Song
|File Description 17=17. German Song
|File Description 18=18. Nanny's Story
|File Description 19=19. Neapolitan Song
|File Description 20=20. The Sorcerer
|File Description 21=21. Sweet Dreams
|File Description 22=22. Lark Song
|File Description 23=23. The Organ-Grinder Sings
|File Description 24=24. In Church
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/6/14
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
====Selections====
=====For Piano (Knuth)=====
{{#fte:imslpaudio
|File Name 1=WIMA.8b56-Tchaikovsky_The-witch.mid
|File Description 1=20. The Sorcerer
|Performers=Synthesized MIDI
|Performer Categories=
|Uploader=[[User:Reccmo|Reccmo]]
|Date Submitted=2012/6/20
|Publisher Information={{knuth}}
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
====Nos.1-19, 21, 23-24====
=====For 4 Recorders (Kemp)=====
{{#fte:imslpaudio
|File Name 1=PMLP19418-Album_For_the_Young.mp3
|File Description 1=Synthesized Performance
|Performers=Synthesized MIDI
|Performer Categories=
|Uploader=[[User:Dadvid|Dadvid]]
|Date Submitted=2020/10/21
|Publisher Information=David Kemp, 2017.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=Transcribed for Recorders - 1 Soprano 1 Altos 1 Tenor 1 Bass
}}
====Lark Song (No.22)====
=====For Flute and Guitar (Höger)=====
{{#fte:imslpaudio
|File Name 1=PMLP19418-Tchaikovsky,_Pyotr_-_Lerchenlied_Op._37a_No_3_(Flute_&_Guitar).mp3
|File Description 1=Synthesized Performance
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Hoeger|Hoeger]]
|Date Submitted=2019/1/1
|Publisher Information=Anton Höger
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

| *****FILES***** =
====Complete====
{{#fte:imslpfile
|File Name 1=Tchaikovsky_-_Op.39_-_Album_for_the_Young.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Adolf|Ruthardt|1849|1934}}
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Mcroskell|Mcroskell]]
|Date Submitted=2007/6/18
|Publisher Information={{P|Schirmer|G. Schirmer|New York||1904||17224}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-TH141-PSSM.pdf
|File Name 2=PMLP19418-39-Album-denfants--GA-Moskva-1948--A4-600.pdf
|File Description 1=Complete Score
|File Description 2=Complete Score (tailored, A4 600dpi)
|Editor={{LinkEd|Anatoly|Drozdov|1883|1950}}
|Image Type=Normal Scan
|Scanner=tchaikovsky.pro
|Uploader 1=[[User:P.davydov|P.davydov]]
|Uploader 2=[[User:Albrights|Albrights]]
|Date Submitted 1=2022/10/1
|Date Submitted 2=2023/6/22
|Publisher Information={{TchaikovskyComplete1|52|1948|18608}}
|Copyright=Public Domain
|Misc. Notes={{Urtext}}
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-Tchaikovsky_-_Album_per_la_gioventu_op.39_Jacopo_Tore.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Ernesto|Marciano|1869|1930}}
|Image Type=Normal Scan
|Scanner=Jacopo Tore
|Uploader=[[User:JacopoTore|JacopoTore]]
|Date Submitted=2022/4/13
|Publisher Information={{P|Carisch & Jänichen||Milan||1973||20174}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-Tchaikovsky_Children's_Album_Muzyka_1980.pdf
|File Description 1=Complete Score
|Arranger=
|Editor=P. Lukyanchenko
|Image Type=Normal Scan
|Scanner=Hammerklavier
|Uploader=[[User:Hammerklavier|Hammerklavier]]
|Date Submitted=2016/5/7
|Publisher Information={{P|Muzgiz|Muzyka|Moscow||1980||10929}}{{Urtext}}
|Copyright=Public Domain
|Misc. Notes=Monochrome, 600 dpi. Full table of contents in Russian and English with English translations of the footnotes
}}
{{#fte:imslpfile
|File Name 1=WIMA.7069-morgen.pdf
|File Name 2=WIMA.1e93-winter.pdf
|File Name 3=WIMA.e381-reiter.pdf
|File Name 4=WIMA.787e-mama.pdf
|File Name 5=WIMA.6b08-holzsoldat.pdf
|File Name 6=WIMA.78f8-krankep.pdf
|File Name 7=WIMA.9b10-beerdip.pdf
|File Name 8=WIMA.80b7-walzer.pdf
|File Name 9=WIMA.7284-neuep.pdf
|File Name 10=WIMA.d44e-mazurka.pdf
|File Name 11=WIMA.fbfc-russisch.pdf
|File Name 12=WIMA.3d83-laendlich.pdf
|File Name 13=WIMA.779f-volkslied.pdf
|File Name 14=WIMA.37ef-polka.pdf
|File Name 15=WIMA.c623-italienisch.pdf
|File Name 16=WIMA.fd00-Tschaikowsky-rom.pdf
|File Name 17=WIMA.ec7a-deutsch.pdf
|File Name 18=WIMA.e455-ammenm.pdf
|File Name 19=WIMA.0c7e-neapel.pdf
|File Name 20=WIMA.1d2a-hexe.pdf
|File Name 21=WIMA.ca73-traum.pdf
|File Name 22=WIMA.3bb7-lerche.pdf
|File Name 23=WIMA.0fe4-leierkasten.pdf
|File Name 24=WIMA.58fc-kirche.pdf
|File Name 25=WIMA.8bca-Op39.zip
|File Description 1=1. Morning Prayer
|File Description 2=2. Winter Morning
|File Description 3=3. Playing Hobby-Horses
|File Description 4=4. Mama
|File Description 5=5. March of the Wooden Soldiers
|File Description 6=6. The Sick Doll
|File Description 7=7. The Doll's Funeral
|File Description 8=8. Waltz
|File Description 9=9. The New Doll
|File Description 10=10. Mazurka
|File Description 11=11. Russian Song
|File Description 12=12. The Harmonica Player
|File Description 13=13. Kamarinskaya
|File Description 14=14. Polka
|File Description 15=15. Italian Song
|File Description 16=16. Old French Song
|File Description 17=17. German Song
|File Description 18=18. Nanny's Story
|File Description 19=19. Neapolitan Song
|File Description 20=20. The Sorcerer
|File Description 21=21. Sweet Dreams
|File Description 22=22. Lark Song
|File Description 23=23. The Organ-Grinder Sings
|File Description 24=24. In Church
|File Description 25=Engraving files (abcm2ps)
|Editor={{LinkEd|Hans-Peter|Beer}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Hapebe|editor]]
|Date Submitted=2011/11/22
|Date Submitted 25=2012/3/23
|Publisher Information=Hans-Peter Beer
|Copyright=Creative Commons Attribution Non-commercial 3.0
|Misc. Notes={{WIMAProject}}
}}
====Selections====
{{#fte:imslpfile
|File Name 1=PMLP109589-Il_mio_primo_Tchaikovsky.pdf
|File Name 2=PMLP19418-Il_mio_primo_Ciaikosvki.pdf
|File Description 1=Nos.1, 6, 9, 4, 5, 10, 8, 22, 11 (monochrome)
|File Description 2=Nos.1, 6, 9, 4, 5, 10, 8, 22, 11 (color)
|Editor={{LinkEd|Ettore|Pozzoli|1873|1957}}
|Image Type=Normal Scan
|Scanner 1=ctesibius
|Scanner 2=
|Uploader 1=[[User:Ctesibius|ctesibius]]
|Uploader 2=[[User:JacopoTore|JacopoTore]]
|Date Submitted 1=2010/1/15
|Date Submitted 2=2025/3/19
|Publisher Information={{P|Ricordi||Milan||1959||ER 2599}}
|Copyright=Public Domain
|Misc. Notes=Most opus numbers for pieces in score are incorrect. Color file should replace monochrome file with a black and white conversion with markings removed.
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-Tchaikovsky--Childrens-Album-Op39--Ed-Boildeau--Nos-15-16-17.pdf
|File Description 1=Nos.15-17
|Editor=
|Image Type=Normal Scan
|Scanner=Guifré
|Uploader=[[User:Guifre|Guifré]]
|Date Submitted=2010/7/22
|Publisher Information={{P|Edition Peters|C.F. Peters|Leipzig|n.d.(ca.1910)|||}}
|Reprint=''P. Tscaïkowski: Álbum para la Juventud - Edición Ibérica'' (pp.18-20)<br>{{P|Editorial Boileau|Boileau|Barcelona|n.d.(ca.1950)||186|1833}} - ''later printing'' (ca.1980).
|Copyright=Public Domain
|Misc. Notes=Scanned at 600 dpi.<br> Some manual re-inking has been carried out.
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-lanning_mbm_7.pdf
|File Description 1=15. Italian Song
|Editor={{LinkEd|Russell E.|Lanning|1916|1958}}
|Image Type=Normal Scan
|Scanner={{IArchS}}
|Uploader=[[User:Feduol|Feduol]]
|Date Submitted=2024/8/4
|Publisher Information=''Music by the Masters''. No.7<br>{{P|Musicord Publications||New York|1946|||EL 2543}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=WIMA.be5e-Tchaikovsky_The-witch.pdf
|File Name 2=WIMA.1889-Op39-Knuth.zip
|File Description 1=20. The Sorcerer
|File Description 2=Engraving files (Capella)
|Editor={{LinkEd|Jürgen|Knuth}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Reccmo|Reccmo]]
|Date Submitted=2012/6/20
|Publisher Information={{knuth}}
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-Tchaikovsky-Op039No021.pdf
|File Description 1=21. Sweet dream (Rêverie)
|Editor={{LinkEd|William|Scharfenberg|1819|1895}}<br>{{LinkEd|William Kipp|Bassford|1839|1902}}
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Mcroskell|Mcroskell]]
|Date Submitted=2007/6/18
|Publisher Information=''Tchaikovsky: Selected Pieces for the Pianoforte in Two Volumes''<br>{{P|Schirmer|G. Schirmer|New York|n.d.(1896)|||12498, 12499}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-39-Album-denfants--1948-Moskva-GA--letter-600.pdf
|File Description 1=Complete Score (letter, 600dpi)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Albrights|Albrights]]
|Date Submitted=2026/4/24
|Publisher Information=Muzgiz
|Copyright=Public Domain
|Misc. Notes=temp
}}

===Arrangements and Transcriptions===
====Complete====
=====For Orchestra (Rogal-Lewizkij)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-00_Tchaikovsky-RL-Children_-_Conductor_Score.pdf
|File Name 2=PMLP19418-01_Tchaikovsky-RL-Children_-_Piccolo,_Flute.pdf
|File Name 3=PMLP19418-02_Tchaikovsky-RL-Children_-_Oboe-EH.pdf
|File Name 4=PMLP19418-03_Tchaikovsky-RL-Children_-_Clarinet_1-2-ASax.pdf
|File Name 5=PMLP19418-04_Tchaikovsky-RL-Children_-_Bassoon.pdf
|File Name 6=PMLP19418-05_Tchaikovsky-RL-Children_-_Horn_1-2.pdf
|File Name 7=PMLP19418-06_Tchaikovsky-RL-Children_-_Trumpet_1-2.pdf
|File Name 8=PMLP19418-07_Tchaikovsky-RL-Children_-_Trombone.pdf
|File Name 9=PMLP19418-08_Tchaikovsky-RL-Children_-_Timpani.pdf
|File Name 10=PMLP19418-09_Tchaikovsky-RL-Children_-_Percussion.pdf
|File Name 11=PMLP19418-10_Tchaikovsky-RL-Children_-_Harp-Accordion.pdf
|File Name 12=PMLP19418-11_Tchaikovsky-RL-Children_-_Balalaika.pdf
|File Name 13=PMLP19418-12_Tchaikovsky-RL-Children_-_Mandolin.pdf
|File Name 14=PMLP19418-13_Tchaikovsky-RL-Children_-_Violins_I.pdf
|File Name 15=PMLP19418-14_Tchaikovsky-RL-Children_-_Violins_II.pdf
|File Name 16=PMLP19418-15_Tchaikovsky-RL-Children_-_Violas.pdf
|File Name 17=PMLP19418-16_Tchaikovsky-RL-Children_-_Cellos.pdf
|File Name 18=PMLP19418-17_Tchaikovsky-RL-Children_-_Basses.pdf
|File Description 1=Complete Score
|File Description 2=Piccolo, Flute
|File Description 3=Oboe/English Horn
|File Description 4=Clarinet 1, 2 (A/B{{flat}})/Alto Saxophone (E{{flat}})
|File Description 5=Bassoon
|File Description 6=Horn 1, 2 (F)
|File Description 7=Trumpet 1, 2 (B{{flat}})
|File Description 8=Trombone
|File Description 9=Timpani
|File Description 10=Triangle/Tambourine/Wood Block/Snare Drum/Slapstick, Bass Drum/Cymbals
|File Description 11=Harp/Accordion
|File Description 12=Balalaika
|File Description 13=Mandolin
|File Description 14=Violins I
|File Description 15=Violins II
|File Description 16=Violas
|File Description 17=Cellos
|File Description 18=Basses
|Arranger={{LinkArr|Dmitrij|Rogal-Lewizkij|1898|1962}}
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Geniusboy98|Geniusboy98]]
|Date Submitted=2022/6/21
|Publisher Information={{P|Muzgiz|Muzyka|Moscow||1968||5061}}
|Reprint={{RpEFKbr}} Catalog A6758.
|Copyright=Public Domain
|Misc. Notes=Transcription completed in 1943.<br>The Xylophone and Jeu de Timbres parts are missing. {{Missing}}
}}
=====*For Flute, Oboe, Clarinet, Bassoon and Horn (Rondeau)=====
{{#fte:imslpfile
|File Tags=fl ob cl bn hn (arr)
|File Name 1=WIMA.c5ca-MorSco.pdf
|File Name 2=WIMA.a214-MorFl.pdf
|File Name 3=WIMA.4ea6-MorOb.pdf
|File Name 4=WIMA.96f4-MorCl.pdf
|File Name 5=WIMA.3a0f-MorHn.pdf
|File Name 6=WIMA.53fd-MorBsn.pdf
|File Name 7=WIMA.69f4-Op39_Rondeau.zip
|File Description 1=Complete Score
|File Description 2=Flute
|File Description 3=Oboe
|File Description 4=Clarinet
|File Description 5=Horn
|File Description 6=Bassoon
|File Description 7=Engraving files (Finale)
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/6/14
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
=====For 2 Violins, Viola and Cello (Sauter)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Tchaikovski_Album_pour_enfants_Op.39_-_Score.pdf
|File Name 2=PMLP19418-Tchaikovski_Album_pour_enfants_Op.39_-_Violon_I.pdf
|File Name 3=PMLP19418-Tchaikovski_Album_pour_enfants_Op.39_-_Violon_II.pdf
|File Name 4=PMLP19418-Tchaikovski_Album_pour_enfants_Op.39_-_Alto.pdf
|File Name 5=PMLP19418-Tchaikovski_Album_pour_enfants_Op.39_-_Violoncelle.pdf
|File Description 1=Complete Score
|File Description 2=Violin 1
|File Description 3=Violin 2
|File Description 4=Viola
|File Description 5=Cello
|Arranger={{LinkArr|Louis|Sauter|1955|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Lsauter|Lsauter]]
|Date Submitted=2019/1/31
|Publisher Information=Louis Sauter, 2019.
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0
|Misc. Notes=A synthesized recording is available {{YT|RTl-ro_TTy4|here}}.
}}
====Nos.1-19, 21, 23-24====
=====For 4 Recorders (Kemp)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Album_for_the_Young_-_Score_&_Parts.pdf
|File Description 1=Complete Score and Parts
|Arranger={{LinkArr|David Edward|Kemp|1948|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Dadvid|Dadvid]]
|Date Submitted=2020/4/25
|Publisher Information=David Edward Kemp, 2015.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=Selections: (Nos 1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,19,21,23, & 24) Instrumentation: 4 Players using Soprano thru Greatbass recorders as need
}}
====Nos.1, 2, 5====
=====For Flute Trio (Grist)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Morning_Song_(etc).pdf
|File Name 2=PMLP19418-March_of_the_Tin_Soldiers_(etc).pdf
|File Name 3=PMLP19418-Winter_Morning_(etc).pdf
|File Description 1=Morning Song Score and Parts
|File Description 2=March of the Tin Soldiers Score and Parts
|File Description 3=Winter Morning Score and Parts
|Arranger={{LinkArr|Ange|Grist||}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Nang ang|Nang ang]]
|Date Submitted=2023/5/15
|Publisher Information=Ange Grist, 2023.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====Nos.16, 18, 19, 21-23====
=====For Violin and Piano (Burmester)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Burmester_Tch_chilren_all_v.pdf
|File Description 1=Violin Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Thumb Filename=Burm tch Spuk cover.jpg
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Schalltrichter|Schalltrichter]]
|Date Submitted=2021/8/13
|Publisher Information={{P|Breitkopf und Härtel||Leipzig||1911||V.A. 3681-3686}}
|Copyright=Public Domain
|Misc. Notes=All 6 Burmester arrangements<br>Nos 2 and 5 are difficult. Nos 4 and 6 are easy.<br>See below for the piano scores.
}}
====Nos.16, 22, 23====
=====*For Violin or Flute and Piano (Burmester/Piguet)=====
{{#fte:imslpfile
|File Tags=fl pf (arr) ; vn pf (arr)
|File Name 1=PMLP19418-TchaikovskyPiguet_Op39No162223.pdf
|File Name 2=PMLP19418-TchaikovskyPiguet_Op39No162223_Flute.pdf
|File Description 1=Complete Score
|File Description 2=Flute Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}, complete score<br>{{LinkArr|Alfred|Piguet||}}, flute part
|Editor=
|Image Type=Normal Scan
|Scanner=afp0815
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2022/12/31
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|1911|||V.A. 3776, 3780/1}}
|Copyright=Public Domain
|Misc. Notes=
}}
====Nos.16, 21====
=====For Violin and Piano (Seybold)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-TchaikovskySeybold_Op39No1620_Piano.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Arthur|Seybold|1868|1948}}
|Editor=
|Thumb Filename=Seyb magicfiddlecv.jpg
|Image Type=Normal Scan
|Scanner=afp0815
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2022/5/17
|Publisher Information=''Die Wundergeige, Heft II''<br>{{P|Anton J. Benjamin||Leipzig|1930|||}}
|Copyright=Public Domain
|Misc. Notes=No.21 'Dreaming' wrongly labelled as No.20. See below for ''Musikalishes Uniwersum'' edition, with violin part.<br>{{EVln}} Fingered for 1st pos, but also good pieces for students learning 3rd pos.
}}
====Nos.16, 18, 19, 21, 23====
=====For Cello and Piano (Burmester/Klengel)=====
{{#fte:imslpfile
|File Name 1=SIBLEY1802.17868.7ff3-39087004861938score.pdf
|File Name 2=SIBLEY1802.17868.b186-39087004861938cello.pdf
|File Name 3=SIBLEY1802.17868.a6c0-39087004861938color_covers.pdf
|File Description 1=Complete Score
|File Description 2=Cello Part
|File Description 3=Color Covers
|Arranger={{LinkArr|Julius|Klengel|1859|1933}}<br>after {{LinkArr|Willy|Burmester|1869|1933}}
|Thumb Filename=Tchaik bur kl cov.jpg
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/17868}}
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2014/9/8
|Publisher Information={{P|Breitkopf und Härtel||Leipzig||1913||V.A. 3791-3795}}
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}<br>Klengel omitted Burmester's ''Lark'' No.22
}}
====Nos.1, 9====
=====For Violin and Piano (Mittel)=====
{{LinkWorkNMono|Mittell's Popular Graded Course||Mittell, Philipp|0}}
====Morning Prayer (No.1)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Morning_Prayer_-_Score_(etc).pdf
|File Description 1=Complete Score and Parts
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/9/6
|Publisher Information=Hans Jorgen Messerschmidt, 2019.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
=====For Guitar (León Egea)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Op.237_(Guitar)_Tchaikovsky_-_Morning_Prayer_from_Album_for_the_Young_arranged_and_carefully_fingered_by_Ramón_León_Egea.pdf
|File Description 1=1. Morning Prayer
|Arranger={{LinkArr|Ramón|León Egea|1975|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Ramón León Egea|Ramón León Egea]]
|Date Submitted=2025/6/22
|Publisher Information=Ramón León Egea, 2025.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=
}}
====Winter Morning (No.2)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-In_the_Morning_in_Winter_-_Score.pdf
|File Name 2=PMLP19418-In_the_Morning_in_Winter_-_Horn_F.pdf
|File Name 3=PMLP19418-In_the_Morning_in_Winter_-_trp_Bb.pdf
|File Name 4=PMLP19418-In_the_Morning_in_Winter_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (B{{Flat}})
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/5/27
|Publisher Information=Hans Jorgen Messerschmidt, 2018.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====Playing Hobby-Horses (No.3)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-The_little_Rider_-_Score_(etc).pdf
|File Description 1=Complete Score and Parts
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2023/2/18
|Publisher Information=Hans Jorgen Messerschmidt, 2020.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====March of the Wooden Soldiers (No.5)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Marches_des_Soldats_de_Bois_-_Score.pdf
|File Name 2=PMLP19418-Marches_des_Soldats_de_Bois_-_Horn_F.pdf
|File Name 3=PMLP19418-Marches_des_Soldats_de_Bois_-_trp_Bb.pdf
|File Name 4=PMLP19418-Marches_des_Soldats_de_Bois_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (B{{Flat}})
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/8/10
|Publisher Information=Hans Jorgen Messerschmidt, 2019.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====The Sick Doll (No.6)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-La_Poupee_Malade_-_Score_(etc).pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/7/14
|Publisher Information=Hans Jorgen Messerschmidt, 2019.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-The_new_Doll_-_Score.pdf
|File Name 2=PMLP19418-The_new_Doll_-_Horn_F.pdf
|File Name 3=PMLP19418-The_new_Doll_-_trp_Bb.pdf
|File Name 4=PMLP19418-The_new_Doll_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (B{{Flat}})
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2023/2/23
|Publisher Information=Hans Jorgen Messerschmidt, 2020.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====The Doll's Funeral (No.7)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-La_Poupee_-_Score_(etc).pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/7/14
|Publisher Information=Hans Jorgen Messerschmidt, 2020.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====Waltz (No.8)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Waltz_-_Opus_39-9_-_Score.pdf
|File Name 2=PMLP19418-Waltz_-_Opus_39-9_-_Horn_F.pdf
|File Name 3=PMLP19418-Waltz_-_Opus_39-9_-_trp_Bb.pdf
|File Name 4=PMLP19418-Waltz_-_Opus_39-9_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (B{{Flat}})
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2026/2/17
|Publisher Information=Hans Jorgen Messerschmidt, 2016.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=
}}
====Mazurka (No.10)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Mazurka_-_Opus_39-11_-_Score.pdf
|File Name 2=PMLP19418-Mazurka_-_Opus_39-11_-_Horn_F.pdf
|File Name 3=PMLP19418-Mazurka_-_Opus_39-11_-_trp_C.pdf
|File Name 4=PMLP19418-Mazurka_-_Opus_39-11_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (C)
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/8/11
|Publisher Information=Hans Jorgen Messerschmidt, 2017.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====The Harmonica Player (No.12)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Russe_-_Opus_39-12_-_Score.pdf
|File Name 2=PMLP19418-Russe_-_Opus_39-12_-_Horn_F.pdf
|File Name 3=PMLP19418-Russe_-_Opus_39-12_-_trp_C.pdf
|File Name 4=PMLP19418-Russe_-_Opus_39-12_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (C)
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2022/11/16
|Publisher Information=Hans Jorgen Messerschmidt, 2020.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====Kamarinskaya (No.13)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Kamarinskaya_-_Opus_39-14_-_Score_(etc).pdf
|File Description 1=Complete Score and Parts
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/6/4
|Publisher Information=Hans Jorgen Messerschmidt, 2020.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====Polka (No.14)====
=====For Orchestra (Rowley)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-00_Tchaik-Rowley-Polka_-_Conductor_Score.pdf
|File Name 2=PMLP19418-01_Tchaik-Rowley-Polka_-_Flute.pdf
|File Name 3=PMLP19418-02_Tchaik-Rowley-Polka_-_Oboe.pdf
|File Name 4=PMLP19418-03_Tchaik-Rowley-Polka_-_Clarinet.pdf
|File Name 5=PMLP19418-04_Tchaik-Rowley-Polka_-_Bassoon.pdf
|File Name 6=PMLP19418-05_Tchaik-Rowley-Polka_-_Horn.pdf
|File Name 7=PMLP19418-06_Tchaik-Rowley-Polka_-_Trumpet.pdf
|File Name 8=PMLP19418-07_Tchaik-Rowley-Polka_-_Trombone.pdf
|File Name 9=PMLP19418-08_Tchaik-Rowley-Polka_-_Timpani.pdf
|File Name 10=PMLP19418-09_Tchaik-Rowley-Polka_-_Piano.pdf
|File Name 11=PMLP19418-10_Tchaik-Rowley-Polka_-_Violins_I.pdf
|File Name 12=PMLP19418-11_Tchaik-Rowley-Polka_-_Violins_II.pdf
|File Name 13=PMLP19418-12_Tchaik-Rowley-Polka_-_Violins_III.pdf
|File Name 14=PMLP19418-13_Tchaik-Rowley-Polka_-_Violas.pdf
|File Name 15=PMLP19418-14_Tchaik-Rowley-Polka_-_Cellos.pdf
|File Name 16=PMLP19418-15_Tchaik-Rowley-Polka_-_Basses.pdf
|File Description 1=Complete Score
|File Description 2=Flute
|File Description 3=Oboe
|File Description 4=Clarinet (B{{flat}})
|File Description 5=Bassoon
|File Description 6=Horn (F)
|File Description 7=Trumpet (B{{flat}})
|File Description 8=Trombone
|File Description 9=Timpani
|File Description 10=Piano
|File Description 11=Violins I
|File Description 12=Violins II
|File Description 13=Violins III
|File Description 14=Violas
|File Description 15=Cellos
|File Description 16=Basses
|Arranger={{LinkArr|Alec|Rowley|1892|1958}}
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Geniusboy98|Geniusboy98]]
|Date Submitted=2022/6/24
|Publisher Information={{P|Joseph Williams||London||1949||W. 5806}}<br>Williams' Orchestra Series, No.11.
|Reprint={{RpEFK}} Catalog A6038. Licensed reprint.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Polka_-_Opus_39-10_-_Score.pdf
|File Name 2=PMLP19418-Polka_-_Opus_39-10_-_Horn_F.pdf
|File Name 3=PMLP19418-Polka_-_Opus_39-10_-_trp_C.pdf
|File Name 4=PMLP19418-Polka_-_Opus_39-10_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (C)
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/10/10
|Publisher Information=Hans Jorgen Messerschmidt, 2019.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====Italian Song (No.15)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Chanson_Italienne_-_Opus_39-15_-_Score_(etc).pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/4/12
|Publisher Information=Hans Jorgen Messerschmidt, 2020.
|Copyright=Creative Commons Zero 1.0
|Misc. Notes=Chanson italienne - Op. 39, No. 15
}}
====Old French Song (No.16)====
=====For 4 Recorders (Wiebes)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-----------_------_-----------_-------.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Jaap|Wiebes||}}
|Editor=
|Image Type=Normal Scan
|Scanner=arranger
|Uploader=[[User:Zandeavande|Zandeavande]]
|Date Submitted=2018/7/20
|Publisher Information=Jaap Wiebes
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=Old French Song
}}
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Melodie_Antique_Francaise_No_16_-_Score.pdf
|File Name 2=PMLP19418-Melodie_Antique_Francaise_No_16_-_Horn_F.pdf
|File Name 3=PMLP19418-Melodie_Antique_Francaise_No_16_-_trp_Bb.pdf
|File Name 4=PMLP19418-Melodie_Antique_Francaise_No_16_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (B{{Flat}})
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2021/8/28
|Publisher Information=Hans Jorgen Messerschmidt, 2019.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
=====For Violin and Piano (Burmester)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Cajkovskij_Burmester_Altes_franzoesisches_Lied.pdf
|File Name 2=SIBLEY1802.10751.d771-39087004882942score.pdf
|File Name 3=SIBLEY1802.10751.aa94-39087004882942violin.pdf
|File Description 1=Complete Score and Violin Part
|File Description 2=Complete Score
|File Description 3=Violin Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Image Type=Normal Scan
|Scanner 1=afp0815
|Scanner={{SibleyScan|1802/10751}}
|Uploader 1=[[User:Afp0815|Afp0815]]
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted 1=2010/4/20
|Date Submitted=2015/4/26
|Publisher Information={{P|Breitkopf und Härtel|Breitkopf & Härtel|Leipzig||1911||V.A. 3681}}
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}} {{EVln}}
}}
====Neapolitan Song (No.18)====
=====For Violin and Piano (Burmester)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-TchaikovskyBurmester_NeapolitanischOp39No18_Piano.pdf
|File Name 2=PMLP19418-TchaikovskyBurmester_NeapolitanischOp39No18_Violin.pdf
|File Description 1=Complete Score
|File Description 2=Violin Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Editor=
|Image Type=Normal Scan
|Scanner=afp0815
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2021/2/28
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|1911|||V.A. 3682}}
|Copyright=Public Domain
|Misc. Notes=
}}
====Nanny's Story (No.19)====
=====For Violin and Piano (Burmester)=====
{{#fte:imslpfile
|File Name 1=SIBLEY1802.10752.de3a-39087004882959score.pdf
|File Name 2=SIBLEY1802.10752.7524-39087004882959violin.pdf
|File Name 3=SIBLEY1802.10752.70e4-39087004882959color_cover.pdf
|File Description 1=Complete Score
|File Description 2=Violin Part
|File Description 3=Cover
|Thumb Filename=Burm tch Spuk cover.jpg
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10752}}
|Uploader=[[User:Bryan P. C. C.|Bryan P. C. C.]]
|Date Submitted=2010/6/9
|Publisher Information={{P|Breitkopf und Härtel|Breitkopf & Härtel|Leipzig||1911||V.A. 3683}}
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
====Sweet Dreams (No.21)====
=====For Violin and Piano (Burmester)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Burm_Tch_Rev_39_21.pdf
|File Description 1=Complete Score and Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Thumb Filename=Bur Tch Rev cv Jurg.jpg
|Image Type=Normal Scan
|Scanner=Polona
|Uploader=[[User:Schalltrichter|Schalltrichter]]
|Date Submitted=2019/1/13
|Publisher Information={{P|P. Jurgenson||Moscow||||36010}}
|Copyright=Public Domain
|Misc. Notes=Titled "Rêverie" in the score
}}
{{#fte:imslpfile
|File Name 1=PMLP19418-TchaikovskyBurmester_TraeumereiOp39No21_Piano.pdf
|File Name 2=PMLP19418-TchaikovskyBurmester_TraeumereiOp39No21_Violin.pdf
|File Description 1=Complete Score
|File Description 2=Violin Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Editor=
|Image Type=Normal Scan
|Scanner=afp0815
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2021/2/28
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|1911|||V.A. 3684}}
|Copyright=Public Domain
|Misc. Notes={{EVln}}<br>Intermediate violinists should practice this piece on the D and A strings only.
}}
=====For Violin and Piano (Seybold)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Tch_Seyb_Traum.pdf
|File Description 1=Complete Score and Violin Part
|Arranger={{LinkArr|Arthur|Seybold|1868|1948}}
|Editor=
|Image Type=Normal Scan
|Scanner=HBG
|Uploader=[[User:Schalltrichter|Schalltrichter]]
|Date Submitted=2023/8/19
|Publisher Information={{MusikUniv|1942/3|||A.J.B. 4525}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP19418-Tch_Seyb_Traum-9776.jpg
|Misc. Notes=color, violin part color and monochrome (low def)<br>There is also a viola arrangement, entitled ''Reverie'' by Watson Forbes (non-PD) in ''Classical and Romantic Pieces for Viola'' (OUP)
}}
====Lark Song (No.22)====
=====For Violin and Piano (Burmester)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Tchaikovsky_-_Die_Lerche_(The_lark)_L’alouette_Op39_No22_(Burmester)_score.pdf
|File Name 2=PMLP19418-Tchaikovsky_-_Die_Lerche_(The_lark)_L’alouette_Op39_No22_(Burmester)_violin.pdf
|File Description 1=Complete Score
|File Description 2=Violin Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10753}}
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/5/25
|Publisher Information={{P|Breitkopf und Härtel|Breitkopf & Härtel|Leipzig||1911||V.A. 3685}}
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
====The Organ-Grinder sings (No.23)====
=====For Violin and Piano (Burmester)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-TchaikovskyBurmester_DrehorgelmannOp39No23_Piano.pdf
|File Name 2=PMLP19418-TchaikovskyBurmester_DrehorgelmannOp39No23_Violin.pdf
|File Description 1=Complete Score
|File Description 2=Violin Part
|Arranger={{LinkArr|Willy|Burmester|1869|1933}}
|Editor=
|Image Type=Normal Scan
|Scanner=afp0815
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2021/2/28
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|1911|||V.A. 3686}}
|Copyright=Public Domain
|Misc. Notes=
}}
====March of the Wooden Soldiers (No.5)====
=====For Horn, Trumpet and Euphonium (Messerschmidt)=====
{{#fte:imslpfile
|File Name 1=PMLP19418-Wooden_soldiers_March_-_Score.pdf
|File Name 2=PMLP19418-Wooden_soldiers_March_-_HornF.pdf
|File Name 3=PMLP19418-Wooden_soldiers_March_-_trp._Bb.pdf
|File Name 4=PMLP19418-Wooden_soldiers_March_-_Euphonium.pdf
|File Description 1=Complete Score
|File Description 2=Horn (F)
|File Description 3=Trumpet (B{{Flat}})
|File Description 4=Euphonium
|Arranger={{LinkArr|Hans Jorgen|Messerschmidt|1944|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Messerman|Messerman]]
|Date Submitted=2026/3/1
|Publisher Information=Hans Jorgen Messerschmidt, 2017.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=
}}

|NCRecordings=
*{{ps|797|Chris Breemer, piano (Piano Society)}}
*Lyle Neff, piano (YouTube video, in 5 parts)
:{{YT|LO_02gOOJzg|Nos.1-5}}
:{{YT|DWzua0Zha2k|Nos.6-9}}
:{{YT|BJEA-xYiLDk|Nos.10-14}}
:{{YT|kb5udn-kHg0|Nos.15-18}}
:{{YT|c-nSofKfmp0|Nos.19-24}}
*{{YT|tuFJ06wtcmM|Valentina Lisitsa, piano}}

*{{YT|rbpPdpVQBZ8|Leander, piano}} Morning Prayer
*{{YT|yn2YUPO4fU4|Leander, piano}} The Sick Doll/The Doll's Funeral/The New Doll
*{{YT|wn-VDtVCs5s|Leander, piano}} Song of the Lark

| *****WORK INFO*****

|Work Title=Children's Album
|Alternative Title=Детский альбом
|Opus/Catalogue Number=Op.39 ; TH 141
|Movements Header=24 pieces
|Number of Movements/Sections=24 pieces:
#Morning Prayer (Утренная молитва)<br>Andante ({{K|G}}, 24 bars)
#Winter Morning (Зимнее утро)<br>Allegro ({{K|b}}, 64 bars)
#Playing Hobby-Horses (Игра в лошадки)<br>Presto ({{K|D}}, 72 bars)
#Mama (Мама)<br>Moderato ({{K|G}}, 36 bars)
#March of the Wooden Soldiers (Марш деревянных солдатиков)<br>Moderato ({{K|D}}, 48 bars)
#The Sick Doll (Болезнь куклы)<br>Moderato ({{K|g}}, 42 bars)
#The Doll's Funeral (Похороны куклы)<br>Adagio ({{K|c}}, 48 bars)
#Waltz (Вальс)<br>Allegro assai ({{K|Eb}}, 85 bars)
#The New Doll (Новая кукла)<br>Allegro ({{K|Bb}}, 57 bars)
#Mazurka (Мазурка)<br>Allegro non troppo (''Tempo di mazurka'') ({{K|d}}, 52 bars)
#Russian Song (Русская песня)<br>Allegro ({{K|F}}, 30 bars)
#The Harmonica Player (Мужик на гармонике играет)<br>Adagio ({{K|Bb}}, 22 bars)
#Kamarinskaya (Камаринская)<br>Vivace ({{K|D}}, 49 bars)
#Polka (Полька)<br>Moderato. Tempo di Polka ({{K|Bb}}, 30 bars)
#Italian Song (Итальянская песенка)<br>Moderato assai ({{K|D}}, 49 bars)
#Old French Song (Старинная французская песенка)<br>Molto moderato ({{K|g}}, 32 bars)
#German Song (Немецкая песенка)<br>Molto moderato ({{K|Eb}}, 26 bars)
#Neapolitan Song (Неаполитанская песенка)<br>Andante ({{K|Eb}}, 54 bars)
#Nanny's Story (Нянина сказка)<br>Moderato ({{K|C}}, 48 bars)
#The Old Witch (Баба-Яга)<br>Presto ({{K|e}}, 45 bars)
#Sweet Dreams (Сладкая греза)<br>Moderato ({{K|C}}, 48 bars)
#Lark Song (Песня жаворонка) Die_Lerche - The Lark - L’alouette<br>Moderato ({{K|G}}, 32 bars)
#The Organ-Grinder Sings (Шарманщик поет)<br>Andante ({{K|G}}, 32 bars)
#In Church (В церкви)<br>Moderato ({{K|e}}, 52 bars)
The above sequence reflects the published editions during Tchaikovsky's lifetime, but some later editions use different numbering based on the composer's autograph score.
|Dedication=Vladimir Davydov (1871-1906)
|Year/Date of Composition=1878
|Year of First Publication=1878 — Moscow: [[P. Jurgenson]]. 27 pages. Plate 3347.
|Librettist=
|Language=
|Piece Style=Romantic
|Average Duration=28 minutes
|External Links={{THcat|Children%27s_Album}}
|Related Works=The Neapolitan song is {{LinkWorkN|Le femmene so nfà!||Cottrau|Teodoro}}
|Instrumentation=piano
|Tags=pieces ; pf

| *****COMMENTS***** =

{{Bluefatbox|title=See Also|body=<center>[[List of Intermediate Piano Repertoire]]</center>}}

| *****END OF TEMPLATE***** }}

File:PMLP19418-39-Album-denfants--1948-Moskva-GA--letter-600.pdf

2026-04-24T15:54:44Z

Albrights:

File:PMLP19418-39-Album-denfants--GA-Moskva-1948--A4-600.pdf

2026-04-24T15:53:24Z

Albrights: uploaded a new version of "File:PMLP19418-39-Album-denfants--GA-Moskva-1948--A4-600.pdf": Fix alignment and type area (previously inner and outer margins were swapped due to a missing blank page after two title pages)

6 Chorales for funeral ceremonies (Koechlin, Charles)

2026-04-23T10:22:51Z

Albrights: clarify wording

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP1604241-chorals-six-choisis-pour-funebr--1961-Paris--A4-600.pdf
|File Name 2=PMLP1604241-Chorals-six-choisis-pour-les-ceremonies-funebres--1961-Paris.pdf
|File Description 1=Complete Score (DIN A4)
|File Description 2=Complete Score (letter)
|Editor=
|Image Type=Normal Scan
|Scanner=David Campbell
|Uploader=[[User:Albrights|Albrights]]
|Date Submitted=2026/4/21
|Publisher Information={{P|Procure du Clergé||Paris|n.d.(1961)|||P.G.215 M.S.}}
|Copyright=Public Domain
|Misc. Notes=Re-compiled and tailored to DIN A4 from #402816–21.
}}

| *****WORK INFO*****

|Work Title=6 Chorales for funeral ceremonies
|Alternative Title=Six chorals pour les cérémonies funèbres
|Opus/Catalogue Number=
|Key=
|Movements Header=6 pieces
|Number of Movements/Sections=6 pieces

# {{LinkWork|15 Chorales|Op.79|Koechlin|Charles|0}}, No.14 in {{k|g}}. Lent et douloureux [Entrée]
# {{LinkWork|40 Divers chorals de style modal|Op.168|Koechlin|Charles|0}}, No.24 in {{k|bb}}. Presque adagio [Offertoire]
# {{LinkWork|40 Chorales|Op.172|Koechlin|Charles|0}}, No.36 in {{k|bb}}. Andante [Offertoire]
# {{LinkWork|18 Chorales|Op.83|Koechlin|Charles|0}}, No.9 in {{k|e}}. Pas plus vite que {{HalfN}}=50 [Élévation]
# {{LinkWork|12 Chorales|Op.78|Koechlin|Charles|0}}, No.9 in {{k|a}}. Adagio [Communion]
# {{LinkWork|Requiem des pauvres bougres|Op.161|Koechlin|Charles|0}}, [No.6] in {{k|Db}}. Choral. Final du Requiem. Très calme [Défilé]
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=1921-39
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Modern
|Instrumentation=organ
|Page type=Collection

| *****COMMENTS***** =

These six chorales appear to have been postumously selected for the 1961 publication and titled with suggestions for liturgical use.

| *****END OF TEMPLATE***** }}

6 Chorales for funeral ceremonies (Koechlin, Charles)

2026-04-21T15:21:04Z

Albrights: Set page type to Collection

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP1604241-chorals-six-choisis-pour-funebr--1961-Paris--A4-600.pdf
|File Name 2=PMLP1604241-Chorals-six-choisis-pour-les-ceremonies-funebres--1961-Paris.pdf
|File Description 1=Complete Score (DIN A4)
|File Description 2=Complete Score (letter)
|Editor=
|Image Type=Normal Scan
|Scanner=David Campbell
|Uploader=[[User:Albrights|Albrights]]
|Date Submitted=2026/4/21
|Publisher Information={{P|Procure du Clergé||Paris|n.d.(1961)|||P.G.215 M.S.}}
|Copyright=Public Domain
|Misc. Notes=Compiled and tailored to DIN A4 from #402816–21.
}}

| *****WORK INFO*****

|Work Title=6 Chorales for funeral ceremonies
|Alternative Title=Six chorals pour les cérémonies funèbres
|Opus/Catalogue Number=
|Key=
|Movements Header=6 pieces
|Number of Movements/Sections=6 pieces

# {{LinkWork|15 Chorales|Op.79|Koechlin|Charles|0}}, No.14 in {{k|g}}. Lent et douloureux [Entrée]
# {{LinkWork|40 Divers chorals de style modal|Op.168|Koechlin|Charles|0}}, No.24 in {{k|bb}}. Presque adagio [Offertoire]
# {{LinkWork|40 Chorales|Op.172|Koechlin|Charles|0}}, No.36 in {{k|bb}}. Andante [Offertoire]
# {{LinkWork|18 Chorales|Op.83|Koechlin|Charles|0}}, No.9 in {{k|e}}. Pas plus vite que {{HalfN}}=50 [Élévation]
# {{LinkWork|12 Chorales|Op.78|Koechlin|Charles|0}}, No.9 in {{k|a}}. Adagio [Communion]
# {{LinkWork|Requiem des pauvres bougres|Op.161|Koechlin|Charles|0}}, [No.6] in {{k|Db}}. Choral. Final du Requiem. Très calme [Défilé]
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=1921-39
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Modern
|Instrumentation=organ
|Page type=Collection

| *****COMMENTS***** =

These six chorales appear to have been postumously selected for the 1961 publication and titled with suggestions for liturgical use.

| *****END OF TEMPLATE***** }}

6 Chorales for funeral ceremonies (Koechlin, Charles)

2026-04-21T15:17:14Z

Albrights: Link work pages

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP1604241-chorals-six-choisis-pour-funebr--1961-Paris--A4-600.pdf
|File Name 2=PMLP1604241-Chorals-six-choisis-pour-les-ceremonies-funebres--1961-Paris.pdf
|File Description 1=Complete Score (DIN A4)
|File Description 2=Complete Score (letter)
|Editor=
|Image Type=Normal Scan
|Scanner=David Campbell
|Uploader=[[User:Albrights|Albrights]]
|Date Submitted=2026/4/21
|Publisher Information={{P|Procure du Clergé||Paris|n.d.(1961)|||P.G.215 M.S.}}
|Copyright=Public Domain
|Misc. Notes=Compiled and tailored to DIN A4 from #402816–21.
}}

| *****WORK INFO*****

|Work Title=6 Chorales for funeral ceremonies
|Alternative Title=Six chorals pour les cérémonies funèbres
|Opus/Catalogue Number=
|Key=
|Movements Header=6 pieces
|Number of Movements/Sections=6 pieces
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=1921-39
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Modern
|Instrumentation=organ

| *****COMMENTS***** =

These six chorales appear to have been postumously selected for the 1961 publication and titled with suggestions for liturgical use.

# {{LinkWork|15 Chorales|Op.79|Koechlin|Charles|0}}, No.14 in {{k|g}}. Lent et douloureux [Entrée]
# {{LinkWork|40 Divers chorals de style modal|Op.168|Koechlin|Charles|0}}, No.24 in {{k|bb}}. Presque adagio [Offertoire]
# {{LinkWork|40 Chorales|Op.172|Koechlin|Charles|0}}, No.36 in {{k|bb}}. Andante [Offertoire]
# {{LinkWork|18 Chorales|Op.83|Koechlin|Charles|0}}, No.9 in {{k|e}}. Pas plus vite que {{HalfN}}=50 [Élévation]
# {{LinkWork|12 Chorales|Op.78|Koechlin|Charles|0}}, No.9 in {{k|a}}. Adagio [Communion]
# {{LinkWork|Requiem des pauvres bougres|Op.161|Koechlin|Charles|0}}, [No.6] in {{k|Db}}. Choral. Final du Requiem. Très calme [Défilé]

| *****END OF TEMPLATE***** }}

6 Chorales for funeral ceremonies (Koechlin, Charles)

2026-04-21T15:10:44Z

Albrights: Added 2 files to 6 Chorales for funeral ceremonies (Koechlin, Charles)

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP1604241-chorals-six-choisis-pour-funebr--1961-Paris--A4-600.pdf
|File Name 2=PMLP1604241-Chorals-six-choisis-pour-les-ceremonies-funebres--1961-Paris.pdf
|File Description 1=Complete Score (DIN A4)
|File Description 2=Complete Score (letter)
|Editor=
|Image Type=Normal Scan
|Scanner=David Campbell
|Uploader=[[User:Albrights|Albrights]]
|Date Submitted=2026/4/21
|Publisher Information={{P|Procure du Clergé||Paris|n.d.(1961)|||P.G.215 M.S.}}
|Copyright=Public Domain
|Misc. Notes=Compiled and tailored to DIN A4 from #402816–21.
}}

| *****WORK INFO*****

|Work Title=6 Chorales for funeral ceremonies
|Alternative Title=Six chorals pour les cérémonies funèbres
|Opus/Catalogue Number=
|Key=
|Movements Header=6 pieces
|Number of Movements/Sections=6 pieces
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=1921-39
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Modern
|Instrumentation=organ

| *****COMMENTS***** =

These six chorales appear to have been postumously selected for the 1961 publication and titled with suggestions for liturgical use.

# Op.79 No.14 in {{k|g}}. Lent et douloureux [Entrée]
# Op.168 No.24 in {{k|bb}}. Presque adagio [Offertoire]
# Op.172 No.36 in {{k|bb}}. Andante [Offertoire]
# Op.83 No.9 in {{k|e}}. Pas plus vite que {{HalfN}}=50 [Élévation]
# Op.78 No.9 in {{k|a}}. Adagio [Communion]
# Op.161 [No.6] in {{k|Db}}. Choral. Final du Requiem. Très calme [Défilé]

| *****END OF TEMPLATE***** }}

File:PMLP1604241-Chorals-six-choisis-pour-les-ceremonies-funebres--1961-Paris.pdf

2026-04-21T15:10:43Z

Albrights:

File:PMLP1604241-chorals-six-choisis-pour-funebr--1961-Paris--A4-600.pdf

2026-04-21T15:10:43Z

Albrights:

6 Chorales for funeral ceremonies (Koechlin, Charles)

2026-04-21T15:06:16Z

Albrights: Create work

{{#fte:imslppage

| *****FILES***** =

| *****WORK INFO*****

|Work Title=6 Chorales for funeral ceremonies
|Alternative Title=Six chorals pour les cérémonies funèbres
|Opus/Catalogue Number=
|Key=
|Movements Header=6 pieces
|Number of Movements/Sections=6 pieces
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=1921-39
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Modern
|Instrumentation=organ

| *****COMMENTS***** =

These six chorales appear to have been postumously selected for the 1961 publication and titled with suggestions for liturgical use.

# Op.79 No.14 in {{k|g}}. Lent et douloureux [Entrée]
# Op.168 No.24 in {{k|bb}}. Presque adagio [Offertoire]
# Op.172 No.36 in {{k|bb}}. Andante [Offertoire]
# Op.83 No.9 in {{k|e}}. Pas plus vite que {{HalfN}}=50 [Élévation]
# Op.78 No.9 in {{k|a}}. Adagio [Communion]
# Op.161 [No.6] in {{k|Db}}. Choral. Final du Requiem. Très calme [Défilé]

| *****END OF TEMPLATE***** }}

40 Divers chorals de style modal, Op.168 (Koechlin, Charles)

2026-04-21T14:55:53Z

Albrights: Relegate postumous title to Misc. Notes

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP652283-Koechlin_Choral_Op.168,_No.24_(Offertoire).pdf
|File Description 1=Chorale No.24
|Editor=
|Image Type=Normal Scan
|Scanner=David Campbell
|Uploader=[[User:David Campbell|David Campbell]]
|Date Submitted=2015/12/13
|Publisher Information=''Six chorals pour les cérémonies funèbres''<br>Paris, Procure du Clergé, n.d. (1961). Plate P.G.215 M.S.
|Reprint=Boca Raton: Masters Music Publications, Inc. n.d. (2001)
|Copyright=Public Domain
|Misc. Notes=The « Offertoire » title was apparently chosen postumously for the 1961 publication.
}}

| *****WORK INFO*****

|Work Title=40 Chorals, Op.168
|Alternative Title=
|Opus/Catalogue Number=Op.168
|Key=
|Number of Movements/Sections=40 chorals
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=January−April 1938
|Year of First Publication='''Nos. 6, 8, 15–17, 20, 21, 25, 30bis, 37:''' In ''24 petits chorals pour orgue'' (Vol. 1), Procuré du Clergé, 1955<br>'''No. 24:''' In ''Six chorals pour les cérémonies funèbres'', Procuré du Clergé, 1961.
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=organ
|Tags=chorales ; org

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

40 Chorales, Op.172 (Koechlin, Charles)

2026-04-21T14:55:10Z

Albrights: Relegate postumous title to Misc. Notes

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP652285-Koechlin_Choral_Op.172,_No.36_(Offertoire).pdf
|File Description 1=36. Andante
|Editor=
|Image Type=Normal Scan
|Scanner=David Campbell
|Uploader=[[User:David Campbell|David Campbell]]
|Date Submitted=2015/12/13
|Publisher Information=''Six chorals pour les cérémonies funèbres''<br>{{P||Procure du Clergé|Paris|n.d.(1961)|||P.G.215 M.S}}
|Reprint={{P|Edwin F. Kalmus|Masters Music Publications, Inc.|Boca Raton|n.d.(2001)|||}}
|Copyright=Public Domain
|Misc. Notes=The « Offertoire » title was apparently chosen postumously for the 1961 publication.
}}

| *****WORK INFO*****

|Work Title=40 Chorals, Op.172
|Alternative Title=
|Opus/Catalogue Number=Op.172
|Key=
|Number of Movements/Sections=40 chorals
|Average Duration=
|Dedication=No.36 - ''à mon élève'' {{LinkDed|Guy|Lambert|1906|1971}}, ''avec mes dévouées amitiés''
|First Performance='''Nos. 21, 21bis, and 40:''' 13 March 1956 by Henriette Puig-Roger (org), French Radio
|Year/Date of Composition=May 1938–April 1939, Nos. 21 and 21bis orch. 28 February 1941
|Year of First Publication='''Nos. 1, 3–5, 7–9, 15bis, 16, and 25:''' In ''24 petits chorals pour orgue'', Procuré du Clergé, 1955<br>'''Nos. 21, 21bis, and 40:''' In ''Dix chorals et un prélude'', Procuré du Clergé, 1961<br>'''No. 36:''' In ''Six chorals pour les cérémonies funèbres'', Procuré du Clergé, 1961
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=organ
|Tags=chorales ; org

| *****COMMENTS***** =
Official title given in Orledge is ''40 chorals sur des textes proposés à mes élèves de la Schola Cantorum''. Composed (or named) during a course in modal polyphony

| *****END OF TEMPLATE***** }}

18 Chorales, Op.83 (Koechlin, Charles)

2026-04-21T14:54:28Z

Albrights: Relegate postumous title to Misc. Notes

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP652281-Koechlin_Choral_Op.83,_No.9_(Élévation).pdf
|File Description 1=Chorale No.9
|Editor=
|Image Type=Normal Scan
|Scanner=David Campbell
|Uploader=[[User:David Campbell|David Campbell]]
|Date Submitted=2015/12/13
|Publisher Information=''Six chorals pour les cérémonies funèbres''<br>{{P||Procure du Clergé|Paris|n.d.(1961)|||P.G.215 M.S}}
|Reprint={{RpEFK|2001}} (as Boca Raton: Masters Music)
|Copyright=Public Domain
|Misc. Notes=The « Élévation » title was apparently chosen postumously for the 1961 publication.
}}

| *****WORK INFO*****

|Work Title=18 Chorals
|Alternative Title=
|Opus/Catalogue Number=Op.83
|Key=
|Number of Movements/Sections=18 chorals
|Average Duration=
|Dedication=
|First Performance=No performance known
|Year/Date of Composition=1923 April−September
|Year of First Publication=1961 (No. 9 only)
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=organ
|Tags=chorales ; org

| *****COMMENTS***** =
Listed as ''20'' chorales in our worklist, not sure why we have only 18 sections given here.

| *****END OF TEMPLATE***** }}

15 Chorales, Op.79 (Koechlin, Charles)

2026-04-21T14:53:26Z

Albrights: Relegate postumous title to Misc. Notes

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP652279-Koechlin_Choral_Op.79,_No.14_(Entrée).pdf
|File Description 1=14. Lent et douloureux
|Editor=
|Image Type=Normal Scan
|Scanner=David Campbell
|Uploader=[[User:David Campbell|David Campbell]]
|Date Submitted=2015/12/13
|Publisher Information=''Six chorals pour les cérémonies funèbres''<br>{{P||Procure du Clergé|Paris|n.d.(1961)|||P.G.215 M.S}}
|Reprint={{P|Edwin F. Kalmus|Masters Music Publications, Inc.|Boca Raton|n.d.(2001)|||}}
|Copyright=Public Domain
|Misc. Notes=The « Entrée » title was apparently chosen postumously for the 1961 publication.
}}

| *****WORK INFO*****

|Work Title=15 Chorals, Op.79
|Alternative Title=
|Opus/Catalogue Number=Op.79
|Key=
|Number of Movements/Sections=15 chorals
|Average Duration=
|Dedication=
|First Performance=No performance known
|Year/Date of Composition=June−July 1921
|Year of First Publication=1961 (No. 14 only)
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=organ, harmonium
|Tags=chorales ; org

| *****COMMENTS***** =
Not tagged for harmonium, as the music does not give that as an option

| *****END OF TEMPLATE***** }}

12 Chorales, Op.78 (Koechlin, Charles)

2026-04-21T14:52:25Z

Albrights: Relegate postumous title to Misc. Notes

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP652277-Koechlin_Choral_Op.78,_No.9_(Communion).pdf
|File Description 1=9. Adagio
|Editor=
|Image Type=Normal Scan
|Scanner=David Campbell
|Uploader=[[User:David Campbell|David Campbell]]
|Date Submitted=2015/12/13
|Publisher Information=''Six chorals pour les cérémonies funèbres''<br>{{P||Procure du Clergé|Paris|n.d.(1961)|||P.G.215 M.S}}
|Reprint={{P|Edwin F. Kalmus|Masters Music Publications, Inc.|Boca Raton|n.d.(2001)}}
|Copyright=Public Domain
|Misc. Notes=The « Communion » title was apparently chosen postumously for the 1961 publication.
}}

| *****WORK INFO*****

|Work Title=Douze chorals
|Alternative Title=
|Opus/Catalogue Number=Op.78
|Key=
|Number of Movements/Sections=12 chorals
|Average Duration=
|Dedication=
|First Performance=1921-06-29 (Nos.2, 4, 5, 8), soirée chez Jeanne Herscher-Clément*
|Year/Date of Composition=1921 (April−May)
|Year of First Publication=1955 (Nos.5, 6, 8, 12), 1961 (No.9) - Paris: Procuré du Clergé
|Librettist=
|Language=
|Extra Information=*Opus number of chorales not specified, but probably Op.78 (Orledge). 1955 publication in ''24 petits chorals pour orgue'', 1961 issue in ''Six chorals pour les cérémonies funèbres''
|Piece Style=Early 20th century
|Instrumentation=organ
|Tags=chorales ; org

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

24 Esquisses, Op.41 (Koechlin, Charles)

2026-04-21T12:22:03Z

Albrights: Properly place new versions of existing scans

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
===Piano Scores===
{{#fte:imslpfile
|File Name 1=PMLP109734-Koechlin_-_24_Esquisses,_Op._41_(Book_1).pdf
|File Name 2=PMLP109734-Koechlin_-_24_Esquisses,_Op._41_(Book_2).pdf
|File Name 3=SIBLEY1802.15235.f70e-39087012746881color_cover.pdf
|File Name 4=PMLP109734-koechlin-esquisses-livre1-A4.pdf
|File Name 5=PMLP109734-koechlin-esquisses-livre1-letter.pdf
|File Name 6=PMLP109734-koechlin-esquisses-livre2-A4.pdf
|File Name 7=PMLP109734-koechlin-esquisses-livre2-letter.pdf
|File Name 8=PMLP109734-koechlin-esquisses-cover-A4.pdf
|File Name 9=PMLP109734-koechlin-esquisses-cover-letter.pdf
|File Description 1=Book 1
|File Description 2=Book 2
|File Description 3=Book 1: Color Cover
|File Description 4=Book 1 (A4, 600dpi)
|File Description 5=Book 1 (letter, 600dpi)
|File Description 6=Book 2 (A4, 600dpi)
|File Description 7=Book 2 (letter, 600dpi)
|File Description 8=Book 1: Cover (b/w, A4, 600dpi)
|File Description 9=Book 1: Cover (b/w, letter, 600dpi)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader 1,2=[[User:Daphnis|Daphnis]]
|Date Submitted 1,2=2010/1/26
|Scanner 3,8,9={{SibleyScan|1802/15235}}
|Uploader 3=[[User:Coulonnus|Coulonnus]]
|Date Submitted 3=2012/7/10
|Uploader 4-9=[[User:Albrights|Albrights]]
|Date Submitted 4-9=2026/4/21
|Publisher Information={{P|Maurice Senart||Paris||1922||E.M.S. 4704-4705}}
|Copyright=Public Domain
|Misc. Notes=#241358: {{SibleyProject}}
}}

|NCRecordings=Performance by Fumecri Himecri @ Youtube:
*[https://youtu.be/42WucpFmkyo 1-6]
*[https://www.youtube.com/watch?v=ugMj4ADCXq8 7-12]
*[https://www.youtube.com/watch?v=vFXZn4EVGjk 13-18]
*[https://www.youtube.com/watch?v=vG3MfkOZzIA 19-24]

| *****WORK INFO*****

|Work Title=24 Esquisses
|Alternative Title=
|Opus/Catalogue Number=Op.41
|Key=
|Number of Movements/Sections=24 pieces in 2 volumes
|Average Duration=
|Dedication=
|First Performance=1912 May 9 (4 Esquisses (nos. unspecified), René Vandanze, Salle Érard)
|Year/Date of Composition=1905-15
|Year of First Publication=1922 {{EN}} Paris: [[Maurice Senart]]
|Genre=Piano piece
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=Piano
|Tags=sketches ; pf

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

24 Esquisses, Op.41 (Koechlin, Charles)

2026-04-21T12:17:36Z

Albrights: Added 6 files to 24 Esquisses, Op.41 (Koechlin, Charles)

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
===Piano Scores===
{{#fte:imslpfile
|File Name 1=PMLP109734-Koechlin_-_24_Esquisses,_Op._41_(Book_1).pdf
|File Description 1=Book 1
|Page Count 1=19
|File Name 2=PMLP109734-Koechlin_-_24_Esquisses,_Op._41_(Book_2).pdf
|File Description 2=Book 2
|Page Count 2=20
|File Name 3=SIBLEY1802.15235.f70e-39087012746881color_cover.pdf
|File Description 3=Book 1: Color Cover
|Page Count 3=1
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Daphnis|Daphnis]]
|Date Submitted=2010/1/26
|Scanner 3={{SibleyScan|1802/15235}}
|Uploader 3=[[User:Coulonnus|Coulonnus]]
|Date Submitted 3=2012/7/10
|Publisher Information={{P|Maurice Senart||Paris||1922||E.M.S. 4704-4705}}
|Copyright=Public Domain
|Misc. Notes=#241358: {{SibleyProject}}
}}
{{#fte:imslpfile
|File Name 1=PMLP109734-koechlin-esquisses-cover-A4.pdf
|File Name 2=PMLP109734-koechlin-esquisses-cover-letter.pdf
|File Name 3=PMLP109734-koechlin-esquisses-livre1-A4.pdf
|File Name 4=PMLP109734-koechlin-esquisses-livre1-letter.pdf
|File Name 5=PMLP109734-koechlin-esquisses-livre2-A4.pdf
|File Name 6=PMLP109734-koechlin-esquisses-livre2-letter.pdf
|File Description 1=Book 1: Cover (b/w, A4, 600dpi)
|File Description 2=Book 1: Cover (b/w, letter, 600dpi)
|File Description 3=Book 1 (A4, 600dpi)
|File Description 4=Book 1 (letter, 600dpi)
|File Description 5=Book 2 (A4, 600dpi)
|File Description 6=Book 2 (letter, 600dpi)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Albrights|Albrights]]
|Date Submitted=2026/4/21
|Publisher Information=Senart
|Copyright=Public Domain
|Misc. Notes=dewarped
}}

|NCRecordings=Performance by Fumecri Himecri @ Youtube:
*[https://youtu.be/42WucpFmkyo 1-6]
*[https://www.youtube.com/watch?v=ugMj4ADCXq8 7-12]
*[https://www.youtube.com/watch?v=vFXZn4EVGjk 13-18]
*[https://www.youtube.com/watch?v=vG3MfkOZzIA 19-24]

| *****WORK INFO*****

|Work Title=24 Esquisses
|Alternative Title=
|Opus/Catalogue Number=Op.41
|Key=
|Number of Movements/Sections=24 pieces in 2 volumes
|Average Duration=
|Dedication=
|First Performance=1912 May 9 (4 Esquisses (nos. unspecified), René Vandanze, Salle Érard)
|Year/Date of Composition=1905-15
|Year of First Publication=1922 {{EN}} Paris: [[Maurice Senart]]
|Genre=Piano piece
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=Piano
|Tags=sketches ; pf

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP109734-koechlin-esquisses-livre2-letter.pdf

2026-04-21T12:17:34Z

Albrights:

File:PMLP109734-koechlin-esquisses-livre2-A4.pdf

2026-04-21T12:17:33Z

Albrights:

File:PMLP109734-koechlin-esquisses-livre1-letter.pdf

2026-04-21T12:17:33Z

Albrights:

File:PMLP109734-koechlin-esquisses-livre1-A4.pdf

2026-04-21T12:17:33Z

Albrights:

File:PMLP109734-koechlin-esquisses-cover-letter.pdf

2026-04-21T12:17:33Z

Albrights:

File:PMLP109734-koechlin-esquisses-cover-A4.pdf

2026-04-21T12:17:33Z

Albrights:

15 Preludes, Op.209 (Koechlin, Charles)

2026-04-20T11:43:59Z

Albrights: Properly place new version of existing scan

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=Koechlin_-_Op.209_-_Preludes.pdf
|File Name 2=PMLP24648-Prel-douze-op209nos1a10,12,13--1954-Paris--A4-600.pdf
|File Description 1=Nos. 1–10, 12–13 (Numbered sequentially from 1–12)
|File Description 2=Nos. 1–10, 12–13 (Numbered sequentially from 1–12) (DIN A4, 600dpi)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader 1=[[User:Mcroskell|Mcroskell]]
|Uploader 2=[[User:Albrights|Albrights]]
|Date Submitted 1=2007/7/17
|Date Submitted 2=2026/4/20
|Publisher Information={{P|Salabert||Paris||1954||E.A.S. 15699}}
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=15 Preludes
|Alternative Title=
|Opus/Catalogue Number=Op.209
|Movements Header=15
|Number of Movements/Sections=15
|Dedication=
|Year/Date of Composition=1946–48<br>
'''Nos. 6, 8–10, 13, 15:''' February 1946, orch. 27 July–3 August 1947 for use in Op. 210 (unpublished)<br>'''Nos. 1–5, 7, 11, 12:''' February 1946, orch. March–April 1948 (for various chamber combinations)
|Year of First Publication='''Nos. 1–10, 12–13:''' 1954<br>'''No. 14:''' 1961
|First Performance='''Nos. 1, 2, 4–6, 12:''' 30 April 1952 by Jean de Solliers, Salle de l'École Normale
|Librettist=
|Language=
|Piece Style=Modern
|Extra Information=Nos. 11 and 15 are unpublished.
|Instrumentation=Nos. 1-13 - Piano<br>No. 14 - Organ<br>No. 15 - Piano Duet
|Tags=preludes ; pf ; org ; 2pf

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

15 Preludes, Op.209 (Koechlin, Charles)

2026-04-20T11:42:18Z

Albrights: Added 1 files to 15 Preludes, Op.209 (Koechlin, Charles)

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=Koechlin_-_Op.209_-_Preludes.pdf
|File Description 1=Nos. 1–10, 12–13 (Numbered sequentially from 1–12)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Mcroskell|Mcroskell]]
|Date Submitted=2007/7/17
|Publisher Information={{P|Salabert||Paris||1954||E.A.S. 15699}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP24648-Prel-douze-op209nos1a10,12,13--1954-Paris--A4-600.pdf
|File Description 1=12 selected pf prel
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Albrights|Albrights]]
|Date Submitted=2026/4/20
|Publisher Information=Salabert
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=15 Preludes
|Alternative Title=
|Opus/Catalogue Number=Op.209
|Movements Header=15
|Number of Movements/Sections=15
|Dedication=
|Year/Date of Composition=1946–48<br>
'''Nos. 6, 8–10, 13, 15:''' February 1946, orch. 27 July–3 August 1947 for use in Op. 210 (unpublished)<br>'''Nos. 1–5, 7, 11, 12:''' February 1946, orch. March–April 1948 (for various chamber combinations)
|Year of First Publication='''Nos. 1–10, 12–13:''' 1954<br>'''No. 14:''' 1961
|First Performance='''Nos. 1, 2, 4–6, 12:''' 30 April 1952 by Jean de Solliers, Salle de l'École Normale
|Librettist=
|Language=
|Piece Style=Modern
|Extra Information=Nos. 11 and 15 are unpublished.
|Instrumentation=Nos. 1-13 - Piano<br>No. 14 - Organ<br>No. 15 - Piano Duet
|Tags=preludes ; pf ; org ; 2pf

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP24648-Prel-douze-op209nos1a10,12,13--1954-Paris--A4-600.pdf

2026-04-20T11:42:17Z

Albrights:

4 Chorales, Op.98 (Koechlin, Charles)

2026-04-17T14:57:30Z

Albrights: typo (French vs. English spelling, see printed title)

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP651571-Koechlin_4_Chorales,_Op.98.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=David Campbell
|Uploader=[[User:David Campbell|David Campbell]]
|Date Submitted=2015/12/10
|Publisher Information=''Quatre chorals pour orgue sur une même basse donnée de Renée Philippart''<br>{{P||Procure du Clergé|Paris||1956||}}
|Reprint={{P|Edwin F. Kalmus|Masters Music Publications, Inc.|Boca Raton|n.d.(2004)|||}}
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=4 Chorales
|Alternative Title=4 Chorals pour orgue sur une même basse donnée de Renée Philippart
|Opus/Catalogue Number=Op.98
|Key=
|Movements Header=4
|Number of Movements/Sections=4 chorales
*'''Trois réalisations sur une basse donnée de Renée Philippart (Op.98a)'''
:1. Moderato allant et bien lié ({{K|C}})
:2. Un peu plus calme (que I) et très expressif ({{K|C}})
:3. Très adagio (très doux et très lié dans toutes les parties) ({{K|B}})
*'''Offertoire écrit pour le mariage de Renée Philippart (Op.98bis)'''
:4. Offertoire ({{K|D}} - {{K|b}})
|Average Duration=
|Dedication=''A Renée Philippart son maître dévoué, affectueusement'' Ch. Koechlin
|First Performance=1927 July 6 1927 by Koechlin? at marriage of Renée Philippart-Gonzales (Offertoire only)
|Year/Date of Composition=1927 April
|Year of First Publication=1956
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=organ
|Tags=chorales ; org

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Grand Prelude and Fugue, Op.63 (Holbrooke, Joseph)

2026-03-17T13:02:01Z

Albrights: Remove erroneous comment (probably misreading of the D natural as B natural; the chord is a G minor chord preceded by B major)

{{#fte:imslppage

| *****FILES***** =

{{#fte:imslpfile
||File Name 1=PMLP58240-Holbrooke_-_Grand_Prelude_and_Fugue_for_Organ_Op_63.pdf
|File Description 1=Complete Score
|Page Count 1=38
|Editor=
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/3236}}
|Uploader=[[User:Jsnfmn|jsnfmn]]
|Date Submitted=2009/1/2
|Publisher Information={{P|J. & W. Chester, Ltd.||London||1917||J.H. 11}}
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}

| *****WORK INFO*****

|Work Title=Grand prelude and fugue for the organ
|Alternative Title=
|Opus/Catalogue Number=Op.63
|Number of Movements/Sections=2
|Dedication=
|Key={{Key|g}}
|Year/Date of Composition=1912
|Year of First Publication=1917
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=Organ
|Tags=preludes ; fugues ; org

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

List of works by Franz Liszt

2026-03-01T12:14:42Z

Albrights: Link to work page for an arrangement

{{worklist|Liszt, Franz}}
{| class="wikitable collapsible collapsed" align="right"
|-
! Contents
|-
|
# [[#Original works|Original Works]]
## [[#Opera|Opera]]
## [[#Sacred choral works|Sacred Choral Works]]
## [[#Secular choral works|Secular Choral Works]]
## [[#Orchestral works|Orchestral Works]]
### [[#Symphonic poems|Symphonic Poems]]
### [[#Other orchestral works|Other Orchestral Works]]
## [[#Piano and orchestra|Piano and Orchestra]]
## [[#Chamber music|Chamber Music, etc.]]
## [[#Piano solo|Piano Solo]]
### [[#Studies|Studies]]
### [[#Various original works|Various Original Works]]
### [[#Works in dance form|Works in Dance Form]]
### [[#Works on national themes|Works on National Themes]]
## [[#Piano duet|Piano 4 hands]]
## [[#Two pianos|2 Pianos]]
## [[#Organ|Organ]]
## [[#Songs|Songs]]
## [[#Other vocal works|Other Vocal Works]]
## [[#Recitations|Recitations]]
# [[#Arrangements etc|Arrangements, Transcriptions, Fantasies, etc.]]
## [[#Orchestral works arr|Orchestral Works]]
## [[#Piano and orchestra arr|Piano and Orchestra]]
## [[#Songs with orchestra|Songs with Orchestra]]
## [[#Chamber music arr|Chamber Music, etc.]]
## [[#Piano solo arr|Piano Solo]]
### [[#Paraphrases|Paraphrases, Operatic Transcriptions, etc.]]
### [[#Transcriptions|Partitions de Piano, Transcriptions, etc.]]
## [[#Piano duet arr|Piano Duet]]
## [[#Two pianos arr|2 Pianos]]
## [[#Organ arr|Organ]]
## [[#Organ with other arr|Organ with Other Instruments]]
## [[#Vocal arr|Vocal Arrangements]]
## [[#Recitation arr|Recitations]]
## [[#Unfinished|Unfinished Works]]
# [[#Lost|Doubtful or Lost]]
## [[#Sacred choral lost|Sacred Choral Works]]
## [[#Secular choral lost|Secular Choral Works]]
## [[#Orchestral works lost|Orchestral Works]]
## [[#Piano and orchestra lost|Piano and Orchestra]]
## [[#Other instrumental lost|Other Instrumental Works]]
## [[#Piano lost|Piano Solo]]
## [[#Piano duet lost|Piano 4 hands]]
## [[#Two pianos lost|2 Pianos]]
## [[#Organ lost|Organ]]
## [[#Songs lost|Songs]]
## [[#Other vocal lost|Other Vocal Works]]
## [[#Recitations lost|Recitations]]
|}

<div class="plainlinks">
The table below gives the following information for works by {{LinkComp|Franz|Liszt}} (where applicable):
* '''S.''' — numbering as given in Humphrey Searle (''The Music of Liszt'', 1954, 2/1966), with significant additions and revisions by Sharon Winklhofer (ed. Leslie Howard, Michael Short, 2004). An asterisk (*) signifies that a number is no longer in use. See the [[Talk:List of compositions by Franz Liszt|Talk page]] for more on the arrangement of Searle's catalogue
* '''LW.''' — numbering by R. Charnin Mueller and M. Eckhardt referenced in ''[http://www.oxfordmusiconline.com Grove Music Online]'' (2010)
* '''Title''' — normally following the ''[http://www.emb.hu/cat/80031.pdf New Liszt Edition]'' and ''[http://authorities.loc.gov/ Library of Congress]'', as well as other authoritative sources
* '''Forces''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])
* '''Key''' — the principal key of the work
* '''Date''' — the year(s) of composition or arrangement, where known
* '''Genre''' — works are grouped in the following broad categories: Stage, Vocal, Orchestral, Chamber and Keyboard
* '''Notes''' — Liszt's works often exist in multiple versions and he arranged many works by other composers, which are cross-referenced respectively mentioned here
</div>
{{also|[[Versions of Works by Others (Liszt, Franz)|Liszt's versions of works by others]]}}

-----
{| class="wikitable sortable" style="font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA"
! width="6%"|S.
! width="6%"|LW
! width="30%"|Title
! width="10%"|Forces
! width="6%"|Key
! width="6%"|Date
! width="6%"|Genre
! width="30%"|Notes
|- style="background:#ccffcc" id="Original works"
| {{hs|000/1}}1–350
| —
| align="center"|<h3>Original Works</h3>
|
|
|
|
|
|- style="background:#ccffcc" id="Opera"
| {{hs|000/2}}1
| {{hs|—}}
| align="center"|<h4>Opera</h4>
|
|
|
|
|
|-
| {{hs|00}}1
| O{{hs|0}}1
| '''{{LinkWorkN|Don Sanche|S.1|Liszt|Franz|0}}''' (Le château de l'amour)
| vv ch orch
|
| 1824–25
| Stage
| opera in 1 act; libretto by Théaulon and de Rancé, after a story by Jean-Pierre Claris de Florian; first perf. 1825-10-17 in Paris; unpublished
|- style="background:#ccffcc" id="Sacred choral works"
| {{hs|001z}}2–66
| —
| align="center"|<h4>Sacred Choral Works</h4>
|
|
|
|
|
|-
| {{hs|00}}2
| I{{hs|0}}4
| '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}'''
| sop alt 3bar 2bass ch org orch
|
| 1857–62
| Vocal
| extracts arr. for pf as S.498a, S.693a; for pf4h as S.578; introduction arr. for org as S.663a
|-
| {{hs|00}}3
| I{{hs|0}}7
| '''{{LinkWorkN|Christus|S.3|Liszt| Franz|0}}'''
| sop alt ten bar bass ch org orch
|
| 1866–72
| Vocal
| Nos.6–8 based on S.25, S.29, S.261; Nos.4 and 5 arr. for pf as S.498b, for pf4h as S.579; No.8 arr. for org as S.664
|-
| {{hs|00}}4/1
| I{{hs|0}}8a
| [[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|'''Cantico di San Francesco''']]
| bar pf org/harm (+ mch)
| F major
| 1862
| Vocal
| 1st version of S.4/2; ''Alleluja'' arr. for org (+ tbn) as S.677
|-
| {{hs|00}}4/2
| I{{hs|0}}8b
| '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''
| bar mch org orch
| F major
| 1879–82
| Vocal
| 2nd version; arr. for pf as S.499, for org as S.760; Prelude arr. for pf as S.498c, for org as S.665
|-
| {{hs|00}}5/1
| I{{hs|0}}1a
| '''Sainte Cécile''' (Die heilige Cäcilia)
| mez orch (?)
|
| 1845
| Vocal
| 1st version of S.5/2 ; lost
|-
| {{hs|00}}5/2
| I{{hs|0}}1b
| '''[[Die heilige Cäcilia, S.5 (Liszt, Franz)|Sainte Cécile]]''' (Die heilige Cäcilia)<br>(Legende)
| mez orch (+ ch)
|
| 1874
| Vocal
| 2nd version of S.5/1; arr. for mez hp/pf/harm (+ ch)  as S.5/2a
|-
| {{hs|00}}5/2a
| I{{hs|0}}1b
| '''Sainte Cécile''' (Die heilige Cäcilia)<br>(Legende)
| mez hp/pf/harm (+ ch)
|
| 1874
| Vocal
| arr. of S.5/2
|-
| {{hs|00}}6
| L15
| '''{{LinkWorkN|Die Glocken des Strassburger Münsters|S.6|Liszt|Franz|0}}'''
| 2vv ch org orch
|
| 1874–75
| Vocal
| oratorio; prelude arr. for pf4h as S.580; for pf as S.500; for org (+ ch) as S.666; for v org as S.767 [?]
|-
| {{hs|00}}7
| I10
| '''{{LinkWorkN|Cantantibus organis|S.7|Liszt|Franz|0}} ''' (Antiphona in festo Santa Caeciliae)
| alt ch orch
| G major–G minor
| 1879
| Vocal
|
|-
| {{hs|00}}7a
| I10
| '''Cantantibus organis''' (Antiphona in festo Santa Caeciliae)
| alt ch harm
| G major–G minor
| 1879
| Vocal
|
|-
| {{hs|00}}8/1
| J{{hs|0}}5a
| '''Missa quattuor vocum ad aequales'''
| mch org
|
| 1846–47
| Vocal
| 1st version of S.8/2
|-
| {{hs|00}}8/2
| J{{hs|0}}5b
| '''{{LinkWorkN|Missa quattuor vocum ad aequales|S.8|Liszt|Franz|0}}''' (Szekszárd Mass)
| mch org
|
| 1869
| Vocal
| 2nd version of S.8/1; themes used in S.264
|-
| {{hs|00}}9
| I{{hs|0}}2
| '''{{LinkWorkN|Missa Solennis|S.9|Liszt|Franz|0}}''' (Graner Mass)
| sop alt ten bass ch orch
|
| 1857–58
| Vocal
| extract ('Poco adagio') arr. for pf as S.747 [?]
|-
| {{hs|0}}10
| J18
| '''{{LinkWorkN|Missa choralis|S.10|Liszt|Franz|0}}'''
| ch org
|
| 1859–65
| Vocal
|
|-
| {{hs|0}}11
| I{{hs|0}}9
| '''{{LinkWorkN|Ungarische Krönungsmesse|S.11|Liszt|Franz|0}}''' (Hungarian Coronation Mass)
| 4vv ch orch
|
| 1866–69
| Vocal
| Nos.5 and 7 arr. for pf as S.501, for pf4h as S.581, for vn pf as S.381, for vn org/harm as S.678; No.5 arr. for org as S.667; No.6 arr. for mch pf as S.15a/1, for ch pf as S.15a/2; No.7 arr. for vn orch as S.362
|-
| {{hs|0}}12
| J22
| '''{{LinkWorkN|Requiem|S.12|Liszt|Franz|0}}''' (Messe des morts)
| 4vv mch org (+ br perc)
|
| 1867–71
| Vocal
| includes S.45 as No.6; adapted for org as S.266; No.6 arr. for mch org as S.45
|-
| {{hs|0}}13/1
| I{{hs|0}}3a
| '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)
| 4vv ch orch
|
| 1855–56
| Vocal
| 1st version of S.13/2
|-
| {{hs|0}}13/2
| I{{hs|0}}3b
| '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)
| ten ch orch
|
| 1859–63
| Vocal
| 2nd version of S.13/1; arr. for ten ch org as S.132/2a
|-
| {{hs|0}}13/2a
| I{{hs|0}}3b
| '''{{LinkWorkN|Psalm 13|S.13|Liszt|Franz|0}}''' (Herr, wie lange willst du meiner so gar vergessen)
| ten ch org
|
| 1866
| Vocal
| arr. of S.13/2
|-
| {{hs|0}}14/1
| I{{hs|0}}5a
| '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)
| mch orch (+ org)
|
| 1860
| Vocal
| 1st version of S.14/2; arr. for mch ww br as S.14/1a, for org as S.667a (note that Coeli enarrant is Psalm 19 NIV?)
|-
| {{hs|0}}14/1a
| I{{hs|0}}5a
| '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)
| mch ww br
|
| 1860
| Vocal
| arr. of S.14/1; 1st version of S.14/2a
|-
| {{hs|0}}14/2
| I{{hs|0}}5b
| '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)
| mch org
|
| 1870
| Vocal
| 2nd version of S.14/1; arr. for mch ww br as S.14/2a
|-
| {{hs|0}}14/2a
| I{{hs|0}}5b
| '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)
| mch ww br
|
| 1870
| Vocal
| arr. of S.14/2; 2nd version of S.14/1a
|-
| {{hs|0}}15/1a
| J10a
| '{{LinkWorkN|Psalm 23|S.15|Liszt|Franz|0}}' (Mein Gott, der ist mein Hirt)
| sop/ten mch hp/(pf org)/harm
|
| 1859–61?
| Vocal
| 1st version of S.15/1b, S.15/2a, S.15/2b, S.15bis
|-
| {{hs|0}}15/1b
| K{{hs|0}}1
| '{{LinkWorkN|Psalm 23|S.15|Liszt|Franz|0}}' (Mein Gott, der ist mein Hirt)
| sop/ten hp/(pf org)/harm
|
| 1859–62
| Vocal
| 2nd version of S.15/1a, S.15/2a, S.15/2b, S.15bis
|-
| {{hs|0}}15/2a
| J10b
| '{{LinkWorkN|Psalm 23|S.15|Liszt|Franz|0}}' (Mein Gott, der ist mein Hirt)
| sop/ten mch hp/pf
|
| 1859–62
| Vocal
| 3rd version of S.15/1a, S.15/1b, S.15/2b, S.15bis
|-
| {{hs|0}}15/2b
| I{{hs|0}}1b
| '{{LinkWorkN|Psalm 23|S.15|Liszt|Franz|0}}' (Mein Gott, der ist mein Hirt)
| sop/ten hp/pf
|
| 1859–62
| Vocal
| 4th version of S.15/1a, S.15/1b, S.15/2a, S.15bis
|-
| {{hs|0}}15bis
| S53
| '{{LinkWorkN|Psalm 23|S.15|Liszt|Franz|0}}' (Mein Gott, der ist mein Hirt)
| ch orch
|
| 1862
| Vocal
| 5th version of S.15/1a, S.15/1b, S.15/2a, S.15/2b; lost
|-
| {{hs|0}}15a/1
| J{{hs|0}}6
| '''Psalm 116''' (Laudate Dominum)
| mch pf
|
| 1869–74
| Vocal
| arr. of S.11/6
|-
| {{hs|0}}15a/2
| J{{hs|0}}6
| '''Psalm 116''' (Laudate Dominum)
| ch pf
|
| 1869–74
| Vocal
| arr. of S.11/6
|-
| {{hs|0}}16/1
| K{{hs|0}}6
| '''{{LinkWorkN|Psalm 129|S.16|Liszt|Franz|0}}''' (De profundis)
| bar mch org
|
| 1880–81
| Vocal
| originally intended for S.688; 1st version of S.16/2; themes re-used in S.172a/8 and S.173/4
|-
| {{hs|0}}16/2
| J45
| '''{{LinkWorkN|Psalm 129|S.16|Liszt|Franz|0}}''' (De profundis)
| alt pf/org
|
| 1883
| Vocal
| 2nd version of S.16/1; themes re-used in S.172a/8 and S.173/4
|-
| {{hs|0}}17/1
| K{{hs|0}}2
| '''{{LinkWorkN|Psalm 137|S.17|Liszt|Franz|0}}''' (An den Wassern zu Babylon)
| alt vn hp/pf org/harm
|
| 1859
| Vocal
| 1st version of S.17/2, S.17/3
|-
| {{hs|0}}17/2
| J11
| '''{{LinkWorkN|Psalm 137|S.17|Liszt|Franz|0}}''' (An den Wassern zu Babylon)
| sop fch hp/pf org/harm vn
|
| 1859–62
| Vocal
| 2nd version of S.17/1, S.17/3
|-
| {{hs|0}}17/3
| S54
| '''{{LinkWorkN|Psalm 137|S.17|Liszt|Franz|0}}''' (An den Wassern zu Babylon)
| ch orch
|
| 1862
| Vocal
| 3rd version of S.17/2, S.17/3; lost
|-
| {{hs|0}}18
| J{{hs|0}}4
| '''[[5 Choruses with French texts, S.18 (Liszt, Franz)|Choruses with French texts]]''' (5):
| ch
|
| 1846?
| Vocal
|
|-
| {{hs|0}}18/1
| J{{hs|0}}4/5
| <ul>''Qui m'a donné la naissance''</ul>
| ch
|
| 1846?
| Vocal
| incomplete
|-
| {{hs|0}}18/2
| J{{hs|0}}4/1
| <ul>''L'Eternel est son nom''</ul>
| ch
|
| 1846?
| Vocal
|
|-
| {{hs|0}}18/3
| J{{hs|0}}4/2
| <ul>''Chantons, chantons l'auteur de la lumière''</ul>
| ch
|
| 1846?
| Vocal
|
|-
| {{hs|0}}18/4
| J{{hs|0}}4/3
| <ul>(Allegretto, moderato con grazia)</ul>
| ch
| A major
| 1846?
| Vocal
| possibly same as S.762
|-
| {{hs|0}}18/5
| J{{hs|0}}4/4
| <ul>''Combien j'ai douce souvenance''</ul>
| ch
|
| 1846?
| Vocal
| based on an Auverge folksong
|-
| {{hs|0}}19/1
| J{{hs|0}}2/1
| '''Hymne de l'enfant à son réveil''' (O père qu'adore mon père)
| fch pf/harm (+ hp)
|
| 1840–44?
| Vocal
| based on S.171c; 1st version of S.19/2, S.19/3, S.19/4; lost
|-
| {{hs|0}}19/2
| J{{hs|0}}2/2
| '''Hymne de l'enfant à son réveil''' (O père qu'adore mon père)
| ch pf/harm
|
| 1860–62?
| Vocal
| 2nd version of S.19/1, S.19/3, S.19/4; text in French and Italian
|-
| {{hs|0}}19/3
| J{{hs|0}}2/3
| '''Hymne de l'enfant à son réveil''' (O père qu'adore mon père)
| ch pf/harm
|
| 1865
| Vocal
| 3rd version of S.19/1, S.19/2, S.19/4; text in French and Italian
|-
| {{hs|0}}19/4
| J{{hs|0}}2/4
| '''{{LinkWorkN|Hymne de l'enfant à son réveil|S.19|Liszt|Franz|0}}''' (O père qu'adore mon père)
| fch pf/harm (+ hp)
|
| 1874
| Vocal
| 4th version of S.19/1, S.19/2, S.19/3; text in French, German and Hungarian
|-
| {{hs|0}}20/1
| J{{hs|0}}1/1
| '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''
| ch (+ org)
| B{{flat}} major
| 1842
| Vocal
| 1st version of S.20/2; arr. for org as S.667b/1
|-
| {{hs|0}}20/2
| J{{hs|0}}1/2
| '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''
| ch org
| A major
| 1852
| Vocal
| 2nd version of S.20/1; arr. for org as S.667b/2
|-
| {{hs|0}}21/1
| J{{hs|0}}3/1
| '''Pater noster I'''
| mch
|
| 1846
| Vocal
| based on S.172a/6; 1st version of S.21/2; sometimes "Pater noster II" in older listings
|-
| {{hs|0}}21/2
| J{{hs|0}}3/2
| '''{{LinkWorkN|Pater noster I|S.21|Liszt|Franz|0}}'''
| mch
|
| 1852
| Vocal
| 2nd version of S.21/1
|-
| {{hs|0}}22
| J52
| '''{{LinkWorkN|Pater noster IV|S.22|Liszt|Franz|0}}'''
| ch org
| C major
| 1850?
| Vocal
|
|-
| {{hs|0}}23
| J{{hs|0}}8
| '''{{LinkWorkN|Domine salvum fac regem|S.23|Liszt|Franz|0}}''' (Psalm 20)
| ten mch org
|
| 1853
| Vocal
|
|-
| {{hs|0}}24
| J{{hs|0}}7
| '''{{LinkWorkN|Te Deum I|S.24|Liszt|Franz|0}}'''
| mch org
|
| 1853?
| Vocal
| sometimes "Te Deum II" in older listings
|-
| {{hs|0}}25
| J{{hs|0}}9
| '''{{LinkWorkN|Die Seligkeiten|S.25|Liszt|Franz|0}}''' (Les béatitudes)
| bar ch (+ org)
|
| 1859
| Vocal
| rev. as S.3/6
|-
| {{hs|0}}26
| M33
| '''{{LinkWorkN|Festgesang zur Eröffnung der zehnten allgemeinen deutschen Lehrerversammlung|S.26|Liszt|Franz|0}}''' (Wir bau'n und bestellen das edelste Feld)
| mch (+ org)
|
| 1858
| Vocal
|
|-
| {{hs|0}}27
| J12
| '''{{LinkWorkN|Te Deum II|S.27|Liszt|Franz|0}}'''
| mch org (+ br perc)
|
| 1867
| Vocal
| sometimes "Te Deum I" in older listings
|-
| {{hs|0}}28
| J13
| '''{{LinkWorkN| An den heiligen Franziskus von Paula|S.28|Liszt|Franz|0}}''' (Gebet)
| 2ten 2bass mch org/harm (+3 tbn timp)
|
| 1860–74?
| Vocal
| based on S.175/2
|-
| {{hs|0}}29
| J14
| '''{{LinkWorkN|Pater noster II|S.29|Liszt|Franz|0}}''' (Das Vater unser)
| ch org
| A{{flat}} major
| 1860
| Vocal
| rev. as S.3/7
|-
| {{hs|0}}30
| J20
| '''{{LinkWorkN|Responsorien und Antiphonen|S.30|Liszt|Franz|0}}''' (Répons et Antiennes)
| ch (+ org)
|
| 1860
| Vocal
|
|-
| {{hs|0}}31/1
| J15a/1
| '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)
| ch org
|
| 1863
| Vocal
| 1st version of S.31/2
|-
| {{hs|0}}31/2
| J15a/2
| '''{{LinkWorkN|Christus ist geboren I|S.31|Liszt|Franz|0}}''' (Weihnachtslied I)
| mch org
|
| 1863
| Vocal
| 2nd version of S.31/1
|-
| {{hs|0}}32/1
| J15b/1
| '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)
| ch org/harm
|
| 1863
| Vocal
| 1st version of S.32/2, S.32/3; arr. for pf as S.502
|-
| {{hs|0}}32/2
| J15b/2
| '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)
| mch (+ org)
|
| 1863
| Vocal
| 2nd version of S.32/1, S.32/3
|-
| {{hs|0}}32/3
| J15c
| '''{{LinkWorkN|Christus ist geboren II|S.32|Liszt|Franz|0}}''' (Weihnachtslied II)
| fch
|
| 1863
| Vocal
| 3rd version of S.32/1, S.32/2
|-
| {{hs|0}}33
| J16
| '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''
| mch org
|
| 1863–66
| Vocal
| arr. for pf as S.503, for org as S.668
|-
| {{hs|0}}34/1
| J19/1
| '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''
| ch org
| G major
| 1865–66
| Vocal
| 1st version of S.34/2
|-
| {{hs|0}}34/2
| J19/2
| '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''
| mch org
| B{{flat}} major
| 1868
| Vocal
| 2nd version of S.34/1; arr. for v pf/harm as S.680, for pf as S.506, for harm as S.669/2a, for org/harm as S.669/2b
|-
| {{hs|0}}35/1
| J17a
| '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)
| mch
|
| 1865
| Vocal
| 1st version of S.35/2
|-
| {{hs|0}}35/2
| J17b
| '''{{LinkWorkN|Crux!|S.35|Liszt|Franz|0}}''' (Hymne des marins avec Antienne approbative de Notre Tout Saint Père Pie IX)
| fch/cch pf
|
| 1865
| Vocal
| 2nd version of S.35/1
|-
| {{hs|0}}36
| J21
| '''Dall' alma Roma'''
| 2vv (+ org)
|
| 1867–68
| Vocal
| based on S.261
|-
| {{hs|0}}37
| J23
| '''{{LinkWorkN|Mihi autem adhaerere|S.37|Liszt|Franz|0}}''' (Offertoire de la messe du patriarche séraphique San François)
| mch org
|
| 1868
| Vocal
|
|-
| {{hs|0}}38
| J24
| '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''
| ch org
| D major
| 1869
| Vocal
| arr. for harm as S.667c, for v org/harm as S.681, for pf as S.504/1 and S.504/2
|-
| {{hs|0}}39/1
| J25a
| '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''
| ch hp org
|
| 1869
| Vocal
| 1st version of S.39/2
|-
| {{hs|0}}39/2
| J25b
| '''{{LinkWorkN|Inno a Maria Vergine|S.39|Liszt|Franz|0}}'''
| ch hp pf4h org/ham
|
| 1869
| Vocal
| 2nd version of S.39/1
|-
| {{hs|0}}40
| J28
| '''{{LinkWorkN|O salutaris hostia I|S.40|Liszt|Franz|0}}'''
| fch org
|
| 1869
| Vocal
|
|-
| {{hs|0}}41/1
| J26/1
| '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''
| ch pf/org
| F major
| 1869
| Vocal
| 1st version of S.41/2
|-
| {{hs|0}}41/2
| J26/2
| '''{{LinkWorkN|Pater noster III|S.41|Liszt|Franz|0}}'''
| mch pf/org/harm
| B{{flat}} major
| 1869
| Vocal
| 2nd version of S.41/1
|-
| {{hs|0}}42/1
| J27/1
| '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''
| fch org
|
| 1869
| Vocal
| 1st version of S.42/2
|-
| {{hs|0}}42/2
| J27/2
| '''{{LinkWorkN|Tantum ergo|S.42|Liszt|Franz|0}}'''
| mch org
|
| 1869
| Vocal
| 2nd version of S.42/3
|-
| {{hs|0}}43
| J29
| '''{{LinkWorkN|O salutaris hostia II|S.43|Liszt|Franz|0}}'''
| ch (+ org)
| E major
| 1870
| Vocal
|
|-
| {{hs|0}}44
| J31
| '''{{LinkWorkN| Ave verum corpus|S.44|Liszt|Franz|0}}'''
| ch (+ org)
|
| 1871
| Vocal
|
|-
| {{hs|0}}45
| J30
| '''Libera me'''
| mch org
|
| 1871
| Vocal
| arr. of S.12/6
|-
| {{hs|0}}46/1
| J32/1
| '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''
| mch org
|
| 1874
| Vocal
| 1st version of S.46/1
|-
| {{hs|0}}46/2
| J32/2
| '''{{LinkWorkN| Anima Christi sanctifica me|S.46|Liszt|Franz|0}}'''
| mch org
|
| 1874
| Vocal
| 2nd version of S.46/2
|-
| {{hs|0}}47
| J41
| '''[[Sankt Christoph, S.47 (Liszt, Franz)|Sankt Christoph]]''' (Legend)
| fch pf harm (+ hp)
|
| 1881
| Vocal
| unpublished
|-
| {{hs|0}}48
| I{{hs|0}}6
| '''{{LinkWorkN|Der Herr bewahret die Seelen seiner Heiligen|S.48|Liszt|Franz|0}}'''
| ch br timp org
|
| 1860–75?
| Vocal
|
|-
| {{hs|0}}49
| J42
| '''{{LinkWorkN|O heilige Nacht|S.49|Liszt|Franz|0}}''' (Weihnachtslied)
| ten fch org/harm
|
| 1881
| Vocal
| based on S.186/2
|-
| {{hs|0}}49a
| —
| '''Adeste fidelis'''
| fch
|
|
| Vocal
| incomplete
|-
| {{hs|0}}50
| A286b
| '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]'''
| ch kbd
|
| 1878–79
| Vocal
| probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a
|-
| {{hs|0}}50/{{hs|0}}1
| A286b/8
| <ul>''Es segne uns Gott'' </ul>
| ch kbd
|
| 1878–79
| Vocal
| arr. for pf as S.504b/3a, for ch org as S.669a/1
|-
| {{hs|0}}50/{{hs|0}}2
| A286b/4
| <ul>''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig) </ul>
| ch kbd
|
| 1878–79
| Vocal
| arr. for pf as S.504b/3, for v ch/org as S.669a/2, for ch org as S.51
|-
| {{hs|0}}50/{{hs|0}}3
| A286b/3
| <ul>''Nun ruhen alle Wälder'' </ul>
| ch kbd
|
| 1878–79
| Vocal
| arr. for pf as S.504b/5, for v org as S.669a/3
|-
| {{hs|0}}50/{{hs|0}}4
| A286b/5
| <ul>''O Haupt voll Blut und Wunden'' </ul>
| ch kbd
|
| 1878–79
| Vocal
| arr. for pf as S.504b/6, for v org as S.669a/4
|-
| {{hs|0}}50/{{hs|0}}5
| A286b/6
| <ul>''O Lamm Gottes!'' </ul>
| ch kbd
|
| 1878–79
| Vocal
| arr. for pf as S.504b/7, for v pf/org as S.669a/5
|-
| {{hs|0}}50/{{hs|0}}6
| A286b/1
| <ul>''Was Gott tut, das ist wohlgetan'' </ul>
| ch kbd
|
| 1878–79
| Vocal
| arr. for pf as S.504b/10, for v org as S.669a/6
|-
| {{hs|0}}50/{{hs|0}}7
| A286b/7
| <ul>''Wer nur den lieben Gott läßt walten'' </ul>
| ch kbd
|
| 1878–79
| Vocal
| arr. for pf as S.504b/11, for v org as S.669a/7
|-
| {{hs|0}}50/{{hs|0}}8
| A286b/9
| <ul>''Vexilla Regis'' </ul>
| ch kbd
|
| 1878–79
| Vocal
| arr. for pf as S.504b/9
|-
| {{hs|0}}50/{{hs|0}}9
| A286b/10
| <ul>''Crux ave benedicta'' </ul>
| ch kbd
|
| 1878–79
| Vocal
| arr. for pf as S.504b/1
|-
| {{hs|0}}50/10
| A286b/2
| <ul>''O Traurigkeit'' </ul>
| ch kbd
|
| 1878–79
| Vocal
| arr. for pf as S.504b/8
|-
| {{hs|0}}50/11
| A286b/12
| <ul>''Nun danket alle Gott!'' </ul>
| ch kbd
|
| 1878–79
| Vocal
| arr. for pf as S.504b/4
|-
| {{hs|0}}50/12
| A286b/11
| <ul>''Jesu Christe '' (Die fünf Wunden) </ul>
| ch kbd
|
| 1878–79
| Vocal
| arr. for pf as S.504b/2
|-
| {{hs|0}}51
| J34
| '''Meine Seel' erhebt den Herrn!''' (Gott sei uns gnädig und barmherzig) (Der Kirchensegen)
| ch org
|
| 1878
| Vocal
| arr. of S.50/2
|-
| {{hs|0}}52
| J35
| '''{{LinkWorkN|Septem sacramenta|S.52|Liszt|Franz|0}}'''
| mez bar ch org/harm
|
| 1878–84
| Vocal
|
|-
| {{hs|0}}53
| J33
| '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)
| vv ch pf/org/harm
|
| 1876–79
| Vocal
| arr. for org as S.669b, for pf4h as S.583, for pf as S.504
|-
| {{hs|0}}54
| J36
| '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''
| ch org
|
| 1878–79
| Vocal
| based on a chorus by Giuseppe Baini; Liszt's authorship of choral parts doubtful; see also arrs. for org as S.669c, for pf as S.506b
|-
| {{hs|0}}55
| J38
| '''{{LinkWorkN|Ossa arida|S.55|Liszt|Franz|0}}'''
| ch org4h
|
| 1879
| Vocal
|
|-
| {{hs|0}}56
| J37
| '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''
| ch org/harm (+ bar)
|
| 1879
| Vocal
|
|-
| {{hs|0}}56/1
| J37/1
| <ul>''Mysteria gaudiosa''</ul>
| ch org/harm
|
| 1879
| Vocal
| arr. for org/harm as S.670/1
|-
| {{hs|0}}56/2
| J37/2
| <ul>''Mysteria dolorosa''</ul>
| ch org/harm
|
| 1879
| Vocal
| arr. for org/harm as S.670/2
|-
| {{hs|0}}56/3
| J37/3
| <ul>''Mysteria gloriosa''</ul>
| ch org/harm
|
| 1879
| Vocal
| arr. for org/harm as S.670/3
|-
| {{hs|0}}56/4
| J37/4
| <ul>''Pater noster''</ul>
| bar/mch org/harm
|
| 1879
| Vocal
|
|-
| {{hs|0}}57
| J46
| '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}'''
| ch br perc org
|
| 1884
| Vocal
| arr. for pf as S.505, for org as S.671
|-
| {{hs|0}}58
| J40
| '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''
| alt fch org/harm
|
| 1880–85
| Vocal
| arr. for org/harm as S.674a
|-
| {{hs|0}}59
| J39
| '''{{LinkWorkN|Pro Papa|S.59|Liszt|Franz|0}}'''
| ch org
|
| 1880
| Vocal
|
|-
| {{hs|0}}59/1
| J39/1
| <ul>''Tu es Petrus''</ul>
| mch org
|
| 1880
| Vocal
|
|-
| {{hs|0}}59/2
| J39/2
| <ul>''Dominus conservet eum''</ul>
| ch org
|
| 1880
| Vocal
|
|-
| {{hs|0}}60
| J44
| '''{{LinkWorkN| Ave Maria III|S.60|Liszt|Franz|0}}''' (Sposalizio)
| alt fch org/harm
|
| 1883
| Vocal
| based on S.161/1; arr. for org/harm as S.671a, for v 2pf as S.700g
|-
| {{hs|0}}61
| J43
| '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''
| ch/mch 2tpt 3tbn timp org
|
| 1883
| Vocal
| arr. for org as S.674c
|-
| {{hs|0}}62
| J47
| '''{{LinkWorkN|Mariengarten|S.62|Liszt|Franz|0}}'''
| ch org (+ alt ten)
|
| 1884?
| Vocal
|
|-
| {{hs|0}}63
| J48
| '''{{LinkWorkN|Qui seminant in lacrimis|S.63|Liszt|Franz|0}}'''
| ch org
|
| 1883
| Vocal
|
|-
| {{hs|0}}64
| J49
| '''{{LinkWorkN|Pax vobiscum!|S.64|Liszt|Franz|0}}'''
| mch (+ org)
|
| 1885
| Vocal
|
|-
| {{hs|0}}65
| J50
| '''{{LinkWorkN|Qui Mariam absolvisti|S.65|Liszt|Franz|0}}'''
| bar ch org/harm
|
| 1885
| Vocal
|
|-
| {{hs|0}}66
| J51
| '''{{LinkWorkN|Salve Regina|S.66|Liszt|Franz|0}}'''
| ch
|
| 1885
| Vocal
|
|- style="background:#ccffcc" id="Secular choral works"
| {{hs|066z}}67–94
| —
| align="center"|<h4>Secular Choral Works</h4>
|
|
|
|
|
|-
| {{hs|0}}67
| L{{hs|0}}1
| '''Festkantate zur Enthüllung des Beethoven-Denkmals in Bonn''' (Was versammelt hier die Menge)<br>(Beethoven Cantata No.1)
| 6vv orch
|
| 1845
| Vocal
| arr. for pf4h as S.584; extracts arr. for pf in S.507
|-
| {{hs|0}}68
| L12
| '''Zur Säcularfeier Beethovens'''<br>(Beethoven Cantata No.2)
| 4vv ch orch
|
| 1869–70
| Vocal
|
|-
| {{hs|0}}69/1
| L{{hs|0}}8/1
| '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''
| sop alt 2ten 2bass ch orch
|
| 1850
| Vocal
| 1st version of S.69/2, S.69/3; No.4 arr. for pf as S.507a (incomplete); No.5 arr. for pf as S.692e (unfinished); overture rev. as S.99
|-
| {{hs|0}}69/2
| L{{hs|0}}8/2
| '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''
| sop alt 2ten 2bass 2ch orch
|
| 1855–59
| Vocal
| 2nd version of S.69/1, S.69/3; No.4 arr. for pf as S.508, for pf4h as S.585
|-
| {{hs|0}}69/3
| L{{hs|0}}8/3
| '''{{LinkWorkN|Chöre zu Herders Entfesseltem Prometheus|S.69|Liszt|Franz|0}}'''
| sop alt 2ten 2bass 2ch orch
|
| 1877?
| Vocal
| 3rd version of S.69/1, S.69/2
|-
| {{hs|0}}70/1
| L{{hs|0}}9/1
| '''[[An die Künstler, S.70 (Liszt, Franz)|An die Künstler]]'''
| 4vv mch ww br
|
| 1853
| Vocal
| instrumentation by {{LinkComp|Joachim|Raff}};1st version of S.70/2, S.70/3
|-
| {{hs|0}}70/2
| L{{hs|0}}9/2
| '''An die Künstler'''
| 4vv mch orch
|
| 1853–54
| Vocal
| 2nd version of S.70/1, S.70/3
|-
| {{hs|0}}70/3
| L{{hs|0}}9/3
| '''An die Künstler'''
| 4vv mch org orch
|
| 1856–57
| Vocal
| 3rd version of S.70/1, S.70/2; themes used in S.114
|-
| {{hs|0}}71a
| L11/1
| '''[[Gaudeamus igitur, S71a (Liszt, Franz)|Gaudeamus igitur]]''' (Humoreske)
| orch
|
| 1869–70
| Orchestral
| 1st version of S.71b, S.71c; arr. for pf as S.509; for pf4h as S.586
|-
| {{hs|0}}71b
| L11/2
| '''[[Gaudeamus igitur, S71a (Liszt, Franz)|Gaudeamus igitur]]''' (Humoreske)
| mch orch
|
| 1869–70
| Vocal
| 2nd version of S.71a, S.71c
|-
| {{hs|0}}71c
| L11/3
| '''[[Gaudeamus igitur, S71a (Liszt, Franz)|Gaudeamus igitur]]''' (Humoreske)
| ch orch
|
| 1869–70
| Vocal
| 3rd version of S.71a, S.71b
|-
| {{hs|0}}72
| M{{hs|0}}1a
| '''Vierstimmige Männergesänge''' (4):
| mch pf
|
| 1841–42
| Vocal
|
|-
| {{hs|0}}72/1a
| M{{hs|0}}2/1
| <ul>''Rheinweinlied'' (Wo solch ein Feuer)</ul>
| mch pf
|
| 1841
| Vocal
| 1st version
|-
| {{hs|0}}72/1b
| M{{hs|0}}2/2
| <ul>''Rheinweinlied'' (Wo solch ein Feuer)</ul>
| mch pf
|
| 1884
| Vocal
| 2nd version
|-
| {{hs|0}}72/2
| M{{hs|0}}3
| <ul>''Studentenlied aus Goethe's Faust'' (Es lebt' eine Ratt im Kellernest)</ul>
| mch
|
| 1841–42
| Vocal
|
|-
| {{hs|0}}72/3
| M{{hs|0}}4
| <ul>''Reiterlied I'' (Die bange Nacht ist nun herum)</ul>
| mch
| B{{flat}} major
| 1841–42
| Vocal
| for alternative setting see S.72/4
|-
| {{hs|0}}72/4
| M{{hs|0}}5
| <ul>''Reiterlied II'' (Die bange Nacht ist nun herum)</ul>
| mch
| C major
| 1841–42
| Vocal
| for alternative setting see S.72/3
|-
| {{hs|0}}73
| M19
| '''Es war einmal ein König''' (Flohlied)
| bar/bass mch pf
|
| 1844–45
| Vocal
|
|-
| {{hs|0}}74/1
| M{{hs|0}}1
| '''Das deutsche Vaterland I''' (Was ist das deutsche Vaterland?)
| 4vv mch pf
| D major
| 1841
| Vocal
| 1st version of S.74/2
|-
| {{hs|0}}74/2
| M27
| '''[[Das deutsche Vaterland II, S.74/2 (Liszt, Franz)|Das deutsche Vaterland II]]''' (Was ist das deutsche Vaterland?)
| mch
| C major
| 1848
| Vocal
| 2nd version of S.74/1
|-
| {{hs|0}}75/1
| M12/1
| {{hs|Uber}}'''Über allen Gipfeln ist Ruh'''' (Wanderers Nachtlied)
| mch
|
| 1842
| Vocal
| No.3 of ''Vierstimmige Männergesänge''; 1st version of S.75/2, S.75/3
|-
| {{hs|0}}75/2
| M12/2
| {{hs|Uber}}'''Über allen Gipfeln ist Ruh'''' (Wanderers Nachtlied)
| mch
|
| 1849
| Vocal
| 2nd version of S.75/1, S.75/3
|-
| {{hs|0}}75/3
| M12/3
| {{hs|Uber}}'''Über allen Gipfeln ist Ruh'''' (Wanderers Nachtlied)
| mch 2hn
|
| 1856
| Vocal
| 3rd version of S.75/1, S.75/2
|-
| {{hs|0}}76
| M11
| '''Das düstre Meer umrauscht mich'''
| mch pf
|
| 1842
| Vocal
| No.2 of ''Vierstimmige Männergesänge''
|-
| {{hs|0}}76a
| M15
| '''Heil! Unsrer Glocke heil'''
| mch pf
|
| 1843
| Vocal
|
|-
| {{hs|0}}77
| M26
| '''Die lustige Legion'''
| mch (+ pf)
|
| 1846?
| Vocal
|
|-
| {{hs|0}}78
| M17/1
| '''Trinkspruch''' (Giesst Wein in die Gläser, ihr Zecher!)
| mch pf
|
| 1843–44
| Vocal
| No.1 of ''Sechs Männerchöre''
|-
| {{hs|0}}79/1
| M14/2
| '''Titan''' (Auf des Athos blauen Felsenspitzen)
| bar mch pf
|
| 1842–47
| Vocal
| 2nd version of S.700j; arr. for bar mch orch as S.79/2
|-
| {{hs|0}}79/2
| L{{hs|0}}4
| '''Titan''' (Auf des Athos blauen Felsenspitzen)
| bar mch orch
|
| 1848
| Vocal
| arr. of S.79/1
|-
| {{hs|0}}80a
| M20
| '''Les quatre éléments'''
| mch pf/pf4h
|
| 1844–45
| Vocal
| arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b
|-
| {{hs|0}}80a/1
| M20/1
| <ul>''La terre''</ul>
| mch pf
|
| 1844–45
| Vocal
| arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/1
|-
| {{hs|0}}80a/2
| M20/2
| <ul>''Les aquilons''</ul>
| mch pf4h
|
| 1844
| Vocal
| arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/2
|-
| {{hs|0}}80a/3
| M20/3
| <ul>''Les flots''</ul>
| mch pf
|
| 1845
| Vocal
| arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/3
|-
| {{hs|0}}80a/4
| M20/4
| <ul>''Les astres''</ul>
| mch pf
|
| 1845?
| Vocal
| arr. for mch orch by Liszt and {{LinkComp| August|Conradi}} as S.80b/4
|-
| {{hs|0}}80b
| L{{hs|0}}2
| '''Les quatre éléments'''
| mch orch
|
| 1844–48
| Vocal
| arr. of S.80a by Liszt and {{LinkComp| August|Conradi}}; sketches for overture rev. as S.97
|-
| {{hs|0}}80b/1
| L{{hs|0}}2/1
| <ul>''La terre''</ul>
| mch orch
|
| 1844–48
| Vocal
| arr. of S.80a/1 by Liszt and {{LinkComp| August|Conradi}}
|-
| {{hs|0}}80b/2
| L{{hs|0}}2/2
| <ul>''Les aquilons''</ul>
| mch orch
|
| 1844–48
| Vocal
| arr. of S.80a/2 by Liszt and {{LinkComp| August|Conradi}}
|-
| {{hs|0}}80b/3
| L{{hs|0}}2/3
| <ul>''Les flots''</ul>
| mch orch
|
| 1845–48
| Vocal
| arr. of S.80a/3 by Liszt and {{LinkComp| August|Conradi}}
|-
| {{hs|0}}80b/4
| L{{hs|0}}2/4
| <ul>''Les astres''</ul>
| mch orch
|
| 1845–48
| Vocal
| arr. of S.80a/4 by Liszt and {{LinkComp| August|Conradi}}
|-
| {{hs|0}}81/1
| M21
| '''Le forgeron''' (Le fer est dur, frappons, frappons)
| 2vv mch pf
|
| 1845
| Vocal
| arr. for 2vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.81/2
|-
| {{hs|0}}81/2
| L{{hs|0}}3
| '''Le forgeron''' (Le fer est dur, frappons, frappons)
| 2vv mch orch
|
| 1845–48
| Vocal
| arr. of S.81/1 by Liszt and {{LinkComp| August|Conradi}}
|-
| {{hs|0}}81a
| M25
| '''A patakhoz''' (A patakcsa)
| mch
|
| 1846
| Vocal
|
|-
| {{hs|0}}82
| M16
| '''Arbeiterchor''' (Herbei, herbei, den Spath' und Schaufel ziert)
| bar mch pf
|
| 1843–48?
| Vocal
| arr. for pf as S.510; arr. for pf4h as S.587
|-
| {{hs|0}}83a
| L{{hs|0}}5
| '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)
| vv mch pf
|
| 1842–48?
| Vocal
| arr. for vv mch orch by Liszt and {{LinkComp| August|Conradi}} as S.83b
|-
| {{hs|0}}83b
| L{{hs|0}}5
| '''Ungaria-Kantate''' (Aus Osten aus der Sonne Tor)
| vv mch orch
|
| 1848
| Vocal
| arr. of S.83a by Liszt and {{LinkComp| August|Conradi}}
|-
| {{hs|0}}84/1
| M28/1
| '''Licht, mehr Licht'''
| mch 3tbn tba
|
| 1849
| Vocal
| 1st version of S.84/2
|-
| {{hs|0}}84/2
| M28/2
| '''Licht, mehr Licht'''
| mch 2tpt 3tbn
|
| 1856
| Vocal
| 2nd version of S.84/1
|-
| {{hs|0}}85/1
| M29/1
| '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)
| mch pf
|
| 1849
| Vocal
| 1st version of S.85/2, S.85/3
|-
| {{hs|0}}85/2
| M29/2
| '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)
| fch hp pf/harm
|
| 1849
| Vocal
| 2nd version of S.85/1, S.85/3
|-
| {{hs|0}}85/3
| L{{hs|0}}7
| '''Chor der Engel aus Goethe's Faust II ''' (Rosen, ihr blendenden)
| ch hp/pf
|
| 1849
| Vocal
| 3rd version of S.85/1, S.85/2
|-
| {{hs|0}}86a
| M30
| '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''
| mch pf
|
| 1850
| Vocal
| arr. for mch br as S.86b
|-
| {{hs|0}}86b
| M30
| '''Festchor zur Enthüllung des Herder-Denkmals in Weimar '''
| mch br
|
| 1850
| Vocal
| arr. of S.86a
|-
| {{hs|0}}87/1a
| L10a
| '''Weimars Volkslied''' (Von der Wartburg)
| mch ww br perc
| E major
| 1857
| Vocal
| arr. of S.313; 1st version of S.87/1bis; arr. for mch pf as S.87/1b
|-
| {{hs|0}}87/1b
| M32a
| '''Weimars Volkslied''' (Von der Wartburg)
| mch pf
| E major
| 1857, rev. 1875?
| Vocal
| arr. of S.87/1a
|-
| {{hs|0}}87/1bis
| L10a
| '''Weimars Volkslied''' (Von der Wartburg)
| mch ww br perc
| E major
| 1875?
| Vocal
| 2nd version of S.87/1a
|-
| {{hs|0}}87/2
| M32b
| '''Weimars Volkslied''' (Von der Wartburg)
| mch (+ pf)
| F major
| 1857?
| Vocal
| arr. of S.313
|-
| {{hs|0}}87/3a
| M32c/1
| '''Weimars Volkslied''' (Von der Wartburg)
| mch
| E major
| 1860?
| Vocal
| arr. of S.313; 1st version of S.87/3b
|-
| {{hs|0}}87/3b
| M32c/2
| '''Weimars Volkslied''' (Von der Wartburg)
| mch
| E major
| 1875?
| Vocal
| 2nd version of S.87/3a; not published
|-
| {{hs|0}}87/4
| M32d
| '''Weimars Volkslied''' (Von der Wartburg)
| mch org
| E major
| 1875
| Vocal
| arr. of S.313
|-
| {{hs|0}}87/5
| M32e
| '''Weimars Volkslied''' (Von der Wartburg)
| mch (+ pf)
| E major
| 1875
| Vocal
| byarr. of S.313 [by {{LinkComp|Bernhard|Sulze}} ?]
|-
| {{hs|0}}87/6
| M32f
| '''Weimars Volkslied''' (Von der Wartburg)
| uch
| E major
| 1875?
| Vocal
| arr. of S.313
|-
| {{hs|0}}87/7
| M32g
| '''Weimars Volkslied''' (Von der Wartburg)
| cch
| F major
| 1875?
| Vocal
| arr. of S.313
|-
| {{hs|0}}87/8a
| L10b/1
| '''Weimars Volkslied''' (Von der Wartburg)
| uch br
| C major
| 1857?
| Vocal
| arr. of S.313; arr. for uch pf as S.87/8b
|-
| {{hs|0}}87/8b
| L10b/2
| '''Weimars Volkslied''' (Von der Wartburg)
| uch pf
| C major
| 1857?
| Vocal
| arr. of S.87/8a
|-
| {{hs|0}}88
| M34b
| '''Mit klingendem Spiel I''' (Morgenlied)
| fch
|
| 1859
| Vocal
| alternative text to S.89
|-
| {{hs|0}}89
| M34a
| '''Mit klingendem Spiel II''' (Morgenlied)
| cch
|
| 1859
| Vocal
| alternative text to S.88
|-
| {{hs|0}}90/{{hs|0}}1a
| M31/1
| '''{{LinkWorkN|Vereins-Lied|S.90/1|Liszt|Franz|0}}''' ("Frisch auf, zu neuem Leben")
| mch
|
| 1855
| Vocal
| 1st version of S.90/1b, S.90/1c
|-
| {{hs|0}}90/{{hs|0}}1b
| M31/2
| '''Vereins-Lied''' (Frisch auf, zu neuem Leben)
| mch
|
| 1857
| Vocal
| 2nd version of S.90/1a, S.90/1c
|-
| {{hs|0}}90/{{hs|0}}1c
| M31/3
| '''Vereins-Lied''' (Frisch auf, zu neuem Leben)
| mch
|
| 1860
| Vocal
| No.1 of ''Für Männergesang''; 3rd version of S.90/1a, S.90/1b
|-
| {{hs|0}}90/{{hs|0}}2a
| M{{hs|0}}7/1
| '''Ständchen''' (Hüttelein, still und klein)
| ten mch
| A major
| 1841–43?
| Vocal
| 1st version of S.90/2b, S.90/2c
|-
| {{hs|0}}90/{{hs|0}}2b
| M{{hs|0}}7/2
| '''Ständchen''' (Hüttelein, still und klein)
| ten mch
| A major
| 1845–49?
| Vocal
| No.6 of ''Sechs Männerchöre''; 2nd version of S.90/2a, S.90/2c
|-
| {{hs|0}}90/{{hs|0}}2c
| M{{hs|0}}7/3
| '''Ständchen''' (Hüttelein, still und klein)
| ten mch
| G major
| 1857–60
| Vocal
| No.2 of ''Für Männergesang''; 3rd version of S.90/2a, S.90/2b
|-
| {{hs|0}}90/{{hs|0}}3a
| M10/1
| [[Wir sind nicht Mumien, S.90/3 (Liszt, Franz)|'''Wir sind nicht Mumien''']]
| mch pf
|
| 1842
| Vocal
| No.1 of ''Vierstimmige Männergesänge''; 1st version of S.90/3b
|-
| {{hs|0}}90/{{hs|0}}3b
| M10/2
| '''Wir sind nicht Mumien'''
| mch pf
|
| 1860–61
| Vocal
| No.3 of ''Für Männergesang''; 2nd version of S.90/3a
|-
| {{hs|0}}90/{{hs|0}}4a
| M22/1
| '''Vor der Schlacht''' (Es rufet Gott uns mahnend)
| mch pf
|
| 1845
| Vocal
| 1st version of S.90/4b; arr. for pf as S.511/1
|-
| {{hs|0}}90/{{hs|0}}4b
| M22/2
| '''Vor der Schlacht''' (Es rufet Gott uns mahnend)
| mch
|
| 1860
| Vocal
| No.4 of ''Für Männergesang''; 2nd version of S.90/4a
|-
| {{hs|0}}90/{{hs|0}}5a
| M23/1
| '''Nicht gezagt '''
| mch pf
| A{{flat}} major
| 1845
| Vocal
| 1st version of S.90/5b; arr. for pf as S.511/2
|-
| {{hs|0}}90/{{hs|0}}5b
| M23/2
| '''Nicht gezagt '''
| mch
| G major
| 1860
| Vocal
| No.5 of ''Für Männergesang''; 2nd version of S.90/5a
|-
| {{hs|0}}90/{{hs|0}}6a
| M24/1
| '''Es rufet Got'''
| mch pf
|
| 1845
| Vocal
| 1st version of S.90/6b; arr. for pf as S.511/3
|-
| {{hs|0}}90/{{hs|0}}6b
| M24/2
| '''Es rufet Got'''
| mch
|
| 1860
| Vocal
| No.6 of ''Für Männergesang''; 2nd version of S.90/6a
|-
| {{hs|0}}90/{{hs|0}}7a
| M18/1
| '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen)
| mch (+tpt timp)
|
| 1844
| Vocal
| No.5 of ''Sechs Männerchöre''; 1st version of S.90/7b
|-
| {{hs|0}}90/{{hs|0}}7b
| M18/2
| '''Soldatenlied aus Faust ''' (Burgen mit hohen Mauern und Zinnen)
| mch (+tpt timp)
|
| 1860–61
| Vocal
| No.7 of ''Für Männergesang''; 2nd version of S.90/7a
|-
| {{hs|0}}90/{{hs|0}}8a
| M{{hs|0}}9/1
| '''Die alten Sagen kunden'''
| mch pf
| B{{flat}} major
| 1841–45?
| Vocal
| No.2 of ''Sechs Männerchöre''; 1st version of S.90/8b
|-
| {{hs|0}}90/{{hs|0}}8b
| M{{hs|0}}9/2
| '''Die alten Sagen kunden'''
| 4vv mch
| A minor
| 1860–61
| Vocal
| No.8 of ''Für Männergesang''; 2nd version of S.90/8a
|-
| {{hs|0}}90/{{hs|0}}9a
| M{{hs|0}}8/1
| '''Saatengrün'''
| mch pf/(hp?)
|
| 1843?
| Vocal
| No.3 of ''Sechs Männerchöre''; 1st version of S.90/9b
|-
| {{hs|0}}90/{{hs|0}}9b
| M{{hs|0}}8/2
| '''Saatengrün'''
| mch
| A major
| 1860–61
| Vocal
| No.9 of ''Für Männergesang''; 2nd version of S.90/9a
|-
| {{hs|0}}90/10a
| M{{hs|0}}6/1
| '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist)
| mch
|
| 1841–43?
| Vocal
| No.4 of ''Sechs Männerchöre''; 1st version of S.90/10b
|-
| {{hs|0}}90/10b
| M{{hs|0}}6/2
| '''Der Gang um Mitternacht''' (Ich schreite mit dem Geist)
| ten mch
|
| 1860
| Vocal
| No.10 of ''Für Männergesang''; 2nd version of S.90/10a
|-
| {{hs|0}}90/11a
| M35/1
| '''Festlied zu Schillers Jubelfeier 10 November 1859'''
| bar mch
|
| 1859
| Vocal
| 1st version of S.90/11b
|-
| {{hs|0}}90/11b
| M35/2
| '''Festlied zu Schillers Jubelfeier 10 November 1859'''
| bar mch
|
| 1860
| Vocal
| No.11 of ''Für Männergesang''; 2nd version of S.90/11a
|-
| {{hs|0}}90/12a
| M13/1
| '''Gottes ist der Orient'''
| mch
| B major
| 1842
| Vocal
| No.4 of ''Vierstimmige Männergesänge''; 1st version of S.90/12b
|-
| {{hs|0}}90/12b
| M13/2
| '''Gottes ist der Orient'''
| mch
| A major
| 1860–61
| Vocal
| No.12 of ''Für Männergesang''; 2nd version of S.90/12a
|-
| {{hs|0}}91/1
| M36/1
| '''Das Lied der Begeisterung''' (A lelkesedés dala)
| mch
|
| 1871
| Vocal
| 1st version of S.91/2; German and Hungarian text
|-
| {{hs|0}}91/2
| M36/2
| '''Das Lied der Begeisterung''' (Was nützt mir der Erde reichstes Gut)
| mch org
|
| 1874
| Vocal
| 2nd version of S.91/1; German text nly
|-
| {{hs|0}}92
| —
| '''Carl August weilt mit uns''' (Festgesang zur Enthüllung des Carl-August-Denkmals in Weimar)
| fch br timp
|
| 1875
| Vocal
| fanfare arr. for pf as S.542b
|-
| {{hs|0}}93/1
| L17a
| '''Magyar király-dal''' (Ungarisches Königslied)
| mch
|
| 1883
| Vocal
| arr. of S.340
|-
| {{hs|0}}93/2
| L17b
| '''Magyar király-dal''' (Ungarisches Königslied)
| ch
|
| 1883
| Vocal
| arr. of S.340
|-
| {{hs|0}}93/3
| L17c
| '''Magyar király-dal''' (Ungarisches Königslied)
| mch pf
|
| 1883
| Vocal
| arr. of S.340
|-
| {{hs|0}}93/4
| L17d
| '''Magyar király-dal''' (Ungarisches Königslied)
| ch pf
|
| 1883
| Vocal
| arr. of S.340
|-
| {{hs|0}}93/5
| L17e
| '''Magyar király-dal''' (Ungarisches Königslied)
| mch orch
|
| 1883
| Vocal
| arr. of S.340
|-
| {{hs|0}}93/6
| L17f
| '''Magyar király-dal''' (Ungarisches Königslied)
| ch orch
|
| 1883
| Vocal
| arr. of S.340
|-
| {{hs|0}}93/7
| L17g
| '''Magyar király-dal''' (Ungarisches Königslied)
| cch
|
| 1883
| Vocal
| arr. of S.340
|-
| {{hs|0}}94
| M38
| '''Gruss''' (Glück auf)
| mch
|
| 1885
| Vocal
|
|- style="background:#ccffcc" id="Orchestral works"
| {{hs|094y}}95–119
| —
| align="center"|<h4>Orchestral Works</h4>
|
|
|
|
|
|- style="background:#ccffcc" id="Symphonic poems"
| {{hs|094z}}95–107
| —
| align="center"|<h5>Symphonic Poems</h5>
|
|
|
|
|
|-
| {{hs|0}}95
| G{{hs|0}}1
| '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}'''<br> (Symphonic Poem No.1)
| orch
|
| 1848–49, rev. 1850, 1854
| Orchestral
| arr. for pf4h as S.589; arr. for 2pf as S.635; see also S.261a
|-
| {{hs|0}}96
| G{{hs|0}}2
| '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''<br> (Symphonic Poem No.2)
| orch
|
| 1849, rev. 1850–51, 1854
| Orchestral
| arr. for pf4h as S.590; arr. for 2pf as S.636; see also S.112/3
|-
| {{hs|0}}97
| G{{hs|0}}3
| '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''<br> (Symphonic Poem No.3)
| orch
|
| 1850–55
| Orchestral
| based on projected overture to S.80b; arr. for pf4h as S.591, for 2pf as S.637; for pf as S.511a
|-
| {{hs|0}}98
| G{{hs|0}}9
| '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}'''<br> (Symphonic Poem No.4)
| orch
|
| 1853–54
| Orchestral
| arr. for pf as S.511b, for pf4h as S.592. for 2pf as S.638, for org as S.672a; see also S.167d
|-
| {{hs|0}}99
| G{{hs|0}}6
| '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' <br> (Symphonic Poem No.5)
| orch
|
| 1855
| Orchestral
| based on overture to S.69; arr. for pf4h as S.593, for 2pf as S.639
|-
| 100
| G{{hs|0}}7
| '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''<br>(Symphonic Poem No.6)
| orch
|
| 1851–54
| Orchestral
| partly based on S.139/4; arr. for pf as S.511c, for pf4h as S.594, for 2pf as S.640
|-
| 101
| G10
| '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''<br>(Symphonic Poem No.7)
| orch
|
| 1853, rev. 1861
| Orchestral
| arr. for pf as S.511d, for pf4h as S.595, for 2pf as S.641
|-
| 102
| G{{hs|0}}4
| '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' <br>(Symphonic Poem No.8)
| orch
|
| 1854–56
| Orchestral
| based on 1st movement of S.690; arr. for pf4h as S.596a, for 2pf as S.642
|-
| 103
| G13
| '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''<br>(Symphonic Poem No.9)
| orch
|
| 1854
| Orchestral
| arr. for pf as S.511e, for pf4h as S.596, for 2pf as S.643
|-
| 104
| G22
| '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''<br>(Symphonic Poem No.10)
| orch
|
| 1858
| Orchestral
| arr. for pf4h as S.597, for 2pf as S.644
|-
| 105
| G17
| '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' <br>(Symphonic Poem No.11)
| orch
|
| 1855–57
| Orchestral
| arr. for pf4h as S.596b, for 2pf as S.645
|-
| 106
| G15
| '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' <br>(Symphonic Poem No.12)
| orch
|
| 1856–57
| Orchestral
| arr. for pf4h as S.596c, for 2pf as S.646
|-
| 107
| G38
| '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) <br> (Symphonic Poem No.13)
| orch
|
| 1881–82
| Orchestral
| arr. for pf as S.512, for pf4h as S.598; see also S.133
|- style="background:#ccffcc" id="Other orchestral works"
| {{hs|107z}}108–119
| —
| align="center"|<h5>Other Orchestral Works</h5>
|
|
|
|
|
|-
| 108
| G12
| '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)
| orch (+ ten mch)
|
| 1854, 1857–61, 1880
| Orchestral
| arr. for 2pf as S.647; 2nd movement arr. for pf as S.513
|-
| 109
| G14
| '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)
| orch
|
| 1855–56
| Orchestral
| themes re-used in S.182a?; arr. for 2pf as S.648; partially arr. for org/harm as S.672b; see also S.167f
|-
| 110
| G16
| '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2):
| orch
|
| 1856–61?
| Orchestral
|
|-
| 110/1
| G16/1
| <ul>''Der nächtliche Zug''</ul>
| orch
|
| 1856–61?
| Orchestral
| arr. for pf4h as S.599/1; for pf as S.513a
|-
| 110/2
| G16/2
| <ul>''Der Tanz in der Dorfschenke'' (Mephisto Waltz)</ul>
| orch
|
| 1856–61?
| Orchestral
| arr. of S.514
|-
| 111
| G37
| '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}''' (Zweiter Mephisto-Walzer)
| orch
|
| 1880–81
| Orchestral
| arr. of S.515
|-
| 112
| G25
| '''Odes funèbres''' (3):
| orch
|
| 1860–66
| Orchestral
|
|-
| 112/1
| G25/1
| <ul>{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}</ul>
| orch (+ mch)
|
| 1860
| Orchestral
| arr. for pf as S.516; for pf4h as S.601; for org as S.268/2
|-
| 112/2
| G25/2
| <ul>{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}</ul>
| orch
|
| 1860–64
| Orchestral
| arr. for pf as S.516a; for pf4h as S.602; for vn pf as S.377a
|-
| 112/3
| G25/3
| <ul>{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}</ul>
| orch
|
| 1866
| Orchestral
| epilogue to S.96; arr. for pf as S.517, for pf4h as S.602/3; also for 2pf as S.757(?)
|-
| 113/1
| G28/1
| '''Boze coś Polskę'''
| orch
|
| 1863
| Orchestral
| based on an old Polish song [formerly S.709]; 1st version of S.113/2; arr. for pf4h as S.604/1
|-
| 113/2
| G28/2
| '''[[Salve Polonia, S.113/2 (Liszt, Franz)|Salve Polonia]]''' (Interludium aus dem Oratorium St. Stanislaus)
| orch
|
| 1884
| Orchestral
| interlude to S.688; 2nd version of S.113/1; arr. for pf as S.518, for pf4h as S.604/2
|-
| 113a
| G27
| '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):
| orch
|
| 1863
| Orchestral
| arr. of S.175
|-
| 113a/1
| G27/1
| <ul>''St François d'Assise: la prédication aux oiseaux''</ul>
| orch
|
| 1863
| Orchestral
| arr. of S.175/1
|-
| 113a/2
| G27/2
| <ul>''St François de Paule: marchant sur les flots '' </ul>
| orch
|
| 1863
| Orchestral
| arr. of S.175/2
|-
| 114
| G20
| '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''
| orch
|
| 1857–59
| Orchestral
| uses themes from S.70/3; arr. for pf as S.520; arr. for pf4h as S.605
|-
| 115
| G{{hs|0}}5
| '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''
| orch
|
| 1857
| Orchestral
| based on S.227; arr. for pf as S.522; arr. for pf4h as S.606
|-
| 116
| G23
| '''[[Festmarsch nach Motiven von E.H.z.S.-C.-G., S.116 (Liszt, Franz)|Festmarsch nach Motiven von E.H.z.S.-C.-G.]]'''
| orch
|
| 1858–59
| Orchestral
| based on themes from the opera ''Diana von Solang'' by Ernst II, Duke of Saxe-Coburg-Gotha; arr. for pf as S.522; for pf4h as S.607
|-
| 117
| G29
| '''[[Rákóczi-Marsch, S.117 (Liszt, Franz)|Rákóczi-Marsch]]'''
| orch
|
| 1863–67
| Orchestral
| based on S.244/15; arr. for pf as S.244a, S.244b; arr. for pf4h as S.608; arr. for 2pf as S.652a
|-
| 118
| G33
| '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''
| orch
|
| 1870
| Orchestral
| arr. for pf as S.523; arr. for pf4h as S.609
|- style="background:#ccffcc" id="Piano and orchestra"
| {{hs|118z}}120–126a
| —
| align="center"|<h4>Piano and Orchestra</h4>
|
|
|
|
|
|-
| 119
| G35
| '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)
| orch
|
| 1875
| Orchestral
| based on S.232; arr. for pf as S.524, for pf4h as S.610
|-
| 120
| H{{hs|0}}2
| '''Grande fantaisie symphonique''' (über Themen aus Hector Berlioz' ''Lélio)
| pf orch
|
| 1834
| Orchestral
| based on themes from {{LinkWork|Lélio, ou le retour à la vie|H 55|Berlioz|Hector}}; not orchestrated by Liszt
|-
| 121
| H{{hs|0}}1
| '''{{LinkWorkN|Malédiction|S.121|Liszt|Franz|0}}'''
| pf str
| E minor
| 1833
| Orchestral
|
|-
| 121a
| H{{hs|0}}3
| '''De Profundis''' (Psaume instrumentale)
| pf orch
|
| 1834–35
| Orchestral
| formerly S.691; unfinished
|-
| 122
| H{{hs|0}}9
| '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''
| pf orch
|
| 1852
| Orchestral
| based on S.388b, using themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; arr. for 2pf as S.649, for pf as S.389; themes also used in S.388
|-
| 123
| H12
| '''[[Fantasie über ungarische Volksmelodien, S.123 (Liszt, Franz)|Fantasie über ungarische Volksmelodien]]'''
| pf orch
|
| 1846–52
| Orchestral
| based on S.244/14
|-
| 124
| H{{hs|0}}4
| '''{{LinkWorkN|Piano Concerto No.1|S.124|Liszt|Franz|0}}'''
| pf orch
| E{{flat}} major
| 1835–56
| Orchestral
| arr. for 2pf as S.650
|-
| 125
| H{{hs|0}}6
| '''{{LinkWorkN|Piano Concerto No.2|S.125|Liszt|Franz|0}}'''
| pf orch
| A major
| 1849–61
| Orchestral
| based on S.524a; arr. for 2pf as S.651
|-
| 125a
| Q{{hs|0}}6
| '''Piano Concerto''' {{hs|No.3}} [No.3]
| pf orch
| E{{flat}} major
| 1835–39
| Orchestral
| unfinished; performing version realized by Jay Rosenblatt
|-
| 126/1
| H{{hs|0}}8
| '''[[Totentanz, S.126 (Liszt, Franz)|Totentanz]]'''
| pf orch
|
| 1847–53
| Orchestral
| 1st version of S.126/2; published in altered form by Busoni; original score unpublished (in private collection)
|-
| 126/2
| H{{hs|0}}8
| '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''
| pf orch
|
| 1859–64?
| Orchestral
| 2nd version of S.126/2; arr. for pf as S.525, for 2pf as S.652
|-
| 126a*
| W14
| ''Concerto in the Hungarian Style''
| pf orch
|
|
| Orchestral
| not by Liszt (see {{LinkWork|Hungarian Gypsy Melodies||Menter|Sophie}})
|- style="background:#ccffcc" id="Chamber music"
| {{hs|126az}}126b–135
| —
| align="center"|<h4>Chamber Music, etc.</h4>
|
|
|
|
|
|-
| 126b
| D{{hs|0}}1
| '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):
| vn pf
|
| 1823–25?
| Chamber
|
|-
| 126b/1
| D{{hs|0}}1/1
| <ul>''Waltz''</ul>
| vn pf
| A major
| 1823–25?
| Chamber
|
|-
| 126b/2
| D{{hs|0}}1/2
| <ul>''Waltz aus dem Ballet "Die Amazonen"''</ul>
| vn pf
| A major
| 1823–25?
| Chamber
| based on a theme from the ballet ''Die Amazonen'' by Robert von Gallenberg; arr. for pf as S.126b
|-
| 127
| D{{hs|0}}3
| '''Duo''' (Sonata) ["sur des thèmes polonais"]
| vn pf
| C{{sharp}} minor
| 1835
| Chamber
| based on No.2 of the {{LinkWork|Mazurkas|Op.6|Chopin|Frederic}}
|-
| 128
| D{{hs|0}}4
| '''[[Grand duo concertant sur le 'Le marin', S.128 (Liszt, Franz)|Grand duo concertant]]''' (sur la romance de M. Lafont, "Le marin")
| vn pf
|
| 1849?
| Chamber
|
|-
| 129
| D12
| '''[[Epithalam, S.129 (Liszt, Franz)|Epithalam]]''' (zu Eduard Reményis Vermählungsfeier)
| vn pf
|
| 1872
| Chamber
| arr. for pf as S.526; arr. for pf4h as S.611 [?]
|-
| 130a
| D13a
| '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''
| hp vc pf harm
|
| 1874
| Chamber
| arr. of S.196; see also S.130b, S.130c, S.612
|-
| 130b
| D13b
| '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''
| vc pf
|
| 1874
| Chamber
| arr. of S.196; see also S.130a, S.130c, S.612
|-
| 130c
| D13c
| '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''
| vn pf (+ harm)
|
| 1874
| Chamber
| arr. of S.196; see also S.130a, S.130b, S.612
|-
| 131
| D14
| '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''
| vc pf
|
| 1877–78
| Chamber
| arr. of S.197; see also S.131bis
|-
| 131bis
| D14
| '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''
| vn pf
|
| 1877–78
| Chamber
| arr. of S.197; see also S.131
|-
| 132a
| D16a
| '''Romance oubliée'''
| va pf
|
| 1880
| Chamber
| arr. of S.527; see also S.132b, S.132c
|-
| 132b
| D16b
| '''Romance oubliée'''
| vn pf
|
| 1880
| Chamber
| arr. of S.527; see also S.132a, S.132c
|-
| 132c
| D16c
| '''Romance oubliée'''
| vc pf
|
| 1880
| Chamber
| arr. of S.527; see also S.132a, S.132b
|-
| 133
| S61
| '''Die Wiege''' (The Cradle)
| 4vn
|
| 1881?
| Chamber
| arr. from the 1st movement of S.107; unpublished (in private collection)
|-
| 134
| D19/2
| '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)
| vc pf
|
| 1882–83
| Chamber
| arr. of S.200/1
|-
| 134bis
| D19/1
| '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)
| vn pf
|
| 1885
| Chamber
| arr. of S.200/2
|-
| 135
| D20
| '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''
| 2vn va vc (+ hp)
|
| 1883
| Chamber
| using theme from the Prelude of S.6; arr. for pf as S.202, for org as S.267
|- style="background:#ccffcc" id="Piano solo"
| {{hs|135y}}136–268a
| —
| align="center"|<h4>Piano Solo</h4>
|
|
|
|
|
|- style="background:#ccffcc" id="Studies"
| {{hs|135z}}136–146
| —
| align="center"|<h5>Studies</h5>
|
|
|
|
|
|-
| 136
| A{{hs|00}}8
| {{hs|Etude|}}'''{{LinkWorkN|Étude en douze exercices|S.136|Liszt|Franz|0}}''':
| pf
|
| 1826
| Keyboard
| published as Op.6; originally intended as 1st series of 48 pieces (with S.136a); rev. as S.137
|-
| 136/{{hs|0}}1
| A{{hs|00}}8/{{hs|0}}1
| <ul>(Allegro con fuoco)</ul>
| pf
| C major
| 1826
| Keyboard
| rev. as S.137/1
|-
| 136/{{hs|0}}2
| A{{hs|00}}8/{{hs|0}}2
| <ul>(Allegro non molto)</ul>
| pf
| A minor
| 1826
| Keyboard
| rev. as S.137/2
|-
| 136/{{hs|0}}3
| A{{hs|00}}8/{{hs|0}}3
| <ul>(Allegro sempre legato)</ul>
| pf
| F major
| 1826
| Keyboard
| rev. as S.137/3
|-
| 136/{{hs|0}}4
| A{{hs|00}}8/{{hs|0}}4
| <ul>(Allegretto)</ul>
| pf
| D minor
| 1826
| Keyboard
| rev. as S.137/4
|-
| 136/{{hs|0}}5
| A{{hs|00}}8/{{hs|0}}5
| <ul>(Moderato)</ul>
| pf
| B{{flat}} major
| 1826
| Keyboard
| rev. as S.137/5
|-
| 136/{{hs|0}}6
| A{{hs|00}}8/{{hs|0}}6
| <ul>(Molto agitato)</ul>
| pf
| G minor
| 1826
| Keyboard
| rev. as S.137/6
|-
| 136/{{hs|0}}7
| A{{hs|00}}8/{{hs|0}}7
| <ul>(Allegretto con molto espressione)</ul>
| pf
| E{{flat}} major
| 1826
| Keyboard
| rev. as S.137/11
|-
| 136/{{hs|0}}8
| A{{hs|00}}8/{{hs|0}}8
| <ul>(Allegro con spirito)</ul>
| pf
| C minor
| 1826
| Keyboard
| rev. as S.137/8
|-
| 136/{{hs|0}}9
| A{{hs|00}}8/{{hs|0}}9
| <ul>(Allegro grazioso)</ul>
| pf
| A{{flat}} major
| 1826
| Keyboard
| rev. as S.137/9
|-
| 136/10
| A{{hs|00}}8/10
| <ul>(Moderato)</ul>
| pf
| F minor
| 1826
| Keyboard
| rev. as S.137/10
|-
| 136/11
| A{{hs|00}}8/11
| <ul>(Allegro grazioso)</ul>
| pf
| D{{flat}} major
| 1826
| Keyboard
| Revoked and replaced by a new piece in S.137 and S.139
|-
| 136/12
| A{{hs|00}}8/12
| <ul>(Allegro non troppo)</ul>
| pf
| B{{flat}} minor
| 1826
| Keyboard
| rev. as S.137/12
|-
| 136a
| A{{hs|00}}8/13
| '''Preludio''' (Allegro maestoso)
| pf
| F{{sharp}} major
| 1826?
| Keyboard
| intended for 2nd series of 48 pieces (with S.136)
|-
| 137
| A{{hs|0}}39
| '''{{LinkWorkN|Grandes études|S.137|Liszt|Franz|0}}''':
| pf
|
| 1837
| Keyboard
| based on S.136; rev. as S.139
|-
| 137/{{hs|0}}1
| A{{hs|0}}39/{{hs|0}}1
| <ul>(Presto)</ul>
| pf
| C major
| 1837
| Keyboard
| based on S.136/1; rev. as S.139/1
|-
| 137/{{hs|0}}2
| A{{hs|0}}39/{{hs|0}}2
| <ul>(Molto vivace)</ul>
| pf
| A minor
| 1837
| Keyboard
| based on S.136/2; rev. as S.139/2
|-
| 137/{{hs|0}}3
| A{{hs|0}}39/{{hs|0}}3
| <ul>(Poco adagio)</ul>
| pf
| F major
| 1837
| Keyboard
| based on S.136/3; rev. as S.139/3
|-
| 137/{{hs|0}}4
| A{{hs|0}}39/{{hs|0}}4
| <ul>(Allegro patetico)</ul>
| pf
| D minor
| 1837
| Keyboard
| based on S.136/4; rev. as S.138, S.139/4
|-
| 137/{{hs|0}}5
| A{{hs|0}}39/{{hs|0}}5
| <ul>(Egualmente)</ul>
| pf
| B{{flat}} major
| 1837
| Keyboard
| based on S.136/5; rev. as S.139/5
|-
| 137/{{hs|0}}6
| A{{hs|0}}39/{{hs|0}}6
| <ul>(Largo patetico)</ul>
| pf
| G minor
| 1837
| Keyboard
| based on S.136/6; rev. as S.139/6
|-
| 137/{{hs|0}}7
| A{{hs|0}}39/{{hs|0}}7
| <ul>(Allegro deciso)</ul>
| pf
| E{{flat}} major
| 1837
| Keyboard
| new piece, rev. as S.139/7
|-
| 137/{{hs|0}}8
| A{{hs|0}}39/{{hs|0}}8
| <ul>(Presto strepitoso)</ul>
| pf
| C minor
| 1837
| Keyboard
| based on S.136/8; rev. as S.139/8
|-
| 137/{{hs|0}}9
| A{{hs|0}}39/{{hs|0}}9
| <ul>(Andantino)</ul>
| pf
| A{{flat}} major
| 1837
| Keyboard
| based on S.136/9; rev. as S.139/9
|-
| 137/10
| A{{hs|0}}39/10
| <ul>(Presto molto agitato)</ul>
| pf
| F minor
| 1837
| Keyboard
| based on S.136/10; rev. as S.139/10
|-
| 137/11
| A{{hs|0}}39/11
| <ul>(Lento assai)</ul>
| pf
| D{{flat}} major
| 1837
| Keyboard
| based on S.136/7; rev. as S.139/11
|-
| 137/12
| A{{hs|0}}39/12
| <ul>(Andantino)</ul>
| pf
| B{{flat}} minor
| 1837
| Keyboard
| based on S.136/12; rev. as S.139/12
|-
| 138
| A172/{{hs|0}}4
| '''{{LinkWorkN|Mazeppa|S.138|Liszt|Franz|0}}'''
| pf
| D minor
| 1840
| Keyboard
| based on S.137/4; rev. as S.139/4
|-
| 139
| A172
| {{hs|Etudes|}}'''{{LinkWorkN|Études d'exécution transcendante|S.139|Liszt|Franz|0}}''' (12 Transcendental Etudes):
| pf
|
| 1851
| Keyboard
| based on S.137
|-
| 139/{{hs|0}}1
| A172/{{hs|0}}1
| <ul>''Preludio''</ul>
| pf
| C major
| 1851
| Keyboard
| based on S.137/1
|-
| 139/{{hs|0}}2
| A172/{{hs|0}}2
| <ul>''[Fusées]'' (Molto vivace)</ul>
| pf
| A minor
| 1851
| Keyboard
| based on S.137/2
|-
| 139/{{hs|0}}3
| A172/{{hs|0}}3
| <ul>''Paysage''</ul>
| pf
| F major
| 1851
| Keyboard
| based on S.137/3
|-
| 139/{{hs|0}}4
| A172/{{hs|0}}4
| <ul>''Mazeppa''</ul>
| pf
| D minor
| 1851
| Keyboard
| based on S.137/4, S.138
|-
| 139/{{hs|0}}5
| A172/{{hs|0}}5
| <ul>''Feux-follets'' (Irrlichter)</ul>
| pf
| B{{flat}} major
| 1851
| Keyboard
| based on S.137/5
|-
| 139/{{hs|0}}6
| A172/{{hs|0}}6
| <ul>''Vision''</ul>
| pf
| G minor
| 1851
| Keyboard
| based on S.137/6
|-
| 139/{{hs|0}}7
| A172/{{hs|0}}7
| <ul>''Eroica''</ul>
| pf
| E{{flat}} major
| 1851
| Keyboard
| based on S.137/7
|-
| 139/{{hs|0}}8
| A172/{{hs|0}}8
| <ul>''Wilde Jagd''</ul>
| pf
| C minor
| 1851
| Keyboard
| based on S.137/8
|-
| 139/{{hs|0}}9
| A172/{{hs|0}}9
| <ul>''Ricordanza''</ul>
| pf
| A{{flat}} major
| 1851
| Keyboard
| based on S.137/9
|-
| 139/10
| A172/10
| <ul>''[Appassionata]'' (Allegro agitato molto)</ul>
| pf
| F minor
| 1851
| Keyboard
| based on S.137/10
|-
| 139/11
| A172/11
| <ul>''Harmonies du soir''</ul>
| pf
| D{{flat}} major
| 1851
| Keyboard
| based on S.137/11; themes re-used in S.166o
|-
| 139/12
| A172/12
| <ul>''Chasse-neige''</ul>
| pf
| B minor
| 1851
| Keyboard
| based on S.137/12
|-
| 140
| A{{hs|0}}52
| {{hs|Etudes|}}'''{{LinkWorkN|Études d'exécution transcendante d'après Paganini|S.140|Liszt|Franz|0}}''':
| pf
|
| 1838
| Keyboard
| based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 1st version of S.141
|-
| 140/1
| A{{hs|0}}52/1
| <ul>''Tremolo''</ul>
| pf
| G minor
| 1838
| Keyboard
| 1st version of S.140/1a, S.141/1
|-
| 140/1a
| A{{hs|0}}52/1
| <ul>''Tremolo''</ul>
| pf
| G minor
| 1838
| Keyboard
| 2nd version of S.140, S.141/1 (incorporating No.2 of {{LinkWork|6 Concert Etudes after Paganini Caprices|Op.10|Schumann|Robert}}
|-
| 140/2
| A{{hs|0}}52/2
| <ul>''Octave''</ul>
| pf
| E{{flat}} major
| 1838
| Keyboard
| 1st version of S.141/2
|-
| 140/3
| A{{hs|0}}52/3
| <ul>''Campanella''</ul>
| pf
| A{{flat}} minor
| 1838
| Keyboard
| 1st version of S.141/3
|-
| 140/4a
| A{{hs|0}}52/4a
| <ul>''Arpeggio''</ul>
| pf
| E major
| 1838
| Keyboard
| 1st version of S.140/4b, S.141/4
|-
| 140/4b
| A{{hs|0}}52/4b
| <ul>''Arpeggio''</ul>
| pf
| E major
| 1838
| Keyboard
| 2nd version of S.140/4a, S.141/4
|-
| 140/5
| A{{hs|0}}52/5
| <ul>''La chasse''</ul>
| pf
| E major
| 1838
| Keyboard
| 1st version of S.140/5a, S.141/5
|-
| 140/5a
| A{{hs|0}}52/5
| <ul>''La chasse''</ul>
| pf
| E major
| 1838
| Keyboard
| 2nd version of S.140/5, S.141/5
|-
| 140/6
| A{{hs|0}}52/6
| <ul>''Tema con Variazioni''</ul>
| pf
| A minor
| 1838
| Keyboard
| 1st version of S.141/6
|-
| 141
| A173
| '''{{LinkWorkN|Grandes études de Paganini|S.141|Liszt|Franz|0}}''':
| pf
|
| 1851
| Keyboard
| based on themes from {{LinkWork|24 Caprices for Solo Violin|Op.1|Paganini|Niccolò|0}}, and {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}; 2nd version of S.140
|-
| 141/1
| A173/1
| <ul>''Preludio'' (Andante). ''Etude'' (Non troppo lento)</ul>
| pf
| G minor
| 1851
| Keyboard
| 2nd version of S.140/1, S.140/1a
|-
| 141/2
| A173/2
| <ul>(Andante)</ul>
| pf
| E{{flat}} major
| 1851
| Keyboard
| 2nd version of S.140/2
|-
| 141/3
| A173/3
| <ul>''La campanella'' (Allegretto)</ul>
| pf
| G{{sharp}} minor
| 1851
| Keyboard
| 2nd version of S.140/3
|-
| 141/4
| A173/4
| <ul>(Vivo)</ul>
| pf
| E major
| 1851
| Keyboard
| 3rd version of S.140/4a, S.140/4b
|-
| 141/5
| A173/5
| <ul>(Allegretto)</ul>
| pf
| E major
| 1851
| Keyboard
| 3rd version of S.140/5, S.140/5a
|-
| 141/6
| A173/6
| <ul>(Quasi presto)</ul>
| pf
| A minor
| 1851
| Keyboard
| 2nd version of S.140/6
|-
| 141/6bis
| —
| Album-Leaf, 'Introduction to the Grande Étude de Paganini No.6' ("Introduction to the Grande Étude de Paganini No 6")
| pf
|
| 1884
| Keyboard
|
|-
| 142
| A{{hs|0}}63a
| '''{{LinkWorkN|Morceau de salon|S.142|Liszt|Franz|0}}''' (Étude de perfectionnement)
| pf
|
| 1840
| Keyboard
| 1st version of S.143
|-
| 143
| A{{hs|0}}63b
| '''{{LinkWorkN| Ab irato|S.143|Liszt|Franz|0}}''' (Étude de perfectionnement)
| pf
|
| 1852
| Keyboard
| 2nd version of S.142
|-
| 144
| A118
| '''[[3 Études de concert, S.144 (Liszt, Franz)|Études de concert]]''' (3):
| pf
|
| 1845–49
| Keyboard
|
|-
| 144/1
| A118/1
| <ul>''Il lamento''</ul>
| pf
| A{{flat}} major
| 1845–49
| Keyboard
|
|-
| 144/2
| A118/2
| <ul>''La leggierezza''</ul>
| pf
| F minor
| 1845–49
| Keyboard
|
|-
| 144/3
| A118/3
| <ul>''Un sospiro''</ul>
| pf
| D{{flat}} major
| 1845–49
| Keyboard
|
|-
| 144/3bis
| A118/3
| <ul>''Two additional cadenzas to Un Sospiro''</ul>
| pf
| D{{flat}} major
| 1848?
| Keyboard
|
|-
| 145
| A218
| '''[[2 Konzertetüden, S.145 (Liszt, Franz)|Konzertetüden]]''' (Concert-Studies) (2):
| pf
|
| 1862
| Keyboard
|
|-
| 145/1
| A218/1
| <ul>''Waldesrauschen'' (Forest Murmurs)</ul>
| pf
| A{{flat}} major
| 1862
| Keyboard
|
|-
| 145/2
| A218/2
| <ul>''Gnomenreigen'' (Gnomes' Round Dance)</ul>
| pf
| A major–C{{sharp}} minor
| 1862
| Keyboard
|
|-
| 146
| A242
| '''{{LinkWorkN|Technische Studien|S.146|Liszt|Franz|0}}''' (Technical Studies)
| pf
|
| 1868–73
| Keyboard
| 68 studies in 3 books
|- style="background:#ccffcc" id="Various original works"
| {{hs|146z}}147–254
| —
| align="center"|<h5>Various Original Works</h5>
|
|
|
|
|
|-
| 147
| A{{hs|00}}1
| '''{{LinkWorkN|Variation on a Waltz by Diabelli|S.147|Liszt|Franz|0}}''' (Variation über einen Walzer von Diabelli)
| pf
| C major
| 1822
| Keyboard
| contribution to the album {{LinkWork|Vaterländische Künstlerverein||Diabelli| Anton}}
|-
| 147a*
| —
| ''[[Variationen über eine Romanze von Méhul, Op.23 (Mozart, Franz Xaver Wolfgang)|Variationen über Romanze aus Joseph von Méhul]]''
| pf
|
|
| Keyboard
| spurious; see {{linkWork|Variationen über eine Romanze von Méhul|Op.23|Mozart|Franz Xaver Wolfgang}}); see S.997
|-
| 148
| A{{hs|00}}3
| '''[[8 Variations, S.148 (Liszt, Franz)|Variations]]''' (8)
| pf
| A{{flat}} major
| 1824
| Keyboard
| published as Op.1
|-
| 149
| A{{hs|00}}4
| '''[[Variations brillantes sur un thème de Rossini, S.149 (Liszt, Franz)|Variations brillantes sur un thème de Rossini]]''' (7)
| pf
|
| 1824
| Keyboard
| published as Op.2
|-
| 150
| A{{hs|00}}5
| '''{{LinkWorkN|Impromptu brillant sur des thèmes de Rossini et Spontini|S.150|Liszt|Franz|0}}'''
| pf
|
| 1824
| Keyboard
| published as Op.3; using themes from {{LinkWork| Armida||Rossini|Gioacchino|0}} and {{LinkWork|La donna del lago||Rossini|Gioacchino}}, and ''Fernand Cortez'' and ''Olimpie'' by {{LinkComp|Gaspare|Spontini}}
|-
| 151
| A{{hs|00}}6
| '''{{LinkWorkN| Allegro di bravura|S.151|Liszt|Franz|0}}'''
| pf
| E{{flat}} minor
| 1824–25
| Keyboard
| published as Op.4/1; arr. for orch as S.700a(?)
|-
| 151a
| —
| '''Adagio non troppo'''
| pf
|
| 1824?
| Keyboard
|
|-
| 152
| A{{hs|00}}7
| '''{{LinkWorkN|Rondo di bravura|S.152|Liszt|Franz|0}}'''
| pf
| E minor
| 1824–25
| Keyboard
| published as Op.4/2
|-
| 152a
| —
| '''Klavierstück'''
| pf
| A{{flat}} major
| 1824–27?
| Keyboard
|
|-
| 153
| A{{hs|00}}9
| '''[[Scherzo in G minor, S.153 (Liszt, Franz)|Scherzo]]''' (Allegro molto quasi presto)
| pf
| G minor
| 1827
| Keyboard
|
|-
| 153a
| —
| '''Marche funèbre'''
| pf
|
| 1827
| Keyboard
|
|-
| 153b
| Q{{hs|0}}3
| '''Grand solo caractèristique d'apropos une chansonette de Panseron'''
| pf
|
| 1830–32
| Keyboard
| formerly S.754a; unpublished (in private collection)
|-
| 154
| A{{hs|0}}18
| '''{{LinkWorkN|Harmonies poétiques et religieuses I|S.154|Liszt|Franz|0}}'''
| pf
|
| 1833–34
| Keyboard
| 1st version of S.172a/8, S.173/4
|-
| 155
| A{{hs|0}}19
| '''{{LinkWorkN| Apparitions|S.155|Liszt|Franz|0}}'''
| pf
|
| 1834
| Keyboard
|
|-
| 155/1
| A{{hs|0}}19/1
| <ul>(Senza lentezza quasi Allegretto)</ul>
| pf
| F{{sharp}} major
| 1834
| Keyboard
|
|-
| 155/2
| A{{hs|0}}19/2
| <ul>(Vivamanete)</ul>
| pf
| A minor
| 1834
| Keyboard
|
|-
| 155/3
| A{{hs|0}}19/3
| <ul>''Fantaisie sur une valse de François Schubert'' (Molto agitato ed appassionato)</ul>
| pf
|
| 1834
| Keyboard
| based on No.33 of {{LinkWork|36 Originaltänze|D.365|Schubert|Franz}}
|-
| 155a
| A{{hs|0}}27a
| '''{{LinkWorkN|3 Airs suisses|S.155a|Liszt|Franz|0}}'''
| pf
|
| 1835–36
| Keyboard
| published as Op.10; 1st version of S.156/17–19, S.156a
|-
| 155a/1
| A{{hs|0}}27a/1
| <ul>''Improvisata sur le Ranz des vaches'' (Départ pour les Alpes)</ul>
| pf
|
| 1835–36
| Keyboard
| 1st version of S.156/17, S.156a/1
|-
| 155a/2
| A{{hs|0}}27a/2
| <ul>''Nocturne sur le Chant Montagnard''</ul>
| pf
|
| 1835–36
| Keyboard
| 1st version of S.156/18, S.156a/2
|-
| 155a/3
| A{{hs|0}}27a/3
| <ul>''Rondeau sur le Ranz des chèvres''</ul>
| pf
|
| 1835–36
| Keyboard
| 1st version of S.156/19, S.156a/3
|-
| 156
| A{{hs|0}}40a
| '''{{LinkWorkN| Album d'un voyageur|S.156|Liszt|Franz|0}}'''<br>I. ''Impressions et Poésies''
| pf
|
| 1837–38
| Keyboard
|
|-
| 156/{{hs|0}}1
| A{{hs|0}}40a/1
| <ul>''Lyon''</ul>
| pf
| C major
| 1837–38
| Keyboard
|
|-
| 156/{{hs|0}}2
| A{{hs|0}}40a/2a
| <ul>''Le lac de Wallenstadt''</ul>
| pf
| A{{flat}} major
| 1837–38
| Keyboard
| 1st version of S.160/2
|-
| 156/{{hs|0}}3
| A{{hs|0}}40a/2b
| <ul>''Au bord d'une source''</ul>
| pf
| A{{flat}} major
| 1837–38
| Keyboard
| 1st version of S.160/4, S.160/4bis
|-
| 156/{{hs|0}}4
| A{{hs|0}}40a/3
| <ul>''Les cloches de G[enève]''</ul>
| pf
| B major
| 1837–38
| Keyboard
| 1st version of S.160/9
|-
| 156/{{hs|0}}5
| A{{hs|0}}40a/4
| <ul>''Vallée d'Obermann''</ul>
| pf
| E minor
| 1837–38
| Keyboard
| 1st version of S.160/6
|-
| 156/{{hs|0}}6
| A{{hs|0}}40a/5
| <ul>''La chapelle de Guilaume Tell''</ul>
| pf
| C major
| 1837–38
| Keyboard
| 1st version of S.160/1
|-
| 156/{{hs|0}}7
| A{{hs|0}}40a/6
| <ul>''Psaume'' (de l'église á Genève)</ul>
| pf
| F major
| 1837–38
| Keyboard
|
|-
| {{hs|156/7a}}
| A{{hs|0}}40b
| '''{{LinkWorkN| Album d'un voyageur|S.156|Liszt|Franz|0}}'''<br>II. ''Fleurs mélodiques des Alpes''
| pf
| C major
| 1837–38
| Keyboard
|
|-
| 156/{{hs|0}}8
| A{{hs|0}}40b/1
| <ul>(Allegro)</ul>
| pf
| C major
| 1837–38
| Keyboard
|
|-
| 156/{{hs|0}}9
| A{{hs|0}}40b/2
| <ul>(Lento– Allegro vivace)</ul>
| pf
| E minor–G major
| 1837–38
| Keyboard
|
|-
| 156/10
| A{{hs|0}}40b/3
| <ul>(Allegro pastorale)</ul>
| pf
| G major
| 1837–38
| Keyboard
| 1st version of S.160/3
|-
| 156/11
| A{{hs|0}}40b/4
| <ul>(Andante con sentimento– Allegretto)</ul>
| pf
| G major
| 1837–38
| Keyboard
|
|-
| 156/12
| A{{hs|0}}40b/5
| <ul>(Andante molto espressivo)</ul>
| pf
| G minor
| 1837–38
| Keyboard
|
|-
| 156/13
| A{{hs|0}}40b/6
| <ul>(Allegro moderato)</ul>
| pf
| E major
| 1837–38
| Keyboard
|
|-
| 156/14
| A{{hs|0}}40b/7
| <ul>(Allegretto)</ul>
| pf
| A{{flat}} major
| 1837–38
| Keyboard
|
|-
| 156/15
| A{{hs|0}}40b/8
| <ul>(Allegretto)</ul>
| pf
| D{{flat}} major
| 1837–38
| Keyboard
|
|-
| 156/16
| A{{hs|0}}40b/9
| <ul>(Andantino con molto sentimento)</ul>
| pf
| G major
| 1837–38
| Keyboard
|
|-
| {{hs|156/16a}}
| A{{hs|0}}40c
| '''{{LinkWorkN| Album d'un voyageur|S.156|Liszt|Franz|0}}<br>'''III. ''Paraphrases''
| pf
|
| 1837–38
| Keyboard
| 2nd version of S.155a, S.156a
|-
| 156/17
| A{{hs|0}}40c/1
| <ul>''Ranz de vaches'' (Montée aux Alpes: Improvisata)</ul>
| pf
| G major
| 1837–38
| Keyboard
| 2nd version of S.155a/1, S.156a/1
|-
| 156/18
| A{{hs|0}}40c/2
| <ul>''Un soir dans les montagnes'' (Nocturne pastoral)</ul>
| pf
| C major
| 1837–38
| Keyboard
| 2nd version of S.155a/2, S.156a/2
|-
| 156/19
| A{{hs|0}}40c/3
| <ul>''Ranz de chèvres de F. Huber '' (Allegro finale)</ul>
| pf
|
| 1837–38
| Keyboard
| 2nd version of S.155a/3, S.156a/3
|-
| 156a
| A{{hs|0}}27b
| '''[[3 Morceaux suisses, S.156a (Liszt, Franz)|Morceaux suisses]]''' (3):
| pf
|
| 1876–77
| Keyboard
| 3rd version of S.155a, S.156/17–19
|-
| 156a/1
| A{{hs|0}}27b/1
| <ul>''Ranz de vaches'' (Mélodie de Ferdinand Huber, avec variations)</ul>
| pf
|
| 1876–77
| Keyboard
| 3rd version of S.155a/1, S.156/17
|-
| 156a/2
| A{{hs|0}}27b/2
| <ul>''Un soir dans la montagne'' (Mélodie d'Ernest Knop)</ul>
| pf
|
| 1876–77
| Keyboard
| 3rd version of S.155a/2, S.156/18
|-
| 156a/3
| A{{hs|0}}27b/3
| <ul>''Ranz de chèvres'' (Rondeau)</ul>
| pf
|
| 1876–77
| Keyboard
| 3rd version of S.155a/3, S.156/19
|-
| 157
| A{{hs|0}}21
| '''{{LinkWorkN|Fantaisie romantique sur deux mélodies suisses|S.157|Liszt|Franz|0}}'''
| pf
|
| 1835–36
| Keyboard
|
|-
| 157a
| A{{hs|0}}55/1
| '''Sposalizio'''
| pf
|
| 1838–39
| Keyboard
| 1st version of S.161/1
|-
| 157b
| A{{hs|0}}55/2
| '''Il penseroso'''
| pf
|
| 1839
| Keyboard
| 1st version of S.161/2
|-
| 157c
| A{{hs|0}}55/3
| '''Canzonetta del Salvator Rosa'''
| pf
|
| 1838–39
| Keyboard
| 1st version of S.161/3
|-
| 157d
| A101
| '''Quasi Mazurka'''
| pf
|
| 1843
| Keyboard
|
|-
| 158
| A102
| '''[[3 Sonetti del Petrarca, S.158 (Liszt, Franz)|Sonetti di Petrarca]]''' (3):
| pf
|
| 1843–46
| Keyboard
| arrs. of S.270a
|-
| 158/1
| A102/2
| <ul>''Sonetto CIV '' ("Pace non trovo")</ul>
| pf
|
| 1843–46
| Keyboard
| arr. of S.270a/1; 1st version of S.161/5
|-
| 158/2
| A102/1
| <ul>''Sonetto XLVII'' ("Benedetto sia il giorno")</ul>
| pf
|
| 1843–46
| Keyboard
| arr. of S.270a/2; 1st version of S.161/4
|-
| 158/3
| A102/3
| <ul>''Sonetto CXXIII '' ("I' vidi in terra")</ul>
| pf
|
| 1843–46
| Keyboard
| arr. of S.270a/3; 1st version of S.161/6
|-
| 158a
| A{{hs|0}}55/7
| '''Paralipomènes á la Divina Commedia''' (Fantaisie symphonique)
| pf
|
| 1839
| Keyboard
| 1st version of S.158b, S.158c, S.161/7
|-
| 158b
| A{{hs|0}}55/7
| '''Prolégomènes á la Divina Commedia''' (Fantaisie symphonique)
| pf
|
| 1839
| Keyboard
| 2nd version of S.158a, S.158c, S.161/7
|-
| 158c
| A{{hs|0}}55/7
| '''Aprés une lecture du Dante''' (Fantasia quasi Sonata)
| pf
|
| 1839
| Keyboard
| 3rd version of S.158a, S.158b, S.161/7
|-
| 158d
| —
| '''Adagio'''
| pf
| C major
| 1841
| Keyboard
| fragment from S.158c? may also have been formerly S.998?
|-
| 159
| A{{hs|0}}53
| '''{{LinkWorkN|Venezia e Napoli|S.159|Liszt|Franz|0}}'''
| pf
|
| 1840
| Keyboard
| 1st version of S.162
|-
| 159/1
| A{{hs|0}}53/1
| <ul>(Lento)</ul>
| pf
| C minor
| 1840
| Keyboard
|
|-
| 159/2
| A{{hs|0}}53/2
| <ul>(Allegro)</ul>
| pf
| C major
| 1840
| Keyboard
|
|-
| 159/3
| A{{hs|0}}53/3
| <ul>(Andante placido)</ul>
| pf
| F{{sharp}} major
| 1840
| Keyboard
| based on the popular song ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}; 1st version of S.162/1
|-
| 159/4
| A{{hs|0}}53/4
| <ul>''Tarantelles napolitaines''</ul>
| pf
| G minor
| 1840
| Keyboard
| based on a tarantella by Guillaume Louis Cottrau; 1st version of S.162/3
|-
| 160
| A159
| '''{{LinkWorkN| Années de pèlerinage I|S.160|Liszt|Franz|0}}''' (Première année: Suisse)
| pf
|
| 1848–55
| Keyboard
|
|-
| 160/1
| A159/1
| <ul>''Chapelle de Guilaume Tell''</ul>
| pf
| C major
| 1848–55
| Keyboard
| 2nd version of S.156/5
|-
| 160/2
| A159/2
| <ul>''Au lac de Wallenstadt''</ul>
| pf
| A{{flat}} major
| 1848–55
| Keyboard
| 2nd version of S.156/2
|-
| 160/3
| A159/3
| <ul>''Pastorale''</ul>
| pf
| E major
| 1848–55
| Keyboard
| 2nd version of S.156/10
|-
| 160/4
| A159/4
| <ul>''Au bord d'une source''</ul>
| pf
| A{{flat}} major
| 1848–55
| Keyboard
| 2nd version of S.156/3, S.160/4bis
|-
| 160/4bis
| A159/4
| <ul>''Au bord d'une source''</ul>
| pf
| A{{flat}} major?
| 1863
| Keyboard
| 3rd version of S.156/3, S.160/4
|-
| 160/5
| A159/5
| <ul>''Orage''</ul>
| pf
| C minor
| 1848–55
| Keyboard
|
|-
| 160/6
| A159/6
| <ul>''Vallée d'Obermann''</ul>
| pf
| E minor
| 1848–55
| Keyboard
| 2nd version of S.156/5; arr. for vn vc pf by {{LinkComp|Eduard|Lassen}} and Liszt as S.378a, S.378b, S.378c
|-
| 160/7
| A159/7
| <ul>''Eglogue''</ul>
| pf
| A{{flat}} major
| 1848–55
| Keyboard
|
|-
| 160/8
| A159/8
| <ul>''Le mal du pays'' (Heimweh)</ul>
| pf
| E minor
| 1848–54
| Keyboard
|
|-
| 160/9
| A159/9
| <ul>''Les cloches de Genève''</ul>
| pf
| B major
| 1848–55
| Keyboard
| 2nd version of S.156/4
|-
| 161
| A{{hs|0}}55
| '''{{LinkWorkN| Années de pèlerinage II|S.161|Liszt|Franz|0}}'''<br>(Deuxième année: Italie)
| pf
|
| 1846–49
| Keyboard
| for supplement see S.162
|-
| 161/1
| A{{hs|0}}55/1
| <ul>''Sposalizio''</ul>
| pf
|
| 1849
| Keyboard
| 2nd version of S.157a; rev. for vv org/harm as S.60
|-
| 161/2
| A{{hs|0}}55/2
| <ul>''Il penseroso''</ul>
| pf
| C{{sharp}} minor
| 1846–49
| Keyboard
| 2nd version of S.157b
|-
| 161/3
| A{{hs|0}}55/3
| <ul>''Canzonetta del Salvator Rosa''</ul>
| pf
| A major
| 1846
| Keyboard
| 2nd version of S.157c
|-
| 161/4
| A{{hs|0}}55/4
| <ul>''Sonetto 47 del Petrarca''</ul>
| pf
|
| 1846
| Keyboard
| 2nd version of S.158/2
|-
| 161/5
| A{{hs|0}}55/5
| <ul>''Sonetto 104 del Petrarca''</ul>
| pf
|
| 1846
| Keyboard
| 2nd version of S.158/1
|-
| 161/6
| A{{hs|0}}55/6
| <ul>''Sonetto 123 del Petrarca''</ul>
| pf
|
| 1846
| Keyboard
| 2nd version of S.158/3
|-
| 161/7
| A{{hs|0}}55/7
| <ul>''Aprés une lecture du Dante'' (Fantasia quasi Sonata).</ul>
| pf
|
| 1849
| Keyboard
| 4th version of S.158a, S.158b, S.158c
|-
| 162
| A197
| '''{{LinkWorkN| Années de pèlerinage II, Supplément|S.162|Liszt|Franz|0}}'''<br>(Supplément: Venezia e Napoli)
| pf
|
| 1859
| Keyboard
| 2nd version of S.159
|-
| 162/1
| A197/1
| <ul>''Gondoliera. Canzone del Cavaliere Peruchini'' ("La biondina in gondoletta")</ul>
| pf
|
| 1859
| Keyboard
| 2nd version of S.159/3; based on ''La biondina in gondoletta'' by {{LinkComp|Giovanni Battista|Perucchini}}
|-
| 162/2
| A197/2
| <ul>''Canzone'' (‘Nessun maggior dolore")</ul>
| pf
| E{{flat}} minor
| 1859
| Keyboard
| based on the theme of the Gondolier's song from Act III of {{LinkWork|Otello||Rossini|Gioacchino}}
|-
| 162/3
| A197/3
| <ul>''Tarantella da Guillaume Louis Cottrau''</ul>
| pf
| G minor
| 1859
| Keyboard
| 2nd version of S.159/4; based on a tarantella by Guillaume Louis Cottrau
|-
| 162a/1
| A283/1
| '''Den Schutz-Engeln''' (Angelus! Prière à l'ange gardien)
| pf
|
| 1877
| Keyboard
| 1st version of S.162a/1bis, S.162a/2, S.162a/3, S.162a/4, S.163/1
|-
| 162a/1bis
| A283/1
| '''Aux anges gardiens''' (Den Schutz Engeln)
| pf
|
| 1877
| Keyboard
| 2nd version of S.162a/1, S.162a/2, S.162a/3, S.162a/4, S.163/1
|-
| 162a/2
| A283/1
| '''Den Schutz-Engeln''' (Angelus! Pri ère á l'ange gardien)
| pf
|
| 1880
| Keyboard
| 3rd version of S.162a/1, S.162a/1bis, S.162a/3, S.162a/4, S.163/1
|-
| 162a/3
| A283/1
| '''Den Schutz-Engeln''' (Angelus! Pri ère á l'ange gardien)
| pf
|
| 1880
| Keyboard
| 4th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/4, S.163/1
|-
| 162a/4
| A283/1
| '''Den Schutz-Engeln''' (Angelus! Pri ère á l'ange gardien)
| pf
|
| 1880
| Keyboard
| 5th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.163/1
|-
| 162b
| A283/3
| '''Den Cypressen der Villa d'Este'''
| pf
|
| 1872
| Keyboard
| 1st version of S.163/3
|-
| 162c
| A283/5
| '''Sunt lacrymae rerum'''
| pf
|
| 1877
| Keyboard
| 1st version of S.163/5, S.162d
|-
| 162e
| A283/6
| '''En mémoire de Maximilian I'''
| pf
|
| 1867
| Keyboard
| 1st version of S.163/6
|-
| 162d
| A283/5
| '''Sunt lacrymae rerum''' (in ungarischer Weise)
| pf
|
| 1877
| Keyboard
| 2nd version of S.162c, S.163/5
|-
| 162f
| A283/7
| '''Postludium''' (Sursum Corda)
| pf
|
| 1877
| Keyboard
| 1st version of S.163/7
|-
| 163
| A283
| '''{{LinkWorkN| Années de pèlerinage III|S.163|Liszt|Franz|0}}'''<br>(Troisième année)
| pf
|
| 1877–82
| Keyboard
|
|-
| 163/1
| A283/1
| <ul>''Angelus! Priere aux anges gardiens''</ul>
| pf
| E major
| 1882
| Keyboard
| 6th version of S.162a/1, S.162a/1bis, S.162a/2, S.162a/3, S.162a/4; arr. for harm as S.672c, for 2vn va vc as S.378, for str/(2vn va vc) as S.362a
|-
| 163/2
| A283/2
| <ul>''Aux cyprès de la Villa d'Este'' (Thrénodie'' I)</ul>
| pf
|
| 1877
| Keyboard
|
|-
| 163/3
| A283/3
| <ul>''Aux cyprès de la Villa d'Este'' (Thrénodie'' II)</ul>
| pf
| E minor
| 1877
| Keyboard
| 2nd version of S.162b
|-
| 163/4
| A283/4
| <ul>''Les jeux d'eaux á la Ville d'Este''</ul>
| pf
| F{{sharp}} major
| 1877
| Keyboard
|
|-
| 163/5
| A283/5
| <ul>''Sunt lacrymae rerum, en mode hongrois''</ul>
| pf
|
| 1882
| Keyboard
| 3rd version of S.162c, S.162d
|-
| 163/6
| A283/6
| <ul>''Marche funèbre''</ul>
| pf
|
| 1867
| Keyboard
| 2nd version of S.162e
|-
| 163/7
| A283/7
| <ul>''Sursum corda'' (Erhebet eure Herzen)</ul>
| pf
| E major
| 1877
| Keyboard
| 2nd version of S.162f
|-
| 163a/1
| —
| '''[[Album-Leaf '2nd Concerto', S.163a/1 (Liszt, Franz)|Album-Leaf]]''' ("2nd Concerto")
| pf
| F{{sharp}} minor
| 1828
| Keyboard
|
|-
| 163a/2
| —
| '''[[Andantino pour Emile et Charlotte Loudon, S.163a/2 (Liszt, Franz)| Andantino]]''' ("pour Emile et Charlotte Loudon")
| pf
| E{{flat}} major
| 1828
| Keyboard
|
|-
| 163b
| —
| '''[[Album-Leaf 'Ah, vous dirai-je, maman', S.163b (Liszt, Franz)|Album-Leaf]]''' ("Ah, vous dirai-je, maman")
| pf
| A{{flat}} major
| 1833
| Keyboard
|
|-
| 163c
| —
| '''[[Album-Leaf 'Pressburg I', S.163c (Liszt, Franz)|Album-Leaf]]''' ("Pressburg I")
| pf
| C minor
| 1839
| Keyboard
|
|-
| 163d
| —
| '''Album-Leaf''' ("Leipzig")
| pf
| E major
| 1840
| Keyboard
| exists in two versions
|-
| 163e
| —
| '''[[Album-Leaf 'Quasi Mazurek', S.163e (Liszt, Franz)|Album-Leaf]]''' ("Quasi Mazurek")
| pf
| C major
| 1843
| Keyboard
|
|-
| 163f
| —
| '''[[2 Album-Leaves, S.163f (Liszt, Franz)|Album-Leaves]]''' (2)
| pf
| C major
| 1840–41
| Keyboard
|
|-
| 163h
| —
| '''[[Album-Leaf 'Paris', S.163h (Liszt, Franz)|Album-Leaf]]''' ("Paris")
| pf
| F{{sharp}} major
| 1842
| Keyboard
|
|-
| 163n
| —
| '''[[Album-Leaf 'Magdeburg', S.163n (Liszt, Franz)|Album Leaf]]''' ("Magdeburg")
| pf
| A{{flat}} major
| 1844
| Keyboard
| excerpt from S.212i.
|-
| 163o
| —
| '''[[Album-Leaf 'Frankfurt', S.163o (Liszt, Franz)|Album Leaf]]''' ("Frankfurt")
| pf
| A{{flat}} major
| 1842
| Keyboard
| excerpt from S.212i
|-
| 163q
| —
| '''[[Album-Leaf, S.163q (Liszt, Franz)|Album Leaf]]'''
| pf
| A minor
|
| Keyboard
|
|-
| 163r
| —
| '''[[Album-Leaf, S.163r (Liszt, Franz)|Album Leaf]]'''
| pf
| A{{flat}} minor
|
| Keyboard
|
|-
| 163w
| —
| '''[[2 Album-Leaves, S.163w (Liszt, Franz)|Album-Leaves]]''' (2)
| pf
| A{{flat}} major
|
| Keyboard
|
|-
| 164
| A{{hs|0}}66
| '''[[Albumblatt in E major, S.164 (Liszt, Franz)|Albumblatt]]''' ("Feuille d'album No.1")
| pf
| E major
| 1840
| Keyboard
| based on S.210
|-
| 164a
| —
| '''Album-Leaf''' ("Vienna")
| pf
| E major
| 1840
| Keyboard
|
|-
| 164b
| —
| '''Album-Leaf''' ("Leipzig")
| pf
| E{{flat}} major
| 1840
| Keyboard
|
|-
| 164c
| —
| '''Album-Leaf''' ("Exeter Preludio")
| pf
|
| 1840
| Keyboard
|
|-
| 164d
| —
| '''[[Album-Leaf 'Detmold', S.164d (Liszt, Franz)|Album-Leaf]]''' ("Detmold")
| pf
| E major
| 1841
| Keyboard
|
|-
| 164e
| —
| Album-Leaves (3) ("Magyar")
| pf
|
| 1840–41
| Keyboard
|
|-
| 164e
| —
| '''[[8 Album-Leaves, S.164e (Liszt, Franz)|Album Leaves]]''' ("Magyar")
| pf
|
| 1840–42
| Keyboard
| from S.242/5, 7, 10, 11
|-
| 164f
| —
| '''[[Album-Leaf 'Rákóczi-Marsch', S.164f (Liszt, Franz)|Album-Leaf]]''' ("Rákóczi-Marsch")
| pf
| A minor
| 1841
| Keyboard
| based on S.242a
|-
| 164g
| —
| '''[[Album-Leaf 'Berlin Preludio', S.164g (Liszt, Franz)|Album-Leaf]]''' ("Berlin Preludio")
| pf
| C major
| 1842
| Keyboard
|
|-
| 164h
| —
| '''[[Album-Leaf 'Weimar I', S.164h (Liszt, Franz)|Album-Leaf]]''' ("Weimar I")
| pf
| D major
| 1840–45?
| Keyboard
|
|-
| 164j
| —
| '''[[Album-Leaf 'Paris Preludio', S.164j (Liszt, Franz)|Album-Leaf]]''' ("Paris Preludio")
| pf
|
| 1842
| Keyboard
|
|-
| 164k
| —
| '''Album-Leaf''' ("Moderato")
| pf
| D{{flat}} major
| 1842
| Keyboard
|
|-
| 164l
| —
| '''[[Album-Leaf 'Adagio', S.164l (Liszt, Franz)|Album-Leaf]]''' ("Adagio")
| pf
| C major
| 1825
| Keyboard
|
|-
| 164m
| —
| '''[[Album-Leaf 'Elisabeth', S.164m (Liszt, Franz)|Album-Leaf]]''' ("Elisabeth")
| pf
| F{{sharp}] major
|
| Keyboard
| extract from S.2
|-
| 164o
| —
| '''[[2 Album-Leaves, S.164o (Liszt, Franz)|Album Leaves]]''' (2)
| pf
| B major
| 1841
| Keyboard
|
|-
| 164p
| —
| '''[[Album-Leaf 'Andantino', S.164p (Liszt, Franz)|Album-Leaf]]''' ("Andantino")
| pf
| E{{flat}] major
|
| Keyboard
| uses material from S.242/7
|-
| 164q
| —
| '''[[Album-Leaf 'Ave Maria', S.164q (Liszt, Franz)|Album-Leaf]]''' ("Ave Maria")
| pf
| B{{flat}] major
| 1841
| Keyboard
|
|-
| 164r
| —
| '''[[Album-Leaf 'Dublin', S.164r (Liszt, Franz)|Album-Leaf]]''' ("Dublin")
| pf
| A{{flat}] major
|
| Keyboard
|
|-
| 164s
| —
| '''[[4 Album-Leaves, S.164s (Liszt, Franz)|Album Leaves]]''' (4)
| pf
|
|
| Keyboard
|
|-
| 165
| A104
| '''{{LinkWorkN|Feuilles d'album|S.165|Liszt|Franz|0}}'''
| pf
| A{{flat}} major
| 1844
| Keyboard
|
|-
| 165a
| —
| '''[[Album-Leaf 'Consolation 1', S.165a (Liszt, Franz)|Album-Leaf]]''' ("Consolation 1")
| pf
| E major
| 1870–79 ca.
| Keyboard
| Album-Leaf of S.172/1; formerly listed as S.171b
|-
| 165b
| —
| '''[[Album-Leaf 'Osnabrück', S.165b (Liszt, Franz)|Album-Leaf]]''' ("Osnabrück")
| pf
| F major
| 1841
| Keyboard
|
|-
| 165c
| —
| '''[[Album-Leaf 'Preludio', S.165c (Liszt, Franz)|Album-Leaf]]''' ("Preludio")
| pf
|
| 1841
| Keyboard
|
|-
| 165e
| —
| '''[[Album-Leaf 'Dante-Symphony', S.165e (Liszt, Franz)|Album-Leaf]]''' ("Dante-Symphony")
| pf
| F{{sharp}} major
| 1858
| Keyboard
| based on material from S.109
|-
| 165f
| —
| '''[[Album-Leaf 'Andante molto espressivo', S.165f (Liszt, Franz)|Album-Leaf]]''' ("Andante molto espressivo")
| pf
| G{{sharp}} minor
| 1857
| Keyboard
| extract from S.98
|-
| 165k
| —
| '''[[Album-Leaf, S.165k (Liszt, Franz)|Album-Leaf]]'''
| pf
| B major
|
| Keyboard
|
|-
| 165l
| —
| '''[[Album-Leaf 'Dresden', S.165l (Liszt, Franz)|Album-Leaf]]''' ("Dresden")
| pf
| A minor
| 1840
| Keyboard
|
|-
| 165o
| —
| '''[[Album-Leaf 'St. François de Paule', S.165o (Liszt, Franz)|Album-Leaf]]''' ("St. François de Paule")
| pf
| E major
| 1873?
| Keyboard
|
|-
| 166
| A{{hs|0}}83
| '''{{LinkWorkN| Albumblatt in Walzerform|S.166|Liszt|Franz|0}}'''
| pf
| A major
| 1842
| Keyboard
|
|-
| 166a
| —
| '''[[Album-Leaf, S.166a (Liszt, Franz)|Album-Leaf]]'''
| pf
| E major
| 1843
| Keyboard
|
|-
| 166a
| —
| '''Album-Leaf'''
| pf
| A major
| 1870
| Keyboard
| cataloguing mistake?; maybe 2nd version of 166a (above)
|-
| 166b
| —
| '''[[Album-Leaf 'Portugal', S.166b (Liszt, Franz)|Album-Leaf]]''' ("Portugal")
| pf
| A{{flat}} major
| 1845
| Keyboard
|
|-
| 166c
| —
| '''[[Album-Leaf 'Weimar II', S.166c (Liszt, Franz)|Album Leaf]]''' ("Weimar II")
| pf
| A{{flat}} major
| 1845
| Keyboard
|
|-
| 166d
| —
| '''[[12 Album-Leaves, S.166d (Liszt, Franz)|Album-Leaves]] (12)
| pf
| A minor
|
| Keyboard
|
|-
| 166e
| —
| '''[[Album-Leaf 'Prélude Omnitonique', S.166e (Liszt, Franz)|Album-Leaf]]''' ("Prélude Omnitonique")
| pf
|
| 1844
| Keyboard
|
|-
| 166f
| —
| '''[[5 Album-Leaves, S.166f (Liszt, Franz)|Album-Leaves]]''' (5)
| pf
| A minor
| 1844
| Keyboard
|
|-
| 166g
| —
| '''[[2 Album-Leaves, S.166g (Liszt, Franz)|Album-Leaves]]''' (2)
| pf
| A minor
| 1840s?
| Keyboard
|
|-
| 166h
| —
| '''[[Album-Leaf 'Andante religioso', S.166h (Liszt, Franz)|Album-Leaf]]''' ("Andante religioso ")
| pf
| G major
| 1846
| Keyboard
| 1st version of S.166j
|-
| 166j
| —
| '''Album-Leaf''' ("Andante religiosamente")
| pf
| G major
| 1846
| Keyboard
| 2nd version of S.166h
|-
| 166k
| —
| '''[[Album-Leaf 'Friska', S.166k (Liszt, Franz)|Album-Leaf]]''' ("Friska")
| pf
| A major
| 1845–49?
| Keyboard
|
|-
| 166l
| R3
| '''[[2 Album-Leaves, S.166l (Liszt, Franz)|Album-Leaves]]''' (2)
| pf
|
| 1840s
| Keyboard
|
|-
| 166m
| A135
| '''{{LinkWorkN|Albumblätter für Prinzessin Marie von Sayn-Wittgenstein|S.166m|Liszt|Franz|0}}''' (Album-Leaves for Princess Marie von Sayn-Wittgenstein)
| pf
|
| 1847
| Keyboard
|
|-
| 166m/1
| A135/1
| <ul>''Lilie'' (Andantino)</ul>
| pf
| C major
| 1847
| Keyboard
|
|-
| 166m/2
| A135/2
| <ul>''Hryc''</ul>
| pf
|
| 1847
| Keyboard
|
|-
| 166m/3
| A135/3
| <ul>''Mazurek: Gdy w czystem polu'' (Mazurka: When on the Clean Earth)</ul>
| pf
| A major
| 1847
| Keyboard
|
|-
| 166m/4
| A135/4
| <ul>''Krakowiak''</ul>
| pf
| F major
| 1847
| Keyboard
|
|-
| 166n
| A134
| '''[[Album-Leaf 'Freudvoll und leidvoll', S.166n (Liszt, Franz)|Album-Leaf]]''' ("Freudvoll und leidvoll")
| pf
|
| 1847
| Keyboard
| partial arr. of S.280
|-
| 166o
| —
| '''Album-Leaf''' ("Langsam in C{{sharp}} minor")
| pf
| C{{sharp}} minor
| 1876
| Keyboard
| uses themes from S.139/11
|-
| 166p
| —
| '''Album-Leaf''' ("Andantino in A{{flat}} major")
| pf
| A{{flat}} major
| 1847
| Keyboard
|
|-
| 166q
| —
| '''Album-Leaf'''
| pf
| G major
| 1847
| Keyboard
|
|-
| 166r
| —
| '''Album-Leaves''' (2) ("Purgatorio")
| pf
|
| 1857?
| Keyboard
|
|-
| 166r/1
| —
| '''Album-Leaf''' ("Purgatorio")
| pf
| B minor
| 1857
| Keyboard
|
|-
| 166r/2
| —
| '''Album-Leaf''' ("Aus dem Purgatorio des Dante Sinfonie")
| pf
| B minor
| 1857?
| Keyboard
|
|-
| 166s
| —
| '''[[Album-Leaf, S.166s (Liszt, Franz)|Album-Leaf]]'''
| pf
| F{{sharp}} minor
| 1870
| Keyboard
|
|-
| 166t
| —
| '''[[5 Album-Leaves, S.166t (Liszt, Franz)|Album-Leaves]]''' (5)
| pf
|
| 1844
| Keyboard
|
|-
| 166u
| —
| '''[[Album-Leaf 'Fragment d'Étude, d'apres Paganini', S.166u (Liszt, Franz)]]''' ("Fragment d'Étude, d'apres Paganini")
| pf
| E{{flat}} major
| 1838
| Keyboard
|
|-
| 166v
| —
| '''[[Album-Leaf 'Molique', S.166v (Liszt, Franz)|Album-Leaf]]''' ("Molique")
| pf
| A major
| 1870
| Keyboard
|
|-
| 166x
| —
| '''[[Album-Leaf '12 Einleitungs Takten zur Harmonie poetique: Bénédiction de Dieu dans la solitude', S.166x (Liszt, Franz)|Album-Leaf]]''' ("12 Einleitungs Takten zur Harmonie poetique: Bénédiction de Dieu dans la solitude")
| pf
| F{{sharp}} major
| 1883
| Keyboard
| introduction to S.173/3
|-
| 166y
| —
| '''[[2 Album-Leaves, S.166y (Liszt, Franz)|Album-Leaves]]''' (2)
| pf
| A minor
| 1884
| Keyboard
| S.166y/2 was formerly S.141bis
|-
| 166z
| —
| '''[[Album-Leaf 'Apparition 1', S.166z (Liszt, Franz)|Album-Leaf]]''' ("Apparition 1")
| pf
| F{{sharp}} minor
|
| Keyboard
|
|-
| 167*
| —
| ''Feuille d'album No.2''
|
|
|
| Keyboard
| see S.534/2bis
|-
| 167a*
| —
| ''Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice''
|
|
|
| Keyboard
| see S.571a
|-
| 167b
| A{{hs|0}}75
| '''Miniatur Lieder'''
| pf
|
| 1840–49
| Keyboard
| unpublished; score inaccessible (in private collection?)
|-
| 167c
| —
| '''[[Album-Leaf 'Poco adagio aus der Graner Messe', S.167c (Liszt, Franz)|Album-Leaf]]''' ("Poco adagio aus der Graner Messe&quot)
| pf
|
| 1860?
| Keyboard
| from the Agnus Dei of Beethoven's ''Missa Solemnis''
|-
| 167d
| —
| '''Album-Leaf'''
| pf
|
| 1860
| Keyboard
| from S.98
|-
| 167e
| —
| '''Album-Leaf'''
| pf
|
| 1861
| Keyboard
| from S.106
|-
| 167f
| —
| '''Album-Leaf''' ("Dante Symphony progression")
| pf
| G major
| 1860?
| Keyboard
| based on material from S.109
|-
| 167g
| —
| '''[[Album-Leaf 'Lélio', S.167g (Liszt, Franz)|Album-Leaf]]''' ("Lélio")
| pf
| D{{flat}} major
| 1835
| Keyboard
|
|-
| 167h
| —
| Album-Leaf
| pf
|
| 1860–69?
| Keyboard
|
|-
| 167j
| —
| '''[[Album-Leaf 'Fugue Chromatique', S.167j (Liszt, Franz)|Album-Leaf]] ''' ("Fugue Chromatique")
| pf
| G minor
| 1844
| Keyboard
|
|-
| 167k
| —
| '''[[5 Album-Leaves, S.167k (Liszt, Franz)|Album-Leaves]]''' (5)
| pf
| E{{flat}} major
| 1840–41 ca.
| Keyboard
| based on the start of S.219
|-
| 167l
| —
| '''[[2 Album-Leaves, S.167l (Liszt, Franz)|Album-Leaves]]''' (2)
| pf
| G major
| 1842–49
| Keyboard
| based on S.577, S.577bis, S.577a, and S.577ter
|-
| 167m
| —
| '''Album-Leaf''' ("Aus den [Erster] Mephisto-Walzer, Episode aus Lenaus Faust – Der Tanz in der Dorfschenke")
| pf
|
| 1859 or later
| Keyboard
| possibly intended for S.216, S.216b, S.514, or S.515?
|-
| 167n
| —
| '''[[Album-Leaf 'Berlin I', S.167n (Liszt, Franz)|Album-Leaf]]''' ("Berlin I")
| pf
| A major
| 1842
| Keyboard
|
|-
| 167o
| —
| '''Album-Leaf''' ("Tempo di marcia in E{{flat}} major")
| pf
| E{{flat}} major
| 1845
| Keyboard
| themes re-used in S.227
|-
| 167p
| —
| '''Album-Leaf''' ("Larghetto in D{{flat}} major")
| pf
| D{{flat}} major
| 1883
| Keyboard
| on a [[Henselt]] Concerto
|-
| 167q
| —
| '''Album-Leaf''' ("Schlusschor des entfesselten Prometheus")
| pf
| D{{flat}} major
| 1883
| Keyboard
|
|-
| 167r
| —
| '''[[Album-Leaf 'Andante', S.167r (Liszt, Franz)|Album-Leaf]]''' ("Andante")
| pf
| E{{flat}} major
| 1850s
| Keyboard
|
|-
| 167s
| —
| '''Album-Leaf''' ("Lyon")
| pf
| C major
| 1839
| Keyboard
|
|-
| 167t
| —
| '''[[Album-Leaf 'Cantique d'amour', S.167t (Liszt, Franz)|Album-Leaf]]''' ("Cantique d'amour&quot)
| pf
| E major
| 1853
| Keyboard
| based on S.173/10
|-
| 167v
| —
| '''[[Album-Leaf 'Berlin II', S.167v (Liszt, Franz)|Album-Leaf]]''' ("Berlin II")
| pf
| B major
| 1842
| Keyboard
| based on the second theme of S.158a
|-
| 167v
| —
| '''[[Album-Leaf 'Huguenots', S.167x (Liszt, Franz)|Album-Leaf]]''' ("Huguenots")
| pf
|
| 1842
| Keyboard
|
|-
| 167z
| —
| '''[[2 Album-Leaves, S.167z (Liszt, Franz)|Album-Leaves]]''' (2)
| pf
| E minor
| 1842
| Keyboard
|
|-
| 168/1
| A{{hs|0}}94
| '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''
| pf
| A{{flat}} major
| 1842–43
| Keyboard
| 1st version of S.168/2
|-
| 168/2
| A{{hs|0}}94
| '''{{hs|Elegie}}{{LinkWorkN|Élégie sur des motifs du Prince Louis Ferdinand de Prusse|S.168|Liszt|Franz|0}}'''
| pf
| A{{flat}} major
| 1851
| Keyboard
| 2nd version of S.168/1
|-
| 168a
| A145
| '''Andante amoroso'''
| pf
|
| 1847?
| Keyboard
| from S.395?
|-
| 168b
| —
| '''[[Pensées, S.168b (Liszt, Franz)|Pensées]]''' (Nocturne)
| pf
| A major
| 1845
| Keyboard
|
|-
| 169
| A148
| '''[[Romance, S.169 (Liszt, Franz)|Romance "O pourquoi donc"]]'''
| pf
| E minor
| 1848
| Keyboard
| based on S.301a; rev. as S.527
|-
| 170
| A117
| '''{{LinkWorkN|Ballade No.1|S.170|Liszt|Franz|0}}''' (Le chant du croisé)
| pf
| D{{flat}} major
| 1848–49
| Keyboard
| 2nd version of S.171d/4
|-
| 170a
| A181
| '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''
| pf
| B minor
| 1853
| Keyboard
| 1st version of S.171
|-
| 171
| A181
| '''{{LinkWorkN|Ballade No.2|S.171|Liszt|Franz|0}}'''
| pf
| B minor
| 1853
| Keyboard
| 2nd version of S.170a
|-
| 171a
| A111a/1
| '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''':
| pf
|
| 1844–48
| Keyboard
| 1st version of S.172
|-
| 171a/1
| A111a/1
| <ul>(Andante con moto)</ul>
| pf
| E major
| 1844–48
| Keyboard
| 1st version of S.172/1
|-
| 171a/2
| A111a/2
| <ul>(Un poco più mosso)</ul>
| pf
| E major
| 1844–48
| Keyboard
| 1st version of S.172/2
|-
| 171a/3
| A111a/3
| <ul>(Lento, quasi recitativo)</ul>
| pf
| E major
| 1844–48
| Keyboard
| 1st version of S.172/3; theme re-used in S.243b
|-
| 171a/4
| A111a/4
| <ul>(Quasi adagio; cantabile con devozione)</ul>
| pf
| D{{flat}} major
| 1844–48
| Keyboard
| 1st version of S.172/4
|-
| 171a/5
| A111a/5
| <ul>(Andantino)</ul>
| pf
| E major
| 1844–48
| Keyboard
| 1st version of S.172/5
|-
| 171a/6
| A111a/6
| <ul>(Allegretto)</ul>
| pf
| E major
| 1844–48
| Keyboard
| 1st version of S.172/6
|-
| 171b
| —
| '''{{LinkWorkN|Madrigal|S.171b|Liszt|Franz|0}}'''
| pf
|
| 1849–50
| Keyboard
| early draft for S.172/5
|-
| 171c
| —
| '''{{LinkWorkN|Prière d'un enfant à son réveil|S.171c|Liszt|Franz|0}}'''
| pf
|
| 1840
| Keyboard
| 1st version of S.172a/7, S.173/6; theme used in S.19/1
|-
| 171d
| —
| '''[[Préludes et Harmonies poétiques et religieuses, S.171d (Liszt, Franz)|Préludes et Harmonies poétiques et religieuses]]''' (8):
| pf
|
| 1845–47
| Keyboard
|
|-
| 171d/1
| —
| <ul>[untitled]</ul>
| pf
| E{{flat}} major
| 1845–47
| Keyboard
| 1st version of S.172a/11 and S.173/3
|-
| 171d/2
| —
| <ul>''Languer''</ul>
| pf
| C minor
| 1845–47
| Keyboard
|
|-
| 171d/3
| —
| <ul>[untitled]</ul>
| pf
| E major
| 1845–47
| Keyboard
|
|-
| 171d/4
| —
| <ul>''Dernière illusion''</ul>
| pf
| D{{flat}} major
| 1845–47
| Keyboard
| incomplete; 1st version of S.170
|-
| 171d/5
| —
| <ul>[untitled]</ul>
| pf
| G{{flat}} major
| 1845–47
| Keyboard
|
|-
| 171d/6
| —
| <ul>''Attente''</ul>
| pf
| A major
| 1845–47
| Keyboard
| incomplete
|-
| 171d/7
| —
| <ul>''Alternative''</ul>
| pf
| E major
| 1845–47
| Keyboard
|
|-
| 171d/8
| —
| <ul>''M.K.''</ul>
| pf
| D{{flat}} major
| 1845–47
| Keyboard
| incomplete
|-
| 171e
| A{{hs|0}}61/4
| '''Litanies de Marie'''
| pf
| E major
| 1846–47
| Keyboard
| formerly S.695a; 1st version of S.172a/4
|-
| 172
| A111b
| '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (Pensées poétiques) (6):
| pf
|
| 1849–50
| Keyboard
| 2nd version of S.171a
|-
| 172/1
| A111b/1
| <ul>(Andante con moto)</ul>
| pf
| E major
| 1849–50
| Keyboard
| 2nd version of S.171a/1; see also S.165a; arr. for vc pf by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/1
|-
| 172/2
| A111b/2
| <ul>(Un poco più mosso)</ul>
| pf
| E major
| 1849–50
| Keyboard
| 2nd version of S.171a/2
|-
| 172/3
| A111b/3
| <ul>(Lento placido)</ul>
| pf
| D{{flat}} major
| 1849–50
| Keyboard
| 2nd version of S.171a/3; arr. for org/harm as S.672d/1
|-
| 172/4
| A111b/4
| <ul>(Quasi Adagio)</ul>
| pf
| D{{flat}} major
| 1849–50
| Keyboard
| 2nd version of S.171a/4; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/2; ; arr. for vc pf/org/harm by Liszt and {{LinkComp|Jules de|Swert}} as S.382a/2
|-
| 172/5
| A111b/5
| <ul>(Andantino)</ul>
| pf
| E major
| 1849–50
| Keyboard
| 2nd version of S.171a/5; arr. for org/harm by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}} as S.672d/3
|-
| 172/6
| A111b/6
| <ul>(Allegretto sempre cantabile)</ul>
| pf
| E major
| 1849–50
| Keyboard
| 2nd version of S.171a/6; arr. for org/harm as S.672d/4
|-
| 172a
| A{{hs|0}}61
| '''Harmonies poétiques et religieuses II''' (10):
| pf
|
| 1840–47
| Keyboard
| 1st version of S.173
|-
| 172a/{{hs|0}}1
| A{{hs|0}}61/{{hs|0}}1
| <ul>''Elevez-vous voix''</ul>
| pf
| E major
| 1840–47
| Keyboard
| 1st version of S.172c, S.173/1
|-
| 172a/{{hs|0}}2
| A{{hs|0}}61/{{hs|0}}2
| <ul>''Hymne de la nuit''</ul>
| pf
| E major
| 1840–47
| Keyboard
| 1st version of S.173a/1
|-
| 172a/{{hs|0}}3
| A{{hs|0}}61/{{hs|0}}3
| <ul>''Hymne du matin''</ul>
| pf
| B major
| 1840–47
| Keyboard
| 1st version of S.173a/2
|-
| 172a/{{hs|0}}4
| A{{hs|0}}61/{{hs|0}}4
| <ul>''Litanies de Marie''</ul>
| pf
| E major
| 1840–47
| Keyboard
| 2nd version of S.171e
|-
| 172a/{{hs|0}}5
| A{{hs|0}}61/{{hs|0}}5
| <ul>''Miserere''</ul>
| pf
| E minor
| 1840–47
| Keyboard
| 1st version of S.173/8
|-
| 172a/{{hs|0}}6
| A{{hs|0}}61/{{hs|0}}6
| <ul>''Pater noster'' (d'apres la Psalmodie de l'Eglise)</ul>
| pf
| C major
| 1840–47
| Keyboard
| 1st version of S.173/5; adapted for mch as S.21
|-
| 172a/{{hs|0}}7
| A{{hs|0}}61/{{hs|0}}7
| <ul>''Hymne de l'enfant a son reveil''</ul>
| pf
| A{{flat}} major
| 1840–47
| Keyboard
| 2nd version of S.171c, S.173/6
|-
| 172a/{{hs|0}}8
| A{{hs|0}}61/{{hs|0}}8
| <ul>''Prose des morts'' (De profundis)</ul>
| pf
|
| 1840–47
| Keyboard
| 2nd version of S.154, S.173/4
|-
| 172a/{{hs|0}}9
| A{{hs|0}}61/{{hs|0}}9
| <ul>''La lampe du temple''</ul>
| pf
| G minor
| 1840–47
| Keyboard
| 1st version of S.173/9
|-
| 172a/10
| A{{hs|0}}61/10
| <ul>{{hs|hymn}}[Hymn]</ul>
| pf
| E{{flat}} major
| 1840–47
| Keyboard
|
|-
| 172a/11
| A{{hs|0}}61/11
| <ul>''Benediction'' (Prelude)</ul>
| pf
| E{{flat}} major
| 1840–47
| Keyboard
| 2nd version of S.171d/1 and S.173/3
|-
| 172a/12
| A{{hs|0}}61/12
| <ul>''Ave Maria''</ul>
| pf
|
| 1840–47
| Keyboard
| 1st version of S.173/2; now lost
|-
| 172b
| A142
| '''[[Stabat Mater, S.172b (Liszt, Franz)|Stabat Mater]]'''
| pf
|
| 1847
| Keyboard
| formerly S.579/3
|-
| 172c
| A{{hs|0}}61/1
| '''{{LinkWorkN|Invocation|S.172c|Liszt|Franz|0}}'''
| pf
| E major
| 1847
| Keyboard
| 2nd version of S.172a/1, S.173/1
|-
| 173a/1
| A{{hs|0}}61/2
| '''{{LinkWorkN|Hymne de la nuit|S.173a/1|Liszt|Franz|0}}'''
| pf
| E major
| 1847
| Keyboard
| 2nd version of S.172a/2
|-
| 173a/2
| A{{hs|0}}61/3
| '''{{LinkWorkN|Hymne du matin|S.173a/2|Liszt|Franz|0}}'''
| pf
| B major
| 1847
| Keyboard
| 2nd version of S.172a/3
|-
| 173
| A158
| '''{{LinkWorkN|Harmonies poétiques et religieuses III|S.173|Liszt|Franz|0}}''' (10):
| pf
|
| 1848–53
| Keyboard
| 2nd version of S.172a
|-
| 173/{{hs|0}}1
| A158/{{hs|0}}1
| <ul>''Invocation''</ul>
| pf
| E major
| 1848–51
| Keyboard
| 3rd version of S.172a/1, S.172c
|-
| 173/{{hs|0}}2
| A158/{{hs|0}}2
| <ul>''Ave Maria''</ul>
| pf
| B{{flat}} major
| 1842
| Keyboard
| 2nd version of S.172/12
|-
| 173/{{hs|0}}3
| A158/{{hs|0}}3
| <ul>''Bénédiction de Dieu dans la solitude''</ul>
| pf
| F{{sharp}} major
| 1851
| Keyboard
| 3rd version of S.171d/1 and S.172a/11
|-
| 173/{{hs|0}}4
| A158/{{hs|0}}4
| <ul>''Pensée des morts''</ul>
| pf
|
| 1851
| Keyboard
| 3rd version of S.154, S.172a/8
|-
| 173/{{hs|0}}5
| A158/{{hs|0}}5
| <ul>''Pater noster''</ul>
| pf
| C major
| 1847
| Keyboard
| 2nd version of S.172a/6
|-
| 173/{{hs|0}}6
| A158/{{hs|0}}6
| <ul>''Hymne de l'enfant á son réveil''</ul>
| pf
| A{{flat}} major
| 1847
| Keyboard
| 2nd version of S.171c, S.172a/7
|-
| 173/{{hs|0}}7
| A158/{{hs|0}}7
| <ul>''Funérailles''</ul>
| pf
| F minor
| 1849
| Keyboard
| 2nd version of S.226a
|-
| 173/{{hs|0}}8
| A158/{{hs|0}}8
| <ul>''Miserere d'après Palestrina''</ul>
| pf
| E minor
| 1851
| Keyboard
| 2nd version of S.172a/6
|-
| 173/{{hs|0}}9
| A158/{{hs|0}}9
| <ul>''Andante lagrimoso''</ul>
| pf
| G{{sharp}} minor
| 1851
| Keyboard
| 2nd version of S.172a/9
|-
| 173/10
| A158/10
| <ul>''Cantique d'amour''</ul>
| pf
| E major
| 1847
| Keyboard
|
|-
| 174
| A186
| '''{{LinkWorkN|Berceuse|S.174|Liszt|Franz|0}}'''
| pf
| D{{flat}} major
| 1854, 1862
| Keyboard
| 2 versions
|-
| 175
| A219
| '''[[2 Légendes, S.175 (Liszt, Franz)|Légendes]]''' (2):
| pf
|
| 1863
| Keyboard
|
|-
| 175/1
| A219/1
| <ul>''St François d'Assise: la prédication aux oiseaux''</ul>
| pf
| A major
| 1862–63
| Keyboard
| version for orch as S.113a/1
|-
| 175/2
| A219/2
| <ul>''St François de Paule: marchant sur les flots''</ul>
| pf
| E major
| 1862–63
| Keyboard
| simplified version as S.175/2bis; version for orch as S.113a/2; for 2ten 2bass mch org/harm (+3 tbn timp)  as S.28
|-
| 175/2bis
| A219/2
| <ul>''St François de Paule, marchant sur les flots''</ul>
| pf
| E major?
| 1863
| Keyboard
| simplified version of S.175/2
|-
| 175a
| A167
| '''Grand Solo de concert'''
| pf
| E minor?
| 1849
| Keyboard
| rev. as S.176
|-
| 176
| A167
| '''{{LinkWorkN|Grosses Konzertsolo|S.176|Liszt|Franz|0}}'''
| pf
| E minor
| 1849–50
| Keyboard
| based on S.175a; rev. for 2pf as S.258, for pf orch as S.365
|-
| 176a
| —
| '''{{LinkWorkN|Wilde Jagd - Scherzo|S.176a|Liszt|Franz|0}}'''
| pf
| D minor/B{{flat}} major
| 1851
| Keyboard
| 1st version of S.177
|-
| 177
| A174
| '''{{LinkWorkN|Scherzo und Marsch|S.177|Liszt|Franz|0}}'''
| pf
| D minor and B{{flat}} major
| 1851
| Keyboard
| 2nd version of S.176a
|-
| 178
| A179
| '''[[Piano Sonata in B minor, S.178 (Liszt, Franz)|Piano Sonata]]'''
| pf
| B minor
| 1852–53
| Keyboard
|
|-
| 179
| A198
| '''{{LinkWorkN|Weinen, Klagen, Sorgen, Zagen|S.179|Liszt|Franz|0}}'''
| pf
| F minor
| 1859
| Keyboard
| prelude based on a theme from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.180
|-
| 180
| A214
| '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''
| pf
| F minor
| 1862
| Keyboard
| prelude based on themes from the {{LinkWork|Weinen, Klagen, Sorgen, Zagen|BWV 12|Bach|Johann Sebastian}}; not related to S.179; arr. for org as S.673
|-
| 181
| A290
| '''{{LinkWorkN|Sarabande und Chaconne aus dem Singspiel Almira|S.181|Liszt|Franz|0}}'''
| pf
| G minor
| 1879
| Keyboard
| after extracts from the Singspiel {{LinkWork| Almira|HWV 1|Handel|George Frideric}}
|-
| 182
| A215
| '''[[Ave Maria (Die Glocken von Rom), S.182 (Liszt, Franz)| Ave Maria]]''' (Die Glocken von Rom)
| pf
| E major
| 1862
| Keyboard
| also known as ''Ave Maria für die große Klavierschule von Lebert und Stark''
|-
| 182a
| —
| '''Magnificat'''
| pf
| F major
| 1862
| Keyboard
| unpublished; 1st version of S.183/1
|-
| 183/1
| A216/1
| '''{{LinkWorkN| Alleluja|S.183/1|Liszt|Franz|0}}'''
| pf
| F major
| 1862
| Keyboard
| 2nd version of S.182a
|-
| 183/2
| A216/2
| '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''
| pf
| F major
| 1862
| Keyboard
| based on Dietsch's adaptation of a madrigal by Arcadelt
|-
| 184
| A229
| '''[[Urbi et Orbi, S.184 (Liszt, Franz)|Urbi et Orbi]]''' (Bénédiction papale)
| pf
| C{{sharp}} minor
| 1864
| Keyboard
|
|-
| 185
| A226
| '''[[Vexilla regis prodeunt, S.185 (Liszt, Franz)|Vexilla regis prodeunt]]''' (Kreuzes Hymne)
| pf
|
| 1864
| Keyboard
| arr. for orch as S.355
|-
| 185a
| A267
| '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''
| pf
|
| 1873–74
| Keyboard
| 1st version ("Paris manuscripts") of S.186; arr. for pf4h as S.612a
|-
| 185a/{{hs|0}}1
| A267/{{hs|0}}1
| <ul>''Psallite'' (Altes Weihnacthen)</ul>
| pf
| F major
| 1873–74
| Keyboard
| 1st version of S.186/1; arr. for pf4h as S.612a/1
|-
| 185a/{{hs|0}}2
| A267/{{hs|0}}2
| <ul>''O heilige Nacht!''</ul>
| pf
| D minor
| 1873–74
| Keyboard
| 1st version of S.186/2; arr. for pf4h as S.612a/2
|-
| 185a/{{hs|0}}3
| A267/{{hs|0}}3
| <ul>''Die Hirten an der Krippe'' ("In dulci jubilo")</ul>
| pf
| D{{flat}} major
| 1873–74
| Keyboard
| 1st version of S.186/3; arr. for pf4h as S.612a/3
|-
| 185a/{{hs|0}}4
| A267/{{hs|0}}4
| <ul>''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)</ul>
| pf
| A major
| 1873–74
| Keyboard
| 1st version of S.186/4; arr. for pf4h as S.612a/4
|-
| 185a/{{hs|0}}5
| A267/{{hs|0}}5
| <ul>''Scherzoso''</ul>
| pf
| F major
| 1873–74
| Keyboard
| 1st version of S.186/5; arr. for pf4h as S.612a/5
|-
| 185a/{{hs|0}}6
| A267/{{hs|0}}6
| <ul>''Reveille-Matin'' (Wecker)</ul>
| pf
|
| 1873–74
| Keyboard
| 1st version of S.186/6; arr. for pf4h as S.612a/6
|-
| 185a/{{hs|0}}7
| A267/{{hs|0}}7
| <ul>''Schlummerlied''</ul>
| pf
| F{{sharp}} major
| 1873–74
| Keyboard
| 1st version of S.186/7, S.186/7a; arr. for pf4h as S.612a/7
|-
| 185a/{{hs|0}}8
| A267/{{hs|0}}8
| <ul>{{hs| Alt-provenzalisches Noel}} (Alt-provenzalisches Noel)</ul>
| pf
| B minor
| 1873–74
| Keyboard
| 1st version of S.186/8; arr. for pf4h as S.612a/8
|-
| 185a/{{hs|0}}9
| A267/{{hs|0}}9
| <ul>{{hs| Abendglocken}} (Abendglocken)</ul>
| pf
|
| 1873–74
| Keyboard
| 1st version of S.186/9; arr. for pf4h as S.612a/9
|-
| 185a/10
| A267/10
| <ul>{{hs|Ehemals}}(Ehemals)</ul>
| pf
| F minor
| 1873–74
| Keyboard
| 1st version of S.186/10; arr. for pf4h as S.612a/10
|-
| 185a/11
| A267/11
| <ul>''Ungarisch''</ul>
| pf
| F minor
| 1873–74
| Keyboard
| 1st version of S.186/11; arr. for pf4h as S.612a/11
|-
| 185a/12
| A267/12
| <ul>''Polnisch''</ul>
| pf
| B{{flat}} minor
| 1873–74
| Keyboard
| 1st version of S.186/12; arr. for pf4h as S.612a/12
|-
| 186
| A267
| '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''
| pf
|
| 1874–76
| Keyboard
| 2nd version of S.185a; arr. for pf4h as S.613
|-
| 186/{{hs|0}}1
| A267/{{hs|0}}1
| <ul>''Altes Weihnacthslied'' (Psalite)</ul>
| pf
| F major
| 1874–76
| Keyboard
| 2nd version of S.185a/1; arr. for pf4h as S.613/1
|-
| 186/{{hs|0}}2
| A267/{{hs|0}}2
| <ul>''O heilige Nacht!''</ul>
| pf
| D minor
| 1874–76
| Keyboard
| 2nd version of S.185a/2; arr. for pf4h as S.613/2; rev. for ten fch org/harm as S.49
|-
| 186/{{hs|0}}3
| A267/{{hs|0}}3
| <ul>''Die Hirten an der Krippe'' ("In dulce jubilo")</ul>
| pf
| D{{flat}} major
| 1874–76
| Keyboard
| 2nd version of S.185a/3; arr. for pf4h as S.613/3
|-
| 186/{{hs|0}}4
| A267/{{hs|0}}4
| <ul>''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Könige)</ul>
| pf
| A major
| 1874–76
| Keyboard
| 2nd version of S.185a/4; arr. for pf4h as S.613/4
|-
| 186/{{hs|0}}5
| A267/{{hs|0}}5
| <ul>''Scherzoso'' (Man zündet die Kerzen des Baumes an)</ul>
| pf
| F major
| 1874–76
| Keyboard
| 2nd version of S.185a/5; arr. for pf4h as S.613/5
|-
| 186/{{hs|0}}6
| A267/{{hs|0}}6
| <ul>''Carillon''</ul>
| pf
|
| 1874–76
| Keyboard
| 2nd version of S.185a/6; arr. for pf4h as S.613/6
|-
| 186/{{hs|0}}7
| A267/{{hs|0}}7
| <ul>''Schlummerlied''</ul>
| pf
| F{{sharp}} major
| 1874–76
| Keyboard
| 2nd version of S.185a/7, S.186/7a; arr. for pf4h as S.613/7
|-
| 186/{{hs|0}}7a
| A267/{{hs|0}}7
| <ul>''Schlummerlied''</ul>
| pf
| F{{sharp}} major?
| 1882
| Keyboard
| 3rd version of S.185a/7, S.186/7; version for Lachmund
|-
| 186/{{hs|0}}8
| A267/{{hs|0}}8
| <ul>''Altes provenzalisches Weihnachtslied''</ul>
| pf
| B minor
| 1874–76
| Keyboard
| 2nd version of S.185a/8; arr. for pf4h as S.613/8
|-
| 186/{{hs|0}}9
| A267/{{hs|0}}9
| <ul>''Abendglocken''</ul>
| pf
|
| 1874–76
| Keyboard
| 2nd version of S.185a/9; arr. for pf4h as S.613/9
|-
| 186/10
| A267/10
| <ul>''Ehemals''</ul>
| pf
| F minor
| 1874–76
| Keyboard
| 2nd version of S.185a/10; arr. for pf4h as S.613/ 10
|-
| 186/11
| A267/11
| <ul>''Ungarisch''</ul>
| pf
| F minor
| 1874–76
| Keyboard
| 2nd version of S.185a/11; arr. for pf4h as S.613/11
|-
| 186/12
| A267/12
| <ul>''Polnisch''</ul>
| pf
| B{{flat}} minor
| 1874–76
| Keyboard
| 2nd version of S.185a/12; arr. for pf4h as S.613/12
|-
| 187
| A278
| '''{{LinkWorkN|Sancta Dorothea|S.187|Liszt|Franz|0}}'''
| pf
| E major
| 1877
| Keyboard
|
|-
| 187a
| E{{hs|0}}28
| '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''
| pf/org
| E major
| 1877
| Keyboard
| 1st version of S.187b
|-
| 187b
| E{{hs|0}}28
| '''[[Resignazione, S.187a/b (Liszt, Franz)|Resignazione]]'''
| pf/org
| E major
| 1881
| Keyboard
| 2nd version of S.187a
|-
| 188
| A300
| '''{{LinkWorkN|In festo transfigurationis Domini nostri Jesu Christi|S.188|Liszt|Franz|0}}'''
| pf
| C major
| 1880
| Keyboard
|
|-
| 189
| A234
| '''Klavierstück No.1'''
| pf
| A{{flat}} major
| 1866
| Keyboard
|
|-
| 189a
| A116
| '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''
| pf
| A{{flat}} major
| 1845
| Keyboard
| 1st version of S.189b
|-
| 189b
| A116
| '''{{LinkWorkN|Klavierstück No.2|S.189a|Liszt|Franz|0}}'''
| pf
| D{{flat}} major
| 1845 or later
| Keyboard
| 2nd version of S.189a; themes re-used in S.170 and S.171d/4
|-
| 190
| A241
| '''[[Un portrait en musique, S.190 (Liszt, Franz)|La marquise de Blocqueville]]''' (Un portrait en musique)
| pf
|
| 1869
| Keyboard
| 1st movement is by [[:Category:Herz, Henri|Henri Herz]], the second movement is by Francis Planté, and the third is by Liszt, and is based upon the two previous movements.
|-
| 191
| A256
| '''{{LinkWorkN|Impromptu|S.191|Liszt|Franz|0}}'''
| pf
| F{{sharp}} major
| 1872
| Keyboard
|
|-
| 192
| A233
| '''[[5 Klavierstücke, S.192 (Liszt, Franz)|Klavierstücke]]''' (5)
| pf
|
| 1865–79
| Keyboard
|
|-
| 192/1
| A233/1
| <ul>''Sehr langsam''</ul>
| pf
| E major
| 1865
| Keyboard
|
|-
| 192/2
| A233/2
| <ul>''Lento assai''</ul>
| pf
| A{{flat}} major
| 1865
| Keyboard
|
|-
| 192/3
| A233/3
| <ul>''Sehr langsam''</ul>
| pf
| F{{sharp}} major
| 1873
| Keyboard
|
|-
| 192/4
| A233/4
| <ul>''Andantino''</ul>
| pf
| F{{sharp}} major
| 1876
| Keyboard
|
|-
| 192/5
| A233/5
| <ul>''Sospiri!'' (Andante)</ul>
| pf
|
| 1879
| Keyboard
|
|-
| 193
| —
| '''{{LinkWorkN|Klavierstück|S.193|Liszt|Franz|0}}'''
| pf
| F{{sharp}} major
| 1854
| Keyboard
|
|-
| 194
| A249
| '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}''' (Mosonyi gyázmenete)
| pf
|
| 1870
| Keyboard
| re-used as S.205/7; arr. for 2pf as S.756(?)
|-
| 195
| A279
| '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''
| pf
|
| 1877
| Keyboard
| based on S.349 ; arr. for pf4h as S.614; same as S.205/6
|-
| 195a
| A266
| '''Schlummerlied im Grabe'''
| pf
|
| 1874
| Keyboard
| rev. as S.196
|-
| 196
| A266
| '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''
| pf
|
| 1874
| Keyboard
| based on S.195a; arr. for pf4h as S.612; for hp vc pf harm as S.130a; for vc pf as S.130b; for vn pf (+ harm) as S.130c
|-
| 196a
| A277
| '''Entwurf der Ramann-Elegie'''
| pf
|
| 1877
| Keyboard
| 1st version of S.197
|-
| 197
| A277
| '''{{LinkWorkN|Elegy No.2|S.197|Liszt|Franz|0}}'''
| pf
|
| 1877
| Keyboard
| 2nd version of S.197a; arr. for vc pf as S.131, and for vn pf as S.131bis
|-
| 197a
| A295
| '''{{LinkWorkN|Toccata|S.197a|Liszt|Franz|0}}'''
| pf
| C major
| 1879?
| Keyboard
|
|-
| 197b
| A272
| '''Kaiser Wilhelm!'''
| pf
|
| 1876
| Keyboard
|
|-
| 198
| A303
| '''{{LinkWorkN|Wiegenlied|S.198|Liszt|Franz|0}}''' (Chant du berceau)
| pf
|
| 1881
| Keyboard
|
|-
| 199
| A305
| '''{{LinkWorkN|Trübe Wolken|S.199|Liszt|Franz|0}}''' (Nuages gris)
| pf
|
| 1881
| Keyboard
|
|-
| 199a
| A319
| '''[[La lugubre gondola, S.200 (Liszt, Franz)|Die Trauer-Gondel]]''' (La lugubre gondola)
| pf
|
| 1882
| Keyboard
| 1st version of S.200/1, S.200/2; incomplete sketch as S.701k
|-
| 200/1
| A319a
| '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)
| pf
|
| 1882–83
| Keyboard
| 2nd version of S.199a, S.200/2; arr. for vn pf as S.134bis
|-
| 200/2
| A319b
| '''{{LinkWorkN|La lugubre gondola|S.200|Liszt|Franz|0}}''' (Die Trauer-Gondel)
| pf
|
| 1885
| Keyboard
| 3rd version of S.199a, S.200/1; arr. for vc pf as S.134
|-
| 201
| A320
| '''{{LinkWorkN|R.W. - Venezia|S.201|Liszt|Franz|0}}'''
| pf
|
| 1883
| Keyboard
|
|-
| 202
| A321
| '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''
| pf
|
| 1883
| Keyboard
| arr. of S.135
|-
| 203
| A322
| '''{{LinkWorkN|Schlaflos! Frage und Antwort|S.203|Liszt|Franz|0}}'''
| pf
|
| 1883
| Keyboard
|
|-
| 204
| A280
| '''{{LinkWorkN|Receuillement|S.204|Liszt|Franz|0}}'''
| pf
|
| 1877
| Keyboard
|
|-
| 205
| A335
| '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''
| pf
|
| 1885
| Keyboard
| 1st version of S.205a
|-
| 205/1
| A335/1
| <ul>Stephan Széchenyi</ul>
| pf
|
| 1885
| Keyboard
| same as S.205a/1
|-
| 205/2
| A335/4
| <ul>''Joseph Eötvös''</ul>
| pf
|
| 1885
| Keyboard
| same as S.205a/4
|-
| 205/3
| A335/5
| <ul>''Michael Vörösmarty''</ul>
| pf
|
| 1885
| Keyboard
| same as S.205a/5
|-
| 205/4
| A335/3
| <ul>''Ladislaus Teleki''</ul>
| pf
|
| 1885
| Keyboard
| same as S.205a/3
|-
| 205/5
| A335/2
| <ul>''Franz Deák''</ul>
| pf
|
| 1885
| Keyboard
| same as S.205a/2
|-
| 205/6
| A335/6
| <ul>''Alexander Petofi''</ul>
| pf
|
| 1885
| Keyboard
| same as S.195, S.205a/6
|-
| 205/7
| A335/7
| <ul>''Michael Mosonyi''</ul>
| pf
|
| 1885
| Keyboard
| same as S.194; 1st version of S.205a/7
|-
| 205a
| A335
| '''{{LinkWorkN|Historische ungarische Bildnisse|S.205|Liszt|Franz|0}}'''
| pf
|
| 1885
| Keyboard
| 2nd version of S.205
|-
| 205a/1
| A335/1
| <ul>''Széchenyi István''</ul>
| pf
|
| 1885
| Keyboard
| same as S.205/1
|-
| 205a/2
| A335/2
| <ul>''Deák Ferenc''</ul>
| pf
|
| 1885
| Keyboard
| same as S.205/5
|-
| 205a/3
| A335/3
| <ul>''Teleki László''</ul>
| pf
|
| 1885
| Keyboard
| same as S.205/4
|-
| 205a/4
| A335/4
| <ul>''Eötvös József''</ul>
| pf
|
| 1885
| Keyboard
| same as S.205/2
|-
| 205a/5
| A335/5
| <ul>''Vörösmarty Mihály''</ul>
| pf
|
| 1885
| Keyboard
| same as S.205/3
|-
| 205a/6
| A335/6
| <ul>''Petofi Sándor''</ul>
| pf
|
| 1885
| Keyboard
| same as S.195, S.205/6
|-
| 205a/7
| A335/7
| <ul>''Mosonyi Mihály''</ul>
| pf
|
| 1885
| Keyboard
| 2nd version of S.205a/7
|-
| 206
| A334
| '''{{LinkWorkN|Trauervorspiel und Trauermarsch|S.206|Liszt|Franz|0}}'''
| pf
|
| 1885
| Keyboard
|
|-
| 206/1
| A334/1
| <ul>''Preludio funebre''</ul>
| pf
|
| 1885
| Keyboard
|
|-
| 206/2
| A334/2
| <ul>''Marcia funebre''</ul>
| pf
|
| 1885
| Keyboard
| based on a theme from ''Funeral Music for István Széchenyi ''by Mihály Mosonyi
|-
| 207
| A336
| '''{{LinkWorkN|En rêve|S.207|Liszt|Franz|0}}''' (Nocturne)
| pf
|
| 1885
| Keyboard
|
|-
| 207a
| A296
| '''{{LinkWorkN|Prélude à la Polka d'Alexandre Porfiryevitch Borodine|S.207a|Liszt|Franz|0}}''' (Variation sur le thème favori et obligé)
| pf
|
| 1880
| Keyboard
| formerly listed as S.256; based on the "Chopsticks" polka by {{LinkComp|Aleksandr|Borodin}} from the album ''[[Paraphrases (Various)|Paraphrases]]''
|- style="background:#ccffcc" id="Works in dance form"
| {{hs|207az}}208a–233b
| —
| align="center"|<h5>Works in Dance Form</h5>
|
|
|
|
|
|-
| 208
| A312
| '''{{LinkWorkN|Unstern|S.208|Liszt|Franz|0}}''' (Sinistre)
| pf
|
| 1881
| Keyboard
|
|-
| 208a
| A{{hs|00}}2/2
| '''[[2 Waltzes, S.126b (Liszt, Franz)|Waltzes]]''' (2):
| pf
| A major
| 1823?
| Keyboard
| arr. of S.126b/2
|-
| 209
| A{{hs|0}}32a
| '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (Le bal de Berne)
| pf
|
| 1836
| Keyboard
| themes re-used in S.209a; 1st version of S.214/1; arr. for pf4h as S.615
|-
| 209a
| —
| '''Waltz'''
| pf
| E{{flat}} major
| 1840
| Keyboard
| uses themes from S.209
|-
| 210
| A{{hs|0}}57a
| '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''
| pf
| E major
| 1839
| Keyboard
| 2nd version of S.210a, S.214/2
|-
| 210a
| A{{hs|0}}57a
| '''{{LinkWorkN|Valse mélancolique|S.210|Liszt|Franz|0}}'''
| pf
| E major
| 1840?
| Keyboard
| 1st version of S.210, S.214/2
|-
| 210b
| A{{hs|0}}28
| '''[[Waltz in A major, S.210b (Liszt, Franz)|Waltz]]'''
| pf
| A major
| 1835?
| Keyboard
|
|-
| 211
| A{{hs|0}}95
| '''[[Ländler in A-flat major, S.211 (Liszt, Franz)|Ländler]]'''
| pf
| A{{flat}} major
| 1843
| Keyboard
|
|-
| 211a
| A289/1
| [[Ländler in D major, S.211a (Liszt, Franz)|'''Ländler''']]
| pf
| D major
| 1879
| Keyboard
| formerly S.734
|-
| 212/1
| A{{hs|0}}84a
| '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}''' (Souvenir de St Pétersbourg)
| pf
|
| 1842
| Keyboard
| 1st version of S.212/2, S.213, S.213bis, and S.213a
|-
| 212/2
| A{{hs|0}}84b
| '''{{LinkWorkN|Petite valse favorite|S.212|Liszt|Franz|0}}'''
| pf
|
| 1843
| Keyboard
| 2nd version (expanded) of S.212/1, S.213, S.213bis, and S.213a; formerly S.222
|-
| 212a
| A{{hs|0}}82
| '''Valse de Marie ''' (Mariotte)
| pf
|
| 1842
| Keyboard
|
|-
| 213
| A{{hs|0}}84c
| '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''
| pf
|
| 1842–52
| Keyboard
| 3rd version of S.212/1, S.212/2, S.213bis, and S.213a
|-
| 213bis
| —
| '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''
| pf
|
| 1870s?
| Keyboard
| 4th version (edition facilitée) of S.212/1, S.212/2, S.213, and S.213a
|-
| 213a
| —
| '''{{LinkWorkN|Valse-Impromptu|S.213|Liszt|Franz|0}}'''
| pf
|
| c1880
| Keyboard
| 5th version (with additions for Liszt's students) of S.212/1, S.212/2, S.213, and S.213bis
|-
| 214
| —
| '''[[3 Caprices-Valses, S.214 (Liszt, Franz)|Caprices-Valses]]''' (3):
| pf
|
| 1850–52
| Keyboard
|
|-
| 214/1
| A{{hs|0}}32b
| <ul>''Valse de bravoure''</ul>
| pf
| B{{flat}} major
| 1850–52
| Keyboard
| 2nd version of S.209
|-
| 214/2
| A{{hs|0}}57b
| <ul>''Valse mélancolique''</ul>
| pf
| E major
| 1850
| Keyboard
| 3rd version of S.210, S.210a
|-
| 214/3
| A{{hs|0}}88b
| <ul>''Valse de concert sur deux motifs de "Lucia" et "Parisina" de Donizetti''</ul>
| pf
| A major
| 1850–52
| Keyboard
| 2nd version of S.401; using themes from ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}
|-
| 214a
| A271
| '''{{LinkWorkN|Carrousel de Madame Pelet-Narbonne|S.214a|Liszt|Franz|0}}'''
| pf
|
| 1879?
| Keyboard
|
|-
| 215
| A311
| '''{{LinkWorkN|Valses oubliées|S.215|Liszt|Franz|0}}''' (4):
| pf
|
| 1881–84
| Keyboard
|
|-
| 215/1
| A311/1
| <ul>''Valse oubliée No.1''</ul>
| pf
|
| 1881
| Keyboard
|
|-
| 215/2
| A311/2
| <ul>''Valse oubliée No.2''</ul>
| pf
|
| 1883
| Keyboard
|
|-
| 215/3
| A311/3
| <ul>''Valse oubliée No.3''</ul>
| pf
|
| 1883
| Keyboard
| 1st version of S.215/3a
|-
| 215/3a
| A311/3
| <ul>''Valse oubliée No.3''</ul>
| pf
|
| 1883?
| Keyboard
| 2nd version of S.215/3
|-
| 215/4
| A311/4
| <ul>''Valse oubliée No.4''</ul>
| pf
|
| 1884
| Keyboard
|
|-
| 215a
| A325
| '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''
| pf
|
| 1883
| Keyboard
| 1st version of S.216
|-
| 216
| A325
| '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''
| pf
|
| 1883
| Keyboard
| 2nd version of S.215a; arr. for pf4h as S.615a
|-
| 216a
| A338
| '''{{LinkWorkN|Bagatelle sans tonalité|S.216a|Liszt|Franz|0}}'''
| pf
|
| 1885
| Keyboard
|
|-
| 216b
| A337
| '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''
| pf
|
| 1885
| Keyboard
| 1st version of S.696
|-
| 217
| A317
| '''{{LinkWorkN|Mephisto Polka|S.217|Liszt|Franz|0}}'''
| pf
|
| 1882–83
| Keyboard
| exists in two versions
|-
| 218
| A119
| '''[[Galop in A minor, S.218 (Liszt, Franz)|Galop]]'''
| pf
| A minor
| 1846
| Keyboard
|
|-
| 219
| A{{hs|0}}43
| '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''
| pf
| E{{flat}} major
| 1838
| Keyboard
| 1st version of S.219bis; arr. for pf4h as S.616
|-
| 219bis
| A{{hs|0}}43
| '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''
| pf
| E major
| 1840?
| Keyboard
| 2nd (simplified) version of S.219 (sometimes wrongly attributed to {{LinkComp|Johann|Strauss Jr.}})
|-
| 220
| A{{hs|0}}64
| '''{{LinkWorkN|Galop de bal|S.220|Liszt|Franz|0}}'''
| pf
|
| 1840
| Keyboard
|
|-
| 221
| A168
| '''{{LinkWorkN|Mazurka brillante|S.221|Liszt|Franz|0}}'''
| pf
|
| 1850
| Keyboard
|
|-
| 221a*
| A221
| ''Mazurka''
| pf
| F minor
|
| Keyboard
| now believed to be spurious
|-
| 222*
| —
| ''Albumblatt an Madame Kalergis''
| pf
|
|
| Keyboard
| renumbered as S.212/2
|-
| 223
| A171
| '''[[2 Polonaises, S.223 (Liszt, Franz)|Polonaises]]''' (2):
| pf
|
| 1850–51
| Keyboard
|
|-
| 223/1
| A171/1
| <ul>''Polonaise mélancolique''</ul>
| pf
| C minor
| 1850–51
| Keyboard
|
|-
| 223/2
| A171/2
| <ul>''Polonaise''</ul>
| pf
| E major
| 1850–51
| Keyboard
|
|-
| 224
| A313
| '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''
| pf
|
| 1881–82
| Keyboard
| arr. for pf4h as S.617
|-
| 225
| A333
| '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás]] ''' (2):
| pf
|
| 1884
| Keyboard
|
|-
| 225/1
| A333/1
| <ul>''Csárdás''</ul>
| pf
|
| 1884
| Keyboard
|
|-
| 225/2
| A333/2
| <ul>''Csárdás obstinée'' (Hartnäckiger Csardas)</ul>
| pf
|
| 1884
| Keyboard
| possibly arr. for pf4h as S.618
|-
| 226
| A188
| '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}''' (Preludio pomposo)
| pf
|
| 1856
| Keyboard
| arr. for orch as S.356
|-
| 226a
| A{{hs|0}}10
| '''[[Marche funèbre, S.226a (Liszt, Franz)|Marche funèbre]]'''
| pf
| G minor
| 1827
| Keyboard
| formerly S.745
|-
| 227
| A164a
| '''{{LinkWorkN|Festmarsch zur Säcularfeier von Goethes Geburtstag|S.227|Liszt|Franz|0}}'''
| pf
| E{{flat}} major
| 1849
| Keyboard
| uses themes from S.167o; 1st version of S.521; arr. for orch as S.115, for pf4h as S.606
|-
| 228/1
| A182
| '''Huldigungsmarsch'''
| pf
| C major
| 1853
| Keyboard
| 1st version of S.228/2; arr. for orch by Liszt and {{LinkComp|Joachim|Raff}} as S.357/1
|-
| 228/2
| A182
| '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''
| pf
| C major
| 1857
| Keyboard
| 2nd version of S.228/1; arr. for orch as S.357/2
|-
| 229
| A184
| '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)
| pf
| E{{flat}} major
| 1853–56
| Keyboard
| arr. for pf4h as S.618a; for orch as S.368
|-
| 229a
| —
| '''[[Ungarischer Marsch, S.229a (Liszt, Franz)|Ungarischer Marsch]]'''
| pf
| B{{flat}} major
| 1859
| Keyboard
| unpublished
|-
| 230
| A326
| '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''
| pf
|
| 1883
| Keyboard
| arr. for pf4h as S.619; for 2pf (8 hands) as S.657b
|-
| 230a
| A274
| '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''
| pf
|
| 1876
| Keyboard
| formerly S.528; arr. for pf4h as S.619a
|-
| 231
| A{{hs|0}}65
| '''{{LinkWorkN|Heroischer Marsch in ungarischem Stil|S.231|Liszt|Franz|0}}''' (Marche héroïque dans le genre hongrois)
| pf
| A minor
| 1840
| Keyboard
| partly based on S.103
|-
| 232
| A112/1
| '''{{LinkWorkN|Seconde marche hongroise|S.232|Liszt|Franz|0}}''' (Ungarischer Sturmmarsch)
| pf
|
| 1842
| Keyboard
| 1st version of S.119
|-
| 233
| A252
| '''{{LinkWorkN|Ungarischer Geschwindmarsch|S.233|Liszt|Franz|0}}''' (Magyar Gyors induló)
| pf
|
| 1870–71
| Keyboard
| possibly 1st version of S.460 
|-
| 233a
| A332
| '''{{LinkWorkN|Siegesmarsch|S.233a|Liszt|Franz|0}}''' (Marche triomphale)
| pf
| E{{flat}} major
| 1884
| Keyboard
|
|-
| 233b
| A105
| '''[[Marche hongroise, S.233b (Liszt, Franz)|Marche hongroise]]'''
| pf
| E{{flat}} minor
| 1844
| Keyboard
|
|- style="background:#ccffcc" id="Works on national themes"
| {{hs|233by}}233c–254
| —
| align="center"|<h5>Works on National Themes</h5>
|
|
|
|
|
|- style="background:#ccffcc" id="Austrian"
| {{hs|233bz}}
| —
| align="center"|'''Austrian'''
|
|
|
|
|
|-
| 233c*
| —
| ''Tyrolean Melody''
| pf
|
|
| Keyboard
| see S.385a
|- style="background:#ccffcc" id="Czech"
| {{hs|233cz}}
| —
| align="center"|'''Czech'''
|
|
|
|
|
|-
| 234
| A{{hs|0}}67
| '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)
| pf
|
| 1840
| Keyboard
| based on the song ''Těšme se blahou nadějć'' by Josef Theodor Krov; arr. for pf4h as S.620
|- style="background:#ccffcc" id="English"
| {{hs|234z}}
| —
| align="center"|'''English'''
|
|
|
|
|
|-
| 235
| A{{hs|0}}76
| '''{{LinkWorkN|God Save the Queen|S.235|Liszt|Franz|0}}''' (Paraphrase de concert)
| pf
|
| 1841–49
| Keyboard
| based on the British national anthem; rev. as S.694
|- style="background:#ccffcc" id="French"
| {{hs|235z}}
| —
| align="center"|'''French'''
|
|
|
|
|
|-
| 236/1
| A106
| '''{{LinkWorkN|Faribolo Pasteur|S.236/1|Liszt|Franz|0}}''' (Chanson tirée du poème de Françonetto de Jacques Jasmin)
| pf
|
| 1844
| Keyboard
|
|-
| 236/2
| A107
| '''{{LinkWorkN|Chanson du Béarn|S.236/2|Liszt|Franz|0}}''' (Pastorale)
| pf
|
| 1844
| Keyboard
| based on a song by René de Galard de Béarn, Marquis de Brassac
|-
| 237
| A236
| '''{{LinkWorkN|La Marseillaise|S.237|Liszt|Franz|0}}''' (Chant de guerre par Claude-Joseph Rouget de Lisle)
| pf
|
| 1866–72
| Keyboard
| after the French national anthem ''La Marseillaise'' by Claude Joseph Rouget de Lisle
|-
| 238
| A169
| '''{{LinkWorkN|La cloche sonne|S.238|Liszt|Franz|0}}'''
| pf
| C minor
| 1850?
| Keyboard
| based on an old French song
|-
| 239
| A262
| '''{{LinkWorkN|Vive Henri IV|S.239|Liszt|Franz|0}}'''
| pf
|
| 1879–80
| Keyboard
| based on the French anthem ''Marche de Henri IV''
|- style="background:#ccffcc" id="German"
| {{hs|239z}}
| —
| align="center"|'''German'''
|
|
|
|
|
|-
| 240
| A{{hs|0}}96
| '''{{LinkWorkN|Gaudeamus igitur|S.240|Liszt|Franz|0}}''' (Chanson des étudiants)
| pf
|
| 1843
| Keyboard
| exists in two versions; based on a traditional student song
|- style="background:#ccffcc" id="Hungarian"
| {{hs|240z}}
| —
| align="center"|'''Hungarian'''
|
|
|
|
|
|-
| 241
| A{{hs|0}}11
| '''[[2 Ungarische Werbungstänze, S.241 (Liszt, Franz)|Ungarische Werbungstänze]]''' (Zum Andenken) (2):
| pf
|
| 1828
| Keyboard
| Hungarian recruiting songs
|-
| 241/1
| A{{hs|0}}11/1
| <ul>''Kiniszi notája''</ul>
| pf
|
| 1828
| Keyboard
| based on a dance by László Fáy
|-
| 241/2
| A{{hs|0}}11/2
| <ul>''Lassú magyar''</ul>
| pf
|
| 1828
| Keyboard
| based on a dance by János Bihari
|-
| 241a
| A180
| '''{{LinkWorkN|Ungarischer Romanzero|S.241a|Liszt|Franz|0}}''' (Hungarian Romances) (18):
| pf
|
| 1853
| Keyboard
| based on popular Hungarian themes, by Liszt and Eduard Remenyi
|-
| 241a/{{hs|0}}1
| A180/{{hs|0}}1
| <ul>''Ungarischer Romanzero No.1''</ul>
| pf
| F minor
| 1853
| Keyboard
| composed by Eduard Remenyi
|-
| 241a/{{hs|0}}2
| A180/{{hs|0}}2
| <ul>''Ungarischer Romanzero No.2''</ul>
| pf
| A minor
| 1853
| Keyboard
|
|-
| 241a/{{hs|0}}3
| A180/{{hs|0}}3
| <ul>''Ungarischer Romanzero No.3''</ul>
| pf
| A minor
| 1853
| Keyboard
|
|-
| 241a/{{hs|0}}4
| A180/{{hs|0}}4
| <ul>''Ungarischer Romanzero No.4''</ul>
| pf
| A minor
| 1853
| Keyboard
| composed by Eduard Remenyi
|-
| 241a/{{hs|0}}5
| A180/{{hs|0}}5
| <ul>''Ungarischer Romanzero No.5''</ul>
| pf
| D minor
| 1853
| Keyboard
|
|-
| 241a/{{hs|0}}6
| A180/{{hs|0}}6
| <ul>''Ungarischer Romanzero No.6''</ul>
| pf
| A major
| 1853
| Keyboard
|
|-
| 241a/{{hs|0}}7
| A180/{{hs|0}}7
| <ul>''Ungarischer Romanzero No.7''</ul>
| pf
| A major
| 1853
| Keyboard
|
|-
| 241a/{{hs|0}}8
| A180/{{hs|0}}8
| <ul>''Ungarischer Romanzero No.8''</ul>
| pf
| D minor
| 1853
| Keyboard
|
|-
| 241a/{{hs|0}}9
| A180/{{hs|0}}9
| <ul>''Ungarischer Romanzero No.9''</ul>
| pf
| A major
| 1853
| Keyboard
|
|-
| 241a/10
| A180/10
| <ul>''Ungarischer Romanzero No.10''</ul>
| pf
| G minor
| 1853
| Keyboard
|
|-
| 241a/11
| A180/11
| <ul>''Ungarischer Romanzero No.11''</ul>
| pf
| F major
| 1853
| Keyboard
|
|-
| 241a/12
| A180/12
| <ul>''Ungarischer Romanzero No.12''</ul>
| pf
| C major
| 1853
| Keyboard
| composed by Eduard Remenyi
|-
| 241a/13
| A180/13
| <ul>''Ungarischer Romanzero No.13''</ul>
| pf
| F{{sharp}} minor
| 1853
| Keyboard
| composed by Eduard Remenyi
|-
| 241a/14
| A180/14
| <ul>''Ungarischer Romanzero No.14''</ul>
| pf
| D major
| 1853
| Keyboard
| composed by Eduard Remenyi
|-
| 241a/15
| A180/15
| <ul>''Ungarischer Romanzero No.15''</ul>
| pf
| D major
| 1853
| Keyboard
| composed by Eduard Remenyi
|-
| 241a/16
| A180/16
| <ul>''Ungarischer Romanzero No.16''</ul>
| pf
| C major
| 1853
| Keyboard
| composed by Eduard Remenyi
|-
| 241a/17
| A180/17
| <ul>''Ungarischer Romanzero No.17''</ul>
| pf
| A major
| 1853
| Keyboard
| composed by Eduard Remenyi
|-
| 241a/18
| A180/18
| <ul>''Ungarischer Romanzero No.18''</ul>
| pf
| A major
| 1853
| Keyboard
| composed by Eduard Remenyi
|-
| 241b
| —
| '''{{LinkWorkN|Magyar Tempo|S.241b|Liszt|Franz|0}}'''
| pf
|
| 1840
| Keyboard
| sketches only
|-
| 242
| A{{hs|0}}60a
| '''{{LinkWorkN|Magyar dalok|S.242|Liszt|Franz|0}}''' (Ungarische Nationalmelodien)
| pf
|
| 1839–40
| Keyboard
| originally published as Hefte I (Nos.1–6), Hefte II (No.7), Hefte III (Nos.8–9), Hefte IV (Nos.10–11)
|-
| 242/{{hs|0}}1
| A{{hs|0}}60a/{{hs|0}}1
| <ul>(Lento)</ul>
| pf
| C minor
| 1839–40
| Keyboard
|
|-
| 242/{{hs|0}}2
| A{{hs|0}}60a/{{hs|0}}2
| <ul>(Andantino)</ul>
| pf
| C major
| 1839–40
| Keyboard
|
|-
| 242/{{hs|0}}3
| A{{hs|0}}60a/{{hs|0}}3
| <ul>(Sehr langsam)</ul>
| pf
| D{{flat}} major
| 1839–40
| Keyboard
|
|-
| 242/{{hs|0}}4
| A{{hs|0}}60a/{{hs|0}}4
| <ul>(Animato)</ul>
| pf
| C{{sharp}} major
| 1839–40
| Keyboard
| 1st version of S.243/2, S.243bis/2; themes re-used in S.244/6
|-
| 242/{{hs|0}}5
| A{{hs|0}}60a/{{hs|0}}5
| <ul>(Tempo giusto)</ul>
| pf
| D{{flat}} major
| 1839–40
| Keyboard
| 1st version of S.243/1, S.243bis/1; themes re-used in S.244/6
|-
| 242/{{hs|0}}6
| A{{hs|0}}60a/{{hs|0}}6
| <ul>(Lento)</ul>
| pf
| G minor
| 1839–40
| Keyboard
| themes re-used in S.242/12, S.244/5
|-
| 242/{{hs|0}}7
| A{{hs|0}}60a/{{hs|0}}7
| <ul>(Andante cantabile, quasi Adagio)</ul>
| pf
| E{{flat}} major
| 1839–40
| Keyboard
| 1st version of S.244/4
|-
| 242/{{hs|0}}8
| A{{hs|0}}60a/{{hs|0}}8
| <ul>(Lento. Tempo marcato)</ul>
| pf
| F minor
| 1839–40
| Keyboard
|
|-
| 242/{{hs|0}}9
| A{{hs|0}}60a/{{hs|0}}9
| <ul>(Lento. Quasi Presto)</ul>
| pf
| A minor
| 1839–40
| Keyboard
|
|-
| 242/10
| A{{hs|0}}60a/10
| <ul>(Adagio sostenuto a capriccio. Allegro vivace)</ul>
| pf
| D major
| 1839–40
| Keyboard
|
|-
| 242/11
| A{{hs|0}}60a/11
| <ul>(Andante sostenuto. Allegretto)</ul>
| pf
| B{{flat}} major
| 1839–40
| Keyboard
| 1st version of S.243/3; uses themes from S.164e; themes re-used in S.244/3, S.244/6
|-
| {{hs|242/11}}
| A{{hs|0}}60b
| '''{{LinkWorkN|Magyar rapszódiák|S.242|Liszt|Franz|0}}'''
| pf
|
| 1846–47
| Keyboard
| originally published as Book V (No.12), Book VI (No.13), Book VII (No.14), Book VIII (No.15), Book IX (No.16), Book X (No. 17)
|-
| 242/12
| A{{hs|0}}60b/12
| <ul>Mesto ["Héroïde élégiaque"]</ul>
| pf
| E minor
| 1846–47
| Keyboard
| partly based on S.242/6. themes re-used in S.244/5
|-
| 242/13
| A{{hs|0}}60b/13
| <ul>'' (Tempo di Marcia) ''["Rakoczi-Marsch"]</ul>
| pf
| A minor
| 1846–47
| Keyboard
| based on S.242a; simplified version as S.242/13bis; see also S.244/15, S.244c, S.117
|-
| 242/13bis
| A{{hs|0}}60b
| <ul>''Ungarische National-Melodie'' ["Rakoczi-Marsch"]</ul>
| pf
| A minor
| 1846?
| Keyboard
| simplified version of S.242/13
|-
| 242/14
| A{{hs|0}}60b/14
| <ul>(Lento a capriccio)</ul>
| pf
| A minor
| 1846–47
| Keyboard
| themes re-used in S.244/11
|-
| 242/15
| A{{hs|0}}60b/15
| <ul>(Lento. Tempo e stilo zingarese)</ul>
| pf
| D minor
| 1846–47
| Keyboard
| themes re-used in S.244/7
|-
| 242/16
| A{{hs|0}}60b/16
| <ul>(Preludio. Andante deciso)</ul>
| pf
| E major
| 1846–47
| Keyboard
| themes re-used in S.244/10, S.244/10bis
|-
| 242/17
| A{{hs|0}}60b/17
| <ul>(Andante sostenuto)</ul>
| pf
| A minor
| 1846–47
| Keyboard
| themes re-used in S.244/13
|-
| 242/18
| A{{hs|0}}60c/18
| <ul>(Adagio)</ul>
| pf
| C{{sharp}} minor
| 1846–47
| Keyboard
| themes re-used in S.244/12
|-
| 242/19
| A{{hs|0}}60c/19
| <ul>(Lento patetico)</ul>
| pf
| F{{sharp}} minor
| 1846–47
| Keyboard
| themes re-used in of S.244/8
|-
| 242/20
| A{{hs|0}}60c/20
| <ul>'' (Allegro vivace. Andante) ''["Romanian Rhapsody"]</ul>
| pf
| G minor
| 1846–47
| Keyboard
| themes re-used in S.244/6, S.244/12
|-
| 242/21
| A{{hs|0}}60c/21
| <ul>(Lento, tempo di marcia funèbre)</ul>
| pf
| E minor
| 1846–47
| Keyboard
| themes re-used in S.244/14
|-
| 242/22
| A{{hs|0}}60e
| <ul>''Pester Karneval''</ul>
| pf
| E{{flat}} major
| 1846–48
| Keyboard
| themes re-used in S.244/9 , S.244/14
|-
| 242a
| A{{hs|0}}59
| '''Rákóczi Marsch'''
| pf
| A minor
| 1839–40
| Keyboard
| simplified version as S.692d; see also S.164f, S.242/13, S.244/15, S.117, etc.
|-
| 243
| A{{hs|0}}60d
| '''[[Ungarische Nationalmelodien, S.243 (Liszt, Franz)|Ungarische Nationalmelodien]]''' (3):
| pf
|
| 1840–43
| Keyboard
|
|-
| 243/1
| A{{hs|0}}60d/1
| <ul>(Tempo giusto)</ul>
| pf
| D major
| 1843
| Keyboard
| 2nd version of S.242/5, S.243bis/1
|-
| 243/2
| A{{hs|0}}60d/2
| <ul>(Animato)</ul>
| pf
| C{{sharp}} major
| 1843
| Keyboard
| 2nd version of S.242/4, S.243bis/2
|-
| 243/3
| A{{hs|0}}60d/3
| <ul>''Prélude'' (Allegretto)</ul>
| pf
| B{{flat}} major
| 1843
| Keyboard
| 2nd version of S.242/11, 243bis/3
|-
| 243bis
| A{{hs|0}}60d
| '''Ungarische Nationalmelodien''' (Im leichten Stile bearbeitet)
| pf
|
| 1846
| Keyboard
|
|-
| 243bis/1
| A{{hs|0}}60d/1
| <ul>(Tempo giusto) </ul>
| pf
| D major
| 1846
| Keyboard
| 3rd version of S.242/5, S.243/1
|-
| 243bis/2
| A{{hs|0}}60d/2
| <ul>(Animato) </ul>
| pf
| C major
| 1846
| Keyboard
| 3rd version of S.242/4, S.243/2
|-
| 243bis/3
| A{{hs|0}}60d/3
| <ul>''Prélude'' (Allegretto)</ul>
| pf
| B{{flat}} major
| 1846
| Keyboard
| 3rd version of S.242/11, S.243/3
|-
| 243a
| —
| '''Célèbre mélodie hongroise'''
| pf
|
| 1866 or later
| Keyboard
|
|-
| 243b
| —
| '''Rêves et fantaisies'''
| pf
| C{{sharp}} minor
| 1844–46?
| Keyboard
| partly based on S.171a; 1st version of S.244/1
|-
| 244
| A132
| '''{{LinkWorkN|Hungarian Rhapsodies|S.244|Liszt|Franz|0}}''' (Ungarische Rhapsodien)
| pf
|
| 1846–85
| Keyboard
|
|-
| 244/{{hs|0}}1
| A132/{{hs|0}}1
| <ul>{{LinkWorkN|Hungarian Rhapsody No.1|S.244/1|Liszt|Franz|0}} (Lento quasi recitativo)</ul>
| pf
| C{{sharp}} minor
| 1846
| Keyboard
| 2nd version of S.243b
|-
| 244/{{hs|0}}2
| A132/{{hs|0}}2
| <ul>{{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)</ul>
| pf
| C{{sharp}} minor
| 1847
| Keyboard
| 1st version of S.244/2bis; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/4, and for pf4h as S.621/4
|-
| 244/{{hs|0}}2bis
| A132/{{hs|0}}2
| <ul>{{LinkWorkN|Hungarian Rhapsody No.2|S.244/2|Liszt|Franz|0}} (Lento a capriccio)</ul>
| pf
| C{{sharp}} minor
| 1885
| Keyboard
| Cadenzas for S.244/2
|-
| 244/{{hs|0}}3
| A132/{{hs|0}}3
| <ul>{{LinkWorkN|Hungarian Rhapsody No.3|S.244/3|Liszt|Franz|0}} (Andante)</ul>
| pf
| B{{flat}} major
| 1847
| Keyboard
| uses themes from S.164e/1 and 2; partly based on S.242/11
|-
| 244/{{hs|0}}4
| A132/{{hs|0}}4
| <ul>{{LinkWorkN|Hungarian Rhapsody No.4|S.244/4|Liszt|Franz|0}} (Quasi adagio, altiermamente)</ul>
| pf
| E{{flat}} major
| 1847
| Keyboard
| uses themes from S.242/7
|-
| 244/{{hs|0}}5
| A132/{{hs|0}}5
| <ul>{{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)</ul>
| pf
| E minor
| 1847
| Keyboard
| uses themes from S.242/6, S.242/12; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/5, and for pf4h as S.621/5
|-
| 244/{{hs|0}}6
| A132/{{hs|0}}6
| <ul>{{LinkWorkN|Hungarian Rhapsody No.6|S.244/6|Liszt|Franz|0}} (Tempo giusto)</ul>
| pf
| D{{flat}} major
| 1847
| Keyboard
| uses themes from S.164e/3, S.242/4, S.242/5, S.242/11, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/3, and for pf4h as S.621/3
|-
| 244/{{hs|0}}7
| A132/{{hs|0}}7
| <ul>{{LinkWorkN|Hungarian Rhapsody No.7|S.244/7|Liszt|Franz|0}} (Lento)</ul>
| pf
| D minor
| 1847
| Keyboard
| uses themes from S.242/15
|-
| 244/{{hs|0}}8
| A132/{{hs|0}}8
| <ul>{{LinkWorkN|Hungarian Rhapsody No.8|S.244/8|Liszt|Franz|0}} (Lento a capriccio)</ul>
| pf
| F{{sharp}} minor
| 1846
| Keyboard
| uses themes from S.242/19
|-
| 244/{{hs|0}}9
| A132/{{hs|0}}9
| <ul>{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}} ("Pesther Carneval")</ul>
| pf
| E{{flat}} major
| 1847
| Keyboard
| uses themes from S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/6, for pf4h as S.621/6, and for vn vc pf as S.379
|-
| 244/10
| A132/10
| <ul>{{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)</ul>
| pf
| E major
| 1847
| Keyboard
| 1st version of S.244/10bis; uses themes from S.242/16
|-
| 244/10bis
| A132/10
| <ul>{{LinkWorkN|Hungarian Rhapsody No.10|S.244/10|Liszt|Franz|0}} (Preludio)</ul>
| pf
| E major
| 1847
| Keyboard
| 2nd (easier) version of S.244/10; uses themes from S.242/16
|-
| 244/11
| A132/11
| <ul>{{LinkWorkN|Hungarian Rhapsody No.11|S.244/11|Liszt|Franz|0}} (Lento a capriccio)</ul>
| pf
| A minor
| 1847
| Keyboard
| uses themes from S.242/14
|-
| 244/12
| A132/12
| <ul>{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}} (Introduzione. Mesto)</ul>
| pf
| C{{sharp}} minor
| 1847
| Keyboard
| uses themes from S.242/18, S.242/20; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/2, for pf4h as S.621/2, and for vn pf as S.379a
|-
| 244/13
| A132/13
| <ul>{{LinkWorkN|Hungarian Rhapsody No.13|S.244/13|Liszt|Franz|0}} (Andante sostenuto)</ul>
| pf
| A minor
| 1847
| Keyboard
| uses themes from S.242/17
|-
| 244/14
| A132/14
| <ul>{{LinkWorkN|Hungarian Rhapsody No.14|S.244/14|Liszt|Franz|0}} (Lento, quasi marcia funebre)</ul>
| pf
| F minor
| 1847
| Keyboard
| uses themes from S.242/21, S.242/22; arr. for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359/1; themes used in S.123
|-
| 244/15
| A132/15
| <ul>{{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)</ul>
| pf
| A minor
| 1847
| Keyboard
| 1st version of S.244/15bis; based on S.242/13; rev. for orch as S.117
|-
| 244/15bis
| A132/15
| <ul>{{LinkWorkN|Hungarian Rhapsody No.15|S.244/15|Liszt|Franz|0}} (Rákóczi-Marsch)</ul>
| pf
| A minor
| 1847
| Keyboard
| 2nd (easier) version of S.244/15; based on S.242/13; rev. for orch as S.117
|-
| 244/16
| A132/16
| <ul>{{LinkWorkN|Hungarian Rhapsody No.16|S.244/16|Liszt|Franz|0}} (Allegro)</ul>
| pf
| A minor
| 1882
| Keyboard
| exists in two versions; arr. for pf4h as S.622
|-
| 244/17
| A132/17
| <ul>{{LinkWorkN|Hungarian Rhapsody No.17|S.244/17|Liszt|Franz|0}} (Lento)</ul>
| pf
| D minor
| 1883
| Keyboard
|
|-
| 244/18
| A132/18
| <ul>{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}} (Lento)</ul>
| pf
| F{{sharp}} minor
| 1885
| Keyboard
| exists in two versions; arr. for pf4h as S.623 [?]
|-
| 244/19
| A132/19
| <ul>{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}} (Lento)</ul>
| pf
| D minor
| 1885
| Keyboard
| arr. for pf4h as S.623a [?]
|-
| 244a
| A224
| '''[[Rákóczi-Marsch, S.117 (Liszt, Franz)]]'''
| pf
| A minor
| 1863
| Keyboard
| arr. of orchestral version (S.117); simplified version as S.244b
|-
| 244b
| A224
| '''[[Rákóczi-Marsch, S.117 (Liszt, Franz)]]'''
| pf
| A minor
| 1871
| Keyboard
| simplified version of S.244a
|-
| 244c
| A132/15a
| '''{{LinkWorkN|Marche de Rákóczy|S.244c|Liszt|Franz|0}}''' (Édition populaire)
| pf
| A minor
| 1851
| Keyboard
| based on S.242/13; see also S.244/15, S.117
|-
| 245
| A263
| '''[[5 Ungarische Volkslieder, S.245 (Liszt, Franz)|Ungarische Volkslieder]]''' (Magyar népdal) (5)
| pf
|
| 1873
| Keyboard
|
|-
| 245/1
| A263/1
| <ul>''Csak titokban''</ul>
| pf
| D major
| 1873
| Keyboard
|
|-
| 245/2
| A263/2
| <ul>''Jaj, beh szennyes''</ul>
| pf
| G major
| 1873
| Keyboard
|
|-
| 245/3
| A263/3
| <ul>''Beh szomoru ez az élet''</ul>
| pf
| G major
| 1873
| Keyboard
|
|-
| 245/4
| A263/4
| <ul>''Beh! Sok falut''</ul>
| pf
| C{{sharp}} minor
| 1873
| Keyboard
|
|-
| 245/5
| A263/5
| <ul>''Erdt, erdt, sfrf erdt''</ul>
| pf
| F minor
| 1873
| Keyboard
|
|-
| 246
| A255
| '''{{LinkWorkN|Puszta Wehmut – A puszta keserve|S.246|Liszt|Franz|0}}'''
| pf
|
| 1871
| Keyboard
| based on a song by Lyudmilla Gizycka-Zámoyská; also arr. for vn pf as S.379b
|- style="background:#ccffcc" id="Italian"
| {{hs|246z}}
| —
| align="center"|'''Italian'''
|
|
|
|
|
|-
| 247*
| —
| ''La romanesca''
| pf
|
|
| Keyboard
| see S.252a
|-
| 248
| A{{hs|0}}85
| '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)
| pf
|
| 1842
| Keyboard
| 1st version
|-
| 248a
| A{{hs|0}}85
| '''{{LinkWorkN|Canzone Napolitana|S.248|Liszt|Franz|0}}''' (Notturno)
| pf
|
| 1842
| Keyboard
| 2nd version ("arr. élégant")
|- style="background:#ccffcc" id="Polish"
| {{hs|248z}}
| —
| align="center"|'''Polish'''
|
|
|
|
|
|-
| 249
| A143
| '''{{LinkWorkN|Glanes de Woronince|S.249|Liszt|Franz|0}}''' (3):
| pf
|
| 1847
| Keyboard
|
|-
| 249/1
| A143/1
| <ul>''Ballade d'Ukraïne'' (Dumka)</ul>
| pf
|
| 1847
| Keyboard
|
|-
| 249/2
| A143/2
| <ul>''Mélodies polonaises''</ul>
| pf
|
| 1847
| Keyboard
| based on No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}
|-
| 249/3
| A143/3
| <ul>''Complainte'' (Dumka)</ul>
| pf
|
| 1847
| Keyboard
|
|-
| 249a
| —
| '''Mélodie polonaise'''
| pf
|
| 1843
| Keyboard
|
|-
| 249b
| —
| '''Dumka'''
| pf
|
| 1871
| Keyboard
|
|- style="background:#ccffcc" id="Russian"
| {{hs|249bz}}
| —
| align="center"|'''Russian'''
|
|
|
|
|
|-
| 249c
| A289/2
| '''{{LinkWorkN|Air cosaque|S.249c|Liszt|Franz|0}}
| pf
|
| 1879
| Keyboard
| formerly S.735
|-
| 249d
| A{{hs|0}}86/1
| '''{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}}''' (Air russe d'Alexander Alabieff)
| pf
|
| 1842
| Keyboard
| based on a romance by {{LinkComp|Aleksandr|Alyabyev}}; 1st version of S.250/1
|-
| 250
| A{{hs|0}}86
| '''Mélodies russes''' (Arabesques) (2):
| pf
|
| 1842
| Keyboard
|
|-
| 250/1
| A{{hs|0}}86/1
| <ul>{{LinkWorkN|Le rossignol|S.250/1|Liszt|Franz|0}} ("Romance de Alexandr Alexandrovitch Alabieff")</ul>
| pf
|
| 1842
| Keyboard
| 2nd version of S.249d
|-
| 250/2
| A{{hs|0}}86/2
| <ul>{{LinkWorkN|Chanson bohémienne|S.250/2|Liszt|Franz|0}} (de Piotr Petrovitch Boulakhov)</ul>
| pf
|
| 1842
| Keyboard
| based on a song by {{LinkName|Pyotr|Bulakhov}}
|-
| 251
| A324
| '''{{LinkWorkN| Abschied|S.251|Liszt|Franz|0}}''' (Russisches Volkslied)
| pf
|
| 1885
| Keyboard
|
|- style="background:#ccffcc" id="Spanish"
| {{hs|251z}}
| —
| align="center"|'''Spanish'''
|
|
|
|
|
|-
| 252
| A{{hs|0}}33
| '''{{LinkWorkN|Rondeau fantastique sur un thème espagnol|S.252|Liszt|Franz|0}}''' (El contrabandista)
| pf
| B{{flat}} major
| 1836
| Keyboard
| based on an aria from Manuel Garcia's opera ''El poeta calculista''
|-
| 252a
| A{{hs|0}}14/1
| '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)
| pf
|
| 1832–33
| Keyboard
| formerly S.247; 1st version of S.252b
|-
| 252b
| A{{hs|0}}14/2
| '''{{LinkWorkN|La romanesca|S.252a|Liszt|Franz|0}}''' (Mélodie du 16ième siècle)
| pf
|
| 1852?
| Keyboard
| 2nd version of S.252a
|-
| 253
| A114
| '''{{LinkWorkN|Grosse Konzertfantasie über spanische Weisen|S.253|Liszt|Franz|0}}'''
| pf
|
| 1845
| Keyboard
| 2nd version of S.738; themes used in S.254
|-
| 254
| A195
| '''{{LinkWorkN|Rhapsodie espagnole|S.254|Liszt|Franz|0}}''' (Folies d'espagne et Jota aragonesa)
| pf
|
| 1858
| Keyboard
| based on S.253
|- style="background:#ccffcc" id="Piano duet"
| {{hs|254z}}255–256a
| —
| align="center"|<h4>Piano Duet (4 hands)</h4>
|
|
|
|
|
|-
| 255*
| —
| ''Festpolonaise''
| pf4h
|
|
| Keyboard
| renumbered as S.619a
|-
| 256*
| —
| ''Variation über das Thema von Borodin''
| pf4h
|
|
| Keyboard
| renumbered as S.207a
|-
| 256a*
| —
| ''Nocturne''
| pf4h
| E minor
|
| Keyboard
| arr. of S.161/5; spurious (not by Liszt)
|- style="background:#ccffcc" id="Two pianos"
| {{hs|256az}}257–258
| —
| align="center"|<h4>2 Pianos</h4>
|
|
|
|
|
|-
| 257
| C{{hs|0}}1
| '''{{LinkWorkN|Grosse Konzertstück über Themen aus Mendessohns Lieder ohne Worte|S.257|Liszt|Franz|0}}'''
| 2pf
|
| 1834
| Keyboard
| based on themes from {{LinkWork|Songs Without Words|Op.19b|Mendelssohn|Felix}}
|-
| 258/1
| C18
| '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''
| 2pf
|
| 1855
| Keyboard
| based on S.176; 1st version of S.258/2
|-
| 258/2
| C18
| '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''
| 2pf
|
| 1866
| Keyboard
| 2nd version of S.258/1; arr. for pf orch by Liszt and Edward Reuss as S.365a
|- style="background:#ccffcc" id="Organ"
| {{hs|258z}}259–268a
| —
| align="center"|<h4>Organ</h4>
|
|
|
|
|
|-
| 259
| E{{hs|0}}1
| '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''
| org
|
| 1850
| Keyboard
| based on a theme from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}; published as No.4 of S.259; arr. for pf4h as S.624
|-
| 260/1
| E{{hs|0}}3/1
| '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''
| org
|
| 1855–56
| Keyboard
| 1st version of S.260/2; arr. for pf as S.529/1
|-
| 260/2
| E{{hs|0}}3/2
| '''{{LinkWorkN|Präludium und Fuge über den Namen BACH|S.260|Liszt|Franz|0}}'''
| org
|
| 1869–70
| Keyboard
| 2nd version of S.260/1; arr. for pf as S.529/2
|-
| 261
| E19a
| '''{{LinkWorkN|Pio IX|S.261|Liszt|Franz|0}}''' (Der Papsthymnus)
| org
|
| 1863–65
| Keyboard
| arr. for pf as S.530, for pf4h as S.625, for orch as S.361; rev. for 2vv (+ org) as S.36; rev. for ch orch as S.3/8
|-
| 261a
| E12
| '''Andante religioso'''
| org
|
| 1861
| Keyboard
| arr. by Alexander Gottschalg (rev. Liszt) of S.95, movt.IV
|-
| 262
| E20
| '''{{LinkWorkN|Ora pro nobis|S.262|Liszt|Franz|0}}'''
| org
|
| 1864
| Keyboard
|
|-
| 263*
| —
| ''Resignazione''
| org
|
| 1877–81
| Keyboard
| see S.187
|-
| 264
| E33
| '''{{LinkWorkN|Missa pro organo lectarum celebrationi missarum adjumento inserviens|S.264|Liszt|Franz|0}}'''
| org
|
| 1879
| Keyboard
| based on S.8, S.265, S.504
|-
| 265
| E32
| '''{{LinkWorkN|Gebet|S.265|Liszt|Franz|0}}''' (Preghiera)
| org
|
| 1879
| Keyboard
| rev. as movt. III of S.264
|-
| 266
| E39
| '''{{LinkWorkN|Requiem für die Orgel|S.266|Liszt|Franz|0}}'''
| org
|
| 1883
| Keyboard
| based on S.12
|-
| 267
| E38
| '''{{LinkWorkN| Am Grabe Richard Wagners|S.135|Liszt|Franz|0}}'''
| org
|
| 1883
| Keyboard
| arr. of S.135
|-
| 268
| —
| '''[[2 Vortragsstücke, S.268 (Liszt, Franz)|Vortragsstücke]]''' (2):
| org
|
| 1884
| Keyboard
|
|-
| 268/1
| E41
| <ul>''Introitus''</ul>
| org
|
| 1884
| Keyboard
|
|-
| 268/2
| E{{hs|0}}7
| <ul>''Trauerode'' (Die Todten)</ul>
| org
|
| 1884?
| Keyboard
| arr. of S.112/1
|-
| 268a
| E25
| '''Preludio'''
| org
|
| 1885?
| Keyboard
| version of S.666 without vv
|- style="background:#ccffcc" id="Songs"
| {{hs|268z}}269–340a
| —
| align="center"|<h4>Songs</h4>
|
|
|
|
|
|-
| 269/1
| N{{hs|0}}1
| '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)
| v pf
|
| 1839
| Vocal
| 1st version of S.269/2; arr. for pf as S.531/6
|-
| 269/2
| N{{hs|0}}1
| '''{{LinkWorkN| Angiolin dal biondo crin|S.269|Liszt|Franz|0}}''' (Englein hold im Lockengold)
| v pf
|
| 1849?
| Vocal
| 2nd version of S.269/1
|-
| 270a
| N14
| '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):
| v pf
|
| 1843–46
| Vocal
| 1st version of S.270b (for tenor voice)
|-
| 270a/1
| N14/1
| <ul>''Pace non trovo'' (Fried' ist versagt mir)</ul>
| v pf
|
| 1843–46
| Vocal
| 1st version of S.270b/2 (for tenor voice); arr. for pf as S.158/1
|-
| 270a/2
| N14/2
| <ul>''Benedetto sia'l giorno'' (Sei gesegnet immerdar)</ul>
| v pf
|
| 1843–46
| Vocal
| 1st version of S.270b/1 (for tenor voice); arr. for pf as S.158/2
|-
| 270a/3
| N14/3
| <ul>''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)</ul>
| v pf
|
| 1843–46
| Vocal
| 1st version of S.270b/3 (for tenor voice); arr. for pf as S.158/3
|-
| 270b
| N14
| '''[[3 Sonetti del Petrarca, S.270 (Liszt, Franz)|Sonetti di Petrarca]]''' (Petrarca-Sonette) (3):
| v pf
|
| 1864–82
| Vocal
| 2nd version of S.270a (for low voice)
|-
| 270b/1
| N14/2
| <ul>''Benedetto sia'l giorno'' (Sei gesegnet immerdar)</ul>
| v pf
|
| 1864–82
| Vocal
| 2nd version of S.270a (for low voice)
|-
| 270b/2
| N14/1
| <ul>''Pace non trovo'' (Fried' ist versagt mir)</ul>
| v pf
|
| 1864–82
| Vocal
| 2nd version of S.270a (for low voice)
|-
| 270b/3
| N14/3
| <ul>''I vidi in terra '' (So sah ich denn auf Erden Engelsfrieden und Glanz)</ul>
| v pf
|
| 1864–82
| Vocal
| 2nd version of S.270a (for low voice)
|-
| 271
| N{{hs|0}}4
| '''{{LinkWorkN|Il m'aimait tant|S.271|Liszt|Franz|0}}'''
| v pf
|
| 1840–42
| Vocal
| arr. for pf as S.533
|-
| 272/1
| N{{hs|0}}3
| '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''
| v pf
|
| 1840
| Vocal
| 1st version of S.272/2; arr. for pf as S.531/2
|-
| 272/2
| N{{hs|0}}3
| '''{{LinkWorkN|Im Rhein, im schönen Strome|S.272|Liszt|Franz|0}}'''
| v pf
|
| 1855
| Vocal
| 2nd version of S.272/1
|-
| 273/1
| N{{hs|0}}5
| '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''
| v pf
|
| 1841
| Vocal
| 1st version of S.273/2; arr. for pf as S.531/1
|-
| 273/2
| N{{hs|0}}5
| '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''
| v pf
|
| 1854–56
| Vocal
| 2nd version of S.273/1; arr. for pf as S.532; arr. for v orch as S.369
|-
| 274/1
| N{{hs|0}}6
| '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)
| v pf
|
| 1841
| Vocal
| 1st version of S.274/2, S.301b/1, S.301b/2; arr. for pf as S.534/1
|-
| 274/2
| N{{hs|0}}5
| '''{{LinkWorkN|Die Zelle in Nonnenwerth|S.274|Liszt|Franz|0}}''' (Ach, nun taucht die Klosterzelle)
| v pf
|
| 1858–60
| Vocal
| 4th version of S.274/1, S.301b/1, S.301b/2; arr. for pf as S.534/3, for vn/vc pf as S.382
|-
| 275/1
| N{{hs|0}}8/1
| '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)
| v pf
|
| 1842
| Vocal
| 1st version of S.275/2, S.275/3; arr. for pf as S.531/3
|-
| 275/2
| N{{hs|0}}8/2
| '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)
| v pf
|
| 1854
| Vocal
| 2nd version of S.275/1, S.275/3
|-
| 275/3
| N{{hs|0}}8/3
| '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)
| v pf
|
| 1860
| Vocal
| 3rd version of S.275/1, S.275/2; arr. for v orch as S.370
|-
| 276/1
| N12/1
| '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}''' (Was tun?)
| v pf
|
| 1842
| Vocal
| 1st version of S.276/2; arr. for pf as S.534
|-
| 276/2
| N12/2
| '''{{LinkWorkN|Comment disaient-ils|S.276|Liszt|Franz|0}}'''
| v pf
|
| 1849–59
| Vocal
| 2nd version of S.276/1
|-
| 277/1
| N21/1
| '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)
| v pf
|
| 1844
| Vocal
| 1st version of S.277/2
|-
| 277/2
| N21/2
| '''{{LinkWorkN|Bist du|S.277|Liszt|Franz|0}} ''' (Mild wie ein Lufthauch)
| v pf
|
| 1878
| Vocal
| 2nd version of S.277/1
|-
| 278/1
| N{{hs|0}}9/1
| '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''
| v pf
|
| 1842
| Vocal
| 1st version of S.278/2; arr. for pf as S.531/4
|-
| 278/2
| N{{hs|0}}9/2
| '''{{LinkWorkN|Es war ein König in Thule|S.278|Liszt|Franz|0}}'''
| v pf
|
| 1856
| Vocal
| 2nd version of S.278/2
|-
| 279/1
| N10/1
| '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''
| v pf
|
| 1842
| Vocal
| 1st version of S.279/2, S.279/3, S.279/4; arr. for pf as S.531/5
|-
| 279/2
| N10/2
| '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''
| v pf
|
| 1849
| Vocal
| 2nd version of S.279/1, S.279/3, S.279/4
|-
| 279/3
| N10/3
| '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''
| v pf
|
| 1860
| Vocal
| 3rd version of S.279/1, S.279/2, S.279/4
|-
| 279/4
| N10/4
| '''{{LinkWorkN|Der du von dem Himmel bist|S.279|Liszt|Franz|0}}'''
| v pf
|
| 1870
| Vocal
| 4th version of S.279/1, S.279/2, S.279/3
|-
| 280/1
| N23/1
| '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''
| v pf
|
| 1844
| Vocal
| 1st version of S.280/2; arr. for pf as S.167a; for 2nd setting see S.280bis
|-
| 280/2
| N23/2
| '''{{LinkWorkN|Freudvoll und leidvoll I|S.280|Liszt|Franz|0}}'''
| v pf
|
| 1849
| Vocal
| 2nd version of S.280/1; for 2nd setting see S.280bis
|-
| 280bis
| N23/3
| '''{{LinkWorkN|Freudvoll und leidvoll II|S.280bis|Liszt|Franz|0}}'''
| v pf
|
| 1848?
| Vocal
| for 1st setting see S.280
|-
| 281
| N22a
| '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''
| v pf
|
| 1844
| Vocal
| arr. for v orch as S.371
|-
| 282/1
| N11/1
| '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''
| v pf
|
| 1842
| Vocal
| 1st version of S.282/2; arr. for pf as S.536
|-
| 282/2
| N11/2
| '''{{LinkWorkN|Oh! quand je dors|S.282|Liszt|Franz|0}}'''
| v pf
|
| 1849
| Vocal
| 2nd version of S.282/1
|-
| 283/1
| N24/1
| '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''
| v pf
|
| 1844
| Vocal
| 1st version of S.283/2; arr. for pf as S.537
|-
| 283/2
| N24/2
| '''{{LinkWorkN|Enfant, si j'étais roi|S.283|Liszt|Franz|0}}'''
| v pf
|
| 1849
| Vocal
| 2nd version of S.283/1
|-
| 284/1
| N25/1
| '''{{LinkWorkN|S'il est un charmant gazon|S.284|Liszt|Franz|0}}'''
| v pf
|
| 1844
| Vocal
| 1st version of S.284/2; arr. for pf as S.538
|-
| 284/2
| N25/2
| '''{{LinkWorkN|S'il est un charmant gazon|S.284|Liszt|Franz|0}}'''
| v pf
|
| 1849–59
| Vocal
| 2nd version of S.284/1
|-
| 285
| N26
| '''{{LinkWorkN|La tombe et la rose|S.285|Liszt|Franz|0}}'''
| v pf
|
| 1844
| Vocal
| arr. for pf as S.539
|-
| 286
| N27
| '''{{LinkWorkN|Gastibelza|S.286|Liszt|Franz|0}}''' (Bolero)
| v pf
|
| 1844
| Vocal
| arr. for pf as S.540
|-
| 287/1
| N19/1
| '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''
| v pf
|
| 1843
| Vocal
| 1st version of S.287/2
|-
| 287/2
| N19/2
| '''{{LinkWorkN|Du bist wie eine Blume|S.287|Liszt|Franz|0}}'''
| v pf
|
| 1849
| Vocal
| 2ndt version of S.287/1
|-
| 288/1
| N{{hs|0}}7/1
| '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''
| v pf
|
| 1842
| Vocal
| 1st version of S.288/2, S.288/3
|-
| 288/2
| N{{hs|0}}7/2
| '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''
| v pf
|
| 1854–55
| Vocal
| 2nd version of S.288/1, S.288/3
|-
| 288/3
| N{{hs|0}}7/3
| '''{{LinkWorkN|Was Liebe sei|S.288|Liszt|Franz|0}}'''
| v pf
|
| 1878–79
| Vocal
| 3rd version of S.288/1, S.288/2
|-
| 289/1
| N29/1
| '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''
| v pf
|
| 1843
| Vocal
| 1st version of S.289/2
|-
| 289/2
| N29/2
| '''{{LinkWorkN|Vergiftet sind meine Lieder|S.289|Liszt|Franz|0}}'''
| v pf
|
| 1859
| Vocal
| 2nd version of S.289/1
|-
| 290/1
| N16/1
| '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''
| v pf
|
| 1843
| Vocal
| 1st version of S.290/2
|-
| 290/2
| N16/2
| '''{{LinkWorkN|Morgens steh ich auf und frage|S.290|Liszt|Franz|0}}'''
| v pf
|
| 1849–59
| Vocal
| 2nd version of S.290/1
|-
| 291/1
| N17/1
| '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''
| v pf
|
| 1843
| Vocal
| 1st version of S.291/2
|-
| 291/2
| N17/2
| '''{{LinkWorkN|Die tote Nachtigall|S.291|Liszt|Franz|0}}'''
| v pf
|
| 1870–79
| Vocal
| 2nd version of S.291/1
|-
| 292a
| N32/1
| '''[[3 Lieder aus Schillers "Wilhelm Tell", S.292 (Liszt, Franz)|Lieder aus Schiller's Wilhelm Tell]]''' (3)
| v pf
|
| 1845
| Vocal
| 1st version of S.292b
|-
| 292a/1
| N32/1/1
| <ul>''Der Fischerknabe'' (Es lächelt der See)</ul>
| v pf
|
| 1845
| Vocal
| 1st version of S.292b/1
|-
| 292a/2
| N32/1/2
| <ul>''Der Hirt'' (Ihr Matten lebt wohl)</ul>
| v pf
|
| 1845
| Vocal
| 1st version of S.292b/2
|-
| 292a/2
| N32/1/3
| <ul>''Der Alpenjäger '' (Es donnern die Höh'n)</ul>
| v pf
|
| 1845
| Vocal
| 1st version of S.292b/3
|-
| 292b
| N32/2
| '''[[3 Lieder aus Schillers "Wilhelm Tell", S.292 (Liszt, Franz)|Lieder aus Schiller's Wilhelm Tell]]''' (3)
| v pf
|
| 1855?
| Vocal
| 2nd version of S.292a; arr. for v orch as S.372
|-
| 292b/1
| N32/2/1
| <ul>''Der Fischerknabe'' (Es lächelt der See)</ul>
| v pf
|
| 1855?
| Vocal
| 2nd version of S.292a/1; arr. for v orch as S.372/1
|-
| 292b/2
| N32/2/2
| <ul>''Der Hirt'' (Ihr Matten lebt wohl)</ul>
| v pf
|
| 1855?
| Vocal
| 2nd version of S.292a/2; arr. for v orch as S.372/2
|-
| 292b/2
| N32/2/3
| <ul>''Der Alpenjäger '' (Es donnern die Höh'n)</ul>
| v pf
|
| 1855?
| Vocal
| 2nd version of S.292a/3; arr. for v orch as S.372/3
|-
| 293/1
| N37/1
| '''{{LinkWorkN|Jeanne d'Arc au bûcher|S.293|Liszt|Franz|0}}'''
| v pf
|
| 1845
| Vocal
| 1st version of S.293/2; arr. for v orch as S.373/1
|-
| 293/2
| N37/2
| '''{{LinkWorkN|Jeanne d'Arc au bûcher|S.293|Liszt|Franz|0}}'''
| v pf
|
| 1874–75
| Vocal
| 2nd version of S.293/1; arr. for v orch as S.373/2
|-
| 294/1
| N33/1
| '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''
| v pf
|
| 1845
| Vocal
| 1st version of S.294/2
|-
| 294/2
| N33/2
| '''{{LinkWorkN|Es rauschen die Winde|S.294|Liszt|Franz|0}}'''
| v pf
|
| 1849?
| Vocal
| 2nd version of S.294/1
|-
| 295
| N28
| '''{{LinkWorkN|Wo weilt er?|S.295|Liszt|Franz|0}}'''
| v pf
|
| 1844
| Vocal
|
|-
| 296
| N31
| '''{{LinkWorkN|Ich möchte hingehn|S.296|Liszt|Franz|0}}'''
| v pf
|
| 1844–56?
| Vocal
|
|-
| 297/1
| N34/1
| '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''
| v pf
|
| 1845
| Vocal
| 1st version of S.297/2
|-
| 297/2
| N34/2
| '''{{LinkWorkN|Wer nie sein Brot mit Tränen aß|S.297|Liszt|Franz|0}}'''
| v pf
|
| 1849
| Vocal
| 2nd version of S.297/1
|-
| 298/1
| N18/3/1
| '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''
| v pf
|
| 1843
| Vocal
| 1st version of S.298/2
|-
| 298/2
| N18/3/2
| '''{{LinkWorkN|O lieb so lang du lieben kannst|S.298|Liszt|Franz|0}}'''<br>(Liebestraum No.3)
| v pf
|
| 1843
| Vocal
| 2nd version of S.298/1; arr. for pf as S.541/3
|-
| 298a
| N38
| '''Über die Aeolsharfe'''
| v pf
|
| 1846
| Vocal
|
|-
| 299/1
| N39/1
| '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''
| v pf
|
| 1847
| Vocal
| 1st version of S.299/2
|-
| 299/2
| N39/2
| '''{{LinkWorkN|Isten veled|S.299|Liszt|Franz|0}}'''
| v pf
|
| 1879
| Vocal
| 2nd version of S.299/1
|-
| 300
| N40
| '''Le Juif errant'''
| v pf
|
| 1847
| Vocal
| unpublished
|-
| 301/1
| N42/1
| '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''
| v pf
|
| 1848
| Vocal
| 1st version of S.301/2
|-
| 301/2
| N42/2
| '''{{LinkWorkN|Kling leise, mein Lied|S.301|Liszt|Franz|0}}'''
| v pf
|
| 1849–60
| Vocal
| 2nd version of S.301/1
|-
| 301a
| N30
| '''Oh pourquoi donc'''
| v pf
|
| 1844?
| Vocal
| rev. for pf as S.169
|-
| 301b/1
| N{{hs|0}}6/2/1
| '''En ces lieux tout me parle d'elle''' (Élégie)
| v pf
|
| 1844
| Vocal
| 2nd version of S.274/1, S.274/2, S.301b/2; arr. for pf as S.534/2
|-
| 301b/2
| N{{hs|0}}6/2/2
| '''Élégie''' (En ces lieux)
| v pf
|
| 1845
| Vocal
| 2nd version of S.274/1, S.274/2, S.301b/1; arr. for pf as S.534/2bis
|-
| 302
| N45
| '''{{LinkWorkN|Die Macht der Musik|S.302|Liszt|Franz|0}}'''
| v pf
|
| 1848
| Vocal
|
|-
| 303
| N43
| '''{{LinkWorkN|Weimars Toten|S.303|Liszt|Franz|0}}'''
| v pf
|
| 1848
| Vocal
|
|-
| 304
| N44
| '''{{LinkWorkN|Le vieux vagabond|S.304|Liszt|Franz|0}}''' (Der alte Vagabund)
| v pf
|
| 1848
| Vocal
|
|-
| 305/1
| N35/1
| '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''
| v pf
|
| 1845
| Vocal
| 1st version of S.305/2
|-
| 305/2
| N35/2
| '''{{LinkWorkN|Schwebe, schwebe, blaues Auge|S.305|Liszt|Franz|0}}'''
| v pf
|
| 1849–60
| Vocal
| 2nd version of S.305/1
|-
| 306/1
| N46/1
| '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''
| v pf
|
| 1848
| Vocal
| 1st version of S.306/2
|-
| 306/2
| N46/2
| '''{{hs|Uber}}{{LinkWorkN|Über allen Gipfeln ist Ruh|S.306|Liszt|Franz|0}}'''
| v pf
|
| 1859
| Vocal
| 2nd version of S.306/1
|-
| 306a
| N13
| '''Quand tu chantes bercée'''
| v pf
|
| 1842
| Vocal
|
|-
| 306b
| N41
| '''Göttliche Gedanken, selige Gefühle'''
| v pf
|
| 1848
| Vocal
|
|-
| 307
| N18/1
| '''{{LinkWorkN|Hohe Liebe|S.307|Liszt|Franz|0}}''' (In Liebesarmen ruht ihr trunken)<br>(Liebestraum No.1)
| v pf
|
| 1850
| Vocal
| arr. for pf as S.541/1
|-
| 308
| N18/2
| '''{{LinkWorkN|Gestorben war ich|S.308|Liszt|Franz|0}} ''' (Seliger tod)<br>(Liebstraum No.2)
| v pf
|
| 1845–46
| Vocal
| arr. for pf as S.541/2
|-
| 309
| N36/1
| '''{{LinkWorkN|Ein Fichtenbaum steht einsam I|S.309|Liszt|Franz|0}}'''
| v pf
|
| 1845
| Vocal
| 1st setting of S.309bis
|-
| 309bis
| N36/2
| '''{{LinkWorkN|Ein Fichtenbaum steht einsam II|S.309bis|Liszt|Franz|0}}'''
| v pf
|
| 1860
| Vocal
| 2nd setting of S.309
|-
| 310
| N20
| '''{{LinkWorkN|Nimm einen Strahl der Sonne|S.310|Liszt|Franz|0}}''' (Ihr Auge)
| v pf
|
| 1843–49
| Vocal
|
|-
| 311/1
| N48/1
| '''{{LinkWorkN| Anfangs wollt' ich fast verzagen|S.311|Liszt|Franz|0}}'''
| v pf
|
| 1849
| Vocal
| 1st version of S.311/2
|-
| 311/2
| N48/2
| '''{{LinkWorkN| Anfangs wollt' ich fast verzagen|S.311|Liszt|Franz|0}}'''
| v pf
|
| 1860?
| Vocal
| 2nd version of S.311/1
|-
| 312
| N51
| '''{{LinkWorkN|Wie singt die Lerche schön|S.312|Liszt|Franz|0}}'''
| v pf
|
| 1855
| Vocal
|
|-
| 313
| N53
| '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''
| v pf
|
| 1857
| Vocal
| arr. for pf4h as S.588; for pf as S.542/1; for mch ww br perc as S.87/1a, S.87/1bis.; for orch by Liszt and {{LinkComp|Franz|Doppler}} as S.359a; for mch (+ pf) as S.87/2; for uch br as S.87/8; for mch as S.87/3a, S.87/3b; for org as S.672/1; for org/harm as S.672/2; for mch org as S.87/4; for ch (+ pf) as S.87/5; for uch as S.87/6; for cch as S.87/7
|-
| 314
| N49
| '''{{LinkWorkN|Es muss ein Wunderbares sein|S.314|Liszt|Franz|0}}'''
| v pf
|
| 1852
| Vocal
|
|-
| 315
| N52
| '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''
| v pf
|
| 1857
| Vocal
| arr. for pf as S.542a
|-
| 316
| N54
| '''{{LinkWorkN|Muttergottes-Sträusslein zum Mai-Monate|S.316|Liszt|Franz|0}}'''
| v pf
|
| 1857
| Vocal
| see also S.765
|-
| 316/1
| N54/1
| <ul>''Das Veilchen''</ul>
| v pf
|
| 1857
| Vocal
|
|-
| 316/2
| N54/2
| <ul>''Das Schlüsselblumen''</ul>
| v pf
|
| 1857
| Vocal
|
|-
| 317
| N55
| '''{{LinkWorkN|Lasst mich ruhen|S.317|Liszt|Franz|0}}'''
| v pf
|
| 1858
| Vocal
|
|-
| 318
| N56
| '''{{LinkWorkN|In Liebeslust|S.318|Liszt|Franz|0}}'''
| v pf
|
| 1858
| Vocal
|
|-
| 319
| N58
| '''{{LinkWorkN|Ich scheide|S.319|Liszt|Franz|0}}'''
| v pf
|
| 1860
| Vocal
|
|-
| 320
| N62/1
| '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''
| v pf
|
| 1860
| Vocal
| arr. for vn pf as S.383, for v orch as S.374
|-
| 321
| N59
| '''{{LinkWorkN|Die stille Wasserrose|S.321|Liszt|Franz|0}}'''
| v pf
|
| 1860
| Vocal
|
|-
| 322
| N60
| '''{{LinkWorkN|Wieder möcht ich dir begegnen|S.322|Liszt|Franz|0}}'''
| v pf
|
| 1860
| Vocal
|
|-
| 323
| N61
| '''{{LinkWorkN|Jugendglück|S.323|Liszt|Franz|0}}'''
| v pf
|
| 1860
| Vocal
|
|-
| 324
| N50
| '''{{LinkWorkN|Blume und Duft|S.324|Liszt|Franz|0}}'''
| v pf
|
| 1854
| Vocal
|
|-
| 325
| N65
| '''{{LinkWorkN|Die Fischerstochter|S.325|Liszt|Franz|0}}'''
| v pf
|
| 1871
| Vocal
|
|-
| 326
| N67
| '''{{LinkWorkN|La perla|S.326|Liszt|Franz|0}}''' (Die Perle)
| v pf
|
| 1872
| Vocal
|
|-
| 327
| N68
| '''{{LinkWorkN|J'ai perdu ma force et ma vie|S.327|Liszt|Franz|0}}''' (Ich verlor die Kraft und das Leben)
| v pf
|
| 1872
| Vocal
|
|-
| 328
| N69
| '''{{LinkWorkN|Ihr Glocken von Marling|S.328|Liszt|Franz|0}}'''
| v pf
|
| 1874
| Vocal
|
|-
| 329
| N70
| '''{{LinkWorkN|Und sprich|S.329|Liszt|Franz|0}}'''
| v pf
|
| 1875–79
| Vocal
|
|-
| 330
| N71
| '''{{LinkWorkN|Sei still|S.330|Liszt|Franz|0}}'''
| v pf
|
| 1877–79?
| Vocal
|
|-
| 331
| N72
| '''{{LinkWorkN|Gebet|S.331|Liszt|Franz|0}}'''
| v pf
|
| 1878
| Vocal
|
|-
| 332
| N73
| '''{{LinkWorkN|Einst|S.332|Liszt|Franz|0}}'''
| v pf
|
| 1878
| Vocal
|
|-
| 333
| N74
| '''{{LinkWorkN| An Edlitam|S.333|Liszt|Franz|0}}''' (Zur silbernen Hochzeit)
| v pf
|
| 1878
| Vocal
|
|-
| 334
| N75
| '''{{LinkWorkN|Der Glückliche|S.334|Liszt|Franz|0}}''' (Wie glänzt nun die welt)
| v pf
|
| 1878
| Vocal
|
|-
| 335
| N76
| '''{{LinkWorkN|Go Not, Happy Day|S.335|Liszt|Franz|0}}''' (Weil noch, Sonnenstrahl)
| v pf
|
| 1879
| Vocal
|
|-
| 336
| N77
| '''{{LinkWorkN|Verlassen|S.336|Liszt|Franz|0}}''' (Mir ist die Welt so freudenleer)
| v pf
|
| 1880
| Vocal
|
|-
| 337
| N78
| '''{{LinkWorkN|Des Tages laute Stimmen schweigen|S.337|Liszt|Franz|0}}'''
| v pf
|
| 1880
| Vocal
|
|-
| 338
| N66
| '''{{LinkWorkN|Und wir dachten der Toten|S.338|Liszt|Franz|0}}'''
| v pf
|
| 1871?
| Vocal
|
|-
| 339
| M37
| '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)
| v pf (+ mch)
|
| 1881
| Vocal
| arr. for pf as S.543, for pflh as S.543bis, for org/harm as S.674, for pf4h as S.755a[?], for bar mch ww br perc as S.345a, for vn pf as S.381a
|-
| 340
| N81
| '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)
| v pf
|
| 1883
| Vocal
| arr. for pf as S.544, for pf4h as S.626, for mch as S.93/1, for ch as S.93/2, for mch pf as S.93/3, for ch pf as S.93/4, for mch orch as S.93/5, for ch orch as S.93/6, for cch as S.93/7
|-
| 340a
| N64
| '''[[Do Not Reproach Me, S.340a (Liszt, Franz)|Do Not Reproach Me, My Friend]]''' (Не брани меня, мой друг)
| v pf
|
| 1866
| Vocal
|
|- style="background:#ccffcc" id="Other vocal works"
| {{hs|340z}}341–345a
| —
| align="center"|<h4>Other Vocal Works</h4>
|
|
|
|
|
|-
| 341
| K{{hs|0}}8
| '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''
| v org/harm
| G major
| 1881
| Vocal
| arr. for pf as S.545; for org as S.674b
|-
| 342/1
| K{{hs|0}}9/1
| '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''
| v pf/harm
|
| 1879
| Vocal
| 1st version of S.342/2, S.342/3
|-
| 342/2
| K{{hs|0}}9/2
| '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''
| v pf/harm
|
| 1879
| Vocal
| 2nd version of S.342/1, S.342/3
|-
| 342/3
| K{{hs|0}}9/3
| '''{{LinkWorkN|Le Crucifix|S.342|Liszt|Franz|0}}'''
| v pf/harm
|
| 1881–83
| Vocal
| 3rd version of S.342/1, S.342/2
|-
| 343
| K{{hs|0}}7
| '''{{LinkWorkN|Sancta Caecilia|S.343|Liszt|Franz|0}}'''
| v org/harm
|
| 1880–85
| Vocal
|
|-
| 344
| N79
| '''{{LinkWorkN|O Meer im Abendstrahl|S.344|Liszt|Franz|0}}'''
| 2vv pf/harm
|
| 1881?
| Vocal
|
|-
| 345
| L14
| '''{{LinkWorkN|Wartburg-Lieder|S.345|Liszt|Franz|0}}''' (7):
| 3vv ch orch/pf
|
| 1872–73
| Vocal
|
|-
| 345/0
| L14/0
| <ul>''An Frau Minne'' (Die Erde ist erschlossen) </ul>
| ch orch/pf
|
| 1872–73
| Vocal
|
|-
| 345/1
| L14/1
| <ul>''Wolfram von Eschenbach'' (Als wir mit deutschen Klingen) </ul>
| v ch orch/pf
|
| 1872–73
| Vocal
|
|-
| 345/2
| L14/2
| <ul>''Heinrich von Ofterdingen'' (Hab' ich geträumt?) </ul>
| v orch/pf
|
| 1872–73
| Vocal
|
|-
| 345/3
| L14/3
| <ul>''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) </ul>
| v orch/pf
|
| 1872–73
| Vocal
| arr. for v vn pf as S.345/3a
|-
| 345/3a
| L14/3a
| <ul>''Walther von der Vogelweide'' (Beim Scheiden der Sonne erschimmert) </ul>
| v vn pf
|
| 1872–73
| Vocal
| arr. of S.345/3
|-
| 345/4
| L14/4
| <ul>''Der tugendhafte Schreiber'' (Ich schrieb allzeit nur wenig) </ul>
| 2vv orch/pf
|
| 1872–73
| Vocal
|
|-
| 345/5
| L14/5
| <ul>''Biterolf und der Schmied von Ruhla'' (Thüringens Wälder senden den Waidmann und den Schmied) </ul>
| v orch/pf
|
| 1872–73
| Vocal
|
|-
| 345/6
| L14/6
| <ul>''Reimar der Alte'' (Wo liebende Herzen sich innig vermählt) </ul>
| v orch/pf
|
| 1872–73
| Vocal
|
|-
| 345a
| L16
| '''A magyarok Istene''' (Ungarns Gott)
| v mch ww br perc
|
| 1882
| Vocal
| arr. of S.339
|- style="background:#ccffcc" id="Recitations"
| {{hs|345z}}346–350
| —
| align="center"|<h4>Recitations</h4>
|
|
|
|
|
|-
| 346
| P1
| '''{{LinkWorkN|Lenore|S.346|Liszt|Franz|0}}''' (Der Bräutigam)
| nar pf
|
| 1857–58
| Vocal
|
|-
| 347
| P2
| '''Vor hundert Jahren'''
| nar orch
|
| 1859
| Vocal
| unpublished
|-
| 348
| P3
| '''{{LinkWorkN|Der traurige Mönch|S.348|Liszt|Franz|0}}''' (In Schweden steht ein grauer Turm)
| nar pf
|
| 1860
| Vocal
|
|-
| 349
| P5
| '''{{LinkWorkN|Des toten Dichters Liebe|S.349|Liszt|Franz|0}}''' (A holt költó szerelme)
| nar pf
|
| 1874
| Vocal
| rev. for pf as S.195
|-
| 350
| P6
| '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (Слепой)
| nar pf
|
| 1875–77
| Vocal
| arr. for pf as S.546
|- style="background:#ccffcc" id="Arrangements etc"
| {{hs|350y}}351–701v
| —
| align="center"|<h3>Arrangements, Fantasies, etc.</h3>
|
|
|
|
|
|- style="background:#ccffcc" id="Orchestral works arr"
| {{hs|350y}}351–364
| —
| align="center"|<h4>Orchestral</h4>
|
|
|
|
|
|-
| 351
| G32
| '''Mazurka-Fantaisie''' [H. von Bülow]
| orch
| B minor
| 1865
| Orchestral
| arr. of the ''Mazurka-fantaisie'' for pf, Op.13 by {{LinkComp|Hans von|Bülow}}
|-
| 352
| G36
| '''Zweite Ouvertüre zum Barbier von Bagdad''' [P. Cornelius]
| orch
|
| 1877–80
| Orchestral
| second overture to the opera {{LinkWork|Der Barbier von Bagdad||Cornelius|Peter}}, completed and orchestrated by Liszt
|-
| 353
| G34
| '''[[Szózat und Hymnus, S.353 (Liszt, Franz)|Szózat und Hymnus]]''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey)
| orch
|
| 1872
| Orchestral
| arrs. of the Hungarian patriotic songs ''Szózat'' by Béni Egressy and {{LinkWork|Hymnus||Erkel|Ferenc}}; also arr. for pf as S.486, for pf4h as S.628b
|-
| 353a*
| —
| ''Angelus! Prière aux anges gardiens''
| str
|
|
| Orchestral
| renumbered as S.362a
|-
| 354*
| —
| ''Légendes'' (2)
| orch
|
| 1863
| Orchestral
| renumbered as S.113a
|-
| 355
| G30
| '''Vexilla regis prodeunt''' (Kreuzeshymne)
| orch
|
| 1864
| Orchestral
| arr. of S.185
|-
| 356
| G18
| '''{{LinkWorkN|Festvorspiel|S.226|Liszt|Franz|0}}'''
| orch
|
| 1857
| Orchestral
| arr. of S.226
|-
| 357/1
| G{{hs|0}}8/1
| '''Huldigungsmarsch'''
| ww br perc
|
| 1853
| Keyboard
| arr. of S.228/1 by Liszt and {{LinkComp|Joachim|Raff}}
|-
| 357/2
| G{{hs|0}}8/2
| '''{{LinkWorkN|Huldigungsmarsch|S.228|Liszt|Franz|0}}'''
| orch
|
| 1857
| Orchestral
| arr. of S.228/2
|-
| 358
| G11
| '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)
| orch
|
| 1853–56?
| Orchestral
| arr. of S.229
|-
| 359
| G21
| '''Hungarian Rhapsodies''' (6)
| orch
|
| 1857–60
| Orchestral
| arr. from S.244; arr. for pf4h as S.621
|-
| 359/1
| G21/1
| <ul>''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''</ul>
| orch
| F minor
| 1857–60
| Orchestral
| arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/14; arr. for pf4h by Liszt as S.621/1
|-
| 359/2
| G21/2
| <ul>''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''</ul>
| orch
| D minor
| 1857–60
| Orchestral
| arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/12; arr. for pf4h by Liszt as S.621/2
|-
| 359/3
| G21/3
| <ul>''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''</ul>
| orch
| D major
| 1857–60
| Orchestral
| arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/6; arr. for pf4h by Liszt as S.621/3
|-
| 359/4
| G21/4
| <ul>''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''</ul>
| orch
| D minor
| 1857–60
| Orchestral
| arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/2; arr. for pf4h by Liszt as S.621/4
|-
| 359/5
| G21/5
| <ul>{{LinkWorkN|Hungarian Rhapsody No.5|S.244/5|Liszt|Franz|0}} (Héroïde-élégiaque)</ul>
| orch
| E minor
| 1857–60
| Orchestral
| arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/5; arr. for pf4h by Liszt as S.621/5
|-
| 359/6
| G21/6
| <ul>''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)</ul>
| orch
| D major
| 1857–60
| Orchestral
| arr. by Liszt and {{LinkComp|Franz|Doppler}} of S.244/9; arr. for pf4h by Liszt as S.621/6
|-
| 359a
| G19
| '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''
| orch
| C major
| 1857
| Orchestral
| arr. of S.313
|-
| 360
| G26
| '''{{hs| A la Chapelle}}À la Chapelle Sixtine'''
| orch
|
| 1862
| Orchestral
| arr. of S.461/1
|-
| 361
| G31
| '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''
| orch
|
| 1864
| Orchestral
| arr. of S.261
|-
| 362
| H14
| '''Benedictus aus der Ungarischen Krönungsmesse'''
| vn orch
|
| 1875–77
| Orchestral
| arr. of S.11/7
|-
| 362a
| D15
| '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''
| str/(2vn va vc)
|
| 1882
| Orchestral
| arr. of S.162/1
|-
| 363
| G24
| '''Märsche von Franz Schubert''' (4)
| orch
|
| 1859–70
| Orchestral
| arr. for pf4h as S.632
|-
| 363/1
| G24/1
| <ul>(Vivace)</ul>
| orch
| B minor
| 1859–70
| Orchestral
| orchestration of No.3 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf4h as S.632/1
|-
| 363/2
| G24/2
| <ul>''Trauermarsch''</ul>
| orch
| E{{flat}} minor
| 1859–70
| Orchestral
| orchestration of No.5 of {{LinkWork|6 Grandes Marches|D.819|Schubert|Franz}}; arr. for pf as S.426/1, for pf4h as S.632/2
|-
| 363/3
| G24/3
| <ul>''Reitermarsch''</ul>
| orch
| C major
| 1859–70
| Orchestral
| orchestration of No.1 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz}}; arr. for pf4h as S.633/3
|-
| 363/4
| G24/4
| <ul>''Ungarischer Marsch''</ul>
| orch
| D minor
| 1859–70
| Orchestral
| orchestration of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; arr. for pf4h as S.632/4
|-
| 364
| G39
| '''Danses galiciennes de Zarembski'''
| orch
|
| 1881–82
| Orchestral
| orchestration of ''3 Danses galiciennes'' by {{LinkComp|Juliusz|Zarębski}}
|- style="background:#ccffcc" id="Piano and orchestra arr"
| {{hs|364z}}365–367
| —
| align="center"|<h4>Piano and Orchestra</h4>
|
|
|
|
|
|-
| 365
| H11/1
| '''Grand solo de concert'''
| pf orch
|
| 1849–50
| Orchestral
| based on S.176
|-
| 365a
| H11/2
| '''{{LinkWorkN|Concerto pathétique|S.258|Liszt|Franz|0}}'''
| pf orch
| E minor
| 1885–86
| Orchestral
| arr. of S.258 by Liszt and Edward Reuss
|-
| 365b
| H{{hs|0}}5
| '''Hexaméron''' (Morceau de concert)
| pf orch
|
| 1837–39
| Orchestral
| arr. of S.392
|-
| 366
| H13
| '''Franz Schuberts Grosse Fantasie'''
| pf orch
| C major
| 1851
| Orchestral
| arr. of the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}; arr. for 2pf as S.653
|-
| 367
| H10
| '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polonaise brillante]]''' [Weber]
| pf orch
| E major
| 1848
| Orchestral
| arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf as S.455
|- style="background:#ccffcc" id="Songs with orchestra"
| {{hs|367z}}368–377
| —
| align="center"|<h4>Songs with Orchestra</h4>
|
|
|
|
|
|-
| 368
| N80
| '''Lieder von Francis Korbay''' (2):
| v orch
|
| 1883
| Vocal
| arrs. of songs by Francis Korbay
|-
| 368/1
| N80/1
| <ul>''Le matin''</ul>
| v orch
|
| 1883
| Vocal
| arr. of the song by Francis Korbay
|-
| 368/2
| N80/2
| <ul>''Gebet''</ul>
| v orch
|
| 1883
| Vocal
| arr. of the song by Francis Korbay; also arr. for v org as S.683a
|-
| 369
| N{{hs|0}}5/3
| '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''
| v orch
|
| 1860
| Vocal
| arr. of S.273/2
|-
| 370
| N{{hs|0}}8/4
| '''{{LinkWorkN|Mignons Lied|S.275|Liszt|Franz|0}}''' (Kennst du das Land)
| v orch
|
| 1860
| Vocal
| arr. of S.275/3
|-
| 371
| N22/2
| '''{{LinkWorkN|Die Vätergruft|S.281|Liszt|Franz|0}}'''
| v orch
|
| 1886
| Vocal
| arr. of S.281
|-
| 372
| N32/3
| '''[[3 Lieder aus Schillers "Wilhelm Tell", S.292 (Liszt, Franz)|Lieder aus Schiller's Wilhelm Tell]]''' (3)
| v orch
|
| 1855
| Vocal
| arr. of S.292b
|-
| 372/1
| N32/3/1
| <ul>''Der Fischerknabe'' (Es lächelt der See)</ul>
| v orch
|
| 1855
| Vocal
| arr. of S.292b/1
|-
| 372/2
| N32/3/2
| <ul>''Der Hirt'' (Ihr Matten lebt wohl)</ul>
| v orch
|
| 1855
| Vocal
| arr. of S.292b/2
|-
| 372/3
| N32/3/3
| <ul>''Der Alpenjäger '' (Es donnern die Höh'n)</ul>
| v orch
|
| 1855
| Vocal
| arr. of S.292b/3
|-
| 373/1
| N37/5/1
| '''{{LinkWorkN|Jeanne d'Arc au bûcher|S.293|Liszt|Franz|0}}'''
| v orch
|
| 1858
| Vocal
| arr. of S.293/1; 1st version of S.373/2
|-
| 373/2
| N37/5/2
| '''{{LinkWorkN|Jeanne d'Arc au bûcher|S.293|Liszt|Franz|0}}'''
| v orch
|
| 1875
| Vocal
| arr. of S.293/2; 1st version of S.373/1
|-
| 374
| N62/2
| '''{{LinkWorkN|Die drei Zigeuner|S.320|Liszt|Franz|0}}'''
| v orch
|
| 1871
| Vocal
| arr. of S.320
|-
| 375
| N63
| '''[[4 Lieder von Franz Schubert, S.375 (Liszt, Franz)|Lieder von Schubert]] ''' (6)
| v orch
|
| 1860
| Vocal
| arrs. of songs by {{LinkComp|Franz|Schubert}}
|-
| 375/1
| N63/1
| <ul>''Die junge Nonne''</ul>
| v orch
|
| 1860
| Vocal
| arr. of {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}
|-
| 375/2
| N63/2
| <ul>''Gretchen am Spinnrade''</ul>
| v orch
|
| 1860
| Vocal
| arr. of {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}
|-
| 375/3
| N63/3
| <ul>''Lied der Mignon'' (So lasst mich scheinen)</ul>
| v orch
|
| 1860
| Vocal
| arr. of {{LinkWork|Mignon|D.321|Schubert|Franz}}
|-
| 375/4
| N63/4
| <ul>''Erlkönig''</ul>
| v orch
|
| 1860
| Vocal
| arr. of {{LinkWork|Erlkönig|D.328|Schubert|Franz}}
|-
| 375/5
| N63/5
| <ul>''Der Doppelgänger'' (Still ist die Nacht)</ul>
| v orch
|
| 1860
| Vocal
| arr. of No.13 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; unpublished
|-
| 375/6
| N63/6
| <ul>''Abschied''</ul>
| v orch
|
| 1860
| Vocal
| arr. of No.7 from {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; unpublished; lost
|-
| 376
| L13
| '''[[Die Allmacht, D.852 (Schubert, Franz)|Die Allmacht von Franz Schubert]]''' (Gross ist Jehova, der Herr)
| mch org/harm orch
|
| 1871
| Vocal
| arr. of {{LinkWork|Die Allmacht|D.852|Schubert|Franz}}
|-
| 377
| N82
| '''Der Zaubersee''' (Bűvös tó)
| ten orch
|
| 1884
| Vocal
| arr. of a ballad (now lost) by {{LinkComp|Géza|Zichy}}
|- style="background:#ccffcc" id="Chamber music arr"
| {{hs|377+}}377a–383
| —
| align="center"|<h4>Chamber Music, etc.</h4>
|
|
|
|
|
|-
| 377a
| D{{hs|0}}9
| '''La notte'''
| vn pf
|
| 1864–66?
| Chamber
| arr. of S.112/2; formerly S.722
|-
| 378
| D15
| '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Priere aux anges gardiens]]'''
| 2vn va vc
|
| 1883
| Chamber
| arr. of S.163/1
|-
| 378a
| D18/1
| '''Vallée d'Obermann '''
| vn va vc
|
| 1880
| Chamber
| arr. by {{LinkComp|Eduard|Lassen}} and Liszt of S.160/6; 1st version of S.378b, S.378c
|-
| 378b
| D18/2
| '''Vallée d'Obermann '''
| vn va vc
|
| 1880
| Chamber
| 2nd version of S.378a, S.378c
|-
| 378c
| D18/3
| '''Tristia''' (Vallée d'Obermann)
| vn va vc
|
| 1880
| Chamber
| 3rd version of S.378a, S.378b
|-
| 379
| D{{hs|0}}6
| '''{{LinkWorkN|Hungarian Rhapsody No.9|S.244/9|Liszt|Franz|0}}'''
| vn vc pf
| E{{flat}} major
| 1848
| Chamber
| arr. of S.244/9
|-
| 379a
| —
| '''{{LinkWorkN|Hungarian Rhapsody No.12|S.244/12|Liszt|Franz|0}}'''
| vn pf
| C{{sharp}} minor
| 1850–59
| Chamber
| arr. of S.244/12
|-
| 379b
| D17
| '''Puszta-Wehmut'''
| vn pf
|
| 1880
| Chamber
| arr. of S.246
|-
| 380
| D{{hs|0}}7
| '''O du mein holder Abendstern'''
| vc pf
|
| 1852
| Chamber
| arr. of S.444 (with {{LinkComp|Bernhard|Cossmann}})
|-
| 381
| D10
| '''[[Aus der Ungarischen Krönungsmesse, S.381 (Liszt, Franz)|Aus der Ungarischen Krönungsmesse]]'''
| vn pf
|
| 1869
| Chamber
| arr. from S.11
|-
| 381/1
| D10/1
| <ul>''Benedictus''</ul>
| vn pf
|
| 1869
| Chamber
| arr. of S.11/7
|-
| 381/2
| D10/2
| <ul>''Offertorium''</ul>
| vn pf
|
| 1869
| Chamber
| arr. of S.11/5
|-
| 381a
| —
| '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)
| vn pf
|
| 1882
| Chamber
| arr. of S.339
|-
| 382
| D21
| '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)
| vn/vc pf
|
| 1883?
| Chamber
| arr. of S.274/2
|-
| 382a
| D11
| '''{{LinkWorkN|Consolations|S.172|Liszt|Franz|0}}''' (2):
| vc pf/org
|
| 1870
| Chamber
| arr. of extracts from S.172 by Liszt and {{LinkComp|Jules de|Swert}}
|-
| 382a/1
| D11/1
| <ul>(Andante con moto)</ul>
| vc pf
|
| 1870
| Chamber
| arr. of S.172/1 by Liszt and {{LinkComp|Jules de|Swert}}
|-
| 382a/2
| D11/2
| <ul>(Quasi Adagio)</ul>
| vc pf/org/harm
|
| 1870
| Chamber
| arr. of S.172/2 by Liszt and {{LinkComp|Jules de|Swert}}
|-
| 383
| D{{hs|0}}8
| '''{{LinkWorkN|Die drei Zigeuner|S.383|Liszt|Franz|0}}'''
| vn pf
|
| 1864
| Chamber
| arr. of S.320
|- style="background:#ccffcc" id="Piano solo arr"
| {{hs|383+}}383a–577ter
| —
| align="center"|<h4>Piano Solo</h4>
|
|
|
|
|
|- style="background:#ccffcc" id="Paraphrases"
| {{hs|383++}}383a–460
| —
| align="center"|<h5>Paraphrases, Operatic Transcriptions, etc.</h5>
|
|
|
|
|
|-
| 383a
| V12
| '''Virag Dál ''' (Chant des Fleurs) [Ábrányi]
| pf
|
| 1880
| Keyboard
| additions and corrections by Liszt to the pf piece by Kornél Ábrányi
|-
| 384
| A{{hs|0}}93
| '''{{LinkWorkN|Mazurka pour piano composeé par un amateur de St Pétersbourg||Wielhorski|Michał|0}}'''
| pf
|
| 1868?
| Keyboard
| arr. of a pf piece by {{LinkName|Michał|Wielhorski}} [attributed in some sources to {{LinkComp|Aleksandr|Alyabyev}}]
|-
| 384a
| —
| '''Variations on "Tiszantuli szép leany"'''
| pf
|
| 1846
| Keyboard
| variations on the Hungarian folk song "Tiszantuli szép leany"
|-
| 385/1
| A{{hs|0}}12a/1
| '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''
| pf
| A major
| 1829
| Keyboard
| based on a theme from the opera ''La fiancée ''by {{LinkComp|Daniel François Esprit| Auber}} (also used in S.385a); 1st version of S.385/2, S.385/3
|-
| 385/2
| A{{hs|0}}12a/2
| '''{{LinkWorkN|Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber| S.385|Liszt|Franz|0}}'''
| pf
| A major
| 1843?
| Keyboard
| 2nd version of S.385/1, S.385/3
|-
| 385/3
| A{{hs|0}}12a/3
| '''[[Grande fantaisie sur la tyrolienne de l'opéra La fiancée de Auber, S.385 (Liszt, Franz)|Souvenir de La fiancée]]''' (Grande fantaisie sur la tyrolienne de l'opéra La Fiancée d'Auber)
| pf
| A major
| 1842
| Keyboard
| 3rd version of S.385/1, S.385/2
|-
| 385a
| A{{hs|0}}12b
| '''{{LinkWorkN|Tyrolean Melody|S.385a|Liszt|Franz|0}}'''
| pf
| G major
| 1829
| Keyboard
| formerly S.233c; based on the same theme as S.385
|-
| 386/1
| A125
| '''{{LinkWorkN|Tarantelle di bravura d'après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''
| pf
|
| 1846
| Keyboard
| based on a theme from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}};1st version of S.386/2
|-
| 386/2
| A125
| '''{{LinkWorkN|Tarantelle di bravura d'après la tarantelle de La muette de Portici|S.386|Liszt|Franz|0}}'''
| pf
|
| 1869
| Keyboard
| 2nd version of S.386/1
|-
| 387
| A144/1
| '''Stücke aus der Oper La muette de Portici von Auber''' (3):
| pf
|
| 1847–48
| Keyboard
|
|-
| 387/1
| A144/1
| <ul>''Introduction e Cavatine''</ul>
| pf
|
| 1847–48
| Keyboard
| based on themes from the opera {{LinkWork|La muette de Portici||Auber|Daniel François Esprit|}}
|-
| 387/2
| A144/2
| <ul>''Klavierstück über ein fremdes Thema''</ul>
| pf
|
| 1847–48
| Keyboard
| based on an unidentified theme
|-
| 388
| A124
| '''{{LinkWorkN|Capriccio alla turca sur des motifs de Beethoven|S.388|Liszt|Franz|0}}'''
| pf
|
| 1846
| Keyboard
| based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; themes also used in S.388b, S.122
|-
| 388a
| A124
| '''[[Capriccio alla turca sur des motifs de Beethoven, S.388 (Liszt, Franz)|Marche des Ruines d'Athenes de Beethoven]]'''
| pf
|
| 1846
| Keyboard
| extracted from S.388
|-
| 388b
| A177
| '''Fantasie über Themen aus Beethovens Ruinen von Athen'''
| pf
|
| 1839
| Keyboard
| based on themes from {{LinkWork|Die Ruinen von Athen|Op.113|Beethoven|Ludwig van}}; rev. as S.122; themes also used in S.388
|-
| 389
| A177
| '''{{LinkWorkN|Fantasie über Motive aus Beethovens Ruinen von Athen|S.122|Liszt|Franz|0}}'''
| pf
|
| 1852
| Keyboard
| arr. of S.122
|-
| 389a
| C27
| '''Cadenza to the first movement of'' {{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|1}}'''
| pf
|
| 1878–79
| Keyboard
| extracted from S.657a/1
|-
| 390/1
| A{{hs|0}}34/1
| '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''
| pf
|
| 1836
| Keyboard
| based on themes from the opera {{LinkWorkN|I puritani||Bellini|Vincenzo}}; 1st version of S.390/2
|-
| 390/2
| A{{hs|0}}34/2
| '''{{LinkWorkN|Réminiscences des Puritains de Bellini|S.390|Liszt|Franz|0}}'''
| pf
|
| 1837
| Keyboard
| 2nd version of S.390/1; ending used in S.391
|-
| 391
| A{{hs|0}}74
| '''{{LinkWorkN|Introduction et Polonaise de l'opéra I puritani|S.391|Liszt|Franz|0}}
| pf
|
| 1840–41
| Keyboard
| based on the conclusion of S.390/2
|-
| 392
| A{{hs|0}}41
| '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)
| pf
|
| 1837–38
| Keyboard
| collaborative work with {{LinkComp|Sigismond|Thalberg}}, {{LinkComp|Johann Peter|Pixis}}, {{LinkComp|Henri|Herz}}, {{LinkComp|Carl|Czerny}} and {{LinkComp|Frederic|Chopin}}; arr. for pf orch as S.365b, for 2pf as S.654
|-
| 393/1
| A{{hs|0}}56/1
| '''[[Fantaisie sur des motifs favoris de l'opéra 'La sonnambula', S.393 (Liszt, Franz)|Fantaisie sur des motifs favoris de l'opera Somnambula de Bellini]]'''
| pf
|
| 1841
| Keyboard
| based on themes from the opera {{LinkWork|La sonnambula||Bellini|Vincenzo}}; 1st version of S.393/2, S.393/3,
|-
| 393/2
| A{{hs|0}}56/2
| '''[[Fantaisie sur des motifs favoris de l'opéra 'La sonnambula', S.393 (Liszt, Franz)|Grand fantaisie de concert sur des motifs favoris de l'opera La sonnambula]]'''
| pf
|
| 1852
| Keyboard
| 2nd version of S.393/1, S.393/3; arr. for pf4h as S.627
|-
| 393/3
| A{{hs|0}}56/3
| '''[[Fantaisie sur des motifs favoris de l'opéra 'La sonnambula', S.393 (Liszt, Franz)|Grosse Concert-Fantasie aus der Oper Sonnambula]]'''
| pf
|
| 1874
| Keyboard
| 3rd version of S.393/1, S.393/2
|-
| 394
| A{{hs|0}}77
| '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''
| pf
|
| 1841
| Keyboard
| based on themes from the opera {{LinkWork|Norma||Bellini|Vincenzo}}; arr. for 2pf as S.655
|-
| 395*
| —
| ''L'idée fixe''
| pf
|
| 1833
| Keyboard
| renumbered as S.470a/1
|-
| 396
| A178
| '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)
| pf
|
| 1852–53
| Keyboard
| based on themes from the opera {{LinkWork|Benvenuto Cellini|H 76|Berlioz|Hector}}; arr. for pf4h as S.628
|-
| 397
| A{{hs|0}}22
| '''{{LinkWorkN|Réminiscences de Lucia di Lammermoor|S.397|Liszt|Franz|0}}'''
| pf
|
| 1835–36
| Keyboard
| based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}
|-
| 398
| A{{hs|0}}23
| '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''
| pf
|
| 1835–36
| Keyboard
| based on themes from the opera {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}}; arr. for pf4h as S.628a
|-
| 399
| A{{hs|0}}44
| '''{{LinkWorkN|Nuits d'été à Pausilippe|S.399|Liszt|Franz|0}}''' (Amusements sur des motifs de l'album de Donizetti) (3):
| pf
|
| 1838
| Keyboard
| based on themes from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}
|-
| 399/1
| A{{hs|0}}44/1
| <ul>''Barcarola '' (Il barcajuolo)</ul>
| pf
|
| 1838
| Keyboard
| based on No.1 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}
|-
| 399/2
| A{{hs|0}}44/2
| <ul>''Notturno'' (L'alito di Bice)</ul>
| pf
|
| 1838
| Keyboard
| based on No.9 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}
|-
| 399/3
| A{{hs|0}}44/3
| <ul>''Canzone Napoletana'' (La torre di Biasone)</ul>
| pf
|
| 1838
| Keyboard
| based on No.4 from the cycle ''Nuits d'été a Pauslippe ''by {{LinkComp|Gaetano|Donizetti}}
|-
| 399a
| A{{hs|0}}71a
| ''Fantaisie sur des motifs favoris de l'opéra Lucrezia Borgia''
| pf
|
| 1840
| Keyboard
| based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}};1st version of S.400/2
|-
| 400bis
| —
| ''Réminiscences de Lucrezia Borgia de Donizetti Grande fantaisie en deux parties pour piano, par F. Liszt Réduite, avec l'approbation de l'auteur, à un seul morceau de concert par G. Buonamici''
| pf
|
| 1880
| Keyboard
| based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; the 'Buonamici' version (approved by Liszt) was published by Cranz in c1880.
|-
| 400
| A{{hs|0}}71b
| '''{{LinkWorkN|Réminiscences de Lucrezia Borgia|S.400|Liszt|Franz|0}}''' (Grande fantaisie sur des motifs de l'opéra de Gaetano Donizetti)
| pf
|
| 1848
| Keyboard
| based on themes from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano|0}}
|-
| 400/1
| A{{hs|0}}71b/1
| <ul>''Trio du seconde Acte''</ul>
| pf
|
| 1848
| Keyboard
| based on the trio from Act II of the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}
|-
| 400/2
| A{{hs|0}}71b/2
| <ul>''Chanson á boire (Orgie). Duo. Finale''</ul>
| pf
|
| 1848
| Keyboard
| based on the ''Chanson à boire'' and ''Orgie'' from the opera {{LinkWork|Lucrezia Borgia||Donizetti|Gaetano}}; 2nd version of S.399a
|-
| 400a
| A136
| '''{{LinkWorkN|Spirto gentil|S.400a|Liszt|Franz|0}}''' (Kavatine aus der Oper La favorita)
| pf
|
| 1847
| Keyboard
| based on a theme from Act IV of {{LinkWork|La favorite||Donizetti|Gaetano|0}}
|-
| 401
| A{{hs|0}}88a
| '''[[Valse à capriccio sur deux motifs de Lucia et Parisina, S.401 (Liszt, Franz)|Valse a capriccio]]''' (sur deux motifs de ''Lucia'' et ''Parisina'')
| pf
|
| 1842
| Keyboard
| based on themes from the operas ''Parisina'' and {{LinkWork|Lucia di Lammermoor||Donizetti|Gaetano}};1st version of S.214/3
|-
| 402
| A108
| '''{{LinkWorkN|Marche funèbre de Dom Sébastien de Donizetti|S.402|Liszt|Franz|0}}'''
| pf
|
| 1844
| Keyboard
| based on the funeral march from the opera ''Dom Sébastien'' by {{LinkComp|Gaetano|Donizetti}}
|-
| 403
| A137
| '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''
| pf
|
| 1847
| Keyboard
| based on the ''Grande marche militaire'' by Giuseppe Donizetti; 1st version of S.403bis
|-
| 403bis
| A137
| '''{{LinkWorkN|Grande paraphrase de la Marche de Donizetti pour le Sultan Abdul-Medjid Khan|S.403|Liszt|Franz|0}}'''
| pf
|
| 1848
| Keyboard
| 2nd version of S.403 ("version facilitée")
|-
| 404
| A160
| '''{{LinkWorkN|Halloh!|S.404|Liszt|Franz|0}}''' (Jagdchor und Steirer aus der Oper ''Tony'' von E. H. z. S. C. G.)
| pf
|
| 1849
| Keyboard
| based on themes from the opera by ''Tony, oder die Vergeltung'' by Ernst II, Duke of Saxe-Coburg-Gotha
|-
| 405
| A140
| '''Schwanengesang und Marsch aus Hunyadi László '''
| pf
|
| 1847
| Keyboard
| based on themes from the opera {{LinkWork|Hunyadi László||Erkel|Ferenc}}
|-
| 405a
| V{{hs|0}}4
| '''Pásztor Lakodalmus''' (Magyar nóták)
| pf
|
| 1858
| Keyboard
| corrections and alterations to ''Les noces du Pâtre'' by Leo Festetics
|-
| 406/1
| —
| '''Marcia Circassa tratta dall'opera Russlan e Ludmilla di Glinka ''' (Marche des Tcherkesses de l'opera ''Rouslan et Loudmila'')
| pf
|
| 1843
| Keyboard
| based on Chernomor's March (Act IV, No.19) from the opera {{LinkWorkN|Ruslan and Lyudmila||Glinka|Mikhail}}; 1st version of S.406/2
|-
| 406/2
| —
| '''[[Ruslan and Lyudmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''
| pf
|
| 1843, 1875
| Keyboard
| 2nd version of S.406/2; arr. for pf4h as S.629
|-
| 407
| A208
| '''{{LinkWorkN|Valse de l'opéra Faust|S.407|Liszt|Franz|0}}'''
| pf
|
| 1861
| Keyboard
| based on the waltz and duet from Act II of the opera {{LinkWork|Faust||Gounod|Charles}}
|-
| 408
| A231
| '''{{LinkWorkN|Les Sabéennes|S.408|Liszt|Franz|0}}''' (Berceuse de l'opéra ''La reine de Saba'')
| pf
|
| 1865
| Keyboard
| based on the berceuse from the opera {{LinkWork|La reine de Saba||Gounod|Charles}}
|-
| 409
| A237
| '''{{LinkWorkN|Les adieux|S.409|Liszt|Franz|0}}''' (Rêverie sur un motif de l'opéra ''Roméo et Juliette'')
| pf
|
| 1867
| Keyboard
| based on a theme from the opera {{LinkWork|Roméo et Juliette||Gounod|Charles}}
|-
| 409a
| A{{hs|0}}20
| '''{{LinkWorkN|Réminiscences de La juive|S.409a|Liszt|Franz|0}}''' (Fantaisie brillante sur des motifs de l'opéra de Halévy)
| pf
|
| 1835
| Keyboard
| based on themes from the opera {{LinkWork|La Juive||Halévy|Fromental}}
|-
| 410
| A166
| '''{{LinkWorkN|Konzertparaphrase über Mendelssohns Hochzeitsmarsch und Elfenreigen aus der Musik zu Shakespeares Sommernachtstraum|S.410|Liszt|Franz|0}}'''
| pf
|
| 1849–50
| Keyboard
| based on themes from the incidental music to {{LinkWork| A Midsummer Night's Dream|Op.61|Mendelssohn|Felix}}
|-
| 411
| A{{hs|0}}47
| '''{{LinkWorkN|Soirées italiennes|S.411|Liszt|Franz|0}}''' (Amusements sur des motifs de Mercadante) (6):
| pf
|
| 1838–39
| Keyboard
| based on 6 of the 12 ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}
|-
| 411/1
| A{{hs|0}}47/1
| <ul>''La primavera'' (Canzonetta)</ul>
| pf
|
| 1838–39
| Keyboard
| based on No.2 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}
|-
| 411/2
| A{{hs|0}}47/2
| <ul>''Il galop''</ul>
| pf
|
| 1838–39
| Keyboard
| based on No.10 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}
|-
| 411/3
| A{{hs|0}}47/3
| <ul>''Il pastore svizzero'' (Tirolese)</ul>
| pf
|
| 1838–39
| Keyboard
| based on No.4 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}
|-
| 411/4
| A{{hs|0}}47/4
| <ul>''La serenata del marinaro''</ul>
| pf
|
| 1838–39
| Keyboard
| based on No.5 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}
|-
| 411/5
| A{{hs|0}}47/5
| <ul>''Il Brindisi'' (Rondoletto)</ul>
| pf
|
| 1838–39
| Keyboard
| based on No.11 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}
|-
| 411/6
| A{{hs|0}}47/6
| <ul>''La zingarella spagnuola'' (Bolero)</ul>
| pf
|
| 1838–39
| Keyboard
| based on No.8 of the ''Soirées italiennes'' by {{LinkComp|Saverio|Mercadante}}
|-
| 412/1
| A{{hs|0}}35
| '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)
| pf
|
| 1836
| Keyboard
| based on themes from the opera {{LinkWork|Les Huguenots||Meyerbeer|Giacomo}}; 1st version of S.412/2, S.412/3
|-
| 412/2
| A{{hs|0}}35
| '''{{LinkWorkN|Réminiscences des Huguenots|S.412|Liszt|Franz|0}}''' (Grande fantaisie dramatique)
| pf
|
| 1838
| Keyboard
| 2nd version of S.412/1, S.412/3
|-
| 412/3
| A{{hs|0}}35
| '''[[Réminiscences des Huguenots, S.412 (Liszt, Franz)|Grande fantaisie dramatique sur des thèmes de l'opéra Les Huguenots]]'''
| pf
|
| 1842
| Keyboard
| 3rd version of S.412/2, S.412/3
|-
| 412a
| A120
| '''{{LinkWorkN|Cavatine de Robert le Diable|S.412a|Liszt|Franz|0}}
| pf
|
| 1841–46?
| Keyboard
| based on Isabella's cavatina from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}
|-
| 413
| A{{hs|0}}78
| '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}'''
| pf
|
| 1841
| Keyboard
| based on the ''Valse infernale ''and ''Air de ballet ''from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; arr. for pf4h as S.630 [?]
|-
| 414
| A165
| '''{{LinkWorkN|Illustrations du Prophète|S.414|Liszt|Franz|0}}'''
| pf
|
| 1849–50
| Keyboard
| based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}
|-
| 414/1
| A165/1
| <ul>''Prière. Hymne triomphal. Marche du sacre''</ul>
| pf
|
| 1849–50
| Keyboard
| based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}
|-
| 414/2
| A165/2
| <ul>''Les patineurs. Scherzo''</ul>
| pf
|
| 1849–50
| Keyboard
| based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}
|-
| 414/3
| A165/3
| <ul>''Pastorale. Appel aux armes''</ul>
| pf
|
| 1849–50
| Keyboard
| based on themes from the opera {{LinkWork|Le prophète||Meyerbeer|Giacomo}}
|-
| 415
| A230
| '''{{LinkWorkN|Illustrations de l'opéra L'Africaine|S.415|Liszt|Franz|0}}'''
| pf
|
| 1865
| Keyboard
| based on themes from the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}
|-
| 415/1
| A230/1
| <ul>''Prière des matelots''</ul>
| pf
|
| 1865
| Keyboard
| based on the sailors' prayer from Act III of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}
|-
| 415/2
| A230/2
| <ul>''Marche indienne''</ul>
| pf
|
| 1865
| Keyboard
| based on the Indian March from Act IV of the opera ''L'Africaine'' by {{LinkComp|Giacomo|Meyerbeer}}
|-
| 416
| A{{hs|0}}79
| '''[[Le moine (Meyerbeer, Giacomo)|Le moine]]''' [Meyerbeer]
| pf
|
| 1841
| Keyboard
| arr. of the song by {{LinkComp|Giacomo|Meyerbeer}}
|-
| 417
| A232
| '''{{LinkWorkN|Fantaisie sur l'opéra hongroise Szép Ilonka|S.417|Liszt|Franz|0}}'''
| pf
|
| 1865–67
| Keyboard
| based on themes from the opera ''Szép Ilonka'' by Mihály Mosonyi
|-
| 418
| A{{hs|0}}80
| '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)
| pf
|
| 1841
| Keyboard
| based on themes from the opera {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; arr. for 2pf as S.656
|-
| 419
| A{{hs|0}}24
| '''{{LinkWorkN|Grande fantaisie sur des motifs de Niobe|S.419|Liszt|Franz|0}}''' (Divertissement sur la cavatine "I tuoi frequenti palpiti")
| pf
|
| 1835–36
| Keyboard
| based on themes from the opera {{LinkWork|Niobe||Pacini|Giovanni}}
|-
| 420
| A{{hs|0}}15
| '''{{LinkWorkN|Grande fantaisie de bravoure sur La clochette|S.420|Liszt|Franz|0}}'''
| pf
|
| 1832–34
| Keyboard
| based on the main theme of the last movement of the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò}}
|-
| 421
| A183
| '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''
| pf
|
| 1853
| Keyboard
| based on extracts from the opera ''König Alfred'', WoO.14, by {{LinkComp|Joachim|Raff}}; arr. for pf4h as S.631
|-
| 421/1
| A183/1
| <ul>''Andante''</ul>
| pf
|
| 1853
| Keyboard
| arr. for pf4h as S.631/1
|-
| 421/2
| A183/2
| <ul>''Marsch''</ul>
| pf
|
| 1853
| Keyboard
| arr. for pf4h as S.631/2
|-
| 421a
| A{{hs|0}}13
| '''{{LinkWorkN|Introduction des Variations sur une marche du Siège de Corinthe|S.421a|Liszt|Franz|0}}'''
| pf
|
| 1830
| Keyboard
| based on themes from the opera {{LinkWork|Le siège de Corinthe||Rossini|Gioacchino}}; formerly S.750
|-
| 422/1
| A{{hs|0}}25
| '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''
| pf
|
| 1835–36
| Keyboard
| based on Nos.4 and 11 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}; 1st version of S.422/2
|-
| 422/2
| A{{hs|0}}25
| '''{{LinkWorkN|Grande fantaisie sur des motifs de La serenata e L'orgia des Soirées musicales|S.422|Liszt|Franz|0}}'''
| pf
|
| 1840
| Keyboard
| 2nd version of S.422/1
|-
| 423
| A{{hs|0}}26
| '''{{LinkWorkN|Fantaisie sur des motifs de La pastorella dell'Alpi e Li marinari des Soirées musicales|S.423|Liszt|Franz|0}}'''
| pf
|
| 1835–36
| Keyboard
| based on Nos.12 and 6 of the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 424
| A{{hs|0}}36
| '''{{LinkWorkN|Soirées musicales de Rossini|S.424|Liszt|Franz|0}}'''
| pf
|
| 1837
| Keyboard
| based on the song cycle ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 424/1
| A{{hs|0}}36/{{hs|0}}1
| <ul>''La promessa '' (Canzonetta)</ul>
| pf
|
| 1837
| Keyboard
| based on No.1 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 424/2
| A{{hs|0}}36/{{hs|0}}2
| <ul>''La regata veneziana'' (Notturno)</ul>
| pf
|
| 1837
| Keyboard
| based on No.9 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 424/3
| A{{hs|0}}36/{{hs|0}}3
| <ul>''L'invito'' (Bolero)</ul>
| pf
|
| 1837
| Keyboard
| based on No.5 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 424/4
| A{{hs|0}}36/{{hs|0}}4
| <ul>''La gita in gondola'' (Barcarola)</ul>
| pf
|
| 1837
| Keyboard
| based on No.7 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 424/5
| A{{hs|0}}36/{{hs|0}}5
| <ul>''Il rimprovero'' (Canzonetta)</ul>
| pf
|
| 1837
| Keyboard
| based on No.2 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 424/6
| A{{hs|0}}36/{{hs|0}}6
| <ul>''La pastorella dell'Alpi'' (Tirolese)</ul>
| pf
|
| 1837
| Keyboard
| based on No.6 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 424/7
| A{{hs|0}}36/{{hs|0}}7
| <ul>''La partenza'' (Canzonetta)</ul>
| pf
|
| 1837
| Keyboard
| based on No.3 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 424/8
| A{{hs|0}}36/{{hs|0}}8
| <ul>''La pesca '' (Notturno)</ul>
| pf
|
| 1837
| Keyboard
| based on No.10 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 424/9
| A{{hs|0}}36/{{hs|0}}9
| <ul>''La danza'' (Tarantella Napoletana)</ul>
| pf
|
| 1837
| Keyboard
| based on No.8 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 424/10
| A{{hs|0}}36/10
| <ul>''La serenata'' (Notturno)</ul>
| pf
|
| 1837
| Keyboard
| based on No.11 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 424/11
| A{{hs|0}}36/11
| <ul>''L'orgia '' (Arietta)</ul>
| pf
|
| 1837
| Keyboard
| based on No.4 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 424/12
| A{{hs|0}}36/12
| <ul>''Li marinari '' (Duetto)</ul>
| pf
|
| 1837
| Keyboard
| based on No.12 of the ''Les soirées musicales'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 425
| A{{hs|0}}48
| '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)
| pf
|
| 1838–39
| Keyboard
| based on {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; <br>1st version of S.425a
|-
| 425/1
| A{{hs|0}}48/1
| <ul>''Andante''</ul>
| pf
|
| 1838–39
| Keyboard
| based on No.1 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}}; 1st version of S.425a/1
|-
| 425/2a
| A{{hs|0}}48/2
| <ul>''Marche hongroise''</ul>
| pf
|
| 1838–39
| Keyboard
| based on No.2 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425/2b, S.425/2c, S.425/2d, S.425/2e, S.425a/2 ("1st Diabelli edition")
|-
| 425/2b
| A{{hs|0}}48/2
| <ul>''Marche hongroise''</ul>
| pf
|
| 1840
| Keyboard
| 2nd version of S.425/2a, S.425/2c, S.425/2d, S.425/2e, S.425a/2 ("Richault edition")
|-
| 425/2c
| A{{hs|0}}48/2
| <ul>''Marche hongroise''</ul>
| pf
|
| 1840
| Keyboard
| 3rd version of S.425/2a, S.425/2b, S.425/2d, S.425/2e, S.425a/2 ("Lucca edition")
|-
| 425/2d
| A{{hs|0}}48/2
| <ul>''Marche hongroise''</ul>
| pf
|
| 1879
| Keyboard
| 5th version of S.425/2a, S.425/2b, S.425/2c, S.425/2e, S.425a/2 ("Menter transcription")
|-
| 425/2e
| A{{hs|0}}48/2
| <ul>''Marche hongroise''</ul>
| pf
|
| 1883
| Keyboard
| 6th version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425a/2 ("3rd edition")
|-
| 425/3
| A{{hs|0}}48/3
| <ul>''Allegretto''</ul>
| pf
|
| 1838–39
| Keyboard
| based on No.3 of {{LinkWork|Divertissement à la hongroise|D.818|Schubert|Franz}};1st version of S.425a/3
|-
| 425a
| A{{hs|0}}48
| '''{{LinkWorkN|Mélodies hongroises d'après Franz Schubert|S.425|Liszt|Franz|0}} ''' (Schuberts ungarische Melodien)
| pf
|
| 1846
| Keyboard
| 2nd (simplified) version of S.425
|-
| 425a/1
| A{{hs|0}}48/1
| <ul>''Andante''</ul>
| pf
|
| 1846
| Keyboard
| 2nd (simplified) version of S.425a/1
|-
| 425a/2
| A{{hs|0}}48/2
| <ul>''Marcia''</ul>
| pf
|
| 1846
| Keyboard
| 4th (simplified) version of S.425/2a, S.425/2b, S.425/2c, S.425/2d, S.425/e ("2nd Diabelli edition")
|-
| 425a/3
| A{{hs|0}}48/3
| <ul>''Allegretto''</ul>
| pf
|
| 1846
| Keyboard
| 2nd (simplified) version of S.425/3
|-
| 426
| A123
| '''[[3 Märsche von Franz Schubert, S.426 (Liszt, Franz)|Märsche von Franz Schubert]]''' (3):
| pf
|
| 1846
| Keyboard
|
|-
| 426/1
| A123/1
| <ul>''Trauermarsch'' (Grande marche funèbre)</ul>
| pf
|
| 1846
| Keyboard
| based on No.5 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}; arr. for orch as S.363/2, for pf4h as S.632/2
|-
| 426/2
| A123/2
| <ul>''Grande marche''</ul>
| pf
|
| 1846
| Keyboard
| using themes from No.3 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz|0}}, and {{LinkWork|Grande marche funèbre|D.859|Schubert|Franz}}
|-
| 426/3
| A123/3
| <ul>''Grande marche caractéristique''</ul>
| pf
|
| 1846
| Keyboard
| using themes from Nos.1 and 2 of {{LinkWork|2 Marches caractéristiques|D.968b|Schubert|Franz|0}}, and Nos.1 and 2 of {{LinkWork|6 Grandes marches|D.819|Schubert|Franz}}
|-
| 426a
| —
| '''[[3 Marches militaires, D.733 (Schubert, Franz)|Marche militaire]]''' (Grande paraphrase de concert)
| pf
|
| 1870?
| Keyboard
| based on No.1 of {{LinkWork|3 Marches militaires|D.733|Schubert|Franz}}
|-
| 427
| A131
| '''{{LinkWorkN|Soirées de Vienne|S.427|Liszt|Franz|0}}''' (Valses-caprices d''après François Schubert)
| pf
|
| 1846–52
| Keyboard
| based on pf pieces by {{LinkComp|Franz|Schubert}}
|-
| 427/1
| A131/1
| <ul>(Allegretto malinconico)</ul>
| pf
| A{{flat}} major
| 1846–52
| Keyboard
| based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}; {{LinkWork|Wiener Damen-Ländler und Ecossaisen|D.734|Schubert|Franz|0}}; and {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}
|-
| 427/2
| A131/2
| <ul>(Poco Allegro)</ul>
| pf
| A{{flat}} major
| 1846–52
| Keyboard
| based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}, and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}
|-
| 427/3
| A131/3
| <ul>(Allegro vivace)</ul>
| pf
| E major
| 1846–52
| Keyboard
| based on themes from ''[[18 German Dances and Ecossaises, D.783 (Schubert, Franz)|18 Deutsche und Ecossaisen]]'', D.783; {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|38 Waltzes, Ländler and Ecossaises|D.145|Schubert|Franz}}
|-
| 427/4
| A131/4
| <ul>(Andantino a capriccio)</ul>
| pf
| D{{flat}} major
| 1846–52
| Keyboard
| based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}
|-
| 427/5
| A131/5
| <ul>(Moderato cantabile con affetto)</ul>
| pf
| G{{flat}} major
| 1846–52
| Keyboard
| based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}
|-
| 427/6
| A131/6
| <ul>(Allegro con strepito)</ul>
| pf
| A minor
| 1846–52
| Keyboard
| based on themes from {{LinkWork|12 Valses nobles|D.969|Schubert|Franz|0}}; and {{LinkWork|Valses sentimentales|D.779|Schubert|Franz}}; 1st version of S.427/6a, S.427/6b
|-
| 427/6a
| A131/6
| <ul>(Allegro con spirito)</ul>
| pf
| A minor
| 1879
| Keyboard
| 2nd version of S.427/6, S.427/6a
|-
| 427/6b
| A131/6
| <ul>(Allegro con spirito)</ul>
| pf
| A minor
| 1883?
| Keyboard
| 3rd version of S.427/6, S.427/6a
|-
| 427/7
| A131/7
| <ul>(Allegro spiritoso)</ul>
| pf
| A major
| 1846–52
| Keyboard
| based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz}}
|-
| 427/8
| A131/8
| <ul>(Allegro con brio)</ul>
| pf
| D major
| 1846–52
| Keyboard
| based on themes from {{LinkWork|18 German Dances and Ecossaises|D.783|Schubert|Franz|0}} and {{LinkWork|12 Valses nobles|D.969|Schubert|Franz}}
|-
| 427/9
| A131/9
| <ul>(Preludio a capriccio)</ul>
| pf
| A{{flat}} major
| 1846–52
| Keyboard
| based on themes from {{LinkWork|36 Originaltänze|D.365|Schubert|Franz|0}}
|-
| 428
| A115
| '''Feuille morte''' (Élégie d'après Soriano)
| pf
|
| 1845
| Keyboard
| based on an unidentified composition by Mariano Soriano Fuertes
|-
| 429
| A293
| '''[[Eugene Onegin, Op.24 (Tchaikovsky, Pyotr)|Polonaise aus der Oper Jewgeny Onegin]]'''
| pf
|
| 1879
| Keyboard
| based on the ''Polonaise'' from the opera {{LinkWork|Eugene Onegin|Op.24|Tchaikovsky|Pyotr}}
|-
| 430
| A318
| '''{{LinkWorkN|Valse de concert|S.430|Liszt|Franz|0}}'''
| pf
|
| 1882–83
| Keyboard
| based on part of the ''Suite en forme de valse ''by<span class="mw-headline">{{LinkName|János|Végh}}</span>
|-
| 431/1
| A149/1
| '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''
| pf
|
| 1848
| Keyboard
| arr. of Giselda's prayer from the opera {{LinkWork|I Lombardi alla prima crociata||Verdi|Giuseppe}}; 1st version of S.431/2
|-
| 431/2
| A149/2
| '''[[I Lombardi alla prima crociata (Verdi, Giuseppe)|Salve Maria de Jérusalem]] '''
| pf
|
| 1882
| Keyboard
| 2nd version of S.431/1
|-
| 431a
| A138
| '''{{LinkWorkN|Paraphrase de concert sur Ernani I|S.431a|Liszt|Franz|0}}'''
| pf
|
| 1847
| Keyboard
| based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.432
|-
| 432
| A203
| '''{{LinkWorkN|Paraphrase de concert sur Ernani II|S.432|Liszt|Franz|0}}'''
| pf
|
| 1859
| Keyboard
| based on different themes from the opera {{LinkWork|Ernani||Verdi|Giuseppe}} than S.431a
|-
| 433
| A199
| '''{{LinkWorkN|Miserere du Trovatore|S.433|Liszt|Franz|0}}''' (Paraphrase de concert)
| pf
|
| 1859
| Keyboard
| based on the ''Miserere'' from Act IV of the opera {{LinkWork|Il Trovatore||Verdi|Giuseppe}}
|-
| 434
| A187
| '''{{LinkWorkN|Paraphrase de concert sur Rigoletto|S.434|Liszt|Franz|0}}'''
| pf
|
| 1855–59?
| Keyboard
| based on the quartet from Act III of the opera {{LinkWork|Rigoletto||Verdi|Giuseppe}}
|-
| 435
| A240
| '''[[Don Carlos (Verdi, Giuseppe)|Finale de Don Carlos]]''' (Coro di festa e Marcia funebre)
| pf
|
| 1867–68
| Keyboard
| arr. of the finale ("Ce jour est plein d'allégresse") from the opera {{LinkWork|Don Carlos||Verdi|Giuseppe}}
|-
| 436
| A276
| '''{{LinkWorkN|Danza sacra e duetto finale d’Aida|S.436|Liszt|Franz|0}}'''
| pf
|
| 1876?
| Keyboard
| arrs. of extracts from
|-
| 437/1
| A284
| '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''
| pf
|
| 1877
| Keyboard
| based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.437/1
|-
| 437/2
| A284
| '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''
| pf
|
| 1882
| Keyboard
| 2nd version of S.437/2
|-
| 438
| A314
| '''{{LinkWorkN|Réminiscences de Boccanegra|S.438|Liszt|Franz|0}}'''
| pf
|
| 1882
| Keyboard
| based on themes from the rev. version of the opera {{LinkWork|Simon Boccanegra||Verdi|Giuseppe}}
|-
| 439
| A200
| '''{{LinkWorkN|Phantasiestück über Motive aus Rienzi|S.439|Liszt|Franz|0}}'''
| pf
|
| 1859
| Keyboard
| based on the battle-hymn "Santo spitiro cavaliere" (Act III, No.10) from the opera {{LinkWork|Rienzi|WWV 49|Wagner|Richard}}
|-
| 440
| A204
| '''{{LinkWorkN|Spinnerlied aus dem Fliegenden Holländer|S.440|Liszt|Franz|0}} '''
| pf
|
| 1860
| Keyboard
| based on the ''Chœur des fileuses'' from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}
|-
| 441
| A259
| '''{{LinkWorkN|Ballade aus dem Fliegenden Holländer|S.441|Liszt|Franz|0}} '''
| pf
|
| 1872
| Keyboard
| based on Senta's ballad from Act II of the opera {{LinkWork|Der fliegende Holländer| WWV 63|Wagner|Richard}}
|-
| 442
| A146
| '''{{LinkWorkN|Ouvertüre zu Tannhäuser|S.442|Liszt|Franz|0}}'''
| pf
|
| 1848
| Keyboard
| based on the Overture to the opera {{LinkWorkN|Tannhäuser|WWV 70|Wagner|Richard}}
|-
| 443/1
| A210a
| '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''
| pf
|
| 1861
| Keyboard
| based on the opening of the overture from the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.443/2
|-
| 443/2
| A210b
| '''{{LinkWorkN|Pilgerchor aus Tannhäuser|S.443|Liszt|Franz|0}}'''
| pf
|
| 1885?
| Keyboard
| 2nd version of S.443/1
|-
| 444
| A163
| '''{{LinkWorkN|O du mein holder Abendstern|S.444|Liszt|Franz|0}}''' (Rezitativ und Romanze aus der Oper Tannhäuser)
| pf
|
| 1849
| Keyboard
| based on Wolfram's aria from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; arr. for vc pf (with {{LinkComp|Bernhard|Cossmann}}) as S.380
|-
| 445
| A176
| '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):
| pf
|
| 1852
| Keyboard
| arr. for pf4h as S.634b
|-
| 445/1a
| A176/1
| <ul>''Einzug der Gäste auf der Wartburg''</ul>
| pf
|
| 1852
| Keyboard
| based on the March from Act II of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; <br>1st version of S.445/1b, S.445/1c; arr. for pf4h as S.634b/1
|-
| 445/1b
| A176/1
| <ul>''Einzug der Gäste auf der Wartburg ''</ul>
| pf
|
| 1874
| Keyboard
| 2nd version of S.445/1a, S.445/1c
|-
| 445/1c
| A176/1
| <ul>''Einzug der Gäste auf der Wartburg ''</ul>
| pf
|
| 1876
| Keyboard
| 3rd version ("Neue vermehtre Ausgabe") of S.445/1a, S.445/1b
|-
| 445/2
| A176/2
| <ul>''Elsas Brautzug zum Münster''</ul>
| pf
|
| 1852
| Keyboard
| based on Elsa's bridal procession from Act II of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}; arr. for pf4h as S.634b/2
|-
| 446
| A185
| '''{{LinkWorkN| Aus Lohengrin|S.446|Liszt|Franz|0}}'''
| pf
|
| 1854
| Keyboard
| based on themes from the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}
|-
| 446/1
| A185/1
| <ul>''Festspiel und Brautlied ''</ul>
| pf
|
| 1854
| Keyboard
| based on the Prelude and Bridal Chorus from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}
|-
| 446/2
| A185/2
| <ul>''Elsas Traum''</ul>
| pf
|
| 1854
| Keyboard
| based on Elsa's Dream from Act I of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}
|-
| 446/3
| A185/3
| <ul>''Lohengrins Verweis an Elsa''</ul>
| pf
|
| 1854
| Keyboard
| based on Lohengrin's Rebuke to Elsa from Act III of the opera {{LinkWork|Lohengrin|WWV 75|Wagner|Richard}}
|-
| 447
| A239
| '''[[Tristan und Isolde, WWV 90 (Wagner, Richard)|Isoldens Liebestod]]''' (Schlußszene)
| pf
|
| 1867
| Keyboard
| arr. of the transfiguration scene from the opera {{LinkWork|Tristan und Isolde|WWV 90|Wagner|Richard}}
|-
| 448
| A254
| '''{{LinkWorkN| Am stillen Herd|S.448|Liszt|Franz|0}}'''
| pf
|
| 1871
| Keyboard
| based on the song from Act I of {{LinkWork|Die Meistersinger von Nürnberg|WWV 96|Wagner|Richard|0}}
|-
| 449
| A269
| '''{{LinkWorkN|Walhall aus Der Ring des Nibelungen|S.449|Liszt|Franz|0}}'''
| pf
|
| 1875
| Keyboard
| based on themes from the final scene of the opera {{LinkWork|Das Rheingold|WWV 86A|Wagner|Richard}}
|-
| 450
| A315
| '''{{LinkWorkN|Feierlicher Marsch zum heiligen Gral aus Parsifal|S.450|Liszt|Franz|0}}'''
| pf
|
| 1882
| Keyboard
| based on the theme of the march from Act I of the opera {{LinkWork|Parsifal|WWV 111|Wagner|Richard}}
|-
| 451
| A{{hs|0}}68
| '''Freischütz Fantasie'''
| pf
|
| 1840
| Keyboard
| based on "Und ob die Wolke sie verhülle" (Act III) and Waltz (Act I) from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von}}
|-
| 452
| A151
| '''{{LinkWorkN|Leyer und Schwerdt|S.452|Liszt|Franz|0}}''' (Heroide nach Carl Maria von Weber)
| pf
|
| 1848
| Keyboard
| based on the themes of Nos.6, 3 and 2 from the choral song collection ''Leyer und Schwerdt'' by {{LinkComp|Carl Maria von|Weber}}
|-
| 453
| A152
| '''{{LinkWorkN|Einsam bin ich, nicht allein|S.453|Liszt|Franz|0}}''' (Volkslied aus dem Schauspiel Preziosa)
| pf
|
| 1848
| Keyboard
| based on Preciosa's song (Act II, No.7) from the incidental music to {{LinkWork|Preciosa|Op.78|Weber|Carl Maria von}}
|-
| 454
| A150
| '''{{LinkWorkN|Schlummerlied mit Arabesken|S.454|Liszt|Franz|0}}'''
| pf
|
| 1848
| Keyboard
| based on the chorus ''Schlummerlied'', Op.68 No.4, by {{LinkComp|Carl Maria von|Weber}}
|-
| 455
| A175
| '''[[Polacca brillante, Op.72 (Weber, Carl Maria von)|Polacca brillante]]''' [Weber]
| pf
|
| 1851
| Keyboard
| arr. of the {{LinkWork|Polacca brillante|Op.72|Weber|Carl Maria von}}; arr. for pf orch as S.367
|-
| 456
| A281
| '''Valse d'Adèle''' (Transcription brillante)
| pf
|
| 1877
| Keyboard
| arr. of No.3 of {{LinkWork|6 Etudes pour la main gauche seule||Zichy|Géza}}
|-
| 457*
| —
|
|
|
|
|
| number not allocated
|-
| 458
| A{{hs|0}}51
| '''Réminiscences de La Scala''' (Fantasie über italienische Opernmelodien)
| pf
|
| 1838–39
| Keyboard
| using themes from the opera {{LinkWorkN|Il giuramento||Mercadante|Saverio}} and another unidentified source
|-
| 459*
| —
|
|
|
|
|
| number not allocated
|-
| 460
| A330
| '''{{LinkWorkN|Kavallerie-Geschwindmarsch|S.460|Liszt|Franz|0}}'''
| pf
|
| 1883?
| Keyboard
| possibly 2nd version of S.233 
|- style="background:#ccffcc" id="Transcriptions"
| {{hs|460z}}461–577ter
| —
| align="center"|<h5>Partitions de Piano, Transcriptions, etc.</h5>
|
|
|
|
|
|-
| 461/1
| A217
| '''[[À la Chapelle Sixtine, S.461 (Liszt, Franz)|À la Chapelle Sixtine]]''' (Miserere d'Allegri et Ave verum Corpus de Mozart)
| pf
|
| 1862
| Keyboard
| based on the {{LinkWork|Miserere||Allegri|Gregorio}} and {{LinkWork|Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; 1st version of S.461/2; arr. for orch as S.360
|-
| 461/2
| A217
| '''[[À la Chapelle Sixtine, S.461 (Liszt, Franz)|À la Chapelle Sixtine]]''' (Miserere d'Allegri et Ave verum Corpus de Mozart)
| pf
|
| 1862
| Keyboard
| 2nd version of S.461/1; arr. for pf4h as S.633, for org as S.658
|-
| 461a
| —
| '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''
| pf
|
| 1867
| Keyboard
| arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for org/harm as S.674d
|-
| 462
| A{{hs|0}}92
| '''{{LinkWorkN|Preludes and Fugues by J.S. Bach|S.462|Liszt|Franz|0}}''' (6):
| pf
|
| 1842–50
| Keyboard
|
|-
| 462/1
| A{{hs|0}}92/1
| <ul>''Präludium und Fuge''</ul>
| pf
| A minor
| 1842–50
| Keyboard
| arr. of {{LinkWork|Prelude and Fugue|BWV 543, A minor|Bach|Johann Sebastian}}
|-
| 462/2
| A{{hs|0}}92/2
| <ul>''Präludium und Fuge''</ul>
| pf
| C major
| 1842–50
| Keyboard
| arr. of {{LinkWork|Prelude and Fugue|BWV 545, C major|Bach|Johann Sebastian}}
|-
| 462/3
| A{{hs|0}}92/3
| <ul>''Präludium und Fuge''</ul>
| pf
| C minor
| 1842–50
| Keyboard
| arr. of {{LinkWork|Prelude and Fugue|BWV 546, C minor|Bach|Johann Sebastian}}
|-
| 462/4
| A{{hs|0}}92/4
| <ul>''Präludium und Fuge''</ul>
| pf
| C major
| 1842–50
| Keyboard
| arr. of {{LinkWork|Prelude and Fugue|BWV 547, C major|Bach|Johann Sebastian}}
|-
| 462/5
| A{{hs|0}}92/5
| <ul>''Präludium und Fuge''</ul>
| pf
| E minor
| 1842–50
| Keyboard
| arr. of {{LinkWork|Prelude and Fugue|BWV 548, E minor|Bach|Johann Sebastian}}
|-
| 462/6
| A{{hs|0}}92/6
| <ul>''Präludium und Fuge''</ul>
| pf
| B minor
| 1842–50
| Keyboard
| arr. of {{LinkWork|Prelude and Fugue|BWV 544, B minor|Bach|Johann Sebastian}}
|-
| 463
| A244
| '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''
| pf
| G minor
| 1861?
| Keyboard
| arr. of {{LinkWork|Fantasia and Fugue|BWV 542, G minor|Bach|Johann Sebastian}}
|-
| 463
| A244
| '''[[Fantasia and Fugue, BWV 542, G minor (Bach, Johann Sebastian)|Orgel Fantasie und Fuge]]'''
| pf
| G minor
| 1868
| Keyboard
| 2nd version of S.463/1
|-
| 463a
| A{{hs|0}}37b/1
| '''Symphonie No.5 de Beethoven'''
| pf
| C minor
| 1837
| Keyboard
| arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 1st version of S.464/5
|-
| 463b
| A{{hs|0}}37b/2
| '''Symphonie No.6 de Beethoven'''
| pf
| F major
| 1837
| Keyboard
| arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};1st version of S.463c, S.464/6
|-
| 463c
| A{{hs|0}}37b/2
| '''Symphonie No.6 de Beethoven'''
| pf
| F major
| 1837
| Keyboard
| arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}};2nd version of S.463b, S.464/6
|-
| 463d
| A{{hs|0}}37b/3
| '''Symphonie No.7 de Beethoven'''
| pf
| A major
| 1837
| Keyboard
| arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 1st version of S.464/7
|-
| 463e
| A{{hs|0}}37a
| '''Marche funèbre de la Symphonie héroïque de Beethoven'''
| pf
|
| 1837
| Keyboard
| arr. of movt. III from the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; rev. in S.464/3
|-
| 464
| A{{hs|0}}37
| '''[[Beethoven Symphonies, S.464 (Liszt, Franz)|Symphonies de Beethoven]]''' (9):
| pf
|
| 1863–64
| Keyboard
|
|-
| 464/1
| A{{hs|0}}37c/1
| <ul>''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphonie No.1 de Beethoven]]''</ul>
| pf
| C major
| 1863–64
| Keyboard
| arr. of the {{LinkWork|Symphony No.1|Op.21|Beethoven|Ludwig van}}
|-
| 464/2
| A{{hs|0}}37c/2
| <ul>''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphonie No.2 de Beethoven]]''</ul>
| pf
| D major
| 1863–64
| Keyboard
| arr. of the {{LinkWork|Symphony No.2|Op.36|Beethoven|Ludwig van}};
|-
| 464/3
| A{{hs|0}}37c/3
| <ul>''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphonie No.3 de Beethoven]]''</ul>
| pf
| E{{flat}} major
| 1863–64
| Keyboard
| arr. of the {{LinkWork|Symphony No.3|Op.55|Beethoven|Ludwig van}}; movt.II based on S.463e
|-
| 464/4
| A{{hs|0}}37c/4
| <ul>''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphonie No.4 de Beethoven]]''</ul>
| pf
| B{{flat}} major
| 1863–64
| Keyboard
| arr. of the {{LinkWork|Symphony No.4|Op.60|Beethoven|Ludwig van}};
|-
| 464/5
| A{{hs|0}}37c/5
| <ul>''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphonie No.5 de Beethoven]]''</ul>
| pf
| C minor
| 1863–64
| Keyboard
| arr. of the {{LinkWork|Symphony No.5|Op.67|Beethoven|Ludwig van}}; 2nd version of S.463a
|-
| 464/6
| A{{hs|0}}37c/6
| <ul>''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphonie No.6 de Beethoven]]''</ul>
| pf
| F major
| 1863–64
| Keyboard
| arr. of the {{LinkWork|Symphony No.6|Op.68|Beethoven|Ludwig van}}; 3rd version of S.463b, S.463c
|-
| 464/7
| A{{hs|0}}37c/7
| <ul>''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphonie No.7 de Beethoven]]''</ul>
| pf
| A major
| 1863–64
| Keyboard
| arr. of the {{LinkWork|Symphony No.7|Op.92|Beethoven|Ludwig van}}; 2nd version of S.463c
|-
| 464/8
| A{{hs|0}}37c/8
| <ul>''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphonie No.8 de Beethoven]]''</ul>
| pf
| F major
| 1863–64
| Keyboard
| arr. of the {{LinkWork|Symphony No.8|Op.93|Beethoven|Ludwig van}}
|-
| 464/9
| A{{hs|0}}37c/9
| <ul>''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphonie No.9 de Beethoven]]''</ul>
| pf
| D minor
| 1863–64
| Keyboard
| arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.657
|-
| 465
| A{{hs|0}}69
| '''Grand septuor de Beethoven'''
| pf
|
| 1840
| Keyboard
| arr. of the {{LinkWork|Septet|Op.20|Beethoven|Ludwig van}}; also arr. for pf4h as S.634
|-
| 466a
| A{{hs|0}}58
| '''Adelaide von Beethoven'''
| pf
|
| 1839
| Keyboard
| arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};1st version of S.466, S.466b
|-
| 466b
| A{{hs|0}}58
| '''Adelaide von Beethoven'''
| pf
|
| 1841
| Keyboard
| arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};2nd version of S.466, S.466a
|-
| 466
| A{{hs|0}}58
| '''{{LinkWorkN|Adelaide|Op.46|Beethoven|Ludwig van|1}}'''
| pf
|
| 1847
| Keyboard
| arr. of the song {{LinkWork| Adelaide|Op.46|Beethoven|Ludwig van}};3rd version of S.466a, S.466b
|-
| 467
| A{{hs|0}}70
| '''[[6 Lieder von Gellert, Op.48 (Beethoven, Ludwig van)|Beethovens geistliche Lieder von Gellert]]''' (6):
| pf
|
| 1840
| Keyboard
| arr. of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}; published as vol.1 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert ''
|-
| 467/1
| A{{hs|0}}70/1
| <ul>''Gottes Macht und Vorsehung''</ul>
| pf
|
| 1840
| Keyboard
| arr. of No.5 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}
|-
| 467/2
| A{{hs|0}}70/2
| <ul>''Bitten''</ul>
| pf
|
| 1840
| Keyboard
| arr. of No.1 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}
|-
| 467/3
| A{{hs|0}}70/3
| <ul>''Bußlied''</ul>
| pf
|
| 1840
| Keyboard
| arr. of No.6 {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}
|-
| 467/4
| A{{hs|0}}70/4
| <ul>''Vom Tode''</ul>
| pf
|
| 1840
| Keyboard
| arr. of No.3 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}
|-
| 467/5
| A{{hs|0}}70/5
| <ul>''Die Liebe des Nächsten''</ul>
| pf
|
| 1840
| Keyboard
| arr. of No.2 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}
|-
| 467/6
| A{{hs|0}}70/6
| <ul>''Die Ehre Gottes aus der Natur''</ul>
| pf
|
| 1840
| Keyboard
| arr. of No.4 of {{LinkWork|6 Lieder von Gellert|Op.48|Beethoven|Ludwig van}}
|-
| 468
| A161
| '''[[Beethovens Lieder von Goethe, S.468 (Liszt, Franz)|Beethovens Lieder von Goethe]]''' (6)
| pf
|
| 1849
| Keyboard
|
|-
| 468/1
| A161/1
| <ul>''Mignon''</ul>
| pf
|
| 1849
| Keyboard
| arr. of No.1 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}
|-
| 468/2
| A161/2
| <ul>''Mit einem gemalten Bande''</ul>
| pf
|
| 1849
| Keyboard
| arr. of No.3 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}
|-
| 468/3
| A161/3
| <ul>''Freudvoll und leidvoll''</ul>
| pf
|
| 1849
| Keyboard
| arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}
|-
| 468/4
| A161/4
| <ul>''Es war einmal ein König''</ul>
| pf
|
| 1849
| Keyboard
| arr. of No.3 of {{LinkWork|6 Songs|Op.75|Beethoven|Ludwig van}}
|-
| 468/5
| A161/5
| <ul>''Wonne der Wehmut''</ul>
| pf
|
| 1849
| Keyboard
| arr. of No.1 of {{LinkWork|3 Songs|Op.83|Beethoven|Ludwig van}}
|-
| 468/6
| A161/6
| <ul>''Die Trommel gerühret''</ul>
| pf
|
| 1849
| Keyboard
| arr. of the song from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}
|-
| 469
| A162
| '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)| An die ferne Geliebte]]''' (Liederkreis von Ludwig van Beethoven):
| pf
|
| 1849
| Keyboard
| arr. of the song cycle {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}
|-
| 469/1
| A162/1
| <ul>''Auf dem Hügel''</ul>
| pf
|
| 1849
| Keyboard
| arr. of No.1 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}
|-
| 469/2
| A162/2
| <ul>''Wo die Bergen''</ul>
| pf
|
| 1849
| Keyboard
| arr. of No.2 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}
|-
| 469/3
| A162/3
| <ul>''Leichte Segler''</ul>
| pf
|
| 1849
| Keyboard
| arr. of No.3 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}
|-
| 469/4
| A162/4
| <ul>''Diese Wolken''</ul>
| pf
|
| 1849
| Keyboard
| arr. of No.4 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}
|-
| 469/5
| A162/5
| <ul>''Es kehret der Maien''</ul>
| pf
|
| 1849
| Keyboard
| arr. of No.5 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}
|-
| 469/6
| A162/6
| <ul>''Nimm sie hin denn''</ul>
| pf
|
| 1849
| Keyboard
| arr. of No.6 from {{LinkWork| An die ferne Geliebte|Op.98|Beethoven|Ludwig van}}
|-
| 470
| A{{hs|0}}16a
| '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Episode de la vie d'un artiste]]''' (Grande symphonie fantastique par Hector Berlioz)
| pf
|
| 1833
| Keyboard
| arr. of the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}; 4th movement rev. as S.470a/2
|-
| 470a/1
| A{{hs|0}}16b
| '''{{LinkWorkN|L'idée fixe|S.470a/1|Liszt|Franz|0}}''' (Andante amoroso d'après une mélodie de Berlioz)
| pf
|
| 1833
| Keyboard
| formerly S.395; based on the main theme from the {{LinkWork|Symphonie fantastique|H 48|Berlioz|Hector}}
|-
| 470a/2
| A{{hs|0}}16c
| '''[[Symphonie fantastique, H 48 (Berlioz, Hector)|Marche au supplice de la Symphonie fantastique]]''' (Episode de la vie d'un artiste de Hector Berlioz)
| pf
|
| 1865
| Keyboard
| 2nd version of 4th movement from S.470
|-
| 471
| A{{hs|0}}31
| '''[[Les Francs-Juges, H 23 (Berlioz, Hector)|Ouverture des Francs-juges de Hector Berlioz]]'''
| pf
|
| 1833
| Keyboard
| arr. of the concert overture to the opera {{LinkWork|Les francs-juges|H 23|Berlioz|Hector}}
|-
| 472/1
| D{{hs|0}}5a
| '''Harold en Italie''' (Symphonie de Berlioz)
| pf (+ va)
|
| 1836
| Keyboard
| arr. of the symphony {{LinkWork|Harold en Italie|H 68|Berlioz|Hector}}; 1st version of S.472/2
|-
| 472/2
| D{{hs|0}}5b
| '''[[Harold en Italie, H 68 (Berlioz, Hector)|Harold en Italie]]''' (Symphonie de Berlioz)
| pf (+ va)
|
| 1850–59?
| Keyboard
| 2nd version of S.472/1
|-
| 473/1
| A{{hs|0}}29a
| '''Marche des pèlerins chantant la prière du soir ''' (de la symphonie Harold en Italie de Hector Berlioz)
| pf
|
| 1836–37
| Keyboard
| 1st version of S.473/1
|-
| 473/2
| A{{hs|0}}29b
| '''Marche des pèlerins''' (de la symphonie Harold en Italie de Hector Berliioz)
| pf
|
| 1862
| Keyboard
| 2nd version of S.473/2
|-
| 474
| A{{hs|0}}30
| '''Ouverture du Roi Lear de Hector Berlioz'''
| pf
|
| 1836–37
| Keyboard
| arr. of the overture to {{LinkWork|Roi Lear|H 53|Berlioz|Hector}}
|-
| 475
| A205
| '''Danse des Sylphes de La damnation de Faust de Hector Berlioz'''
| pf
|
| 1860
| Keyboard
| arr. of the ''Ballet des Sylphes'' from part II of {{LinkWork|La damnation de Faust|H 111|Berlioz|Hector}}
|-
| 476
| A{{hs|0}}38a
| '''Esmeralda ''' (Opéra en 4 actes de L. Bertin)
| vv ch pf
|
| 1837
| Stage
| vocal score arr. of the opera ''La Esmeralda'' by Louise Angelique Bertin; see also S.477 and S.477a
|-
| 477
| A{{hs|0}}38b
| '''Air chanté par Massol de Esmerelda de L. Bertin'''
| pf
|
| 1837
| Keyboard
| arr. of Quasimodo's aria "Mon Dieu! j'aime" (No.13) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476; re-used in S.478/2
|-
| 477a
| A{{hs|0}}38c
| '''Morceaux detachés d'Esmeralda de L. Bertin''' (3):
| pf
|
| 1837
| Keyboard
| arrs. of extracts from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476
|-
| 477a/1
| A{{hs|0}}38c/1
| <ul>''Entracte, Recitatif et Romance''</ul>
| pf
|
| 1837
| Keyboard
| arr. of "Quoi! lui" (No.11) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476
|-
| 477a/2
| A{{hs|0}}38c/2
| <ul>''Air''</ul>
| pf
|
| 1837
| Keyboard
| see S.476
|-
| 477a/3
| A{{hs|0}}38c/3
| <ul>''Scène et Trio''</ul>
| pf
|
| 1837
| Keyboard
| arr. of "D'ici vous pourrez voir, sans être vu" (No.10) from the opera ''La Esmeralda'' by Louise Angelique Bertin; extracted from S.476
|-
| 478
| A{{hs|0}}99
| '''{{LinkWorkN|Russischer Galop|S.478|Liszt|Franz|0}}'''
| pf
|
| 1843
| Keyboard
| arr. of the song ''You Will Not Believe'' by {{LinkName|Pyotr|Bulakhov}}
|-
| 479
| A265
| '''Tanto gentile e tanto onesta''' (Dante's Sonett von Hans von Bülow)
| pf
|
| 1874
| Keyboard
| arr. of the song ''Wenn sie euch grüsst mit freundlicher Gebärde'', Op.22, by {{LinkComp|Hans von|Bülow}}
|-
| 480
| A193
| '''[[6 Polish Songs, S.480 (Liszt, Franz)|Polish Songs]]''' (6) (after Chopin)
| pf
|
| 1857–60
| Keyboard
| arr. of 6 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}
|-
| 480/1
| A193/1
| <ul>''Mädchens Wunsch'' (Zyczenie)</ul>
| pf
|
| 1857–60
| Keyboard
| arr. of No.1 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}
|-
| 480/2
| A193/2
| <ul>''Frühling'' (Wiosna)</ul>
| pf
|
| 1857–60
| Keyboard
| arr. of No.2 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}
|-
| 480/3
| A193/3
| <ul>''Das Ringlein'' (Pierścień)</ul>
| pf
|
| 1857–60
| Keyboard
| arr. of No.14 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}
|-
| 480/4
| A193/4
| <ul>''Bacchanal'' (Hulanka)</ul>
| pf
|
| 1857–60
| Keyboard
| arr. of No.4 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}
|-
| 480/5,
| A193/5
| <ul>''Meine Freuden '' (Moja pieszczotka)</ul>
| pf
|
| 1857–60
| Keyboard
| arr. of No.12 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}};1st version of S.480/5bis
|-
| 480/5bis
| A193/5
| <ul>''Mes Joies''</ul>
| pf
|
| 1860 or later
| Keyboard
| 2nd version of S.480
|-
| 480/6
| A193/6
| <ul>''Die Heimkehr'' (Narzeczony)</ul>
| pf
|
| 1857–60
| Keyboard
| arr. of No.15 of the {{LinkWork|Polish Songs|Op.74|Chopin|Frederic}}
|-
| 481
| A147
| '''[[2 Zigeuner-Polkas, Op.5 (Conradi, August)|Zigeuner-Polka]]''' (La célèbre Zigeunerpolka d'August Conradi)
| pf
|
| 1848
| Keyboard
| arr. of No.2 of {{LinkWork|2 Zigeuner-Polkas|Op.5|Conradi| August}}
|-
| 482
| A327
| '''[[Tarantella in G minor, Op.12 (Cui, César)|Tarentelle de César Cui]]'''
| pf
|
| 1885
| Keyboard
| arr. of the {{LinkWork|Tarantella|Op.12|Cui|César}}
|-
| 483
| A291
| '''[[Slavonic Tarantella (Dargomyzhsky, Aleksandr)|Tarantella de Dargomijski]]'''
| pf
|
| 1879
| Keyboard
| arr. of the ''Tarantella slave'' by {{LinkComp|Aleksandr|Dargomyzhsky}}
|-
| 483bis
| A{{hs|0}}91
| '''Souvenir de Russie ''' (d'après Ferdinand David)
| pf
| B{{flat}} minor
| 1842
| Keyboard
| arr. of No.22 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}};1st version of S.484/22
|-
| 484
| A170
| '''[[Bunte Reihe, Op.30 (David, Ferdinand)|Bunte Reihe]]''' (24 Stücke von Ferdinand David)
| pf
|
| 1850
| Keyboard
| arr. of the collection {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/1
| A170/{{hs|0}}1
| <ul>''Scherzo''</ul>
| pf
| C major
| 1850
| Keyboard
| arr. of No.1 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/2
| A170/{{hs|0}}2
| <ul>''Erinnerung''</ul>
| pf
| C minor
| 1850
| Keyboard
| arr. of No.2 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/3
| A170/{{hs|0}}3
| <ul>''Mazurka''</ul>
| pf
| D{{flat}} major
| 1850
| Keyboard
| arr. of No.3 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/4
| A170/{{hs|0}}4
| <ul>''Tanz''</ul>
| pf
| C{{sharp}} mino
| 1850
| Keyboard
| arr. of No.4 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/5
| A170/{{hs|0}}5
| <ul>''Kinderlied''</ul>
| pf
| D major
| 1850
| Keyboard
| arr. of No.5 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/6
| A170/{{hs|0}}6
| <ul>''Capriccio''</ul>
| pf
| D minor
| 1850
| Keyboard
| arr. of No.6 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/7
| A170/{{hs|0}}7
| <ul>''Bolero''</ul>
| pf
| E{{flat}} major
| 1850
| Keyboard
| arr. of No.7 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/8
| A170/{{hs|0}}8
| <ul>''Elegie''</ul>
| pf
| E{{flat}} minor
| 1850
| Keyboard
| arr. of No.8 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/9
| A170/{{hs|0}}9
| <ul>''Marsch''</ul>
| pf
| E major
| 1850
| Keyboard
| arr. of No.9 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/10
| A170/10
| <ul>''Toccata''</ul>
| pf
| E minor
| 1850
| Keyboard
| arr. of No.10 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/11
| A170/11
| <ul>''Gondellied''</ul>
| pf
| F major
| 1850
| Keyboard
| arr. of No.11 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/12
| A170/12
| <ul>''Im Sturm''</ul>
| pf
| F minor
| 1850
| Keyboard
| arr. of No.12 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/13
| A170/13
| <ul>''Romanze''</ul>
| pf
| F{{sharp}} major
| 1850
| Keyboard
| arr. of No.13 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/14
| A170/14
| <ul>''Allegro agitato''</ul>
| pf
| F{{sharp}} minor
| 1850
| Keyboard
| arr. of No.14 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/15
| A170/15
| <ul>''Menuetto''</ul>
| pf
| G major
| 1850
| Keyboard
| arr. of No.15 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/16
| A170/16
| <ul>''Etüde''</ul>
| pf
| G minor
| 1850
| Keyboard
| arr. of No.16 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/17
| A170/17
| <ul>''Intermezzo''</ul>
| pf
| A{{flat}} major
| 1850
| Keyboard
| arr. of No.17 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/18
| A170/18
| <ul>''Serenade''</ul>
| pf
| G{{sharp}} minor
| 1850
| Keyboard
| arr. of No.18 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/19
| A170/19
| <ul>''Ungarisch''</ul>
| pf
| A major
| 1850
| Keyboard
| arr. of No.19 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}; 1st version of S.484/19bis
|-
| 484/19bis
| A170/19b
| <ul>''Ungarisch''</ul>
| pf
| A major
| 1850
| Keyboard
| 2nd version of S.484/19
|-
| 484/20
| A170/20
| <ul>''Tarantella''</ul>
| pf
| A minor
| 1850
| Keyboard
| arr. of No.20 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/21
| A170/21
| <ul>''Impromptu''</ul>
| pf
| B{{flat}} major
| 1850
| Keyboard
| arr. of No.21 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/22
| A170/22
| <ul>''Im russischer Weise''</ul>
| pf
| B{{flat}} minor
| 1850
| Keyboard
| 2nd version of S.483bis
|-
| 484/23
| A170/23
| <ul>''Lied''</ul>
| pf
| B major
| 1850
| Keyboard
| arr. of No.23 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 484/24
| A170/24
| <ul>''Capriccio ''</ul>
| pf
| B mnor
| 1850
| Keyboard
| arr. of No.24 from {{LinkWork|Bunte Reihe|Op.30|David|Ferdinand}}
|-
| 485
| A130
| '''{{LinkWorkN|Dessauers Lieder|S.485|Liszt|Franz|0}}''' (3):
| pf
|
| 1846–47
| Keyboard
|
|-
| 485/1
| A130/1
| <ul>''Lockung''</ul>
| pf
|
| 1846–47
| Keyboard
| arr. of the song by Josef Desauer
|-
| 485/2
| A130/2
| <ul>''Zwei Wege''</ul>
| pf
|
| 1846–47
| Keyboard
| arr. of the song by Josef Desauer
|-
| 485/3
| A130/3
| <ul>''Spanisches Lied '' (Bolero)</ul>
| pf
|
| 1846–47
| Keyboard
| arr. of the song by Josef Desauer
|-
| 485a
| A251
| '''Der Schwur am Rütli ''' (von F. Draeseke)
| pf
|
| 1870
| Keyboard
| arr. of the cantata by {{LinkComp|Felix|Draeseke}}
|-
| 485b
| A{{hs|0}}89
| '''Die Gräberinsel''' (Lied von Ernst, Herzog zu Sachsen-Coburg-Gotha)
| pf
|
| 1842
| Keyboard
| arr. of the song by Ernst II, Duke of Saxe-Coburg-Gotha
|-
| 486
| A261
| '''Szózat und Ungarischer Hymnus''' (Szózat és Magyar Himnusz)
| pf
|
| 1872
| Keyboard
| arr. of S.353
|-
| 487
| A110
| '''{{LinkWorkN|Spanisches Ständchen|S.487|Liszt|Franz|0}}''' (Melodie von Graf Leó Festetics)
| pf
|
| 1844
| Keyboard
| arr. of the song by Leo Festetics
|-
| 488
| A154
| '''[[12 Gesänge, Op.4 (Franz, Robert)|Er ist gekommen in Sturm und Regen]]''' (Lied von Robert Franz)
| pf
|
| 1848
| Keyboard
| arr. of No.7 of {{LinkWork|12 Gesänge|Op.4|Franz|Robert}}
|-
| 489
| A157
| '''Lieder von Robert Franz''' (12):<br>Heft I: ''Schilflieder''
| pf
|
| 1848
| Keyboard
|
|-
| 489/1
| A157/1
| <ul>''Auf geheimen Waldespfadeie''</ul>
| pf
|
| 1848
| Keyboard
| arr. of No.1 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}
|-
| 489/2
| A157/2
| <ul>''Drüben geht die Sonne scheiden''</ul>
| pf
|
| 1848
| Keyboard
| arr. of No.2 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}
|-
| 489/3
| A157/3
| <ul>''Trübe wird's''</ul>
| pf
|
| 1848
| Keyboard
| arr. of No.3 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}
|-
| 489/4
| A157/4
| <ul>''Sonnenuntergang''</ul>
| pf
|
| 1848
| Keyboard
| arr. of No.4 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}
|-
| 489/5
| A157/5
| <ul>''Auf dem Teich''</ul>
| pf
|
| 1848
| Keyboard
| arr. of No.5 of ''Schilflieder'', Op.2, by {{LinkComp|Robert|Franz}}
|-
| {{hs|489/5a}}
| A157/5a
| '''Lieder von Robert Franz''' (12):<br>Heft II: ''Drei Lieder''
| pf
|
| 1848
| Keyboard
|
|-
| 489/6
| A157/6
| <ul>''Der Schalk ''</ul>
| pf
|
| 1848
| Keyboard
| arr. of No.1 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}
|-
| 489/7
| A157/7
| <ul>''Der Bote''</ul>
| pf
|
| 1848
| Keyboard
| arr. of No.1 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}
|-
| 489/8
| A157/8
| <ul>''Meeresstille''</ul>
| pf
|
| 1848
| Keyboard
| arr. of No.2 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}
|-
| {{hs|489/8a}}
| A157/8a
| '''Lieder von Robert Franz''' (12):<br>Heft III: ''Vier Lieder''
| pf
|
| 1848
| Keyboard
|
|-
| 489/9
| A157/9
| <ul>''Treibt der Sommer seinen Rosen''</ul>
| pf
|
| 1848
| Keyboard
| arr. of No.5 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}
|-
| 489/10
| A157/10
| <ul>''Gewitternacht''</ul>
| pf
|
| 1848
| Keyboard
| arr. of No.6 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}
|-
| 489/11
| A157/11
| <ul>''Das ist ein Brausen und Heulen''</ul>
| pf
|
| 1848
| Keyboard
| arr. of No.4 of ''6 Gesänge'', Op.8, by {{LinkComp|Robert|Franz}}
|-
| 489/12
| A157/12
| <ul>''Frühling und Liebe''</ul>
| pf
|
| 1848
| Keyboard
| arr. of No.3 of ''6 Gesänge'', Op.3, by {{LinkComp|Robert|Franz}}
|-
| 490
| A298
| '''Liebesszene und Fortunas Kugel aus dem Oratorium Die sieben Todsünden ''' (Fantasiestück nach Adalbert von Goldschmidt)
| pf
|
| 1880
| Keyboard
| arr. of extracts from the oratorio ''Die sieben Todsünden'' by Adalbert von Goldschmidt
|-
| 491
| A235
| '''Hymne á Sainte Cécile de Charles Gounod'''
| pf
|
| 1866
| Keyboard
| arr. of {{LinkWork|Hymne à Sainte Cécile||Gounod|Charles}}
|-
| 492
| A245
| '''[[Tanzmomente, Op.14 (Herbeck, Johann von)|Tanzmomente von Johann Herbeck]]'''
| pf
|
| 1869
| Keyboard
| arr. of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}
|-
| 492/1
| A245/1
| <ul>''Tanzmomente No.1''</ul>
| pf
| G major
| 1869
| Keyboard
| arr. of No.1 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}
|-
| 492/2
| A245/2
| <ul>''Tanzmomente No.2''</ul>
| pf
| A minor
| 1869
| Keyboard
| arr. of No.2 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}
|-
| 492/3
| A245/3
| <ul>''Tanzmomente No.3''</ul>
| pf
| F major
| 1869
| Keyboard
| arr. of No.3 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}
|-
| 492/4
| A245/4
| <ul>''Tanzmomente No.4''</ul>
| pf
| A major
| 1869
| Keyboard
| arr. of No.4 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}};1st version of S.492/4bis
|-
| 492/4bis
| A245/4
| <ul>''Tanzmomente No.4''</ul>
| pf
| A major
| 1869
| Keyboard
| 2nd version of S.492/4
|-
| 492/5
| A245/5
| <ul>''Tanzmomente No.5''</ul>
| pf
| F major
| 1869
| Keyboard
| arr. of No.5 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}
|-
| 492/6
| A245/6
| <ul>''Tanzmomente No.6''</ul>
| pf
| D major
| 1869
| Keyboard
| arr. of No.6 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}
|-
| 492/7
| A245/7
| <ul>''Tanzmomente No.7''</ul>
| pf
| G major
| 1869
| Keyboard
| arr. of No.7 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}
|-
| 492/8
| A245/8
| <ul>''Tanzmomente No.8''</ul>
| pf
| D major
| 1869
| Keyboard
| arr. of No.8 of the {{LinkWork|Tanzmomente|Op.14|Herbeck|Johann von}}
|-
| 493/1
| A155
| '''Großes Septett von Johann Nepomuk Hummel'''
| pf
| D minor
| 1848
| Keyboard
| arr. of {{LinkWork|Septet No.1|Op.74|Hummel|Johann Nepomuk}};1st version of S.493/2
|-
| 493/2
| U12
| '''[[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|Großes Septett von Johann Nepomuk Hummel]]'''
| pf
| D minor
| 1869?
| Keyboard
| 2nd version of S.493/1
|-
| 494/1
| A211/1
| '''[[6 Lieder von Peter Cornelius, Op.5 (Lassen, Eduard)|Löse, Himmel, meine Seele]]''' (Lied von Eduard Lassen)
| pf
|
| 1861
| Keyboard
| arr. of No.5 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}; 1st version of S.494/2
|-
| 494/2
| A211/1
| '''Löse, Himmel, meine Seele ''' (Lied von Eduard Lassen)
| pf
|
| 1872
| Keyboard
| 2nd version of S.494/1
|-
| 495
| A211/2
| '''Ich weil' in tiefer Einsamkeit ''' (Lied von Eduard Lassen)
| pf
|
| 1872
| Keyboard
| arr. of No.4 of {{LinkWork|6 Lieder von Peter Cornelius|Op.5|Lassen|Eduard}}
|-
| 496
| A285/I
| '''[[Aus der Musik von Eduard Lassen, S.496 (Liszt, Franz)|Aus der Musik von Eduard Lassen]]'''
| pf
|
| 1878–79
| Keyboard
|
|-
| 496/1
| A285/I/1
| <ul>''Hagen und Kreimhild''</ul>
| pf
|
| 1878–79
| Keyboard
| arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}
|-
| 496/2
| A285/I/2
| <ul>''Bechlarn''</ul>
| pf
|
| 1878–79
| Keyboard
| arr. from the incidental music to ''Nibelungen'', Op.47, by {{LinkComp|Eduard|Lassen}}
|-
| 496/3
| A285/II/1
| <ul>''Osterhymne''</ul>
| pf
|
| 1878–79
| Keyboard
| arr. from No.2 of part I of the incidental music to ''Faust, ''Op.57'', ''by {{LinkComp|Eduard|Lassen}}
|-
| 496/4
| A285/II/2
| <ul>''Hoffestliche Marsch und Polonaise''</ul>
| pf
|
| 1878–79
| Keyboard
| arr. from Nos.2 and 3 of part II of the incidental music to ''Faust'', Op.57, by {{LinkComp|Eduard|Lassen}}
|-
| 497
| A323
| '''[[Symphonisches Zwischenspiel zu "Über allen Zauber Liebe", Op.77 (Lassen, Eduard)|Symphonisches Zwischenspiel zu Über allen Zauber Liebe (Intermezzo von Eduard Lassen)]]'''
| pf
|
| 1883
| Keyboard
| arr. from the orchestral intermezzo to ''Über allen Zauber Liebe'', Op.77, by {{LinkComp|Eduard|Lassen}}
|-
| 498
| A316
| '''Lieder zu Tannhäuser''' (Komponiert von Otto Lessmann) (3):
| pf
|
| 1882
| Keyboard
| arr. of ''3 Lieder aus Wolff's Tannhäuser'', Op.27, by Otto Lessmann
|-
| 498/1
| A316/1
| <ul>''Der Lenz ist gekommen''</ul>
| pf
|
| 1882
| Keyboard
| arr. of No.1 from ''3 Lieder aus Wolff's Tannhäuser'', Op.27, by Otto Lessmann
|-
| 498/2
| A316/2
| <ul>''Trinklied'' ("Itzt hört ein neues Liedlein an")</ul>
| pf
|
| 1882
| Keyboard
| arr. of No.2 from ''3 Lieder aus Wolff's Tannhäuser'', Op.27, by Otto Lessmann
|-
| 498/3
| A316/3
| <ul>''Du schaust mich an mit stummen Fragen''</ul>
| pf
|
| 1882
| Keyboard
| arr. of No.3 from ''3 Lieder aus Wolff's Tannhäuser'', Op.27, by Otto Lessmann
|-
| 498a
| A192
| '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':
| pf
|
| 1857–62
| Keyboard
| arrs. of extracts from S.2
|-
| 498a/1
| A192/1
| <ul>''Orchester Einleitung'' (Orchestral Introduction)</ul>
| pf
|
| 1857–62
| Keyboard
| arr. of the introduction to S.2
|-
| 498a/2
| A192/2
| <ul>''Marsch der Kreuzritter'' (Crusaders' March)</ul>
| pf
|
| 1857–62
| Keyboard
| arr. of S.2/3e
|-
| 498a/3
| A192/3
| <ul>''Interludium''</ul>
| pf
|
| 1857–62
| Keyboard
| arr. of S.2/6a
|-
| 498b
| A222
| '''{{LinkWorkN|Christus|S.3|Liszt|Franz|0}}''' (2 Orchestersätze aus dem Oratorium)
| pf
|
| 1871
| Keyboard
| arrs. of extracts from S.3
|-
| 498b/1
| A222/1
| <ul>''Hirtengesang an der Krippe''</ul>
| pf
|
| 1871
| Keyboard
| arr. of S.3/4
|-
| 498b/2
| A222/2
| <ul>''Die heiligen drei Könige''</ul>
| pf
|
| 1871
| Keyboard
| arr. of S.3/5
|-
| 498c
| A301
| '''San Francesco ''' (Preludio per il Cantico del sol di San Francesco d'Assisi)
| pf
|
| 1880?
| Keyboard
| arr. of prelude from S.4/2
|-
| 499
| A307
| '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|Cantico di San Francesco]]'''
| pf
|
| 1881–82
| Keyboard
| arr. of S.4/2
|-
| 500
| —
| '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)
| pf
|
| 1874
| Keyboard
| <p ALIGN="left">arr. of prelude from S.6
|-
| 501
| A238
| '''Aus der Ungarischen Krönungsmesse'''
| pf
|
| 1867
| Keyboard
| arr. of extracts from S.11
|-
| 501/1
| A238/1
| <ul>''Benedictus''</ul>
| pf
|
| 1867
| Keyboard
| arr. of S.11/4
|-
| 501/2
| A238/2
| <ul>''Offertorium''</ul>
| pf
|
| 1867
| Keyboard
| arr. of S.11/5
|-
| 502
| A227
| '''[[Christus ist geboren II, S.32 (Liszt, Franz)|Weinachtslied]]''' (Christus ist geboren)
| pf
|
| 1864
| Keyboard
| arr. of S.32
|-
| 503
| A223
| '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''
| pf
|
| 1863
| Keyboard
| arr. of S.33
|-
| 504/1
| A247/1
| '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''
| pf
| D major
| 1869–70
| Keyboard
| arr. of S.38; 1st version of S.504/2
|-
| 504/2
| A247/2
| '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''
| pf
| D{{flat}} major
| 1872
| Keyboard
| arr. of S.38; 2nd version of S.504/1
|-
| 504a
| A287
| '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)
| pf
|
| 1878–79
| Keyboard
| arr. of S.53
|-
| 504b
| A286a
| '''[[Alte deutsche geistliche Weisen, S.50 (Liszt, Franz)|''Alte deutsche geistliche Weisen'']]''' (12):
| pf
|
| 1878–79
| Keyboard
| arr. of S.50
|-
| 504b/1
| A286a/1
| <ul>''Crux ave benedicta''</ul>
| pf
|
| 1878–79
| Keyboard
| arr. of S.50/9
|-
| 504b/2
| A286a/2
| <ul>''Jesu Christe '' (Die fünf Wunden)</ul>
| pf
|
| 1878–79
| Keyboard
| arr. of S.50/12
|-
| 504b/3
| A286a/3
| <ul>''Meine Seel' erhebt den Herrn'' (Gott sei gnädig und barmherzig)</ul>
| pf
|
| 1878–79
| Keyboard
| arr. of S.50/2
|-
| 504b/3a
| A286a/3a
| <ul>''Es segne uns Gott''</ul>
| pf
|
| 1878–79
| Keyboard
| arr. of S.50/1
|-
| 504b/4
| A286a/4
| <ul>''Nun danket alle Gott!''</ul>
| pf
|
| 1878–79
| Keyboard
| arr. of S.50/11
|-
| 504b/5
| A286a/5
| <ul>''Nun ruhen alle Wälder''</ul>
| pf
|
| 1878–79
| Keyboard
| arr. of S.50/3
|-
| 504b/6
| A286a/6
| <ul>''O Haupt voll Blut und Wunden''</ul>
| pf
|
| 1878–79
| Keyboard
| arr. of S.50/4
|-
| 504b/7
| A286a/7
| <ul>''O Lamm Gottes!''</ul>
| pf
|
| 1878–79
| Keyboard
| arr. of S.50/5; arr. for pf4h as S.582
|-
| 504b/8
| A286a/8
| <ul>''O Traurigkeit''</ul>
| pf
|
| 1878–79
| Keyboard
| arr. of S.50/10
|-
| 504b/9
| A286a/9
| <ul>''Vexilla Regis''</ul>
| pf
|
| 1878–79
| Keyboard
| arr. of S.50/8
|-
| 504b/10
| A286a/10
| <ul>''Was Gott tut, das ist wohlgetan''</ul>
| pf
|
| 1878–79
| Keyboard
| arr. of S.50/6
|-
| 504b/11
| A286a/11
| <ul>''Wer nur den lieben Gott läßt walten''</ul>
| pf
|
| 1878–79
| Keyboard
| arr. of S.50/7
|-
| 505
| A331
| '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)
| pf
|
| 1884
| Keyboard
| arr. of S.57
|-
| 506
| A243
| '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''
| pf
|
| 1868
| Keyboard
| arr. of 2nd version of S.34
|-
| 506b
| A294
| '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''
| pf
|
| 1879
| Keyboard
| arr. of S.54
|-
| 507
| A126
| '''{{LinkWorkN|Klavierstück aus der Bonner Beethoven-Kantate|S.507|Liszt|Franz|0}}'''
| pf
|
| 1846
| Keyboard
| based on themes from the 1st movement of S.507
|-
| 507a
| A213
| '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Schnitterchor aus den entfesselten Prometheus]]'''
| pf
|
| 1850
| Keyboard
| arr. of No.4 from S.69/1 (incomplete); 1st version of S.508
|-
| 508
| A213
| '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Pastorale]]''' (Schnitterchor aus den Entfesselten Prometheus)
| pf
|
| 1861
| Keyboard
| arr. of No.4 from S.69/2; 2nd version of S.507a
|-
| 509
| A246
| '''[[Gaudeamus igitur, S71a (Liszt, Franz)|Gaudeamus igitur]]''' (Humoreske)
| pf
|
| 1869–70
| Keyboard
| arr. of S.71a
|-
| 510
| A153
| '''[[Marche héroïque, S.510 (Liszt, Franz)|Marche héroïque]]'''
| pf
|
| 1847–48?
| Keyboard
| based on S.82; arr. for pf4h as S.587
|-
| 510a
| —
| '''[[3 Chansons, S.510a (Liszt, Franz)|Chansons]]''' (3)
| pf
|
| 1852?
| Keyboard
| 1st version of S.511
|-
| 510a/1
| —
| <ul>''La consolation''</ul>
| pf
|
| 1852?
| Keyboard
| 1st version of S.511/1; arr. of S.90/4a
|-
| 510a/2
| —
| <ul>''Avant la bataille''</ul>
| pf
|
| 1852?
| Keyboard
| 1st version of S.511/2; arr. of S.90/5a
|-
| 510a/3
| —
| <ul>''L'espérance'' </ul>
| pf
|
| 1852?
| Keyboard
| 1st version of S.511/3; arr. of S.90/6a
|-
| 511
| A207
| '''[[Geharnischte Lieder, S.511 (Liszt, Franz)|Geharnischte Lieder]]''' (3):
| pf
|
| 1860
| Keyboard
| 2nd version of S.510a
|-
| 511/1
| A207/1
| <ul>''Vor der Schlacht''</ul>
| pf
|
| 1860
| Keyboard
| 2nd version of S.510a/1
|-
| 511/2
| A207/2
| <ul>''Nicht gezagt''</ul>
| pf
|
| 1860
| Keyboard
| 2nd version of S.510a/2
|-
| 511/3
| A207/3
| <ul>''Es rufet Gott uns mahnend''</ul>
| pf
|
| 1860
| Keyboard
| 2nd version of S.510a/3
|-
| 511a
| —
| '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}''' (Poème symphonique No 3)
| pf
|
| 1863
| Keyboard
| arr. of S.97 by Karl Klauser, with revisions by Liszt
|-
| 511b
| —
| '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}''' (Poème symphonique No.4)
| pf
|
| 1879
| Keyboard
| arr. of S.98 by Friedrich Spiro, with revisions by Liszt
|-
| 511c
| —
| '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}}''' (Poème symphonique No.6)
| pf
|
| 1870–79?
| Keyboard
| arr. of S.100 by {{LinkComp|Theophil|Forchhammer}}, with revisions by Liszt
|-
| 511d
| —
| '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}}''' (Poème symphonique No.7)
| pf
|
| 1870–79?
| Keyboard
| arr. of S.101 by Ludwig Stark, with revisions by Liszt
|-
| 511e
| —
| '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}}''' (Poème symphonique No.9)
| pf
|
| 1872
| Keyboard
| arr. of S.103 by Friedrich Spiro, with revisions by Liszt
|-
| 512
| A310
| '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (Poème symphonique No.13)
| pf
|
| 1881
| Keyboard
| arr. of S.107
|-
| 513
| A190
| '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}}''' (Andante soave aus der Faust-Symphonie)
| pf
|
| 1867
| Keyboard
| arr. of movt. II from S.108
|-
| 513a
| A189/1
| '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Der nächtliche Zug]]''' (Episode aus Lenaus Faust)
| pf
|
| 1859–61
| Keyboard
| arr. of S.110/1
|-
| 514
| A189/1
| '''{{LinkWorkN|Mephisto Waltz No.1|S.514|Liszt|Franz|0}} '''
| pf
|
| 1859–61
| Keyboard
| arr. for orch as S.110/2
|-
| 515
| A288
| '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''
| pf
|
| 1878–81?
| Keyboard
| arr. for orch as S.111; arr. for pf4h as S.600
|-
| 516
| A202/1
| '''{{LinkWorkN|Les morts|S.112/1|Liszt|Franz|0}}'''
| pf
|
| 1860?
| Keyboard
| arr. of S.112/1
|-
| 516a
| A202/2
| '''{{LinkWorkN|La notte|S.112/2|Liszt|Franz|0}}'''
| pf
|
| 1864–66
| Keyboard
| arr. of S.112/2 (formerly S.699)
|-
| 517
| A202/3
| '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''
| pf
|
| 1866–69
| Keyboard
| arr. of S.112/3
|-
| 518
| A225
| '''Salve Polonia''' (Interludium aus dem Oratorium Stanislaus)
| pf
|
| 1863
| Keyboard
| arr. of S.113/2
|-
| 519
| A302
| '''[[Polonaises de l'oratorio St. Stanislaus, S.519 (Liszt, Franz)|Polonaises de l'oratorio St. Stanislaus]]'''
| pf
|
| 1875
| Keyboard
| arr. of extracts from S.688
|-
| 519/1
| A302/1
| <ul>''Polonaise No.1''</ul>
| pf
|
| 1875
| Keyboard
| arr. of extract from S.688
|-
| 519/2
| A302/2
| <ul>''Polonaise No.2''</ul>
| pf
|
| 1875
| Keyboard
| arr. of extract from S.688
|-
| 520
| A201
| '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''
| pf
|
| 1859–60
| Keyboard
| arr. of S.114
|-
| 521
| A164b
| '''[[Festmarsch zur Goethe-Jubiläumfeier, S.115 (Liszt, Franz)|Goethe-Festmarsch]]'''
| pf
|
| 1859
| Keyboard
| arr. of S.115
|-
| 522
| A196
| '''Festmarsch nach Motiven von E.H. z. S.-C.-G'''
| pf
|
| 1858–59
| Keyboard
| arr. of S.116
|-
| 523
| A248
| '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''
| pf
|
| 1870
| Keyboard
| arr. of S.118
|-
| 524
| A112/2
| '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)
| pf
|
| 1875–76
| Keyboard
| arr. of S.119
|-
| 524a
| H{{hs|0}}6
| '''{{LinkWorkN|Concerto sans orchestre|S.524a|Liszt|Franz|0}}'''
| pf
| A major
| 1839?
| Keyboard
| unfinished; rev. as S.125
|-
| 525
| A{{hs|0}}62
| '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''
| pf
|
| 1865
| Keyboard
| arr. of S.126/2
|-
| 526
| A260
| '''Epithalam''' (zu Eduard Reményis Vermählungsfeier)
| pf
|
| 1872
| Keyboard
| arr. of S.129
|-
| 527
| A299
| '''[[Romance oubliée, S.527 (Liszt, Franz)|Romance oubliée]]'''
| pf
|
| 1880
| Keyboard
| based on S.169; arr. for va pf as S.132a, for vn pf as S.132b, for vc pf as S.132c; arr. for orch as S.712[?]
|-
| 528*
| —
| ''Festpolonaise''
| pf
|
|
| Keyboard
| renumbered as S.230a
|-
| 529/1
| A250/1
| '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Präludium und Fuge über das Motiv B.A.C.H.]]'''
| pf
|
| 1855
| Keyboard
| arr. of S.260/1; 1st version of S.529/2
|-
| 529/2
| A250/2
| '''[[Präludium und Fuge über den Namen BACH, S.260 (Liszt, Franz)|Fantasie und Fuge über das Thema B–A–C–H]]'''
| pf
|
| 1870
| Keyboard
| arr. of S.260/2; 2nd version of S.529/1
|-
| 530
| A228
| '''Hymne du Pape'''
| pf
|
| 1864
| Keyboard
| arr. of S.261
|-
| 531
| A{{hs|0}}97
| '''{{LinkWorkN|Buch der Lieder I|S.531|Liszt|Franz|0}}''' (6)
| pf
|
| 1843
| Keyboard
| arrs. of various solo songs
|-
| 531/1
| A{{hs|0}}97/1
| <ul>''Die Loreley''</ul>
| pf
|
| 1843
| Keyboard
| arr. of S.273/1
|-
| 531/2
| A{{hs|0}}97/2
| <ul>''Am Rhein in schönen Strome''</ul>
| pf
|
| 1843
| Keyboard
| arr. of S.272/1
|-
| 531/3
| A{{hs|0}}97/3
| <ul>''Kennst du das Land''</ul>
| pf
|
| 1843
| Keyboard
| arr. of S.275/1
|-
| 531/4
| A{{hs|0}}97/4
| <ul>''Es war ein König in Thule''</ul>
| pf
|
| 1843
| Keyboard
| arr. of S.278/1
|-
| 531/5
| A{{hs|0}}97/5
| <ul>''Der du von dem Himmel bist''</ul>
| pf
|
| 1843
| Keyboard
| arr. of S.279/1
|-
| 531/6
| A{{hs|0}}97/6
| <ul>''Angiolin''</ul>
| pf
|
| 1843
| Keyboard
| arr. of S.269/1
|-
| 532
| A209
| '''{{LinkWorkN|Die Loreley|S.273|Liszt|Franz|0}}'''
| pf
|
| 1861
| Keyboard
| arr. of S.273/2
|-
| 533
| A{{hs|0}}98
| '''{{LinkWorkN|Il m'aimait tant!|S.533|Liszt|Franz|0}}'''
| pf
|
| 1843
| Keyboard
| arr. of S.271
|-
| 534/1
| A{{hs|0}}81a
| '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}'''
| pf
|
| 1840
| Keyboard
| arr. of S.274/1
|-
| 534/2
| A{{hs|0}}81b
| '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Elégie]]'''
| pf
|
| 1841
| Keyboard
| arr. of S.301b/1
|-
| 534/2bis
| A{{hs|0}}81c
| '''[[Die Zelle in Nonnenwerth, S.274 (Liszt, Franz)|Feuille d'album No.2]]'''
| pf
|
| 1849
| Keyboard
| arr. of S.301b/2
|-
| 534/3
| A{{hs|0}}81d
| '''{{LinkWorkN|Die Zelle im Nonnenwerth|S.274|Liszt|Franz|0}}''' (Elegie)
| pf
|
| 1881
| Keyboard
| arr. of S.274/2
|-
| —
| A139
| '''{{LinkWorkN|Buch der Lieder II|S.535–540|Liszt|Franz|0}}'''
| pf
|
| 1847
| Keyboard
|
|-
| 535
| A139/2
| <ul>''Comment, disaient-ils''</ul>
| pf
|
| 1847
| Keyboard
| arr. of S.276/1
|-
| 536
| A139/1
| <ul>''Oh, quand je dors''</ul>
| pf
|
| 1847
| Keyboard
| arr. of S.282/1
|-
| 537
| A139/3
| <ul>''Enfant, si j'étais roi''</ul>
| pf
|
| 1847
| Keyboard
| arr. of S.283/1
|-
| 538
| A139/4
| <ul>''S'il est un charmant gazon''</ul>
| pf
|
| 1847
| Keyboard
| arr. of S.284/1
|-
| 539
| A139/5
| <ul>''La tombe et la rose''</ul>
| pf
|
| 1847
| Keyboard
| arr. of S.285
|-
| 540
| A139/6
| <ul>''Gastibelza''</ul>
| pf
|
| 1847
| Keyboard
| arr. of S.286
|-
| 540a
| —
| ''O lieb, so lang du lieben kannst!''
| pf
|
| 1843?
| Keyboard
| arr. of S.298/1; original version lost; reconstructed by Leslie Howard
|-
| 541
| A103
| '''{{LinkWorkN|Liebesträume|S.541|Liszt|Franz|0}}''' (3):
| pf
|
| 1850
| Keyboard
|
|-
| 541/1
| A103/1
| <ul>''Liebesträume No.1'' (Hohe Liebe)</ul>
| pf
| A{{flat}} major
| 1850
| Keyboard
| arr. of S.307
|-
| 541/2
| A103/2
| <ul>''Liebesträume No.2 '' (Seliger Tod)</ul>
| pf
| E{{flat}} major
| 1850
| Keyboard
| arr. of S.308; an Album-Leaf on themes from this work exist, entitled "Nocturne No.2"
|-
| 541/3
| A103/3
| <ul>''Liebesträume No.3'' (Oh Lieb, so lang du lieben kannst)</ul>
| pf
| A{{flat}} major
| 1850
| Keyboard
| arr. of S.298/2
|-
| 542/1
| A191a
| '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''
| pf
| C major
| 1857
| Keyboard
| arr. of S.313; 1st version of S.542/2
|-
| 542/2
| A191b
| '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''
| pf
| F major
| 1873
| Keyboard
| 2nd version of S.542/1
|-
| 542a
| A194
| '''{{LinkWorkN|Ich liebe dich|S.315|Liszt|Franz|0}}'''
| pf
|
| 1857–60?
| Keyboard
| arr. of S.315
|-
| 542b
| A268b
| '''Fanfare zur Enthüllung des Carl-Augusts Monument'''
| pf
|
| 1875
| Keyboard
| arr. of Fanfare from S.92
|-
| 543
| A309/1
| '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)
| pf
|
| 1881
| Keyboard
| arr. of S.339
|-
| 543bis
| A309/2
| '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)
| pflh
|
| 1881
| Keyboard
| arr. of S.339
|-
| 544
| A328
| '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)
| pf
|
| 1883
| Keyboard
| arr. of S.340
|-
| 545
| A308
| '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''
| pf
|
| 1881
| Keyboard
| arr. of S.341
|-
| 546
| A282
| '''{{LinkWorkN|Der blinde Sänger|S.350|Liszt|Franz|0}} ''' (Слепой)
| pf
|
| 1878
| Keyboard
| arr. of S.350
|-
| 546a*
| —
| ''O Roma nobilis''
| pf
|
| 1879
| Keyboard
| renumbered as S.506b
|-
| 547
| A{{hs|0}}72
| '''{{LinkWorkN|Mendelssohns Lieder|S.547|Liszt|Franz|0}}'''<br> (Lieders de Mendelssohn)
| pf
|
| 1840
| Keyboard
|
|-
| 547/1
| A{{hs|0}}72/1
| <ul>''Auf Flügeln des Gesanges'' (Les ailes du chant)</ul>
| pf
|
| 1840
| Keyboard
| arr. of No.2 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}
|-
| 547/2
| A{{hs|0}}72/2
| <ul>''Sonntagslied'' (Chant du dimanche)</ul>
| pf
|
| 1840
| Keyboard
| arr. of No.5 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}
|-
| 547/3
| A{{hs|0}}72/3
| <ul>''Reiselied'' (Chant du voyage)</ul>
| pf
|
| 1840
| Keyboard
| arr. of No.6 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}
|-
| 547/4
| A{{hs|0}}72/4
| <ul>''Neue Liebe'' (Amour nouveau)</ul>
| pf
|
| 1840
| Keyboard
| arr. of No.4 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}
|-
| 547/5
| A{{hs|0}}72/5
| <ul>''Frühlingslied'' (Chant du printemps)</ul>
| pf
|
| 1840
| Keyboard
| arr. of No.3 of {{LinkWork|6 Songs|Op.47|Mendelssohn|Felix}}
|-
| 547/6
| A{{hs|0}}72/6
| <ul>''Winterlied'' (Chant d'hiver)</ul>
| pf
|
| 1840
| Keyboard
| arr. of No.3 of {{LinkWork|6 Songs|Op.19a|Mendelssohn|Felix}}
|-
| 547/7
| A{{hs|0}}72/7
| <ul>''Suleika''</ul>
| pf
|
| 1840
| Keyboard
| arr. of No.4 of {{LinkWork|6 Songs|Op.34|Mendelssohn|Felix}}
|-
| 548
| A156
| '''Mendelssohns Wasserfahrt und Jäger-Abschied'''
| pf
|
| 1848
| Keyboard
|
|-
| 548/1
| A156/1
| <ul>''Wasserfahrt''</ul>
| pf
|
| 1848
| Keyboard
| arr. of No.4 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}
|-
| 548/2
| A156/2
| <ul>''Der Jäger Abschied''</ul>
| pf
|
| 1848
| Keyboard
| arr. of No.2 of {{LinkWork|6 Lieder|Op.50|Mendelssohn|Felix}}
|-
| 549
| A206
| '''{{LinkWorkN|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo|0}} ''' (von Giacomo Meyerbeer)
| pf
|
| 1860
| Keyboard
| arr. of the {{LinkWork|Festmarsch zu Schillers 100 jähriger Geburtstagsfeier||Meyerbeer|Giacomo}}
|-
| 550
| A220
| '''Transcriptionen aus Mozarts Requiem ''' (2):
| pf
|
| 1865
| Keyboard
| arr. of extracts from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}
|-
| 550/1
| A220/1
| <ul>''Confutatis maledictis''</ul>
| pf
|
| 1865
| Keyboard
| arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}
|-
| 550/2
| A220/2
| <ul>''Lacrymosa''</ul>
| pf
|
| 1865
| Keyboard
| arr. of extract from the {{LinkWork|Requiem|K.626|Mozart|Wolfgang Amadeus}}
|-
| 551
| A270
| '''Una stella amica''' (Polka mazurka de F. Pezzini)
| pf
|
| 1874–75?
| Keyboard
| arr. of an unidentified waltz attributed to "F. Pezzini"
|-
| 551a
| V{{hs|0}}3
| '''Tanz-Capricen No.1''' (Einleitung und Coda zu Raffs Walzer)
| pf
| D{{flat}} major
| 1854
| Keyboard
| additional introduction and coda to No.1 of the ''Tanz-Capricen'', Op.54, by {{LinkComp|Joachim|Raff}}
|-
| 552
| A{{hs|0}}54
| '''Ouverture de l'opéra Guillaume Tell de Gioachino Rossini'''
| pf
|
| 1838
| Keyboard
| arr. of the overture from the opera {{LinkWorkN|Guillaume Tell||Rossini|Gioacchino}}
|-
| 552a
| —
| '''Caritas ''' (nach Rossini)
| pf
|
| 1847
| Keyboard
| arr. of No.3 of 3 Chœurs religieux by {{LinkComp|Gioacchino|Rossini}}; incomplete sketch as S.701j; 1st version of S.552b, S.553/2; originally intended for S.172a
|-
| 552b
| —
| '''La caritá''' (d'après Rossini)
| pf
|
| 1847
| Keyboard
| 2nd (simplified) version of S.552a, S.553/2; originally intended for S.172a
|-
| 553
| A141
| '''[[2 Transcriptions d'après Rossini, S.553 (Liszt, Franz)|Transcriptions d'après Rossini]]''' (2):
| pf
|
| 1847
| Keyboard
|
|-
| 553/1
| A141/1
| <ul>''Air du Stabat Mater''</ul>
| pf
|
| 1847
| Keyboard
| arr. of "Cujus animam" from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for bn org as S.679; for ten org as S.682
|-
| 553/2
| A141/2
| <ul>''La charité''</ul>
| pf
|
| 1847
| Keyboard
| arr. of No.3 of ''3 Chœurs religieux'' by {{LinkComp|Gioacchino|Rossini}}; 3rd version of S.552a, S.552b
|-
| 554/1
| A304
| '''[[2 Lieder von Anton Rubinstein, S.554 (Liszt, Franz)|O! Wenn es doch immer so bliebe!]]''' (Lied von Anton Rubinstein)
| pf
|
| 1881
| Keyboard
| arr. of No.9 of {{LinkWork|12 Lieder des Mirza-Schaffy|Op.34|Rubinstein| Anton}}
|-
| 554/2
| A329
| '''[[2 Lieder von Anton Rubinstein, S.554 (Liszt, Franz)|Der Asra]]''' (Lied von Anton Rubinstein)
| pf
|
| 1880
| Keyboard
| arr. of No.6 of {{LinkWork|6 Lieder von Heine|Op.32|Rubinstein| Anton}}
|-
| 554a
| V{{hs|0}}5
| '''[[Einleitung und Coda zu Anton Rubinsteins Etude, S.554a (Liszt, Franz)|{{hs|Etude}}Étude sur des notes fausses]]''' (Einleitung und Coda zu Anton Rubinsteins Etude)
| pf
| C major
| 1880?
| Keyboard
| revisions and additions to {{LinkWork|Etude on False Notes||Rubinstein| Anton}}
|-
| 555
| A273
| '''{{LinkWorkN|Danse macabre|Op.40|Saint-Saëns|Camille|0}}''' (Poème symphonique de Camille Saint-Saëns)
| pf
|
| 1876
| Keyboard
| arr. of the symphonic poem {{LinkWork|Danse macabre|Op.40|Saint-Saëns|Camille}}
|-
| 556/1
| A{{hs|0}}17
| '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)
| pf
|
| 1833
| Keyboard
| arr. of the song {{LinkWork|Die Rose|D.745|Schubert|Franz}}; 1st version of S.556/2, S.556/3
|-
| 556/2
| A{{hs|0}}17
| '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)
| pf
|
| 1838
| Keyboard
| 2nd version of S.556/1, S.556/3
|-
| 556/3
| A{{hs|0}}17
| '''{{LinkWorkN|Die Rose|D.745|Schubert|Franz|0}} ''' (Lied von Franz Schubert)
| pf
|
| 1837
| Keyboard
| 3rd version of S.556/1, S.556/2
|-
| 557
| A{{hs|0}}45
| '''{{LinkWorkN|Lob der Tränen|D.711|Schubert|Franz|0}}''' (Lied von Franz Schubert)
| pf
|
| 1838
| Keyboard
| arr. of the song {{LinkWork|Lob der Tränen|D.711|Schubert|Franz}}
|-
| 557a
| A{{hs|0}}42/{{hs|0}}4
| '''Erlkönig''' (Lied von Franz Schubert)
| pf
|
| 1837
| Keyboard
| arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}};1st version of S.558/4, S.558/4bis
|-
| 557b
| A{{hs|0}}42/{{hs|0}}5
| '''Meeresstille''' (Lied von Franz Schubert)
| pf
|
| 1837
| Keyboard
| arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 1st version of S.558/5
|-
| 557c
| A{{hs|0}}42/{{hs|0}}7
| '''Frühlingsglaube''' (Lied von Franz Schubert)
| pf
|
| 1837
| Keyboard
| arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert| Franz|0}}; 1st version of S.558/7, S.558/7bis
|-
| 557d
| A{{hs|0}}42/12
| '''Ave Maria''' (Lied von Franz Schubert)
| pf
|
| 1837
| Keyboard
| arr. of the song {{LinkWork|Ave Maria|D.839|Schubert|Franz}}; 1st version of S.558/12
|-
| 558
| A{{hs|0}}42
| '''[[12 Lieder von Franz Schubert, S.558 (Liszt, Franz)|Lieder von Franz Schubert]]''' (12):
| pf
|
| 1837–38
| Keyboard
|
|-
| 558/{{hs|0}}1
| A{{hs|0}}42/{{hs|0}}1
| <ul>''Sei mir gegrüßt'' (Sois toujours mes seuls amours)</ul>
| pf
|
| 1837–38
| Keyboard
| arr. of the song {{LinkWork|Sei mir gegrüsst|D.741|Schubert|Franz}}
|-
| 558/{{hs|0}}2
| A{{hs|0}}42/{{hs|0}}2
| <ul>''Auf dem Wasser zu singen'' (Barcarolle)</ul>
| pf
|
| 1837–38
| Keyboard
| arr. of the song {{LinkWork| Auf dem Wasser zu singen|D.774|Schubert|Franz}}
|-
| 558/{{hs|0}}3
| A{{hs|0}}42/{{hs|0}}3
| <ul>''Du bist die Ruh''' (L'attente)</ul>
| pf
|
| 1837–38
| Keyboard
| arr. of the song {{LinkWork|Du bist die Ruh|D.776|Schubert|Franz}}; 1st version of S.558/3bis
|-
| 558/{{hs|0}}3bis
| A{{hs|0}}42/{{hs|0}}3
| <ul>''Du bist die Ruh' '' (L'attente)</ul>
| pf
|
| 1876
| Keyboard
| 2nd version of S.558/3
|-
| 558/{{hs|0}}4
| A{{hs|0}}42/{{hs|0}}4
| <ul>''Erlkönig'' (Le roi des Aulnes)</ul>
| pf
|
| 1837–38
| Keyboard
| arr. of the song {{LinkWork|Erlkönig|D.328|Schubert|Franz}}; 2nd version of S.557a, S.558/4bis
|-
| 558/{{hs|0}}4bis
| A{{hs|0}}42/{{hs|0}}4
| <ul>''Erlkönig'' (Le roi des Aulnes)</ul>
| pf
|
| 1876
| Keyboard
| 3rd version of S.557a, S.558/4
|-
| 558/{{hs|0}}5
| A{{hs|0}}42/{{hs|0}}5
| <ul>''Meeresstille'' (La mer calme)</ul>
| pf
|
| 1837–38
| Keyboard
| arr. of the song {{LinkWork|Meeres Stille|D.216|Schubert|Franz}}; 2nd version of S.557b
|-
| 558/{{hs|0}}6
| A{{hs|0}}42{{hs|0}}/6
| <ul>''Die junge Nonne '' (La jeune r éligieuse)</ul>
| pf
|
| 1837–38
| Keyboard
| arr. of the song {{LinkWork|Die junge Nonne|D.828|Schubert|Franz}}
|-
| 558/{{hs|0}}7
| A{{hs|0}}42{{hs|0}}/7
| <ul>''Frühlingsglaube'' (Espoir dans le printemps)</ul>
| pf
|
| 1837–38
| Keyboard
| arr. of the song {{LinkWork|Frühlingsglaube|D.686|Schubert|Franz}}; 2nd version of S.557c, S.558/7bis
|-
| 558/{{hs|0}}7bis
| A{{hs|0}}42/{{hs|0}}7
| <ul>''Frühlingsglaube'' (Espoir dans le printemps)</ul>
| pf
|
| 1876
| Keyboard
| 3rd version of S.557c, S.558/7
|-
| 558/{{hs|0}}8
| A{{hs|0}}42/{{hs|0}}8
| <ul>''Gretchen am Spinnrade '' (Marguerite)</ul>
| pf
|
| 1837–38
| Keyboard
| arr. of the song {{LinkWork|Gretchen am Spinnrade|D.118|Schubert|Franz}}; 1st version of S.558/8bis
|-
| 558/{{hs|0}}8bis
| A{{hs|0}}42/{{hs|0}}8
| <ul>''Gretchen am Spinnrade'' (Marguerite)</ul>
| pf
|
| 1876
| Keyboard
| 2nd version of S.558/8
|-
| 558/{{hs|0}}9
| A{{hs|0}}42/{{hs|0}}9
| <ul>''Ständchen von Shakespeare'' (La sérénade de Shakspeare)</ul>
| pf
|
| 1837–38
| Keyboard
| arr. of the song {{LinkWork|Ständchen|D.889|Schubert|Franz}}; 1st version of S.558/9bis
|-
| 558/{{hs|0}}9bis
| A{{hs|0}}42{{hs|0}}/9
| <ul>''Ständchen von Shakespeare'' (La sérénade de Shakspeare)</ul>
| pf
|
| 1876
| Keyboard
| 2nd version of S.558/9
|-
| 558/10
| A{{hs|0}}42/10
| <ul>''Rastlose Liebe''</ul>
| pf
|
| 1837–38
| Keyboard
| arr. of the song {{LinkWork|Rastlose Liebe|D.138|Schubert|Franz}}
|-
| 558/11
| A{{hs|0}}42/11
| <ul>''Der Wanderer'' (Le pèlerin)</ul>
| pf
|
| 1837–38
| Keyboard
| arr. of the song {{LinkWork|Der Wanderer|D.493|Schubert|Franz}}; 1st version of S.558/11bis
|-
| 558/11bis
| A{{hs|0}}42/11
| <ul>''Der Wanderer'' (Le pèlerin)</ul>
| pf
|
| 1876
| Keyboard
| 2nd version of S.558/11
|-
| 558/12
| A{{hs|0}}42/12
| <ul>''Ave Maria''</ul>
| pf
|
| 1837–38
| Keyboard
| arr. of the song {{LinkWork| Ave Maria|D.839|Schubert|Franz}}; 2nd version of S.557d
|-
| 559
| A{{hs|0}}46
| '''{{LinkWorkN|Gondelfahrer|D.809|Schubert|Franz|0}} ''' (Männerquartett von Franz Schubert)
| pf
|
| 1838
| Keyboard
| arr. of the chorus {{LinkWork|Gondelfahrer|D.809|Schubert|Franz}}
|-
| 559a
| A{{hs|0}}49/7
| '''La sérénade de Franz Schubert'''
| pf
|
| 1837
| Keyboard
| arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 1st version of S.560/7, S.560/7a
|-
| 560
| A{{hs|0}}49
| '''{{LinkWorkN|Schwanengesang|D.957|Schubert|Franz|0}} ''' (Lieder von Franz Schubert)
| pf
|
| 1838–39
| Keyboard
| arr. of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}
|-
| 560/1
| A{{hs|0}}49/{{hs|0}}1
| <ul>''Die Stadt''</ul>
| pf
|
| 1838–39
| Keyboard
| arr. of No.11 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}
|-
| 560/2
| A{{hs|0}}49/{{hs|0}}2
| <ul>''Das Fischermädchen''</ul>
| pf
|
| 1838–39
| Keyboard
| arr. of No.10 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}
|-
| 560/3
| A{{hs|0}}49/{{hs|0}}3
| <ul>''Aufenthalt''</ul>
| pf
|
| 1838
| Keyboard
| arr. of No.5 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}
|-
| 560/4
| A{{hs|0}}49/{{hs|0}}4
| <ul>''Am Meer''</ul>
| pf
|
| 1838–39
| Keyboard
| arr. of No.12 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}
|-
| 560/5
| A{{hs|0}}49/{{hs|0}}5
| <ul>''Abschied''</ul>
| pf
|
| 1838–39
| Keyboard
| arr. of No.7 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}
|-
| 560/6
| A{{hs|0}}49/{{hs|0}}6
| <ul>''In der Ferne''</ul>
| pf
|
| 1838–39
| Keyboard
| arr. of No.6 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}
|-
| 560/7
| A{{hs|0}}49/{{hs|0}}7
| <ul>''Ständchen''</ul>
| pf
|
| 1838
| Keyboard
| arr. of No.4 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}; 2nd version of S.559a, S.560/7a
|-
| 560/7a
| A{{hs|0}}49/{{hs|0}}7
| <ul>''Ständchen''</ul>
| pf
|
| 1880
| Keyboard
| 3rd version of S.559a, S.560/7
|-
| 560/8
| A{{hs|0}}49/{{hs|0}}8
| <ul>''Ihr Bild''</ul>
| pf
|
| 1838–39
| Keyboard
| arr. of No.9 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}
|-
| 560/9
| A{{hs|0}}49/{{hs|0}}9
| <ul>''Frühlingssehnsucht''</ul>
| pf
|
| 1838–39
| Keyboard
| arr. of No.3 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}
|-
| 560/10
| A{{hs|0}}49/10
| <ul>''Liebesbotschaft''</ul>
| pf
|
| 1838–39
| Keyboard
| arr. of No.1 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}
|-
| 560/11
| A{{hs|0}}49/11
| <ul>''Der Atlas''</ul>
| pf
|
| 1838–39
| Keyboard
| arr. of No.8 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}
|-
| 560/12
| A{{hs|0}}49/12
| <ul>''Der Doppelgänger''</ul>
| pf
|
| 1838–39
| Keyboard
| arr. of No.13 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}
|-
| 560/13
| A{{hs|0}}49/13
| <ul>''Die Taubenpost''</ul>
| pf
|
| 1838–39
| Keyboard
| arr. of No.14 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}
|-
| 560/14
| A{{hs|0}}49/14
| <ul>''Kriegers Ahnung''</ul>
| pf
|
| 1838–39
| Keyboard
| arr. of No.2 of the song cycle {{LinkWork|Schwanengesang|D.957|Schubert|Franz}}
|-
| 561
| A{{hs|0}}50
| '''{{LinkWorkN|Winterreise|D.911|Schubert|Franz|0}} ''' (12 Lieder von Franz Schubert)
| pf
|
| 1839
| Keyboard
| arr. of 12 songs from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}
|-
| 561/1
| A{{hs|0}}50/{{hs|0}}1
| <ul>''Gute Nacht''</ul>
| pf
|
| 1839
| Keyboard
| arr. of No.1 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}
|-
| 561/2
| A{{hs|0}}50/{{hs|0}}2
| <ul>''Die Nebensonnen''</ul>
| pf
|
| 1839
| Keyboard
| arr. of No.23 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}
|-
| 561/3
| A{{hs|0}}50/{{hs|0}}3
| <ul>''Mut!''</ul>
| pf
|
| 1839
| Keyboard
| arr. of No.22 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}
|-
| 561/4
| A{{hs|0}}50/{{hs|0}}4
| <ul>''Die Post''</ul>
| pf
|
| 1839
| Keyboard
| arr. of No.13 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}
|-
| 561/5
| A{{hs|0}}50/{{hs|0}}5
| <ul>''Erstarrung''</ul>
| pf
|
| 1839
| Keyboard
| arr. of No.4 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}
|-
| 561/6
| A{{hs|0}}50/{{hs|0}}6
| <ul>''Wasserflut''</ul>
| pf
|
| 1839
| Keyboard
| arr. of No.6 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}
|-
| 561/7
| A{{hs|0}}50/{{hs|0}}7
| <ul>''Der Lindenbaum''</ul>
| pf
|
| 1839
| Keyboard
| arr. of No.5 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}
|-
| 561/8
| A{{hs|0}}50/{{hs|0}}8
| <ul>''Der Leiermann''</ul>
| pf
|
| 1839
| Keyboard
| arr. of No.24 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}
|-
| 561/9
| A{{hs|0}}50/{{hs|0}}9
| <ul>''Täuschung''</ul>
| pf
|
| 1839
| Keyboard
| arr. of No.19 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}
|-
| 561/10
| A{{hs|0}}50/10
| <ul>''Das Wirtshaus''</ul>
| pf
|
| 1839
| Keyboard
| arr. of No.21 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}
|-
| 561/11
| A{{hs|0}}50/11
| <ul>''Der stürmische Morgen''</ul>
| pf
|
| 1839
| Keyboard
| arr. of No.18 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}
|-
| 561/12
| A{{hs|0}}50/12
| <ul>''Im Dorfe''</ul>
| pf
|
| 1839
| Keyboard
| arr. of No.17 from the cycle {{LinkWorkN|Winterreise|D.911|Schubert|Franz}}
|-
| 562
| A{{hs|0}}73
| '''{{LinkWorkN|Franz Schuberts geistliche Lieder|S.562|Liszt|Franz|0}}'''
| pf
|
| 1840
| Keyboard
| vol. 2 of ''Konzerttranskriptionen über 10 geistliche Lieder von Beethoven und Schubert ''
|-
| 562/1
| A{{hs|0}}73/1
| <ul>''Litaney''</ul>
| pf
|
| 1840
| Keyboard
| arr. of the song {{LinkWork|Am Tage Aller Seelen|D.343|Schubert|Franz}}
|-
| 562/2
| A{{hs|0}}73/2
| <ul>''Himmelsfunken''</ul>
| pf
|
| 1840
| Keyboard
| arr. of the song {{LinkWork|Himmelsfunken|D.651|Schubert|Franz}}
|-
| 562/3
| A{{hs|0}}73/3
| <ul>''Die Gestirne''</ul>
| pf
|
| 1840
| Keyboard
| arr. of the song {{LinkWork|Die Gestirne|D.444|Schubert|Franz}}
|-
| 562/4
| A{{hs|0}}73/4
| <ul>''Hymne''</ul>
| pf
|
| 1840
| Keyboard
| arr. of No.4 from the incidental music to {{LinkWork|Rosamunde|D.797|Schubert|Franz}}
|-
| 563
| A109
| '''[[6 Melodien von Franz Schubert, S.563 (Liszt, Franz)|Melodien von Franz Schubert]] ''' (6):
| pf
|
| 1844
| Keyboard
|
|-
| 563/1
| A109/1
| <ul>''Lebe wohl!''</ul>
| pf
|
| 1844
| Keyboard
|
|-
| 563/2
| A109/2
| <ul>''Mädchens Klage''</ul>
| pf
|
| 1844
| Keyboard
| arr. of the song {{LinkWork|Des Mädchens Klage|D.191|Schubert|Franz}}
|-
| 563/3
| A109/3
| <ul>''Das Sterbeglöcklein''</ul>
| pf
|
| 1844
| Keyboard
| arr. of the song {{LinkWork|Das Zügenglöcklein|D.871|Schubert|Franz}}
|-
| 563/4
| A109/4
| <ul>''Trockne Blumen''</ul>
| pf
|
| 1844
| Keyboard
| arr. of No.18 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}
|-
| 563/5
| A109/5
| <ul>''Ungeduld''</ul>
| pf
|
| 1844
| Keyboard
| arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565/6, S.565bis/6
|-
| 563/6
| A109/6
| <ul>''Die Forelle''</ul>
| pf
|
| 1844
| Keyboard
| arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 1st version of S.564
|-
| 564
| A127
| '''{{LinkWorkN|Die Forelle|D.550|Schubert|Franz|0}} ''' (Lied von Franz Schubert)
| pf
|
| 1846
| Keyboard
| arr. of the song {{LinkWork|Die Forelle|D.550|Schubert|Franz}}; 2nd version of S.563/6
|-
| 565
| A128
| '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''
| pf
|
| 1846
| Keyboard
| 1st version of S.565bis
|-
| 565/1
| A128/1
| <ul>''Das Wandern''</ul>
| pf
|
| 1846
| Keyboard
| arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/1
|-
| 565/2
| A128/2
| <ul>''Der Müller und der Bach ''</ul>
| pf
|
| 1846
| Keyboard
| arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/2
|-
| 565/3
| A128/3
| <ul>''Der Jäger''</ul>
| pf
|
| 1846
| Keyboard
| arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/3
|-
| 565/4
| A128/4
| <ul>''Die böse Farbe''</ul>
| pf
|
| 1846
| Keyboard
| arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/4
|-
| 565/5
| A128/5
| <ul>''Wohin?''</ul>
| pf
|
| 1846
| Keyboard
| arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 1st version of S.565bis/5
|-
| 565/6
| A128/6
| <ul>''Ungeduld''</ul>
| pf
|
| 1846
| Keyboard
| arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565bis/6
|-
| 565bis
| A128
| '''{{LinkWorkN|Müllerlieder von Franz Schubert|S.565|Liszt|Franz|0}}'''
| pf
|
| 1879
| Keyboard
| 2nd (simplified) version of S.565
|-
| 565bis/1
| A128/1
| <ul>''Das Wandern''</ul>
| pf
|
| 1879
| Keyboard
| arr. of No.1 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/1
|-
| 565bis/2
| A128/2
| <ul>''Der Müller und der Bach ''</ul>
| pf
|
| 1879
| Keyboard
| arr. of No.19 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/2
|-
| 565bis/3
| A128/3
| <ul>''Der Jäger''</ul>
| pf
|
| 1879
| Keyboard
| arr. of No.14 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/3
|-
| 565bis/4
| A128/4
| <ul>''Die böse Farbe''</ul>
| pf
|
| 1879
| Keyboard
| arr. of No.17 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/4
|-
| 565bis/5
| A128/5
| <ul>''Wohin?''</ul>
| pf
|
| 1879
| Keyboard
| arr. of No.2 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.565/5
|-
| 565bis/6
| A128/6
| <ul>''Ungeduld''</ul>
| pf
|
| 1879
| Keyboard
| arr. of No.7 from the song cycle {{LinkWork|Die Schöne Müllerin|D.795|Schubert|Franz}}; 2nd version of S.563/5, S.565/6
|-
| 565a
| U14/1
| '''[[Fantasie in C major, D.760 (Schubert, Franz)|Grosse Fantasie von Franz Schubert]]'''
| pf
| C major
| 1868
| Keyboard
| edited with additions to the {{LinkWork|Fantasie in C major|D.760|Schubert|Franz}}
|-
| 565b
| U14/2
| '''[[Schubert's Impromptus, S.565b (Liszt, Franz)|Impromptus von F. Schubert]]''' (4)
| pf
|
| 1868
| Keyboard
| edited, with additions to Nos.2 and 3 of {{LinkWork|4 Impromptus|D.899|Schubert|Franz}}
|-
| 566
| A133
| '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)
| pf
|
| 1848
| Keyboard
| arr. of No.1 of {{LinkWork|Myrthen|Op.25|Schumann|Robert}}; 1st version of S.566a
|-
| 566a
| A133
| '''[[Myrthen, Op.25 (Schumann, Robert)|Liebeslied]]''' (Widmung von Robert Schumann)
| pf
|
| 1850–59?
| Keyboard
| 2nd version of S.566
|-
| 567
| A212
| '''[[2 Lieder von Robert Schumann, S.567 (Liszt, Franz)|Lieder von Robert Schumann]]'''
| pf
|
| 1861
| Keyboard
|
|-
| 567/1
| A212/1
| <ul>''An den Sonnenschein''</ul>
| pf
|
| 1861
| Keyboard
| arr. of No.4 of {{LinkWork|6 Gedichte|Op.36|Schumann|Robert}}
|-
| 567/2
| A212/2
| <ul>''Rotes Röslein''</ul>
| pf
|
| 1861
| Keyboard
| arr. of No.2 of {{LinkWork|Lieder und Gesänge, Vol.I|Op.27|Schumann|Robert}}
|-
| 568
| A257
| '''[[Liederkreis, Op.39 (Schumann, Robert)|Frühlingsnacht]]''' (Lied von Robert Schumann)
| pf
|
| 1872
| Keyboard
| arr. of No.12 of {{LinkWork|Liederkreis|Op.39|Schumann|Robert}}
|-
| 569
| A264a
| '''[[Lieder von Robert und Clara Schumann, S.569 (Liszt, Franz)|Lieder von Robert und Clara Schumann]]''' (10):
| pf
|
| 1874
| Keyboard
|
|-
| 569/1
| A264a/1
| <ul>''Weihnachtslied''</ul>
| pf
|
| 1874
| Keyboard
| arr. of No.16 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}
|-
| 569/2
| A264a/2
| <ul>''Die wandelnde Glocke''</ul>
| pf
|
| 1874
| Keyboard
| arr. of No.17 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}
|-
| 569/3
| A264a/3
| <ul>''Frühlings Ankunft''</ul>
| pf
|
| 1874
| Keyboard
| arr. of No.19 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}
|-
| 569/4
| A264a/4
| <ul>''Des Sennen Abschied''</ul>
| pf
|
| 1874
| Keyboard
| arr. of No.22 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}
|-
| 569/5
| A264a/5
| <ul>''Er ist's''</ul>
| pf
|
| 1874
| Keyboard
| arr. of No.23 of {{LinkWork|Liederalbum für die Jugend|Op.79|Schumann|Robert}}
|-
| 569/6
| A264a/6
| <ul>''Nur wer die Sehnsucht kennt''</ul>
| pf
|
| 1874
| Keyboard
| arr. of No.3 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}
|-
| 569/7
| A264a/7
| <ul>''An die Türen will ich schleichen''</ul>
| pf
|
| 1874
| Keyboard
| arr. of No.5 of {{LinkWork|Lieder und Gesänge aus 'Wilhelm Meister'|Op.98a|Schumann|Robert}}
|-
| 569/8
| A264b/1
| <ul>''Warum willst du and're fragen''</ul>
| pf
|
| 1874
| Keyboard
| arr. of No.9 of ''Gedichte aus Rückerts Liebesfrühling'', Op.12, by {{LinkComp|Clara|Schumann}}
|-
| 569/9
| A264b/2
| <ul>''Ich hab' in deinem Auge''</ul>
| pf
|
| 1874
| Keyboard
| arr. of No.5 of ''6 Lieder'', Op.13, by {{LinkComp|Clara|Schumann}}
|-
| 569/10
| A264b/3
| <ul>''Geheimes Flüstern hier und dort''</ul>
| pf
|
| 1874
| Keyboard
| arr. of No.10 of ''6 Lieder aus Jucunde von Rollet'', Op.23, by {{LinkComp|Clara|Schumann}}
|-
| 570
| A306
| '''[[Des Sängers Fluch, Op.139 (Schumann, Robert)|Provenzalisches Minnelied]]''' (von Robert Schumann)
| pf
|
| 1881
| Keyboard
| arr. of No.4 of {{LinkWork|Des Sängers Fluch|Op.139|Schumann|Robert}}
|-
| 570a
| V16
| '''Polka de salon''' (Einleitung und Coda zu Smetanas Polka)
| pf
| F{{sharp}} major
| 1885
| Keyboard
| additions and revisions to No.1 of {{LinkWork|3 Polkas de salon|Op.7|Smetana|Bedřich}}
|-
| 571
| A275
| '''[[Zémire et Azor (Spohr, Louis)|Die Rose]]''' (Romanze von Louis Spohr)
| pf
|
| 1876
| Keyboard
| arr. of Zemire's romance from the opera {{LinkWork|Zemire und Azor||Spohr|Louis}}
|-
| 571a
| V15
| '''Valse-Caprice No.3 ''' (Einleitung und Schlußtakte zu Tausigs dritter Valse-Caprice)
| pf
|
| 1880
| Keyboard
| additions and revisions to of {{LinkWork|Valse-Caprice No.3||Tausig|Carl|0}}; formerly S.167a
|-
| 572
| A292
| '''{{LinkWork|Marche hongroise de Szabady|S.572|Liszt|Franz|0}}''' (Revive Szegedin!)
| pf
|
| 1879
| Keyboard
| arr. of the {{LinkWork|Marche héroïque de Szabadi||Massenet|Jules|0}} by {{LinkComp|Jules|Massenet}}.
|-
| 573
| A258
| '''Einleitung und Ungarischer Marsch von Graf Imre Széchényi''' (Bevezetés és magyar induló Gróf Széchényi Imrétõl )
| pf
|
| 1872
| Keyboard
| based on the ''Ungarischer Marsch'' by Imre Széchényi
|-
| 573a
| A297
| '''Seconda Mazurka di Tirindelli'''
| pf
|
| 1880
| Keyboard
| additions and revisions to Mazurka No.2 by Pier Adolfo Tirindelli
|-
| 574
| A122
| '''[[Oberon, J.306 (Weber, Carl Maria von)|Ouvertüre zur Webers Oper Oberon]]'''
| pf
|
| 1846
| Keyboard
| arr. of the overture from the opera {{LinkWork|Oberon|J.306|Weber|Carl Maria von}}
|-
| 575
| A129
| '''[[Der Freischütz, Op.77 (Weber, Carl Maria von)|Ouvertüre aus Webers Oper Der Freischütz]]'''
| pf
|
| 1846
| Keyboard
| arr. of the overture from the opera {{LinkWork|Der Freischütz|Op.77|Weber|Carl Maria von|0}}
|-
| 576
| A121
| '''[[Jubel-Ouvertüre, Op.59 (Weber, Carl Maria von)|Webers Jubelovertüre]]'''
| pf
|
| 1846
| Keyboard
| arr. of the {{LinkWork|Jubel-Ouvertüre|Op.59|Weber|Carl Maria von}}
|-
| 576a
| —
| '''Konzertstück''' (von Weber)
| pf
|
| 1868–70
| Keyboard
| arr. of the {{LinkWork|Konzertstück|Op.79|Weber|Carl Maria von}}
|-
| 577/1
| A{{hs|0}}87
| '''[[Romances (Wielhorski, Michał)|I Love]]''' (Romanze von Wielhorski)
| pf
|
| 1842
| Keyboard
| arr. of the romance'' [[Romances (Wielhorski, Michał)|I Love]]'' by {{LinkName|Michał|Wielhorski}}; 2nd version of S.577/2, S.577bis, and S.577ter
|-
| 577/2
| A{{hs|0}}87
| '''Autrefois''' (Romance du Comte Mikaïl Yourievitch Wielhorsky)
| pf
|
| 1843
| Keyboard
| 4th version of S.577/1, S.577bis, and S.577ter
|-
| {{hs|577/3}}577bis
| —
| '''Romance "Lyubila ya"'''
| pf
|
| 1842?
| Keyboard
| 1st version of S.577ter, S.577/1, and S.577/2
|-
| {{hs|577/4}}577ter
| —
| '''Romance "Lyubila ya"'''
| pf
|
| 1843?
| Keyboard
| 3rd version of S.577bis, S.577/1, and S.577/2
|- style="background:#ccffcc" id="Piano duet arr"
| {{hs|577/5}}577a–634b
| —
| align="center"|<h4>Piano Duet (4 hands)</h4>
|
|
|
|
|
|-
| 577a
| T33
| '''Nocturnes''' (12) (John Field)
| pf4h
|
| 1877
| Keyboard
|
|-
| 577a/{{hs|0}}1
| T33/{{hs|0}}1
| <ul>''Nocturne No.1''</ul>
| pf4h
|
| 1877
| Keyboard
| arr. of ''Nocturne No.1'' in E{{flat}} major, H.24, by {{LinkComp|John|Field}}
|-
| 577a/{{hs|0}}2
| T33/{{hs|0}}2
| <ul>''Nocturne No.2''</ul>
| pf4h
|
| 1877
| Keyboard
| arr. of'' Nocturne No.2 ''in C minor, H.25, by {{LinkComp|John|Field}}
|-
| 577a/{{hs|0}}3
| T33/{{hs|0}}3
| <ul>''Nocturne No.3''</ul>
| pf4h
|
| 1877
| Keyboard
| arr. of ''Nocturne No.3'' in A{{flat}} major, H.26, by {{LinkComp|John|Field}}
|-
| 577a/{{hs|0}}4
| T33/{{hs|0}}4
| <ul>''Nocturne No.4''</ul>
| pf4h
|
| 1877
| Keyboard
| arr. of ''Nocturne No.4'' in A major, H.36, by {{LinkComp|John|Field}}
|-
| 577a/{{hs|0}}5
| T33/{{hs|0}}5
| <ul>''Nocturne No.5''</ul>
| pf4h
|
| 1877
| Keyboard
| arr. of ''Nocturne No.5'' in B{{flat}} major, H.37, by {{LinkComp|John|Field}}
|-
| 577a/{{hs|0}}6
| T33/{{hs|0}}6
| <ul>''Nocturne No.6''</ul>
| pf4h
|
| 1877
| Keyboard
| arr. of ''Nocturne No.6'' in F major, H.40, by {{LinkComp|John|Field}}
|-
| 577a/{{hs|0}}7
| T33/{{hs|0}}7
| <ul>''Nocturne No.7''</ul>
| pf4h
|
| 1877
| Keyboard
| arr. of ''Pastorale'' in A major, H.14, by {{LinkComp|John|Field}}
|-
| 577a/{{hs|0}}8
| T33/{{hs|0}}8
| <ul>''Nocturne No.8''</ul>
| pf4h
|
| 1877
| Keyboard
| arr. of ''Romance'' in E{{flat}} major, H.30, by {{LinkComp|John|Field}}
|-
| 577a/{{hs|0}}9
| T33/{{hs|0}}9
| <ul>''Nocturne No.9''</ul>
| pf4h
|
| 1877
| Keyboard
| arr. of ''Nocturne No.8'' in E minor, H.46, by {{LinkComp|John|Field}}
|-
| 577a/10
| T33/10
| <ul>''Nocturne No.10''</ul>
| pf4h
|
| 1877
| Keyboard
| arr. of ''Nocturne No.17'' in E major, H.65, by {{LinkComp|John|Field}}
|-
| 577a/11
| T33/11
| <ul>''Nocturne No.11''</ul>
| pf4h
|
| 1877
| Keyboard
| arr. of'' Nocturne No.11'' in E{{flat}} major, H.56, by {{LinkComp|John|Field}}
|-
| 577a/12
| T33/12
| <ul>''Nocturne No.12''</ul>
| pf4h
|
| 1877
| Keyboard
| arr. of ''Nocturne No.18'' in E major ("Midi"), H.13, by {{LinkComp|John|Field}}
|-
| 578
| B27
| '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':
| pf4h
|
| 1862–66?
| Keyboard
| arr. from S.2
|-
| 578/1
| B27/1
| <ul>''Orchester Einleitung''</ul>
| pf4h
|
| 1862–66?
| Keyboard
| arr. of Introduction from S.2
|-
| 578/2
| B27/2
| <ul>''Marsch der Kreuzritter''</ul>
| pf4h
|
| 1862–66?
| Keyboard
| arr. of No.3e from S.2
|-
| 578/3
| B27/3
| <ul>''Der Sturm''</ul>
| pf4h
|
| 1862–66?
| Keyboard
| arr. of No.4d from S.2
|-
| 578/4
| B27/4
| <ul>''Interludium''</ul>
| pf4h
|
| 1862–66?
| Keyboard
| arr. of No.6a from S.2
|-
| 579
| B30
| '''[[Christus, S.3 (Liszt, Franz)|Orchestersätze aus dem Oratorium Christus]]''' (2):
| pf4h
|
| 1866–73?
| Keyboard
| arr. from S.3
|-
| 579/1
| B30/1
| <ul>''Hirtengespiel an der Krippe''</ul>
| pf4h
|
| 1866–73?
| Keyboard
| arr. of No.4 from S.3
|-
| 579/2
| B30/2
| <ul>''Die heiligen drei Könige''</ul>
| pf4h
|
| 1866–73?
| Keyboard
| arr. of No.5 from S.3
|-
| 580
| B42
| '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)
| pf4h
|
| 1874
| Keyboard
| arr. of prelude from S.6
|-
| 581
| B31
| '''Aus der Ungarischen Krönungsmesse'''
| pf4h
|
| 1869
| Keyboard
| arr. from S.11
|-
| 581/1
| B31/1
| <ul>''Benedictus''</ul>
| pf4h
|
| 1869
| Keyboard
| arr. of No.5 from S.11
|-
| 581/2
| B31/2
| <ul>''Offertorium''</ul>
| pf4h
|
| 1869
| Keyboard
| arr. of No.7 from S.11
|-
| 582
| B53
| '''O Lamm Gottes!'''
| pf4h
|
| 1878–79
| Keyboard
| arr. of S.504b/7
|-
| 583
| B52
| '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)
| pf4h
|
| 1878–79
| Keyboard
| arr. of S.53
|-
| 584
| B{{hs|0}}6
| '''Fest-Cantate für die Inaugurations-Feier des Beethoven-Denkmals in Bonn'''
| pf4h
|
| 1845
| Keyboard
| arr. of S.67
|-
| 585
| B24
| '''Pastorale''' (Schnitterchor aus dem Entfesselten Prometheus)
| pf4h
|
| 1861
| Keyboard
| arr. of No.4 from S.69/2
|-
| 586
| B34
| '''Gaudeamus igitur''' (Humoreske)
| pf4h
|
| 1870?
| Keyboard
| arr. of S.71a
|-
| 587
| B{{hs|0}}7
| '''Marche héroïque'''
| pf4h
|
| 1848?
| Keyboard
| arr. of S.510
|-
| 588
| B16
| '''Weimars Volkslied'''
| pf4h
|
| 1857
| Keyboard
| arr. of S.313
|-
| 589
| B37
| '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)
| pf4h
|
| 1874
| Keyboard
| arr. of S.95 (3rd version)
|-
| 590
| B20
| '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''<br>(Symphonic Poem No.2)
| pf4h
|
| 1858
| Keyboard
| arr. of S.96
|-
| 591
| B12
| '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''<br>(Symphonic Poem No.3)
| pf4h
|
| 1853–58
| Keyboard
| arr. of S.97
|-
| 592
| B17
| '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}<br>''' (Symphonic Poem No.4)
| pf4h
|
| 1858
| Keyboard
| arr. of S.98
|-
| 593
| B18
| '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' <br>(Symphonic Poem No.5)
| pf4h
|
| 1858?
| Keyboard
| arr. of S.99
|-
| 594
| B38
| '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''<br>(Symphonic Poem No.6)
| pf4h
|
| 1874
| Keyboard
| arr. of S.100
|-
| 595
| B13
| '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''<br>(Symphonic Poem No.7)
| pf4h
|
| 1854–61
| Keyboard
| arr. of S.101
|-
| 596
| B39
| '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''<br>(Symphonic Poem No.9)
| pf4h
|
| 1874
| Keyboard
| arr. of S.103
|-
| 596a
| B49
| '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}} ''' <br>(Symphonic Poem No.8)
| pf4h
|
| 1877
| Keyboard
| arr. of S.102
|-
| 596b
| B51
| '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' <br>(Symphonic Poem No.11)
| pf4h
|
| 1877
| Keyboard
| arr. of S.105
|-
| 596c
| B44
| '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' <br>(Symphonic Poem No.12)
| pf4h
|
| 1874–77
| Keyboard
| arr. of S.106 by Liszt and {{LinkComp|Giovanni|Sgambati}}
|-
| 597
| B40
| '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''<br>(Symphonic Poem No.10)
| pf4h
|
| 1874
| Keyboard
| arr. of S.104
|-
| 598
| B55
| '''{{LinkWorkN|Von der Wiege bis zum Grabe|S.107|Liszt|Franz|0}}''' (From the Cradle to the Grave) <br>(Symphonic Poem No.13)
| pf4h
|
| 1881
| Keyboard
| arr. of S.107
|-
| 599
| B15
| '''[[2 Episoden aus Lenau's Faust, S.110 (Liszt, Franz)|Episoden aus Lenau's Faust]]''' (2)
| pf4h
|
| 1856–61?
| Keyboard
| arr. of S.110
|-
| 599/1
| B15/1
| <ul>''Der nächtliche Zug''</ul>
| pf4h
|
| 1856–61?
| Keyboard
| arr. of S.110/1
|-
| 599/2
| B15/2
| <ul>''Der Tanz in der Dorfschenke'' (Mephisto Waltz)</ul>
| pf4h
|
| 1856–61?
| Keyboard
| arr. of S.110/2
|-
| 600
| B54
| '''{{LinkWorkN|Mephisto Waltz No.2|S.515|Liszt|Franz|0}}'''
| pf4h
|
| 1880–81
| Keyboard
| arr. of S.515
|-
| —
| B23
| '''Odes funèbres''' (3):
| pf4h
|
| 1860–69
| Keyboard
| arr. from S.112
|-
| 601
| B23/1
| <ul>''Les morts''</ul>
| pf4h
|
| 1860
| Keyboard
| arr. of S.112/1
|-
| 602
| B23/2
| <ul>''La notte''</ul>
| pf4h
|
| 1866
| Keyboard
| arr. of S.112/2
|-
| 603
| B23/3
| <ul>{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}</ul>
| pf4h
|
| 1866–69
| Keyboard
| arr. of S.112/3
|-
| 604/1
| B28/1
| '''Boze coś Polskę'''
| pf4h
|
| 1863
| Keyboard
| arr. of S.113/1
|-
| 604/2
| B28/2
| '''Salve Polonia''' (Interludium aus dem Oratorium St. Stanislaus)
| pf4h
|
| 1884
| Keyboard
| arr. of S.113/2
|-
| 605
| B22
| '''{{LinkWorkN|Künstlerfestzug zur Schillerfeier 1859|S.114|Liszt|Franz|0}}'''
| pf4h
|
| 1859
| Keyboard
| arr. of S.114
|-
| 606
| B19
| '''{{LinkWorkN|Festmarsch zur Goethe-Jubiläumfeier|S.115|Liszt|Franz|0}}'''
| pf4h
|
| 1858?
| Keyboard
| arr. of S.115
|-
| 607
| B21
| '''Festmarsch nach Motiven von E.H.z.S.-C.-G.'''
| pf4h
|
| 1858–59
| Keyboard
| arr. of S.116
|-
| 608
| B33
| '''[[Rákóczi-Marsch, S.117 (Liszt, Franz)]]'''
| pf4h
|
| 1870
| Keyboard
| arr. of S.117
|-
| 609
| B32
| '''{{LinkWorkN|Ungarischer Marsch zur Krönungsfeier in Ofen-Pest am 8. Juni 1867|S.118|Liszt|Franz|0}}'''
| pf4h
|
| 1870
| Keyboard
| arr. of S.118
|-
| 610
| B46
| '''{{LinkWorkN|Ungarischer Sturmmarsch|S.119|Liszt|Franz|0}}''' (Hungarian Battle March)
| pf4h
|
| 1875
| Keyboard
| arr. of S.119
|-
| 611
| W{{hs|0}}7
| '''Epithalam''' (zu Eduard Reményi‘s Vermählungsfeier)
| pf4h
|
| 1872
| Keyboard
| arr. of S.129; Liszt's authorship doubtful
|-
| 612
| B36
| '''{{LinkWorkN|Elegy No.1|S.196|Liszt|Franz|0}}'''
| pf4h
|
| 1874
| Keyboard
| arr. of S.196
|-
| 612a
| B43
| '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''
| pf4h
|
| 1875?
| Keyboard
| arr. of S.185a; 1st version of S.613
|-
| 612a/1
| B43/1
| <ul>''Psallite'' (Altes Weihnacthen)</ul>
| pf4h
|
| 1875?
| Keyboard
| arr. of S.185a/1; 1st version of S.613/1
|-
| 612a/2
| B43/2
| <ul>''O heilige Nacht!''</ul>
| pf4h
|
| 1875?
| Keyboard
| arr. of S.185a/2; 1st version of S.613/2
|-
| 612a/3
| B43/3
| <ul>''Die Hirten an der Krippe'' ("In dulci jubilo")</ul>
| pf4h
|
| 1875?
| Keyboard
| arr. of S.185a/3; 1st version of S.613/3
|-
| 612a/4
| B43/4
| <ul>''Adeste fideles'' (gleichsam als Marsch der heiligen drei Konige)</ul>
| pf4h
|
| 1875?
| Keyboard
| arr. of S.185a/4; 1st version of S.613/4
|-
| 612a/5
| B43/5
| <ul>''Scherzoso''</ul>
| pf4h
|
| 1875?
| Keyboard
| arr. of S.185a/5; 1st version of S.613/5
|-
| 612a/6
| B43/6
| <ul>''Reveille-Matin'' (Wecker)</ul>
| pf4h
|
| 1875?
| Keyboard
| arr. of S.185a/6; 1st version of S.613/6
|-
| 612a/7
| B43/7
| <ul>''Schlummerlied''</ul>
| pf4h
|
| 1875?
| Keyboard
| arr. of S.185a/7; 1st version of S.613/7
|-
| 612a/8
| B43/8
| <ul>(Alt-provenzalisches Noel)</ul>
| pf4h
|
| 1875?
| Keyboard
| arr. of S.185a/8; 1st version of S.613/8
|-
| 612a/9
| B43/9
| <ul>(Abendglocken)</ul>
| pf4h
|
| 1875?
| Keyboard
| arr. of S.185a/9; 1st version of S.613/9
|-
| 612a/10
| B43/10
| <ul>(Ehemals)</ul>
| pf4h
|
| 1875?
| Keyboard
| arr. of S.185a/10; 1st version of S.613/10
|-
| 612a/11
| B43/11
| <ul>''Ungarisch''</ul>
| pf4h
|
| 1875?
| Keyboard
| arr. of S.185a/11; 1st version of S.613/11
|-
| 612a/12
| B43/12
| <ul>''Polnisch''</ul>
| pf4h
|
| 1875?
| Keyboard
| arr. of S.185a/12; 1st version of S.613/12
|-
| 613
| B43
| '''{{LinkWorkN|Weihnachtsbaum|S.186|Liszt|Franz|0}}'''
| pf4h
|
| 1876–81
| Keyboard
| arr. of S.186; 2nd version of S.613
|-
| 613/1
| B43/1
| <ul>''Altes Weihnacthen'' (Psalite)</ul>
| pf4h
|
| 1876–81
| Keyboard
| arr. of S.186/1; 2nd version of S.613/1
|-
| 613/2
| B43/2
| <ul>''O heilige Nacht!''</ul>
| pf4h
|
| 1876–81
| Keyboard
| arr. of S.186/2; 2nd version of S.613/2
|-
| 613/3
| B43/3
| <ul>''Die Hirten an der Krippe'' ("In dulci jubilo")</ul>
| pf4h
|
| 1876–81
| Keyboard
| arr. of S.186/3; 2nd version of S.613/3
|-
| 613/4
| B43/4
| <ul>''Adeste fideles'' (Gleichsam als Marsch der heiligen drei Konige</ul>
| pf4h
|
| 1876–81
| Keyboard
| arr. of S.186/4; 2nd version of S.613/4
|-
| 613/5
| B43/5
| <ul>''Scherzoso '' (Man zündet die Kerzen des Baumes an)</ul>
| pf4h
|
| 1876–81
| Keyboard
| arr. of S.186/5; 2nd version of S.613/5
|-
| 613/6
| B43/6
| <ul>''Carillon''</ul>
| pf4h
|
| 1876–81
| Keyboard
| arr. of S.186/6; 2nd version of S.613/6
|-
| 613/7
| B43/7
| <ul>''Schlummerlied''</ul>
| pf4h
|
| 1876–81
| Keyboard
| arr. of S.186/7; 2nd version of S.613/7
|-
| 613/8
| B43/8
| <ul>''Altes provenzalisches Weihnachtslied''</ul>
| pf4h
|
| 1876–81
| Keyboard
| arr. of S.186/8; 2nd version of S.613/8
|-
| 613/9
| B43/9
| <ul>''Abendglocken''</ul>
| pf4h
|
| 1876–81
| Keyboard
| arr. of S.186/9; 2nd version of S.613/9
|-
| 613/10
| B43/10
| <ul>''Ehemals''</ul>
| pf4h
|
| 1876–81
| Keyboard
| arr. of S.186/10; 2nd version of S.613/10
|-
| 613/11
| B43/11
| <ul>''Ungarisch''</ul>
| pf4h
|
| 1876–81
| Keyboard
| arr. of S.186/11; 2nd version of S.613/11
|-
| 613/12
| B43/12
| <ul>''Polnisch''</ul>
| pf4h
|
| 1876–81
| Keyboard
| arr. of S.186/12; 2nd version of S.613/12
|-
| 614
| B50
| '''{{LinkWorkN|Dem Andenken Petöfis|S.195|Liszt|Franz|0}}'''
| pf4h
|
| 1877
| Keyboard
| arr. of S.349
|-
| 615
| B{{hs|0}}1
| '''{{LinkWorkN|Grande valse di bravura|S.209|Liszt|Franz|0}}''' (La bal de Berne)
| pf4h
|
| 1836
| Keyboard
| arr. of S.209
|-
| 615a
| —
| '''{{LinkWorkN|Mephisto Waltz No.3|S.216|Liszt|Franz|0}}'''
| pf4h
|
| 1883
| Keyboard
| arr. of S.216
|-
| 616
| B{{hs|0}}2
| '''{{LinkWorkN|Grand galop chromatique|S.219|Liszt|Franz|0}}'''
| pf4h
|
| 1838
| Keyboard
| arr. of S.219
|-
| 617
| B56
| '''{{LinkWorkN|Csárdás macabre|S.224|Liszt|Franz|0}}'''
| pf4h
|
| 1881–82
| Keyboard
| arr. of S.224 [by Liszt and {{LinkName|János|Végh}}?]
|-
| 618
| W11
| '''[[2 Csárdás, S.225 (Liszt, Franz)|Csárdás obstiné]]'''
| pf4h
|
| 1884?
| Keyboard
| arr. of S.225/2 [Liszt's authorship uncertain]
|-
| 618a
| B14
| '''{{LinkWorkN|Vom Fels zum Meer!|S.229|Liszt|Franz|0}}''' (Deutscher Siegesmarsch)
| pf4h
|
| 1853–56?
| Keyboard
| arr. of S.229
|-
| 619
| B59
| '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''
| pf4h
|
| 1883
| Keyboard
| arr. of S.230
|-
| 619a
| B48
| '''{{LinkWorkN|Festpolonaise|S.230a|Liszt|Franz|0}}'''
| pf4h
|
| 1876
| Keyboard
| arr. of S.230a
|-
| 620
| B{{hs|0}}3
| '''{{LinkWorkN|Hussitenlied|S.234|Liszt|Franz|0}}''' (Aus dem 15. Jahrhundert)
| pf4h
|
| 1840–41
| Keyboard
| arr. of S.234
|-
| 621
| B41
| '''Hungarian Rhapsodies''' (6):
| pf4h
|
| 1857–60
| Keyboard
| arr. of S.359
|-
| 621/1
| B41/1
| <ul>''[[Hungarian Rhapsody No.14, S.244/14 (Liszt, Franz)|Hungarian Rhapsody No.1]]''</ul>
| pf4h
| F minor
| 1860
| Keyboard
| arr. of S.359/1 (based on S.244/14)
|-
| 621/2
| B41/2
| <ul>''[[Hungarian Rhapsody No.12, S.244/12 (Liszt, Franz)|Hungarian Rhapsody No.2]]''</ul>
| pf4h
| D minor
| 1860
| Keyboard
| arr. of S.359/2 (based on S.244/12)
|-
| 621/3
| B41/3
| <ul>''[[Hungarian Rhapsody No.6, S.244/6 (Liszt, Franz)|Hungarian Rhapsody No.3]]''</ul>
| pf4h
| D major
| 1860
| Keyboard
| arr. of S.359/3 (based on S.244/6)
|-
| 621/4
| B41/4
| <ul>''[[Hungarian Rhapsody No.2, S.244/2 (Liszt, Franz)|Hungarian Rhapsody No.4]]''</ul>
| pf4h
| D minor
| 1860
| Keyboard
| arr. of S.359/4 (based on S.244/2)
|-
| 621/5
| B41/5
| <ul>''[[Hungarian Rhapsody No.5, S.244/5 (Liszt, Franz)|Hungarian Rhapsody No.5]]'' (Héroïde-élégiaque)</ul>
| pf4h
| E minor
| 1860
| Keyboard
| arr. of S.359/5 (based on S.244/5)
|-
| 621/6
| B41/6
| <ul>''[[Hungarian Rhapsody No.9, S.244/9 (Liszt, Franz)|Hungarian Rhapsody No.6]]'' (Pesther Carneval)</ul>
| pf4h
|
| 1860
| Keyboard
| arr. of S.359/6 (based on S.244/9)
|-
| 622
| B57
| '''[[Hungarian Rhapsody No.16, S.244/16 (Liszt, Franz)|Ungarische Rhapsodie zu den Budapester Munkácsy-Feierlichkeiten]]'''
| pf4h
|
| 1882
| Keyboard
| arr. of S.244/16
|-
| 623
| W12
| '''{{LinkWorkN|Hungarian Rhapsody No.18|S.244/18|Liszt|Franz|0}}'''
| pf4h
|
| 1885
| Keyboard
| arr. of S.244/18 (Liszt's authorshop doubtful)
|-
| 623a
| W13
| '''{{LinkWorkN|Hungarian Rhapsody No.19|S.244/19|Liszt|Franz|0}}'''
| pf4h
|
| 1885?
| Keyboard
| arr. of S.244/19 (Liszt's authorshop doubtful)
|-
| 624
| B{{hs|0}}8
| '''{{LinkWorkN|Fantasie und Fuge über den Choral Ad nos, ad salutarem undam|S.259|Liszt|Franz|0}}'''
| pf4h
|
| 1850
| Keyboard
| arr. of S.259; published as S.414/4
|-
| 625
| B29
| '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''
| pf4h
|
| 1865
| Keyboard
| arr. of S.261
|-
| 626
| B60
| '''{{LinkWorkN|Magyar király-dal|S.340|Liszt|Franz|0}}''' (Ungarisches Königslied)
| pf4h
|
| 1883
| Keyboard
| arr. of S.340
|-
| 627
| B{{hs|0}}9
| '''{{LinkWorkN|Fantaisie sur des motifs favoris de 'La sonnambula'|S.393|Liszt|Franz|0}}
| pf4h
|
| 1852
| Keyboard
| arr. of S.393
|-
| 628
| B10
| '''{{LinkWorkN|Bénédiction et serment|S.396|Liszt|Franz|0}}''' (Deux motifs de Benvenuto Cellini de Berlioz)
| pf4h
|
| 1852–53
| Keyboard
| arr. of S.396
|-
| 628a
| B{{hs|0}}5
| '''{{LinkWorkN|Marche et Cavatine de Lucie de Lammermoor|S.398|Liszt|Franz|0}}'''
| pf4h
|
| 1844?
| Keyboard
| arr. of S.398
|-
| 628b
| —
| '''Szózat und Hymnus''' (2 vaterländische Dichtungen von Vörösmarty and Kölcsey)
| pf4h
|
| 1873
| Keyboard
| arr. of S.353 (Liszt's authorship doubtful)
|-
| 629
| B45
| '''[[Ruslan and Ludmila (Glinka, Mikhail)|Tscherkessenmarsch aus Glinkas Oper Rußlan und Ludmilla]]'''
| pf4h
|
| 1875
| Keyboard
| arr. of S.406/2
|-
| 630
| W{{hs|0}}2
| '''{{LinkWorkN|Réminiscences de Robert le diable|S.413|Liszt|Franz|0}}''' (Valse infernale)
| pf4h
|
| 1841–43
| Keyboard
| arr. of S.413 (Liszt's authorship doubtful)
|-
| 631
| B11
| '''{{LinkWorkN| Andante Finale und Marsch aus der Oper König Alfred|S.421|Liszt|Franz|0}}'''
| pf4h
|
| 1853?
| Keyboard
| arr. of S.421
|-
| 631/1
| B11/1
| <ul>''Andante''</ul>
| pf4h
|
| 1853?
| Keyboard
| arr. of S.421/1
|-
| 631/2
| B11/2
| <ul>''Marsch''</ul>
| pf4h
|
| 1853?
| Keyboard
| arr. of S.421/2
|-
| 632
| B35
| '''Franz Schuberts Märsche''' (4)
| pf4h
|
| 1859–70
| Keyboard
| arr. from S.363
|-
| 632/1
| B35/1
| <ul>(Vivace)</ul>
| pf4h
| B minor
| 1859–70
| Keyboard
| arr. of S.363/1
|-
| 632/2
| B35/2
| <ul>''Trauermarsch''</ul>
| pf4h
| E{{flat}} minor
| 1859–70
| Keyboard
| arr. of S.363/2
|-
| 632/3
| B35/3
| <ul>''Reitermarsch''</ul>
| pf4h
| C major
| 1859–70
| Keyboard
| arr. of S.363/3
|-
| 632/4
| B35/4
| <ul>''Ungarischer Marsch''</ul>
| pf4h
| D minor
| 1859–70
| Keyboard
| arr. of S.363/4
|-
| 633
| B26
| '''{{hs| A la Chapelle}}À la Chapelle Sixtine''' (Miserere d'Allegri et Ave verum Corpus de Mozart)
| pf4h
|
| 1865
| Keyboard
| arr. of S.461/2
|-
| 634
| B{{hs|0}}4
| '''Grand septuor de Beethoven'''
| pf4h
|
| 1840–42
| Keyboard
| arr. of S.465
|-
| 634a
| B47
| '''Adagio von Die Zauberflöte''' (Der welcher wandelt diese Strasse)
| pf4h
|
| 1875–81?
| Keyboard
| arr. of "Der, welcher wandelt diese Straße voll Beschwerden" from Act II of the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}
|-
| 634b
| B25
| '''[[2 Stücke aus Tannhäuser und Lohengrin, S.445 (Liszt, Franz)|Stücke aus Tannhäuser und Lohengrin]]''' (2):
| pf4h
|
| 1862?
| Keyboard
| arr. of S.445
|-
| 634b/1
| B25/1
| <ul>''Einzug der Gäste auf der Wartburg''</ul>
| pf4h
|
| 1862?
| Keyboard
| arr. of S.445/1a
|-
| 634b/2
| B25/2
| <ul>''Elsas Brautzug zum Münster''</ul>
| pf4h
|
| 1862?
| Keyboard
| arr. of S.445/2
|- style="background:#ccffcc" id="Two pianos arr"
| {{hs|634z}}635–657b
| —
| align="center"|<h4>2 Pianos</h4>
|
|
|
|
|
|-
| 635
| C{{hs|0}}9
| '''{{LinkWorkN|Ce qu'on entend sur la montagne|S.95|Liszt|Franz|0}}''' (Symphonic Poem No.1)
| 2pf
|
| 1854–56
| Keyboard
| arr. of S.95
|-
| 636
| C10
| '''{{LinkWorkN|Tasso: Lamento e Trionfo|S.96|Liszt|Franz|0}} '''<br>(Symphonic Poem No.2)
| 2pf
|
| 1854–56
| Keyboard
| arr. of S.96
|-
| 637
| C11
| '''{{LinkWorkN|Les préludes|S.97|Liszt|Franz|0}}'''<br>(Symphonic Poem No.3)
| 2pf
|
| 1855?
| Keyboard
| arr. of S.97
|-
| 638
| C12
| '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}<br>''' (Symphonic Poem No.4)
| 2pf
|
| 1855–56
| Keyboard
| arr. of S.98
|-
| 639
| C14
| '''{{LinkWorkN|Prometheus|S.99|Liszt|Franz|0}}''' <br>(Symphonic Poem No.5)
| 2pf
|
| 1855–56
| Keyboard
| arr. of S.99
|-
| 640
| C13
| '''{{LinkWorkN|Mazeppa|S.100|Liszt|Franz|0}} '''<br>(Symphonic Poem No.6)
| 2pf
|
| 1855
| Keyboard
| arr. of S.100
|-
| 641
| C{{hs|0}}7
| '''{{LinkWorkN|Festklänge|S.101|Liszt|Franz|0}} '''<br>(Symphonic Poem No.7)
| 2pf
|
| 1853
| Keyboard
| arr. of S.101
|-
| 642
| C15
| '''{{LinkWorkN|Héroïde funèbre|S.102|Liszt|Franz|0}}''' <br>(Symphonic Poem No.8)
| 2pf
|
| 1854–56
| Keyboard
| arr. of S.102
|-
| 643
| C16
| '''{{LinkWorkN|Hungaria|S.103|Liszt|Franz|0}} '''<br>(Symphonic Poem No.9)
| 2pf
|
| 1855–56
| Keyboard
| arr. of S.103
|-
| 644
| C22
| '''{{LinkWorkN|Hamlet|S.104|Liszt|Franz|0}} '''<br>(Symphonic Poem No.10)
| 2pf
|
| 1858–60
| Keyboard
| arr. of S.104
|-
| 645
| C21
| '''{{LinkWorkN|Hunnenschlacht|S.105|Liszt|Franz|0}}''' <br>(Symphonic Poem No.11)
| 2pf
|
| 1857–60
| Keyboard
| arr. of S.105
|-
| 646
| C17
| '''{{LinkWorkN|Die Ideale|S.106|Liszt|Franz|0}}''' <br>(Symphonic Poem No.12)
| 2pf
|
| 1857–58
| Keyboard
| arr. of S.106
|-
| 647
| C19
| '''{{LinkWorkN|Faust Symphony|S.108|Liszt|Franz|0}} ''' (Eine Faust-Symphonie)
| 2pf
|
| 1856
| Keyboard
| arr. of S.108
|-
| 648
| C20
| '''{{LinkWorkN|Dante Symphony|S.109|Liszt|Franz|0}}''' (Eine Symphonie zu Dantes Divina Commedia)
| 2pf
|
| 1856–57
| Keyboard
| arr. of S.109
|-
| 649
| C{{hs|0}}6
| '''[[Fantasie über Motive aus Beethovens Ruinen von Athen, S.122 (Liszt, Franz)|Fantasie über Motiven aus Beethovens Ruinen von Athen]]'''
| 2pf
|
| 1852
| Keyboard
| arr. of S.122
|-
| 650
| C{{hs|0}}8
| '''[[Piano Concerto No.1, S.124 (Liszt, Franz)|Piano Concerto No.1]]'''
| 2pf
| E{{flat}} major
| 1853–56?
| Keyboard
| arr. of S.124
|-
| 651
| C23
| '''[[Piano Concerto No.2, S.125 (Liszt, Franz)|Piano Concerto No.2]]'''
| 2pf
| A major
| 1859
| Keyboard
| arr. of S.125
|-
| 652
| C24
| '''{{LinkWorkN|Totentanz|S.126|Liszt|Franz|0}}'''
| 2pf
|
| 1859–65?
| Keyboard
| arr. of S.126/2
|-
| 652a
| C25
| '''[[Rákóczi-Marsch, S.117 (Liszt, Franz)]]'''
| 2pf
|
| 1870
| Keyboard
| arr. of S.117
|-
| 653
| C{{hs|0}}5
| '''[[Fantasie in C major, D.760 (Schubert, Franz)|Franz Schuberts Grosse Fantasie]]'''
| 2pf
| C major
| 1851–62?
| Keyboard
| arr. of S.366
|-
| 654/1
| C{{hs|0}}2
| '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)
| 2pf
|
| 1840
| Keyboard
| arr. of S.392; 1st version
|-
| 654/2
| C{{hs|0}}2
| '''{{LinkWorkN|Hexaméron|S.392|Liszt|Franz|0}}''' (Morceaux de concert. Grandes variations de bravoure sur la marche des Puritains de Bellini)
| 2pf
|
| 1870?
| Keyboard
| arr. of S.392; 2nd version
|-
| 655
| C{{hs|0}}3
| '''{{LinkWorkN|Réminiscences de Norma|S.394|Liszt|Franz|0}}'''
| 2pf
|
| 1845–74?
| Keyboard
| arr. of S.394
|-
| 656
| C26
| '''{{LinkWorkN|Réminiscences de Don Juan|S.418|Liszt|Franz|0}}''' (Grande fantaisie)
| 2pf
|
| 1876–77
| Keyboard
| arr. of S.418
|-
| 657
| C{{hs|0}}4
| '''{{LinkWorkN|Symphony No.9|Op.125|Beethoven|Ludwig van|0}}''' [Beethoven]
| 2pf
| D minor
| 1851
| Keyboard
| arr. of the {{LinkWork|Symphony No.9|Op.125|Beethoven|Ludwig van}}; arr. for pf as S.464/9
|-
| 657a/1
| C27
| '''{{LinkWorkN|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}} '''[Beethoven]
| 2pf
| C minor
| 1878–79
| Keyboard
| arr. of the {{LinkWork|Piano Concerto No.3|Op.37|Beethoven|Ludwig van|0}}; includes new cadenza for 1st movement, S.389a
|-
| 657a/2
| C28
| '''{{LinkWorkN|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}''' [Beethoven]
| 2pf
| G major
| 1878–79
| Keyboard
| arr. of the {{LinkWork|Piano Concerto No.4|Op.58|Beethoven|Ludwig van|0}}
|-
| 657a/3
| C29
| '''{{LinkWorkN|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}} '''[Beethoven]
| 2pf
| E{{flat}} major
| 1878–79
| Keyboard
| arr. of the {{LinkWork|Piano Concerto No.5|Op.73|Beethoven|Ludwig van|0}}
|-
| 657b
| C30
| '''{{LinkWorkN|Bülow-Marsch|S.230|Liszt|Franz|0}}'''
| 2pf8h
|
| 1884
| Keyboard
| arr. of S.230
|- style="background:#ccffcc" id="Organ arr"
| {{hs|657z}}658–676
| —
| align="center"|<h4>Organ</h4>
|
|
|
|
|
|-
| 658
| E15
| '''Evocation à la Chapelle Sixtine'''
| org/harm
|
| 1862–65?
| Keyboard
| arr. of S.461
|-
| 659
| E14
| '''{{LinkWorkN| Ave Maria d'Arcadelt|S.183/2|Liszt|Franz|0}}'''
| org/harm
|
| 1862–63
| Keyboard
| arr. of S.183/2
|-
| 660/1
| E{{hs|0}}9
| '''{{LinkWorkN|Einleitung und Fuge||Liszt|Franz|0}}''' (aus der Motette Ich hatte viel Bekümmernis)
| org/harm
|
| 1860–66
| Keyboard
| arr. of the introduction and fugue from the cantata {{LinkWork|Ich hatte viel Bekümmernis|BWV 21|Bach|Johann Sebastian}}
|-
| 660/2
| E{{hs|0}}5
| '''Andante''' (Aus tiefer Not)
| org/harm
|
| 1856–60?
| Keyboard
| arr. of part of the cantata {{LinkWork| Aus tiefer Noth schrei ich zu dir|BWV 38|Bach|Johann Sebastian}}
|-
| 661
| E13
| '''Adagio vom Bach'''
| org/harm
|
| 1861–63
| Keyboard
| arr. of the 3rd movement of ''[[6 Violin Sonatas, BWV 1014-1019 (Bach, Johann Sebastian)|Violin Sonata No.4]]'', BWV 1017, by {{LinkComp|Johann Sebastian|Bach}}
|-
| 662/1
| E16/1
| '''Prelude'''
| org
| E minor
| 1862–63?
| Keyboard
| arr. of No.4 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}
|-
| 662/2
| E16/2
| '''Prelude'''
| org
| E major
| 1862–63?
| Keyboard
| arr. of No.9 of the {{LinkWork|Preludes|Op.28|Chopin|Frederic}}
|-
| 663
| E21
| '''Regina coeli laetare'''
| org/harm
|
| 1865
| Keyboard
| arr. of the motet ''Regina coeli laetare'' by {{LinkComp|Orlande de|Lassus}}
|-
| 663a
| E25
| '''[[Die Legende von der Heiligen Elisabeth, S.2 (Liszt, Franz)|Einleitung zur Legende von der heiligen Elisabeth]]'''
| org/harm
|
| 1872
| Keyboard
| arr. by Liszt and Carl Müller-Hartung of the introduction from S.2
|-
| 664/1
| E19b/1
| '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''
| org/harm
|
| 1867
| Keyboard
| arr. of No.8 from S.3; 1st version of S.664/2
|-
| 664/2
| E19b/2
| '''[[Christus, S.3 (Liszt, Franz)|Tu es Petrus aus dem Oratorio Christus]]'''
| org
|
| 1867
| Keyboard
| arr. of movt. VIII from S.3; 2nd (simplified) version of S.664/1
|-
| 665
| E35
| '''[[Cantico del sol di Francesco d'Assisi, S.4 (Liszt, Franz)|San Francesco]]'''
| org
|
| 1880
| Keyboard
| arr. of the prelude from S.4/2
|-
| 666
| E26
| '''Preludio''' (Excelsior!)
| org (+ ch)
|
| 1874–75
| Vocal
| arr. of prelude from S.6
|-
| 667
| E23
| '''Offertorium aus der Ungarischen Krönungsmesse'''
| org/harm
|
| 1868?
| Keyboard
| arr. of No.5 from S.11
|-
| 667a
| —
| '''Psalm 18''' (Coeli enarrant gloriam Dei / Die Himmel erzählen die Ehre Gottes)
| org
|
| 1860
| Keyboard
| arr. of S.14/1
|-
| 667b/1
| —
| '''[[Ave Maria I, S.20 (Liszt, Franz)|Gebet]]''' (Ave Maria)
| org
|
| 1842?
| Keyboard
| arr. of S.20/1
|-
| 667b/2
| E{{hs|0}}4
| '''{{LinkWorkN| Ave Maria I|S.20|Liszt|Franz|0}}'''
| org
|
| 1856–59?
| Keyboard
| arr. of S.20/2; incomplete sketch as S.701n
|-
| 667c
| E24
| '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''
| harm
| D major
| 1869
| Keyboard
| arr. of S.38
|-
| 668
| E18
| '''{{LinkWorkN|Slavimo slavno, Slaveni!|S.33|Liszt|Franz|0}}'''
| org
|
| 1863
| Keyboard
| arr. of S.33
|-
| 668a
| E27/2a
| '''Ave maris stella'''
| harm
|
| 1871
| Keyboard
| arr. of S.34; 1st version of S.669/2
|-
| 669
| E27
| '''[[2 Kirchenhymnen, S.669 (Liszt, Franz)|Kirchenhymnen]]''' (2)
| org/harm
|
| 1877
| Keyboard
|
|-
| 669/1
| E27/1
| <ul>''Salve Regina''</ul>
| org/harm
|
| 1877
| Keyboard
|
|-
| 669/2
| E27/2b
| <ul>''Ave maris stella''</ul>
| org/harm
|
| 1877
| Keyboard
| arr. of S.34; 2nd version of S.668a
|-
| 669a
| —
| '''{{LinkWorkN|Deutsche Kirchenlieder|S.669a|Liszt|Franz|0}}''' (7):
| v ch pf/org
|
| 1878–79
| Vocal
| arr. from S.50
|-
| 669a/1
| —
| <ul>''Es segne uns Gott''</ul>
| ch org
|
| 1878–79
| Vocal
| arr. of S.50/1
|-
| 669a/2
| —
| <ul>''Gott sei gnädig'' (Der Kirchensegen)</ul>
| v/ch org
|
| 1878–79
| Vocal
| arr. of S.50/2
|-
| 669a/3
| —
| <ul>''Nun ruhen alle Wälder''</ul>
| v org
|
| 1878–79
| Vocal
| arr. of S.50/3
|-
| 669a/4
| —
| <ul>''O Haupt voll Blut und Wunden''</ul>
| v org
|
| 1878–79
| Vocal
| arr. of S.50/4
|-
| 669a/5
| —
| <ul>''O Lamm Gottes!''</ul>
| v pf/org
|
| 1878–79
| Vocal
| arr. of S.50/5
|-
| 669a/6
| —
| <ul>''Was Gott tut, das ist wohlgetan''</ul>
| v org
|
| 1878–79
| Vocal
| arr. of S.50/6
|-
| 669a/7
| —
| <ul>''Wer nur den lieben Gott läßt walten''</ul>
| v org
|
| 1878–79
| Vocal
| arr. of S.50/7
|-
| 669b
| E31
| '''{{LinkWorkN|Via Crucis|S.53|Liszt|Franz|0}}''' (Les 14 stations de la croix)
| org
|
| 1876–79
| Keyboard
| arr. of S.53
|-
| 669c
| —
| '''{{LinkWorkN|O Roma nobilis|S.54|Liszt|Franz|0}}'''
| org
|
| 1878–79
| Keyboard
| arr. of S.54
|-
| 670
| E34
| '''{{LinkWorkN|Rosario|S.56|Liszt|Franz|0}}'''
| org/harm
|
| 1879
| Keyboard
| arr. from S.56
|-
| 670/1
| E34/1
| <ul>''Mysteria gaudiosa''</ul>
| org/harm
|
| 1879
| Keyboard
| arr. of S.56/1
|-
| 670/2
| E34/2
| <ul>''Mysteria dolorosa''</ul>
| org/harm
|
| 1879
| Keyboard
| arr. of S.56/2
|-
| 670/3
| E34/3
| <ul>''Mysteria gloriosa''</ul>
| org/harm
|
| 1879
| Keyboard
| arr. of S.56/3
|-
| 671
| E40
| '''{{LinkWorkN|In domum Domini ibimus|S.57|Liszt|Franz|0}}''' (Zum Haus des Herrn ziehen wir)
| org
|
| 1884
| Keyboard
| arr. of S.57
|-
| 671a
| J44
| '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''
| org
|
| 1883?
| Keyboard
| arr. of S.60
|-
| 672/1
| E{{hs|0}}6/1
| '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''
| org
|
| 1857–63?
| Keyboard
| arr. of S.313; 1st version of S.672/2
|-
| 672/2
| E{{hs|0}}6/2
| '''{{LinkWorkN|Weimars Volkslied|S.313|Liszt|Franz|0}}'''
| org/harm
|
| 1872–73?
| Keyboard
| arr. of S.313; 2nd version of S.672/1
|-
| 672a
| E11
| '''{{LinkWorkN|Orpheus|S.98|Liszt|Franz|0}}<br>''' (Symphonic Poem No.4)
| org/harm
|
| 1860–72
| Keyboard
| arr. of S.98
|-
| 672b
| E{{hs|0}}8
| '''Einleitung, Fuge und Magnificat aus der Symphonie zu Dantes Divina commedia'''
| org/harm
|
| 1860
| Keyboard
| arr. by Liszt [and {{LinkComp| Alexander Wilhelm|Gottschalg}}?] of S.109
|-
| 672c
| E30
| '''[[Années de pèlerinage III, S.163 (Liszt, Franz)| Angelus! Prière aux anges gardiens]]'''
| harm
|
| 1877–82
| Keyboard
| arr. of S.163/1
|-
| 672d
| E22
| '''[[Consolations, S.172 (Liszt, Franz)|Consolations]]''' (4):
| org/harm
|
| 1866–79
| Keyboard
| arr. from S.172
|-
| 672d/1
| E22/1
| <ul>(Lento placido)</ul>
| org/harm
| A major
| 1879?
| Keyboard
| arr. of S.172/3
|-
| 672d/2
| E22/2
| <ul>(Adagio)</ul>
| org/harm
| D{{flat}} major
| 1866–67?
| Keyboard
| arr. of S.172/4 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}
|-
| 672d/3
| E22/3
| <ul>(Andantino)</ul>
| org/harm
| E major
| 1872–73?
| Keyboard
| arr. of S.172/5 by Liszt and {{LinkComp| Alexander Wilhelm|Gottschalg}}
|-
| 672d/4
| E22/4
| <ul>(Trôstung)</ul>
| org/harm
| E major
| 1879?
| Keyboard
| arr. of S.172/6
|-
| 673
| E17
| '''{{LinkWorkN|Variationen über das Motiv von Bach|S.180|Liszt|Franz|0}}'''
| org
|
| 1862–63
| Keyboard
| arr. of S.180
|-
| 674
| E37
| '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)
| org/harm
|
| 1881
| Keyboard
| arr. of S.339
|-
| 674a
| E36
| '''{{LinkWorkN|O sacrum convivium|S.58|Liszt|Franz|0}}'''
| org/harm
|
| 1881–85?
| Keyboard
| arr. of S.58
|-
| 674b
| —
| '''{{LinkWorkN| Ave Maria IV|S.341|Liszt|Franz|0}}'''
| org/harm
|
| 1881
| Keyboard
| arr. of S.341
|-
| 674c
| —
| '''{{LinkWorkN|Nun danket alle Gott|S.61|Liszt|Franz|0}}'''
| org
|
| 1884
| Keyboard
| arr. of S.61
|-
| 674d
| E42
| '''[[Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus)| Ave verum corpus de Mozart]]'''
| org
|
| 1886
| Keyboard
| arr. of the {{LinkWork| Ave verum corpus|K.618|Mozart|Wolfgang Amadeus}}; arr. for pf as S.461a
|-
| 675
| E{{hs|0}}2
| '''Kirchliche Fest-Ouvertüre '''
| org/pfped
|
| 1852
| Keyboard
| arr. of the ''Kirchliche Fest-Ouvertüre über den Choral Ein feste'' Burg ist unser Gott by {{LinkComp|Otto|Nicolai}}
|-
| 675a
| V10
| '''In der Christmette '''
| vn org
|
| 1873?
| Keyboard
| corrections to No.1 of ''5 Charakterstücke'', Op.3, by Alexander Ritter
|-
| 675b
| V18
| '''{{LinkWorkN|Davidsbündlertänze|Op.6|Schumann|Robert|0}}'''
| org
|
| 1870?
| Keyboard
| arr. by {{LinkComp| Alexander Wilhelm|Gottschalg}} and Liszt of No.14 of the {{LinkWork|Davidsbündlertänze|Op.6|Schumann|Robert}}
|-
| 675c/1
| E29
| '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''
| org/harm
|
| 1877–78
| Keyboard
| based on No.5 of the {{LinkWork|Requiem||Verdi|Giuseppe}}; 1st version of S.675c/2
|-
| 675c/2
| E29
| '''Agnus Dei della Messa da Requiem di Giuseppe Verdi'''
| org/harm
|
| 1883
| Keyboard
| 2nd version of S.675c/1
|-
| 676/1
| E10a
| '''Chor der jüngeren Pilger''' (Der Gnade Heil)
| org/harm
|
| 1860
| Keyboard
| based on the chorus "Heil! Heil! Der Gnade Wunder Heil!" from Act III of the opera {{LinkWork|Tannhäuser|WWV 70|Wagner|Richard}}; 1st version of S.676/2
|-
| 676/2
| E10b
| '''Chor der jüngeren Pilger''' (Der Gnade Heil)
| org/harm
|
| 1862
| Keyboard
| 2nd version of S.676/1
|- style="background:#ccffcc" id="Organ with other arr"
| {{hs|676z}}677–679
| —
| align="center"|<h4>Organ with Other Instruments</h4>
|
|
|
|
|
|-
| 677
| F2
| '''Hosannah''' (Alleluja del Cantico del sol)
| org (+ tbn)
|
| 1862–63
| Chamber
| arr. of 'Alleluja' from {{LinkWork|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}
|-
| 678
| F3
| '''Aus der Ungarischen Krönungsmesse'''
| vn org/harm
|
| 1871
| Chamber
| arr. of extracts from S.11
|-
| 678/1
| F3/1
| <ul>''Benedictus''</ul>
| vn org/harm
|
| 1871
| Chamber
| arr. of S.11/5
|-
| 678/2
| F3/2
| <ul>''Offertorium''</ul>
| vn org/harm
|
| 1871
| Chamber
| arr. of S.11/7
|-
| 679
| F1
| '''Cujus animam aus Rossinis Stabat Mater'''
| tbn org
|
| 1860–70?
| Chamber
| arr. of "Cujus animam" from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for ten org as S.682; for pf as S.553/1
|- style="background:#ccffcc" id="Vocal arr"
| {{hs|679z}}680–685
| —
| align="center"|<h4>Vocal Arrangements</h4>
|
|
|
|
|
|-
| 680
| K{{hs|0}}3
| '''{{LinkWorkN| Ave maris stella|S.34|Liszt|Franz|0}}'''
| v org/harm
| D major
| 1868
| Vocal
| arr. of S.34/2
|-
| 681
| K{{hs|0}}4
| '''{{LinkWorkN| Ave Maria II|S.38|Liszt|Franz|0}}'''
| v org/harm
|
| 1869
| Vocal
| arr. of S.38
|-
| 682
| K{{hs|0}}5
| '''Cujus animam aus Rossinis Stabat Mater'''
| ten org
|
| 1874?
| Vocal
| arr. of "Cujus animam" from {{LinkWork|Stabat Mater||Rossini|Gioacchino}}; arr. for tbn org as S.682; for pf as S.553/1
|-
| 683
| N57
| '''Serbisches Lied''' (Ein Mädchen sitzt am Meeresstrand)
| v pf
|
| 1858?
| Vocal
|
|-
| 683a
| K10
| '''Gebet'''
| v org
|
| 1883?
| Vocal
| arr. of the song 'by Francis Korbay; also arr. for v orch as S.368/2
|-
| 684
| N{{hs|0}}2
| '''Barcarole vénitienne de Pantaleoni'''
| v pf
|
| 1840
| Vocal
| arr. of the song by Luigi Pantaleoni
|-
| 685
| N47
| '''Es hat geflammt die ganze Nacht''' (Lied der Grossherzogin Marie Pavlovna)
| v pf
|
| 1849–54
| Vocal
| arr. of the song by Maria Pavlovna, Grand Duchess of Russia
|- style="background:#ccffcc" id="Recitation arr"
| {{hs|685z}}686
| —
| align="center"|<h4>Recitations</h4>
|
|
|
|
|
|-
| 686
| P4
| '''{{LinkWorkN|Helges Treue|Op.1|Draeseke|Felix|0}}'''
| nar pf
|
| 1860
| Vocal
| arr. of the ballad {{LinkWork|Helges Treue|Op.1|Draeseke|Felix}}
|- style="background:#ccffcc" id="Unfinished"
| {{hs|686z}}687–701
| —
| align="center"|<h3>Unfinished Works</h3>
|
|
|
|
|
|-
| 687
| Q13
| '''Sardanapale'''
| vv ch orch
|  
| 1846–55?
| Stage
| unfinished sketches for an opera, based on Byron's ''Sardanapalus''
|-
| 688
| Q17
| '''Die Legende vom heiligen Stanislaus'''
| vv ch orch
|  
| 1869–85
| Vocal
| unfinished oratorio; extracts used in S.16/1, S.113/2, S.518, S.519; fragment arr. for pf as S.688a
|-
| 688a
| Q17
| '''Die Legende vom heiligen Stanislaus'''
| pf
|
| 1868?
| Keyboard
| arr. from S.688; incomplete sketches
|-
| 689
| Q14
| '''Singe wem Gesang gegeben'''
| mch orch
|
| 1848?
| Vocal
| orchestrated by Liszt and {{LinkComp| August|Conradi}}; incomplete
|-
| 689a
| Q{{hs|0}}9
| '''Manfred'''
| ch orch
|
| 1842–44
| Vocal
| incomplete
|-
| 690
| Q{{hs|0}}1
| '''Symphonie révolutionnaire'''
| orch
|
| 1830–53
| Orchestral
| incomplete sketches; 1st movement rev. as S.102; 5th movement rev. as S.703
|-
| 691*
| —
| ''De Profundis''
| pf orch
|
| 1834
| Orchestral
| renumbered as S.121a
|-
| 692
| S49
| '''Violin Concerto'''
| vn orch
|
| 1860
| Orchestral
| lost
|-
| 692a
| Q18
| '''Die vier Jahreszeiten'''
| 2vn va vc
|
| 1880?
| Chamber
| arr. of {{LinkWork|Le Quattro Stagioni||Vivaldi| Antonio}}; incomplete sketches; formerly S.719
|-
| 692b
| S22
| '''Piano Sonata'''
| pf
| F minor
| 1880
| Keyboard
| the first page of S.725/1 (now lost), copied by Liszt in 1880
|-
| 692c
| —
| '''[[Preludio — Allegro maestoso, S.692c (Liszt, Franz)|Preludio — Allegro maestoso maestoso]]''' (Etude No. 13)
| pf
| F{{sharp}} major
| 1837-38 ca.
| Keyboard
| 2 versions
|-
| 692d
| —
| '''{{LinkWorkN|Rákóczi-Marsch|S.692d|Liszt|Franz|0}}'''
| pf
|
| 1839–40
| Keyboard
| simplified arr. of S.242a; incomplete sketches
|-
| 692e
| —
| '''[[Chöre zu Herders Entfesseltem Prometheus, S.69 (Liszt, Franz)|Winzerchor aus den entfesselten Prometheus]]'''
| pf
|
| 1850?
| Keyboard
| arr. of No.5 from S.69; incomplete sketches
|-
| 692n
| —
| '''[[Klavierstück, S.692n (Liszt, Franz)|Klavierstück]]'''
| pf
| E{{flat}} minor
| 1849?
| Keyboard
| early sketch of theme to S.172/3
|-
| 692p
| —
| '''[[2 Sketches from 1829, S.692p (Liszt, Franz)|Sketches]]''' (2)
| pf
|
| 1829
| Keyboard
|
|-
| 693
| Q12
| '''Marches dans le genre hongrois''' (2):
| pf
|
| 1840?
| Keyboard
| incomplete sketches
|-
| 693/1
| Q12/1
| <ul>''March No.1'' </ul>
| pf
| D minor
| 1840?
| Keyboard
| incomplete sketches
|-
| 693/2
| Q12/2
| <ul>''March No.2'' </ul>
| pf
| B{{flat}} minor
| 1840?
| Keyboard
| incomplete sketches
|-
| 693a
| —
| '''{{LinkWorkN|Die Legende von der Heiligen Elisabeth|S.2|Liszt|Franz|0}}''':
| pf
|
| 1862
| Keyboard
| arr. from S.2
|-
| 693a/1
| —
| <ul>''Das Rosenmirakel'' </ul>
| pf
|
| 1862
| Keyboard
| arr. of S.2/2c
|-
| 693a/2
| —
| <ul>''Der Sturm'' </ul>
| pf
|
| 1862
| Keyboard
| arr. of S.2/4d
|-
| 694
| Q{{hs|0}}8
| '''Grande paraphrase de concert sur God Save the Queen et Rule Britannia''' (Fantaisie sur thèmes anglais)
| pf orch
|
| 1841
| Orchestral
| partly based on S.235, using the themes of the British national anthem and {{LinkWork|Rule Britannia||Arne|Thomas Augustine}}; fragment only survives (completed by Leslie Howard as ''Fantasy on English Themes''); arr. for pf4h as S.755b, and for vn va vc pf as S.718e
|-
| 695
| A100
| '''Klavierstück'''
| pf
| F major
| 1843
| Keyboard
|
|-
| 695a*
| —
| ''Litanies de Marie''
| pf
|
| 1846–47
| Keyboard
| renumbered as S.171e
|-
| 695b
| —
| '''Zigeuner-Epos''' (11):
| pf
|
| 1848?
| Keyboard
| sketches
|-
| 695b/1
| —
| <ul>(Lento) </ul>
| pf
| C minor
| 1848?
| Keyboard
| sketches
|-
| 695b/2
| —
| <ul>(Andantino) </ul>
| pf
| C major
| 1848?
| Keyboard
| sketches
|-
| 695b/3
| —
| <ul>(Sehr langsam) </ul>
| pf
| D{{flat}} major
| 1848?
| Keyboard
| sketches
|-
| 695b/4
| —
| <ul>(Animato) </ul>
| pf
| C{{sharp}} major
| 1848?
| Keyboard
| sketches
|-
| 695b/5
| —
| <ul>(Tempo giusto) </ul>
| pf
| D{{flat}} major
| 1848?
| Keyboard
| sketches
|-
| 695b/6
| —
| <ul>(Lento) </ul>
| pf
| G minor
| 1848?
| Keyboard
| sketches
|-
| 695b/7
| —
| <ul>Tempo di marca </ul>
| pf
| A minor
| 1848?
| Keyboard
| sketches
|-
| 695b/8
| —
| <ul>(Adagio sostenuto a capriccio) </ul>
| pf
| D major
| 1848?
| Keyboard
| sketches
|-
| 695b/9
| —
| <ul>(Andante cantabile quasi adagio) </ul>
| pf
| E{{flat}} major
| 1848?
| Keyboard
| sketches
|-
| 695b/10
| —
| <ul>(Lento) </ul>
| pf
| F minor
| 1848?
| Keyboard
| sketches
|-
| 695b/11
| —
| <ul>(Lento) </ul>
| pf
| A minor
| 1848?
| Keyboard
| incomplete sketches
|-
| 695c
| Q11b
| '''[[Romancero espagnol, S.695c (Liszt, Franz)|Romancero espagnol]]''' (3)
| pf
|
| 1845
| Keyboard
| incomplete sketches for S.253, S.254; 2nd version of S.738(?)
|-
| 695c/1
| Q11b/1
| Introduction and Fandango with variations
| pf
|
| 1845
| Keyboard
|
|-
| 695c/2
| Q11b/2
| Elaboration of an unidentified theme
| pf
|
| 1845
| Keyboard
|
|-
| 695c/3
| Q11b/3
| Jota aragonesa and coda
| pf
|
| 1845
| Keyboard
|
|-
| 695d
| Q21
| '''Petite valse''' ("Nachspiel zu den drei vergessenen Walzer")
| pf
|
| 1884?
| Keyboard
| incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695e?
|-
| 695e
| Q21?
| '''{{LinkWorkN|Petite Valse|S.695e|Liszt|Franz|0}}''' ("Nachspiel zu den drei vergessenen Walzer")
| pf
|
| 1884?
| Keyboard
| incomplete sketches; possibly intended for S.215; cataloguing mistake? same as S.695d?
|-
| 695f
| —
| '''{{LinkWorkN|Cadenza|S.695f|Liszt|Franz|0}}'''
| pf
|
| 1883–85?
| Keyboard
| sketch for S.514
|-
| 695h
| —
| '''[[Klavierstück, S.695h (Liszt, Franz)|Klavierstück]]'''
| pf
| E{{flat}} major
|
| Keyboard
| sketch
|-
| 696
| A337
| '''{{LinkWorkN|Mephisto Waltz No.4|S.216b|Liszt|Franz|0}}'''
| pf
|
| 1885
| Keyboard
| 2nd version of S.216b; unfinished
|-
| 697
| A{{hs|0}}90
| '''{{LinkWorkN|Fantasie über Themen aus Mozarts Figaro und Don Giovanni|S.697|Liszt|Franz|0}}'''
| pf
|
| 1842
| Keyboard
| based on themes from the operas {{LinkWork|Le nozze di Figaro|K.492|Mozart|Wolfgang Amadeus|0}} and {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}; unfinished; completions by {{LinkComp|Ferruccio|Busoni}} and Leslie Howard
|-
| 698
| Q19
| '''{{LinkWorkN|La mandragore|S.698|Liszt|Franz|0}}''' (Ballade de l'opera Jean de Nivelle)
| pf
|
| 1881
| Keyboard
| arr. of "Tant que le jour dure" from the opera {{LinkWork|Jean de Nivelle||Delibes|Léo}}; incomplete
|-
| 698b
| —
| '''{{LinkWorkN|Notturno|S.698b|Liszt|Franz|0}}'''
| pf
|
| 1849
| Keyboard
| unfinished draft
|-
| 699*
| —
| ''La notte''
| pf
|
| 1864–66
| Keyboard
| renumbered as S.516a
|-
| 700/1
| A113
| '''{{LinkWorkN|Grande Fantaisie sur des thèmes de Paganini|S.700i|Liszt|Franz|0}}'''
| pf
|
| 1845
| Keyboard
| using themes from the {{LinkWork|Violin Concerto No.2|Op.7|Paganini|Niccolò|0}} and {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; unfinished; completed by Imre Mezö; 1st version of S.700/2
|-
| 700/2
| A113
| '''Variations de bravoure sur des thèmes de Paganini'''
| pf
|
| 1845
| Keyboard
| 2nd version of S.700/1
|-
| 700a
| Q{{hs|0}}7
| '''Variations sur le Carnaval de Venise'''
| pf
|
| 1843
| Keyboard
| based on the {{LinkWork|Il carnevale di Venezia|Op.10|Paganini|Niccolò}}; incomplete
|-
| 700f
| Q{{hs|0}}4
| '''La belle en robe des Dimanches'''
| v pf
|
| 1830–39?
| Vocal
| incomplete
|-
| 700g
| J44
| '''[[Ave Maria III, S.60 (Liszt, Franz)|Zur Trauung]]'''
| v 2pf
|
| 1883–87?
| Vocal
| arr. of S.60
|-
| 700j
| M14/1
| '''Titan''' (Auf des Athos blauen Felsenspitzen)
| v pf
|
| 1842
| Vocal
| 1st version of S.79/1; pf part incomplete
|-
| 701
| N15
| '''Den Felsengipfel stieg ich einst hinan'''
| v pf
|
| 1843?
| Vocal
|
|-
| 701a
| Q{{hs|0}}2
| '''Allegro di bravura'''
| orch
|
| 1830
| Orchestral
| arr. of S.151 [by Liszt?]; incomplete sketch
|-
| 701b
| Q{{hs|0}}5
| '''Marie-Poème'''
| pf/(str?)
|
| 1837
| Keyboard
| incomplete sketch
|-
| 701c
| —
| '''{{LinkWorkN|Andante sensibilissimo|S.701c|Liszt|Franz|0}}'''
| pf
|
| 1880–86
| Keyboard
| incomplete sketch
|-
| 701d
| Q16
| '''Melodie in Dorische Tonart''' (Prose des Morts)
| pf
|
| 1861
| Keyboard
| incomplete sketch; based on the ''Dies irae''
|-
| 701e
| —
| '''[[Album-Leaf 'Dante fragment', S.701e (Liszt, Franz)|Album-Leaf]]''' ("Dante fragment")
| pf
|
| 1837
| Keyboard
| incomplete sketch
|-
| 701f
| —
| '''[[Album-leaf 'Glasgow fragment', S.701f (Liszt, Franz)|Album-Leaf]]''' ("Glasgow fragment")
| pf
| E{{flat}} minor
| 1841?
| Keyboard
| incomplete sketch
|-
| 701g
| A253
| '''Polnisch'''
| pf
|
| 1876?
| Keyboard
| sketch
|-
| 701h/1
| —
| '''Valse infernale'''
| pf
|
| 1841?
| Keyboard
| arr. of theme of the ''Valse infernale'' (Act III, No.10) from the opera {{LinkWork|Robert le diable||Meyerbeer|Giacomo}}; incomplete sketch
|-
| 701h/2
| —
| '''Album-Leaf'''
| pf
|
| 1841
| Keyboard
| arr. of an unidentified operatic aria and one sketched variation; incomplete sketch
|-
| 701j
| —
| '''La Charité'''
| pf
|
| 1847
| Keyboard
| incomplete sketch for S.552a; originally intended for S.172a
|-
| 701k
| —
| '''Korrekturblatt'''
| pf
|
| 1882
| Keyboard
| incomplete sketch for S.199a
|-
| 701l
| —
| '''Album-Leaf''' ("Weimar fragment")
| pf
|
| 1886?
| Keyboard
| incomplete sketch
|-
| 701m
| —
| '''Trio'''
| vn vc pf
| G minor
| 1886?
| Chamber
| incomplete sketch for 2 ''Harmonies poétiques et religieuses''
|-
| 701n
| —
| '''Korrekturblatt'''
| org
|
| 1853?
| Keyboard
| incomplete sketch for S.667b/2
|-
| 701o
| R1
| '''Scherzo'''
| pf
|
| 1830
| Keyboard
| incomplete
|-
| 701v
| —
| '''{{LinkWorkN|Marche de Prozinsky|S.701v|Liszt|Franz|0}}'''
| pf
| C{{sharp}} minor
| 1846
| Keyboard
| incomplete sketch for S.171d
|- style="background:#ccffcc" id="Lost"
| {{hs|701y}}701–768
| —
| align="center"|<h3>Doubtful or Lost</h3>
|
|
|
|
|
|- style="background: #ccffcc" id="Sacred choral lost"
| {{hs|701z}}702–707
| —
| align="center"|<h4>Sacred Choral Works</h4>
|
|
|
|
|
|-
| 702
| S{{hs|0}}1
| '''Tantum ergo'''
| ch
|
| 1822
| Vocal
| lost
|-
| 703
| Q15
| '''Psalm 2 ''' (Quare fremuerunt gentes et populi)
| ten ch orch
|
| 1851
| Vocal
| incomplete sketches; originally intended as 5th movement of S.690
|-
| 704
| —
| '''Requiem''' (on the death of Emperor Maximilian of Mexico)
| vv ch ?orch
|
| 1867?
| Vocal
| lost
|-
| 705
| —
| '''The Creation'''
| vv ch ?orch
|
| 1867?
| Vocal
| lost
|-
| 706
| T45
| '''Benedictus'''
| ch
|
|
| Vocal
| unrealized project
|-
| 707
| —
| '''Excelsior'''
| ch?
|
|
| Vocal
| unrealized project
|- style="background: #ccffcc" id="Secular choral lost"
| {{hs|707z}}708–708b
| —
| align="center"|<h4>Secular Choral Works</h4>
|
|
|
|
|
|-
| 708
| L{{hs|0}}6
| '''Rinaldo'''
| ten mch orch/pf
|
| 1848
| Vocal
| cantata to text by Goethe, based on music by an unidentified composer (maybe Brahms?); orchestrated by Liszt and {{LinkComp| August|Conradi}}
|-
| 708a*
| M25
| ''A patakhoz'' (A patakcsa)
| mch
|
| 1846
| Vocal
| renumbered as S.81a
|-
| 708b
| M17/2
| [untitled piece]
| mch
|
| 1843–44?
| Vocal
| companion piece to S.78; lost
|- style="background: #ccffcc" id="Orchestral works lost"
| {{hs|709z}}709–712
| —
| align="center"|<h4>Orchestral Works</h4>
|
|
|
|
|
|-
| 709*
| —
| ''Salve Polonia''
| orch
|
| 1863
| Orchestral
| renumbered as S.113
|-
| 710
| S41
| '''Funeral March'''
| orch
|
| 1850
| Orchestral
| lost; possibly the same as S.102 or S.761
|-
| 711
| S62
| '''Csárdás macabre'''
| orch
|
| 1882?
| Orchestral
| lost; reconstruction by G. Darvos not based on authentic material
|-
| 712
| W{{hs|0}}9
| '''Romance oubliée'''
| orch
|
| 1881
| Orchestral
| arr. of S.527; Liszt's authorship doubtful
|- style="background: #ccffcc" id="Piano and orchestra lost"
| {{hs|712z}}713–716
| —
| align="center"|<h4>Piano and Orchestra</h4>
|
|
|
|
|
|-
| 713/1
| S{{hs|0}}8
| '''Piano Concerto'''
| pf orch
| A minor
| 1825?
| Orchestral
| lost; not the same as S.713/2
|-
| 713/2
| S{{hs|0}}9
| '''Piano Concerto'''
| pf orch
|
| 1825?
| Orchestral
| lost; not the same as S.713/1
|-
| 714
| Q20
| '''Piano Concerto''' (in the Hungarian style)
| pf orch
|
| 1880–85?
| Orchestral
| incomplete sketches; not the same as S.126a
|-
| 715
| S19
| '''Piano Concerto''' (in the Italian style)
| pf orch
|
| 1830–39?
| Orchestral
| lost
|-
| 716
| —
| '''Grande fantaisie symphonique'''
| pf orch (?)
|
|
| Orchestral
| lost; maybe based on S.120?
|- style="background: #ccffcc" id="Other instrumental lost"
| {{hs|716z}}717–723a
| —
| align="center"|<h4>Other Instrumental Works</h4>
|
|
|
|
|
|-
| 717
| D{{hs|0}}2
| '''Trio'''
| vn vc pf
| D{{flat}} major
| 1825
| Chamber
| vc part was lost until 1997
|-
| 718
| S11
| '''Quintet'''
| 2vn va vc db?
|
| 1825
| Chamber
| lost
|-
| 718a
| —
| '''Duo on Rossini's Semiramide'''
| vn pf
|
| 1827
| Chamber
| based on themes from the opera [[Semiramide (Rossini, Gioacchino)|Semiramide]] by [[:Category:Rossini, Gioacchino|Gioacchino Rossini]]; lost
|-
| 718b
| —
| '''The Fall of Paris ms, a Military Air with Variations'''
| fl pf
|
| 1827
| Chamber
| lost
|-
| 718c
| —
| '''Un petit morceau'''
| vn pf
|
| 1830–31?
| Chamber
| lost
|-
| 718d
| —
| '''Sextet'''
| 2vn 2va 2vc
|
| 1835 or earlier
| Chamber
| lost
|-
| 718e
| —
| '''Grosse Fantasie on God Save the Queen and Rule Britannia'''
| vn va vc pf
|
| 1841
| Chamber
| arr. of S.694; lost
|-
| 719*
| —
| ''Die vier Jahreszeiten''
| 2vn va vc
|
| 1880?
| Chamber
| renumbered as S.692a
|-
| 720
| S18
| '''Allegro moderato'''
| vn pf
| E major
| 1829
| Chamber
| lost
|-
| 721
| S63
| '''Prelude'''
| vn (+ pf?)
|
| 1882
| Chamber
| lost
|-
| 722*
| —
| ''La notte''
| vn pf
|
| 1864–66
| Chamber
| renumbered as S.377a
|-
| 723*
| —
| ''Tristia''
| vn vc pf
|
| 1880?
| Chamber
| renumbered as S.378a, S.378b, S.378c
|-
| 723a*
| W{{hs|0}}6
| ''Postlude'' (on a theme from Orpheus)
|
|
| 1871
| Chamber
| based on S.98; now attributed to Leopold Alexander Zellner
|- style="background: #ccffcc" id="Piano lost"
| {{hs|723z}}724–754
| —
| align="center"|<h4>Piano Solo</h4>
|
|
|
|
|
|-
| 724/1
| S{{hs|0}}3
| '''Rondo'''
| pf
|
| 1824
| Keyboard
| lost; possibly S.152?
|-
| 724/2
| S{{hs|0}}4
| '''Fantasia'''
| pf
|
| 1824
| Keyboard
| lost
|-
| 725/1
| S{{hs|0}}5
| '''Piano Sonata'''
| pf
| F minor
| 1825
| Keyboard
| lost; only several bars were copied down from memory later by Liszt
|-
| 725/2
| S{{hs|0}}6
| '''Piano Sonata'''
| pf
| C minor
| 1825
| Keyboard
| lost; only three bars were copied down from memory in a letter from Liszt to his mother
|-
| 725/3
| S{{hs|0}}7
| '''Piano Sonata'''
| pf
|
| 1825
| Keyboard
| lost
|-
| 726
| —
| '''Etude'''
| pf
|
|
| Keyboard
| lost
|-
| 726a
| S23
| '''Valse'''
| pf
| E major
| 1835
| Keyboard
| lost
|-
| 727*
| —
| ''Prélude omnitonique''
| pf
|
| 1844
| Keyboard
| renumbered as S.166e
|-
| 728*
| —
| ''Sospiri!''
| pf
|
| 1879
| Keyboard
| renumbered as S.192/5
|-
| 729
| —
| '''Tantum ergo'''
| pf
|
| 1869
| Keyboard
| lost; possibly arr. of S.42 or S.702
|-
| 730*
| —
| ''Dem Andenken Petöfis''
| pf
|
| 1877
| Keyboard
| renumbered as S.195
|-
| 731*
| —
| ''Valse élégiaque''
| pf
|
| 1839
| Keyboard
| renumbered as S.210
|-
| 732*
| —
| ''Valse oubliée No.4''
| pf
|
| 1884
| Keyboard
| renumbered as S.215/4
|-
| 733*
| —
| ''Marche hongroise''
| pf
| E{{flat}} minor
| 1844
| Keyboard
| renumbered as S.233b
|-
| 734*
| —
| ''Ländler''
| pf
|
| 1879
| Keyboard
| renumbered as S.211a
|-
| 735*
| —
| ''Air cosaque ''
| pf
|
| 1879
| Keyboard
| renumbered as S.249c
|-
| 736
| W16
| '''Kerepsi csárdás'''
| pf
|
|
| Keyboard
| lost; Liszt's authorship doubtful
|-
| 737
| W15
| '''Morceaux en style de danse ancien hongrois''' (3)
| pf
|
| 1850
| Keyboard
| manuscript lost; Liszt's authorshop doubtful
|-
| 738
| A114
| '''Grosse Konzertfantasie über spanische Weisen'''
| pf
|
| 1844
| Keyboard
| rediscovered, but not renumbered; 1st version of S.253
|-
| 739
| S38
| '''Corolian Overture'''
| pf
|
| 1846–47
| Keyboard
| arr. of {{LinkWork|Coriolan|Op.62|Beethoven|Ludwig van}}; lost
|-
| 740
| S39
| '''Egmont Overture'''
| pf
|
| 1846–47
| Keyboard
| arr. of the overture from the incidental music to {{LinkWork|Egmont|Op.84|Beethoven|Ludwig van}}; lost
|-
| 741
| S37
| '''Le carnaval romain'''
| pf
|
| 1844–49?
| Keyboard
| arr. of the overture {{LinkWork|Le carnaval romain|H 95|Berlioz|Hector}}; lost
|-
| 742*
| —
| ''Duettino de La favorite''
| pf
|
| 1847
| Keyboard
| renumbered as S.400a
|-
| 743
| S55
| '''Chœur des soldats de Faust'''
| pf
|
| 1864
| Keyboard
| arr. of the soldiers' chorus from Act IV of the opera {{LinkWork|Faust||Gounod|Charles}}; lost
|-
| 743a
| S31
| '''Fantaisie sur des thèmes de l'opéra Guitarero'''
| pf
|
| 1841
| Keyboard
| based on themes from the opera ''Guitarrero'' by {{LinkComp|Fromental|Halévy}}; lost
|-
| 744
| S36
| '''Dom Sébastien''' (Paraphrase de concert)
| pf
|
| 1843–44?
| Keyboard
| based on {{LinkWork|Paraphrase du 4me Acte de 'Dom Sébastien'|Op.31|Kullak|Theodor}}; lost
|-
| 745*
| —
| ''Marche funèbre''
| pf
|
| 1827
| Keyboard
| renumbered as S.226a
|-
| 746
| —
| '''Andante maestoso'''
| pf
|
|
| Keyboard
| lost
|-
| 747
| W{{hs|0}}3
| '''Poco adagio '''
| pf
|
| 1847?
| Keyboard
| arr. from S.9; lost; Liszt's authorship uncertain
|-
| 748
| S35
| '''Die Zauberflöte'''
| pf
|
| 1843?
| Keyboard
| arr. of the overture to the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus|0}}; lost
|-
| 749
| S56
| '''Preussischer Armeemarsch'''
| pf
|
| 1866?
| Keyboard
| arr. of an unidentified composition, attributed to "Radovsky"; lost
|-
| 750*
| —
| ''Introduction et variations sur une marche du Siège de Corinthe''
| pf
|
| 1830?
| Keyboard
| renumbered as S.421a
|-
| 751
| —
| '''Fantaisie sur des thèmes de Maometto et Mose''' (Maometto-Fantasie)
| pf
|
| 1839–41
| Keyboard
| lost, but recently rediscovered; based on themes from the operas ''Maometto Secondo'' and ''Mosè in Egitto'' by {{LinkComp|Gioacchino|Rossini}}
|-
| 752*
| S43
| ''Gelb rollt ''
| pf
|
| 1881
| Keyboard
| renumbered as S.554/1
|-
| 753
| S42
| '''Alfonso und Estrella'''
| pf
|
| 1850–51
| Keyboard
| arr. of Act I of the opera {{LinkWork| Alfonso und Estrella|D.732|Schubert|Franz}}; lost
|-
| 754*
| —
| ''Seconda mazurka variata''
| pf
|
| 1880
| Keyboard
| renumbered as S.573a
|- style="background: #ccffcc" id="Piano duet lost"
| {{hs|754z}}755–755b
| —
| align="center"|<h4>Piano Duet (4 hands)</h4>
|
|
|
|
|
|-
| 755
| S10
| '''Sonata'''
| pf4h
|
| 1825
| Keyboard
| lost
|-
| 755a
| W10
| '''{{LinkWorkN| A magyarok Istene|S.339|Liszt|Franz|0}}''' (Ungarns Gott)
| pf4h
|
| 1881
| Keyboard
| arr. of S.339; Liszt's authorship doubtful
|-
| 755b
| S30
| '''Grosse Fantasie über God Save the Queen und Rule Britannia''' (Fantasie über englische Themen)
| pf4h
|
| 1841
| Keyboard
| arr. of S.694; lost
|- style="background: #ccffcc" id="Two pianos lost"
| {{hs|755z}}756–757
| —
| align="center"|<h4>2 Pianos</h4>
|
|
|
|
|
|-
| 756
| W{{hs|0}}5
| '''{{LinkWorkN|Mosonyis Grabgeleit|S.194|Liszt|Franz|0}}'''
| 2pf
|
| 1870
| Keyboard
| arr. of S.194; Liszt's authorship uncertain
|-
| 757
| S57
| '''{{LinkWorkN|Le triomphe funèbre du Tasse|S.112/3|Liszt|Franz|0}}'''
| 2pf
|
| 1866–69
| Keyboard
| arr. of S.112/3; lost
|- style="background: #ccffcc" id="Organ lost"
| {{hs|757z}}758–761
| —
| align="center"|<h4>Organ</h4>
|
|
|
|
|
|-
| 758
| S40
| '''Die Orgel'''
| org
|
| 1850–59?
| Keyboard
| symphonic poem after Johann Gottfried Herder; lost
|-
| 759*
| E22/2
| ''Adagio''
| org
| D{{flat}} major
| 1866–67?
| Keyboard
| renumbered as S.672d/2
|-
| 760
| S59
| '''{{LinkWorkN|Cantico del sol di Francesco d'Assisi|S.4|Liszt|Franz|0}}'''
| org
|
| 1881
| Keyboard
| arr. of S.4/2; lost
|-
| 761
| S51
| '''Marche funèbre'''
| vc pf org
|
| 1860–69?
| Keyboard
| arr. of the 2nd movement from the {{LinkWork|Piano Sonata No.2|Op.35|Chopin|Frederic}}
|- style="background: #ccffcc" id="Songs lost"
| {{hs|761z}}762–766
| —
| align="center"|<h4>Songs</h4>
|
|
|
|
|
|-
| 762
| S46
| '''Air de Chateaubriand'''
| v (pf?)
|
| 1858
| Vocal
| lost; possibly the same as S.18/4
|-
| 763
| S47
| '''Strophes de Herlossohn'''
| v pf
|
| 1858
| Vocal
| lost
|-
| 764
| S48
| '''Kränze pour chant'''
| v pf
|
| 1858
| Vocal
| lost
|-
| 765
| S45
| '''Die Glöckchen'''
| v pf
|
| 1857
| Vocal
| intended as S.316/3; lost
|-
| 765a
| S32
| '''L'aube naît'''
| v pf
|
| 1842
| Vocal
| lost
|-
| 766
| W{{hs|0}}4
| '''[[Pio IX, S.261 (Liszt, Franz)|Der Papsthymnus]]'''
| v pf
|
| 1865?
| Vocal
| Liszt's authorship doubtful
|- style="background: #ccffcc" id="Other vocal lost"
| {{hs|766z}}767
| —
| align="center"|<h4>Other Vocal Works</h4>
|
|
|
|
|
|-
| 767
| W{{hs|0}}8
| '''Excelsior!''' (Preludio zu dem Glocken des Strassburger Münsters)
| v org
|
| 1874
| Vocal
| arr. of prelude from S.6; Liszt's authorship doubtful
|- style="background: #ccffcc" id="Recitations lost"
| {{hs|767z}}768
| —
| align="center"|<h4>Recitations</h4>
|
|
|
|
|
|-
| 768
| S60
| '''Der ewige Jude'''
| nar pf orch
|
| 1881
| Vocal
| melodrama to words by Christian Friedrich Daniel Schubart; lost
|}

3 Psalms, Op.78 (Mendelssohn, Felix)

2026-02-28T21:15:44Z

Albrights: Correct year of ms. (according to title page of vol.40/2)

{{#fte:imslppage

| *****AUDIO***** =
{{#fte:imslpaudio
|File Name 1=PMLP106903-Mendelssohn_–_Psalm_22_2017.mp3
|File Description 1=3. Psalm 22: Mein Gott, warum hast du mich verlassen
|Performers=
|Performer Categories=Cantores Carmeli Linz=chorus; Stenov, Michael=director
|Uploader=[[User:Stenov|Stenov]]
|Date Submitted=2019/6/15
|Publisher Information=Michael Stenov
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=Live recording from the Karmelitenkirche Linz 2017
}}

===Synthesized/MIDI===
====Psalm 43 (Brodersen)====
{{#fte:imslpaudio
|File Name 1=WIMA.b8c7-Richte-mich-Gott01.mid
|File Description 1=MIDI Performance
|Audio Length 1=
|Performers=Synthesized MIDI
|Performer Categories=
|Uploader=[[User:Jeko89|Jeko89]]
|Date Submitted=2012/3/18
|Publisher Information={{LinkName|Fritz|Brodersen}}
|Copyright=Creative Commons Attribution Non-commercial 3.0
|Misc. Notes={{WIMAProject}}
}}

| *****FILES***** =
====Complete====
{{#fte:imslpfile
|File Name 1=PMLP106903-Mendelssohn_Op_78_1.pdf
|File Description 1=1. Psalm 2
|Page Count 1=14 (#1-10)
|File Name 2=PMLP106906-Mendelssohn_Op_78_2.pdf
|File Description 2=2. Psalm 43
|Page Count 2=6 (#11–16)
|File Name 3=PMLP106908-Mendelssohn_Op_78_3.pdf
|File Description 3=3. Psalm 22
|Page Count 3=9 (#17-25)
|Editor={{LinkEd|Julius|Rietz}} (1812–1877)
|Image Type=Normal Scan
|Scanner={{BSB}}
|Uploader=[[User:CBo|CBo]]
|Date Submitted=2009/12/31
|Publisher Information={{MendelssohnComplete|14C||105–108}}
|Copyright=Public Domain
|Misc. Notes=4 additional pages (title of the volume)
}}
{{#fte:imslpfile
|File Name 1=PMLP106903-Mendelssohn_op.78-1_Ps_2.pdf
|File Name 2=PMLP106903-Mendelssohn_op.78-2_Ps_43.pdf
|File Name 3=PMLP106903-Mendelssohn_op.78-3_Ps_22.pdf
|File Description 1=1. Psalm 2
|File Description 2=2. Psalm 43
|File Description 3=3. Psalm 22
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Albrights|Albrights]]
|Date Submitted=2015/2/16
|Publisher Information={{P|Edition Peters||Leipzig|||1770b|6065}}
|Reprint=Frankfurt, n.d.(after 1950)
|Copyright=Public Domain
|Misc. Notes=
}}
====1. Psalm 2====
{{#fte:imslpfile
|File Name 1=PMLP106903-mendelssohn_Op78_1.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Manuscript Scan
|Scanner={{JagU|243244}}
|Uploader=[[User:Feduol|Feduol]]
|Date Submitted=2022/5/18
|Publisher Information={{MssAu}}
|Copyright=Public Domain
|Misc. Notes={{MiscLib|PLKj|2||Mendelssohn Aut. 40/2}}<br>{{SubmissionProject}}
}}
{{#fte:imslpfile
|File Name 1=PMLP106903-mendelssohn_u_41.pdf
|File Description 1=Extract (last measures)
|Editor=
|Image Type=Manuscript Scan
|Scanner={{JagU|243246}}
|Uploader=[[User:Feduol|Feduol]]
|Date Submitted=2022/5/17
|Publisher Information={{MssAu|18|45}}
|Copyright=Public Domain
|Misc. Notes={{MiscLib|PLKj|2||Mus. ms. autogr. Mendelssohn 40/3}}<br>{{SubmissionProject}}
}}
====2. Psalm 43====
{{#fte:imslpfile
|File Name 1=PMLP106903-mendelssohn_Op78_2b.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Manuscript Scan
|Scanner={{JagU|175860}}
|Uploader=[[User:Feduol|Feduol]]
|Date Submitted=2022/5/19
|Publisher Information=Holograph manuscript, 1844 (January 3).
|Copyright=Public Domain
|Misc. Notes={{MiscLib|PLKj|2||Mus. ms. autogr. Mendelssohn 39}}<br>{{SubmissionProject}}
}}
{{#fte:imslpfile
|File Name 1=PMLP106903-mendelssohn_Op78_2.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Manuscript Scan
|Scanner={{JagU|243244}}
|Uploader=[[User:Feduol|Feduol]]
|Date Submitted=2022/5/18
|Publisher Information={{MssAu|18|45}}
|Copyright=Public Domain
|Misc. Notes={{MiscLib|PLKj|2||Mendelssohn Aut. 40/2}}<br>{{SubmissionProject}}<br>Second, heavily reworked version.
}}
{{#fte:imslpfile
|File Name 1=WIMA.42b4-Richte-mich-Gott.pdf
|File Description 1=Complete Score
|File Name 2=WIMA.b751-Richte-mich-Gott.zip
|File Description 2=Engraving files (Capella)
|Editor={{LinkEd|Fritz|Brodersen}}
|Image Type=Typeset
|Scanner=Fritz Brodersen
|Uploader=[[User:Jeko89|Jeko89]]
|Date Submitted=2011/10/24
|Publisher Information=Fritz Brodersen
|Copyright=Creative Commons Attribution Non-commercial 3.0
|Misc. Notes={{WIMAProject}}
}}
====3. Psalm 22====
{{#fte:imslpfile
|File Name 1=PMLP106903-mendelssohn_Op78_3.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Manuscript Scan
|Scanner={{JagU|175860}}
|Uploader=[[User:Feduol|Feduol]]
|Date Submitted=2022/5/19
|Publisher Information={{MssAu|18||43-5}}
|Copyright=Public Domain
|Misc. Notes=Preceded by [[4 Lieder, Op.100 (Mendelssohn, Felix)#782615|''Andenken'']], Op.100 No.1.<br>{{MiscLib|PLKj|2||Mus. ms. autogr. Mendelssohn 39}}<br>{{SubmissionProject}}
}}

| *****WORK INFO*****

|Work Title=3 Psalms
|Alternative Title=
|Opus/Catalogue Number=Op.78
|Key=
|Movements Header=3 pieces
|Number of Movements/Sections=3 pieces:
:1. Psalm 2: Warum toben die Heiden, {{MWV|B|41}}
::Moderato (142 bars)
::Gloria Patri (20 bars)
:2. Psalm 43: Richte mich, Gott, {{MWV|B|46}} (110 bars)
:3. Psalm 22: Mein Gott, warum, {{MWV|B|51}} (150 bars)
|Average Duration=19-20 minutes
|Dedication=
|First Performance=1843-12-25 in Berlin (no. 1)<br>1844-02-25 in Berlin (no. 2)<br>1844-04-05 in Berlin (no. 3)
:Königlicher Domchor
|Year/Date of Composition=1843-44, rev. 1845
|Year of First Publication=1849 - Leipzig // London
|Librettist=
|Language=German
|Piece Style=Romantic
|Instrumentation=SSAATTBB, 2 choruses
|External Links={{AMG|mc0002376000}}
|Tags=psalms ; 2sop 2alt 2ten 2bass 2ch ; de

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Sinfonia, Arioso e Toccata, Op.59 (Casella, Alfredo)

2026-02-27T13:44:51Z

Albrights: Correctly place new version of existing scan

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP770146-Casella_-_Sinfonia,_Arioso_Toccata_Op_59.pdf
|File Name 2=PMLP770146-Sinfonia-Arioso-Toccata-pf-op59--1936-Milano--A4-600.pdf
|File Description 1=Complete Score
|File Description 2=Complete Score (A4, 600dpi)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader 1=[[User:Benny82ta|Benny82ta]]
|Uploader 2=[[User:Albrights|Albrights]]
|Date Submitted 1=2017/6/5
|Date Submitted 2=2026/2/27
|Publisher Information=Milan: Carisch, 1936. Plate 18778.
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Sinfonia, Arioso e Toccata
|Alternative Title=
|Opus/Catalogue Number=Op.59
|Key=
|Number of Movements/Sections=
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1936
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=piano
|Tags=sinfonias ; toccatas ; pf

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Sinfonia, Arioso e Toccata, Op.59 (Casella, Alfredo)

2026-02-27T13:43:34Z

Albrights: Added 1 files to Sinfonia, Arioso e Toccata, Op.59 (Casella, Alfredo)

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP770146-Casella_-_Sinfonia,_Arioso_Toccata_Op_59.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Benny82ta|Benny82ta]]
|Date Submitted=2017/6/5
|Publisher Information=Milan: Carish, 1936. Plate 18778.
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP770146-Sinfonia-Arioso-Toccata-pf-op59--1936-Milano--A4-600.pdf
|File Description 1=Complete Score (A4, 600dpi)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Albrights|Albrights]]
|Date Submitted=2026/2/27
|Publisher Information=carisch
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Sinfonia, Arioso e Toccata
|Alternative Title=
|Opus/Catalogue Number=Op.59
|Key=
|Number of Movements/Sections=
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1936
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=piano
|Tags=sinfonias ; toccatas ; pf

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

File:PMLP770146-Sinfonia-Arioso-Toccata-pf-op59--1936-Milano--A4-600.pdf

2026-02-27T13:43:31Z

Albrights:

Sonnet (Casella, Alfredo)

2026-02-26T19:36:11Z

Albrights: Add remark on version/opus number

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP1003017-Casella_Sonnet.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner={{BNF}}
|Uploader=[[User:Morel|Morel]]
|Date Submitted=2020/5/9
|Publisher Information={{AlbMus|95|1910}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP1003017-Casella_Sonnet-513.png
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Sonnet
|Alternative Title=
|Opus/Catalogue Number={{Sb}}?
|Key={{key|e}}
|Movements Header=
|Number of Movements/Sections=
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1910
|Librettist={{LinkLib|Pierre de|Ronsard|1524|1585}}
|Language=French
|Piece Style=Early 20th century
|Instrumentation=voice, piano
|Tags=songs ; v pf ; fr

| *****COMMENTS***** =
Is this Sonnet, Op.16 but published without an opus #?

Apparently almost so: the version performed by Lorna Windsor on her 2018 recording differs substantially in places, although it is for the most part the same piece.

| *****END OF TEMPLATE***** }}

Sinfonia, Arioso e Toccata, Op.59 (Casella, Alfredo)

2026-02-26T18:31:47Z

Albrights:

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP770146-Casella_-_Sinfonia,_Arioso_Toccata_Op_59.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Benny82ta|Benny82ta]]
|Date Submitted=2017/6/5
|Publisher Information=Milan: Carish, 1936. Plate 18778.
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Sinfonia, Arioso e Toccata
|Alternative Title=
|Opus/Catalogue Number=Op.59
|Key=
|Number of Movements/Sections=
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1936
|Librettist=
|Language=
|Piece Style=Early 20th century
|Instrumentation=piano
|Tags=sinfonias ; toccatas ; pf

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Wishlist C-F

2026-02-26T18:25:27Z

Albrights: /* {{Cat|Distler, Hugo}} (1908–1942) */ Gather info on op.12

{{wishlist|C-F}}

<div style="float: right; margin-left: 10px; font-size: 85%; padding-left: 80px">__TOC__</div>
==[[:Category:Cabanilles, Juan|Cabanilles, Juan Bautista]] (1644–1712)==
=={{Cat|Caccini, Giulio}} (1551–1618)==
"Ave Maria" is spurious, actually by the Russian composer Vladimir Vavilov (1925-73) and copyrighted in Canada, the EU, and the US.

=={{Cat|Caetani, Roffredo}} (1871–1961)==
{{WLcopy|NPD-EU}}
* 3 Piano Pieces, Op.9
* Piano Trio, Op.5 (held by a library in Chile, by RCM London, UDK Berlin, and elsewhere?)
* Violin Sonata in B-flat, Op.6 (published 1899) (RCM)
* Suite for orchestra, Op.10 (published ca.1901) (Fleisher?)
* La commedia d'un musicista for piano (poss. pub. ca.1914?)
* Hypatia. Azione liyrica in tre atti. (Schott, 1925. Republished? in German as Musikdrama in drei Aufzugen, 1928.)
* Die Sonneninsel (opera) - "L'isola del sole. : Novella musicale in due atti e un epilogo." (pub. 1943)

=={{Cat|Cairanne, Marius}} (1859–1910)==
Most works self-published/published by eponymous firm? Some works digitized at Gallica, I think.
* Miss Maud, mazurka and Ricochets, polka for orchestra (also published for piano) (pub. by the composer in 1892)
* Prince fleur d'avril : opéra-comique en un acte (text by Eugène Blairat, published 1893)
* Spanish Maiden, waltz (Chappell, 1893) (may be the same as Juanita, valse espagnole, pub. 1890, or another work, first published under another title by the composer.)
* Sous le chêne. Romance (Paroles de B. Broux et d'Appy) (Paris : Albert Donnadey, [1888])

=={{Cat|Caldara, Antonio}} (1670–1736)==
* Medea in Corinto (Cantata, 1711, manuscript or first edition)
* Santo Stefano, primo Re d'Ungheria (Oratorio, 1713)
* La Conversione di Clodoveo Re di Francia (Oratorio, 1715)
* {{NoComp|Gioseffo che interpreta i sogni|Caldara, Antonio}} (Oratorio, 1726) (uploaded in manuscript score way back in 2015)
* Stabat Mater (Oratorio, 1726) (a Stabat Mater in G minor by Caldara has been uploaded, is this the same?)
* Cristo condannato (Oratorio, lib. Parlati, 1717)
* Sant'Elena al Calvario (Oratorio, lib. Metastasio, 1731)
* any Masses (D major and D minor scanned in by SBB I think, may upload soon.)
* Missa Matri dolorosa; Missa Laetere; Missa pro Defunctorum; etc. -- The first - {{NoComp|Mass in B minor 'Matris dolorosae'|Caldara, Antonio}} - was also uploaded back in 2015.
* any Sinfonia concertantes
* Sonatas printed in Venezia 1700 and 1701
* 4 volumi di composizioni per clavicembalo
* 23 fughe con variazione (is this 23 Fugues, D-B Mus.ms.2785 ?)
* capriccio
* arpeggio
* Proba organistica

=={{Cat|Call, Leonhard von}} (1767–1815)==
* IX Favorit Gesaenge für Vier Singstimmen (TTBB), Op.10 (Call was known for his men's choruses, and is said to have helped make the genre popular)
* Easy duos for guitare and flute / guitar (or lyre) and violin , Opp. 87 and 88 (Duhan)

=={{Cat|Callaerts, Joseph}} (1838–1901)==
* Canzonetta for pf., Op.9 (pub. by Schott, 1875)
* Piano Trio in a, Op.16 (Paris: Hamelle, ca.1884; reprinted MPH 2017)
* Piano Sonata, Op.3
* Symphony in C major (ca.1877) (there is a copy of the parts - manuscript? - at Artesis Plantijn Hoges. ...)
* Symphony, Op.13 (BSB has reduction, pub. by Schott. Not digitized as yet). This may be the Symphony in C minor performed from manuscript during the Fêtes musicales of 1880 in Brussels, see {{GoogleB|4eU8AAAAMAAJ|PP32|Le Guide Musical: Revue Internationale de la Musique}} (22 Janvier 1880 issue))
* Concertos: for organ and orchestra (pub. Schott, 1920s)
**also, violin concertpiece in E (ms. score and parts in Fleisher Collection)
* 15 Improvisations for organ, Op.1 (pub. Heugel, 1858)

=={{Cat|Campbell, Brun}} (1884–1952)==
* Essay in Ragtime

=={{Cat|Campbell-Tipton, Louis}} (1877–1921)==
* Tone poems for voice and piano, Op.3 (pub.1904?)
* Romanza appassionata : duo pour violon et piano, op.2 (pub.1903)
* Suite pastorale for violin and piano, Op.27 (©1911)

=={{Cat|Canteloube, Joseph}} (1879–1957)==
{{WLcopy|NPD-EU}}
* ''Triptyque for voice and orchestra'' (1914); piano-vocal score: Deiss & Crépin, 1924; orchestral score: R. Deiss, 1929

=={{Cat|Caplet, André}} (1878–1925)==
*''Myrrha'', Prix de Rome Cantata
{{WLcopy|GEN}}
* Quintet for Winds and Piano (pub. 1996) (dated 1899 autograph manuscript is at BNF)

=={{Cat|Carafa, Michele}} (1787–1872)==

=={{Cat|Carlez, Jules Alexis}} (1836–1922)==
* Trio for piano, violin and organ (performed 1868, published 1871 by Choudens)
* 2 Fantasies for piano, op.29 (Jacquot, 1864)

=={{Cat|Caro, Paul}} (1859–1914)==
Quite a lot of his works @ [https://katalog.bu.uni.wroc.pl/ CHAMO]. Also @ ÖNB (which has quite a few of his autograph scores.) SBB has a fair number of published scores too, but again none digitized yet. ÖNB has his nachlass, it seems.
*Violin sonata in F, Op.2 (pub.1883, dedicated to Prof. Door.)
*Ballades for piano, Op.5 (@ CHAMO)
*Piano trio in E, Op.8 (pub.1886 by Bösendorfer)
*Piano Trio in B-flat (manuscript @ ÖNB)
*String quartet in B, Op.6 (pub.1886 with Op.7 by Bösendorfer, dedicated to Hellmesberger)
*String quartet in D minor, Op.19 (pub.1896 by Robitschek. Ms dated 1894 - same work? @ ÖNB)
*String quartet in F{{sharp}} minor, Op.20 (pub.1896)
*String quartet in A minor (manuscript @ÖNB)
*String quartet in F (manuscript dated 1901 @ÖNB)
*String quintets in E minor and F major (")
*8? violin sonatas (at least some published, some in manuscript @ÖNB)
*Piano sonata in F{{sharp}} minor, Op.41 (ca.1910)
*Piano sonata in B-flat minor (Robitschek?)
*Cello sonata in D minor, Op.42 (pub.1910-or-11)
*Sinfonietta in A-flat (manuscript @ÖNB)
*Berg-Symphonie (")
*Symphony in C minor and D major (")
*Piano Quintet in A-flat (manuscript dated 1902 @ ÖNB)
*Opera Hero und Leander (3 acts) (pub. 1898 in a reduction by Robert Schwalm, publisher Robitschek, to a libretto by Grillparzer (after Das Meeres und der Liebe Wellen))
*Ein Ländler-Cyclus : für Pianoforte : Op. 21 (pub.1898, available [http://www.bibliotekacyfrowa.pl/publication/38515 digitally] from CHAMO)

=={{Cat|Carrillo, Julián}} (1875–1965)==
{{WLcopy|NPD-EU}}
*Preludio a Colón (1924)

=={{Cat|Casanoves i Bertran, Narcís}} (1747–1799)==
* Pasos, probably in Catalonian libraries

=={{Cat|Casella, Alfredo}} (1883–1947)==
* {{LinkWorkN|Serenata|Op.46|Casella|Alfredo|0}} (published 1928), parts
* Ricercare sul nome Guido M. Gatti (1942), for piano
* Frescobaldi editions - eg ''{{NoComp|Keyboard Sonatas|Frescobaldi, Girolamo}}'' (ed. Casella)?
* A Notte Alto, Op.30a, version for piano and orchestra (pub. Ricordi 1923, plate 126436)
* Pagine di guerra, orchestral arrangement (pub. J. & W. Chester, 1921)

=={{Cat|Casorti, August}} (1812–1908)==
One source has 1830-1867 (but see below.) MusicSack has d.1908. However: Wikipasdecalais has born 1812, as does the Peters Catalog. fl.1905 seems a reasonable concluding flourishing date. So: 1812-fl./ca.1905; and one omits fl. in Cat lines here.
:N.B. August Casorti (fl.1830–1905; above are floruit dates) is apparently distinct from {{Cat|Casorti, Alessandro}} (1830–67). “b.1908” cannot be a birth year; Bogentechnik is apparently 19th century. [[User:Pml|PML]] 1 February 2011
:*Alessandro apparently was his nephew, yes. A history of their common birthplace(?) gives 1812-1908 for August C, and going with that for now. [[User:Schissel|Eric]] 21:54, 8 November 2021 (CET)
*Rasche Tonleitern, Op.62

=={{Cat|Cassadó, Gaspar}} (1897–1966)==
{{WLcopy|NPD-EU}}
*4 pièces espagnoles : pour piano (A.Z. Mathot, 1925)

=={{Cat|Castelnuovo-Tedesco, Mario}} (1895–1968)==
{{WLcopy|NPD-EU}}
* Stelle Cadenti (©1919) ([https://catalog.hathitrust.org/Record/100834868 Hathitrust])
* Violin Concerto No.2, Op. 66 I Profeti (The Prophets; for Jascha Heifetz) (pub.1954 or n.d.[1954])
* String Quartet in G (comp.1929, ©1931) (first of 3 numbered quartets, others are in ms.)
* Concerto italiano : in sol minore (©1926)
*Cello Sonata, Op. 50 | Publisher: Florence: Forlivesi (1929)
*Sonata quasi una fantasia, Op.56 (violin and piano) (Ricordi, @1930, renewed 3 July 1958, PD-US 2026?)

=={{Cat|Castillon, Alexis de}} (1838–1873)==
* Paraphrase du 84e psaume. Paroles françaises de Louis Gallet (Op.17) (published 1912)
* Fugues dans le style libre, Op.2

=={{Cat|Castro, Ricardo}} (1864–1907)==
*Cello Concerto in C minor (1895), Full score and Orchestral Parts.
*Oithana, Op.55

=={{Cat|Catalani, Alfredo}} (1854–1893)==
* La Wally, full score (not sure when published - 1946 apparently from Worldcat, but this is available for purchase from MPH (2070). This does not mean it's public domain.)
* Scherzo-Tarantella - Piano score
* Variazioni di bravura sull: Nel cor più (published 1864 at age 10 - could this be a different A. Catalani?)
* Contemplazione, preludio for orchestra (1878)

=={{Cat|Catenhusen, Ernst}} (1833–1918)==
([[wikipedia:de:Ernst Catenhusen|German Wikipedia]] has 1841 to 1918, but VIAF gives 1833)
* Psalm 88 in D minor
* Concert overture in G major (both manuscripts at Landesbibliothek Coburg, the overture an autograph (that is, not a fair copy). Attribution of the overture not definite.)

=={{Cat|Catherine, Georges}} (1872–1958)==
{{WLcopy|NPD-EU}}
* Scale Study, 2 Vol. (cited by A. Bachmann; probably not under copyright in the US)

=={{Cat|Ceillier, Laurent}} (1887–1925)==
* Pièces pour Anne-Marie : 6 petites pièces à 4 mains pour de grands enfants (pub. 1913)

=={{Cat|Celega, Nicolò}} (1844–1906)==

* Minuet for strings, op.240

=={{Cat|Cellier, Alexandre}} (1883–1968)==
{{WLcopy|NPD-EU}}
* Suite Symphonique
* Eglises et Paysages
* Pelerinages
* Trois Chorals
* Prelude et Fugue
* Choral-Prelude sur Psaume 65
* Theme et Variations sur le Psaume 149

=={{Cat|Centola, Ernesto}} (1862–1934)==
* Op.51 Concertino, pub.1909

=={{Cat|Cervantes, Ignacio}} (1847–1905)==

=={{Cat|Chadwick, George Whitefield}} (1854–1931)==
* 3 Waltzes (p1890)

=={{Cat|Chaine, Eugène}} (1819–1882)==
*Violin Concerto No.1, Op.18 (Richault, 1856)
*Violin Concerto No.2, Op.19 (Richault, 1856)
*Piano Quartet (performed in Paris, August 1878)
*Messe brève, Op.31 (Lebeau, 1864)
*Loin du pays, Op.28 (Vialon, 1856)
*Wind quintet, Op.8 (l'auteur, 1863)

=={{Cat|Chaminade, Cécile}} (1857–1944)==

=={{Cat|Chansarel, René}} (1864–1945)==
*Nocturne for cello and piano (pub. 1905, [[Grus]])
*Suite "En Toscane" for piano

=={{Cat|Chapí, Ruperto}} (1851–1909)==

=={{Cat|Chapuis, Auguste}} (1858–1933)==
*Cello Sonata (pub.1919)
*Enguerrande. Drame lyrique en quatre actes d'après le poème dramatique de Emile Bergerat. Poème de Victor Wilder. (pub.1892)
*Les Demoiselles de St. Cyr. Comédie Musicale en quatre actes d'après la pièce d'Alexandre Dumas. Poème de A. Lénéka. (pub.1921)

=={{Cat|Charpentier, Marc-Antoine}} (1643–1704)==
* Messe des morts à quatre voix, H. 7-7a - H.7 score uploaded
* Te Deum à quatre voix H 147 (1693) - score uploaded
* Te Deum à 4 voix H 148 (1699) - score uploaded
* Mors Saulis et Jonathae, H.403 - score uploaded
* Sans frayeur dans ce bois, chaconne for soprano & continuo, H. 467 (first edition if possible)
* Epitaphium Carpentarii H. 474 (cantata for 6 voices & continuo, manuscript or first edition if possible) (ms uploaded, and typesets)
* In honorem Sancti Ludovici regis Galliae, H. 332 (manuscript or first edition if possible) (typeset uploaded)
* [[In nativitatem Domini canticum, H.414 (Charpentier, Marc-Antoine)|In nativitatem Domini Nostri Jesu Christi Canticum, histoire sacrée for 4 voices, chorus, 2 treble instruments & continuo, H. 414]] (manuscript or first edition)
* Sacrificium Abrahae, H. 402 (manuscript or first edition)
* Judicium Salomonis, H.422
* Le Jugement de Pâris (1690)
* Tristes déserts, sombre retraite, H. 469
* La Pierre philosophale, H.501

=={{Cat|Chaulieu Sr., Charles}} (1788–1849)==
*Variations brillantes sur la Sicilienne de Robert [le Diable], Op.135
*Morceau de concert sur le Chœur des Buveurs(?) der Robert-le-Diable, Op.136 (both for piano, both probably by Chaulieu Sr. rather than Jr. given date - ca.1838 - and opus nos. Both listed in ''Nouveautés musicales'', 1838, [[Schlesinger|Maurice Schlesinger]], p.4.)

=={{Cat|Chausson, Ernest}} (1855–1899)==

=={{Cat|Cherubini, Luigi}} (1760–1842)==
* Les Abencérages (1813; Vocal Score or Full Score)
* "Je ne t'aime plus" (duet, published 1818 by Boieldieu jeune)

=={{Cat|Chevillard, Camille}} (1859–1923)==
*Le chène et le roseau: poème symphonique, d'après la fable de la Fontaine, Op.7 (pub. 1901)

=={{Cat|Chinzer, Giovanni}} (1700–1749)==
* The Hunt for 2 flutes

=={{Cat|Chop, Max}} (1862–1929)==
* Reznicek, sein Leben und seine Werke (p1920)
* Führer durch Franz Liszt’s sinfonische Dichtungen (p1894)
* Suite ''Der Heimat'' for orch. (p1901)

=={{Cat|Chopin, Frédéric}} (1810–1849)==
* Andantino animato (1845)
* Prelude in F (1845)
* Mazur in G (Jakiez kwiaty, jakie wianki) (On the setting of a poem by Ignac Maciejowski) (August 22, 1829) ([https://chopin.musicsources.pl/en/galeria-zasobu/zbiory-fotograficzne/3047-mazur/0][https://chopin.nifc.pl/en/chopin/pierwodruk/428])
* Piano Sonata No.2, Op.35 arranged for 2 pianos, 4 hands by Camille Saint-Saëns (Durand, 1907)
* [https://chopin.nifc.pl/en/chopin/pierwodruk/626 [title page:<nowiki>]</nowiki>]
* Variations Op.2 for 2 pianos, edited by Paderewski.
* Piano Concerto No.1, Op.11 for 2 pianos, edited by Paderewski. ([https://www.amazon.com/Concertos-Reduction-Pianos-Chopin-Complete/dp/1540097277])
* Fantasia Op.13 for 2 pianos, edited by Paderewski.
* Krakowiak Op.14 for 2 pianos, edited by Paderewski.
* Piano Concerto No.2, Op.21 for 2 pianos, edited by Paderewski. ([https://www.amazon.com/Concertos-Reduction-Pianos-Chopin-Complete/dp/1540097277])
* Grande polonaise brillante Op.22 for 2 pianos, edited by Paderewski.

=={{Cat|Choulet, Charles}} (1845–1868)==
(flourishing dates)
* String Quartets No.1 Op.19 (1850s, Richault), Op.23 in F (1854, Hofmeister)

=={{Cat|Chován, Coloman}} (1852–1928)==
* 6 Marches hongroises des Guerres de l'Indépendance (piano duet) (pub. 1911, Rozsnyai)
* Lugosana, 2 popular Romanian danses for piano duet, Op.39 (pub.1908)

=={{Cat|Chvála, Emanuel}} (1851–1924)==
* String Quartet in C minor (published 1898)

=={{Cat|Chwatal, Franz Xaver}} (1808–1879)==
* Piano Duet Sonata, Op.15 (pub.1839 or ca.1832? by Schuberth)
* 3 Sonatines, Op.64 (Heinrichshoften, pub.1848)
* Introduction and Var. on a theme from the opera "Der Bergmönch", Op.11 (pub.1836, repub.2005)
* Weihnachts-Symphonie, Op.183 (toy symphony) (pub.1864)

=={{Cat|Ciandelli, Gaetano}} (1791?–1840?)==
* Basso Concerto Di Violoncello (1811)
* Composizioni strumentali in G Major for cello (1791)
* Concerto Ciaudelli Concerto per Violoncello Solo and Orchestra in C Major (1811)
* Scherzo for Cello and Orch (Piano) (Sopra alcuni pensieri della Linda di Chamounix)

=={{Cat|Cilea, Francesco}} (1866–1950)==
* Gloria (1907, opera), vocal score

=={{Cat|Cimarosa, Domenico}} (1749–1801)==
* [[Concerto for 2 Flutes in G major, G.1077 (Cimarosa, Domenico)|Concerto for two flutes in G major]]
* [[Keyboard Sonatas (Cimarosa, Domenico)|Keyboard works]]
* [[Il_matrimonio_segreto_(Cimarosa%2C_Domenico)|Il matrimonio segreto]], full score [[https://www.worldcat.org/title/matrimonio-segreto/oclc/911852651?referer=di&ht=edition| Kalmus reprint (K-A4593)]]
* [[Il_matrimonio_segreto_(Cimarosa%2C_Domenico)|Il matrimonio segreto]], Ricordi vocal score
* [[Il maestro di cappella (Cimarosa, Domenico)|Il maestro di cappella]], full score
* [[Il pittore parigino (Cimarosa, Domenico)|Il Pittore parigino]], vocal score
* Requiem in fa maggiore per soprano, contralto, tenore, basso e orchestra
* Messa in do minore per soprano, contralto, tenore, basso e orchestra (1799)
* Messa in do minore per soprano, contralto, tenore, basso e orchestra
* Messa in re minore per soprano, contralto, tenore, basso e orchestra (Vienna)
* [[Messe pour l'Avent et le Carême (Cimarosa, Domenico)|Messa per l'Avvento in sol maggiore]] per soprano, contralto, tenore, basso e organo
* Magnificat in D full score
* Dixit Dominus (1797) for soloists, chorus and orchestra (apparently there are several in different keys, per Worldcat- as many as possible but especially those corresponding to ones that have been recorded :))

=={{Cat|Clapisson, Louis}} (1808–1866)==
* Horn and piano duo, Op.55 in E{{flat}} (pub.1831 by Richault)
* Ave Verum in B (H-dur) (4 voices) (ms copy at Brussels)
* Nocturnes (Je n'ai rien; Les poltronnes...) and other songs pub. 1839 by Lemoine (1 June 1839 BdlF)
*Fantaisies de Salon Op. 12 (collab with Henri Ravina)

=={{Cat|Clapp, Philip Greeley}} (1888–1954)==
* O Gladsome Light (pub.1908)
* Suite for Brass (pub.1938, PD-CA?)
* Opera The Flaming Brand (pub.1954, PD-CA?)
* Symphonies (12+2 unnumbered early?) (published? or all only in manuscript? Broadcasts exist of several of them.)
* A Chant of Darkness (pub.1934, song to words by Helen Keller) (PD-CA?)
* Suite for Trombone Quartet (pub.1939)
(&c?)

=={{Cat|Clarke, Hamilton}} (1840–1912)==
*Flute Sonata n.2, Op.153 (p.1883?)
*String Quartet in A op.246 (ca.1895)

=={{Cat|Clarke, Hugh Archibald}} (1839–1927)==
*Music to Aristophanes Acharnians, pub.1886 (in vocal score) (possibly digitized by Hathitrust or elsewhere)
*Jerusalem, an oratorio (Philadelphia: Presser, © 1890)

=={{Cat|Clarke, Jeremiah}} (1674–1707)==
*Ode on the Death of Henry Purcell

=={{Cat|Claussmann, Aloÿs}} (1850–1926)==
* Organ works / Œuvres pour orgue

=={{Cat|Clemens non Papa, Jacobus}} (ca.1510–1556)==
* Missa pastores quidnam vidistis (first? published in a 20th century edition, possibly post-1950, - part of his opera omnia? - by Karel Philip Kempers, also in a 16th century choirbook at National Lib. Spain with copies at UIUC and California libraries)

=={{Cat|Clement, Franz}} (1780–1842)==
*Violin Concerto, Op.4 (pub.ca.1804/5) (recently reissued and collected into full score in a 2005 A-R Editions pub.)
*Piano Quartet "Grand Quatuor" (pub.ca.1804)
*Piano Concerto Op.5 (pub.1803)

=={{Cat|Clementi, Muzio}} (1752–1832)==
* Symphonies - we have the Op.18. The other 4-and-a-fragment are possibly in-copyright-everywhere except maybe for their extremely messy manuscripts (if even those)?

=={{cat|Coccia, Carlo}} (1782–1873)==
*La donna selvaggia (full score and parts)

=={{Cat|Coenen, Frans}} (1826–1904)==
There are two Dutch composers this could refer to: Franciscus Henrikus Coenen (1826-1904) and Frans Coenen (1866-1936), his son. (Sometimes referred to as Frans Coenen Jr. but this ''usually'' implies that both are "Franciscus Henrikus Coenen"; the full name of the son has not been given.)
*Psalm 32 (pub. Roothaan, 1865)
*Maria Magdalena dramatisches Gedicht (Roothaan, 1874)
*Violin Sonata, Op.19 (de Vletter, ca.1856. Downloadable? - {{GoogleB|NXRSAAAAcAAJ|PA0|Sonata in G minor, Op.19}})

=={{Cat|Coenen, Johannes Meinardus}} (1825–1899)==
*Symphony in B minor (pub. 1867. {{RISMc|701000293|B-Br Ms II 4106 Mus Fétis 3087}} - description of Belgian Library ms copy)
*Clarinet Concertino in B{{flat}} (1882, Seeling)

=={{Cat|Coerne, Louis Adolphe}} (1870–1922)==
*Swedische Sonate, Op.60 (©1901. Dedicated to Walther Schulz in Stuttgart. 3 movements.)
*Hiawatha, Op.18, symphonic poem (p.1894)
*Nancy Thatcher, Op.40, opera (ms, 1897 @ Connecticut College)
*2 Songs, Op.35/69?, p.1895
*Mass in D minor, Op.53 (pub.1902)
*String Quartet in C minor, Op.19 ("Aria" pub.1894, likewise "Fugue on a Theme of Joseph Rheinberger" movement) and organ arrangement of "Alla menuetto" movement too.
*Excalibur for orchestra, Op.180 (pub.1931 though poss. "n.d." Orch. score at LoC, materials at FLP. Some libraries have ©1931 (Syracuse eg). Was recorded on LP in 1968.)

=={{Cat|Cohan, George Michael}} (1878–1942)==
* Star Spangled Spectacular (full score and parts)

=={{Cat|Cole, Rossetter Gleason}} (1866–1952)==
* Violin Sonata in D, Op.8 (published 1917)

=={{Cat|Coleridge-Taylor, Samuel}} (1875–1912)==
{{WLcopy|EP}}<br/>
{{WLcopy|GEN}}

=={{Cat|Colombi, Giuseppe}} (1635–1694)==
* Chiacona a Basso Solo (1st piece ever written for solo cello) (1670)
* Toccata da Violone Solo (1670)

=={{Cat|Concone, Giuseppe}} (1801–1861)==
* 25 Melodious Studies; Easy And Progressive, Op. 24 (pub. by 1892 at latest so PD. - Schissel)
* Les croisés de[vant] Jérusalem, oratorio pour trois voix d'hommes, avec choeur et accompagnement de piano. Paroles de M.E. Plouvier. Richault, 1842 (BdlF, 27 August 1842, p.496) (plate R.6214 - {{BNFref|12148/cb448428796|BNF}}.)

=={{Cat|Coninx, L}} (1803–1879)==
(Should really be "L."...)
* Fantaisie sur la somnambule et les Puritains de Bellini, Op.35 (pub.1851, Boieldieu)

=={{Cat|Conradi, August}} (1821–1873)==
* Symphony in A minor (once advertised in arrangement in Nov.1876 by Bote & Bock)

=={{Cat|Conti, Francesco Bartolomeo}} (1681–1732)==
* Festi teatrali
* Oratorios

=={{Cat|Copland, Aaron}} (1900–1990)==
{{WLcopy|NPD-CA}}

* Pastorale for voice (1921, apparently published by Boosey & Hawkes in 1921 acc Worldcat??)
* Honkytonk Blues (1921) (? unpublished?)

* Sonata in G Major for piano (1921) (unpublished??)

{{WLcopy|GEN}}
* Alone for voice (1922, published 1993)
* Cortege Macabre for orchestra (1923) from Grohg. Published 1978.
* Four Motets for mixed voices (1921, published 1979 by Boosey)
** Help us, O Lord
** Sing ye Praises to our King
** Have Mercy on us, O My Lord
** Thou, O Jehovah, Abideth Forever
* Three Moods for piano (1921, first published 1981)
* Petit Portrait for piano (1921, published 1981 in piano album)
* Symphony No.1 (published 1931, copyrighted, renewed 2 Sep.1958, PD-US 2027?)

=={{Cat|Cords, Gustav}} (1870–1951)==
*Schulerkonzert Op.41 (pub.1913)
*Trio Op.61 (pub.1927)
*Violin trio Op.46 (pub.1924/5)
*Student concerto for cello and piano Op.60 (pub.1925, Vieweg)

=={{Cat|Corelli, Arcangelo}} (1653–1713)==
* Concerto grosso Op. 6 No. 8, (Christmas concerto) parts
* Trio sonata Opus 2 No. 12, Chaconne, parts
* La Folia, Milstein Edition
* op. post.: Sinfonia in D minor, WoO 1
* op. post.: Sonata a Quattro, WoO 2 (Rogers, Amsterdam, 1699)[12]
* op. post.: Sonata a Quattro, WoO 3 (Rogers, Amsterdam, 1699 – incomplete/dubious)
* op. post.: 6 Sonate a tre, WoO 5–10 (Amsterdam 1714)

=={{Cat|Cornelius, Peter}} (1824–1874)==
*4 String Quartets (1841-1842, in manuscript?)
*Mass in D minor (CWV 71) (published by Schott- may be (c) everywhere? but asking)

=={{Cat|Corrette, Michel}} (1709–1795)==
* Les '''''Méthodes''''' (Lesquelles? On trouve déjà:
**[[Méthodes pour apprendre à jouer de la contre-basse à 3, à 4, et à 5 cordes (Corrette, Michel)]]
**[[L’art de se perfectionner dans le violon (Corrette, Michel)]]
**et puis d'autres , sous "books": [[L'école d'Orphée, Op.18 (Corrette, Michel)]], [[Le Maitre de clavecin (Corrette, Michel)]], [[Méthode pour apprendre à jouer de la Vielle (Corrette, Michel)]] , &c
* [[25 Concertos Comiques (Corrette, Michel)|the 25 '''''Concertos Comiques''''']]
* [[6 Concertos, Op.3 (Corrette, Michel)|Op. 3]] and [[6 Concertos, Op.4 (Corrette, Michel)|Op. 4]] Concertos
* Le Berger Fortuné, 1737
* Les Récréations du Berger Fortuné, 1737
* Les Voyages du Berger Fortuné aux Indes Orientales, 1737
* L'Asne dort, 1740
* [[6 Organ Concertos, Op.26 (Corrette, Michel)|Op. 26 Concerti]]
* [[Concert 'Le Phénix' (Corrette, Michel)|Le Phenix, Concerto pour quatre Violoncelles, Violes ou Bassons, c. 1735]]
* Concerto Spirituel, 1731
* Pastorale, 1732
* III Concerto de Noëls, 1735
* Noëls Suisses, 1737
* Noël Allemand "Lobt Gott, ihr Christen, alle gleich", 1741
* Concerto de noëls, 1754, perdu
* Les Ages. Ballet Pantomime, œuvre X (28 juillet 1733)
* Concert de Simphonies, œuvre XV, incomplet, 1735.
* [[6 Symphonies en Quatuor sur les Noëls (Corrette, Michel)|Six Symphonies en Quatuor sur les Noëls, 1762]]
* Carillon, ajouté à la Messe des Morts de Gilles, 1764.
* Harpsichord Sonatas, [[Premier Livre de Pièces pour le Clavecin, Op.12 (Corrette, Michel)|Op. 12]] and [[6 Harpsichord Sonatas, Op.25 (Corrette, Michel)|Op. 25]]
* Les Amusemens du Parnasse. Méthode courte et facile pour apprendre à toucher le Clavecin, avec les plus jolis airs à la mode, où les doigts sont chiffrés pour les Commençans (all 8 books)
* Divertissements pour le clavecin ou le forte piano, avec le Combat naval, 1779
* Noëls avec des variations, l'O Filii et un Carillon.. qui peuvent s'exécuter sur l'orgue et le piano-forte, 1782, perdus.
* Leçons de Ténèbres à voix seule avec accompagnement de l'orgue, pour la premier de chaque jour, le Mercredi, le Jeudi et le Vendredi Saint, 1784.
* Op. 6

=={{Cat|Corteccia, Francesco}} (1502–1571)==
*Passione secondo Giovanne 1527

=={{Cat|Cotrufo, Joseph}} (1859–1952)==
*Piano Concerto in B minor, Op.29 (as Giuseppe Cotrufo. 2-piano reduction @ Biblioteca del Conservatorio San Pietro a Majella di Napoli)

=={{Cat|Couperin, François}} (1668–1733)==
* Leçons de Tenebres [FWC] ''The non-pd-US Brunold edition is at [[Leçons de ténèbres (Couperin, François)]]; there is also a [http://www.cpdl.org/wiki/index.php/Leçons_de_Tenébres_(François_Couperin) transposed edition at cpdl]].'' But the 1714 print is still needed!
* A full score is wanting for ''Quatrième Ordre «La Piémontoise»'', part of [[Les Nations (Couperin, François)]], presently only in partbooks.

=={{Cat|Couperin, Louis}} (1626–1661)==
* Œuvre d'orgue [[Organ music (Couperin, Louis)]]
* Œuvre de clavecin (complete, full score) (I don't think much is missing in [[Pièces de clavecin du manuscrit Bauyn (Couperin, Louis)]]
* Oldham Manuscript
* 2 fantaisies for 2 viols
* 1 simphonie, for one instrument and basso continuo
* 2 simphonies, for two instruments and basso continuo
* 2 fantaisies à 5 for shawm band
* 2 fantaisies à 5 (for strings?)

=={{Cat|Le Couppey, Félix}} (1811–1887)==

=={{Cat|Courlande, Gustave de}} (1780–1821)==
Also Gustaw Kalikst, Kurlandii, etc.
* Piano Quartet in C minor (Breitkopf & H, ca.1804) (digitized by CBNPolona under Kalikst. There is also a copy @ Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale .)

=={{Cat|Courvoisier, Walter}} (1875–1931)==
*5 Songs for Chorus, Op.34 (published in 1931)

=={{Cat|Cowen, Frederic Hymen}} (1852–1935)==
* Signa (1893) - vocal score (Sibley, not yet digitised)
* 2 Morceaux pour orchestre (Mélodie & À l'espagnole) (Gutmann, 1888, repub. 1901)

=={{Cat|Cramer, Johann Baptist}} (1771–1858)==
* Piano Sonata, ''Il Mezzo'', Op. 74, 1827.

=={{Cat|Crane, Helen C.}} (1868–ca.1930–1944)==
* String Trio in G minor, Op.21 (pub.1908. "H.C. Crane" -attribution to Helen C. Crane also a guess, via MusicSack. HMB 1908 p.136 does give "Helen C. Crane" though they might also be guessing...)

=={{Cat|Cras, Jean}} (1879–1932)==

* L'Âme (deuxième sonate), sonata for viola & piano (manuscript)

* L'Esprit (première sonate), sonata for violin & piano (manuscript)

=={{Cat|Crawford Seeger, Ruth}} (1901–1953)==

=={{Cat|Crawford, Thomas James}} (1877–1955)==
* Scherzo & 2nd Romance for organ, published 1904 by Bosworth

=={{Cat|Crémont, Pierre}} (1784–1846)==
* Violin Concerto No.1, Op.1 (composed and premiered 1815, pub.1815 or 1816) (wrote at least 11, according to Worldcat) ({{WC|45207065}}- parts at Free Lib. Philadelphia)
* Clarinet Concerto Op.4 (1817 or other early edition, not modern of course)
* Fantasy on Au clair de la lune, Op.8 (published 1820 by Boieldieu)

=={{Cat|Cristo, Pedro de}} (1545–1618)==
* Salva nos, Domine a 8
* Osanna Filio David
* Sanctorum meritis

=={{Cat|Croisez, Alexandre}} (1814–1886)==
*25 Études-chantantes très faciles, Op.100

=={{Cat|Cross, Michael Hurley}} (1833–1897)==
* Piano Trio in A minor, Op.25 (pub. Schirmer, 1893)
* Liebeslied (for cello and piano) (pub. Breitkopf, 1893)
* Piano Quintet (manuscript in Musical Fund Society of Philadelphia Collection of Music, 1894 April-May. "M. H. Cross" on score but probably Michael Hurley under the circumstances)
* Cello Sonata, Op.28 (mss, 1895)

=={{Cat|Croze, Jean-Baptiste de}} (1822–1891)==
* 6th & 7th Messes solennelle (pub.1862, 1879)

=={{Cat|Crusell, Bernhard Henrik}} (1775–1838)==
* Introduction et Air varié Opus 12 (Introduction and variations) (premiered 1804, rewritten, then published 1831/32, [[Richault]])
* Rondo for 2 clarinets and piano (Dresden, 1822, republished, with a quartet-accompaniment arrangement, 1885)
Noten beim Amadeus Verlag erhältlich.
https://www.amadeusmusic.ch/itemcard.php?itemno=BP%202395&lid=0&qsa=%7C%7C%7C203%7C0%7C0%7C

=={{Cat|Cui, César}} (1835–1918)==
*Full scores of operas (manuscript or engraved):
**''Prisoner of the Caucasus''
**''The Mandarin's Son''
**''William Ratcliff''
**''Mlada (Act 1)''
**''Angelo''
**''Le Flibustier''
**''The Saracen''
**''Feast in Time of Plague''
**''The Snow Bogatyr''' (At least a full score of the introduction was made.)
**''Mateo Falcone''
**''The Captain's Daughter''
**Musorgsky: ''The Fair at Sorochintsy''
*''Prisoner of the Caucasus'' -- 2nd Russian edition (ca. 1885)
* The Stone Guest (Complete Opera)--Full Score (collaborated with Nikolay Rimsky-Korsakov, completion of original by Alexander Dargomyschski).

=={{Cat|Cutter, Benjamin}} (1857–1910)==
* Piano trio in A minor (no.2), Op.24 (pub.1894)
* Mass in D (cop 1898)

=={{Cat|Czerny, Carl}} (1791–1857)==
* 3 Rondos for Flute and Piano, Op. 374 (nos.2&3)
* Variations on "Gott erhalte Franz den Kaiser" (with Quartet or Orchestral Accompaniment), Op.73 (we have incomplete parts, and solo)
* Sonate Pastorale for Piano 4-Hands, Op. 121
* "O salutaris hostia" (possibly 3 or 4 different settings by the composer?)
* 8 or more masses?
* Introduction & variations concertante on a Tyrolienne in F minor for Piano & Cello Op.248
* Piano Concerto in C major, Op.78
* Requiems in c and f
* All symphonies (symphonies 1 & 2 (not counting the earlier D major) have been uploaded now; the rest are probably in ms or copyright, etc. ...)
* All organ works
* Mass in c
* Piano Concerto no. 1 in a minor, Op. 214 (full score)
*La Douceur, Rondo Op.290 (Die Sanftmut)
*Duet sonatas in F minor (Op.178- uploaded. Probst edition @ {{BNFref|12148/bpt6k1502576v|BNF}}), no.2 @ ??, no.3 Op.331 (@ SBB) (numbering doesn't count Opp.10, 120. We don't have Op.121 so that would be neat too.)

=={{Cat|Čart, Jiří}} (1708–1774)==
(actually ca.1774/1780 or so... also known as [[wikipedia:de:Georg Czarth|Georg Czarth]], Georg Zarth, etc. Jiri Cart is the VIAF-preferred name.)
* 2 flute sonatas in G (at Berlin SBB)
* Flute sonata in G (mistaken for, or actually by and once attributed to Zarth but now etc., but also having the designation GraunWV D:XVII:90 - @Sing-Akademie zu Berlin

=={{Cat|Dachs, Michael}} (1876–1941)==
* Requiem for middle voice and organ, Op.1 (pub. 1900 by Coppenrath. 3rd edition in 1912?)
* Missa in honorem St. Jacobi ("Missa in honorem S[anc]t[i] Jacobi : ad 2 voces inaequales (für vereinigte Ober- u. Unterstimmen)"). Op.4. Coppenrath, 1901. (@ BSB . 1901 date from HMB.)

=={{Cat|Daffner, Hugo}} (1882–1936)==
* Piano Trio in F, Op.10 (mss 1908; ©1910 by Junne)
* Piano Trio in E minor, Op.21 (1909 in mss)
* Organ Sonata in D minor, Op.1 (pub. 1911, Coppenrath)
* 3 Pieces for piano 4 hands, Op.9 (pub. by Junne, 1909 or 1910?)
* 7 Songs, Op.25 (pub. Wunderhorn-Verlag, 1913)
* 15 Songs, Op.29 (pub. Wunderhorn-Verlag, 1913) ({{HMBref|1913|177}})
* 1st , 3rd and 4th symphonies (mss) (sym.1 in F minor, Op.7 (1908); sym.3 in A minor, Op.75 (1935); sym.4 in E minor, Op.103 (1934) "fantastische"
* Violin Sonata in A minor, Op.4 (mss, 1905)
* Violin Sonata No.2 in E-flat major, Op.22 (mss, 1910)
* Piano Quintet No.1, Op.16 in E minor (mss, 1909)
* Piano Quintet No.2, Op.17 in C (mss, 1909)

=={{Cat|Dalberg, Nancy}} (1881–1949)==
(much of her music has been digitized by DKB (especially her unpublished manuscripts, but some of her later published scores also), perhaps because it's now PD-EU. However, not much of it is PD in the US. It's ''possible'' that as with her teacher Carl A. Nielsen's later music, some of that is now being made available by license in the US, but make no assumptions without checking :) )<br/>
Earlier published scores:
*Der sidder en munk i bure (Hansen, pub. 1919)
*Luk dine Øjne ; Ung Sommer ; Zigeunersang (3 songs). Skandinavisk Musikforlag, 1922.
*Scherzo grazioso, Op.8 (København : Borups Musikforlag, c 1927)

Later (post-1924-published) scores: (some of it possibly out of copyright unless specifically renewed- Op.14 might be checked eg)
*String Quartet No.2, op.14 in G minor: pub. by Tischer & Jagenberg/Wunderhorn-Verlag (without publication date judging from library listings anyway?) ca.1925 or 1926 - see {{HMBref|1926|7}}) (Republished/retypeset/... 2019 by Edition S. Wishlisting the early edition.)

(I) do not know copyright status:
*String Quartet No.1 (1915. manuscript copy parts @ DKB)
*Fantasistykke No.1 for violin og klaver (ms copy, @ DKB, 1921)
*To Orkesterstykker, Op. 9 (ms. musical instrumental parts (40) @ DKB)
*Scherzo for string orchestra, Op.6 (composed 1914. Available in abschrift at DKB)
*String Quartet no.3, Op.20 (composed 1927) (Edition Dania, ©1950)
*Tre danske duetter (København : Skandinavisk og Borups Musikforlag, ©1931)

- - - - - -
2020-12-21: All string quartets are available from www.edition-s.dk along with a few other works, and webshop.ewh.dk have some of her songs. However, I have digitized most of her production, and look forward to get it published; for specific needs I can be contacted on jenschr@hansenlys.dk.

=={{Cat|D'Alquen, Friedrich}} (1809–1887) ==
Brother of {{LinkName|Franz Maria|D'Alquen}} and {{LinkName|Johann|D'Alquen}}. Sometimes called Frédéric.
* 2 Morceaux de Genre pour Violoncelle (ou Violon) avec Piano. (Romance & Tarantelle.) Pub. 1883 by Schott. (HMB 1883 p.317.)

=={{Cat|Damaré, Eugène}} (1840–1919)==
* Caprice, Op.174 (pub.1893)
* Concertino (pub.1893)

=={{Cat|Damcke, Berthold}} (1812–1875)==
* Piano Trio No.1, Op.42
* Piano Trio No.2 in G minor, Op.48
* Cello Sonata in D, Op.43
* Die Himmelsthräne, Op.19 (Nachtwache, von Rückert). Nagel, pub.1844.

=={{Cat|Damrosch, Walter}} (1862–1950)==
* Violin Sonata, Op.6 "At Fox Meadow" (published 1899 by [[Church]])

=={{Cat|Dancla, Charles}} (1817–1907)==
*School Of Mechanism, Op. 74
*Violin Concerto Opus 78 full score and reduction for violin & piano
*Piano Trios Op.22 (#1), 40 (#3) (pub. by 1846, 1847 acc. HMB, BdlF respectively)
*String Quartets 2-4 (no.4 is not actually uploaded on the so-named page, so this could use fixing), 8-11, 13

=={{Cat|Dancla, Léopold}} (1822–1895)==
(Jean-Pierre-Léopold Dancla, younger brother of Charles; they also had a sister, Laure, who was a fairly well-known pianist (and composer??).)
* String Quartet, Op.27 (Richault, 1858)
* 3e air varié pour le violon, avec... de piano, sur la Dernière Pensée de Bellini, Op.4 (Schonenberger, 1850)
* 3 petits (piano) trios, Op.59 (published by Legouix, the 3rd in 1882) (no.2 upload)

=={{Cat|Daneau, Nicolas}} (1866–1944)==
* String Quartet in D (published by Cranz, 1921)
* Piano Quintet in C (pub. Cranz 1921)

=={{Cat|Dannehl, Franz}} (1870–1947)==
* Piano Sonata in A major, Op.74 (pub. ca. 1920-22??)
* Slow waltz (Langsamer walzer), Op.76 No.2 for piano (also published 1922 by Zierfuss)
* Cello sonata in A-flat major, Op.103 (©1939 - non-PD-US probably)
* Gebet, Op.80 or Op.80 No.3 (©1923)
* 4 Ballads, Op.50 ; 2 Lieder, Op.54 (1910, Schmid Nachf.)

=={{Cat|Dannreuther, Edward}} (1844–1905)==
* 3 songs from Shakespeare's Twelfth Night

=={{Cat|Danzi, Franz}} (1763–1826)==
* Cello Concerto in A major
* Konzert für zwei Tasteninstrumente
* Horn Concerto
* Piano Concerto in E♭ major
* 4 Bassoon Concertos
* Flute Concerto No. 1 in G major, Op. 30
* 3 Quartets for bassoon and strings, Op. 40
* Flute Concerto No. 3 in D minor, Op. 42
* Flute Concerto No. 4 in D major, Op. 43
* 3 Potpourris for Clarinet and Orchestra, Op. 45 (1814)
* Symphonie concertante in E♭ major for wind quintet and orchestra (1785)
* Symphonie concertante in B♭ major for flute, clarinet and orchestra, Op. 41
* Opera "Der Quasi-Mann" (1789)
* Opera "Der Berggeist" (the score is in Bayerische Staatsbibliothek)

=={{Cat|Dargomyzhsky, Aleksandr}} (1813–1869)==
* ''Esmeralda'' (c. 1840/1847)
* ''Mazeppa''
* ''The Triumph of Bacchus''

=={{Cat|Darke, Harold}} (1888–1976)==
{{WLcopy|NPD-CA}}
*Communion Service in F (the one pub. by Stainer 1913?)
*Rhapsody, Op.4, pub.1908
*Te Deum & Jubilate, pub.1910
*3 Songs of Innocence, pub.1911
*Quartet for Piano and Winds (premiered by 1909)

=={{Cat|Dārziņš, Volfgangs}} (1906–1962)==
{{WLcopy|NPD-EU}}

=={{Cat|Dauprat, Louis-François}} (1781–1868)==
* Horn Concertos 3 and 4 opp.18, 19 (pub.1824 by Zetter)

=={{Cat|Daussoigne-Méhul, Alexandre}} (1829–1902)==
* Violin Sonata, Op.98, pub.1895 (by Durdilly)

=={{Cat|Davenport, Francis Williams}} (1847–1925)==
* 1st Symphony in D-minor (Unsure if published, entered in competiton in which it came ahead of Stanfords 1st)
* 2nd Symphony in G
* Overture "Twelth Night"
* Prelude & Fugue for Orchestra
* Piano Trio in B-flat, Op. 5
* Six Pieces for Piano & Cello

=={{Cat|David, Félicien}} (1810–1876)==
* Symphony in E{{flat}} (full score, pub.1846) (see {{WC|34127326}}, BdlF 1846 p.572)
* String Quartet No. 1, f minor (1868), Paris: Editions Gérard
* String Quartet No. 2, A major (Manuscript, BNF)
* String Quartet No. 3, d minor (Manuscript, BNF)

=={{Cat|David, Ferdinand}} (1810–1873)==
* Concertino for Trombone and Orchestra, Op. 4
* Violin Concerto No.4, Op.23 (any edition incl. 1908 Breitkopf edition ok...)

=={{Cat|David, Karl Heinrich}} (1884–1951)==

* Piano Trio in G minor, Op.7 (pub. 1911 (1910?), [[Hug]]. Dedicated to Hans Huber.)
* Das hohe Lied Salomonis, Op.12 (pub. 1914?)
* Violin Sonata 1939 (published 1940? - see {{HMBref|1940|20}}, Hug) (PD-CA). Library entries have [1940] except for some that have "1939?"...)

=={{Cat|Davies, Walford}} (1869–1941)==
*Out of the deep : full anthem for Lenten and general use (1892, pub. 1899. Novello's octavo anthems, no. 638)
*Prospice, Op.6 (after Browning) for baritone voice and string quartet (Novello, 190-?)

=={{Cat|Dayas, William H.}} (1864–1903)==
* String Quartet, Op.9 (published 1889, Kistner)
::<small>(NY Public Library has this but in library only, not circ.)</small>
* Violin Sonata, Op.11 (composed March 1898 and published 1898, Kistner)
* Cello Sonata, Op.12 (composed and published 1901, Kistner)

=={{Cat|Debois, Christian H.}} (1882–1960)==
{{WLcopy|NPD-EU}}
* Organ Sonata No.4 in D, Op.14 (pub. 1929 by Hansen) ({{HMBref|1929|114}})

== {{Cat|Debussy, Claude}} (1862–1918)==
{{WLcopy|EP}}<br>
<span style="color:crimson">'''Posthumously published works with copyright issues'''</span>
* Le Printemps (cantata for the Prix de Rome)
:: Is this the work? [[Printemps (Debussy, Claude)]] --[[User:Lisztrachmaninovfan|Lisztrachmaninovfan]] 01:20, 29 March 2013 (EDT)
* Sonatas 4 (for oboe, horn, and harpsichord), 5 (for clarinet, bassoon, trumpet, and piano), and 6 (for flute, oboe, clarinet, bassoon, horn, trumpet, violin, viola, cello, harp, harpsichord, and piano)
::These were incomplete as of Debussy's death in 1918, but if anyone knows where there are fragments or sketches of them, that would be very helpful. --[[User:Reiny|Reiny]] 12:56, 4 April 2013
*Orchestral version of 5 Poèmes de Charles Baudelaire
*Orchestral version of Trois ballades de François Villon --[[User:Reiny|Reiny]] 5:04, 31 January 2014
* Rêverie arranged for organ by Palmer Christian (BMC, 1919)
* La Flûte de Pan ou Syrinx (Revised by A. Ljungar-Chapelon), La Flûte de Pan (MS. Brussels) (Autographus Musicus AM037)
::This work was first published on 1927 as Sylinx. Only Score parts are required.
{{WLcopy|GEN}}
* <span style="color:crimson">Nocturne and Scherzo for Piano and Cello, L. 26 – ''first publ. 1995, copyright in Canada until 2046''</span>
* <span style="color:crimson">Intermezzo for Cello and Orchestra (or piano), L. 27 – ''first publ. 1944 ed. by Gregor Piatigorsky (1903–1976), copyright in Canada until 2047''</span>
:This is really more of an arrangement by Piatigorsky anyway.
* Orchestral score of Pelléas et Mélisande that includes his revised orchestration
* Fantaisie for Piano and Orchestra, 1st Version (Orchestral Part Scores)
* Fantaisie for Piano and Orchestra, 2nd Version (Full Score and Orchestral Part Scores)

=={{Cat|De Castéra, René}} (1873–1955)==
* Piano Trio in D (pub.1905, 1908 - two versions) (dedicated to V. d'Indy)
* Concert pour piano, violoncelle, flûte et clarinette, ou violon, etc. (1922), pub. 1924 by Rouart, Lerolle & Cie.

=={{Cat|Decker, Constantin}} (1810–1878)==
* Elégie : sur la mort de sa majesté L'Empereur Nicolas I : pour le piano (New School, NYC has a copy)

=={{Cat|Decourcelle, Paul}} (1854–1940)==
*Voulez-vous ? (polka)

=={{Cat|Degner, Erich Wolf}} (1858–1908)==
*Serenade for small orch. (pub.1909)
*3 Vortragsstücke für Holzblasinstrumente mit Pfte. (Aus dem Nachlass hrsg. v. H. Kundigraber.) (Capriccio for flute, rondo for oboe, rondo for clarinet.) (published by Siegel, 1912.) Capriccio uploaded.

=={{Cat|Deigendesch, Karl}} (1839–1911)==
*Die Errettung des Moses, Op.58 (pub.ca.1903)
*3 Marienlieder, Op.93 (pub. Böhm & Sohn, 1908)
*Festkantate, Op.84 (pub.1903)

=={{Cat|Delafosse, Léon}} (1874–1951)==
* Violin Sonata (pub. 1900, Heugel)
* Piano Concerto A-dur
* 20 preludes pour piano( pub. 1898, Heugel)
* Barcarolle pour piano ( pub.1900, Heugel)

=={{Cat|De Lamarter, Eric}} (1880–1953)==
*Organ Concerto No.2 in A (1921 September, premiered by February 24 1922)
*Perhaps Symphony No.1 in D (premiered 1914- published 1930s poss.?) (materials @ Fleisher but hopefully not only there)
*Symphony No.2 in G minor after Walt Whitman (premiered by 1926 August 23, NYPO)
*Symphony No.3 in E minor (pub. 1934, premiered 1932 (Chicago sym.))

=={{Cat|Delannoy, Marcel}} (1898–1962)==
{{WLcopy|NPD-EU}}
*État de veille : cinq mélodies sur des poèmes de Robert Desnos, op. 48 (pub. 1946, Max Eschig)
*String Quartet in E major (pub. 1931, Durand)
*Rapsodie for trumpet, alto saxophone, cello and piano (pub. 1934, Heugel)
*Sérénade concertante for violin and piano (pub. 1938, Associated Music)

=={{Cat|Deldevez, Édouard Marie Ernest}} (1817–1897)==
*String Quartets, Op.10 (pub.1857, 1879 (score))
*String Quintet, Op.22 (pub.1864, 1879 (score))

=={{Cat|Delibes, Léo}} (1836–1891)==

=={{Cat|Delius, Frederick}} (1862–1934)==
* The Sea
* Koanga, Act II: La Calinda
*Romance (for cello and piano) (1896)
*Caprice and Elegy for Cello and Piano, (1930)

=={{Cat|Delmas, Marc}} (1885–1931)==
*Stefano, drame lyrique en un acte (after text by Albert Boucheron), Choudens, 1910
*Violin sonata, Lemoine, ©1927
*Idylle printanière for piano, Philippo, pub.1928? (BdlF, 1929, but "1928" is given as pub.date?)
*Cortêge du Sêrdar for small orchestra, Cranz 1929

=={{Cat|Delune, Louis}} (1876–1940)==
* Symphony in C (perf. in 1906 in Boston)
* String Quartets
* Piano Quintet

=={{Cat|Demar, Sébastien}} (1763–1832)==
* Keyboard Concerto "des Dames" (No.3?) (published 1824 according to Cäcilia Intelligenzblatt for that year, p.72 as by Démar) (not listed in Worldcat?)
* Keyboard/Harp Concerto No.1 "La chasse" (listed in Worldcat) (Op.48 which we have is concerto no.2 for piano or harp)

=={{Cat|Demersseman, Jules}} (1833–1866)==
*op.81 Grand solo de concert no 5 flute & piano
*op.60 6 fantasies flute and piano
*op.53 6 petits fantaisies flute and piano
*op.50 6 fantaisies fl and pf

=={{Cat|Demessieux, Jeanne}} (1921–1968)==
{{WLcopy|NPD-EU}}
* Nativité, op.4 (1944; dedicated to Mr. & Mrs. Dupré. Ms @ BNF. Not published until 2005?)
* "Chanson de Roland" for chorus, mezzo soprano, and orchestra
* Poème for organ and orchestra, op.9 (published in score and reduction in 1952)
* Ballade for horn and piano (published 1962)

=={{Cat|De Micheli, Giulio}} (1899–1940)==
* Terza piccola suite, Op.39 (©1926; dedicated to Volkmar Andreae)

=={{Cat|Depas, Ernest}} (1809–1889)==
* Grand Duo (in E{{flat}}) for piano and violin, Op.80 (pub.1862)
* Remaining piano trios

=={{Cat|Derckum, Franz}} (1812–1872)==
* String quintet, Op.15 (pub.1866)

=={{Cat|Déré, Jean}} (1886–1970)==
{{WLcopy|NPD-EU}}
* String Quartet in C minor (1905, unpub.?)
* Air de ballet, Op.6 (pub.1906)

=={{Cat|Dessau, Paul}} (1894–1979)==
{{WLcopy|NPD-CA}}
* Symphony No.1 (pub. 1930)

=={{Cat|Destenay, Edouard}} (1850–1924)==
* Violin Sonata, Op.31 (published 1907)
* Piano Quintet No.1 (published 1899)
* Piano Trio in A minor (published 1910)
* Quintet No.2 Op.12 (strings and harp) (published 1905)

=={{Cat|Dett, Robert Nathaniel}} (1882–1942)==
* Tropic Winter (piano)
* Cinnamon Grove (piano)
* Enchantment (piano)
* After the Cakewalk (piano)
* Cave of the Winds (piano)
* Inspiration Waltzes (piano)
* Nepenthe and the Muse (piano)
* The Ordering of Moses (piano)

=={{Cat|Devienne, François}} (1759–1803)==
* 6 Duets, Op. 82
* Flute quartet (for flute, violin, viola, cello) in b minor, opus 16 number 3
* Presto for 2 flutes
* Quartet for Bassoon and strings Opus 73

=={{Cat|Dickinson, Clarence}} (1873–1969)==
{{WLcopy|NPD-EU}}
* An evening prayer: when quiet night (©1923 by HW Gray, text translated by Helen Dickinson)
* In Bethlem's manger lowly : Christmas : traditional XVI century (©1923, HW Gray)
* Earth and man (©1923 by HW Gray, text by Stopford Brooke)
* Reverie : for violin, violoncello, harp and organ (©1923, may related to Reverie for organ (1917))

=={{Cat|Diémer, Louis}} (1843–1919)==
* Cello Sonata, Op.22 (pub.1878)

=={{Cat|Dienel, Otto}} (1839–1905)==
* Organ works

=={{Cat|Diener, Olga}} (1890–1963)==
{{WLcopy|NPD-EU}}
* String Quartets (54 of them? autograph scores @ Schweizerische Nationalbibliothek, Bern. Unpublished?)

=={{Cat|Diepenbrock, Alphons}} (1862–1921)==
* Missa duobus choris vocum virorum cum organi concentu cantanda (early version of Missa in die festo, RC 27) (pub.1896)

=={{Cat|Dieren, Bernard van}} (1887–1936)==
* Impromptu (Fantasiestück) for solo violin (published 1909)
* 3 Lieder, Op.4 (published 1908)
* Canzonetta in E minor for violin and piano (Lichtenauer, 1909)

=={{Cat|Dieter, Christian Ludwig}} (1757–1822)==
* Romance for 2 flutes
* Rondo in G major for 2 flutes

=={{Cat|Dietrich, Albert Hermann}} (1829–1908)==
*Symphony in D minor, Op.20 (ded. to Johannes Brahms) (pub.1870 by R-Bied.) (premiered by Jan. 1871 or so)

=={{Cat|Dieupart, Charles}} (1667–1740)==
* 6 Sonates pour flûte à bec et basse continue (Londres, 1717)
* environ 30 Airs entre 1729 et 1731, dans The Musical Miscellany
* Select Lessons for Harpsichord or Spinett (Walsh, London)
* Concerto à 5 pour violon, cordes et basse continue
* Concerto à 5 pour hautbois, cordes et basse continue en la majeur
* Concerto à 5 pour flûte, cordes et basse continue en la mineur
* 2 Concertos grossos
* 2 Concertos pour deux chœurs en mi mineur, en si bémol majeur
* Concerto pour trompette, deux hautbois et basse continue en si mineur

=={{Cat|Dimitrescu, Constantin}} (1847–1928)==
* String Quartet No.5, Op.42 (pub.1890)
* Cello Concerto No.1
* Cello Concerto No.2
* Rustic Dance for cello and piano (as well as any other arrangements)

=={{Cat|Distler, Hugo}} (1908–1942)==
* Mörike-Chorliederbuch
* Geistliche Chormusik op.12 (Nos. 1,2,4–7 have been uploaded, 3,8,9 are missing as well as the appendix „Wacht auf/Kläglich ich schrei“)
* Harpsichord Concerto
* Die Weihnachtsgeschichte op.10 (full scores)
* Wie der Hirsch schreit nach frischem Wasser
* Complete Organ Works
* Neues Chorliederbuch op. 16
* Eine deutsche Choralmesse, Op.3 (pub. 1932 or 1933)
Note: PD-CA but even the 2-piano sonata opus 1 is from 1931 so only unpublished works - if those - are PD-US. BSB has works by Distler (so they may scan some.) (Schissel)

=={{Cat|Dittersdorf, Carl Ditters von}} (1739–1799)==
{{Laundry|Dittersdorf, Carl Ditters von}}

=={{Cat|Dobrowen, Issay}} (1894–1953)==
* 5 Russian Folk Songs (1928, UE)

=={{Cat|Döhler, Theodor}} (1814–1856)==
* Piano Concerto, Op.7 (p.1835)
* Andante for Violin and Piano, Op.71 (p.1850) (conf. BdlF, HMB)
* 11th and 12th nocturnes (Opp.69, 70) (p.1850, Brandus)

=={{Cat|Dohnányi, Ernő}} (1877–1960)==
{{WLcopy|NPD-EU}}
* Fugue in D Minor for piano, left hand alone, WoO (1913)
* String Quartet No.3 in A minor, Op.33 (published 1926)
* Piano Concerto No.1, Op.5 (Orchestral Part Scores)
* Piano Concerto No.2, Op.42 (Orchestral Part Scores)

=={{Cat|Donath, Gustav}} (1878–1965)==
{{WLcopy|NPD-EU}}
* Prelude and fugue in D for piano duet (published 1925)
* Violin Sonata in G (published and copyright 1928, Doblinger plate D 6579)

=={{Cat|Donizetti, Gaetano}} (1797–1848)==
* L'assedio di Calais (melodramma lirico, 1836; publ. Ricordi); copies at the Library of Congress, Eastman School of Music, and Harvard University, and unavailable through interlibrary loan; no other known copies in North America
* Sonata in C major for flute and piano
* Solo Viola Part from Viola Concerto in D Minor
{{Laundry|Donizetti, Gaetano}}

=={{Cat|Donizetti, Giuseppe}} (1788–1856)==
* Concerto for Violin and Cello

=={{Cat|Dont, Jakob}} (1815–1888)==
* 24 Preparatory Exercises, Op. 27

=={{Cat|Dopper, Cornelis}} (1870–1939)==
* Cello Concerto (composed 1910, revised 1923) (autographs at NMI. ded. to Gerard Hekking)
* Symphonies (7. Published? Many of the mss. at NMI. Syms. 2, 3 published 2001. According to HMB, no.7 published in 1932: {{HMBref|1932|104}} - Leuckart. Very few libraries have the first edition. Republished by MPH in 2020 with permission from the copyright-holders, I believe.)

=={{Cat|Doppler, Franz}} (1821–1883)==
* Opera "Judith" in 4 Acts (Auszugen) after Mosenthal (Lewy, 1870/71)

=={{Cat|Dorn, Charles James}} (1839–1909)==
* Tramore Waltzes (for guitar and 2 mandolins; pub.1895 by J. White)

=={{Cat|Dorn, Heinrich Ludwig Egmont}} (1804–1892)==
* Die Nibelungen, opera, Op.73 (pub.1855/6?)

=={{Cat|Dorner, Francesca}} (1912–1926)==
(both are flourishing dates. Listed as an associate of Trinity College in Musical Times Mar. 1 1912 p.152.)
* Sonata romantic for piano, Op.3. Raabe & Plothow, 1926. ({{HMBref|1926|169}}.)

=={{Cat|Dotzauer, Friedrich}} (1783–1860)==
*Variations to Nel cor piú-Mich fliehen alle Freuden from the Opera La Molinara by Paisiello for Cello solo, Op.183
*Piano Trio Op.180 (Damköhler, 1851)
*Quartet for Bassoon and Strings Opus 36
*Cello concerto op.66
*Cello concerto op.72
*Cello concerto op.81
*Cello concerto op.82
*Cello concerto op.84 in e minor
*Cello concerto op.93 (pub. by A. Farrenc and by N. Simrock, by 1829. Mentioned in volume 4, 1829, of Revue musicale)
*Cello concerto op.100
*Cello concerto op.101 in F major
*3 Preludes and Fugues for Cello Op.178

=={{Cat|Douay, Émile}} (1802–1882)==
ca.1802 to after 1882? Death date seems to be unknown... Treated as alive in a 1882 biographical dictionary. For a lengthy biography, see [http://jean-jose-marchand.over-blog.com/article-decouverte-baudelairienne-inesperee-quatre-partitions-du-compositeur-emile-douay-39846310.html Blog entry]. Cousin of Albert Douay (1809-70). Perhaps related to {{LinkName|Georges|Douay}}?
* String Quartet, published 1859 (@BNF, also noted in BdlF p282)
* 2 string quintets, published 1859 (BdlF p.94 eg)
* At least three piano trios, in D, F and in C minor (and possibly one in E minor), published by [[Choudens]] in 1858 (the E minor one mentioned in BdlF, . The F major one appears to have been somewhat popular.
=={{Cat|Dowland, Robert}} (c. 1591–1641)==
*''A MVSICALL BANQVET - Furnished with a varietie of delicious Ayres, Collected out of the best Authors in English, French, Spanish and Italian - By Robert Douland'' 1610

=={{Cat|Draeseke, Felix}} (1835–1913)==
* {{LinkWork|Serenade|Op.49|Draeseke|Felix|0}} {{EN}} orchestra parts
* Der gebundene Styl. Lehrbuch für Kontrapunkt und Fuge (©1902)
* Scene for Violin, Op.69
* Psalm 93, Op.56
* Psalm 23, Op.59
* Grosse Messe in F# minor, Op.60
* Grosse Messe in A minor, Op.85
*Viola Alta Sonata No.1 in c (pub.1935 in a faulty edition, but: better than nothing.)
* Dietrich von Bern : große Oper in drei Abteilungen (published 1925, edited by Otto zur Nedden (1902-1994))
{{WLcopy|GEN}}
* Symphony No.4 "Symphonia Comica," WoO 38 (pub. 1996)

=={{Cat|Dressel, Erwin}} (1907–1972)==
{{WLcopy|NPD-CA}} 1909-1972 according to {{WC|986996584}}.
* Piano Sonata in C, pub.1927 by Hofmeister (c in US until 2023, in CA and EU until 2043. {{WC|37904764}}.)
* Symphony in D-flat major, pub.1928 by Hofmeister (c ... until 2024, in CA until 2043) (see {{HMBref|1928|88}}. Maybe the symphony he composed when 14 (1923?)) (at Free Library of Philadelphia, - {{WC|22457609}} -other places. One of the relatively few in this key.)
* Suite for violin and piano (Hofmeister, 1928) ({{HMBref|1928|118}}; {{WC|28189558}} (Chicago Public Library) - among other places listed at Worldcat. PD-US only.)
*(Dressel is also slightly known because of Shostakovich's contribution to his opera "Armer Columbus".)

=={{Cat|Drew, Harry}} (1851–1895)==

=={{Cat|Driffill, William Ralph}} (1870–1922)==
* Toccata in F minor (from Suite No. 1) (we have suite no.1)

=={{Cat|Drigo, Riccardo}} (1846–1930)==
* The Talisman (1889) ''Piano reduction''
* The Awakening of Flora (1894) ''Piano reduction''
* Pas de Trois from "The Fairy Doll" (1903) ''Piano reduction''
* La Perle (1896) ''Piano reduction''

=={{Cat|Drouet, Louis François Philippe}} (1792–1873)==
* Method of Flute Playing (London, 1830) (version in French has been uploaded)
* Concertino in G for flute and orchestra, Op.125
* 3 Trios concertans for 3 flutes, Op.33 (in C, a, F) (1817 in London, 1818 by either Schlesinger or Breitkopf)
* Flute Concerto No.3, Op.19 (pub.1817, Richault)
* Flute concertos Nos. 1 and 2 (opp.13&14) (Pleyel) (BNF lists at least 10 flute concertos by Drouet.)

=={{Cat|Drozdov, Anatoly}} (1883–1950)==
* Sonate-fantaisie, Op.10 for cello and piano (pub.1923 by Gosudarstvennoe Izdatel'stuo)

=={{Cat|Družecký, Jiří}} (1745–1819)==
*Concerto for 6 timpani and orchestra

=={{Cat|Düben, Andreas (I)}} (1558–1625)==

=={{Cat|Düben, Andreas}} (1597–1662)==

=={{Cat|Düben, Gustaf}} (ca.1628–1690)==

=={{Cat|Düben, Martin}} (ca.1598–1650)==

=={{Cat|Dubois, Théodore}} (1837–1924)==
* Cantilène for violin, cello (or horn) and piano (or organ) (pub.1903, [[Heugel]])
* Adonis, poème symphonique (pub. [[Heugel]] in reduction at least, 1901, 1907 in full score)
* 42 Pieces pour Orgue
* Entrée for Organ
* Concert-capriccioso for Piano and Orchestra c-moll (1876) - Piano Score or Full score/Manuscript

=={{Cat|Dufresne, Georges}} (1846–1918)==

=={{Cat|Dukas, Paul}} (1865–1935)==
* ''Allegro'', for piano (1925)
* ''Ariane et Barbe-bleue'', piano solo transcription
* ''Fanfare pour précéder la Péri'', any arrangement for piano
* ''Götz de Berlichingen'' (overture? 1884 manuscript. first published 2007. unless performed before 1961, may not be hostable?-Schissel)
* ''L'apprenti sorcier'' (''The sorcerer's apprentice''), arrangement pour orgue seul (organ solo transcription)
* ''Modéré'', for piano (published posthumously in 1936)
* ''Polyeucte'', any arrangement for 1 or 2 pianos
* ''Vocalise-étude'' (''alla gitana'')

=={{Cat|Duke, Vernon}} (1903–1969)==
{{WLcopy|NPD-EU}}. AKA (birth name) Vladimir Dukelsky.
* Three Caprices for piano (pub. 1944)
* Parisian Suite for piano (pub. 1956)
* Surrealist Suite for piano (pub. 1940)
* Symphony No.2 in D-flat (ms. (at FLP) 1928, premiered 1930. (FLP catalog summary claims "published 1928" but there was no "publication" in 1928.))

=={{Cat|Dumonchau, Charles-François}} (1775–1821)==
* 6 Sonatines, Op.15 (ca.1807?)
* Piano Trio, Op.29 (published 1808)

=={{Cat|Du Mont, Henry}} (1610–1684)==
Dates ap.
*[[Cinq messes en plain-chant (Du Mont, Henry)]] contains only one of Guilmant's 'realizations' but the original is available at Gallica; more intriguing is Liszt's accompaniment, glimpsed [http://spellerweb.net/cmindex/Dumont/DumontCredo.pdf here.] [[User:Richard Mix|Richard Mix]] 00:09, 25 August 2015 (EDT)

=={{Cat|Dunham, Henry Morton}} (1853–1929)==
* Organ Sonata No.3 in D minor, Op.22
* Organ Concerto in D minor (manuscript copy @ Stabikat. May be related to Op.22?)
* Passacaglia in G minor, Op.23 (©1911)

=={{Cat|Dupin, Paul}} (1865–1949)==
* Jean-Christophe..., for piano and voice/piano (pub. E. Demets, 1908)
* Poëmes, for string quartet (pub. M. Senart, 1909) (we have suite 1)
* La Payse à Jean, for voice, violin and piano (pub. Durand, 1918)
* Dentelles, for piano (pub. Costallat, 1927)
* Sept noëls familiers (pub. R. Deiss, 1928)
* Trois noëls, for voice and piano (pub. M. Eschig, 1935)
* L'offrande à la danse: danse de caractère pour piano à 4 mains (pub. Durand, 1921, Plate D. & F. 9932)

=={{Cat|Dupont, Auguste}} (1827–1890)==
* String Quartet, Op.38 (published by Richault in 1863)
* Fantasy and Fugue for piano, Op.39 (also Richault, 1863)

=={{Cat|Dupont, Joseph}} (1838–1899)==
*Les Maîtres chanteurs de Nuremberg / opéra de Richard Wagner / Transcription symphonique de Joseph Dupont (at Belgian Royal Library Fonds Kursaal Oostende) (also: {{WC|1113333566}} for other sources)
*Carmen / de Georges Bizet / Transcription symphonique (manuscript - at Belgian Royal Library) ("Manuscrit de J. Dupont ? = Handschrift van J. Dupont ? Fonds du Kursaal d'Ostende = Fonds Kursaal Oostende) (possibly both by a different- presumably Belgian - J. Dupont)
*3 violin solo etudes by (again) J. Dupont (published by Muraille of Liège ({{BNFref|12148/cb42969000q|BNF catalogue}}))
*Romance sans paroles for violin and piano in E ({{WC|261276938|Collecties Nederlands Muziek Instituut}})
=={{Cat|Duport, Jean-Louis}} (1749–1819)==
*3 Duos, 2vc, (1782)
*Cello Concerto No.3?
*Cello Concerto No.5 in D major,(ca.1814)
*3 Duos for cello and harp, Op.40 (1818)
*3 Nocturnes, Op. 70, vn/vc hrp (see {{NoComp|3 Nocturnes, Op.70|Bochsa, Nicholas Charles}} by Bochsa)

=={{Cat|Dupuis, Albert}} (1877–1967)==
{{WLcopy|NPD-EU}}

=={{Cat|Dupuis, Sylvain}} (1856–1931)==
*Macbeth for orchestra (pub.1913)

=={{Cat|Du Puy, Edouard}} (1773–1822)==
(ca.1773)
*Bassoon concertos in C minor and A major

=={{Cat|Durand, Emile}} (1830–1903)==
* Traité de composition musicale (pub. Durand, 1899)

=={{Cat|Durante, Francesco}} (1684–1755)==
{{Laundry|Durante, Francesco}}

=={{Cat|Dussek, Jan Ladislav}} (1760–1812)==
* 3 Violin Sonatas Op. 13, a French or English edition, ca. 1810

=={{Cat|Duvernoy, Jean-Baptiste}} (1800–1880)==

=={{Cat|Dvořák, Antonín}} (1841–1904)==
* Armida, opera in 4 acts, Op.115 (pub. 1941 by Orbis. Excerpts published in 1921 by Hudební matice.)
* Král a uhlíř (King and Charcoal Burner), comic opera in 3 acts, Op. 14 / B.21/B.151 (same op.14 as "symphonic poem" which is its overture) (pub. 1915 Hudební matice)
* String Quartet No.6 (5 is a reconstruction by Günter Raphael) (pub.1948 (op.2), 1962 (B-flat), 1964 (no.3 in D), 1982 (op.12))
** <span style="color:crimson">String Quartet No.6 op.12 was reconstructed by Jarmil Burghauser (d.1997) whose editorial work—which includes composing several bars—probably meets a standard of originality & would be ineligible for upload</span>
* <span style="color:crimson">Songs my mother taught me (from Gypsy songs), Op.55 No.4 (violin and piano version by Louis Persinger) - ''Persinger d.1966 so only PD-CA (US?)''</span>
* String Quartet No.12, Op.96 (Black-and-White Full Score)
* Dimitrj Overture, Overture, B.127a (Full Scores and Orchestral Parts)
* Forget-me-not Polka, B.1 (Piano Score)
* Interludes for Orchestra, B.15 (Full Score and Orchestral Part Scores)
* Prague Waltzes, B.99 (Orchestral Parts)
* Polonaise in E-flat major, B.100 (Orchestral Parts)
* Rusalka, Op.114 (Complete Opera) (Orchestral Parts - we have parts of some excerpts, watch page for more of work over time?)

=={{Cat|Dyson, George}} (1883–1964)==
{{WLcopy|NPD-EU}}
* 5 Songs for Medium Voice (texts mostly by M.E. Baldwin) (Stainer & Bell, London, ©1911)
* The open window : 8 short pieces for piano, Op.12a (Joseph Williams, ©1919)

=={{Cat|Ebel, Arnold}} (1883–1963)==
{{WLcopy|NPD-EU}}
*Symphonische Ouverture : (Appassionata), Op.13 (pub.1914)
*Requiem after Hebbel, Op.17 (pub.1912)

=={{Cat|Ebel, David (I)}} (ca.1500–1576)==
* [titles unknown] compositions in the songbooks of the Danish court chapel of 1541 ms Royal Library Copenhagen
:[rem: the year 1541 seems incorrect because David Ebel sr was at the Danish court from 1551. If the year is correct, these compositions are by yet another David Ebel, possibly the father of David sr. This would also explain the unrealistic alternate death dates of David sr and the unrealistic lifespan of David sr and David jr of before 1520 to 1639]
* In dulce jubilo (Fuga 6 vocum). Motet. Voices. c1556 ms ascribed to Dav. Abell
* Fantasia Komm heiliger geist. Organ ? comp by David sr or David jr in the Pelplin tablature, Poland c1630
* Praeambulum (Preludium) in d. Organ attr to David Abel jr Christoph Krummacher at Gercke-Herbst organ Basedow. Berlin Classics 1075
* Praeambulum (Preludium) pedaliter in d. Organ attr to David Abel jr idem

=={{Cat|Ebel, David (II)}} (ca.1576–1639)==
* Currant Ab., Anno 1626. Organ. 1626 ms 376 Copenhagen
* Praeludium ex clave G ab Org. Organ ms 376 Copenhagen
* Praeambulum in d. Organ attr to David Abel jr Christoph Krummacher at Gercke-Herbst organ Basedow. Berlin Classics 1075
* Praeambulum pedaliter in d. Organ attr to David Abel jr idem
* Fantasia Komm heiliger geist. Organ ? comp by David sr or David jr in the Pelplin tablature, Poland c1630

=={{Cat|Ebel, Hermann}} (ca.1550–1616)==
* any works

=={{Cat|Eberl, Anton}} (1765–1807)==
* Piano Sonata in F minor, Op.12
* Russian Variations, Op.17 (for cello and piano)
* Symphony in D minor, Op.34 (pub. 1808 ca.) We have only manuscript
* Sextet in E-flat major, Op.47 (for clarinet, horn, violin, viola, cello, piano)

=={{Cat|Eberlin, Johann Ernst}} (1702–1762)==
* Requiem Full Score
* Passion Oratorios and other Oratorios (other than ones in library, full scores)

=={{Cat|Ebers, Carl Friedrich}} (1770–1836)==
* Bassoon Concerto, Op.41 (pub.ca.1817)
* Flute Duos, Op.55 (pub.ca.1815)
* Grosse Sinfonie (Concertante), Op.40 (pub.ca.1817)
* Overture, Op.45 (pub.ca.1818)
* Beethoven Sym. 3 arr. for double quintet

=={{Cat|Eberwein, Traugott Maximilian}} (1775–1831)==
* Concertante for oboe, horn and bassoon, Op.47 (notice of publication 1820)

=={{Cat|Eck, Johann Friedrich}} (1767–1838)==
* 5 Violin Concertos (in E, G, D minor, E, A) (not including the one attributed to Mozart pub.1882 and possibly by not by Eck either) (these 5 published by Sieber in the 1790s in parts, except no.5 pub. 1804.)

=={{Cat|Eckhardt-Gramatté, Sophie-Carmen}} (1899–1974)==
{{WLcopy|NPD-CA}}
Early works published as Sonia C. Friedman, her birth name.
* Berceuse for Flute and Piano (1943)
* Nocturne E.93 (1910-36)
* Vision and etude no.4 in F-sharp minor (Mercier, 1911)
* Violin sonata Op.12 No.1 (pub. 1912)
* Piano Sonata No.1 (Simrock, 1924)
* Partita 2 for violin (Simrock, 1924)
* 3 caprices for violin (Simrock, 1925)
* String Quartet no.1 in C-sharp minor (Canadian Music Centre, 1938)
{{WLcopy|GEN}}
* probably: Piano Sonatas 2 - 6 (published various dates and by 1980) (no.5 definitely published in 1977 though a manuscript fac was distributed dated 1950-52 too. Sonata no.2 "Biskaya sonate" published 1962. no.4 published in the 1970s? The set was published in 1980 as a volume of her collected works, including a photoreproduction of the Simrock edition for no.1 - {{WC|70420276}}.)

=={{Cat|Edelmann, Jean-Frédéric}} (1749–1794)==

=={{Cat|Eder, Victor}} (1863–1933)==
* Liturgical works very many (900-odd?) in autograph at Metten, some works published (by [[Pustet]] eg) would interest

=={{Cat|Egger, Max}} (1863–1962)==
{{WLcopy|NPD-EU}}
* Frau Holda, opera (pub.1908)

=={{Cat|Eggert, Joachim Nicolas}} (1779–1813)==
* Piano Quartet Op.3 (pub.ca.1813, B&H)
* Symphony (not sure which?) (was pub.ca.1815, B&H. Poss. no.3 in {{K|Eb}}?)

=={{Cat|Ehrenberg, Carl}} (1878–1962)==
{{WLcopy|NPD-EU}}
*Nachtlied, for violin and orchestra Op. 14 (p.1911)
*Sinfonisches Suite, Op.22 (p.1925)
*Serenade for 3 violins, Op.23 (p.1925)

=={{Cat|Eichberg, Julius}} (1824–1893)==

=={{Cat|Eijken, Johan Albert van}} (1823–1868)==
* Organ works
* Ouvertüre, Entr’-Acte u. Chöre zum Trauerspiel "Lucifer" (after Vondel), Op.40 (pub.1860)
* Violin Sonata Op.18, dedicated to Moritz Hauptmann (@ Nederlands Muziek Instituut Muziekbibliotheek)

=={{Cat|Eilenberg, Richard}} (1848–1927)==
*Op.254. Der Müller und der Schmied. Charakterstück für kleiner Orchester oder Salon-orch. Cranz, 1925? 1926.
*Op.296. Die Alpenpost. Galop for piano trio. Leipzig: Cranz, 1925? 1926?.

=={{Cat|Eisler, Hanns}} (1898–1962)==
{{WLcopy|NPD-EU}}
* Solidaritätslied (Solidarity Song)
* 18 Petits Morceaux op. 31
* 7 Petits Morceaux op. 32

=={{Cat|Elgar, Edward}} (1857–1934)==
{{WLcopy|EP}}
* Laura Valse (1887) for piano
* Froissart Overture Op. 19 (full score [London (Novello) 1890]). Jerrold Northrop Moore (p.347) mentions a "revised" version played in 1901
* Pastourelle "Air de Ballet" for Violin and Piano, under pseudonym "Gustav Francke, Op.10" (1882, published by Boosey 1903), several arrangements, including for piano solo, for two violins and piano, and a set for Military Band. Not to be confused with the other "Pastourelle", Op.4 No.2
* Offertoire "Andante Religioso" for Violin and Piano under pseudonym "Gustav Francke, Op.11" (1883, published by Boosey 1903)
* The Mill Wheel, song
* Muleteer's Serenade, song
* XTC (1930), song, written for soprano Joan Elwes
* Smoking Cantata (1919), song
* The King's Way (1910), song, voice & piano (need version in A-flat). Also Military Band version arr. M.Retford
* Pleading, song, arranged for military band by D. Godfrey, Novello 1910
* Follow the Colours (Marching Song), arranged for military band by Capt A. Stretton, pub Novello 1908
* With Proud Thanksgiving. Military band arr. by F. Winterbottom, Novello 1910
* A Song of Union, from "Pageant of Empire", 1924
* Soliloquy, for Oboe and Piano
* Two Interludes from "Falstaff", Op. 58, arranged by the composer for orchestra, score and parts
* Queen Alexandra's Memorial Ode (So many true Princesses who have gone), orchestra score and parts lost, also later arr. for military band by Capt Andrew Harris (the version performed), score and parts lost
* Queen Mary's Song, arrangement for TTBB voices by Leslie Woodgate
* Through the Long Days, arrangement for SS voices by Leslie Woodgate

=={{Cat|Elgar, Louis}} (1882–1945) ==
* Coo-ee: Our Australian Home (pub Osborne, 1917?), song in tribute to the Australian soldiers who served on the Western Front in World War I, performed at the formal dedication of the Australian National Memorial in 1938 and performed again at the opening of the Sir John Monash Centre at Villers-Bretonneux in 2018

=={{Cat|Ellerton, John Lodge}} (1801–1873) ==
* 3 Quartets, Op.70 (nos.44–46) (pub.1873/74?, Schott)
* 3 Quartets, Op.71 (nos.47–49) (likewise)

=={{Cat|Ellicott, Rosalind F.}} (1857–1924)==
or Rosalind Frances Ellicott.
* Piano Trio No.2 (pub.ca.1891)
* Elysium : for soprano solo, chorus, and orchestra
* Henry of Navarre : a choral ballad : with orchestral accompaniment ad. lib. (poss. avail. at Google or Hathitrust?)
* 6 Pieces for Violin and Piano (pub. 1891)
* Violin Sonata (published?)
and various other PD works

=={{Cat|Elling, Catharinus}} (1858–1942)==
* Improvisation for violin and piano (published 1919 or ca.1919)
* 4 Danske sange, Op.44 (pub.ca.1892 by Brødrene Hals, plates 553-56, digitized by KB.DK)
* String Quartet in D major (published 1920 by Oluf By.)

=={{Cat|Elmas, Stephan}} (1862–1937)==
*[[Piano Concerto No.3 (Elmas, Stephan)|3rd piano concerto]] (pub.1906?)
*[[Quatuor (Elmas, Stephan)|Piano Quartet in D minor]] (pub.1923, Steingräber - See {{HMBref|1923|111}}, and possibly by 1880s by Wetzler? - see {{WC|637911941}}.)
*Aubade no.2 (pub. 1923, Steingräber)

=={{Cat|Elsner, Józef}} (1769–1854)==
* Oratorio, Męka Pana Naszego Jezusa Chrystusa (The Passion of Our Lord Jesus Christ)
* Masses
* Requiem
* 8 Symphonies
* Keyboard sonatas
* Polonaises with Orchestra

=={{Cat|Emborg, Jens Laursøn}} (1876{{EN}}1957)==
{{WLcopy|NPD-EU}}
* Concerto grosso für Oboe, Violine und Violoncell mit Streichorchester und Klavier, Op.51 (pub.1924?)
* Organ concerto No.1, Op.49 (pub. 1926) ( @ Laurier Library, Waterloo Ontario Canada)
* Concerto No.2 for Orgel med lille Orkester in C, Op.92 (Hansen, without date?)
* Kammerkoncert, Op.57 (pub.1945, PD-CA)
* Sankt Laurentius, Op.99 (pub.1953, Skandinavisk Musikforlag, PD-CA. Danish Libraries)
* 3 Gesänge, Op.52 (pub.1925 or 1926) ({{HMBref|1926|7}}.) (1925 or (1925) per Worldcat. At Ossietzky, SBB, and at Anna Amalia libraries.)
* Sonate for violin og orgel (eller cembalo), Op.54 (Hansen, ©1932)
* 3 Duette für Sopran und Bariton und Pianoforte, Op.30 (Leuckart, 1922)
* Excelsior! Sange for fire Mandsstemmer (Nordisk Musikforlag, [1908]) (@ Danish Royal Library)
* Symphonies 2 (Op.41) & 3? (for lille orkester, Op.66) (mss)
* Fest-Motette f. 8 St. (2 Chöre) m. Orgel (od. m. Orgel u. Orch.), Op.47 (Kistner & Siegel, 1925) (@ SBB)

=={{Cat|Emmanuel, Maurice}} (1862–1938)==
*Salamine ("tragédie lyrique en trois actes d'après les Perses d'Eschyle", pub. Choudens 1926 (vocal score: A.C. 16019), PD-CA presumably)
*In memoriam: Poème pour voix, piano, violon et violoncelle (pub. ca.1909, no publisher noted/by the composer (later taken up by Durand))
*Symphony no.2 (1930, premiered 1935, published 1961) ([https://fr.wikipedia.org/wiki/Symphonie_no_2_d%27Emmanuel French Wikipedia])

=={{Cat|Enescu, George}} (1881–1955)==
* Piano Quartet No. 2, Op. 30 (1944; first perf. 1947; pub. 1968)
* Cadenza for the Brahms Violin Concerto (Salabert)

=={{Cat|Engel, Carl}} (1886-1944)==
*Three Lyrics from the German; G. Saerchinger, 1906 (voice and piano)
*We Met; W. Maxwell, 1907 (voice and piano)
*Four Lyrics by C. Fabbri; G. Schirmer, 1908 (voice and piano)
*Chansons intimes; G. Schirmer, 1910 (voice and piano)
*Two Lyrics; G. Schirmer, 1911 (no. 2: A Trout) (voice and piano)
*Deux simples chansons; Boston Music Co., 1912 (voice and piano)
*Trois sonnets; G. Schirmer, 1914 (voice and piano)
*Dawn; C. C. Birchard, 1915 (choir)
*Christmas Call; Boston Music Co., 1916 (voice and piano)
*Chant Nuptial; C. Fischer, 1917 (violin and piano)
*Perfumes; C. Fischer, 1917 (piano)
*Three Songs; C. Fischer, 1917 (voice and piano)
*Chanson frivole; G. Schirmer, 1922 (violin and piano)
*Three Poems of Amy Lowell; G. Schirmer, 1922 (nos. 2 and 3) (voice and piano)
*God Rest Our Glorious Land; C. C. Birchard, 1932 (choir)
*Lisette; Choudens, 1935 (voice and piano)
*Charms of Love; Boston Music Co., 1939 (choir)
*Presque valse; G. Schirmer, 1946 (piano)

=={{Cat|Enger, Nelly}} (1873–1951)==
* Smaa pianostykker, Op.8 (pub.1920, Norsk musikforlag)

=={{Cat|Erb, Marie Josef}} (1858–1944)==
* Suite Op.29 for orch. (Pub. Gebrüder Reinecke, 1894)
* Der Heimweg : Balletspiel in einem Aufzuge, Op.40 (Straube, 1920?)
* Gondoliera for piano (1922 or 1925, Gallet)
* Sonate über Choralthemen der katholischen Liturgie, Op.70 (Junne, 1911) ({{HMBref|1911|290}}) (Organ sonata no.1?)
* Violin sonata no.3 (pub. 1931 by Senart, per BNF)

=={{Cat|Erdmann, Eduard}} (1896–1958)==
{{WLcopy|NPD-EU}}
*Symphony No.1, Op.10 (pub. by Steingräber, 1920)
*An den Frühling for violin and piano, Op.1 (pub.1921, Ries & Erler)

=={{Cat|Erdmannsdörfer, Max}} (1848–1905)==
*Choral-orchestral (piano) works including
**Prinzessin Ilse (Seitz, 1872)
**Traumkönig und sein Lieb, Op.24 (Seitz, 1875)
**Selinde die Nixe des Spring, Op.28 (Fürstner, 1880)
**Sonnenscheinchen, Op.30 (Ries&Erler, 1882)

=={{Cat|Erdstein, Leon}} (1874–1953)==
* Capriccio, Op.18 for piano (Steingräber, 1928)

=={{Cat|Erich, Daniel}} (1649–1712)==
*Organ works

=={{Cat|Erlemann, Gustav}} (1876–1936)==
*Der junge Rhein, Op.2, self-pub.1902
*Geistergruß, Op.6, pub.1905 by Kahnt
*Lieder und Gesänge, Op.10, pub.1920?
*Die Waise. Lieder und Gesänge für eine Singstimme mit Pianoforte, Op.34 (pub.1920?).
*Missa in Es, Op.55 (pub.1935)

=={{Cat|Ernest, Gustav}} (1858–1941)==
* Richard Wagner, sein Leben und Schaffen (©1915)
* All the year round : cantata for female voices (suitable for school use), op.19 (©1892)
* Beethoven : Persönlichkeit, Leben und Schaffen. Mit fünf Bildnissen und einer Schriftprobe. (1922)
* 6 Pièces caractéristiques pour violoncelle et piano. Op.20 (1892)
* Dramatic Overture (premiered 1885; score at FLP)

=={{Cat|Ertel, Paul}} (1865–1933)==
* Sinfonie Harald (1908 at the latest)
* Quatre impressions de la Suisse, op. 27 (Leipzig: Rob. Forberg, 1913)

=={{Cat|Eschmann, Johann Carl}} (1826–1882)==
*Fantasiestücke, Op.9 (1852, Luckhardt)

=={{Cat|Espona, Manuel}} (1714–1779)==
* Sonatas for keyboard (tecla)

=={{Cat|Esposito, Michele}} (1855–1929)==
*Violin Sonata No.2 in E minor, Op.46 (1907)
*Piano Concerto No.2, Op.68 (composed 1912)

=={{Cat|Esser, Heinrich}} (1818–1872)==
*Symphony no.4 in D minor, op.44 (1854)
*String Quartet in G minor, Op.5 (1840, Simrock)
*Piano Trio in E, Op.6 (1842)
*Symphonies 1-3
*Operas (Opp.10, 15 uploaded - others?)
*Piano Sonata Op.36

=={{Cat|Ewald, Victor}} (1860–1935)==
{{WLcopy|EP}}
* Brass Quintet No.1 in b{{flat}}, Op.5 (score)
* Brass Quintet No.2 in E{{flat}}, Op.6 (score) (first pub. 1977, but uploaded with restriction)
* Brass Quintet No.3 in D{{flat}}, Op.7 (score)
* Brass Quintet No.4 in A{{flat}}, Op.8 (score)

=={{Cat|Eybler, Joseph}} (1765–1846)==
Full scores or manuscripts of:
* HV 8 \ Missa Sancti Bennonis in C minor
* HV 9 \ Missa Sancti Caroli in C minor
* HV 10 \ Missa Sancti Joannis in C minor
* HV 26 \ Missa Sancti Ferdinandi in G minor
* HV 28 \ Missa Sanctae Elisabethae in A minor
* HV 34 \ Gloria & Incarnatus for [[Missa tempore Quadragesima, MH 553 (Haydn, Michael)|Michael Haydn's Missa in D minor]] (voice parts available, a question being whether might have been an independent bc)
* HV 35 \ Kyrie ad Missam in Coena Domini in E minor
* HV 46 \ Graduale: Os justi meditabitur sapientiam in C minor
* HV 94 \ Offertory: Tremit mare in D minor
* HV 123 \ Hymn: Tristes erant apostoli in C minor
* HV 124 \ Hymn: Iste confessor in D minor
* HV 125 \ Hymn: Ecce quo modo moritur justus in F major
* HV 133 \ Laudate Dominum in A minor
* HV 134 \ Miserere in D minor
* HV 137 \ Die vier letzten Dinge
* HV 138 \ Die Hirten bei der krippe zu Bethlehem
* HV 139 \ Dich Schöpfer sanfter Harmonie
* HV 140 \ Il sacrifizio



=={{Cat|Fabritius, Ernst}} (1842–1899)==
* Violin Concerto in D minor (pub. 1923 by [[Robert Forberg]])

=={{Cat|Facius, Johann Heinrich}} (1760–1806)==
* Cello Concerto No.1
* Cello Concerto No.2
* Cello Concerto No.3
* 6 Cello Sonatas, Op.2 (1802)
* 3 Duos for 2 Cellos, Op.1 (1805)
* Double Concerto for Cello and Oboe (lost?)

=={{Cat|Fährmann, Hans}} (1860–1940)==
Note Wikipedia page - some of this composer's works may simply no longer exist (except as libraries purchased items &c... &c); his main publisher was destroyed in World War II along with all their plates.
* Piano Sonata, Op.6 (Leipzig: Klemm, 1895). @SLUB though not scanned
* Organ Sonata No.6 in G major, Op.24 (Leipzig: Junne, 1904).
* Piano Trio in B (H) major, Op.37 (Leipzig: Junne, 1907). Copy @ Austrian National Library. Copies of both trios @ SLUB.
* String Quartet in E minor, Op.41 (Leipzig: Junne, 1913)
* Piano Trio in C{{sharp}} minor Op.43 (Leipzig: Junne, 1912)
* Organ Sonata No.11 in B-flat (B) Op.63, Organ Sonata No.13 "Münster Sonata" in C Op.73, and Organ Sonata No.14 and Transcendental Fugue in G Op.78 were never published and are presumed forever lost (see above comment re publisher plates).
* 3 Ernste Lieder, Op.85 (Leipzig: Junne, 1935)

=={{Cat|Fairchild, Blair}} (1877–1933)==
* Violin Sonata, Op.16 (©1908)
* Rapsodie for piano quintet, Op.21 (©1909)
* A bel-ebat : trois tableaux symphoniques pour orchestre (©1937) (PD-CA-only) (also, 3 Pieces for piano, ©1925 - probably the same piece - don't know if orchestration is by the composer, merely published posthumously?)
* A Love Symphony (©1904)
* 6 Psalms, Op.33 (©1913)
* East and West, poem for orchestra (published 1908, Hayet)
* The rest of Op.34?
* Shah Féridoûn : tableau musical pour orchestre d'après une légende Persane, Op.39 (©1915)
* Songs from the Chinese, Éd. Durand, 1922

=={{Cat|Faisst, Clara}} (1872–1948)==
* {{LinkWork|Deutsche Suite|Op.22|Faisst|Clara|0}} - violin part needed.
* {{LinkWork|5 Lieder|Op.3|Faisst|Clara|0}} (Leipzig: F.E.C. Leuckart, 1896) - Nos.1, 2, 4 needed.
* Melodie nach einer alten Ballade, Op.5 (Gebr. Reinecke, 1900)

=={{Cat|Falconio, Placido}} (fl. 1549–1588)==
*''Introitus et Alleluia per omnes festivitates totius anni'' 1575 (supposed to be the first ''basso seguente'')
=={{Cat|Fall, Siegfried}} (1877–1943)==
* String Quartet, Op.9 (p.1919)

=={{Cat|Falla, Manuel de}} (1876–1946)==
{{WLcopy|EP}}
{{WLcopy|GEN}}
* <span style="color:crimson">Serenata, for Solo Piano (1901) – ''first publ. 1996''</span>
* <span style="color:crimson">Vals Capricho – ''first publ. 1996, under copyright worldwide''</span>
* <span style="color:crimson">Cortejo de Gnomos – ''first publ. 1996, under copyright worldwide''</span>
* <span style="color:crimson">Allegro de Concierto – ''first publ. 1986, under copyright worldwide''</span>
* <span style="color:crimson">Mazurca en Do Menor – ''first publ. 1992, under copyright worldwide''</span>

=={{Cat|Famintsyn, Aleksandr}} (1841–1896)==
* String quartet no.2 (serenade), op.7 (p.ca.1877)

=={{Cat|Fane, John}} (1784–1859)==
(See [[wikipedia:John Fane, 11th Earl of Westmorland|Wikipedia]]. Composer and patron of music. Worldcat lists 4 dozen items/musical-score "matches" under "Fane, John"; COPAC, RISM and other databases can be searched as well...)
* Symphony No.1 (in ms, premiered by Lenschow's Germania Orchestra. A reduction was published ca.1846 by Schlesinger.)
* Mass (in ms?) (is this the Missa solenne by him that was published in 1846)?
* Requiem (pub. Welsh & Hawes, ca.1824) (possibly part of {{NoComp|7 Requiems in Memory of Samuel Webbe|Various}} pub. 1826 by the same publisher...?)
* "Gran sinfonia : esprimente und battaglia nell' opera L'Eroe di Lancastro" (pub. Ricordi, 1830)
* Catherine, or the Austrian captive, an opera in three acts (ca.1830)
* Il Torneo : opera seria (published 1839 ca., Boosey)

=={{Cat|Farinelli, Giuseppe}} (1769–1836)==
* I riti d'Orfeo
* Messa in re a 4 voci
* Messa in re a 5 voci
* Messa pastorale a 4 voci
* Messa pastorale in sol a 2 voci
* Dixit in do a 2 voci
* Dixit in re a 4 voci
* Te Deum in la a 4 voci
* Te Deum in re a 2 voci
* Improperia per il venerdì santo a 4 voci
* Stabat Mater a 2 voci
* Tobias, oratorio

=={{Cat|Farjeon, Harry}} (1878–1948)==
* 3 Duets, Op.62 (for piano 4 hands) {{EM}} London: Oxford University Press, 1925

=={{Cat|Farkas, Ödön}} (1851–1912)==
Once called Edmund Farkas (Germanization)
* String Quartet in G minor (pub. {{HMBref|1905|577}}-1905- Heilbronn: Schmidt.)

=={{Cat|Farrar, Ernest Bristow}} (1885–1918)==
* Prelude and Variations on a Ground Bass
* Three Chorale Preludes
* Fantasy Prelude
* Elegy
* A Wedding Piece

=={{Cat|Farrenc, Aristide}} (1794–1865)==
* Op.17 (in Farrenc's worklist)- (Hünten, Fr.: Variations brillantes sur la Cavatine du Barbier de Rossini : Ecco ridente il Cielo, arr. p. Pfte seul p. A. Farrenc.") (published by Hofmeister, 1833)

=={{Cat|Farrenc, Léonce}} (1873–1903)==
(flourishing dates? please replace with better information when available)
* Op.42 Air de ballet pour orchestra (pub.ca.1903)
* Horace et Lydie, scène (translated from Horace, pub.1893)

=={{Cat|Farrenc, Louise}} (1804–1875)==
* Complete Piano Works (some of these published - e.g. op.7 in 1832, op.9 and op.12 in 1834, op.17 in 1836, op.21 in 1838, op.41 in ca.1858, op.42 in 1856, "La grand mère" in 1837)
* 3rd symphony (1847) ("first finale" - manuscript - at BNF. not yet scanned as of mid-12-2010.) ([http://catalogue.bnf.fr/ark:/12148/cb396854389/PUBLIC BNF]; there are, I think, 2 recorded versions of this symphony? both, I believe, use the other finale. ) (and other two symphonies?)
* Violin Sonatas (possibly not published until the 1990s?)
* Clarinet Trio Op.44
* Piano Trio Op.33
* Piano Trio op. 34
* Sextet for Piano and Winds, Op. 40
* Six Fugues for piano (unpublished), op. 22?

=={{Cat|Fasch, Johann Friedrich}} (1688–1758)==
* [[Brockes-Passion, FaWV F:1 (Fasch, Johann Friedrich)|FW F: 1 \ Passio Jesu Christi "Mich vom Stricke meiner Sünden" (Brockes-Passion) Full score/Manuscript]]
* Fwv G:e 1 \ German Mass in E minor Full Score/Manuscript
* Fwv G:g 1 \ Missa brevis in G minor Full Score/Manuscript
* [[Laetatus sum in F-sharp minor, FaWV I:L1 (Fasch, Johann Friedrich)|Fwv I:L 1 \ Laetatus sum in F sharp minor Full Score/Manuscript]]
* Fwv K:a 1 \ Suite for 2 flutes, 2 oboes & bassoon in A minor Full Score/Manuscript
* Fwv K:a 2 \ Suite for 2 oboes & 2 bassoons in A minor Full Score/Manuscript
* Fwv K:a 3 \ Suite for 2 oboes & 2 bassoons in A minor Full Score/Manuscript
* Fwv K:a 4 \ Suite for 2 oboes & bassoon in A minor Full Score/Manuscript
* Fwv K:d 3 \ Suite for chalumeau, 2 oboes & bassoon in D minor Full Score/Manuscript
* Fwv K:d 5 \ Suite for 2 oboes & bassoon in D minor Full Score/Manuscript
* Fwv K:d 6 \ Suite for 2 oboes & bassoon in D minor Full Score/Manuscript
* Fwv K:e 3 \ Suite for 2 oboes & bassoon in E minor Full Score/Manuscript
* Fwv K:g 1 \ Suite for 2 oboes & bassoon in G minor Full Score/Manuscript
* Fwv K:g 1a \ Suite for 2 flutes & bassoon in G minor Full Score/Manuscript
* Fwv K:g 2 \ Suite for 3 oboes & bassoon in G minor Full Score/Manuscript
* Fwv K:g 3 \ Suite for 2 oboes & 2 bassoons in G minor Full Score/Manuscript
* Fwv K:g 5 \ Suite for 2 oboes & bassoon in G minor Full Score/Manuscript
* Fwv K:g 7 \ Suite for 2 oboes & bassoon in G minor Full Score/Manuscript
* Concerti in minor keys not already in library

=={{Cat|Fassbaender, Peter}} (1869–1920)==
* Violin solo sonata, Op.48 (©1904, [[Hug]]. Copy at U. Calgary Library.)

=={{Cat|Fauchard, Auguste}} (1881–1957)==
{{WLcopy|NPD-EU}}
* Première Symphonie en mi pour orgue (1925)
* Deuxième Symphonie en ré pour orgue (1928-29)
* Le Mystère de Noël pour orgue, variations sur «Jesu redemptor omnium» (1940)
* Troisième Symphonie pour orgue dite «Symphonie mariale» (1941)
* Quatrième Symphonie pour orgue dite «Symphonie eucharistique», sur des thèmes grégoriens au Saint-Sacrement (1944-45)
* Messe Sainte Thérèse de l'Enfant Jésus pour choeur et orgue (1947)
* Choral pour orgue (publié en 1951)
* Choral et fugue sur Ave maris stella
* Vexilla regis pour orgue
* In memoriam pour orgue

=={{Cat|Fauré, Gabriel}} (1845–1924)==
* Barcarolle no. 10 in A Minor, op. 104, no. 2
* Chant Funéraire - Full Score, and if possible parts
* Nocturne no. 11 in F- sharp Minor, op. 104, no. 1
* Also Nocturnes nos. 1-3, 6, and 8 missing in separate editions, but present in edition of the first eight
* ''Libera Me'' from '''''Requiem''''' (Original 1877 version for Baritone and Organ) - Full Score/Manuscript

=={{Cat|Fauth, Albert}} (1870–1931)==
* Elfenreigen, Op.8 (Leuckart, 1903)
* Die zertanzten Schuhe ein Märchenspiel (nach Grimm), Op.10 (pub. 1910)

=={{Cat|Feinberg, Samuil}} (1890–1962)==
{{WLcopy|NPD-EU}}
Piano Concerto No.1, Op.20 (Full Score) <br>
(re PD-US status: Worldcat, anyway, only seems to list 3 works published in 1922 - opp. 5, 8 and 9. op.1, 2, 7, 10, 11 came out in 1923 or 1924 (as did a revised edition of op.5?). opp.13, 15 - which are not on this list, I know- listed in July 1925 HMB. worth checking HMB and scores to do a better and closer study than the cursory one I've done though, opp. 2,7,10 and 11 might still be PD-US. - Schissel

=={{Cat|Fellenberg, Gottfried von}} (1857–1924)==
* 2 String Quartets, Op.30
* String Quartet, Op.42 (all 3 in ms?)

=={{Cat|Fellenberg, Reinhold}} (1848–1912)==
* Doh ha 'meer der Rään, Karnevals-Marschlied, Op.4711 (?) Pub. 1906 by Tonger

=={{Cat|Fenney, William}} (1891–1957)==
{{WLcopy|NPD-EU}}
* Dawn, Op.16, poem for orchestra (pub.1915)
* In Shadow, Op.15, poem for small orchestra (pub.1915)
* Fieldside, Suite for piano, Op.28 (pub.1921)
* Pastoral for orchestra, Op.5 (pub.1915)
* Tragic Poem for small orchestra, Op.11 (pub.1916)

=={{Cat|Feo, Francesco}} (1691–1761)==
* Passio secundum Joannem (St. John Passion)
* Missa defunctorum (1718)
* Stabat mater
* Masses
* Andromaca, complete score

=={{Cat|Fernandez, Aires}} (fl. 1590)==
* Te lucis ante terminum
* Circundederunt me
* Alma redemptoris mater
* Benedicamus Domino
* Nunc dimittis
* Posuerunt super caput

=={{Cat|Fernström, John}} (1897–1961)==
{{WLcopy|NPD-EU}}
* String quartet no. 3, op.23 (pub.1944??)
* Chaconne for cello and piano, op.31 (©1940)

=={{Cat|Ferrandini, Giovanni Battista}} (1710–1791)==
* Cantatas for Passion
* Op. 25 Sinfonias

=={{Cat|Ferrari, Carlota}} (1837–1907)==
*Messa da Requiem
*Ave Maria in chiave del sol (with piano)
*Operas

=={{Cat|Ferretti, Vincenzo Cesare}} (fl1790-1801)==
please improve dates
*L'endimione. Opera (in ms. Dedicated to Napoléon Bonaparte.) 1801.

=={{Cat|Ferroni, Vincenzo}} (1858–1934)==
*Rhapsodie espagnole p. Orchestra, Op.8 (pub.1895 by Oertel, Hanover) (exists at least in a 1918 Schirmer edition "Spanish Rhapsody" edited? by Otto Langey (1851–1922))
*Fieramosca : dramma lirico in tre att (pub.ca.1904) (librettist Massimo d'Azeglio - 1798–1866))
*Ouv. "Ariosto" for orchestra, Op.7. (Pub. Oertel, 1903. May have been published earlier, perhaps noted in Italian magazines- not in HMB?)

=={{Cat|Fesca, Alexander}} (1820–1849)==
*Das Buch der Lieder (Ein Lieder-Album ohne Worte), Op.56. 18 pieces for piano. (Hamburg: Schuberth & Co., 1848, 1853)

=={{Cat|Fesca, Friedrich Ernst}} (1789–1826)==
*Symphonies (no.3 has been digitized @ Karlsruhe)
*Cantemire (libretto- text by {{LinkName|Alexander von|Dusch I}} - has been scanned by SLUB, but opera is lacking online?...)

=={{Cat|Fesch, Willem de}} (1678–1761)==
*Op.6, Sonaten für Soloinstrument und B.c. (1730)

=={{Cat|Fétis, François-Joseph}} (1784–1871)==
*Fétis edition of some CPE Bach piano works (pub.ca.1850 by Schonenberger)
*Concerto in B minor for Flute and Orchestra (1869); full score / piano reduction
*Symphonies (have been digitized)
*Fantasie for organ and orchestra (1866) (see [https://ru.wikipedia.org/wiki/Симфоническая_фантазия_для_органа_с_оркестром Wikipedia (Russian)] )

=={{Cat|Fiala, Joseph}} (1748–1816)==
*Divertimento for Keyed Trumpet and Orchestra

=={{Cat|Fibich, Zdeněk}} (1850–1900)==
* Symphony No.1 in F, Op.17 (Urbanek, 1883) (full score & orchestral part scores)
* Symphony No.2 in {{K|Eb}}, Op.38 (Urbanek, 1893; full score 1911 (available at 35 libraries or so) - used as the basis of MPH's 2004 reprint. Would be nice to have this well-known work in score?) (full score & orchestral part scores)
* Symphony No. 3 in {{K|e}}, Op.53 (1898. Urbanek, 1904 in reduction, possibly not published in full score until 1955? 1958?) (full score & orchestral part scores)
* Christmas Day, Op.9
* Le printemps, Op.1, for piano solo
* Vesna (Spring), Op.13, for orchestra (full score & orchestral part scores)
* <s>Othello, Op.6, for orchestra</s> - {{LinkWork|Othello|Op.6|Fibich|Zdeněk|0}} (orchestral part scores)
* Zaboj, Slavoj a Luděk, Op.37, for orchestra (orchestral part scores) (full score & orchestral part scores)
* Bouře (The Tempest), Op.46, for orchestra (symphonic poem, F minor.) (full score & orchestral part scores)
* Toman a lesní panna (Toman and the Wood Nymph), Op.49, for orchestra (full score & orchestral part scores)
* Oldřich a Božena, Concert Overture for Orchestra, Op.52 - ''full score needed''

=={{Cat|Fiedler, Max}} (1859–1939)==
* Cello Sonata (in E-flat?), Op.12 (pub.1930, Ries & Erler)

=={{Cat|Field, John}} (1782–1837)==
* Rondo in A-Flat Major, H. 18: preferably for solo piano only (which is in Miceal O'Rourke's album ''Field: Works for Piano''), but piano and orchestra is also good.

=={{Cat|Fiévet, Claude}} (1865–1938)==
* Méditation, for string quintet (published 1904 by Gallet)

=={{Cat|Filke, Max}} (1855–1911)==
*Mariengruss for soprano, women's chorus, violin, harmonium (or organ) (ad lib.), cello and bass, Op.114. Bohm&Söhn, 1911 or 1912
*Missa "Stella Maris" in D minor, Op.133. Bohm & Söhn, 1911.

=={{Cat|Finger, Gottfried}} (ca.1660–1730)==
* Fugue for 2 flutes

=={{Cat|Fink, Christian}} (1831–1911)==
* 7? Organ sonatas (numbering is confusing. op.83 "no.5"? from 1898. Others may be from 1901-1911 of course, bears research.) (we have nos. 1 & 3.)
** Eg organ sonata no.4, Op.55, Zumsteeg 1889.
* Motette No. 2: „Herzlich lieb hab’ ich dich Herr“. f. vierstimm. Männerchor m. Org., Op.34. Leipzig: Licht, 1888.
* Piano Sonata No.1 in A, Op.11 & No.2 in E-flat, Op.21

=={{Cat|Fink, Hans}} (1859–1905)==
* Rausche, rausche, froher Bach. Chorus Op.8 for women's voices (Robitschek, ca.1907) (uploaded 30.5.2025)
* Silhouetten for cello and piano, Op.3. Wetzler, 1886/1887 (2 volumes)
* Romanze für Pianoforte, Op.5. Rebay & Robitschek, 1889.

=={{Cat|Finke, Fidelio Friedrich}} (1891–1968)==
{{WLcopy|NPD-EU}}
* Schauspiel-Ouvertüre (premiered? 1920) (?. NZM 1920 p324. maybe published later though.)
* Gesichte: 7 Klaviermusiken for piano (pub. 1921)
* Klaviermusiken fur Kinder for piano (pub. 1921)
* Marionetten-Musiken for piano (pub.1922)
* 10 Kinderstucke for piano (pub. 1927)
* Sonata for flute and piano (pub. 1931)
* 3 Lieder after R. M. Rilke for voice and piano (pub. 1931)
* 3 Lieder after Carl Bayer for voice and piano (pub. 1931)
* 3 Early Lieder for voice and piano (pub. 1931)
* Piano Trio (pub. 1933)
* Lehrer und Schuler for piano 4 hands (pub. 1935)
* Die Jakobsfahrt, opera (vocal score pub. 1936)
* Egerlander Strausslein for piano (pub. 1939)
* Sudetendeutsche Volkslieder for voice and piano (pub. 1940)
* 19 Kleine Klavierstucke for piano (pub. 1940)
* 7 Chorale Preludes for organ (pub. 1940)
* Sonata for horn and piano (pub. 1946)
* Schein und Schein for alto voice and piano (pub. 1948)
* Sonata for clarinet and piano (pub. 1951)
* Weihnachtskantilene for women's choir and instrumental ensemble (pub. 1951)
* Klavierstucke nach Slawischen Volksliedern for piano (pub. 1952)
* Capriccio uber ein polnisches Volkslied for piano and orchestra (pub. 1953)
* Suite No.3 for orchestra (pub. 1953)
* Das Gottliche for choir (pub. 1953)
* Chor der Toten for choir (pub. 1953)
* Freiheit und Friede for choir (pub. 1953)
* Bauernballade die Erde war uns eine Last (pub. 1953)
* Suite No.6 for Orchestra (pub. 1958, Verlag Neue Musik, Berlin)

=={{Cat|Fischer, Carl August}} (1828–1892)==

=={{Cat|Fischer, Johann Caspar Ferdinand}} (1665–1746)==
* Harpsichord Suites
* Musicalisches Blumen-Strauss (vor 1736)
* Musikalischer Parnassus (ca. 1738) (is this the same work we have, pub.ca.1700?)
* Psalm 126

=={{Cat|Fischer, Louise Daggett}} (1872–1959)==
{{WLcopy|NPD-EU}}
* Reverie, for string quintet (self-published, registered, ©1930)

=={{Cat|Fischer, Michael Gotthard}} (1773–1829)==
* Complete organ works („Classische Orgelcompositionen zum Studium und zum Gebrauche beim öffentlichen Gottesdienste. Neue correcte Gesammtausgabe“ (9 Hefte), Gesamtausgabe der Orgelwerke, Musikalienhandlung von Körner, Erfurt), after 1840
* Piano Duet Sonata, Op.12 (published 1809 (announced October 1809 Intelligenz-Blatt, AMZ, 18 Oct. 1809) by Breitkopf&H.)
*48 kleine Orgelstücke Op.13 (source of our “Allegro in D” and perhaps other standalone works)

=={{Cat|Fitelberg, Grzegorz}} (1879–1953)==
* Piano Trio Op.10 in F minor, pub.1903
* Prelude for piano and Lied for voice and piano, Op.10 (pub.1906 by Stahl)

=={{Cat|Fitelberg, Jerzy}} (1903–1951)==

(son of Grzegorz)
* String Quartet No.2 / Concerto for String Orchestra (1928, pub.1931)
* Quintet for winds and trombone (pub.1931)
* Violin Concerto No.1 (1928, pub.1931?)
* Violin Concerto No.2 (1935, pub.1938/39)
* Piano Sonata No.1 (pub.1933)
* Nocturne for Orchestra (4/1945; premiered 3/28/1946, New York; published 1950)
* Piano Concertos (1928, 1931 (1934/50?, pub.1950))
* String Quartets 3-4, 6 (in ms only? 1935-6, 1936, 1945, 1950)

=={{Cat|Fitzenhagen, Wilhelm}} (1848–1890)==
*String Quartet in D-minor, Op. 23 (Full score and parts)
*3 Pieces for Cello Quartet and Piano, Op.38
*Die Spinnerin (Spinnlied) No.2 for 4 Cellos, Op.59
*Sarabande by J.S.Bach for 4 Cellos, Op.64
* Dämon-Fantasie über Motive aus Rubinsteins Oper "Der Dämon" für Violoncello solo mit Begleitung des Pianoforte op. 34 (Leipzig, Bartholf Senff)

=={{Cat|Flackton, William}} (1709–1798)==
* Overtures, Op.3 (pub.1771)

=={{Cat|Flament, Édouard}} (1880–1958)==
{{WLcopy|NPD-EU}}
* 1st Cello Sonata in G minor, Op.14 (1903, pub.1915? by C.Selva)
* 3 Mélodrames for small orch. (pub.1919 or so)
* Elegie pour orchestra (Evette & Schaeffer, [1920])
* Fantaisie pour basson, violon & violoncelle, Op.54 (©1922)

=={{Cat|Flaxland, Gustave-Alexandre}} (1821–1895)==
* 10 Piano Pieces (pub.ca.1884)
* Rêverie for violin or cello & piano (pub.1895/6, [[E. Baudoux]])

=={{Cat|Flégier, Ange}} (1846–1927)==
* Prélude & danse for violin and piano (pub.1873, [[Durand]])

=={{Cat|Flesch, Carl}} (1873–1944)==

=={{Cat|Flor, Christian}} (1626–1697)==
* Passion Oratorio 1667
* any Cantatas
* any Keyboard works

=={{Cat|Floridia, Pietro}} (1860–1932)==
*

=={{Cat|Florio, Caryl}} (1843–1920)==
* Symphony No.1 in G (manuscript, 1887-09, at Free Library Philh. & NYPL.)
* Symphony No.2 in C minor (manuscript, 1887-12. Arrangement of Quartet No.1.)
* Piano Concerto in A{{flat}} (1875/1915)
* String Quartet No.1 in C minor (1877)
* String Quartets 2 in F, 3 in D

=={{Cat|Flügel, Ernst}} (1844–1912)==
*Cello Sonata, Op.41

=={{Cat|Flügel, Gustav}} (1812–1900)==
* Organ works including Organ sonata Op.83 in E (pub.1881)
* Collections of op. 72 (Präludienbuch), only parts are currently available online
* Piano Sonata No.2 in B minor, Op.7 (first pub.1846, soon republished in a new edition, seems lost?)~
* Sonatine No.7, Op.54 in C (pub.1859)

=={{Cat|Flury, Richard}} (1896–1967)==
{{WLcopy|NPD-EU}}
*Piano sonata in D minor, op.7 (Zürich : Kommissions-Verlag Musikhaus Hüni, [1921])
*String Quartet No.1 in (F major/) D minor (1926, parts published in 1928 by Hug ({{HMBref|1928|198}} parts, HMB page 241 score.))

=={{Cat|Foch, Dirk}} (1886–1973)==
{{WLcopy|NPD-CA}}
Son of statesman Dirk Fock Sr.
* 3 Bagatelles, Op.3 (published 1913, dedicated to Ferruccio Busoni)
* 2 bagatelles for violin and piano: Le rêve (in {{K|Gb}}) and aria espansiva (plates 29922-3, pub. 1920, Schirmer. Le rêve downloadable from Google.)

=={{Cat|Fodor, Carel Anton}} (1768–1846)==
* Piano Sonata in F sharp major, Op.2 No.2, ed. J.J Hummel, 1793 (we have a different edition)
* Piano Sonata in F sharp major, Op.2 No.2. Scan of the cover of the Longman & Broderip edition we have
* Piano Sonatas Op.2 No.1 and 3.

=={{Cat|Foerster, Adolph Martin}} (1854–1927)==
* {{LinkWork|Thusnelda|Op.10|Foerster|Adolph Martin|0}} {{EM}} full score needed
* {{LinkWork|String Quartet No.1|Op.33|Foerster|Adolph Martin|0}} {{EM}} modern typeset needed
* {{LinkWork|Symphonic Ode to Byron|Op.35|Foerster|Adolph Martin|0}} {{EM}} modern typeset needed
* {{LinkWork|Suite|Op.36|Foerster|Adolph Martin|0}} {{EM}} second movement needed
* {{LinkWork|2 Cavatinas|Op.39|Foerster|Adolph Martin|0}} {{EM}} no.2 needed
* {{LinkWork|Piano Quartet No.2|Op.40|Foerster|Adolph Martin|0}} {{EM}} modern typeset needed
* Suite No.2, Op.47 (New York: Carl Fischer, 1915)
* {{LinkWork|Prelude to Goethe's 'Faust'|Op.48|Foerster|Adolph Martin|0}} {{EM}} viola part needed
* {{LinkWork|Violin Concerto|Op.52|Foerster|Adolph Martin|0}} {{EM}} modern typeset needed
* {{LinkWork|At Twilight|Op.59|Foerster|Adolph Martin|0}} {{EM}} modern typeset needed
* {{LinkWork|Suite|Op.79|Foerster|Adolph Martin|0}} {{EM}} modern typeset needed
* {{LinkWork|Love Visions|Op.80|Foerster|Adolph Martin|0}} {{EM}} horn 1 part needed
* {{LinkWork|American Ode|Op.81|Foerster|Adolph Martin|0}} {{EM}} trumpet 1, trombone 2, bass drum/cymbals parts needed
* {{LinkWork|Lyric Suite|Op.82|Foerster|Adolph Martin|0}} {{EM}} modern typeset needed
* {{LinkWork|The Enchanter's Dream|Op.85|Foerster|Adolph Martin|0}} {{EM}} engraved score and parts
* {{LinkWork|A Legend|Op.86|Foerster|Adolph Martin|0}} {{EM}} modern typeset needed

=={{Cat|Foerster, Josef}} (1833–1907)==
* 2 slavnostní předehry pro varhany, op. 16 = Fest-Vorspiele für die Orgel (Veit, 1860)

=={{Cat|Foerster, Josef Bohuslav}} (1859–1951)==
* String Quartet No.1, Op.15 (p.1898, Junne ; 1899, Eulenburg)
* String Quartet No.2 in D, Op.39 (1894; Edition Sádlo, Praha, 1927. @ NYPL?)
* Ballata for violin and orchestra, Op.92 (published 1917, UE)
* Meine Jugend. Symphonisches Stimmungsbild für Orchester, Op.44 (published 1910, UE)
* Trio III : a-moll, pro klavír, housle a violoncello, Op.105 (published 1929 Hudebni, though one Worldcat listing has 1923??)
* Symphony No.2 (1892-3), Op.29 (reduction published by Hudeb. ©1922)
* Symphony No.3, Op.36, cop. 1921 (Praze: Foersterova Společnost/Melantrich)
* Symphony No.5, Op.141 (1929) (Foerstrova Společnost, Prag, ©1943 ; also Melantrich)
* Was his first symphony (Op.9, 1887-88) published before 1980 or so - or at all? (Unpublished during his lifetime so by 1951)
* Fantasia in C for organ, Op.14 (published 1903 by Beyer & Söhne)

=={{Cat|Fogg, Eric}} (1903-1939)==
*Some One To Love, op. 33; Hopwood, 1919 (voice and piano)
*4 Pieces, op. 44; Bosworth, 1920 (piano duet)
*Phantasy, op. 48; Bosworth, 1920 (cello and piano)
*Piano Album; Bosworth, 1920
*Sea-Sheen, op. 17; Hopwood, 1920 (piano)
*A Faded Violet; Curwen, 1921 (choir)
*The Little Folk, op. 34; Bosworth, 1921 (voice and piano)
*Song of Prosperine; Curwen, 1921
*Songs of Love and Life; Elkin, 1921 (voice and piano)
*A Summer Song; Curwen, 1921 (voice and piano)
*Arabesque; Murdoch, 1922 (piano)
*The Centipede; Curwen, 1922 (choir)
*Dawn-Song; Elkin, 1922 (voice and piano)
*The Isle; Novello, 1922 (choir)
*To Blossoms; Curwen, 1922 (choir)
*When Passion's Trance is Overpast; Elkin, 1922 (voice and piano)
*Caprice; Elkin, 1923 (violin and piano)
*The Dove; Elkin, 1924 (voice and piano)
*Evening; Elkin, 1924 (voice and piano)
*A Happy Blossom; Stainer & Bell, 1924 (choir)
*Tomorrow; Curwen, 1924 (voice and piano)
*A Widow Bird; Curwen, 1924 (voice and piano)
*The Devon Maid; Curwen, 1925 (voice and piano)
*The Empty House; Elkin, 1925 (voice and piano)
*Hunting Song of the Seeonee Pack; Elkin, 1925 (voice and piano)
*Quartet in A-Flat; Elkin, 1925 (string quartet)
*Two Songs of William Blake; Elkin, 1925 (voice and piano)
*Meg Merrilies; Elkin, 1926 (choir)
*The Hillside; Elkin, 1927 (voices and orchestra)
*Spindrift; Elkin, 1927 (voice and piano)
*Spring; Elkin, 1927 (choir)
*If I Had But Two Little Wings; Stockwell, 1928 (voice and piano)
*In Service; Elkin, 1929 (voice and piano)
*Peace; Elkin, 1929 (song transcribed for cello and piano by Cecil Sharpe)
*The Grizzle Grumble; Forsythe Bros., 1930 (voice and piano)
*The Seasons; Elkin, 1931 (choir and orchestra)
*3 Traditional North-Country Songs; Elkin, 1931 (voice and piano)
*Lullaby; Elkin, 1934 (voice and piano)
*Youth; Peter Maurice, 1934 (voice and piano)
*Bassoon Concerto; Elkin, 1949 (bassoon and orchestra/bassoon and piano)
*Ode to a Nightingale; Elkin, 1949 (voice, string quartet and harp)

=={{Cat|Foote, Arthur}} (1853-1937)==
* A Night Piece for Flute and Strings (1922)
* The Wreck of the Hesperus, op. 17 (Boston: Arthur Schmidt, 1888) -- copies at U Chicago, U Illinois - Urbana/Champaign, U Michigan, Carnegie Library (Pittsburgh), Carnegie Mellon U, Westminster Choir College
* 3 Clavierstücke, Op.21, for piano 4 hands (Boston: A.P. Schmidt, 1891); piece titles are: Air, Intermezzo, Gavotte

=={{Cat|Forchhammer, Theophil}} (1847–1923)==
* Organ works

=={{Cat|Forgues, Émile}} (1823–1883)==
*'''Les Pathétiques''': 12 grandes études de concert, for pf., (Paris: Flaxland, 1862?). Containing Opp. 10-21.<br />
**''This work is available from the Research Division at New York Public Library:''<br />Call number:'' <small>*MYD | Forgues, Emile, 1823 | [Les pathetiques] Les Pathetiques: 12 Grandes etudes de concert</small>.'']''<br />

*'''Fantaisie sur le Stabat de Rossini''', for pf., (Paris: E. Troupenas, 1844)

=={{Cat|Forino, Luigi}} (1868–1936)==
* 4 Preghiere (Prayers) for 4 cellos, op.27 - (note: does opus 27 contain all 4 or just no. 3 which [[Preghiere No.3, Op.27 (Forino, Luigi)|is here]]? a worldcat.org search for scores by Forino detects only no.3 but that could mean anything. - Schissel ''Answer to Schlissel'note'': surely opus 27 contains 4 "Preghiere", as the line under the composer's name on the score reads "Op.27 N.3" which I'm sure means that it is the third piece of opus 27 considered as a whole of four pieces; if you were right, the line would have instead read "N.3, Op.27", or "Op.27 (N.3)". - Ashaam) (answer in the composer's category page - Schissel)

=={{Cat|Forneret, Xavier}} (1809–1884)==
(See [[wikipedia:Xavier Forneret|Wikipedia]])
*Pluie, valse (violin & piano) (pub.1873)
*La musette, duo (violin & piano) (pub.1872)

=={{Cat|Fornerod, Aloÿs}} (1890–1965)==
{{WLcopy|NPD-EU}}
* 3 Motets, Op.2 (pub.1920)
* Violin Sonata in B, Op.11 (pub.1926) (@ Sibley but restricted for some time)
* Concert pour deux violons et piano, Op.16 (ca.1942)
* Cello Sonata, Op.24 (ca.1950)

=={{Cat|Foroni, Jacopo}} (1825–1858)==
*Margherita, melodramma semiserio in due atti. (Paris: Chabal, 1849.)

=={{Cat|Förster, Alban}} (1849–1916)==
* Symphony in E (pub.1888/89, Richter & Hopf; 1899, Lehne. Copy at Schlossmuseum, Sondershausen, elsewhere, NYPL offsite...)
* Piano Trios (in C, G and A (the last in autograph, the first two published)) - in C Op.61 we have? No.2 Op.172 is in D, no.3 is as noted unpublished. No.5 in F we do have.
* Trio No.4 in light style in F, Op.174 (pub.1906)
* Concert overture Frühlingsklänge Op.80 (ÖNB has a copy)

=={{Cat|Forster, Josef}} (1838–1917)==
* Die Rose von Pontevedra; Oper in einem Akt (Wien: Berté, 1893)

=={{Cat|Förster, Kaspar}} (1616–1673)==
* 3 Oratorios
* 35 Sacred Concertos (Cantatas)
* Sonata a 7

=={{Cat|Forsyth, Cecil}} (1870–1941)==
* Viola Concerto in G Minor: Score, orchestral parts and/or piano reduction. A set with the orchestral material can be found in the Fleisher Collection at the Free Library of Philadelphia (http://know.freelibrary.org/), should anyone in the vicinity be kindly able to scan it. -- we have part of this now, increasingly..
* Kubla Khan. Cantata for men's voices, unaccompanied, the words selected from Coleridge's poem (©1913?)
*The luck of Eden Hall (choral ballad. ©1922) (also set by Robert Schumann)

=={{Cat|Förtsch, Johann Philipp}} (1652–1732)==
* Sacred Concertos
* 32 Canons on Christ, der du bist der helle Tag, 1680
* Canon perpetuus a 4 on the same chorale
* Counterpoint studies
* Triple fugue
* Musicalischer Compositions Tractat
* Von den dreyfachen Contrapunkten

=={{Cat|Foulds, John}} (1880–1939)==
{{WLcopy|EP}}
*Sonata for Cello and Piano, Op. 6
*Lento e Scherzetto for cello and orchestra, Op. 12
*Cello Concerto in G major, Op. 17
*Two Concert Pieces for Cello and Piano, Op. 25
*Badinage for Orchestra

=={{Cat|Fouqué, Friedrich}} (1874–1944)==
* Violin Sonata in B minor, Op.18 ("UA" (according to NZM p.263, 1941) in Greiz. pub. maybe 1930s?)
* Piano Trio in E-flat, Op.38 (Wolfenbüttel : Verlag für Musikalische Kultur und Wissenschaft, 1938)
* String Trio, Op.10 (Wolfenbüttel : Verlag für musikalische Kultur und Wissenschaft, 1937)
* String Quintet, Op.31 (Berlin : Afa-Verlag, [1932])
* Piano Trio, Op.5 (Wolfenbüttel : Verlag für musikalische Kultur und Wissenschaft, 1934)

=={{Cat|Fowler-Judd, Alice}} (1873–1940)==
*Cinderella-A Fairy Tale (Century Music Publishing)
*In the Month of Roses (Century Music Publishing, 1913)
*The World Requiem: Vocal and Full Score

=={{Cat|Fowles, Leonard Nowell}} (1870–1939)==
*A memory, for violin and piano or for organ (pub.1913/1917)
*2 Viola Sonatas (No.2 premiered Dec.1896, London, Hobday (viola)/Fowles (piano). Ms if not lost?)
*2 sketches for the organ (pub.1914)

=={{Cat|Franchomme, Auguste}} (1808–1884)==
* [[ 3_Nocturnes%2C_Op.15_(Franchomme%2C_Auguste)| Nocturnes Opus 15 for two cellos (or solo cello with accompaniment of a second cello?)]]
* Morceau de Concert sur des Motifs de Chopin op. 42 (posth.) for Cello and piano (or orchestra)
* Fantaisie sur Don Giovanni de Mozart op. 44 (posth.) for Cello and piano (or orchestra)
* Caprice sur des Airs Écossais op. 46 (posth.) for Cello and piano
* Hommage à Mr. George Onslow. Fantaisie sur des Motifs des Quintettes de G. Onslow pour violoncelle avec accompagnement de orchestre ou de pianoforte op. 28
* Grande valse. Morceau de concert pour violoncelle avec accompagnement d'orchestre ou de pianoforte op. 34
* Fantaisie sur une Mélodie de Schubert pour violoncelle avec accompagnement de quatuor ou de pianoforte op. 39

=={{Cat|Franck, César}} (1822–1890)==
* Quae est ista FWV63 (we have arrangement)
* Messe Solennelle FWV59
* Piano duet arrangement (Hamelle) of [[String Quartet (Franck, César)|String Quartet]]
* Les djinns (full score)
* Ce qu´on entend sur la montagne

=={{Cat|Franck, Eduard}} (1817–1893)==
* Cello sonata op.6 (Stern, 1846)
* Piano Trio op.11 (Guttentag, 1848)
* Piano concerto in D minor op.13 (Guttentag, 1850) (new edition (urtext) issued 2013, accessible for browsing online)
* String quintet op.15 in E minor (Bote & Bock, 1850)
* Fantaisie for orchestra, op.16 (Schlesinger, 1851)
* Piano trio no.1 in E{{flat}} op.22 (Schloss, 1860)
* Symphony no.1 op.47 in A (Trautwein, 1860?, pub.1882)
* Symphony no.2 op.52 in B{{flat}} (composed 1883?, poss. unpublished)
* String Quintet no.2 op.51 in C (pub.1897, Lienau)
* String Quartet No.2 in E-flat
* String Quartet no.3 op.55 in C minor (pub.1899, Lienau)
* Violin concerto no.2 op.57 ( poss. unpublished)
* Piano trio op.58 in D (pub.1898, Lienau) (plate 8094)

=={{Cat|Franck, Joseph}} (1825–1891)==
* Concerto No.2, Op.41 (published 1861 or earlier by Richault)
* Choix de 8 Motets av. Orgue et Quatuor, Op.1. Aachen: Hensen, 1852.

=={{Cat|Franck, Melchior}} (1579–1639)==
(ca.1579)
* Deutsche Evangeliensprüche für das Kirchenjahr : 1623 ; für gemischten Chor ; Auswahl aus der Gesamtausgabe (Bärenreiter, 1937)

=={{Cat|Franck, Richard}} (1858–1938)==
{{WLcopy|EP}}
* Violin sonata no.2 Op. 35
* Piano trios Op. 20, Op. 32 (Op.32 @ÖNB)
* Cello sonata Op. 36 (1903) (@ÖNB)
* Piano Concerto Op. 50 (pub.1910)
* Piano Sonata No.3, Op.51 (pub.1910?)
* Violin Concerto Op.43 (pub.1906)
* Concert-Ouverture (Wellen des Meeres und der Liebe) für grosses Orchester Op.21 (@ ÖNB)
* Liebesidyll Amor und Psyche Op.40 (@ÖNB)
* Suite for orchestra Op.30 (ditto)
* Symphonic fantasy Op.31 (ditto)
* Dramatic overture Op.37 (ditto)

=={{Cat|Franckenstein, Clemens von}} (1875–1942)==
* Festliche Musik, Op.35 (published 1913 by Kistner)
* Arabesken zu einem russischen Tanz für Klavier, Violine und Violoncell, Op.36 (published 1914)
* Variations on a theme by Meyerbeer, Op.45 (Simrock, 1925)

=={{Cat|Francmesnil, Roger de}} (1884–1921)==
* Violin sonata Op. 25 (p1911)
* Evocation symphonique

=={{Cat|Franco-Mendès, Jacques}} (1812{{EN}}1889)==
*String Quintet No.1, Op.16 in D (pub. by 1851) (Hofmeister 1851 p22) (B minor acc. to entry in Royal Dutch Library)
*String Quartet No.2 Op.31 (pub. Richault, plate 6520R, around 1841? (Worldcat)- later if the dates in the [[Richault]] table around there are right, but they really need double-checking.) (parts at Universitätsbibliothek Johann Christian Senckenberg, Openbare Bibliotheek Amsterdam , BNF, SBB (downloadable at SBB))
*String Quintets 1 & 2
*Impromptu solo (A dur?) pour violoncelle avec accompagnement de piano, Op.42 (pub.1855, Richault) (@ BNF ; SBB)
*Beoordeeling. Elégie pour le violoncelle, avec accomp. de piano, dédiée à monsieur Is. Teixeira de Mattos, Op.40 (@ KBR-BE , also Collecties NMI)
*Adagio pour quatre violoncelles, Op.48 (@ SBB)
*String Quartet No.4, Op.39 ( @ SBB, digitized)

=={{Cat|Frankel, Benjamin}} (1906–1973)==
{{WLcopy|NPD-CA}}
*String Trio No.1, Op.3 (Augener, 1948)
*Violin Solo Sonata No.1, Op.13 (published by Augener, 1946)
*String Quartet No.1, Op.14 (Augener, 1950)
*String Quartet No.2, Op.15 (Augener, 1947)
*The Aftermath Song cycle f. tenor voice, string orch., trumpet in C <interna> and timpani, Op.17 (Augener, 1949)
*String Quartet No.3, Op.18 (Augener, 1949)
*May day : a panorama : prelude for orchestra, Op.22 (Augener, 1950)
*String Quartet No.4, Op.21 (Augener, 1950)
*Violin Concerto, Op.24 (Augener, 1952)
*Pezzi pianissimi, Op.41 (Novello, ©1965)
*8 Songs, Op.32 (Novello, ©1963)
*Violin Solo Sonata No.2, Op.39 (Novello, ©1974)

=={{Cat|Franz, Robert}} (1815{{EN}}1892)==
*Psalm 117 (Lobet den Herrn) for 2 choruses, Op.19 (published by [[F. Whistling]], 1855)
* [[ 6_Ges%C3%A4nge%2C_Op.22_(Franz%2C_Robert)|6 Gesänge, Op.22 (Senff, 1855)]] uploaded

=={{Cat|Freislich, Johann Balthasar Christian}} (1687–1764)==
* ''Passio Christi'' (Brockes-Passion)
* Matthäus-Passion

=={{Cat|Freitas Branco, Luís de}} (1890–1955)==
* Violin Concerto (1916)
* Alentejo Suite No. 1 (1919)
* Alentejo Suite No. 2 (1927)
* Violin Sonata (pub. 1927?, Sassetti)
* Cello Sonata (©1927)
* String Quartet (pub. 1927)
* Earlier? violin sonata, pub. 1909/10, Pabst ({{HMBref|1910|4}}) (possibly the same sonata, could we acquire both and compare?)

=={{Cat|Frescobaldi, Girolamo}} (1583–1643)==
* ''Liber secundus diversarum modulationum singulus, binis, ternis, quaternisque vocibus'' (Rome: Andrea Fei, 1627)

=={{Cat|Frey, Emil}} (1889–1946)==
* Cello Sonata No.2 in A minor, Op.48 (Simrock, 1925)

=={{Cat|Frederick II}} (1712–1786)==
* Flute sonatas
* Flute and other Concertos
* 4 Symphonies
* Hohenfriedberger Marsch

=={{Cat|Frey, Michael}} (1787–1832)==
* Various orchestral works (some in ms at BSB)

=={{Cat|Fricke, Richard}} (1877–1957)==
{{WLcopy|NPD-EU}}
*String Quartet in F (major?), Op.1 (pub. 1906 by [[Friedrich Hofmeister]])
*Tanzidyllen for piano, Op.9 (pub. 1906 by Tanner)
*Requiem (for the German fallen) Op.61 (pub.1915, C.F.W. Siegel)
*Messe in G : für gemischten Chor [4- und 5stimmig] und Solostimmen [Sopran I und II Alt]; a cappella, Op.130 (published 1939, selbstverlag (self-published)) (PD-CA)
*Hirtenmusik, Op.91, für 2 clarinets (or oboe and English horn) and organ. Oppenheimer, 1928.

=={{Cat|Fried, Oskar}} (1871–1941)==
*Prelude and Fugue, Op.10
*Adagio & Scherzo for winds, harp and timpani, Op.2 (published 1905)
*<s>Verklärte Nacht, für Mezzosopran und Tenor mit Orchester, op.9 (pub.1904)</s> uploaded
*Hänsel und Gretel fantasy for orchestra (pub.1895)

=={{Cat|Friedländer, Arthur M.}} (1868–1928)==
* Romance pastorale for violin and piano. Schott, [1905] (HMB 1906 p.60; {{WC|497276931}} has [1905].)

=={{Cat|Fröber, Christoph Gottlieb}} (1704–1759)==
* Brockes-Passion

=={{Cat|Fröhlich, Egmont}} (1837–1924)==
* Piano Trio in E-flat major. Zumsteeg, 1863. (Parts @ SBB.)

=={{Cat|Fröhlich, Friedrich Theodor}} (1803–1836)==
* Totenfeier (1829)
* Stabat mater (dt.) (1829)
* Weihnachtskantate (1830)
* Passionskantate (1831)

=={{Cat|Frühling, Carl}} (1868–1937)==
*Sonata, op. 22, for cello and piano
*String Quartet in E-flat major, op. 25
*Piano Trio in E-flat major, op. 32
*Watteau, Ballet-Pantomime (ÖNB has a copy)
*Schlummerlied: „Schlaf’ du, mein Söhnchen, so schlafe doch ein“ (pub.1899 by Gutmann. Plate 16205?)

=={{Cat|Fuchs, Albert}} (1858–1910)==
*Piano Sonata, Op.11 (pub.1887)
*Violin Concerto, Op.25 (pub.1904 by Siegel)

=={{Cat|Füchs, Ferdinand Karl}} (1811–1848)==
(Also Ferdinand Carl Füchs, F.C. Füchs/Fuechs)
* Opera in 4 acts "Guttenberg" (overture published 1847) (Text by Prechtler. vocal score may be available is available at several libraries. Libretto scanned online. Also see {{RISMc|600112663|A-Wn OA.212}}.)
* Souvenir à Mdlle Thérèse Milanollo. Chant for violin and piano, Op.35 (pub.1844)
* Concertino p. Cor chromatique, Op.17 (pub.1843)

=={{Cat|Fuchs, Richard}} (1887–1947)==
*Tarantelle for violin and piano, Op.79 (1901) (possibly by a different Richard Fuchs?)
(Other works at [http://www.richardfuchs.org.nz/compositions.php Richard Fuchs compositions] but seem to have been published too recently?)

=={{Cat|Fuchs, Robert}} (1847–1927)==
{{WLcopy|EP}}
* Eglogue, Op.5
* New improvisations, Op.30 | uploaded partially
* Preludes Op.34
* In der Dämmerstunde, Op.38 (piano 4 hands)
* Herbstblätter, Op.43
* Miniaturen, Op.44 (piano 4 hands)
* 7 Lieder, Op.52
* Marienblumen, Op.84 (womens' choir and harp or piano)
* Nine fantasy pieces, Op.89
* String Quartet No.5 (Amont-Quartet, 1925) (may not exist, but listed in the ONB catalog. Someone want to have a look?)

=={{Cat|Fuchs, Theodor}} (1873–1953)==
* String Sextet in F major (uploaded by Sibley, pub. date ??? [Self-published and without much info. Sibley upload page gives 1900 which is their way of saying "19??". It's PD-CA and PD-EU, though, probably...)

=={{Cat|Fumagalli, Adolfo}} (1828–1856)==
In general looking for all his piano works
* École Moderne du Pianiste : recueil de 24 morceaux caracteristiques for piano, Op. 100: pieces Nos. 13-18 (pieces 19-24 where never composed).
* Le prophete : grande fantaisie de bravoure for piano, op. 43

=={{Cat|Fumagalli, Polibio}} (1830–1900)==
* Marcia Brillante, No.2 of {{NoComp|6_Marcie_originali_per_organo,_Op.80|Fumagalli,_Polibio}}

=={{Cat|Funcke, Friedrich}} (1642–1699)==
* Trostvolle Geschichte der sig- und freudenreichen Auferstehung Jesu Christi, 1665
* Die geschichte von dem selig machenden Leiden und Sterben unseres süssesten Heilands Jesu Christi (Lukas-Passion), 1683
* Litania divisa in 8 v. et Instr. in duos Choros
* 43 Melodien des Stadt-Lüneburgischen Gesangbuchs von 1686
* Janua latino-germanico ad artem Musicam, clavibus facilioribus in usum scholae, 1680

=={{Cat|Fürstenau, Anton Bernhard}} (1792–1852)==
* Flöten-schule, Op. 42 (1826)

=={{Cat|Fürstenau, Kaspar}} (1772–1819)==
* 5 Little Duets
* 4 Little Duets

=={{Cat|Furuhjelm, Erik}} (1883–1964)==
{{WLcopy|NPD-EU}}
(bio at [[wikipedia:fi:Erik Furuhjelm|Wikipedia (Finnish)]]. Sibelius' first? biographer)
* String Quintet in C minor (pub.1909)

=={{Cat|Fux, Johann Joseph}} (ca.1660–1741)==
* Any Masses (K 1-50) for Christmas, Holy Week, or in minor keys
* K 51 Requiem et Kyrie a 5
* K 52 Dies irae a 5
* K 53 Domine Jesu Christe a 5
* K 54 Libera me Domine
* K 55 Requiem
* K 56 Requiem
* K 57 Dies irae
* Any Vespers or Psalms in minor keys (K 58-114)
* Any Litanies or Completorien in minor keys (K 115-136)
* K 137-148 (Graduals)
* Any Offertories in minor keys (K 149-172)
* Any Motets in minor keys (K 173-184)
* Any hymns in minor keys (K 185-290)
* K 291 La fede sacrilega nella morte del Precursor S. Giov. Battista, Oratorium 1714
* K 292 La Donne Forte nella Madre de' Sette Maccabei, Oratorio 1715
* K 293 Il Fonte della salute, aperto dalla grazia nel Calvario, Componimento sacro 1716
* K 294 Il Trionfo della Fede. Oratorio in 2 parti 1716
* K 295 Il Disfacimento di Sisara. Oratorio a 5 1717
* K 296 Cristo nell' orto. Oratorio 1718
* K 297 Gesù Cristo negato da Pietro. Oratorio 1719
* K 298 La Cena del Signore. Oratorio in 2 Parti, L'anno 1720 1720
* K 299 Il Testamento di nostro Signor Gesù Cristo sul Calvario. Oratorio in 2 parti 1726
* K 300 La Desposizione dalla Croce di Gesù Cristo Salvator nostro. Componimento sacro per Musica al SSmo Sepolcro 1728
* Any Partitas, Sinfonias, Overtures, or Sonatas or Septet in minor keys (K 319-397)
* K 395-397 Sonatas pastorale a 3
* Gradus Ad Parnassum in English
* Oratorium Germanicum de Passione 1731
----
{{WLfooter}}

5 Goethe-Lieder (Busoni, Ferruccio)

2026-02-10T21:31:29Z

Albrights: human-readable name for external link

{{#fte:imslppage

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|Uploader=[[User:Albrights|Albrights]]
|Date Submitted=2026/2/4
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|Copyright=Public Domain
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| *****WORK INFO*****

|Work Title=Fünf Goethe-Lieder
|Alternative Title=Five Goethe lieder
|Opus/Catalogue Number=
|Key=
|Movements Header=5 songs
|Number of Movements/Sections=5 songs:
# Lied des Brander (aus „Faust“): „Es war eine Ratt im Kellernest“
# Lied des Mephistopheles (aus „Faust“): „Es war einmal ein König“
# Lied des Unmuts (aus „West-Östlicher Divan“): „Keinen Reimer wird man finden“
# Schlechter Trost: „Mitternachts weint und schluchzt ich“
# Zigeunerlied Op.55 no.2: „Im Nebelgeriesel, im tiefen Schnee“
|Average Duration=
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|Year/Date of Composition=
|Year of First Publication=1964 (as a set)
|Page Type=Collection
|Librettist={{LinkLib|Johann Wolfgang von|Goethe|1749|1832}}
|Language=German
|Piece Style=Early 20th century
|External Links={{plain|https://hfmfr.boss.bsz-bw.de/Record/(DE-627)1090091362|Freiburg University of Music Library}}
|Instrumentation=baritone, piano

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

5 Goethe-Lieder (Busoni, Ferruccio)

2026-02-10T21:28:41Z

Albrights: Supplement movement listing with catalogue numbers and one more work page link

{{#fte:imslppage

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|Date Submitted=2026/2/4
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|Alternative Title=Five Goethe lieder
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|Number of Movements/Sections=5 songs:
# Lied des Brander, BV 299 (aus „Faust“): „Es war eine Ratt im Kellernest“
# Lied des Mephistopheles,Op.49 No.2, BV 248a (aus „Faust“): „Es war einmal ein König“
# {{LinkWork|Lied des Unmuts|BV 281|Busoni|Ferruccio|0}} (aus „West-Östlicher Divan“): „Keinen Reimer wird man finden“
# Schlechter Trost, BV 298a: „Mitternachts weint und schluchzt ich“
# {{LinkWork|Zigeunerlied|Op.55 No.2, BV 295|Busoni|Ferruccio|0}}: „Im Nebelgeriesel, im tiefen Schnee“
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|Language=German
|Piece Style=Early 20th century
|External Links={{plain|https://hfmfr.boss.bsz-bw.de/Record/(DE-627)1090091362|hfmfr.boss.bsz-bw.de}}
|Instrumentation=baritone, piano

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Bunte Blätter, Op.99 (Schumann, Robert)

2026-02-06T23:39:35Z

Albrights: Related works entry also needs correcting German grammar

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|Performer Categories=Haskil, Clara=piano
|Uploader=[[User:Vangi|Vangi]]
|Date Submitted=2018/6/8
|Publisher Information=Philips, 1952.
|Copyright=Creative Commons Zero 1.0
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|Date Submitted 2=2009/12/31
|Date Submitted 3=2006/3/12
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|Copyright=Public Domain
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|Image Type=Normal Scan
|Scanner={{IArchS|robschumannswerk01schu|n5}}
|Uploader=[[User:Pnorcks|Pnorcks]]
|Date Submitted=2024/8/17
|Publisher Information={{SchumannKlavierwerkeRuthardtPeters|I||7001a}}
|Copyright=Public Domain
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|Image Type=Normal Scan
|Scanner=[https://dlib.rsl.ru/viewer/01004473710#?page=1 dlib.rsl.ru]
|Uploader=[[User:Plehanov39|Plehanov39]]
|Date Submitted=2019/2/15
|Publisher Information={{P|Edition Peters|C.F. Peters|Leipzig|n.d.(ca.1899)|||8549}}
|Copyright=Public Domain
|Thumb Filename=TN-PMLP2770-01004473710-3945.JPG
|Misc. Notes=Publication year estimated from the plate number.
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|File Name 2=SIBLEY1802.28327.7aaf-39087032302491color_cover.pdf
|File Description 1=Complete Score
|File Description 2=Color Cover
|Editor={{LinkEd|Max|Vogrich|1852|1916}}
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/28327}}
|Uploader=[[User:Afp0815|Afp0815]]
|Date Submitted=2014/7/27
|Publisher Information={{P|Schirmer|G. Schirmer|New York||1916||24894}}
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
{{#fte:imslpfile
|File Name 1=PMLP2770-HenleUrtext-1978-Schumann-Bunte-Blatter-Op.99.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Wolfgang|Boetticher|1914|2002}}<br>{{LinkEd|Walther|Lampe|1872|1964}}, ''fingerings''
|Image Type=Normal Scan
|Scanner=Pfsunmin
|Uploader=[[User:Pfsunmin|Pfsunmin]]
|Date Submitted=2026/1/7
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|Copyright=Public Domain
|Thumb Filename=HenleUrtext-1977-Schumann-Bunte-Blatter-Op.99.jpg
|Misc. Notes=600 dpi.
}}
{{#fte:imslpfile
|File Name 1=PMLP2770-Bunte_Blatter_Op_99.pdf
|File Description 1=Nos.1, 5, 7, 10
|Editor={{LinkEd|Ray|Alston||}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Raybird|Raybird]]
|Date Submitted=2021/8/6
|Publisher Information=Piano Practical Editions, 2021.
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0
|Thumb Filename=TN-PMLP2770-Bunte_Blatter_Op_99-2143.jpg
|Misc. Notes=A creative and critical new edition including changes of key and time-signatures. High quality, re-worked text for maximum clarity and improved layout.
}}
{{#fte:imslpfile
|File Name 1=PMLP2770-183422.pdf
|File Description 1=9. Novellete
|Editor=
|Image Type=Normal Scan
|Scanner={{SDL|188734}}
|Uploader=[[User:Feduol|Feduol]]
|Date Submitted=2023/5/8
|Publisher Information=''Compositionen für Pianoforte von Robert Schumann''<br>{{P|F.W. Arnold||Elberfeld|n.d.(ca.1852)|||A 333}}
|Copyright=Public Domain
|Misc. Notes={{SubmissionProject}}
}}
{{#fte:imslpfile
|File Name 1=Godowsky_APS_61_Schumann_Novelette_From_Op.99.pdf
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|Editor={{LinkEd|Leopold|Godowsky|1870|1938}}
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Mcroskell|Mcroskell]]
|Date Submitted=2007/8/2
|Publisher Information={{P|Art Publication Society||St.Louis||1915||706}}
|Copyright=Public Domain
|Misc. Notes={{MIT project}}
}}
{{#fte:imslpfile
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|File Description 1=9. Novelette
|Editor=
|Image Type=Normal Scan
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|Uploader=[[User:Feduol|Feduol]]
|Date Submitted=2020/11/26
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|Copyright=Public Domain
|Misc. Notes={{SubmissionProject}}
}}

===Arrangements and Transcriptions===
====Selections====
=====For Piano 4 hands (Kirchner)=====
{{#fte:imslpfile
|File Name 1=SIBLEY1802.6753.17668.a95b-39087011322650.pdf
|File Description 1=Marches (Nos.11-14)
|Editor=
|Arranger={{LinkArr|Theodor|Kirchner|1823|1903}}
|Image Type=Normal Scan
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|Uploader=[[User:Morel|Morel]]
|Date Submitted=2009/5/23
|Publisher Information={{P|F.W. Arnold||Elberfeld|{{HMB|1861|46}}|1861||A. 555–557}}
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}} + Op.66
}}
====Stücklein (No.1)====
=====For Guitar (Tárrega)=====
{{#fte:imslpfile
|File Name 1=PMLP2770-Tarrega_F-Schumann_op99_Feuilles_Variees.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Francisco|Tárrega|1852|1909}}
|Editor=
|Image Type=Normal Scan
|Scanner={{BDH}}
|Uploader=[[User:Stefan Apke|Stefan Apke]]
|Date Submitted=2017/10/9
|Publisher Information={{P||Vidal Llimona y Boceta|Barcelona|n.d.[1906]|1906||V.Ll. y B. 1107}}
|Copyright=Public Domain
|Misc. Notes=Biblioteca Nacional de España, MC/3763/54
}}
{{#fte:imslpfile
|File Name 1=PMLP2770-Tarrega_F-Schumann-Feuilles_variees_Op99_1+mid.pdf
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|Arranger={{LinkArr|Francisco|Tárrega|1852|1909}}
|Editor={{LinkEd|Stefan|Apke}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Stefan Apke|Stefan Apke]]
|Date Submitted=2024/11/9
|Publisher Information=Vlotho: Stefan Apke, 2024.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=
}}
====Stücklein (No.2)====
=====For Guitar (Tárrega)=====
{{addfilenum|1}}
{{crossref|{{LinkWork|Prelude No.13||Tárrega|Francisco|}}}}
His arrangement of Stücklein (No.2) is the 1st item there.
=====For Guitar (Tárrega)=====
{{#fte:imslpfile
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|Arranger={{LinkArr|Francisco|Tárrega|1852|1909}}
|Editor={{LinkEd|Stefan|Apke|1963|}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Stefan Apke|Stefan Apke]]
|Date Submitted=2024/10/13
|Publisher Information=Vlotho: Stefan Apke, 2024.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=
}}
====Albumblätter III (No.6)====
=====For Guitar (Tárrega)=====
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|Arranger={{LinkArr|Francisco|Tárrega|1852|1909}}
|Editor=
|Image Type=Normal Scan
|Scanner={{BDH}}
|Uploader=[[User:Town explorer|Town explorer]]
|Date Submitted=2023/2/14
|Publisher Information={{P||Ildefonso Alier|Madrid|n.d.(ca.1927)|||6104}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
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|File Description 1=III. Ziemlich langsam
|Arranger={{LinkArr|Francisco|Tárrega|1852|1909}}
|Editor={{LinkEd|Stefan|Apke|1963|}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Stefan Apke|Stefan Apke]]
|Date Submitted=2017/12/6
|Publisher Information=Vlotho: Stefan Apke, 2017.
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Bunte Blätter
|Alternative Title=
|Opus/Catalogue Number=Op.99
|Movements Header=14 pieces
|Number of Movements/Sections=14 pieces:
#Stücklein I
#Stücklein II
#Stücklein III
#Albumblatt I
#Albumblatt II
#Albumblatt III
#Albumblatt IV
#Albumblatt V
#Novellette
#Präludium
#Marsch
#Abendmusik
#Scherzo
#Geschwindmarsch
|Dedication=Fräulein {{Wikidata|Q75924804|Mary Potts}} zugeeignet (1827–1858)<sup>[https://www.jstor.org/stable/27669838]</sup>
|Year/Date of Composition=1836-49
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Romantic
|Related Works={{LinkWork|Variations on a Theme by Robert Schumann, Op.9||Brahms|Johannes|1}} and {{LinkWork|Variationen über ein Thema von Robert Schumann, Op.20||Schumann|Clara}} are based on the first Albumblatt (No.4)
|Instrumentation=piano
|Tags=pieces ; pf

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

5 Goethe-Lieder (Busoni, Ferruccio)

2026-02-06T11:49:04Z

Albrights: Clarifications

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
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|Misc. Notes=
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| *****WORK INFO*****

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|Alternative Title=Five Goethe lieder
|Opus/Catalogue Number=
|Key=
|Movements Header=5 lieder
|Number of Movements/Sections=5 lieder
# Lied des Brander (aus „Faust“): „Es war eine Ratt im Kellernest“
# Lied des Mephistopheles (aus „Faust“): „Es war einmal ein König“
# Lied des Unmuts (aus „West-Östlicher Divan“): „Keinen Reimer wird man finden“
# Schlechter Trost: „Mitternachts weint und schluchzt ich“
# Zigeunerlied Op.55 no.2: „Im Nebelgeriesel, im tiefen Schnee“
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1964 (as a set)
|Librettist={{LinkLib|Johann Wolfgang von|Goethe|1749|1832}}
|Language=Deutsch
|Piece Style=Early 20th century
|External Links=https://hfmfr.boss.bsz-bw.de/Record/(DE-627)1090091362
|Instrumentation=baritone, piano
|Page Type=Collection

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Fünf Goethe-Lieder (Busoni, Ferruccio)

2026-02-04T15:44:06Z

Albrights: moved Fünf Goethe-Lieder (Busoni, Ferruccio) to 5 Goethe-Lieder (Busoni, Ferruccio): policy on number in title

#REDIRECT [[5 Goethe-Lieder (Busoni, Ferruccio)]]

5 Goethe-Lieder (Busoni, Ferruccio)

2026-02-04T15:44:06Z

Albrights: moved Fünf Goethe-Lieder (Busoni, Ferruccio) to 5 Goethe-Lieder (Busoni, Ferruccio): policy on number in title

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
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|Editor=
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|Scanner=
|Uploader=[[User:Albrights|Albrights]]
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|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

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|Alternative Title=Five Goethe lieder
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|Key=
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|Number of Movements/Sections=5 lieder
# Lied des Brander (aus „Faust“): „Es war eine Ratt im Kellernest“
# Lied des Mephistopheles (aus „Faust“): „Es war einmal ein König“
# Lied des Unmuts (aus „West-Östlicher Divan“): „Keinen Reimer wird man finden“
# Schlechter Trost: „Mitternachts weint und schluchzt ich“
# Zigeunerlied Op.55 no.2: „Im Nebelgeriesel, im tiefen Schnee“
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1964
|Librettist={{LinkLib|Johann Wolfgang von|Goethe|1749|1832}}
|Language=Deutsch
|Piece Style=Early 20th century
|External Links=https://hfmfr.boss.bsz-bw.de/Record/(DE-627)1090091362
|Instrumentation=baritone, piano
|Page Type=Collection

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

5 Goethe-Lieder (Busoni, Ferruccio)

2026-02-04T15:43:07Z

Albrights: Move list of individual lieder to “Number of movements” field

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP1583606-fuenf-goethelieder--1964-wiesbaden--A4-600.pdf
|File Description 1=Complete Score (A4, 600dpi)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Albrights|Albrights]]
|Date Submitted=2026/2/4
|Publisher Information={{P|Breitkopf und Härtel||Wiesbaden|1964|||}}
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Fünf Goethe-Lieder
|Alternative Title=Five Goethe lieder
|Opus/Catalogue Number=
|Key=
|Movements Header=5 lieder
|Number of Movements/Sections=5 lieder
# Lied des Brander (aus „Faust“): „Es war eine Ratt im Kellernest“
# Lied des Mephistopheles (aus „Faust“): „Es war einmal ein König“
# Lied des Unmuts (aus „West-Östlicher Divan“): „Keinen Reimer wird man finden“
# Schlechter Trost: „Mitternachts weint und schluchzt ich“
# Zigeunerlied Op.55 no.2: „Im Nebelgeriesel, im tiefen Schnee“
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1964
|Librettist={{LinkLib|Johann Wolfgang von|Goethe|1749|1832}}
|Language=Deutsch
|Piece Style=Early 20th century
|External Links=https://hfmfr.boss.bsz-bw.de/Record/(DE-627)1090091362
|Instrumentation=baritone, piano
|Page Type=Collection

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

5 Goethe-Lieder (Busoni, Ferruccio)

2026-02-04T15:41:56Z

Albrights: Set page type to Collection

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP1583606-fuenf-goethelieder--1964-wiesbaden--A4-600.pdf
|File Description 1=Complete Score (A4, 600dpi)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Albrights|Albrights]]
|Date Submitted=2026/2/4
|Publisher Information={{P|Breitkopf und Härtel||Wiesbaden|1964|||}}
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Fünf Goethe-Lieder
|Alternative Title=Five Goethe lieder
|Opus/Catalogue Number=
|Key=
|Movements Header=5 lieder
|Number of Movements/Sections=5 lieder
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1964
|Librettist={{LinkLib|Johann Wolfgang von|Goethe|1749|1832}}
|Language=Deutsch
|Piece Style=Early 20th century
|External Links=https://hfmfr.boss.bsz-bw.de/Record/(DE-627)1090091362
|Instrumentation=baritone, piano
|Page Type=Collection

| *****COMMENTS***** =

# Lied des Brander (aus „Faust“): „Es war eine Ratt im Kellernest“
# Lied des Mephistopheles (aus „Faust“): „Es war einmal ein König“
# Lied des Unmuts (aus „West-Östlicher Divan“): „Keinen Reimer wird man finden“
# Schlechter Trost: „Mitternachts weint und schluchzt ich“
# Zigeunerlied Op.55 no.2: „Im Nebelgeriesel, im tiefen Schnee“

| *****END OF TEMPLATE***** }}

5 Goethe-Lieder (Busoni, Ferruccio)

2026-02-04T15:40:06Z

Albrights: Add missing text incipit

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP1583606-fuenf-goethelieder--1964-wiesbaden--A4-600.pdf
|File Description 1=Complete Score (A4, 600dpi)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Albrights|Albrights]]
|Date Submitted=2026/2/4
|Publisher Information={{P|Breitkopf und Härtel||Wiesbaden|1964|||}}
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Fünf Goethe-Lieder
|Alternative Title=Five Goethe lieder
|Opus/Catalogue Number=
|Key=
|Movements Header=5 lieder
|Number of Movements/Sections=5 lieder
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1964
|Librettist={{LinkLib|Johann Wolfgang von|Goethe|1749|1832}}
|Language=Deutsch
|Piece Style=Early 20th century
|External Links=https://hfmfr.boss.bsz-bw.de/Record/(DE-627)1090091362
|Instrumentation=baritone, piano

| *****COMMENTS***** =

# Lied des Brander (aus „Faust“): „Es war eine Ratt im Kellernest“
# Lied des Mephistopheles (aus „Faust“): „Es war einmal ein König“
# Lied des Unmuts (aus „West-Östlicher Divan“): „Keinen Reimer wird man finden“
# Schlechter Trost: „Mitternachts weint und schluchzt ich“
# Zigeunerlied Op.55 no.2: „Im Nebelgeriesel, im tiefen Schnee“

| *****END OF TEMPLATE***** }}

5 Goethe-Lieder (Busoni, Ferruccio)

2026-02-04T15:39:05Z

Albrights: Added 1 files to Fünf Goethe-Lieder (Busoni, Ferruccio)

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP1583606-fuenf-goethelieder--1964-wiesbaden--A4-600.pdf
|File Description 1=Complete Score (A4, 600dpi)
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Albrights|Albrights]]
|Date Submitted=2026/2/4
|Publisher Information={{P|Breitkopf und Härtel||Wiesbaden|1964|||}}
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Fünf Goethe-Lieder
|Alternative Title=Five Goethe lieder
|Opus/Catalogue Number=
|Key=
|Movements Header=5 lieder
|Number of Movements/Sections=5 lieder
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1964
|Librettist={{LinkLib|Johann Wolfgang von|Goethe|1749|1832}}
|Language=Deutsch
|Piece Style=Early 20th century
|External Links=https://hfmfr.boss.bsz-bw.de/Record/(DE-627)1090091362
|Instrumentation=baritone, piano

| *****COMMENTS***** =

# Lied des Brander (aus „Faust“): „Es war eine Ratt im Kellernest“
# Lied des Mephistopheles (aus „Faust“): „Es war einmal ein König“
# Lied des Unmuts (aus „West-Östlicher Divan“): „Keinen Reimer wird man finden“
# Schlechter Trost: „Mitternachts weint und schluchzt ich“
# Zigeunerlied (Op.55 no.2)

| *****END OF TEMPLATE***** }}

File:PMLP1583606-fuenf-goethelieder--1964-wiesbaden--A4-600.pdf

2026-02-04T15:39:04Z

Albrights:

5 Goethe-Lieder (Busoni, Ferruccio)

2026-02-04T15:38:22Z

Albrights: Create work

{{#fte:imslppage

| *****FILES***** =

| *****WORK INFO*****

|Work Title=Fünf Goethe-Lieder
|Alternative Title=Five Goethe lieder
|Opus/Catalogue Number=
|Key=
|Movements Header=5 lieder
|Number of Movements/Sections=5 lieder
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1964
|Librettist={{LinkLib|Johann Wolfgang von|Goethe|1749|1832}}
|Language=Deutsch
|Piece Style=Early 20th century
|External Links=https://hfmfr.boss.bsz-bw.de/Record/(DE-627)1090091362
|Instrumentation=baritone, piano

| *****COMMENTS***** =

# Lied des Brander (aus „Faust“): „Es war eine Ratt im Kellernest“
# Lied des Mephistopheles (aus „Faust“): „Es war einmal ein König“
# Lied des Unmuts (aus „West-Östlicher Divan“): „Keinen Reimer wird man finden“
# Schlechter Trost: „Mitternachts weint und schluchzt ich“
# Zigeunerlied (Op.55 no.2)

| *****END OF TEMPLATE***** }}

Arlecchino, Op.50, BV 270 (Busoni, Ferruccio)

2026-02-04T13:38:48Z

Albrights: fix line breaks

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
===Full Scores===
====I. Erster Satz: Arlecchino als Schalk (Arlecchino as Rogue)====
{{#fte:imslpfile
|File Name 1=PMLP87255-Busoni_BV270_Arlecchino_1_Nr1_FS.pdf
|File Name 2=PMLP87255-Busoni_BV270_Arlecchino_1_Nr2_FS.pdf
|File Name 3=PMLP87255-Busoni_BV270_Arlecchino_1_Nr3_FS.pdf
|File Description 1=1. Einleitung, Szene und Liedchen<br>(Introduzione, Scena e Canzonetta)
|File Description 2=2. Duett (Duetto)
|File Description 3=3. Terzett (Terzetto)
|Page Count 1=36 (#1–29)
|Page Count 2=17 (#30–46)
|Page Count 3=18 (#47–64)
|Editor=
|Image Type=Normal Scan
|Scanner=[[User:Konrad Stein|Konrad Stein]]
|Uploader=[[User:Rocco|Rocco]]
|Date Submitted=2009/9/22
|Publisher Information={{P|Breitkopf und Härtel||Leipzig||1918|||Part. B. 1700}}
|Copyright=Public Domain
|Misc. Notes=
}}
====II. Zweiter Satz: Arlecchino als Kriegsmann (Arlecchino as Warrior)====
{{#fte:imslpfile
|File Name 1=PMLP87255-Busoni_BV270_Arlecchino_2_Nr4_FS.pdf
|File Description 1=4. Marsch und Szene (Marcia e Scena)
|Page Count 1=9 (#65–73)
|Editor=
|Image Type=Normal Scan
|Scanner=[[User:Konrad Stein|Konrad Stein]]
|Uploader=[[User:Rocco|Rocco]]
|Date Submitted=2009/9/22
|Publisher Information={{P|Breitkopf und Härtel||Leipzig||1918|||Part. B. 1700}}
|Copyright=Public Domain
|Misc. Notes=
}}
====III. Dritter Satz: Arlecchino als Ehemann (Arlecchino as Husband)====
{{#fte:imslpfile
|File Name 1=PMLP87255-Busoni_BV270_Arlecchino_3_Nr5_FS.pdf
|File Name 2=PMLP87255-Busoni_BV270_Arlecchino_3_Nr6_FS.pdf
|File Description 1=5a. Szene und Arie (Scena e Aria)<br>5b. Kleine Arie (Arietta)
|File Description 2=6. Szene für zwei, dann für drei Personen (Scena a due, poi a tre)
|Page Count 1=13 (#74–86)
|Page Count 2=35 (#87–121)
|Editor=
|Image Type=Normal Scan
|Scanner=[[User:Konrad Stein|Konrad Stein]]
|Uploader=[[User:Rocco|Rocco]]
|Date Submitted=2009/9/22
|Publisher Information={{P|Breitkopf und Härtel||Leipzig||1918|||Part. B. 1700}}
|Copyright=Public Domain
|Misc. Notes=
}}
====IV. Vierter Satz: Arlecchino als Sieger (Arlecchino Victorious)====
{{#fte:imslpfile
|File Name 1=PMLP87255-Busoni_BV270_Arlecchino_4_Nr7a_FS.pdf
|File Name 2=PMLP87255-Busoni_BV270_Arlecchino_4_Nr7b_FS.pdf
|File Name 3=PMLP87255-Busoni_BV270_Arlecchino_4_Nr8_FS.pdf
|File Name 4=PMLP87255-Busoni_BV270_Arlecchino_4_Nr9_FS.pdf
|File Name 5=PMLP87255-Busoni_BV270_Arlecchino_4_Nr9appendix_FS.pdf
|File Description 1=7a. Szene (Scena)
|File Description 2=7b. Quartett und Melodram (Quartetto e Melodramma)
|File Description 3=8. Monolog (Monologo)
|File Description 4=9. Umzug und Schlußtanz (Processione e Danza finale)
|File Description 5=Appendix: Sung Variant of Arlecchino's Closing Speech
|Page Count 1=20 (#122–141)
|Page Count 2=28 (#142–169)
|Page Count 3=10 (#170–179)
|Page Count 4=11 (#180–190)
|Page Count 5=3 (#191–193)
|Editor=
|Image Type=Normal Scan
|Scanner=[[User:Konrad Stein|Konrad Stein]]
|Uploader=[[User:Rocco|Rocco]]
|Date Submitted=2009/9/22
|Publisher Information={{p|Breitkopf und Härtel||Leipzig||1918||Part. B. 1700}}
|Copyright=Public Domain
|Misc. Notes=
}}
===Vocal Scores===
{{#fte:imslpfile
|File Name 1=PMLP87255-PMLUS04649-Busoni_-_Arlecchino_vocalscore.pdf
|File Description 1=Complete Score
|Page Count 1=122
|Arranger={{LinkArr|Philipp|Jarnach|1892|1982}}
|Editor=
|Image Type=Normal Scan
|Scanner={{RSL}}
|Uploader=[[User:Caprotti|Caprotti]]
|Date Submitted=2011/6/13
|Publisher Information={{P|Breitkopf und Härtel||Leipzig|1917|||28147}}
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Arlecchino
|Alternative Title=Arlecchino, oder Die Fenster. Ein theatralisches Capriccio<br>Harlequin, or The Windows. A theatrical caprice
|Opus/Catalogue Number=BV 270 ; Op.50
|Key=
|Movements Header=4
|Number of Movements/Sections=4 movements
* ''Erster Satz'': Arlecchino als Schalk (Arlecchino as Rogue)
:1. Einleitung, Szene und Liedchen (Introduzione, Scena e Canzonetta)
:2. Duett (Duetto)
:3. Terzett (Terzetto)
* ''Zweiter Satz'': Arlecchino als Kriegsmann (Arlecchino as Warrior)
:4. Marsch und Szene (Marcia e Scena)
* ''Dritter Satz'': Arlecchino als Ehemann (Arlecchino as Husband)
:5a. Szene und Arie (Scena e Aria)
:5b. Kleine Arie (Arietta)
:6. Szene für zwei, dann für drei Personen (Scena a due, poi a tre)
* ''Vierter Satz'': Arlecchino als Sieger (Arlecchino Victorious)
:7a. Szene (Scena)
:7b. Quartett und Melodram (Quartetto e Melodramma)
:8. Monolog (Monologo)
:9. Umzug und Schlußtanz (Processione e Danza finale)
:Appendix: Sung Variant of Arlecchino's Closing Speech
|Average Duration=55 minutes
|Dedication={{LinkName|t=ded|Artur|Bodanzky|Arthur Bodanzky}}
|First Performance=1917-05-11
:Zürich: Stadttheater. Ferruccio Busoni (conductor)
|Year/Date of Composition=1914 (November-December); 1915 (November)-1916 (August)
|Year of First Publication=1917 {{EN}} Leipzig: [[Breitkopf & Härtel]]
|Librettist=Composer
|Language=German (some Italian)
|Piece Style=Early 20th century
|Instrumentation=voices, orchestra <span class='expandline'>
:''Cast''
::Arlecchino (narrator)<br>Ser Matteo del Sarto (baritone)<br>Abbate Cospicuo (baritone)<br>Leandro (tenor)<br>Colombina (mezzo-soprano)<br>Dottor Bombasto (bass)
:''Orchestra''
::2 flutes (both also piccolo), 2 oboes (2 also English horn),
:::2 clarinets (2 also bass clarinet in C), 2 bassoons (2 also contrabassoon)
::3 horns, 2 trumpets, 3 trombones
::timpani, 3 percussion <small>(glockenspiel, triangle, tambourine, military drum, bass drum, cymbals, tam-tam, celesta)</small>
::strings (8, 8, 6, 6, 6)
:''On-stage Instruments''
::2 trumpets, timpani </span>
|Tags=operas ; vv orch ; de ; it

| *****COMMENTS***** =

===Cast===
* Ser Matteo del Sarto, tailor-master (baritone)
* Abbate Cospicuo (baritone)
* Dottor Bombasto (bass)
* Arlecchino (speaking role)
* Leandro, cavalier (tenor)
* Annunziata, Matteo's wife (silent)
* Colombina, Arlecchino's wife (mezzo-soprano)
* Two constables (silent)

| *****END OF TEMPLATE***** }}

5 Lieder, Op.15 (Jarnach, Philipp)

2026-02-04T13:36:49Z

Albrights: clarify wording

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP744289-PMLUS00320-PJarnach_5_Lieder,_Op.15.pdf
|File Description 1=Incomplete Score (last page or pages of fifth Lied missing)
|Editor={{FE}} (reprint)
|Image Type=Normal Scan
|Scanner={{Hathi|004225764}}
|Uploader=[[User:Cypressdome|Cypressdome]]
|Date Submitted=2017/2/2
|Publisher Information={{P|Schott||Mainz||1922|ED 8914|30797}}
|Copyright=Public Domain
|Misc. Notes={{Cypsub|ca.300dpi, grayscale jpg|2730 by 3650}} Editon number probably for the later reprint. According to Worldcat, the 5 songs of Op.15 were published only ''separately'' in 1922 (and with 1922 copyrights, plates 30797 (1)-(5) it seems), then reprinted in 1999 by Schott (ED 8914).
}}

| *****WORK INFO*****

|Work Title=5 Lieder
|Alternative Title=Fünf Lieder
|Opus/Catalogue Number=Op.15
|Key=
|Movements Header=5 songs
|Number of Movements/Sections=5 songs:
#{{Lied|13561|Lied vom Meer}}
#{{Lied|22831|Ich hört ein Sichlein rauschen}} (original title: "Aus "Des Knaben Wunderhorn"")
#{{Lied|108697|Rückkehr}}
#{{Lied|7666|Der wunde Ritter}}
#{{Lied|49650|Aus einer Sturmnacht}}
|Average Duration=15 minutes
|Dedication={{Sb}}
#Ihre Königliche Hoheit die Infantin Beatriz von Spanien
#no dedication
#no dedication
#Reinhold von Warlich
#Paul E. Herzfeld
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1922 {{EN}} Mainz: [[Schott]]
|Librettist={{Sb}}
#{{LinkLib|Rainer Maria|Rilke}} (1875{{EN}}1926)
#Traditional, from the collection [[wikipedia:Des_Knaben_Wunderhorn|''Des Knaben Wunderhorn'']], published by {{LinkLib|Achim von|Arnim}} (1781-1831) and {{LinkLib|Clemens|Brentano}} (1778-1842)
#{{LinkLib|Stefan Anton|George}} (1868{{EN}}1933)
#{{LinkLib|Heinrich|Heine}} (1797–1856)
#{{LinkLib|Rainer Maria|Rilke}}
|Language=German
|Piece Style=Early 20th century
|Instrumentation=voice, piano
|Tags=lieder ; v pf ; de

| *****COMMENTS***** =
Duration from Divox recording. (Listed as 5 Gesänge on recording rather than 5 Lieder - "Lieder" only from 1999 reprint it seems, perhaps not used on original 1922 publications.)

| *****END OF TEMPLATE***** }}