IMSLP - User contributions [en]

6 Symphonies, Op.7 (Eichner, Ernst)

2022-11-06T19:29:08Z

Alsebal:

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
===Parts===
{{#fte:imslpfile
|File Name 1=PMLP399417-Eichner_6Sinfonien_op.7.pdf
|File Description 1=Complete Parts
|Editor=
|Image Type=Normal Scan
|Scanner={{BNF|12148/btv1b90831157}}
|Uploader=[[User:Notenschreiber|Notenschreiber]]
|Date Submitted=2015/6/6
|Publisher Information=Paris: Madame Bérault, n.d.
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=6 Symphonies
|Alternative Title=
|Opus/Catalogue Number=Op.7; ReiE 15,20,18,8,17,9
|Key=
|Number of Movements/Sections=6 symphonies:
# Symphony in {{K|Eb}}
# Symphony in {{K|Bb}}
# Symphony in {{K|G}}
# Symphony in {{K|d}}
# Symphony in {{K|D}}
# Symphony in {{K|Eb}}
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1773

|Librettist=
|Language=
|Piece Style=Classical
|Instrumentation=orchestra
:2 flutes/oboes, 2 horns , strings, continuo
|Tags=symphonies ; orch

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

6 Symphonies, Op.7 (Eichner, Ernst)

2022-11-06T19:28:42Z

Alsebal: Included keys of the 6 symphonies

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
===Parts===
{{#fte:imslpfile
|File Name 1=PMLP399417-Eichner_6Sinfonien_op.7.pdf
|File Description 1=Complete Parts
|Editor=
|Image Type=Normal Scan
|Scanner={{BNF|12148/btv1b90831157}}
|Uploader=[[User:Notenschreiber|Notenschreiber]]
|Date Submitted=2015/6/6
|Publisher Information=Paris: Madame Bérault, n.d.
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=6 Symphonies
|Alternative Title=
|Opus/Catalogue Number=Op.7; ReiE 15,20,18,8,17,9
|Key=
|Number of Movements/Sections=6 symphonies:
# Symphony in {{K|Eb}}
# Symphony in {{K|Bb}}
# Symphony in {{K|G}}
# Symphony in {{K|d}}
# Symphony in {{K|D}}
# Symphony in {{K|Eb}}s
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1773

|Librettist=
|Language=
|Piece Style=Classical
|Instrumentation=orchestra
:2 flutes/oboes, 2 horns , strings, continuo
|Tags=symphonies ; orch

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

3 Symphonies, Op.5 (Eichner, Ernst)

2022-11-06T19:24:01Z

Alsebal: Included keys of the 3 symphonies

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =

===Parts===
{{#fte:imslpfile
|File Name 1=PMLP552597-eichner_3_sym_op5.pdf
|File Description 1=Complete Parts
|Editor=
|Image Type=Normal Scan
|Scanner={{BNF}}
|Uploader=[[User:Fynnjamin|Fynnjamin]]
|Date Submitted=2014/9/2
|Publisher Information={{P|Berault|Madame Berault|Paris}}
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=3 Symphonies
|Alternative Title=Trois Simphonies a huit parties qui peuvent s'executer a quatre
|Opus/Catalogue Number=Op.5
|Key=
|Number of Movements/Sections=3 symphonies:
# Symphony in {{K|C}}
# Symphony in {{K|D}}
# Symphony in {{K|A}}
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Classical
|Instrumentation=orchestra (2 flutes/oboes, 2 horns, 2 violins, viola, cello/bass) or "a 4" - strings only
|Tags=symphonies ; orch ; str

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Divertimento in C major, Hob.II:14 (Haydn, Joseph)

2022-10-26T18:24:55Z

Alsebal:

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| *****AUDIO***** =

| *****FILES***** =
===Scores and Parts===
{{#fte:imslpfile
|File Name 1=PMLP201501-Haydn_Divertimento_2_Clarinets_Horns.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:IgorCello|IgorCello]]
|Date Submitted=2016/11/28
|Publisher Information={{P|Muzgiz||Leningrad||1957||1680}}
|Copyright=Public Domain
|Misc. Notes=According to the preface this is the first publication of the piece based upon the original manuscript which is located at the National Library of Russia in St. Petersburg.
}}
{{#fte:imslpfile
|File Name 1=PMLP201501-Haydn_Divertimento_Hob II 14_score.pdf
|File Name 2=PMLP201501-Haydn_Divertimento_Hob II 14_parts.pdf
|File Description 1=Complete Score
|File Description 2=Complete Parts
|Editor={{LinkEd|Howard Chandler Robbins|Landon}} (1926-2009)
|Image Type=Normal Scan
|Scanner=kalliwoda
|Uploader=[[User:Kalliwoda|Kalliwoda]]
|Date Submitted=2011/4/2
|Publisher Information="Sämtliche Werke für Blasinstumente, Vol.IV" {{DM|32|1959||D.9934}}
|Copyright=Public Domain
|Thumb Filename=TN_Haydn_Divertimento_Hob_II_14.jpg
|Misc. Notes=Notated in C.
}}

| *****WORK INFO*****

|Work Title=Divertimento in C, Hob.II:14
|Alternative Title=
|Opus/Catalogue Number={{HaydnHob|n329|II:14}}
|Key={{Key|C}}
|Movements Header=5
|Number of Movements/Sections=5 movements
#Allegro ({{K|C}})
#Menuet - Trio ({{K|C}})
#Adagio ({{K|C}})
#Menuet - Trio ({{K|C}})
#''Finale''. Presto ({{K|C}})
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=1761
|Year of First Publication=1932
|Librettist=
|Language=
|Piece Style=Classical
|External Links=
|Instrumentation=2 clarinets (C), 2 horns (C)
|Tags=divertimentos ; 2cl 2hn

| *****COMMENTS***** =

Possibly written for 6 instruments originally, of which 2 parts have been lost.
{{Divertimentos in 4 and more Parts (Haydn, Joseph)}}

| *****END OF TEMPLATE***** }}
[[Category:Haydn, Joseph|Divertimento, Hob.02.14]]

List of works by Joseph Haydn

2022-10-12T16:51:52Z

Alsebal: /* Hob.XXIII Other Sacred Works */

{{worklist|Haydn, Joseph}}
=={{IArchS1|JosephHaydnThematisch-bibliographischesWerkverzeichnis/Hoboken1-3#page/n0/mode/2up|Hoboken}}==
===Hob.I (1-108) Symphonies===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Symphony No.1 in D major, Hob.I:1 (Haydn, Joseph)|Hob.I:1]]
|
| Orchestra
| 1759
| D major
|
|-
| [[Symphony No.2 in C major, Hob.I:2 (Haydn, Joseph)|Hob.I:2]]
|
| Orchestra
| 1764
| C major
|
|-
| [[Symphony No.3 in G major, Hob.I:3 (Haydn, Joseph)|Hob.I:3]]
|
| Orchestra
| 1762
| G major
|
|-
| [[Symphony No.4 in D major, Hob.I:4 (Haydn, Joseph)|Hob.I:4]]
|
| Orchestra
| 1762
| D major
|
|-
| [[Symphony No.5 in A major, Hob.I:5 (Haydn, Joseph)|Hob.I:5]]
|
| Orchestra
| 1762
| A major
|
|-
| [[Symphony No.6 in D major, Hob.I:6 (Haydn, Joseph)|Hob.I:6]]
| Le Matin
| Orchestra
| 1761
| D major
|
|-
| [[Symphony No.7 in C major, Hob.I:7 (Haydn, Joseph)|Hob.I:7]]
| Le Midi
| Orchestra
| 1761
| C major
|
|-
| [[Symphony No.8 in G major, Hob.I:8 (Haydn, Joseph)|Hob.I:8]]
| Le Soir
| Orchestra
| 1761
| G major
|
|-
| [[Symphony No.9 in C major, Hob.I:9 (Haydn, Joseph)|Hob.I:9]]
|
| Orchestra
| 1762
| C major
|
|-
| [[Symphony No.10 in D major, Hob.I:10 (Haydn, Joseph)|Hob.I:10]]
|
| Orchestra
| 1760
| D major
|
|-
| [[Symphony No.11 in E-flat major, Hob.I:11 (Haydn, Joseph)|Hob.I:11]]
|
| Orchestra
| 1761
| E{{flat}} major
|
|-
| [[Symphony No.12 in E major, Hob.I:12 (Haydn, Joseph)|Hob.I:12]]
|
| Orchestra
| 1763
| E major
|
|-
| [[Symphony No.13 in D major, Hob.I:13 (Haydn, Joseph)|Hob.I:13]]
|
| Orchestra
| 1763
| D major
|
|-
| [[Symphony No.14 in A major, Hob.I:14 (Haydn, Joseph)|Hob.I:14]]
|
| Orchestra
| 1764
| A major
|
|-
| [[Symphony No.15 in D major, Hob.I:15 (Haydn, Joseph)|Hob.I:15]]
|
| Orchestra
| 1764
| D major
|
|-
| [[Symphony No.16 in B-flat major, Hob.I:16 (Haydn, Joseph)|Hob.I:16]]
|
| Orchestra
| 1763
| B{{flat}} major
|
|-
| [[Symphony No.17 in F major, Hob.I:17 (Haydn, Joseph)|Hob.I:17]]
|
| Orchestra
| 1760-61
| F major
|
|-
| [[Symphony No.18 in G major, Hob.I:18 (Haydn, Joseph)|Hob.I:18]]
|
| Orchestra
| 1757-59
| G major
|
|-
| [[Symphony No.19 in D major, Hob.I:19 (Haydn, Joseph)|Hob.I:19]]
|
| Orchestra
| 1759-60
| D major
|
|-
| [[Symphony No.20 in C major, Hob.I:20 (Haydn, Joseph)|Hob.I:20]]
|
| Orchestra
| 1757-63
| C major
|
|-
| [[Symphony No.21 in A major, Hob.I:21 (Haydn, Joseph)|Hob.I:21]]
|
| Orchestra
| 1764
| A major
|
|-
| [[Symphony No.22 in E-flat major, Hob.I:22 (Haydn, Joseph)|Hob.I:22]]
| The Philosopher
| Orchestra
| 1764 ; rev. 1773
| E{{flat}} major
|
|-
| [[Symphony No.23 in G major, Hob.I:23 (Haydn, Joseph)|Hob.I:23]]
|
| Orchestra
| 1764
| G major
|
|-
| [[Symphony No.24 in D major, Hob.I:24 (Haydn, Joseph)|Hob.I:24]]
|
| Orchestra
| 1764
| D major
|
|-
| [[Symphony No.25 in C major, Hob.I:25 (Haydn, Joseph)|Hob.I:25]]
|
| Orchestra
| 1760/64
| C major
|
|-
| [[Symphony No.26 in D minor, Hob.I:26 (Haydn, Joseph)|Hob.I:26]]
| Lamentatione
| Orchestra
| 1768 ca.
| D minor
|
|-
| [[Symphony No.27 in G major, Hob.I:27 (Haydn, Joseph)|Hob.I:27]]
|
| Orchestra
| 1757-60
| G major
|
|-
| [[Symphony No.28 in A major, Hob.I:28 (Haydn, Joseph)|Hob.I:28]]
|
| Orchestra
| 1765
| A major
|
|-
| [[Symphony No.29 in E major, Hob.I:29 (Haydn, Joseph)|Hob.I:29]]
|
| Orchestra
| 1765
| E major
|
|-
| [[Symphony No.30 in C major, Hob.I:30 (Haydn, Joseph)|Hob.I:30]]
| Alleluia
| Orchestra
| 1765
| C major
|
|-
| [[Symphony No.31 in D major, Hob.I:31 (Haydn, Joseph)|Hob.I:31]]
| Hornsignal
| Orchestra
| 1765
| D major
|
|-
| [[Symphony No.32 in C major, Hob.I:32 (Haydn, Joseph)|Hob.I:32]]
|
| Orchestra
| 1757-63
| C major
|
|-
| [[Symphony No.33 in C major, Hob.I:33 (Haydn, Joseph)|Hob.I:33]]
|
| Orchestra
| 1761-62
| C major
|
|-
| [[Symphony No.34 in D minor, Hob.I:34 (Haydn, Joseph)|Hob.I:34]]
|
| Orchestra
| 1765
| D minor
|
|-
| [[Symphony No.35 in B-flat major, Hob.I:35 (Haydn, Joseph)|Hob.I:35]]
|
| Orchestra
| 1767
| B{{flat}} major
|
|-
| [[Symphony No.36 in E-flat major, Hob.I:36 (Haydn, Joseph)|Hob.I:36]]
|
| Orchestra
| 1761-62
| E{{flat}} major
|
|-
| [[Symphony No.37 in C major, Hob.I:37 (Haydn, Joseph)|Hob.I:37]]
|
| Orchestra
| 1757-58
| C major
|
|-
| [[Symphony No.38 in C major, Hob.I:38 (Haydn, Joseph)|Hob.I:38]]
| The Echo
| Orchestra
| 1767
| C major
|
|-
| [[Symphony No.39 in G minor, Hob.I:39 (Haydn, Joseph)|Hob.I:39]]
| Tempesta di mare
| Orchestra
| 1765-68
| G minor
|
|-
| [[Symphony No.40 in F major, Hob.I:40 (Haydn, Joseph)|Hob.I:40]]
|
| Orchestra
| 1763
| F major
|
|-
| [[Symphony No.41 in C major, Hob.I:41 (Haydn, Joseph)|Hob.I:41]]
|
| Orchestra
| 1768
| C major
|
|-
| [[Symphony No.42 in D major, Hob.I:42 (Haydn, Joseph)|Hob.I:42]]
|
| Orchestra
| 1771
| D major
|
|-
| [[Symphony No.43 in E-flat major, Hob.I:43 (Haydn, Joseph)|Hob.I:43]]
| Mercury
| Orchestra
| 1770-71
| E{{flat}} major
|
|-
| [[Symphony No.44 in E minor, Hob.I:44 (Haydn, Joseph)|Hob.I:44]]
| Trauer
| Orchestra
| 1772
| E minor
|
|-
| [[Symphony No.45 in F-sharp minor, Hob.I:45 (Haydn, Joseph)|Hob.I:45]]
| Farewell
| Orchestra
| 1772
| F{{sharp}} minor
|
|-
| [[Symphony No.46 in B major, Hob.I:46 (Haydn, Joseph)|Hob.I:46]]
|
| Orchestra
| 1772
| B major
|
|-
| [[Symphony No.47 in G major, Hob.I:47 (Haydn, Joseph)|Hob.I:47]]
| Palindrome
| Orchestra
| 1772
| G major
|
|-
| [[Symphony No.48 in C major, Hob.I:48 (Haydn, Joseph)|Hob.I:48]]
| Maria Theresia
| Orchestra
| 1768-69
| C major
|
|-
| [[Symphony No.49 in F minor, Hob.I:49 (Haydn, Joseph)|Hob.I:49]]
| La Passione
| Orchestra
| 1768
| F minor
|
|-
| [[Symphony No.50 in C major, Hob.I:50 (Haydn, Joseph)|Hob.I:50]]
|
| Orchestra
| 1773-74
| C major
|
|-
| [[Symphony No.51 in B-flat major, Hob.I:51 (Haydn, Joseph)|Hob.I:51]]
|
| Orchestra
| 1773
| B{{flat}} major
|
|-
| [[Symphony No.52 in C minor, Hob.I:52 (Haydn, Joseph)|Hob.I:52]]
|
| Orchestra
| 1771-72
| C minor
|
|-
| [[Symphony No.53 in D major, Hob.I:53 (Haydn, Joseph)|Hob.I:53]]
| L’Impériale
| Orchestra
| 1777-79
| D major
|
|-
| [[Symphony No.54 in G major, Hob.I:54 (Haydn, Joseph)|Hob.I:54]]
|
| Orchestra
| 1774
| G major
|
|-
| [[Symphony No.55 in E-flat major, Hob.I:55 (Haydn, Joseph)|Hob.I:55]]
| Schoolmaster
| Orchestra
| 1774
| E{{flat}} major
|
|-
| [[Symphony No.56 in C major, Hob.I:56 (Haydn, Joseph)|Hob.I:56]]
|
| Orchestra
| 1774
| C major
|
|-
| [[Symphony No.57 in D major, Hob.I:57 (Haydn, Joseph)|Hob.I:57]]
|
| Orchestra
| 1774
| D major
|
|-
| [[Symphony No.58 in F major, Hob.I:58 (Haydn, Joseph)|Hob.I:58]]
|
| Orchestra
| 1767
| F major
|
|-
| [[Symphony No.59 in A major, Hob.I:59 (Haydn, Joseph)|Hob.I:59]]
| Fire
| Orchestra
| 1768
| A major
|
|-
| [[Symphony No.60 in C major, Hob.I:60 (Haydn, Joseph)|Hob.I:60]]
| Il distratto
| Orchestra
| 1774
| C major
|
|-
| [[Symphony No.61 in D major, Hob.I:61 (Haydn, Joseph)|Hob.I:61]]
|
| Orchestra
| 1776
| D major
|
|-
| [[Symphony No.62 in D major, Hob.I:62 (Haydn, Joseph)|Hob.I:62]]
|
| Orchestra
| 1780
| D major
|
|-
| [[Symphony No.63 in C major, Hob.I:63 (Haydn, Joseph)|Hob.I:63]]
| La Roxelane
| Orchestra
| 1777 ; rev. 1779
| C major
|
|-
| [[Symphony No.64 in A major, Hob.I:64 (Haydn, Joseph)|Hob.I:64]]
| Tempora mutantur
| Orchestra
| 1773-75
| A major
|
|-
| [[Symphony No.65 in A major, Hob.I:65 (Haydn, Joseph)|Hob.I:65]]
|
| Orchestra
| 1769
| A major
|
|-
| [[Symphony No.66 in B-flat major, Hob.I:66 (Haydn, Joseph)|Hob.I:66]]
|
| Orchestra
| 1774-76
| B{{flat}} major
|
|-
| [[Symphony No.67 in F major, Hob.I:67 (Haydn, Joseph)|Hob.I:67]]
|
| Orchestra
| 1774-79
| F major
|
|-
| [[Symphony No.68 in B-flat major, Hob.I:68 (Haydn, Joseph)|Hob.I:68]]
|
| Orchestra
| 1774-79
| B{{flat}} major
|
|-
| [[Symphony No.69 in C major, Hob.I:69 (Haydn, Joseph)|Hob.I:69]]
| Laudon
| Orchestra
| 1775-76
| C major
|
|-
| [[Symphony No.70 in D major, Hob.I:70 (Haydn, Joseph)|Hob.I:70]]
|
| Orchestra
| 1778-79
| D major
|
|-
| [[Symphony No.71 in B-flat major, Hob.I:71 (Haydn, Joseph)|Hob.I:71]]
|
| Orchestra
| 1779-80
| B{{flat}} major
|
|-
| [[Symphony No.72 in D major, Hob.I:72 (Haydn, Joseph)|Hob.I:72]]
|
| Orchestra
| 1763-65
| D major
|
|-
| [[Symphony No.73 in D major, Hob.I:73 (Haydn, Joseph)|Hob.I:73]]
| La Chasse
| Orchestra
| 1781-82
| D major
|
|-
| [[Symphony No.74 in E-flat major, Hob.I:74 (Haydn, Joseph)|Hob.I:74]]
|
| Orchestra
| 1780-81
| E{{flat}} major
|
|-
| [[Symphony No.75 in D major, Hob.I:75 (Haydn, Joseph)|Hob.I:75]]
|
| Orchestra
| 1779
| D major
|
|-
| [[Symphony No.76 in E-flat major, Hob.I:76 (Haydn, Joseph)|Hob.I:76]]
|
| Orchestra
| 1781-82
| E{{flat}} major
|
|-
| [[Symphony No.77 in B-flat major, Hob.I:77 (Haydn, Joseph)|Hob.I:77]]
|
| Orchestra
| 1782
| B{{flat}} major
|
|-
| [[Symphony No.78 in C minor, Hob.I:78 (Haydn, Joseph)|Hob.I:78]]
|
| Orchestra
| 1782
| C minor
|
|-
| [[Symphony No.79 in F major, Hob.I:79 (Haydn, Joseph)|Hob.I:79]]
|
| Orchestra
| 1784
| F major
|
|-
| [[Symphony No.80 in D minor, Hob.I:80 (Haydn, Joseph)|Hob.I:80]]
|
| Orchestra
| 1784
| D minor
|
|-
| [[Symphony No.81 in G major, Hob.I:81 (Haydn, Joseph)|Hob.I:81]]
|
| Orchestra
| 1784
| G major
|
|-
| [[Symphony No.82 in C major, Hob.I:82 (Haydn, Joseph)|Hob.I:82]]
| L’Ours
| Orchestra
| 1786
| C major
| Paris
|-
| [[Symphony No.83 in G minor, Hob.I:83 (Haydn, Joseph)|Hob.I:83]]
| La Poule
| Orchestra
| 1785
| G minor
| Paris
|-
| [[Symphony No.84 in E-flat major, Hob.I:84 (Haydn, Joseph)|Hob.I:84]]
|
| Orchestra
| 1786
| E{{flat}} major
| Paris
|-
| [[Symphony No.85 in B-flat major, Hob.I:85 (Haydn, Joseph)|Hob.I:85]]
| La Reine
| Orchestra
| 1785-86
| B{{flat}} major
| Paris
|-
| [[Symphony No.86 in D major, Hob.I:86 (Haydn, Joseph)|Hob.I:86]]
|
| Orchestra
| 1786
| D major
| Paris
|-
| [[Symphony No.87 in A major, Hob.I:87 (Haydn, Joseph)|Hob.I:87]]
|
| Orchestra
| 1785
| A major
| Paris
|-
| [[Symphony No.88 in G major, Hob.I:88 (Haydn, Joseph)|Hob.I:88]]
|
| Orchestra
| 1787
| G major
|
|-
| [[Symphony No.89 in F major, Hob.I:89 (Haydn, Joseph)|Hob.I:89]]
|
| Orchestra
| 1787
| F major
|
|-
| [[Symphony No.90 in C major, Hob.I:90 (Haydn, Joseph)|Hob.I:90]]
|
| Orchestra
| 1788
| C major
|
|-
| [[Symphony No.91 in E-flat major, Hob.I:91 (Haydn, Joseph)|Hob.I:91]]
|
| Orchestra
| 1788
| E{{flat}} major
|
|-
| [[Symphony No.92 in G major, Hob.I:92 (Haydn, Joseph)|Hob.I:92]]
| Oxford
| Orchestra
| 1789
| G major
|
|-
| [[Symphony No.93 in D major, Hob.I:93 (Haydn, Joseph)|Hob.I:93]]
|
| Orchestra
| 1791
| D major
| London No.2
|-
| [[Symphony No.94 in G major, Hob.I:94 (Haydn, Joseph)|Hob.I:94]]
| Surprise
| Orchestra
| 1791
| G major
| London No.3
|-
| [[Symphony No.95 in C minor, Hob.I:95 (Haydn, Joseph)|Hob.I:95]]
|
| Orchestra
| 1791
| C minor
| London No.5
|-
| [[Symphony No.96 in D major, Hob.I:96 (Haydn, Joseph)|Hob.I:96]]
| The Miracle
| Orchestra
| 1791
| D major
| London No.6
|-
| [[Symphony No.97 in C major, Hob.I:97 (Haydn, Joseph)|Hob.I:97]]
|
| Orchestra
| 1792
| C major
| London No.1
|-
| [[Symphony No.98 in B-flat major, Hob.I:98 (Haydn, Joseph)|Hob.I:98]]
|
| Orchestra
| 1792
| B{{flat}} major
| London No.4
|-
| [[Symphony No.99 in E-flat major, Hob.I:99 (Haydn, Joseph)|Hob.I:99]]
|
| Orchestra
| 1793
| E{{flat}} major
| London No.10
|-
| [[Symphony No.100 in G major, Hob.I:100 (Haydn, Joseph)|Hob.I:100]]
| Military
| Orchestra
| 1793-94
| G major
| London No.12
|-
| [[Symphony No.101 in D major, Hob.I:101 (Haydn, Joseph)|Hob.I:101]]
| The Clock
| Orchestra
| 1794
| D major
| London No.11
|-
| [[Symphony No.102 in B-flat major, Hob.I:102 (Haydn, Joseph)|Hob.I:102]]
|
| Orchestra
| 1794
| B{{flat}} major
| London No.9
|-
| [[Symphony No.103 in E-flat major, Hob.I:103 (Haydn, Joseph)|Hob.I:103]]
| Drum-roll
| Orchestra
| 1795
| E{{flat}} major
| London No.8
|-
| [[Symphony No.104 in D major, Hob.I:104 (Haydn, Joseph)|Hob.I:104]]
| Salomon
| Orchestra
| 1795
| D major
| London No.7
|-
| [[Sinfonia Concertante in B-flat major, Hob.I:105 (Haydn, Joseph)|Hob.I:105]]
| Concertante
| Orchestra
| 1792
| B{{flat}} major
|
|-
| Hob.I:106
|
| Orchestra
| 1769(?)
| D major
| partially lost, first movement survives, often used as overture for Le Pescatrici
|-
| [[Symphony No.107 in B-flat major, Hob.I:107 (Haydn, Joseph)|Hob.I:107]]
| “A”
| Orchestra
| 1757-61
| B{{flat}} major
|
|-
| [[Symphony No.108 in B-flat major, Hob.I:108 (Haydn, Joseph)|Hob.I:108]]
| “B”
| Orchestra
| 1762
| B{{flat}} major
|
|-
| [[Symphony in C major, Hob.I:C8 (Haydn, Joseph)|Hob.I:C8]]
|
| Orchestra
|
| C major
| Most likely by {{LinkName|Johann Baptist|Vanhal}}
|-
| [[Symphony in D major, Hob.I:D7 (Haydn, Joseph)|Hob.I:D7]]
|
| Orchestra
|
| D major
| Actually by {{LinkName|Joseph Martin|Kraus}}
|-
| [[Symphony in E-flat major, Hob.I:Es4 (Haydn, Joseph)|Hob.I:Es4]]
|
| Orchestra
|
| E-flat major
| Possibly by {{LinkName|Michael|Haydn}}
|-
| [[Symphony in G major, RicG G1 (Gyrowetz, Adalbert)|Hob.I:G1]]
|
| Orchestra
|
| G major
| Actually by {{LinkName|Adalbert|Gyrowetz}}
|-
| [[Symphony in B-flat major, Hob.I:B2 (Haydn, Joseph)|Hob.I:B2]]
|
| Orchestra
|
| B-flat major
| First and second movements by {{LinkName|Michael|Haydn}}, third movement by {{LinkName|Joseph|Haydn}} (transposition of the last movement from [[Symphony No.59 in A major, Hob.I:59 (Haydn, Joseph)|Hob.I:59]])
|-
|}

===Hob.Ia (1-16) Overtures===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| Hob.Ia:1
| L'infedelta delusa
| Orchestra
| 1769-73 ca.
| C major
| see also: Hob. XXVIII:5
|-
| [[Il Ritorno di Tobia, Hob.XXI:1 (Haydn, Joseph)|Hob.Ia:2]]
| Il Ritorno di Tobia
| Orchestra
| 1774
| C major
| see also: Hob. XXI:1
|-
| [[L'Anima del Filosofo, Hob.XXVIII:13 (Haydn, Joseph)|Hob.Ia:3]]
| L'Anima del Filosofo
| Orchestra
| 1794 ca.
| C major
| see also: Hob. XXVIII:13
|-
| [[Overture in D major, Hob.Ia:4 (Haydn, Joseph)|Hob.Ia:4]]
| Overture
| Orchestra
| 1776-85
| D major
|
|-
| Hob.Ia:5
| Acide e Galatea
| Orchestra
| 1762
| D major
| see also: Hob. XXVIII:1
|-
| [[L'incontro improvviso, Hob.XXVIII:6 (Haydn, Joseph)|Hob.Ia:6]]
| L'incontro improvviso
| Orchestra
| 1782
| D major
| see also: Hob. XXVIII:6
|-
| [[Overture in D major, Hob.Ia:7 (Haydn, Joseph)|Hob.Ia:7]]
| Overture
| Orchestra
| 1777
| D major
| alternate finale of Symphony No.53
|-
| Hob.Ia:7 bis
| Overture
| Orchestra
| 1777
| D major
| a malapropism of overture Hob. Ia:7
|-
| Hob.Ia:8
| Philemon and Baucis
| Orchestra
| 1773
| D major
| see also: Hob. XXIX:2
|-
| Hob.Ia:9
| King Lear
| Orchestra
|
| E-flat major
| Composed by W. G. Stegmann
|-
| Hob.Ia:10
| Lo Speziale
| Orchestra
| 1782
| G major
| Some sources list this work as overture of "La vera costanza".
|-
| [[La Fedeltà premiata, Hob.XXVIII:10 (Haydn, Joseph)|Hob.Ia:11]]
| La Fedeltà premiata
| Orchestra
| 1780
| G major
| Prelude to the entrance choir of the first act of the opera „La Fedeltà premiata” - see also: Hob. XXVIII:10
|-
| Hob.Ia:12
| Il Mondo della Luna
| Orchestra
| 1777
| G minor
| Prelude of the third act of the opera "Il mondo della Luna" - see also: Hob. XXVIII:7
|-
| [[L'isola disabitata, Hob.XXVIII:9 (Haydn, Joseph)|Hob.Ia:13]]
| L'isola disabitata
| Orchestra
| 1779
| G minor
| see also: Hob. XXVIII:9
|-
| [[Armida, Hob.XXVIII:12 (Haydn, Joseph)|Hob.Ia:14]]
| Armida
| Orchestra
| 1783
| B-flat major
| see also: Hob. XXVIII:12
|-
| [[La vera Costanza, Hob.XXVIII:8 (Haydn, Joseph)|Hob.Ia:15]]
| La vera Costanza
| Orchestra
| 1777
| B-flat major
| see also: Hob. XXVIII:8
|-
| [[Orlando Paladino, Hob.XXVIII:11 (Haydn, Joseph)|Hob.Ia:16]]
| Orlando Paladino
| Orchestra
| 1782
| B-flat major
| see also: Hob. XXVIII:13
|}

===Hob.II (1-47) Divertimentos in 4 and more Parts===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Divertimento in G major, Hob.II:1 (Haydn, Joseph)|Hob.II:1]]
| Cassation
| Small Orchestra
| 1766
| G major
|
|-
| [[Divertimento in G major, Hob.II:2 (Haydn, Joseph)|Hob.II:2]]
|
| Strings
| 1754
| G major
|
|-
| [[Divertimento in G major, Hob.II:3 (Haydn, Joseph)|Hob.II:3]]
|
| 2 Oboes, 2 Bassoon, 2 Horns
| 1760
| G major
|
|-
| Hob.II:4
|
| 2 Clarinets, Bassoon, 2 Horns
|
| F major
|
|-
| [[Divertimento in F major, Hob.II:5 (Haydn, Joseph)|Hob.II:5]]
|
| 2 Clarinets, 2 Horns
| 1767-68
| F major
| arrangement of Hob.X.10
|-
| [[Divertimento in E-flat major, Hob.II:6 (Haydn, Joseph)|Hob.II:6]]
|
| 2 Violins, Viola, Bass (Cello)
| 1765
| E-flat major
|
|-
| [[Divertimento in C major, Hob.II:7 (Haydn, Joseph)|Hob.II:7]]
|
| 2 Oboes, 2 Bassoons, 2 Horns
| 1765
| C major
|
|-
| [[Divertimento in D major, Hob.II:8 (Haydn, Joseph)|Hob.II:8]]
|
| 2 Flutes, 2 Horns, 2 Violins, Bass
| 1767
| D major
|
|-
| [[Divertimento in G major, Hob.II:9 (Haydn, Joseph)|Hob.II:9]]
|
| 2 Oboes, 2 Horns, 2 Violins, 2 Violas, Bass
| 1764
| G major
|
|-
| [[Divertimento in D major, Hob.II:10 (Haydn, Joseph)|Hob.II:10]]
|
| Orchestra
| 1766
| D major
|
|-
| [[Divertimento in C major, Hob.II:11 (Haydn, Joseph)|Hob.II:11]]
|
| Flute, Oboe, 2 Violins, Cello, Bass
| 1765 or before
| C major
|
|-
| [[Divertimento in B-flat major, Hob.II:12 (Haydn, Joseph)|Hob.II:12]]
|
| Small Orchestra
|
| B-flat major
|
|-
| [[Divertimento in D major, Hob.II:13 (Haydn, Joseph)|Hob.II:13]]
|
| Small Orchestra
|
| D major
|
|-
| [[Divertimento in C major, Hob.II:14 (Haydn, Joseph)|Hob.II:14]]
|
| 2 Clarinets, 2 Horns
| 1761
| C major
|
|-
| [[Divertimento in F major, Hob.II:15 (Haydn, Joseph)|Hob.II:15]]
|
| 2 Oboes, 2 Bassoons, 2 Horns
| 1760
| F major
|
|-
| [[Divertimento in F major, Hob.II:16 (Haydn, Joseph)|Hob.II:16]]
|
| 2 English horns, 2 Bassoons, 2 Horns, 2 Violins
| 1767
| F major
|
|-
| Hob.II:17
|
| Small orchestra
| 1766
| C major
|
|-
| [[Divertimento in D major, Hob.II:18 (Haydn, Joseph)|Hob.II:18]]
|
| Orchestra
|
| D major
|
|-
| [[Divertimento in G major, Hob.II:19 (Haydn, Joseph)|Hob.II:19]]
|
| Orchestra
|
| G major
|
|-
| [[Divertimento in F major, Hob.II:20 (Haydn, Joseph)|Hob.II:20]]
|
| Small Orchestra
| 1763
| F major
|
|-
| [[Divertimento in E-flat major, Hob.II:21 (Haydn, Joseph)|Hob.II:21]]
|
| 2 Horns, Strings
| 1763
| E-flat major
|
|-
| [[Divertimento in D major, Hob.II:22 (Haydn, Joseph)|Hob.II:22]]
|
| 2 Horns, Strings
| 1765
| D major
|
|-
| [[Divertimento in F major, Hob.II:23 (Haydn, Joseph)|Hob.II:23]]
|
| 2 Oboes, 2 Bassoons, Horns
| 1765 or before
| F major
|
|-
| [[Divertimento in E-flat major, Hob.II:24 (Haydn, Joseph)|Hob.II:24]]
|
| Flute, 2 English Horns, Bassoon, 2 horns
| 1775
| E-flat major
|
|-
| [[Notturno in C major, Hob.II:25 (Haydn, Joseph)|Hob.II:25]]
| Notturno No.1
| Small Orchestra
| 1788–90, rev. 1792
| C major
|
|-
|-
| [[Notturno in F major, Hob.II:26 (Haydn, Joseph)|Hob.II:26]]
| Notturno No.2
| Small Orchestra
| 1788–90, rev. 1792
| F major
|
|-
| [[Notturno in G major, Hob.II:27 (Haydn, Joseph)|Hob.II:27]]
| Notturno No.3
| Small Orchestra
| 1788–90, rev. 1792
| G major
|
|-
| [[Notturno in F major, Hob.II:28 (Haydn, Joseph)|Hob.II:28]]
| Notturno No.4
| Small Orchestra
| 1788–90, rev. 1792
| F major
|
|-
| [[Notturno in C major, Hob.II:29 (Haydn, Joseph)|Hob.II:29]]
| Notturno No.5
| Small Orchestra
| 1788–90, rev. 1792
| C major
|
|-
| [[Notturno in G major, Hob.II:30 (Haydn, Joseph)|Hob.II:30]]
| Notturno No.6
| Small Orchestra
| 1788–90, rev. 1792
| G major
|
|-
| [[Notturno in C major, Hob.II:31 (Haydn, Joseph)|Hob.II:31]]
| Notturno No.7
| Small Orchestra
| 1788–90, rev. 1792
| C major
|
|-
| [[Notturno in C major, Hob.II:32 (Haydn, Joseph)|Hob.II:32]]
| Notturno No.8
| Small Orchestra
| 1788–90, rev. 1792
| C major
|
|-
| [[Divertimento in F major, Hob.II:33 (Haydn, Joseph)|Hob.II:33]]
| Scherzando no.1
| Orchestra
| 1765 or before
| F major
|
|-
| [[Scherzando in C major, Hob.II:34 (Haydn, Joseph)|Hob.II:34]]
| Scherzando no.2
| Orchestra
| 1765 or before
| C major
|
|-
| [[Divertimento in D major, Hob.II:35 (Haydn, Joseph)|Hob.II:35]]
| Scherzando no.3
| Orchestra
| 1765 or before
| D major
|
|-
| [[Divertimento in G major, Hob.II:36 (Haydn, Joseph)|Hob.II:36]]
| Scherzando no.4
| Orchestra
| 1765 or before
| G major
|
|-
| [[Divertimento in E major, Hob.II:37 (Haydn, Joseph)|Hob.II:37]]
| Scherzando no.5
| Orchestra
| 1765 or before
| E major
|
|-
| [[Scherzando in A major, Hob.II:38 (Haydn, Joseph)|Hob.II:38]]
| Scherzando no.6
| Orchestra
| 1765 or before
| A major
|
|-
| [[Divertimento in E-flat major, Hob.II:39 (Haydn, Joseph)|Hob.II:39]]
| "Echo"
| 4 Violins, 2 Cellos
| 1761 ca.
| E-flat major
| Two trios to be played in separate rooms
|-
| [[Sextet in E-flat major, Hob.II:40 (Haydn, Joseph)|Hob.II:40]]
| Sextet
| Oboe, Bassoon, Horn, Violin, Viola, Bass
| 1781
| E-flat major
| most likely spurious
|-
| [[Divertimento in E-flat major, Hob.II:41 (Haydn, Joseph)|Hob.II:41]]
| Feldparthien no.1
| 2 oboes, 2 clarinets*, 2 bassoons, 2 horns
| 1782 or before
| B-flat major
| 2 clarinets added by Pohl
|-
| [[Divertimento in B-flat major, Hob.II:42 (Haydn, Joseph)|Hob.II:42]]
| Feldparthien no.2
| 2 oboes, 2 clarinets*, 2 bassoons, 2 horns
| 1782 or before
| B-flat major
| 2 clarinets added by Pohl
|-
| [[Divertimento in B-flat major, Hob.II:43 (Haydn, Joseph)|Hob.II:43]]
| Feldparthien no.3
| 2 oboes, 2 clarinets*, 2 bassoons, 2 horns
| 1782 or before
| B-flat major
| 2 clarinets added by Pohl
|-
| [[Divertimento in F major, Hob.II:44 (Haydn, Joseph)|Hob.II:44]]
| Feldparthien no.4
| 2 Oboes, 3 Bassoons, Contrabassoon, 2 Horns
| 1782 or before
| B-flat major
|
|-
| [[Divertimento in F major, Hob.II:45 (Haydn, Joseph)|Hob.II:45]]
| Feldparthien no.5
| 2 Oboes, 3 Bassoons, Contrabassoon, 2 Horns
| 1782 or before
| B-flat major
|
|-
| [[Divertimento in B-flat major, Hob.II:46 (Haydn, Joseph)|Hob.II:46]]
| Feldparthien no.6
| 2 Oboes, 3 Bassoons, Contrabassoon, 2 Horns
| 1782 or before
| B-flat major
| Haydn's authorship is disputed possibly by {{LinkName|Ignaz|Pleyel}}
|-
| [[Kindersinfonie (Angerer, Edmund)|''Hob.II:47'']]
| Kindersinfonie; Toy Symphony
| 2 Violins, Bass, 7 Toys and Percussion
|
| C major
| Actually 'Berchtesgadener Symphonie' by {{LinkName|Edmund|Angerer}}
|-
| [[Divertimento in D major, Hob.II:D9 (Haydn, Joseph)|Hob.II:D9]]
| Flute Quartet
| Flute, Violin, Viola, Cello
|
| D major
|
|-
| [[Divertimento in D major, Hob.II:D10 (Haydn, Joseph)|Hob.II:D10]]
| Flute Quartet
| Flute, Violin, Viola, Cello
|
| D major
|
|-
| [[Divertimento in D major, Hob.II:D11 (Haydn, Joseph)|Hob.II:D11]]
| Flute Quartet
| Flute, Violin, Viola, Cello
|
| D major
|
|-
| [[Divertimento in D major, Hob.II:D18 (Haydn, Joseph)|Hob.II:D18]]
|
| 2 oboes, 2 bassoons, 2 horns
|
| D major
| doubtful authenticity
|-
| [[Partita for Winds in F major (Wranitzky, Paul)|''Hob.II:F7'']]
| Harmonie; Octet; Divertimento; Partita
| 2 Ob, 2 Cl, 2 Hn, 2 Bsn
|
| F major
| Actually by {{LinkName|Paul|Wranitzky}} (1756-1808)
|-
| [[Divertimento in G major, Hob.II:G1 (Haydn, Joseph)|Hob.II:G1]]
|
| 2 Oboes, 2 Horns, Strings
| 1759 or 1760 ca.
| G major
|
|-
| [[Divertimento in G major, Hob.II:G4 (Haydn, Joseph)|Hob.II:G4]]
| Flute Quartet
| Flute, Violin, Viola, Cello
|
| G major
|
|-
| [[Divertimento in D major, Hob.deest (Haydn, Joseph)|Hob.deest]]
|
| 2 oboes, 2 bassoons, 2 horns
|
| D major
|
|-
| [[Divertimento in G major, Hob.deest (Haydn, Joseph)|Hob.deest]]
|
| 2 oboes, 2 bassoons, 2 horns
|
| G major
|
|}

===Hob.III (1-83) String Quartets===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[String Quartet in B-flat major, Hob.III:1 (Haydn, Joseph)|Hob.III:1]]
| “La chasse”
| 2 Violins, Viola, Cello
| 1757-62 ca.
| B-flat major
| 6 String Quartets, Op.1 No.1
|-
| [[String Quartet in E-flat major, Hob.III:2 (Haydn, Joseph)|Hob.III:2]]
|
| 2 Violins, Viola, Cello
| 1757-62 ca.
| E-flat major
| 6 String Quartets, Op.1 No.2
|-
| [[String Quartet in D major, Hob.III:3 (Haydn, Joseph)|Hob.III:3]]
|
| 2 Violins, Viola, Cello
| 1757-62 ca.
| D major
| 6 String Quartets, Op.1 No.3
|-
| [[String Quartet in G major, Hob.III:4 (Haydn, Joseph)|Hob.III:4]]
|
| 2 Violins, Viola, Cello
| 1757-62 ca.
| G major
| 6 String Quartets, Op.1 No.4
|-
| [[String Quartet in B-flat major, Hob.III:5 (Haydn, Joseph)|Hob.III:5]]
|
| 2 Violins, Viola, Cello
| 1757-62 ca.
| B-flat major
| 6 String Quartets, Op.1 No.5
|-
| [[String Quartet in C major, Hob.III:6 (Haydn, Joseph)|Hob.III:6]]
|
| 2 Violins, Viola, Cello
| 1757-62 ca.
| C major
| 6 String Quartets, Op.1 No.6
|-
| [[String Quartet in A major, Hob.III:7 (Haydn, Joseph)|Hob.III:7]]
|
| 2 Violins, Viola, Cello
| 1757-62 ca.
| A major
| 6 String Quartets, Op.2 No.1
|-
| [[String Quartet in E major, Hob.III:8 (Haydn, Joseph)|Hob.III:8]]
|
| 2 Violins, Viola, Cello
| 1757-62 ca.
| E major
| 6 String Quartets, Op.2 No.2
|-
| [[String Quartet in E-flat major, Hob.III:9 (Haydn, Joseph)|Hob.III:9]]
|
| 2 Violins, Viola, Cello
| 1757-62 ca.
| E-flat major
| 6 String Quartets, Op.2 No.3
|-
| [[String Quartet in F major, Hob.III:10 (Haydn, Joseph)|Hob.III:10]]
|
| 2 Violins, Viola, Cello
| 1757-62 ca.
| F major
| 6 String Quartets, Op.2 No.4
|-
| [[String Quartet in D major, Hob.III:11 (Haydn, Joseph)|Hob.III:11]]
|
| 2 Violins, Viola, Cello
| 1757-62 ca.
| D major
| 6 String Quartets, Op.2 No.5
|-
| [[String Quartet in B-flat major, Hob.III:12 (Haydn, Joseph)|Hob.III:12]]
|
| 2 Violins, Viola, Cello
| 1757-62 ca.
| B-flat major
| 6 String Quartets, Op.2 No.6
|-
| [[String Quartet in E major, Hob.III:13 (Hoffstetter, Roman)|''Hob.III:13'']]
|
| 2 Violins, Viola, Cello
|
| E major
| Spurious by {{LinkName|Roman|Hoffstetter}} ; 6 String Quartets, Op.3 No.1
|-
| [[String Quartet in C major, Hob.III:14 (Hoffstetter, Roman)|''Hob.III:14'']]
|
| 2 Violins, Viola, Cello
|
| C major
| Spurious by {{LinkName|Roman|Hoffstetter}} ; 6 String Quartets, Op.3 No.2
|-
| [[String Quartet in G major, Hob.III:15 (Hoffstetter, Roman)|''Hob.III:15'']]
|
| 2 Violins, Viola, Cello
|
| G major
| Spurious by {{LinkName|Roman|Hoffstetter}} ; 6 String Quartets, Op.3 No.3
|-
| [[String Quartet in B-flat major, Hob.III:16 (Hoffstetter, Roman)|''Hob.III:16'']]
|
| 2 Violins, Viola, Cello
|
| B-flat major
| Spurious by {{LinkName|Roman|Hoffstetter}} ; 6 String Quartets, Op.3 No.4
|-
| [[String Quartet in F major, Hob.III:17 (Hoffstetter, Roman)|''Hob.III:17'']]
|
| 2 Violins, Viola, Cello
|
| F major
| Spurious by {{LinkName|Roman|Hoffstetter}} ; 6 String Quartets, Op.3 No.5
|-
| [[String Quartet in A major, Hob.III:18 (Hoffstetter, Roman)|''Hob.III:18'']]
|
| 2 Violins, Viola, Cello
|
| A major
| Spurious by {{LinkName|Roman|Hoffstetter}} ; 6 String Quartets, Op.3 No.6
|-
| [[String Quartet in C major, Hob.III:19 (Haydn, Joseph)|Hob.III:19]]
|
| 2 Violins, Viola, Cello
| 1769
| C major
| 6 String Quartets, Op.9 No.1
|-
| [[String Quartet in E-flat major, Hob.III:20 (Haydn, Joseph)|Hob.III:20]]
|
| 2 Violins, Viola, Cello
| 1769
| E-flat major
| 6 String Quartets, Op.9 No.2
|-
| [[String Quartet in G major, Hob.III:21 (Haydn, Joseph)|Hob.III:21]]
|
| 2 Violins, Viola, Cello
| 1769
| G major
| 6 String Quartets, Op.9 No.3
|-
| [[String Quartet in D minor, Hob.III:22 (Haydn, Joseph)|Hob.III:22]]
|
| 2 Violins, Viola, Cello
| 1769
| D minor
| 6 String Quartets, Op.9 No.4
|-
| [[String Quartet in B-flat major, Hob.III:23 (Haydn, Joseph)|Hob.III:23]]
|
| 2 Violins, Viola, Cello
| 1769
| B-flat major
| 6 String Quartets, Op.9 No.5
|-
| [[String Quartet in A major, Hob.III:24 (Haydn, Joseph)|Hob.III:24]]
|
| 2 Violins, Viola, Cello
| 1769
| A major
| 6 String Quartets, Op.9 No.6
|-
| [[String Quartet in E major, Hob.III:25 (Haydn, Joseph)|Hob.III:25]]
|
| 2 Violins, Viola, Cello
| 1771
| E major
| 6 String Quartets, Op.17 No.1
|-
| [[String Quartet in F major, Hob.III:26 (Haydn, Joseph)|Hob.III:26]]
|
| 2 Violins, Viola, Cello
| 1771
| F major
| 6 String Quartets, Op.17 No.2
|-
| [[String Quartet in E-flat major, Hob.III:27 (Haydn, Joseph)|Hob.III:27]]
|
| 2 Violins, Viola, Cello
| 1771
| E-flat major
| 6 String Quartets, Op.17 No.3
|-
| [[String Quartet in C minor, Hob.III:28 (Haydn, Joseph)|Hob.III:28]]
|
| 2 Violins, Viola, Cello
| 1771
| C minor
| 6 String Quartets, Op.17 No.4
|-
| [[String Quartet in G major, Hob.III:29 (Haydn, Joseph)|Hob.III:29]]
|
| 2 Violins, Viola, Cello
| 1771
| G major
| 6 String Quartets, Op.17 No.5
|-
| [[String Quartet in D major, Hob.III:30 (Haydn, Joseph)|Hob.III:30]]
|
| 2 Violins, Viola, Cello
| 1771
| D major
| 6 String Quartets, Op.17 No.6
|-
| [[String Quartet in E-flat major, Hob.III:31 (Haydn, Joseph)|Hob.III:31]]
| Sun Quartet No.1
| 2 Violins, Viola, Cello
| 1772
| E-flat major
| 6 String Quartets, Op.20 No.1
|-
| [[String Quartet in C major, Hob.III:32 (Haydn, Joseph)|Hob.III:32]]
| Sun Quartet No.2
| 2 Violins, Viola, Cello
| 1772
| C major
| 6 String Quartets, Op.20 No.2
|-
| [[String Quartet in G minor, Hob.III:33 (Haydn, Joseph)|Hob.III:33]]
| Sun Quartet No.3
| 2 Violins, Viola, Cello
| 1772
| G minor
| 6 String Quartets, Op.20 No.3
|-
| [[String Quartet in D major, Hob.III:34 (Haydn, Joseph)|Hob.III:34]]
| Sun Quartet No.4
| 2 Violins, Viola, Cello
| 1772
| D major
| 6 String Quartets, Op.20 No.4
|-
| [[String Quartet in F minor, Hob.III:35 (Haydn, Joseph)|Hob.III:35]]
| Sun Quartet No.5
| 2 Violins, Viola, Cello
| 1772
| F minor
| 6 String Quartets, Op.20 No.5
|-
| [[String Quartet in A major, Hob.III:36 (Haydn, Joseph)|Hob.III:36]]
| Sun Quartet No.6
| 2 Violins, Viola, Cello
| 1772
| A major
| 6 String Quartets, Op.20 No.6
|-
| [[String Quartet in B minor, Hob.III:37 (Haydn, Joseph)|Hob.III:37]]
| Russian Quartet No.1
| 2 Violins, Viola, Cello
| 1781
| B minor
| 6 String Quartets, Op.33 No.1
|-
| [[String Quartet in E-flat major, Hob.III:38 (Haydn, Joseph)|Hob.III:38]]
| Russian Quartet No.2, The Joke
| 2 Violins, Viola, Cello
| 1781
| E-flat major
| 6 String Quartets, Op.33 No.2
|-
| [[String Quartet in C major, Hob.III:39 (Haydn, Joseph)|Hob.III:39]]
| Russian Quartet No.3, The Bird
| 2 Violins, Viola, Cello
| 1781
| C major
| 6 String Quartets, Op.33 No.3
|-
| [[String Quartet in B-flat major, Hob.III:40 (Haydn, Joseph)|Hob.III:40]]
| Russian Quartet No.4
| 2 Violins, Viola, Cello
| 1781
| B-flat major
| 6 String Quartets, Op.33 No.4
|-
| [[String Quartet in G major, Hob.III:41 (Haydn, Joseph)|Hob.III:41]]
| Russian Quartet No.5, How do you do?
| 2 Violins, Viola, Cello
| 1781
| G major
| 6 String Quartets, Op.33 No.5
|-
| [[String Quartet in D major, Hob.III:42 (Haydn, Joseph)|Hob.III:42]]
| Russian Quartet No.6
| 2 Violins, Viola, Cello
| 1781
| D major
| 6 String Quartets, Op.33 No.6
|-
| [[String Quartet in D minor, Hob.III:43 (Haydn, Joseph)|Hob.III:43]]
|
| 2 Violins, Viola, Cello
| 1785
| D minor
| Op.42
|-
| [[String Quartet in B-flat major, Hob.III:44 (Haydn, Joseph)|Hob.III:44]]
|
| 2 Violins, Viola, Cello
| 1787
| B-flat major
| 6 String Quartets, Op.50 “Prussian” No.1
|-
| [[String Quartet in C major, Hob.III:45 (Haydn, Joseph)|Hob.III:45]]
|
| 2 Violins, Viola, Cello
| 1787
| C major
| 6 String Quartets, Op.50 “Prussian” No.2
|-
| [[String Quartet in E-flat major, Hob.III:46 (Haydn, Joseph)|Hob.III:46]]
|
| 2 Violins, Viola, Cello
| 1787
| E-flat major
| 6 String Quartets, Op.50 “Prussian” No.3
|-
| [[String Quartet in F-sharp minor, Hob.III:47 (Haydn, Joseph)|Hob.III:47]]
|
| 2 Violins, Viola, Cello
| 1787
| F-sharp minor
| 6 String Quartets, Op.50 “Prussian” No.4
|-
| [[String Quartet in F major, Hob.III:48 (Haydn, Joseph)|Hob.III:48]]
| Dream
| 2 Violins, Viola, Cello
| 1787
| F major
| 6 String Quartets, Op.50 “Prussian” No.5
|-
| [[String Quartet in D major, Hob.III:49 (Haydn, Joseph)|Hob.III:49]]
| La grenouille
| 2 Violins, Viola, Cello
| 1787
| D major
| 6 String Quartets, Op.50 “Prussian” No.6
|-
| [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|Hob.III:50]]
|
| 2 Violins, Viola, Cello
| 1785/1787
| B-flat major
| 7 String Quartets, Op.51 [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|“Seven Last Words of Christ” No.1]]
|-
| [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|Hob.III:51]]
|
| 2 Violins, Viola, Cello
| 1785/1787
| C minor
| 7 String Quartets, Op.51 [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|“Seven Last Words of Christ” No.2]]
|-
| [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|Hob.III:52]]
|
| 2 Violins, Viola, Cello
| 1785/1787
| E major
| 7 String Quartets, Op.51 [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|“Seven Last Words of Christ” No.3]]
|-
| [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|Hob.III:53]]
|
| 2 Violins, Viola, Cello
| 1785/1787
| F major
| 7 String Quartets, Op.51 [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|“Seven Last Words of Christ” No.4]]
|-
| [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|Hob.III:54]]
|
| 2 Violins, Viola, Cello
| 1785/1787
| A major
| 7 String Quartets, Op.51 [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|“Seven Last Words of Christ” No.5]]
|-
| [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|Hob.III:55]]
|
| 2 Violins, Viola, Cello
| 1785/1787
| G minor
| 7 String Quartets, Op.51 [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|“Seven Last Words of Christ” No.6]]
|-
| [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|Hob.III:56]]
|
| 2 Violins, Viola, Cello
| 1785/1787
| E-flat major
| 7 String Quartets, Op.51 [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|“Seven Last Words of Christ” No.7]]
|-
| [[String Quartet in C major, Hob.III:57 (Haydn, Joseph)|Hob.III:57]]
|
| 2 Violins, Viola, Cello
| 1788
| C major
| 3 String Quartets, Op.54 “Tost I” No.2
|-
| [[String Quartet in G major, Hob.III:58 (Haydn, Joseph)|Hob.III:58]]
|
| 2 Violins, Viola, Cello
| 1788
| G major
| 3 String Quartets, Op.54 “Tost I” No.1
|-
| [[String Quartet in E major, Hob.III:59 (Haydn, Joseph)|Hob.III:59]]
|
| 2 Violins, Viola, Cello
| 1788
| E major
| 3 String Quartets, Op.54 “Tost I” No.3
|-
| [[String Quartet in A major, Hob.III:60 (Haydn, Joseph)|Hob.III:60]]
|
| 2 Violins, Viola, Cello
| 1788
| A major
| 3 String Quartets, Op.55 “Tost II” No.1
|-
| [[String Quartet in F minor, Hob.III:61 (Haydn, Joseph)|Hob.III:61]]
| razor
| 2 Violins, Viola, Cello
| 1788
| F minor
| 3 String Quartets, Op.55 “Tost II” No.2
|-
| [[String Quartet in B-flat major, Hob.III:62 (Haydn, Joseph)|Hob.III:62]]
|
| 2 Violins, Viola, Cello
| 1788
| B-flat major
| 3 String Quartets, Op.55 “Tost II” No.3
|-
| [[String Quartet in D major, Hob.III:63 (Haydn, Joseph)|Hob.III:63]]
| The lark
| 2 Violins, Viola, Cello
| 1790
| D major
| 6 String Quartets, Op.64 “Tost III” No.5
|-
| [[String Quartet in E-flat major, Hob.III:64 (Haydn, Joseph)|Hob.III:64]]
|
| 2 Violins, Viola, Cello
| 1790
| E-flat major
| 6 String Quartets, Op.64 “Tost III” No.6
|-
| [[String Quartet in C major, Hob.III:65 (Haydn, Joseph)|Hob.III:65]]
|
| 2 Violins, Viola, Cello
| 1790
| C major
| 6 String Quartets, Op.64 “Tost III” No.1
|-
| [[String Quartet in G major, Hob.III:66 (Haydn, Joseph)|Hob.III:66]]
|
| 2 Violins, Viola, Cello
| 1790
| G major
| 6 String Quartets, Op.64 “Tost III” No.4
|-
| [[String Quartet in B-flat major, Hob.III:67 (Haydn, Joseph)|Hob.III:67]]
|
| 2 Violins, Viola, Cello
| 1790
| B-flat major
| 6 String Quartets, Op.64 “Tost III” No.3
|-
| [[String Quartet in B minor, Hob.III:68 (Haydn, Joseph)|Hob.III:68]]
|
| 2 Violins, Viola, Cello
| 1790
| B minor
| 6 String Quartets, Op.64 “Tost III” No.2
|-
| [[String Quartet in B-flat major, Hob.III:69 (Haydn, Joseph)|Hob.III:69]]
|
| 2 Violins, Viola, Cello
| 1793
| B-flat major
| 3 String Quartets, Op.71 “Apponyi” No.1
|-
| [[String Quartet in D major, Hob.III:70 (Haydn, Joseph)|Hob.III:70]]
|
| 2 Violins, Viola, Cello
| 1793
| D major
| 3 String Quartets, Op.71 “Apponyi” No.2
|-
| [[String Quartet in E-flat major, Hob.III:71 (Haydn, Joseph)|Hob.III:71]]
|
| 2 Violins, Viola, Cello
| 1793
| E-flat major
| 3 String Quartets, Op.71 “Apponyi” No.3
|-
| [[String Quartet in C major, Hob.III:72 (Haydn, Joseph)|Hob.III:72]]
|
| 2 Violins, Viola, Cello
| 1793
| C major
| 3 String Quartets, Op.74 “Apponyi” No.1
|-
| [[String Quartet in F major, Hob.III:73 (Haydn, Joseph)|Hob.III:73]]
|
| 2 Violins, Viola, Cello
| 1793
| F major
| 3 String Quartets, Op.74 “Apponyi” No.2
|-
| [[String Quartet in G minor, Hob.III:74 (Haydn, Joseph)|Hob.III:74]]
| The Horseman
| 2 Violins, Viola, Cello
| 1793
| G minor
| 3 String Quartets, Op.74 “Apponyi” No.3
|-
| [[String Quartet in G major, Hob.III:75 (Haydn, Joseph)|Hob.III:75]]
|
| 2 Violins, Viola, Cello
| 1796-97
| G major
| 6 String Quartets, Op.76 “Erdody” No.1
|-
| [[String Quartet in D minor, Hob.III:76 (Haydn, Joseph)|Hob.III:76]]
| Fifths
| 2 Violins, Viola, Cello
| 1796-97
| D minor
| 6 String Quartets, Op.76 “Erdody” No.2
|-
| [[String Quartet in C major, Hob.III:77 (Haydn, Joseph)|Hob.III:77]]
| Emperor
| 2 Violins, Viola, Cello
| 1796-97
| C major
| 6 String Quartets, Op.76 “Erdody” No.3
|-
| [[String Quartet in B-flat major, Hob.III:78 (Haydn, Joseph)|Hob.III:78]]
| Sunrise
| 2 Violins, Viola, Cello
| 1796-97
| B-flat major
| 6 String Quartets, Op.76 “Erdody” No.4
|-
| [[String Quartet in D major, Hob.III:79 (Haydn, Joseph)|Hob.III:79]]
|
| 2 Violins, Viola, Cello
| 1796-97
| D major
| 6 String Quartets, Op.76 “Erdody” No.5
|-
| [[String Quartet in E-flat major, Hob.III:80 (Haydn, Joseph)|Hob.III:80]]
|
| 2 Violins, Viola, Cello
| 1796-97
| E-flat major
| 6 String Quartets, Op.76 “Erdody” No.6
|-
| [[String Quartet in G major, Hob.III:81 (Haydn, Joseph)|Hob.III:81]]
|
| 2 Violins, Viola, Cello
| 1799
| G major
| 2 String Quartets, Op.77 “Lobkowitz” No.1
|-
| [[String Quartet in F major, Hob.III:82 (Haydn, Joseph)|Hob.III:82]]
|
| 2 Violins, Viola, Cello
| 1799
| F major
| 2 String Quartets, Op.77 “Lobkowitz” No.2
|-
| [[String Quartet in D minor, Hob.III:83 (Haydn, Joseph)|Hob.III:83]]
|
| 2 Violins, Viola, Cello
| 1803
| D minor
| String Quartet in D minor, Op.103, incomplete
|-
| [[Divertimento in D major, Hob.III:D3 (Haydn, Joseph)|Hob.III:D3]]
| Divertimento
| 2 Violins, Viola, Cello
| 1803
| D minor
|
|}

===Hob.IV (1-11) Divertimentos in 3 Parts (Trio Sonatas)===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Divertimento in C major, Hob.IV:1 (Haydn, Joseph)|Hob.IV:1]]
| London Trio No.1
| 2 Flutes, Cello
| 1794
| C major
|
|-
| [[Divertimento in G major, Hob.IV:2 (Haydn, Joseph)|Hob.IV:2]]
| London Trio No.2
| 2 Flutes, Cello
| 1794
| G major
|
|-
| [[Divertimento in G major, Hob.IV:3 (Haydn, Joseph)|Hob.IV:3]]
| London Trio No.3
| 2 Flutes, Cello
| 1794
| G major
|
|-
| [[Divertimento in G major, Hob.IV:4 (Haydn, Joseph)|Hob.IV:4]]
| London Trio No.4
| 2 Flutes, Cello
| 1794
| G major
|
|-
| [[Divertimento in E-flat major, Hob.IV:5 (Haydn, Joseph)|Hob.IV:5]]
|
| Horn, Violin, Cello
| 1767
| E-flat major
|
|-
| [[Divertimento in D major, Hob.IV:6 (Haydn, Joseph)|Hob.IV:6]]
|
| 2 Violins (or Flute, Violin), Cello
| 1784
| D major
|
|-
| [[Divertimento in G major, Hob.IV:7 (Haydn, Joseph)|Hob.IV:7]]
|
| 2 Violins (or Flute, Violin), Cello
| 1784
| G major
|
|-
| [[Divertimento in C major, Hob.IV:8 (Haydn, Joseph)|Hob.IV:8]]
|
| 2 Violins (or Flute, Violin), Cello
| 1784
| C major
|
|-
| [[Divertimento in G major, Hob.IV:9 (Haydn, Joseph)|Hob.IV:9]]
|
| 2 Violins (or Flute, Violin), Cello
| 1784
| G major
|
|-
| [[Divertimento in A major, Hob.IV:10 (Haydn, Joseph)|Hob.IV:10]]
|
| 2 Violins (or Flute, Violin), Cello
| 1784
| A major
|
|-
| [[Divertimento in D major, Hob.IV:11 (Haydn, Joseph)|Hob.IV:11]]
|
| 2 Violins (or Flute, Violin), Cello
| 1784
| D major
|
|}

===Hob.V (1-21) String Trios===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| Hob.V:1
|
| 2 Violins, Cello
| 1767
| E major
|
|-
| Hob.V:2
|
| 2 Violins, Cello
| 1767
| F major
|
|-
| [[String Trio in B minor, Hob.V:3 (Haydn, Joseph)|Hob.V:3]]
|
| 2 Violins, Cello
| 1767
| B minor
|
|-
| [[String Trio in E-flat major, Hob.V:4 (Haydn, Joseph)|Hob.V:4]]
|
| 2 Violins, Cello
| before 1767
| E-flat major
|
|-
| Hob.V:5
|
| 2 Violins, Cello
|
| B major
| lost
|-
| Hob.V:6
|
| 2 Violins, Cello
|
| E-flat major
|
|-
| [[String Trio in A major, Hob.V:7 (Haydn, Joseph)|Hob.V:7]]
|
| 2 Violins, Cello
| 1776
| A major
|
|-
| [[String Trio in B-flat major, Hob.V:8 (Haydn, Joseph)|Hob.V:8]]
|
| Violin, Viola, Cello
| 1765 or before
| B-flat major
|
|-
| Hob.V:9
|
| 2 Violins, Cello
| 1767
| E-flat major
| lost
|-
| Hob.V:10
|
| 2 Violins, Cello
| 1767 or before
| F major
|
|-
| [[String Trio in E-flat major, Hob.V:11 (Haydn, Joseph)|Hob.V:11]]
|
| 2 Violins, Cello
| 1765
| E-flat major
|
|-
| Hob.V:12
|
| 2 Violins, Cello
| 1767 or before
| E major
|
|-
| Hob.V:13
|
| 2 Violins, Cello
|
| B-flat major
|
|-
| Hob.V:14
|
| 2 Violins, Cello
|
| B minor
| lost
|-
| [[String Trio in D major, Hob.V:15 (Haydn, Joseph)|Hob.V:15]]
|
| 2 Violins, Cello
| 1762
| D major
|
|-
| [[String Trio in C major, Hob.V:16 (Haydn, Joseph)|Hob.V:16]]
|
| 2 Violins, Cello
| 1766
| C major
|
|-
| [[String Trio in E-flat major, Hob.V:17 (Haydn, Joseph)|Hob.V:17]]
|
| 2 Violins, Cello
| 1766
| E-flat major
|
|-
| [[String Trio in B-flat major, Hob.V:18 (Haydn, Joseph)|Hob.V:18]]
|
| 2 Violins, Cello
| 1765
| B-flat major
|
|-
| [[String Trio in E major, Hob.V:19 (Haydn, Joseph)|Hob.V:19]]
|
| 2 Violins, Cello
| 1765
| E major
|
|-
| [[String Trio in G major, Hob.V:20 (Haydn, Joseph)|Hob.V:20]]
|
| 2 Violins, Cello
| 1766
| G major
|
|-
| Hob.V:21
|
| 2 Violins, Cello
| 1768 or before
| D major
|
|-
| [[String Trio in D major, Hob.V:D1 (Haydn, Joseph)|Hob.V:D1]]
|
| 2 Violins, Cello
| 1765 ca.
| D major
|
|-
| [[String Trio in D major, Hob.V:D2 (Haydn, Joseph)|Hob.V:D2]]
|
| 2 Violins, Cello
|
| D major
|
|-
| [[String Trio in F major, Hob.V:F1 (Haydn, Joseph)|Hob.V:F1]]
|
| 2 Violins, Cello
|
| F major
|
|-
| [[String Trio in G major, Hob.V:G1 (Haydn, Joseph)|Hob.V:G1]]
|
| 2 Violins, Cello
| 1765 ca.
| G major
|
|-
| [[String Trio in G major, Hob.V:G2 (Haydn, Joseph)|Hob.V:G2]]
|
| 2 Violins, Cello
|
| G major
|
|-
| [[String Trio in G major, Hob.V:G3 (Haydn, Joseph)|Hob.V:G3]]
|
| 2 Violins, Cello
| 1765 ca.
| G major
|
|-
| [[String Trio in A major, Hob.V:A1 (Haydn, Joseph)|Hob.V:A1]]
|
| 2 Violins, Cello
|
| A major
|
|-
| [[String Trio in B-flat major, Hob.V:B1 (Haydn, Joseph)|Hob.V:B1]]
|
| 2 Violins, Cello
| 1765 ca.
| B-flat major
|
|}

===Hob.VI (1-6) Various Duos===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[String Duo in F major, Hob.VI:1 (Haydn, Joseph)|Hob.VI:1]]
| Duo
| Violin, Viola
|
| F major
|
|-
| [[String Duo in A major, Hob.VI:2 (Haydn, Joseph)|Hob.VI:2]]
| Duo
| Violin, Viola
|
| A major
|
|-
| [[String Duo in B-flat major, Hob.VI:3 (Haydn, Joseph)|Hob.VI:3]]
| Duo
| Violin, Viola
|
| B-flat major
|
|-
| Hob.VI:4
| Duo
| Violin, Viola
|
| D major
|
|-
| Hob.VI:5
| Duo
| Violin, Viola
|
| E-flat major
|
|-
| Hob.VI:6
| Duo
| Violin, Viola
|
| C major
|
|-
| [[String Duo in D major, Hob.VI:D1 (Haydn, Joseph)|Hob.VI:D1]]
|
| 2 Violins
|
| D major
|
|-
| [[String Duo in D major, Hob.VI:D2 (Haydn, Joseph)|Hob.VI:D2]]
| Sonata for 2 Violins
| 2 Violins
|
| D major
| Op.6, No.4
|-
| [[String Duo in E-flat major, Hob.VI:Es2 (Haydn, Joseph)|Hob.VI:Es2]]
| Sonata for 2 Violins
| 2 Violins
|
| E-flat major
| Op.6, No.5
|-
| [[String Duo in F major, Hob.VI:F1 (Haydn, Joseph)|Hob.VI:F1]]
| Sonata for 2 Violins
| 2 Violins
|
| F major
| Op.6, No.6
|-
| [[String Duo in G major, Hob.VI:G1 (Haydn, Joseph)|Hob.VI:G1]]
| Sonata for 2 Violins
| 2 Violins
|
| G major
| Op.6, No.1
|-
| [[String Duo in A major, Hob.VI:A1 (Haydn, Joseph)|Hob.VI:A1]]
| Sonata for 2 Violins
| 2 Violins
|
| A major
| Op.6, No.2
|-
| [[String Duo in B-flat major, Hob.VI:B1 (Haydn, Joseph)|Hob.VI:B1]]
| Sonata for 2 Violins
| 2 Violins
|
| B-flat major
| Op.6, No.3
|-
| [[String Duo in B-flat major, Hob.VI:Anh.1 (Haydn, Joseph)|Hob.VI:Anh.1]]
| Duet for 2 Violins
| 2 Violins
|
| B-flat major
| Op.99, No.1
|-
| [[String Duo in E-flat major, Hob.VI:Anh.2 (Haydn, Joseph)|Hob.VI:Anh.2]]
| Duet for 2 Violins
| 2 Violins
|
| E-flat major
| Op.99, No.2
|-
| [[String Duo in B-flat major, Hob.VI:Anh.3 (Haydn, Joseph)|Hob.VI:Anh.3]]
| Duet for 2 Violins
| 2 Violins
|
| B-flat major
| Op.99, No.3
|}

===Hob.VII Concertos for Various Instruments===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Violin Concerto in C major, Hob.VIIa:1 (Haydn, Joseph)|Hob.VIIa:1]]
| Violin Concerto in C major
| Violin, Strings
| 1765 ca.
| C major
|
|-
| Hob.VIIa:2
| Violin Concerto in D major
| Violin, Orchestra
| 1765 or before
| D major
| lost
|-
| [[Violin Concerto in A major, Hob.VIIa:3 (Haydn, Joseph)|Hob.VIIa:3]]
| Violin Concerto in A major
| Violin, Orchestra
| 1770 or before
| A major
|
|-
| [[Violin Concerto in G major, Hob.VIIa:4 (Haydn, Joseph)|Hob.VIIa:4]]
| Violin Concerto in G major
| Violin, Strings
| 1769 or before
| G major
| possibly by {{LinkComp|Leopold|Hofmann}}
|-
| Hob.VIIa:D1
| Violin Concerto, in D major
| Violin, Orchestra
|
| D major
| possibly by {{LinkComp|Carl|Stamitz}}
|-
| Hob.VIIa:G1
| Violin Concerto in G major
| Violin, Strings
|
| G major
| possibly by {{LinkComp|Michael|Haydn}}
|-
| Hob.VIIa:A1
| Violin Concerto in A major
| Violin, Strings
|
| A major
| possibly by {{LinkComp|Giovanni Mane|Giornovichi}}
|-
| Hob.VIIa:B1
| Violin Concerto in G major
| Violin, Strings
|
| B-flat major
| spurious, by {{LinkComp|Michael|Haydn}}
|-
| [[Violin Concerto in B-flat major (Cannabich, Christian)|Hob.VIIa:B2]]
| Violin Concerto in B-flat major
| Violin, Strings
|
| B-flat major
| spurious, by {{LinkComp|Christian|Cannabich}}
|-
| [[Cello Concerto No.1 in C major, Hob.VIIb:1 (Haydn, Joseph)|Hob.VIIb:1]]
| Cello Concerto No.1
| Cello, Orchestra
| 1761-65
| C major
|
|-
| [[Cello Concerto No.2 in D major, Hob.VIIb:2 (Haydn, Joseph)|Hob.VIIb:2]]
| Cello Concerto No.2
| Cello, Orchestra
| 1783
| D major
|
|-
| Hob.VIIb:3
| Cello Concerto No.3
| Cello, Orchestra
| 1780 or before (ca.)
| C major
| Most likely a misentry in Haydn's catalogue. Possibly never existed.
|-
| [[Cello Concerto in D major (Costanzi, Giovanni Battista)|Hob.VIIb:4]]
| Cello Concerto No.4
| Cello, Strings
| 1772
| D major
| spurious, now attributed to {{LinkComp|Giovanni Battista|Costanzi}}
|-
| [[Cello Concerto No.5 in C major, Hob.VIIb:5 (Haydn, Joseph)|Hob.VIIb:5]]
| Cello Concerto No.5
| Cello, Orchestra
|
| C major
| spurious, now attributed to {{LinkComp|David|Popper}}
|-
| Hob.VIIb:g1
| Cello Concerto
| Cello, Strings
| 1773 ca.
| G minor
| Not found in Haydn's personal catalog. The incipit is not in the style of Haydn, but more baroque.
|-
| Hob.VIIc:1
| Contrabass Concerto
| Contrabass, Strings
|
| D major
| lost
|-
| Hob.VIId:1
| Horn Concerto
| Horn, Strings
| 1765
| D major
| lost
|-
| Hob.VIId:2
| Concerto for 2 Horns
| 2 Horns, Strings
|
| E-flat major
| lost
|-
| [[Horn Concerto No.1 in D major, Hob.VIId:3 (Haydn, Joseph)|Hob.VIId:3]]
| Horn Concerto No.1
| Horn, 2 Oboes, Strings
| 1762
| D major
|
|-
| [[Horn Concerto No.2 in D major, Hob.VIId:4 (Haydn, Joseph)|Hob.VIId:4]]
| Horn Concerto No.2
| Horn, Strings
| 1781 or before
| D major
| possibly by {{LinkComp|Michael|Haydn}}
|-
| [[Trumpet Concerto in E-flat major, Hob.VIIe:1 (Haydn, Joseph)|Hob.VIIe:1]]
| Trumpet Concerto
| Trumpet, Strings
| 1796
| E-flat major
|
|-
| Hob.VIIf:1
| Flute Concerto
| Flute, Strings
| 1780 or before
| D major
|
|-
| Hob.VIIf:D1
| Flute Concerto
| Flute, Strings
|
| D major
| spurious, by {{LinkComp|Leopold|Hofmann}}
|-
| [[Oboe Concerto in C major, Hob.VIIg:C1 (Haydn, Joseph)|Hob.VIIg:C1]]
| Oboe Concerto
| Oboe, Strings
|
| C major
| probably not authentic, possibly by Ignaz Malzat (1757-1804).
|-
| Hob.VIIh:1
| Concerto for 2 "Lyra organizzata"
| 2 Lyra, 2 Horns, Strings
| 1786
| C major
|
|-
| Hob.VIIh:2
| Concerto for 2 "Lyra organizzata"
| 2 Lyra, 2 Horns, Strings
| 1786
| G major
|
|-
| Hob.VIIh:3
| Concerto for 2 "Lyra organizzata"
| 2 Lyra, 2 Horns, Strings
| 1786
| G major
|
|-
| Hob.VIIh:4
| Concerto for 2 "Lyra organizzata"
| 2 Lyra, 2 Horns, Strings
| 1786
| F major
|
|-
| Hob.VIIh:5
| Concerto for 2 "Lyra organizzata"
| 2 Lyra, 2 Horns, Strings
| 1786
| F major
|
|}

===Hob.VIII (1-7) Marches===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| Hob.VIII:1
| Derbyshire March
| 2 Clarinets, 2 Bassoons, Contrabassoon, 2 Horns, Trumpet
| 1795
| E-flat major
|
|-
| Hob.VIII:2
| Derbyshire March
| 2 Clarinets, 2 Bassoons, Contrabassoon, 2 Horns, Trumpet
| 1795
| C major
|
|-
| [[Marsch für den Prinzen von Wales, Hob.VIII:3 (Haydn, Joseph)|Hob.VIII:3]]
| Marsch für den Prinzen von Wales
| 2 Clarinets, 2 Bassoons, Contrabassoon, 2 Horns, Trumpet
| 1792
| E-flat major
|
|-
| Hob.VIII:3bis
| Marsch für die Royal Society of Musicians
| Flute, 2 Clarinets, 2 Bassoons, Contrabassoon, 2 Horns, 2 Trumpets, Strings
| 1792
| E-flat major
|
|-
| Hob.VIII:4
| Ungarischer National-Marsch
| 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Trumpet
| 1802
| E-flat major
|
|-
| Hob.VIII:5
| Il Mondo della Luna
| 2 Oboes, 2 Bassoons, Timpani, Strings
| 1777
| C major
| From the opera of the same name [[Il mondo della luna, Hob.XXVIII:7 (Haydn, Joseph)|Hob.XXVIII:7]]
|-
| Hob.VIII:6
| Wind Sextet
| 2 Clarinets, 2 Bassoons, 2 Horns
| 1793
| E-flat major
| Orchestration of [[Flötenuhr in D major, Hob.XIX:25 (Haydn, Joseph)|Hob.XIX:25]], transposed from D to E-flat major
|-
| Hob.VIII:7
|
| 2 Clarinets, 2 Bassoons, Contrabassoon, 2 Horns, 2 Trumpets
| 1792 ca.
| E-flat major
|
|-
| Hob.VIII:C1
| Marsch Brillande de la 66. Brigad des Chasseurs
|
|
| C major
|
|-
| Hob.VIII:C2
| Napoleons Marsch
|
|
| C major
|
|-
| Hob.VIII:D1
| Marsch für das k. k. Infanterie-Regiment Coloredo
| Piano?
|
| D major
|
|-
| Hob.VIII:Es1
| Napoleons Siegesmarsch
|
|
| E-flat major
|
|}

===Hob.IX (1-30) Dances===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| Hob.IX:1
| 12 Minuets
| 2 Oboes, 2 Horns, Strings
| 1760 or before
|
|
|-
| Hob.IX:2
| 6 Minuets
| 2 Horns, Strings
| 1766 or before
|
|
|-
| Hob.IX:3
| 16 Minuets
| Orchestra
| 1767 or before
|
|
|-
| Hob.IX:4
| 12 Minuets
| Flute, 2 Horns, Strings
| 1766 or before
|
|
|-
| Hob.IX:5
| 6 Minuets
| Orchestra
| 1766
|
|
|-
| Hob.IX:6
| 12 Minuets
| Orchestra
| 1776 ca.
|
|
|-
| Hob.IX:7
| 14 Minuets
| Orchestra
| 1784 or before
|
|
|-
| [[12 Minuets, Hob.IX:8 (Haydn, Joseph)|Hob.IX:8]]
| 12 Minuets
| Keyboard
| 1785 or before
|
|
|-
| Hob.IX:9
| 6 German Dances
| Orchestra
| 1787 or before
|
|
|-
| Hob.IX:9a
| 6 Minuets
| Keyboard
| 1787 ca.
|
|
|-
| Hob.IX:9b
| 12 German Dances
| Orchestra
| 1787 or before
|
|
|-
| Hob.IX:9c
| 12 Minuets
| Orchestra?
| 1784 or before
|
|
|-
| [[12 German Dances, Hob.IX:10 (Haydn, Joseph)|Hob.IX:10]]
| 12 German Dances
| Keyboard
| before 1793
|
|
|-
| [[12 Minuets, Hob.IX:11 (Haydn, Joseph)|Hob.IX:11]]
| 12 Minuets
| Orchestra
| 1792
|
|
|-
| Hob.IX:12
| 12 German Dances
| Orchestra
| 1792
|
|
|-
| Hob.IX:13
| 12 German Dances
| Keyboard
| 1792 ca.
|
|
|-
| Hob.IX:14
| 13 Minuets
| Orchestra
|
|
|
|-
| Hob.IX:15
| 6 Minuets
| Orchestra
|
|
|
|-
| Hob.IX:16
| 24 Minuets
| Orchestra
|
|
|
|-
| Hob.IX:17
| 17 German Dances
| Orchestra
|
|
|
|-
| Hob.IX:18
| 9 Minuets
| Orchestra
|
|
|
|-
| Hob.IX:19
| 13 Minuets
| Strings
|
|
|
|-
| Hob.IX:20
| 18 Minuets
| Keyboard
|
|
|
|-
| Hob.IX:21
| 21 Minuets
| Keyboard
|
|
|
|-
| [[10 Minuets, Hob.IX:22 (Haydn, Joseph)|Hob.IX:22]]
| 10 Minuets
| Keyboard
|
|
|
|-
| Hob.IX:23
| Minuet in G major
| 2 Flutes, 2 Horns, Strings
|
| G major
|
|-
| [[Minuet in C major, Hob.IX:24 (Haydn, Joseph)|Hob.IX:24]]
| Minuet in C major
| Strings
| 1792 ca.
| C major
|
|-
| Hob.IX:25
| Minuet in F major
| Strings
| 1775 ca.
| F major
|
|-
| Hob.IX:26
| Minuet in F-sharp major
| Keyboard
|
| F-sharp major
|
|-
| [[Die Ochsenmenuette (Seyfried, Ignaz)|Hob.IX:27]]
| ochsenmenuett (Ox minuet)
| Original instrumentation unknown
| 1800 ca.
| C major
|by Ignaz Seyfried
|-
| Hob.IX:28
| 8 Zingarese or Gypsy Dances
| Keyboard
| 1799 ca.
|
|
|-
| Hob.IX:29
| 5 Contra Dances and 1 Quadrille
| Keyboard
|
|
|
|-
| Hob.IX:30
| English Dance
| Keyboard
|
| F major
|
|-
| [[12 German Dances, Hob.IX:Anh (Haydn, Joseph)|Hob.IX:Anh]]
| 12 German Dances
| Keyboard
|
|
|
|}

===Hob.X (1-12) Works for various instruments with Baryton===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| Hob.X:1
| Divertimento in D major
| Baryton, 2 Horns, Strings
| 1775
| D major
|
|-
| Hob.X:2
| Divertimento in D major
| Baryton, 2 Horns, Strings
| 1775 ca.
| D major
|
|-
| Hob.X:3
| Divertimento in A minor
| Baryton, 2 Horns, Strings
| 1775
| A minor
|
|-
| [[Divertimento in G major, Hob.X:4 (Haydn, Joseph)|Hob.X:4]]
| Divertimento in G major
| Baryton, 2 Horns, Strings
| 1775 ca.
| G major
|
|-
| [[Divertimento in G major, Hob.X:5 (Haydn, Joseph)|Hob.X:5]]
| Divertimento in G major
| Baryton, 2 Horns, Strings
| 1775
| G major
|
|-
| Hob.X:6
| Divertimento in A major
| Baryton, 2 Horns, Strings
| 1775
| A major
|
|-
| Hob.X:7
| Divertimento in D major
| Baryton, 2 Horns, Viola, Bass
| 1767-68
| D major
|
|-
| Hob.X:8
| Divertimento in G major
| Baryton, 2 Horns, Viola, Cello
|
| G major
|
|-
| Hob.X:9
| Divertimento in D major
| 2 Barytons, 2 Horns
| 1770 or before
| D major
|
|-
| Hob.X:10
| Divertimento in D major
| Baryton, 2 Horns, Viola, Bass
| 1767-68
| D major
|
|-
| Hob.X:11
| Divertimento in D major
| Baryton, Cello
| 1770 or before
| D major
|
|-
| [[Divertimento in G major, Hob.X:12 (Haydn, Joseph)|Hob.X:12]]
| Divertimento in G major
| Baryton, Flute, 2 Horns, Strings
|
| G major
|
|}

===Hob.XI (1-126) Trios for Baryton, Violin or Viola and Cello===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Baryton Trio in A major, Hob.XI:1 (Haydn, Joseph)|Hob.XI:1]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in A major, Hob.XI:2 (Haydn, Joseph)|Hob.XI:2]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| Hob.XI:2bis
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in A major, Hob.XI:3 (Haydn, Joseph)|Hob.XI:3]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in A major, Hob.XI:4 (Haydn, Joseph)|Hob.XI:4]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in A major, Hob.XI:5 (Haydn, Joseph)|Hob.XI:5]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
| Revised version in G major, possibly spurious
|-
| [[Baryton Trio in A major, Hob.XI:6 (Haydn, Joseph)|Hob.XI:6]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in A major, Hob.XI:7 (Haydn, Joseph)|Hob.XI:7]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in A major, Hob.XI:8 (Haydn, Joseph)|Hob.XI:8]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in A major, Hob.XI:9 (Haydn, Joseph)|Hob.XI:9]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in A major, Hob.XI:10 (Haydn, Joseph)|Hob.XI:10]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| Hob.XI:11
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| Hob.XI:12
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| Hob.XI:13
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
| lost
|-
| [[Baryton Trio in D major, Hob.XI:14 (Haydn, Joseph)|Hob.XI:14]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in A major, Hob.XI:15 (Haydn, Joseph)|Hob.XI:15]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in A major, Hob.XI:16 (Haydn, Joseph)|Hob.XI:16]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| Hob.XI:17
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| Hob.XI:18
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
| lost
|-
| [[Baryton Trio in A major, Hob.XI:19 (Haydn, Joseph)|Hob.XI:19]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| Hob.XI:20
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| Hob.XI:21
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| Hob.XI:22
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
| Only the first movement (Adagio) survived.
|-
| Hob.XI:23
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
| lost
|-
| Hob.XI:24
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in A major, Hob.XI:25 (Haydn, Joseph)|Hob.XI:25]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in G major, Hob.XI:26 (Haydn, Joseph)|Hob.XI:26]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in D major, Hob.XI:27 (Haydn, Joseph)|Hob.XI:27]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in D major, Hob.XI:28 (Haydn, Joseph)|Hob.XI:28]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in A major, Hob.XI:29 (Haydn, Joseph)|Hob.XI:29]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in G major, Hob.XI:30 (Haydn, Joseph)|Hob.XI:30]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in D major, Hob.XI:31 (Haydn, Joseph)|Hob.XI:31]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in G major, Hob.XI:32 (Haydn, Joseph)|Hob.XI:32]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in A major, Hob.XI:33 (Haydn, Joseph)|Hob.XI:33]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in D major, Hob.XI:34 (Haydn, Joseph)|Hob.XI:34]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in A major, Hob.XI:35 (Haydn, Joseph)|Hob.XI:35]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in D major, Hob.XI:36 (Haydn, Joseph)|Hob.XI:36]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in G major, Hob.XI:37 (Haydn, Joseph)|Hob.XI:37]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in A major, Hob.XI:38 (Haydn, Joseph)|Hob.XI:38]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in D major, Hob.XI:39 (Haydn, Joseph)|Hob.XI:39]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in D major, Hob.XI:40 (Haydn, Joseph)|Hob.XI:40]]
| Baryton Trio
| Baryton, Viola, Cello
| 1767
| D major
|
|-
| [[Baryton Trio in D major, Hob.XI:41 (Haydn, Joseph)|Hob.XI:41]]
| Baryton Trio
| Baryton, Viola, Cello
| 1767
| D major
|
|-
| [[Baryton Trio in D major, Hob.XI:42 (Haydn, Joseph)|Hob.XI:42]]
| Baryton Trio
| Baryton, Viola, Cello
| 1767
| D major
|
|-
| [[Baryton Trio in D major, Hob.XI:43 (Haydn, Joseph)|Hob.XI:43]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in D major, Hob.XI:44 (Haydn, Joseph)|Hob.XI:44]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in D major, Hob.XI:45 (Haydn, Joseph)|Hob.XI:45]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in A major, Hob.XI:46 (Haydn, Joseph)|Hob.XI:46]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in G major, Hob.XI:47 (Haydn, Joseph)|Hob.XI:47]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in D major, Hob.XI:48 (Haydn, Joseph)|Hob.XI:48]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in G major, Hob.XI:49 (Haydn, Joseph)|Hob.XI:49]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in D major, Hob.XI:50 (Haydn, Joseph)|Hob.XI:50]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in A major, Hob.XI:51 (Haydn, Joseph)|Hob.XI:51]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in D major, Hob.XI:52 (Haydn, Joseph)|Hob.XI:52]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in G major, Hob.XI:53 (Haydn, Joseph)|Hob.XI:53]]
| Baryton Trio
| Baryton, Viola, Cello
| 1767
| G major
|
|-
| [[Baryton Trio in D major, Hob.XI:54 (Haydn, Joseph)|Hob.XI:54]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in G major, Hob.XI:55 (Haydn, Joseph)|Hob.XI:55]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in D major, Hob.XI:56 (Haydn, Joseph)|Hob.XI:56]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in A major, Hob.XI:57 (Haydn, Joseph)|Hob.XI:57]]
| Baryton Trio
| Baryton, Viola, Cello
| 1768
| A major
|
|-
| [[Baryton Trio in D major, Hob.XI:58 (Haydn, Joseph)|Hob.XI:58]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in G major, Hob.XI:59 (Haydn, Joseph)|Hob.XI:59]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in A major, Hob.XI:60 (Haydn, Joseph)|Hob.XI:60]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in D major, Hob.XI:61 (Haydn, Joseph)|Hob.XI:61]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in G major, Hob.XI:62 (Haydn, Joseph)|Hob.XI:62]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in D major, Hob.XI:63 (Haydn, Joseph)|Hob.XI:63]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in D major, Hob.XI:64 (Haydn, Joseph)|Hob.XI:64]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in G major, Hob.XI:65 (Haydn, Joseph)|Hob.XI:65]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in A major, Hob.XI:66 (Haydn, Joseph)|Hob.XI:66]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in G major, Hob.XI:67 (Haydn, Joseph)|Hob.XI:67]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in A major, Hob.XI:68 (Haydn, Joseph)|Hob.XI:68]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in D major, Hob.XI:69 (Haydn, Joseph)|Hob.XI:69]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in G major, Hob.XI:70 (Haydn, Joseph)|Hob.XI:70]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in A major, Hob.XI:71 (Haydn, Joseph)|Hob.XI:71]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in D major, Hob.XI:72 (Haydn, Joseph)|Hob.XI:72]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in G major, Hob.XI:73 (Haydn, Joseph)|Hob.XI:73]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in D major, Hob.XI:74 (Haydn, Joseph)|Hob.XI:74]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in A major, Hob.XI:75 (Haydn, Joseph)|Hob.XI:75]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in C major, Hob.XI:76 (Haydn, Joseph)|Hob.XI:76]]
| Baryton Trio
| Baryton, Viola, Cello
| 1772
| C major
|
|-
| [[Baryton Trio in G major, Hob.XI:77 (Haydn, Joseph)|Hob.XI:77]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in D major, Hob.XI:78 (Haydn, Joseph)|Hob.XI:78]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in D major, Hob.XI:79 (Haydn, Joseph)|Hob.XI:79]]
| Baryton Trio
| Baryton, Viola, Cello
| 1769
| D major
|
|-
| [[Baryton Trio in G major, Hob.XI:80 (Haydn, Joseph)|Hob.XI:80]]
| Baryton Trio
| Baryton, Viola, Cello
| 1769 ca.
| G major
|
|-
| [[Baryton Trio in D major, Hob.XI:81 (Haydn, Joseph)|Hob.XI:81]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in C major, Hob.XI:82 (Haydn, Joseph)|Hob.XI:82]]
| Baryton Trio
| Baryton, Viola, Cello
|
| C major
|
|-
| [[Baryton Trio in F major, Hob.XI:83 (Haydn, Joseph)|Hob.XI:83]]
| Baryton Trio
| Baryton, Viola, Cello
|
| F major
|
|-
| [[Baryton Trio in G major, Hob.XI:84 (Haydn, Joseph)|Hob.XI:84]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in D major, Hob.XI:85 (Haydn, Joseph)|Hob.XI:85]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in A major, Hob.XI:86 (Haydn, Joseph)|Hob.XI:86]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in A minor, Hob.XI:87 (Haydn, Joseph)|Hob.XI:87]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A minor
|
|-
| [[Baryton Trio in A major, Hob.XI:88 (Haydn, Joseph)|Hob.XI:88]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in G major, Hob.XI:89 (Haydn, Joseph)|Hob.XI:89]]
| Baryton Trio
| Baryton, Violin, Cello
|
| G major
|
|-
| [[Baryton Trio in C major, Hob.XI:90 (Haydn, Joseph)|Hob.XI:90]]
| Baryton Trio
| Baryton, Violin, Cello
|
| C major
|
|-
| [[Baryton Trio in D major, Hob.XI:91 (Haydn, Joseph)|Hob.XI:91]]
| Baryton Trio
| Baryton, Violin, Cello
|
| D major
|
|-
| [[Baryton Trio in G major, Hob.XI:92 (Haydn, Joseph)|Hob.XI:92]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in C major, Hob.XI:93 (Haydn, Joseph)|Hob.XI:93]]
| Baryton Trio
| Baryton, Viola, Cello
|
| C major
|
|-
| [[Baryton Trio in A major, Hob.XI:94 (Haydn, Joseph)|Hob.XI:94]]
| Baryton Trio
| Baryton, Viola, Cello
| 1771
| A major
|
|-
| [[Baryton Trio in D major, Hob.XI:95 (Haydn, Joseph)|Hob.XI:95]]
| Baryton Trio
| Baryton, Viola, Cello
| 1771
| D major
|
|-
| [[Baryton Trio in B minor, Hob.XI:96 (Haydn, Joseph)|Hob.XI:96]]
| Baryton Trio
| Baryton, Viola, Cello
| 1771
| B minor
|
|-
| Hob.XI:97
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| Hob.XI:98
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| Hob.XI:99
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
| lost
|-
| [[Baryton Trio in F major, Hob.XI:100 (Haydn, Joseph)|Hob.XI:100]]
| Baryton Trio
| Baryton, Viola, Cello
|
| F major
|
|-
| [[Baryton Trio in C major, Hob.XI:101 (Haydn, Joseph)|Hob.XI:101]]
| Baryton Trio
| Baryton, Viola, Cello
|
| C major
|
|-
| Hob.XI:102
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in A major, Hob.XI:103 (Haydn, Joseph)|Hob.XI:103]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| Hob.XI:104
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
| lost
|-
| Hob.XI:105
| Baryton Trio
| Baryton, Viola, Cello
| 1772
| G major
|
|-
| [[Baryton Trio in D major, Hob.XI:106 (Haydn, Joseph)|Hob.XI:106]]
| Baryton Trio
| Baryton, Viola, Cello
| 1772
| D major
|
|-
| [[Baryton Trio in D major, Hob.XI:107 (Haydn, Joseph)|Hob.XI:107]]
| Baryton Trio
| Baryton, Viola, Cello
| 1772
| D major
|
|-
| [[Baryton Trio in A major, Hob.XI:108 (Haydn, Joseph)|Hob.XI:108]]
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in C major, Hob.XI:109 (Haydn, Joseph)|Hob.XI:109]]
| Baryton Trio
| Baryton, Viola, Cello
|
| C major
|
|-
| [[Baryton Trio in C major, Hob.XI:110 (Haydn, Joseph)|Hob.XI:110]]
| Baryton Trio
| Baryton, Viola, Cello
| 1772
| C major
|
|-
| [[Baryton Trio in G major, Hob.XI:111 (Haydn, Joseph)|Hob.XI:111]]
| Baryton Trio
| Baryton, Viola, Cello
| 1772
| G major
|
|-
| Hob.XI:112
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in D major, Hob.XI:113 (Haydn, Joseph)|Hob.XI:113]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in D major, Hob.XI:114 (Haydn, Joseph)|Hob.XI:114]]
| Baryton Trio
| Baryton, Viola, Cello
| 1775 or before
| D major
|
|-
| Hob.XI:115
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| [[Baryton Trio in G major, Hob.XI:116 (Haydn, Joseph)|Hob.XI:116]]
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| Hob.XI:117
| Baryton Trio
| Baryton, Viola, Cello
|
| F major
|
|-
| [[Baryton Trio in D major, Hob.XI:118 (Haydn, Joseph)|Hob.XI:118]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| Hob.XI:119
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| [[Baryton Trio in D major, Hob.XI:120 (Haydn, Joseph)|Hob.XI:120]]
| Baryton Trio
| Baryton, Viola, Cello
|
| D major
|
|-
| Hob.XI:121
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| Hob.XI:122
| Baryton Trio
| Baryton, Viola, Cello
|
| A major
|
|-
| [[Baryton Trio in G major, Hob.XI:123 (Haydn, Joseph)|Hob.XI:123]]
| Baryton Trio
| Baryton, Viola, Cello
| 1771
| G major
|-
| [[Baryton Trio in G major, Hob.XI:124 (Haydn, Joseph)|Hob.XI:124]]
| Baryton Trio
| Baryton, Viola, Cello
| 1771
| G major
|
|-
| Hob.XI:125
| Baryton Trio
| Baryton, Viola, Cello
|
| G major
|
|-
| Hob.XI:126
| Baryton Trio
| Baryton, Viola, Cello
| 1771 ca.
| C major
|
|-
| [[Baryton Trio in C major, Hob.XI:C2 (Haydn, Joseph)|Hob.XI:C2]]
| Baryton Trio
| Baryton, Viola, Cello
|
| C major
| doubtful authenticity
|}

===Hob.XII (1-25) Duos with Baryton===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| Hob.XII:1
| Baryton Duo
| Baryton, Cello
| 1770 or before
| A major
|
|-
| Hob.XII:2
| Baryton Duo
| Baryton, Cello
|
| G major
|
|-
| Hob.XII:3
| Baryton Duo
| Baryton, Cello
|
| D major
|
|-
| Hob.XII:4
| Baryton Duo
| 2 Barytons
| 1770 or before
| G major
|
|-
| Hob.XII:5
| Baryton Duo
| 2 Barytons
| 1770 or before
| D major
|
|-
| Hob.XII:6
| Baryton Duo
| Baryton, unknown
| 1770 or before
| G major
|
|-
| Hob.XII:7
| Baryton Duo
| Baryton, Cello
| 1770 or before
| D major
|
|-
| Hob.XII:8
| Baryton Duo
| Baryton, Cello
| 1770 or before
| C major
|
|-
| Hob.XII:9
| Baryton Duo
| Baryton, Cello
| 1770 or before
| G major
|
|-
| Hob.XII:10
| Baryton Duo
| Baryton, Cello
| 1770 or before
| A major
|
|-
| Hob.XII:11
| Baryton Duo
| Baryton, Cello
| 1770 or before
| D major
|
|-
| Hob.XII:12
| Baryton Duo
| Baryton, Cello
|
| G major
|
|-
| Hob.XII:13
| Baryton Duo
| Baryton, unknown
| 1770 or before
| D major
|
|-
| Hob.XII:14
| Baryton Duo
| Baryton, unknown
| 1770 or before
| D major
|
|-
| Hob.XII:15
| Baryton Duo
| Baryton, Cello
|
| F major
|
|-
| Hob.XII:16
| Baryton Duo
| Baryton, Cello
|
| D major
|
|-
| Hob.XII:17
| Baryton Duo
| Baryton, Cello
|
| D major
|
|-
| Hob.XII:18
| Baryton Duo
| Baryton, Cello
| 1770 or before
| A major
|
|-
| Hob.XII:19
| Baryton Duo
| 2 Barytons, Bass
| 1765 or before
| A major
|
|-
| Hob.XII:20
| Baryton Duo
| Baryton, unknown
| 1765 or before
| G major
|
|-
| Hob.XII:21
| Baryton Duo
| Baryton, unknown
| 1765 or before
| D major
|
|-
| Hob.XII:22
| Baryton Duo
| Baryton, unknown
| 1765 or before
| A major
|
|-
| Hob.XII:23
| Baryton Duo
| Baryton, unknown
| 1765 or before
| G major
|
|-
| Hob.XII:24
| Baryton Duo
| Baryton, unknown
| 1775 or before
| D major
|
|-
| Hob.XII:25
| Baryton Duo
| Baryton, unknown
|
| C major
|
|}

===Hob.XIII (1-3) Concertos for Baryton===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| Hob. XIII:1
| Concerto for Baryton
| Baryton, Strings
| 1770 or before
| D major
| lost or whereabouts unknown
|-
| Hob. XIII:2
| Concerto for Baryton
| Baryton, Strings
| 1770 or before
| D major
| lost or whereabouts unknown
|-
| Hob. XIII:3
| Concerto for Baryton
| 2 Barytons, Strings
| 1770 or before
| D major
| lost or whereabouts unknown
|}

===Hob.XIV (1-13) Divertimentos with Keyboard===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Divertimento in E-flat major, Hob.XIV:1 (Haydn, Joseph)|Hob. XIV:1]]
|
| 2 Horns, Violin, Cello, Keyboard
| 1776 or before
| E-flat major
|
|-
| Hob. XIV:2
|
| Baryton, 2 Violins, Keyboard
| 1769 or before
| F major
| rearranged by Haydn as [[Piano Trio in F major, Hob.XV:2 (Haydn, Joseph)|Piano Trio in F major, Hob.XV:2]]
|-
| [[Divertimento in C major, Hob.XIV:3 (Haydn, Joseph)|Hob. XIV:3]]
|
| 2 Violins, Cello, Keyboard
| 1767 or before
| C major
|
|-
| Hob. XIV:4
|
| 2 Violins, Cello, Keyboard
| 1764
| C major
|
|-
| Hob. XIV:5
|
| 2 Violins, Cello, Keyboard
| 1766
| D major
|
|-
| Hob. XIV:6
|
| 2 Violins, Cello, Keyboard
| 1767 or before
| G major
|
|-
| Hob. XIV:7
|
| 2 Violins, Cello, Keyboard
| 1766 or before
| C major
|
|-
| Hob. XIV:8
|
| 2 Violins, Cello, Keyboard
| 1766 or before
| C major
|
|-
| Hob. XIV:9
|
| 2 Violins, Cello, Keyboard
| 1766 or before
| F major
|
|-
| Hob. XIV:10
|
| unknown, Keyboard
|
| C major
|
|-
| Hob. XIV:11
|
| 2 Violins, Cello, Keyboard
| 1760
| C major
|
|-
| Hob. XIV:12
|
| 2 Violins, Cello, Keyboard
| 1766 or before
| C major
|
|-
| [[Divertimento in G major, Hob.XIV:13 (Haydn, Joseph)|Hob. XIV:13]]
|
| 2 Violins, Cello, Keyboard
|
| G major
|
|}

===Hob.XV (1-40) Piano Trios (for Piano, Violin or Flute and Cello)===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Piano Trio in G minor, Hob.XV:1 (Haydn, Joseph)|Hob.XV:1]]
| Piano Trio
| Violin, Cello, Keyboard
| 1766 or before
| G minor
|
|-
| [[Piano Trio in F major, Hob.XV:2 (Haydn, Joseph)|Hob.XV:2]]
| Piano Trio
| Violin, Cello, Keyboard
| 1769 ca.
| F major
| originally for Piano, Baryton and 2 Violins; see XIV:2;
|-
| [[Piano Trio in C major, Hob.XV:3 (Haydn, Joseph)|Hob.XV:3]]
| Piano Trio
| Violin, Cello, Keyboard
| 1784 or before
| C major
| Op. 40 No. 1 ; most likely by {{LinkComp|Ignaz|Pleyel}}
|-
| [[Piano Trio in F major, Hob.XV:4 (Haydn, Joseph)|Hob.XV:4]]
| Piano Trio
| Violin, Cello, Keyboard
| 1784 or before
| F major
| Op. 40 No. 2 ; most likely by {{LinkComp|Ignaz|Pleyel}}
|-
| [[Piano Trio in G major, Hob.XV:5 (Haydn, Joseph)|Hob.XV:5]]
| Piano Trio
| Violin, Cello, Keyboard
| 1784 or before
| G major
| Op. 40 No. 3
|-
| [[Piano Trio in F major, Hob.XV:6 (Haydn, Joseph)|Hob.XV:6]]
| Piano Trio
| Violin, Cello, Keyboard
| 1784/85
| F major
| Op. 43 No. 1
|-
| [[Piano Trio in D major, Hob.XV:7 (Haydn, Joseph)|Hob.XV:7]]
| Piano Trio
| Violin, Cello, Keyboard
| 1784/85
| D major
| Op. 43 No. 2
|-
| [[Piano Trio in B-flat major, Hob.XV:8 (Haydn, Joseph)|Hob.XV:8]]
| Piano Trio
| Violin, Cello, Keyboard
| 1784/85
| B-flat major
| Op. 43 No. 3
|-
| [[Piano Trio in A major, Hob.XV:9 (Haydn, Joseph)|Hob.XV:9]]
| Piano Trio
| Violin, Cello, Keyboard
| 1785
| A major
| Op. 27 No. 1
|-
| [[Piano Trio in E-flat major, Hob.XV:10 (Haydn, Joseph)|Hob.XV:10]]
| Piano Trio
| Violin, Cello, Keyboard
| 1785
| E-flat major
| Op. 27 No. 2
|-
| [[Piano Trio in E-flat major, Hob.XV:11 (Haydn, Joseph)|Hob.XV:11]]
| Piano Trio
| Violin, Cello, Keyboard
| 1789 or before
| E flat major
| Op. 57 No. 1
|-
| [[Piano Trio in E minor, Hob.XV:12 (Haydn, Joseph)|Hob.XV:12]]
| Piano Trio
| Violin, Cello, Keyboard
| 1789 or before
| E minor
| Op. 57 No. 2
|-
| [[Piano Trio in C minor, Hob.XV:13 (Haydn, Joseph)|Hob.XV:13]]
| Piano Trio
| Violin, Cello, Keyboard
| 1789 or before
| C minor
| Op. 57 No. 3
|-
| [[Piano Trio in A-flat major, Hob.XV:14 (Haydn, Joseph)|Hob.XV:14]]
| Piano Trio
| Violin, Cello, Keyboard
| 1790
| A-flat major
| Op. 39
|-
| [[Piano Trio in G major, Hob.XV:15 (Haydn, Joseph)|Hob.XV:15]]
| Piano Trio
| Flute, Cello, Keyboard
| 1790
| G major
| Op. 67 No. 1
|-
| [[Piano Trio in D major, Hob.XV:16 (Haydn, Joseph)|Hob.XV:16]]
| Piano Trio
| Flute, Cello, Keyboard
| 1790
| D major
| Op. 67 No. 2
|-
| [[Piano Trio in F major, Hob.XV:17 (Haydn, Joseph)|Hob.XV:17]]
| Piano Trio
| Flute or Violin, Cello, Keyboard
| 1790
| F major
| Op. 73
|-
| [[Piano Trio in A major, Hob.XV:18 (Haydn, Joseph)|Hob.XV:18]]
| Piano Trio
| Violin, Cello, Keyboard
| 1794
| A major
| Op. 36 No. 1
|-
| [[Piano Trio in G minor, Hob.XV:19 (Haydn, Joseph)|Hob.XV:19]]
| Piano Trio
| Violin, Cello, Keyboard
| 1794
| G minor
| Op. 36 No. 2
|-
| [[Piano Trio in B-flat major, Hob.XV:20 (Haydn, Joseph)|Hob.XV:20]]
| Piano Trio
| Violin, Cello, Keyboard
| 1794
| B-flat major
| Op. 36 No. 3
|-
| [[Piano Trio in C major, Hob.XV:21 (Haydn, Joseph)|Hob.XV:21]]
| Piano Trio
| Violin, Cello, Keyboard
| 1794/95
| C major
| Op.71 No.1
|-
| [[Piano Trio in E-flat major, Hob.XV:22 (Haydn, Joseph)|Hob.XV:22]]
| Piano Trio
| Violin, Cello, Keyboard
| 1794/95
| E-flat major
| Op.71 No.2
|-
| [[Piano Trio in D minor, Hob.XV:23 (Haydn, Joseph)|Hob.XV:23]]
| Piano Trio
| Violin, Cello, Keyboard
| 1794/95
| D minor
| Op.71 No.3
|-
| [[Piano Trio in D major, Hob.XV:24 (Haydn, Joseph)|Hob.XV:24]]
| Piano Trio
| Violin, Cello, Keyboard
| 1795
| D major
| Op.82 No.1
|-
| [[Piano Trio in G major, Hob.XV:25 (Haydn, Joseph)|Hob.XV:25]]
| Piano Trio
| Violin, Cello, Keyboard
| 1795
| G major
| Op.82 No.2
|-
| [[Piano Trio in F-sharp minor, Hob.XV:26 (Haydn, Joseph)|Hob.XV:26]]
| Piano Trio
| Violin, Cello, Keyboard
| 1795
| F-sharp minor
| Op.82 No.3
|-
| [[Piano Trio in C major, Hob.XV:27 (Haydn, Joseph)|Hob.XV:27]]
| Piano Trio
| Violin, Cello, Keyboard
| 1797 or before
| C major
| Op.86 No.1
|-
| [[Piano Trio in E major, Hob.XV:28 (Haydn, Joseph)|Hob.XV:28]]
| Piano Trio
| Violin, Cello, Keyboard
| 1797 or before
| E major
| Op.86 No.2
|-
| [[Piano Trio in E-flat major, Hob.XV:29 (Haydn, Joseph)|Hob.XV:29]]
| Piano Trio
| Violin, Cello, Keyboard
| 1797 or before
| E-flat major
| Op.86 No.3
|-
| [[Piano Trio in E-flat major, Hob.XV:30 (Haydn, Joseph)|Hob.XV:30]]
| Piano Trio
| Violin, Cello, Keyboard
| 1795
| E-flat major
| Op.89
|-
| [[Piano Trio in E-flat minor, Hob.XV:31 (Haydn, Joseph)|Hob.XV:31]]
| Piano Trio
| Violin, Cello, Keyboard
| 1795
| E-flat minor
| Op.53
|-
| [[Piano Trio in G major, Hob.XV:32 (Haydn, Joseph)|Hob.XV:32]]
| Piano Trio
| Violin, Cello, Keyboard
| 1793/94
| G major
|
|-
| Hob.XV:33
| Piano Trio
| Violin, Cello, Keyboard
| 1759 or before
| D major
|
|-
| Hob.XV:34
| Piano Trio
| Violin, Cello, Keyboard
| 1759 or before
| E major
|
|-
| Hob.XV:35
| Piano Trio
| Violin, Cello, Keyboard
| 1759 or before
| A major
|
|-
| Hob.XV:36
| Piano Trio
| Violin, Cello, Keyboard
| 1760 ca.
| E-flat major
|
|-
|[[Piano Trio in F major, Hob.XV:37 (Haydn, Joseph)|Hob.XV:37]]
| Piano Trio
| Violin, Cello, Keyboard
| 1766 or before
| F major
|
|-
| [[Piano Trio in B-flat major, Hob.XV:38 (Haydn, Joseph)|Hob.XV:38]]
| Piano Trio
| Violin, Cello, Keyboard
| 1766 or before
| B-flat major
|
|-
|[[Piano Trio in F major, Hob.XV:39 (Haydn, Joseph)|Hob.XV:39]]
| Piano Trio
| Violin, Cello, Keyboard
|
| F major
| Arrangement of other works
|-
| Hob.XV:40
| Piano Trio
| Violin, Cello, Keyboard
| 1760 or before
| F major
|
|-
| Hob.XV:41
| Piano Trio
| Violin, Cello, Keyboard
| 1767 or before
| G major
|
|-
|[[Piano Trio in C major, Hob.XV:C1 (Haydn, Joseph)|Hob.XV:C1]]
| Piano Trio
| Violin, Cello, Keyboard
|
| C major
|
|-
| Hob.XV:C2
| Piano Trio
| Violin, Cello, Keyboard
|
| C major
|
|-
| Hob.XV:D1
| Piano Trio
| Violin, Cello, Keyboard
|
| D major
|
|-
| Hob.XV:f1
| Piano Trio
| Violin, Cello, Keyboard
|
| F minor
|
|}

===Hob.XVI (1-52) Keyboard Sonatas===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Divertimento in C major, Hob.XVI:1 (Haydn, Joseph)|Hob.XVI:1]]
| Divertimento
| Keyboard
| 1760 or before
| C major
| Keyboard Sonata No.1
|-
| [[Partita in B-flat major, Hob.XVI:2 (Haydn, Joseph)|Hob.XVI:2]]
| Partita
| Keyboard
| 1760 ca
| B-flat major
| Keyboard Sonata No.2
|-
| Hob.XVI:2a
| Divertimento
| Keyboard
| 1767 or before
| D minor
| for 4 hands
|-
| Hob.XVI:2b
| Divertimento (or Sonata)
| Keyboard
|
| A major
| for 4 hands
|-
| Hob.XVI:2c
| Divertimento
| Keyboard
|
| B major
| for 4 hands
|-
| Hob.XVI:2d
| Divertimento (or Sonata)
| Keyboard
|
| B-flat major
| for 4 hands
|-
| Hob.XVI:2e
| Divertimento (or Sonata)
| Keyboard
|
| E minor
| for 4 hands
|-
| Hob.XVI:2g
| Divertimento (or Sonata)
| Keyboard
|
| C major
| for 4 hands
|-
| Hob.XVI:2h
| Divertimento
| Keyboard
|
| A major
| for 4 hands
|-
| [[Divertimento in C major, Hob.XVI:3 (Haydn, Joseph)|Hob.XVI:3]]
| Divertimento
| Keyboard
| 1760 or before
| C major
| Keyboard Sonata No.3
|-
| [[Divertimento in D major, Hob.XVI:4 (Haydn, Joseph)|Hob.XVI:4]]
| Divertimento
| Keyboard
| 1760 or before
| D major
| Keyboard Sonata No.4
|-
| [[Divertimento in A major, Hob.XVI:5 (Haydn, Joseph)|Hob.XVI:5]]
| Divertimento
| Keyboard
| 1763 or before
| A major
| Keyboard Sonata No.5
|-
| [[Partita in G major, Hob.XVI:6 (Haydn, Joseph)|Hob.XVI:6]]
| Partita
| Keyboard
| 1766 or before
| G major
| Keyboard Sonata No.6
|-
| [[Divertimento in C major, Hob.XVI:7 (Haydn, Joseph)|Hob.XVI:7]]
| Divertimento
| Keyboard
| 1766 or before
| C major
| Keyboard Sonata No.7
|-
| [[Divertimento in G major, Hob.XVI:8 (Haydn, Joseph)|Hob.XVI:8]]
| Divertimento
| Keyboard
| 1766 or before
| G major
| Keyboard Sonata No.8
|-
| [[Divertimento in F major, Hob.XVI:9 (Haydn, Joseph)|Hob.XVI:9]]
| Divertimento
| Keyboard
| 1766 or before
| F major
| Keyboard Sonata No.9
|-
| [[Divertimento in C major, Hob.XVI:10 (Haydn, Joseph)|Hob.XVI:10]]
| Divertimento
| Keyboard
| 1767 or before
| C major
| Keyboard Sonata No.10
|-
| [[Divertimento in G major, Hob.XVI:11 (Haydn, Joseph)|Hob.XVI:11]]
| Divertimento
| Keyboard
| 1767 or before
| G major
| Keyboard Sonata No.11, authorship uncertain
|-
| [[Divertimento in A major, Hob.XVI:12 (Haydn, Joseph)|Hob.XVI:12]]
| Divertimento
| Keyboard
| 1767 or before
| A major
| Keyboard Sonata No.12
|-
| [[Partita in E major, Hob.XVI:13 (Haydn, Joseph)|Hob.XVI:13]]
| Partita
| Keyboard
| 1767 or before
| E major
| Keyboard Sonata No.13, authorship uncertain
|-
| [[Partita in D major, Hob.XVI:14 (Haydn, Joseph)|Hob.XVI:14]]
| Partita
| Keyboard
| 1767 or before
| D major
| Keyboard Sonata No.14
|-
| [[Keyboard Sonata in C major, Hob.XVI:15 (Haydn, Joseph)|Hob.XVI:15]]
| Keyboard Sonata No.15
| Keyboard
| 1765 or before
| C major
| Haydn's authorship of this work is disputed. Arranged from [[Divertimento in C major, Hob.II:11 (Haydn, Joseph)|Hob.II:11]] (mvts.I, III, IV)
|-
| [[Divertimento in E-flat major, Hob.XVI:16 (Haydn, Joseph)|Hob.XVI:16]]
| Keyboard Sonata No.16
| Keyboard
|
| E-flat major
| authorship uncertain
|-
| ''[[Keyboard Sonata in B-flat major (Schwanenberger, Johann Gottfried)|Hob.XVI:17]]''
| Keyboard Sonata No.17
| Keyboard
|
| B-flat major
| spurious, by {{LinkComp|Johann Gottfried|Schwanenberger}}
|-
| [[Keyboard Sonata in B-flat major, Hob.XVI:18 (Haydn, Joseph)|Hob.XVI:18]]
| Keyboard Sonata No.18
| Keyboard
| 1767 ca
| B-flat major
|
|-
| [[Divertimento in D major, Hob.XVI:19 (Haydn, Joseph)|Hob.XVI:19]]
| Keyboard Sonata No.19
| Keyboard
| 1767
| D major
|
|-
| [[Keyboard Sonata in C minor, Hob.XVI:20 (Haydn, Joseph)|Hob.XVI:20]]
| Keyboard Sonata No.20
| Keyboard
| 1771 ca
| C minor
|
|-
| [[Keyboard Sonata in C major, Hob.XVI:21 (Haydn, Joseph)|Hob.XVI:21]]
| Keyboard Sonata No.21
| Keyboard
| 1773
| C major
|
|-
| [[Keyboard Sonata in E major, Hob.XVI:22 (Haydn, Joseph)|Hob.XVI:22]]
| Keyboard Sonata No.22
| Keyboard
| 1773
| E major
|
|-
| [[Keyboard Sonata in F major, Hob.XVI:23 (Haydn, Joseph)|Hob.XVI:23]]
| Keyboard Sonata No.23
| Keyboard
| 1773
| F major
|
|-
| [[Keyboard Sonata in D major, Hob.XVI:24 (Haydn, Joseph)|Hob.XVI:24]]
| Keyboard Sonata No.24
| Keyboard
| 1773
| D major
|
|-
| [[Keyboard Sonata in E-flat major, Hob.XVI:25 (Haydn, Joseph)|Hob.XVI:25]]
| Keyboard Sonata No.25
| Keyboard
| 1773
| E-flat major
|
|-
| [[Keyboard Sonata in A major, Hob.XVI:26 (Haydn, Joseph)|Hob.XVI:26]]
| Keyboard Sonata No.26
| Keyboard
| 1773
| A major
|
|-
| [[Keyboard Sonata in G major, Hob.XVI:27 (Haydn, Joseph)|Hob.XVI:27]]
| Keyboard Sonata No.27
| Keyboard
| 1774-76 ca
| G major
|
|-
| [[Keyboard Sonata in E-flat major, Hob.XVI:28 (Haydn, Joseph)|Hob.XVI:28]]
| Keyboard Sonata No.28
| Keyboard
| 1774-76 ca
| E-flat major
|
|-
| [[Keyboard Sonata in F major, Hob.XVI:29 (Haydn, Joseph)|Hob.XVI:29]]
| Keyboard Sonata No.29
| Keyboard
| 1774-76 ca
| F major
|
|-
| [[Keyboard Sonata in A major, Hob.XVI:30 (Haydn, Joseph)|Hob.XVI:30]]
| Keyboard Sonata No.30
| Keyboard
| 1774-76 ca
| A major
|
|-
| [[Keyboard Sonata in E major, Hob.XVI:31 (Haydn, Joseph)|Hob.XVI:31]]
| Keyboard Sonata No.31
| Keyboard
| 1774-76 ca
| E major
|
|-
| [[Keyboard Sonata in B minor, Hob.XVI:32 (Haydn, Joseph)|Hob.XVI:32]]
| Keyboard Sonata No.32
| Keyboard
| 1774-76 ca
| B minor
|
|-
| [[Keyboard Sonata in D major, Hob.XVI:33 (Haydn, Joseph)|Hob.XVI:33]]
| Keyboard Sonata No.33
| Keyboard
| 1777 ca
| D major
|
|-
| [[Keyboard Sonata in E minor, Hob.XVI:34 (Haydn, Joseph)|Hob.XVI:34]]
| Keyboard Sonata No.34
| Keyboard
| 1778 or before
| E minor
|
|-
| [[Keyboard Sonata in C major, Hob.XVI:35 (Haydn, Joseph)|Hob.XVI:35]]
| Keyboard Sonata No.35
| Keyboard
| 1780 or before
| C major
|
|-
| [[Keyboard Sonata in C-sharp minor, Hob.XVI:36 (Haydn, Joseph)|Hob.XVI:36]]
| Keyboard Sonata No.36
| Keyboard
| 1780 or before
| C sharp minor
|
|-
| [[Keyboard Sonata in D major, Hob.XVI:37 (Haydn, Joseph)|Hob.XVI:37]]
| Keyboard Sonata No.37
| Keyboard
| 1780 or before
| D major
|
|-
| [[Keyboard Sonata in E-flat major, Hob.XVI:38 (Haydn, Joseph)|Hob.XVI:38]]
| Keyboard Sonata No.38
| Keyboard
| 1780 or before
| E-flat major
|
|-
| [[Keyboard Sonata in G major, Hob.XVI:39 (Haydn, Joseph)|Hob.XVI:39]]
| Keyboard Sonata No.39
| Keyboard
| 1780 or before
| G major
|
|-
| [[Keyboard Sonata in G major, Hob.XVI:40 (Haydn, Joseph)|Hob.XVI:40]]
| Keyboard Sonata No.40
| Keyboard
| 1784
| G major
|
|-
| [[Keyboard Sonata in B-flat major, Hob.XVI:41 (Haydn, Joseph)|Hob.XVI:41]]
| Keyboard Sonata No.41
| Keyboard
| 1784
| B-flat major
|
|-
| [[Keyboard Sonata in D major, Hob.XVI:42 (Haydn, Joseph)|Hob.XVI:42]]
| Keyboard Sonata No.42
| Keyboard
| 1784
| D major
|
|-
| [[Keyboard Sonata in A-flat major, Hob.XVI:43 (Haydn, Joseph)|Hob.XVI:43]]
| Keyboard Sonata No.43
| Keyboard
| 1783 or before
| A-flat major
|
|-
| [[Keyboard Sonata in G minor, Hob.XVI:44 (Haydn, Joseph)|Hob.XVI:44]]
| Keyboard Sonata No.44
| Keyboard
| 1765/67
| G minor
|
|-
| [[Divertimento in E-flat major, Hob.XVI:45 (Haydn, Joseph)|Hob.XVI:45]]
| Divertimento
| Keyboard
| 1765/67
| E-flat major
| Keyboard Sonata No.45
|-
| [[Divertimento in A-flat major, Hob.XVI:46 (Haydn, Joseph)|Hob.XVI:46]]
| Divertimento
| Keyboard
| 1765/67
| A-flat major
| Keyboard Sonata No.46
|-
| [[Keyboard Sonata in F major, Hob.XVI:47 (Haydn, Joseph)|Hob.XVI:47]]
| Keyboard Sonata No.47
| Keyboard
| 1765/67 ca
| F major
| authorship uncertain
|-
| [[Keyboard Sonata in C major, Hob.XVI:48 (Haydn, Joseph)|Hob.XVI:48]]
| Keyboard Sonata No.48
| Keyboard
| 1789 or before
| C major
|
|-
| [[Keyboard Sonata in E-flat major, Hob.XVI:49 (Haydn, Joseph)|Hob.XVI:49]]
| Keyboard Sonata No.49
| Keyboard
| 1789/90
| E-flat major
|
|-
| [[Keyboard Sonata in C major, Hob.XVI:50 (Haydn, Joseph)|Hob.XVI:50]]
| Keyboard Sonata No.50
| Keyboard
| 1794/95
| C major
|
|-
| [[Keyboard Sonata in D major, Hob.XVI:51 (Haydn, Joseph)|Hob.XVI:51]]
| Keyboard Sonata No.51
| Keyboard
| 1794
| D major
|
|-
| [[Keyboard Sonata in E-flat major, Hob.XVI:52 (Haydn, Joseph)|Hob.XVI:52]]
| Keyboard Sonata No.52
| Keyboard
| 1794
| E-flat major
|
|-
| [[Keyboard Sonata in G major, Hob.XVI:G1 (Haydn, Joseph)|Hob.XVI:G1]]
|
| Keyboard
|
| G major
|
|-
| [[Keyboard Sonata in D major, Hob.XVI:deest (Haydn, Joseph)|Hob.XVI:deest]]
|
| Keyboard
|
| D major
|
|}

===Hob.XVII (1-12) Keyboard Pieces===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Capriccio in G major, Hob.XVII:1 (Haydn, Joseph)|Hob.XVII:1]]
| Capriccio
| Keyboard
| 1765
| G major
|
|-
| Hob.XVII:2
| Variations in A major
| Keyboard
| 1771 or before
| A major
|
|-
| [[Variations in E-flat major, Hob.XVII:3 (Haydn, Joseph)|Hob.XVII:3]]
| Variations in E flat major
| Keyboard
| 1774 or before
| E-flat major
|
|-
| [[Fantasia in C major, Hob.XVII:4 (Haydn, Joseph)|Hob.XVII:4]]
| Fantasia in C major
| Keyboard
| 1789
| C major
|
|-
| [[Variations in C major, Hob.XVII:5 (Haydn, Joseph)|Hob.XVII:5]]
| Variations in C major
| Keyboard
| 1790
| C major
|
|-
| [[Variations in F minor, Hob.XVII:6 (Haydn, Joseph)|Hob. XVII:6]]
| Variations in F minor
| Keyboard
| 1793
| F minor
|
|-
| [[Variations in D major, Hob.XVII:7 (Haydn, Joseph)|Hob. XVII:7]]
| Variations in D major
| Keyboard
| 1766 or before
| D major
|
|-
| Hob. XVII:8
| Variations in D major
| Keyboard
|
| D major
|
|-
| [[Adagio in F major, Hob.XVII:9 (Haydn, Joseph)|Hob. XVII:9]]
| Adagio
| Keyboard
|
| F major
|
|-
| Hob. XVII:10
| Allegretto
| Keyboard
|
| G major
|
|-
| Hob. XVII:11
| Nouvelle Andante pour le Clavecin No.2
| Keyboard
|
|
|
|-
| Hob. XVII:12
| Variations in B-flat major
| Keyboard
|
| B-flat major
|
|-
| [[12 Easy Pieces (Haydn, Joseph)|Hob.XVII Anh.]]
| 12 Easy Pieces
| Keyboard
|
|
|}

===Hob.XVIIa (1-2) Keyboard for 4 Hands===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Il maestro e lo scolare, Hob.XVIIa:1 (Haydn, Joseph)|Hob.XVIIa:1]]
| Il Maestro e Lo Scolare
| Keyboard 4 hands
| 1778 or before
| F major
|
|-
| Hob.XVIIa:2
| Partita
| Keyboard 4 hands
|
| F major
|
|}

===Hob.XVIII (1-11) Keyboard Concertos===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Keyboard Concerto in C major, Hob.XVIII:1 (Haydn, Joseph)|Hob.XVIII:1]]
| Keyboard Concerto
| Keyboard (Organ), Orchestra
| 1756
| C major
|
|-
| Hob.XVIII:2
| Keyboard Concerto
| Keyboard, Orchestra
| 1767 or before
| D major
|
|-
| [[Keyboard Concerto in F major, Hob.XVIII:3 (Haydn, Joseph)|Hob.XVIII:3]]
| Keyboard Concerto
| Keyboard, Strings
| 1765 ca.
| F major
|
|-
| [[Keyboard Concerto in G major, Hob.XVIII:4 (Haydn, Joseph)|Hob.XVIII:4]]
| Keyboard Concerto
| Keyboard, Orchestra
| 1782 or before
| G major
|
|-
| [[Keyboard Concerto in C major, Hob.XVIII:5 (Haydn, Joseph)|Hob.XVIII:5]]
| Keyboard Concerto
| Keyboard, Strings
| 1763 or before
| C major
|
|-
| [[Keyboard Concerto in F major, Hob.XVIII:6 (Haydn, Joseph)|Hob.XVIII:6]]
| Keyboard Concerto
| Violin, Keyboard, Strings
| 1766 or before
| F major
|
|-
| Hob.XVIII:7
| Keyboard Concerto
| Keyboard, Strings
| 1766 or before
| F major
|
|-
| [[Keyboard Concerto in C major, Hob.XVIII:8 (Haydn, Joseph)|Hob.XVIII:8]]
| Keyboard Concerto
| Keyboard, Orchestra
| 1766 or before
| C major
|
|-
| Hob.XVIII:9
| Keyboard Concerto
| Keyboard, Strings
| 1767 or before
| G major
|
|-
| [[Keyboard Concerto in C major, Hob.XVIII:10 (Haydn, Joseph)|Hob.XVIII:10]]
| Keyboard Concerto
| Keyboard, Strings
| 1771 or before
| C major
|
|-
| [[Keyboard Concerto in D major, Hob.XVIII:11 (Haydn, Joseph)|Hob.XVIII:11]]
| Keyboard Concerto
| Keyboard, Orchestra
| 1782 or before
| D major
|
|}

===Hob.XIX (1-32) Pieces for Mechanical Clock (''Flötenuhr'')===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Flötenuhr in F major, Hob.XIX:1 (Haydn, Joseph)|Hob.XIX:1]]
| Allegretto
| Keyboard (Organ)
| 1772
| F major
| Mechanical Clock from 1772
|-
| [[Flötenuhr in F major, Hob.XIX:2 (Haydn, Joseph)|Hob.XIX:2]]
| Vivace
| Keyboard (Organ)
| 1772
| F major
| Mechanical Clock from 1772
|-
| [[Flötenuhr in F major, Hob.XIX:3 (Haydn, Joseph)|Hob.XIX:3]]
| Andantino
| Keyboard (Organ)
| 1772
| F major
| Mechanical Clock from 1772

|-
| [[Flötenuhr in C major, Hob.XIX:4 (Haydn, Joseph)|Hob.XIX:4]]
| Andante cantabile ("Der Dudelsack")
| Keyboard (Organ)
| 1772
| C major
| Mechanical Clock from 1772
|-
| [[Flötenuhr in F major, Hob.XIX:5 (Haydn, Joseph)|Hob.XIX:5]]
| Minuet
| Keyboard (Organ)
| 1772
| F major
| Mechanical Clock from 1772 ; Arranged from [[Baryton Trio in C major, Hob.XI:82 (Haydn, Joseph)|Hob.XI:82]]
|-
| [[Flötenuhr in F major, Hob.XIX:6 (Haydn, Joseph)|Hob.XIX:6]]
| Vivace ("Der Kaffeeklatsch")
| Keyboard (Organ)
| 1772
| F major
| Mechanical Clock from 1772 ; Arranged from [[Baryton Trio in C major, Hob.XI:76 (Haydn, Joseph)|Hob.XI:76]]
|-
| [[Flötenuhr in C major, Hob.XIX:7 (Haydn, Joseph)|Hob.XIX:7]]
| Minuet
| Keyboard (Organ)
| 1772/92
| C major
| Mechanical Clocks from 1772 and 1792
|-
| [[Flötenuhr in C major, Hob.XIX:8 (Haydn, Joseph)|Hob.XIX:8]]
| Minuet ("Der Wachtelschlag")
| Keyboard (Organ)
| 1772/92
| C major
| Mechanical Clocks from 1772 and 1792
|-
| [[Flötenuhr in C major, Hob.XIX:9 (Haydn, Joseph)|Hob.XIX:9]]
| Minuet. Allegretto
| Keyboard (Organ)
| 1772/92
| C major
| Mechanical Clocks from 1772 and 1792
|-
| [[Flötenuhr in C major, Hob.XIX:10 (Haydn, Joseph)|Hob.XIX:10]]
| Andante
| Keyboard (Organ)
| 1772/92
| C major
| Mechanical Clocks from 1772 and 1792
|-
| [[Flötenuhr in C major, Hob.XIX:11 (Haydn, Joseph)|Hob.XIX:11]]
| Allegretto
| Keyboard (Organ)
| 1772/93
| C major
| Mechanical Clocks from 1772 and 1793
|-
| [[Flötenuhr in C major, Hob.XIX:12 (Haydn, Joseph)|Hob.XIX:12]]
| Andante
| Keyboard (Organ)
| 1772/93
| C major
| Mechanical Clocks from 1772 and 1793
|-
| [[Flötenuhr in C major, Hob.XIX:13 (Haydn, Joseph)|Hob.XIX:13]]
| Vivace
| Keyboard (Organ)
| 1772/93
| C major
| Mechanical Clocks from 1772 and 1793
|-
| [[Flötenuhr in C major, Hob.XIX:14 (Haydn, Joseph)|Hob.XIX:14]]
| Minuet
| Keyboard (Organ)
| 1772/93
| C major
| Mechanical Clocks from 1772 and 1793
|-
| [[Flötenuhr in C major, Hob.XIX:15 (Haydn, Joseph)|Hob.XIX:15]]
| Allegro ma non troppo
| Keyboard (Organ)
| 1772/93
| C major
| Mechanical Clocks from 1772 and 1793
|-
| [[Flötenuhr in C major, Hob.XIX:16 (Haydn, Joseph)|Hob.XIX:16]]
| Fugue. Allegro
| Keyboard (Organ)
| 1772/93
| C major
| Mechanical Clocks from 1772 and 1793
|-
| [[Flötenuhr in C major, Hob.XIX:17 (Haydn, Joseph)|Hob.XIX:17]]
| Allegro moderato
| Keyboard (Organ)
| 1792
| C major
| Mechanical Clock from 1792
|-
| [[Flötenuhr in C major, Hob.XIX:18 (Haydn, Joseph)|Hob.XIX:18]]
| Presto
| Keyboard (Organ)
| 1792
| C major
| Mechanical Clock from 1792
|-
| [[Flötenuhr in C major, Hob.XIX:19 (Haydn, Joseph)|Hob.XIX:19]]
| Andante
| Keyboard (Organ)
| 1792
| C major
| Mechanical Clock from 1792
|-
| [[Flötenuhr in C major, Hob.XIX:20 (Haydn, Joseph)|Hob.XIX:20]]
| Minuet
| Keyboard (Organ)
| 1792
| C major
| Mechanical Clock from 1792
|-
| [[Flötenuhr in G major, Hob.XIX:21 (Haydn, Joseph)|Hob.XIX:21]]
| Allegretto
| Keyboard (Organ)
| 1792
| G major
| Mechanical Clock from 1792
|-
| [[Flötenuhr in C major, Hob.XIX:22 (Haydn, Joseph)|Hob.XIX:22]]
| Allegro moderato
| Keyboard (Organ)
| 1792
| C major
| Mechanical Clock from 1792
|-
| [[Flötenuhr in C major, Hob.XIX:23 (Haydn, Joseph)|Hob.XIX:23]]
| Vivace
| Keyboard (Organ)
| 1792
| C major
| Mechanical Clock from 1792
|-
| [[Flötenuhr in C major, Hob.XIX:24 (Haydn, Joseph)|Hob.XIX:24]]
| Presto
| Keyboard (Organ)
| 1792
| C major
| Mechanical Clock from 1792
|-
| [[Flötenuhr in D major, Hob.XIX:25 (Haydn, Joseph)|Hob.XIX:25]]
| March
| Keyboard (Organ)
| 1793
| D major
| Mechanical Clock from 1793
|-
| [[Flötenuhr in E major, Hob.XIX:26 (Haydn, Joseph)|Hob.XIX:26]]
| Andante - Allegro
| Keyboard (Organ)
| 1793
| E major
| Mechanical Clock from 1793
|-
| [[Flötenuhr in G major, Hob.XIX:27 (Haydn, Joseph)|Hob.XIX:27]]
| Allegretto
| Keyboard (Organ)
| 1793
| G major
| Mechanical Clock from 1793
|-
| [[Flötenuhr in C major, Hob.XIX:28 (Haydn, Joseph)|Hob.XIX:28]]
| Allegro
| Keyboard (Organ)
| 1793
| C major
| Mechanical Clock from 1793 ; Arranged from [[String Quartet in D major, Hob.III:70 (Haydn, Joseph)|Hob.III:70]]
|-
| [[Flötenuhr in C major, Hob.XIX:29 (Haydn, Joseph)|Hob.XIX:29]]
| Minuet
| Keyboard (Organ)
| 1793
| C major
| Mechanical Clock from 1793 ; Arranged from [[Symphony No.101 in D major, Hob.I:101 (Haydn, Joseph)|Hob.I:101]]
|-
| [[Flötenuhr in G major, Hob.XIX:30 (Haydn, Joseph)|Hob.XIX:30]]
| Presto
| Keyboard (Organ)
| 1793
| G major
| Mechanical Clock from 1793 ; Arranged from [[String Quartet in D major, Hob.III:63 (Haydn, Joseph)|Hob.III:63]]
|-
| [[Flötenuhr in C major, Hob.XIX:31 (Haydn, Joseph)|Hob.XIX:31]]
| Presto
| Keyboard (Organ)
| 1793
| C major
| Mechanical Clock from 1793
|-
| [[Flötenuhr in F major, Hob.XIX:32 (Haydn, Joseph)|Hob.XIX:32]]
| Allegro
| Keyboard (Organ)
|
| F major
| Unknown Mechanical Clock ; Arranged from [[Symphony No.99 in E-flat major, Hob.I:99 (Haydn, Joseph)|Hob.I:99]]
|}

===Hob.XX ''The Seven Last Words of Christ'' & ''Stabat Mater'' ===

{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Die Worte des Erlösers am Kreuze, Hob.XX:1 (Haydn, Joseph)|Hob.XX:1]]
| ''The Seven Last Words of Christ'' Instrumental Version
| Orchestra
| 1785
|
| Seven sonatas with sinfonia and an earthquake
|-
| [[Die Worte des Erlösers am Kreuze, Hob.XX:2 (Haydn, Joseph)|Hob.XX:2]]
| ''The Seven Last Words of Christ'' Choral Version
| SATB Soloists, Mixed Choir, Orchestra
| 1796
|
| Revised version of [[Die Worte des Erlösers am Kreuze, Hob.XX.1 (Haydn, Joseph)|Hob.XX:1]] adding choir and bigger orchestra
|-
| [[Stabat Mater, Hob.XXa:1 (Haydn, Joseph)|Hob.XXa:1]]
| Stabat Mater
| SATB Soloists, Mixed Choir, Orchestra
| 1767
| G minor
|
|}

===Hob.XXI (1-4) Oratorios ===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Il Ritorno di Tobia, Hob.XXI:1 (Haydn, Joseph)|Hob.XXI:1]]
| Il Ritorno di Tobia
| SSATB Soloists, Mixed Choir, Orchestra
| 1775
| C minor
| revised in 1784 and again in 1806 by {{LinkComp|Sigismund|Neukomm}} with Haydn's consent
|-
| [[Die Schöpfung, Hob.XXI:2 (Haydn, Joseph)|Hob.XXI:2]]
| Die Schöpfung
| STB Soloists, Mixed Choir, Orchestra
| 1796-98
|
|
|-
| [[Die Jahreszeiten, Hob.XXI:3 (Haydn, Joseph)|Hob.XXI:3]]
| Die Jahreszeiten
| STB Soloists, Mixed Choir, Orchestra
| 1801
|
|
|-
| Hob.XXI:4
| Die Sieben Letzten Worte (The Seven Last Words of Christ)
| SCTB Soloists, Mixed Choir, Orchestra
| 1796
|
| Oratorio version of Hob. XX:1 also labled as Hob. XX:2
|}

===Hob.XXII (1-14) Masses ===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Mass in F major, Hob.XXII:1 (Haydn, Joseph)|Hob.XXII:1]]
| Missa brevis
| 2 Sopranos, Mixed Choir, Strings
| 1750 ca.
| F major
|
|-
| Hob.XXII:2
| Missa Sunt bona mixta malis
| Mixed Choir a capella
| 1770 or before
| D minor
| fragment
|-
| [[Mass in G major, Hob.XXII:3 (Haydn, Joseph)|Hob.XXII:3]]
| Missa Rorate cœli desuper
| 2 Sopranos, Mixed Choir, Strings
|
| G major
|
|-
| [[Mass in E-flat major, Hob.XXII:4 (Haydn, Joseph)|Hob.XXII:4]]
| Grosse Orgelmesse
| SATB Soloists, Mixed Choir, Orchestra
| 1766 ca.
| E-flat major
| Missa in honorem Beatissimæ Virginis Mariæ
|-
| [[Mass in C major, Hob.XXII:5 (Haydn, Joseph)|Hob.XXII:5]]
| Missa Cellensis
| SATB Soloists, Mixed Choir, Orchestra
| 1766
| C major
|
|-
| [[Mass in G major, Hob.XXII:6 (Haydn, Joseph)|Hob.XXII:6]]
| Missa Sancti Nicolai
| SATB Soloists, Mixed Choir, Orchestra
| 1772
| G major
| Nicolaimesse
|-
| [[Mass in B-flat major, Hob.XXII:7 (Haydn, Joseph)|Hob.XXII:7]]
| Kleine Orgelmesse
| Soprano, Mixed Choir, Strings
| 1778 or before
| B-flat major
| Missa brevis Sancti Joannis de Deo
|-
| [[Mass in C major, Hob.XXII:8 (Haydn, Joseph)|Hob.XXII:8]]
| Mariazellermesse
| SATB Soloists, Mixed Choir, Orchestra
| 1782
| C major
| Missa Cellensis
|-
| [[Mass in C major, Hob.XXII:9 (Haydn, Joseph)|Hob.XXII:9]]
| Mass in Time of War
| SATB Soloists, Mixed Choir, Orchestra
| 1796
| C major
| Missa in tempore belli ; Paukenmesse
|-
| [[Mass in B-flat major, Hob.XXII:10 (Haydn, Joseph)|Hob.XXII:10]]
| Heiligmesse
| SSATBB Soloists, Mixed Choir, Orchestra
| 1796
| B-flat major
| Missa sancti Bernardi de Offida
|-
| [[Mass in D minor, Hob.XXII:11 (Haydn, Joseph)|Hob.XXII:11]]
| Nelson Mass
| SATB Soloists, Mixed Choir, Orchestra
| 1798
| D minor
| Missa in Angustiis ; Nelsonmesse ; Imperial Mass ; Coronation Mass
|-
| [[Mass in B-flat major, Hob.XXII:12 (Haydn, Joseph)|Hob.XXII:12]]
| Theresa Mass
| SATB Soloists, Mixed Choir, Orchestra
| 1799
| B-flat major
| Theresienmesse
|-
| [[Mass in B-flat major, Hob.XXII:13 (Haydn, Joseph)|Hob.XXII:13]]
| Creation Mass
| SATB Soloists, Mixed Choir, Orchestra
| 1801
| B-flat major
| Schöpfungsmesse
|-
| [[Mass in B-flat major, Hob.XXII:14 (Haydn, Joseph)|Hob.XXII:14]]
| Harmony mass
| SATB Soloists, Mixed Choir, Orchestra
| 1802
| B-flat major
| Harmoniemesse
|-
| Hob.XXIIb:1
| Libera me
| Mixed Choir, Strings
| 1790 ca.
| F major
|
|}

===Hob.XXIII Other Sacred Works ===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Non nobis Domine, Hob.XXIIIa:1 (Haydn, Joseph)|Hob.XXIIIa:1]]
| Motet: Non nobis Domine
| Mixed Choir
| 1799 ca.
| D minor
|
|-
| Hob.XXIIIa:2
| Motet: Animae Deo gratae
| Soprano, Mixed Choir, Orchestra
| 1776 or before
| C major
| also referred to as ''Agite Properate''
|-
| Hob.XXIIIa:3
| Hymne (Offertorium): Ens aeternum attende votis
| Mixed Choir, Orchestra
| 1772 or before
| G major
| also referred to as ''Walte gnädig o ew'ge Liebe''
|-
| Hob.XXIIIa:4
| Motet di Sancta Thecla: Quis stella radius
| Soprano, Mixed Choir, Organ, Stings
| 1762 ca.
| C major
|
|-
| Hob.XXIIIa:5
| Offertorium: Ad aras convolate
| Mixed Choir, Orchestra
| 1780 ca.
| G major
|
|-
| Hob.XXIIIa:6
| Motet: Salus et Gloria
| Mixed Choir, Orchestra
| 1779 or before
| C major
|
|-
| Hob.XXIIIa:7
| Motet de Tempore: Super flumina Babylonis
| Solo Alto, Soprano, Tenor, Bass, Orchestra
| 1772 or before
| C major
|
|-
| Hob.XXIIIa:8
| Offertorium: Ardentes seraphini
| 2 Sopranos, Alto, Strings
| 1786 or before
| A major
|
|-
| Hob.XXIIIb:1
| Salve Regina
| Soprano, Mixed Choir, Strings
| 1756
| E major
|
|-
| [[Salve Regina in G minor, Hob.XXIIIb:2 (Haydn, Joseph)|Hob.XXIIIb:2]]
| Salve Regina
| SATB Soloists, Mixed Choir, Organ, Strings
| 1771
| G minor
|
|-
| Hob.XXIIIb:3
| Ave Regina
| Soprano, Mixed Choir, Organ, 2 Violins
| 1763 ca.
| A major
|
|-
| Hob.XXIIIb:4
| Salve Regina
| Mixed Choir, Organ, Strings
| 1770 or before
| E-flat major
|
|-
| Hob.XXIIIb:5
| Salve Regina
| Soprano, Alto, Organ, Strings
| 1776 ca.
| G major
|
|-
| Hob.XXIIIb:6
| Ave Regina
| Mixed Choir, Organ, Orchestra
| 1782 or before
| F major
|
|-
| [[Te Deum in C major, Hob.XXIIIc:1 (Haydn, Joseph)|Hob.XXIIIc:1]]
| Te Deum
| SATB Soloists, Mixed Choir, Organ, Orchestra
| 1765 or before
| C major
| just refered to Joseph, actually by his brother Johann Michael
|-
| [[Te Deum in C major, Hob.XXIIIc:2 (Haydn, Joseph)|Hob.XXIIIc:2]]
| Te Deum
| Mixed Choir, Organ, Orchestra
| 1800 or before
| C major
| Grosses Te Deum
|-
| Hob.XXIIIc:3
| Alleluia
| Mixed Choir, Organ, Strings
| 1768-71
| G major
|
|-
| Hob.XXIIIc:4a-d
| 4 Responsoria de Venerabili
| Mixed Choir, 2 Horns, Organ, Strings
| 1768 ca.
|
|
|-
| Hob.XXIIIc:5a-d
| 4 Hymnen de Venerabili
| Mixed Choir, Organ, Orchestra
| 1760 ca.
|
|
|-
| Hob.XXIIIc:6
| Aria de Venera: Lauda Sion
| Alto, 2 Flutes, Organ, 2 Violins, Viola
| 1760 ca.
| F major
|
|-
| Hob.XXIIId:1
| Cantilena pro Adventu: Ein' Magd, ein' Dienerin
| Soprano, 2 Horns, Organ, Strings
| 1770 ca.
| A major
|
|-
| Hob.XXIIId:2
| Aria de Adventu: Mutter Gottes mir erlaube
| Soprano, Alto, Organ, Strings
| 1770 ca.
| G major
|
|-
| [[Cantilena pro Adventu: 'Jesu Redemptor', Hob.XXIIId:3 (Haydn, Joseph)|Hob.XXIIId:3]]
| Cantilena pro Adventu: Jesu Redemptor
| Soprano, 2 Horns, Organ, Strings
|
| D major
|
|-
| [[6 Psalms, Hob.XXIII:suppl. (Haydn, Joseph)|Hob.XXIII:suppl.]]
| 6 Psalms
| Mixed Choir (SAB)
| 1794 ca.
|
|
|}

===Hob.XXIV Cantatas and Arias with Orchestra ===

{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| Hob.XXIVa:1
|
| Mixed Choir, Orchestra
|
|
| lost
|-
| Hob.XXIVa:2
| Destatevi O miei fidi
| 2 Sopranos, Tenor, Mixed Choir (SSTB), Orchestra
| 1763
| G major
| to celebrate the name day (December 6) of Prince Nicolaus Esterhazy
|-
| Hob.XXIVa:3
| Al tuo arrivo felice
| Soprano, Mixed Choir, Orchestra
| 1764
| C major
| to celebrate the return of Prince Nicolaus Esterhazy from Paris and Frankfurt/Main
|-
| Hob.XXIVa:4
| Qual dubbio o(r)mai
| Soprano, Mixed Choir, Orchestra
| 1764
| A major
| to celebrate the name day (December 6) of Prince Nicolaus Esterhazy
|-
| Hob.XXIVa:5
|
| Mixed Choir, Orchestra
|
|
| lost
|-
| Hob.XXIVa:6
| Applausus
| SATBB Soloists, Mixed Choir, Orchestra
| 1768
| C major
|
|-
| Hob.XXIVa:7
| Miseri noi, misera Patria
| Soprano, Orchestra
| 1790 or before
| E-flat major
|
|-
| [[Der Sturm, Hob.XXIVa:8 (Haydn, Joseph)|Hob.XXIVa:8]]
| Der Sturm
| SATB Soloists, Mixed Choir, Orchestra
| 1792
| D minor
|
|-
| [[Unfinished Oratorio, Hob.XXIVa:9 (Haydn, Joseph)|Hob.XXIVa:9]]
| Unfinished Oratorio
| Bass, Mixed Choir, Orchestra
| 1794
| D minor
|
|-
| [[Berenice, che fai, Hob.XXIVa:10 (Haydn, Joseph)|Hob.XXIVa:10]]
| Berenice, che fai
| Soprano, Orchestra
| 1795
| D major
|
|-
| Hob.XXIVa:11
| Die Erwählung eines Kapellmeisters
| SAT Soloists, Mixed Choir, Orchestra
| 1796 ca.
| C major
|
|-
| [[Denk ich Gott an deine Güte (Schulz, Johann Abraham Peter)|Hob.XXIVa:Anh.2]]
| Denk ich Gott an deine Güte
| Mixed Choir, Orchestra
| 1794
| G major
| Spurious by {{LinkComp|Johann Abraham Peter|Schulz}} ; Arrangement of movement II from [[Symphony No.104 in D major, Hob.I:104 (Haydn, Joseph)|Hob.I:104]]
|-
| Hob.XXIVb:1
| Aria: Costretta piangere dolente
| Soprano, Orchestra
| 1762 or before
| E-flat major
|
|-
| Hob.XXIVb:2
| Aria: D'una sposa meschineIla
| Soprano, Orchestra
| 1777 ca.
| C major
|
|-
| Hob.XXIVb:3
| Aria: Quando la rosa
| Soprano, Orchestra
| 1779
| G major
|
|-
| Hob.XXIVb:4
| Aria: Il cornel seno balzarmi sento
| Soprano, Orchestra
| 1780
| C major
|
|-
| Hob.XXIVb:5
| Aria: Dice benissimo chi si marita
| Bass, 2 Horns, Strings
| 1780
| E-flat major
|
|-
| Hob.XXIVb:6
| Recit: Mora l'infido ; Aria: Mi sento nel seno
| Soprano, Strings
| 1781
| B-flat major
|
|-
| Hob.XXIVb:7
| Aria: Signor, voi sapete
| Soprano, Orchestra
| 1785
| B-flat major
|
|-
| Hob.XXIVb:8
| Aria: Diea pure chi vuol dir
| Soprano, Orchestra
| 1785 ca.
| G major
|
|-
| Hob.XXIVb:9
| Cavatina: Sono Alcina e sono ancora
| Soprano, Orchestra
| 1786
| F major
|
|-
| Hob.XXIVb:10
| Recit: Ah, tu non senti, amico ; Aria: Qual destra omicida
| Tenor, Orchestra
| 1786
| B-flat major
|
|-
| Hob.XXIVb:11
| Aria: Un cor si tenero
| Bass, Orchestra
| 1787
| G major
|
|-
| Hob.XXIVb:12
| Aria: Vada adagio, Signorina
| Soprano, Orchestra
| 1787
| B-flat major
|
|-
| [[Chi vive amante, Hob.XXIVb:13 (Haydn, Joseph)|Hob.XXIVb:13]]
| Aria: Chi vive amante
| Soprano, Orchestra
| 1787
| B-flat major
|
|-
| Hob.XXIVb:14
| Aria: Se tu mi sprezzi, ingrata
| Tenor, Orchestra
| 1788
| F major
|
|-
| Hob.XXIVb:15
| Aria: Infelice sventurata
| Soprano, Orchestra
| 1789
| E-flat major
|
|-
| Hob.XXIVb:16
| Aria: Da ehe penso a maritanni
| Tenor, Orchestra
| 1790
| E-flat major
|
|-
| Hob.XXIVb:17
| Aria: Il meglio mio carattere
| Soprano, Orchestra
| 1790
| E-flat major
|
|-
| Hob.XXIVb:18
| Aria: La moglie quando ebuona
| Soprano, Orchestra
| 1790
| E-flat major
|
|-
| Hob.XXIVb:19
| Aria: La mia pace, oh Dio
| Soprano, Orchestra
| 1790
| B-flat major
|
|-
| Hob.XXIVb:20
| Aria: Solo e pensoso
| Soprano, Orchestra
| 1798
| B-flat major
|
|-
| Hob.XXIVb:21
| Aria:
| Soprano, Orchestra
| 1788
| C major
|
|-
| Hob.XXIVb:22
| Aria: Tomate pur mia bella
| Tenor, Orchestra
|
| E-flat major
|
|-
| Hob.XXIVb:23
| Aria: Via siate bonino
| Soprano, Orchestra
|
| B-flat major
|
|}

===Hob.XXV Songs with 2, 3, and 4 Parts ===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Guarda qui, che lo vedrai, Hob.XXVa:1 (Haydn, Joseph)|Hob.XXVa:1]]
| Guarda qui, che lo vedrai
| Soprano, Tenor, Keyboard
| 1796
| F major
|
|-
| [[Saper vorrei se m'ami, Hob.XXVa:2 (Haydn, Joseph)|Hob.XXVa:2]]
| Saper vorrei se m'ami
| Soprano, Tenor, Keyboard
| 1796
| G major
|
|-
| Hob.XXVb:1
| An den Vetter
| Trio, Keyboard
| 1799 or before
| G major
|
|-
| Hob.XXVb:2
| Daphnens einziger Fehler
| Trio, Keyboard
| 1799 or before
| C major
|
|-
| Hob.XXVb:3
| Betrachtung des Todes
| Trio, Keyboard
| 1799 or before
| C major
|
|-
| Hob.XXVb:4
| An die Frauen
| Trio, Keyboard
| 1799 or before
| F major
|
|-
| Hob.XXVc:1
| Der Augenblick
| Soprano, Alto, Tenor, Bass, Keyboard
| 1796-1799
| A major
|
|-
| [[Die Harmonie in der Ehe, Hob.XXVc:2 (Haydn, Joseph)|Hob.XXVc:2]]
| Die Harmonie in der Ehe
| Soprano, Alto, Tenor, Bass, Keyboard
| 1796-1799
| B-flat major
|
|-
| Hob.XXVc:3
| Alles hat seine Zeit
| Soprano, Alto, Tenor, Bass, Keyboard
| 1796-1799
| F major
|
|-
| Hob.XXVc:4
| Die Beredsamkeit
| Soprano, Alto, Tenor, Bass, Keyboard
| 1796-1799
| B-flat major
|
|-
| Hob.XXVc:5
| Der Greis
| Soprano, Alto, Tenor, Bass, Keyboard
| 1796-1799
| B-flat major
|
|-
| Hob.XXVc:6
| Die Warnung
| Soprano, Alto, Tenor, Bass, Keyboard
| 1796-1799
| B-flat major
|
|-
| Hob.XXVc:7
| Wider den Übermut
| Soprano, Alto, Tenor, Bass
| 1796-1799
| A major
|
|-
| [[Aus dem Danklied zu Gott, Hob.XXVc:8 (Haydn, Joseph)|Hob.XXVc:8]]
| Aus dem Danklied zu Gott
| Soprano, Alto, Tenor, Bass
| 1796-1799
| E-flat major
|
|-
| [[Abendlied zu Gott, Hob.XXVc:9 (Haydn, Joseph)|Hob.XXVc:9]]
| Abendlied zu Gott
| Soprano, Alto, Tenor, Bass
| 1796-1799
| E major
|
|}

===Hob.XXVI Songs and Cantatas with Keyboard===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Das strickende Mädchen, Hob.XXVIa:1 (Haydn, Joseph)|Hob.XXVIa:1]]
| Das strickende Mädchen
| Voice, Keyboard
| 1781
| B-flat major
|
|-
| [[Cupido, Hob.XXVIa:2 (Haydn, Joseph)|Hob.XXVIa:2]]
| Cupido
| Voice, Keyboard
| 1781
| E major
|
|-
| [[Der erste Kuß, Hob.XXVIa:3 (Haydn, Joseph)|Hob.XXVIa:3]]
| Der erste Kuß
| Voice, Keyboard
| 1781
| E-flat major
|
|-
| [[Eine sehr gewöhnliche Geschichte, Hob.XXVIa:4 (Haydn, Joseph)|Hob.XXVIa:4]]
| Eine sehr gewöhnliche Geschichte
| Voice, Keyboard
| 1781
| G major
|
|-
| [[Der Verlassene, Hob.XXVIa:5 (Haydn, Joseph)|Hob.XXVIa:5]]
| Der Verlassene
| Voice, Keyboard
| 1781
| G minor
|
|-
| [[Der Gleichsinn, Hob.XXVIa:6 (Haydn, Joseph)|Hob.XXVIa:6]]
| Der Gleichsinn
| Voice, Keyboard
| 1781
| A major
|
|-
| [[An Iris, Hob.XXVIa:7 (Haydn, Joseph)|Hob.XXVIa:7]]
| An Iris
| Voice, Keyboard
| 1781
| B-flat major
|
|-
| [[An Thyrsis, Hob.XXVIa:8 (Haydn, Joseph)|Hob.XXVIa:8]]
| An Thyrsis
| Voice, Keyboard
| 1781
| D major
|
|-
| [[Trost unglücklicher Liebe, Hob.XXVIa:9 (Haydn, Joseph)|Hob.XXVIa:9]]
| Trost unglücklicher Liebe
| Voice, Keyboard
| 1781
| F minor
|
|-
| [[Die Landlust, Hob.XXVIa:10 (Haydn, Joseph)|Hob.XXVIa:10]]
| Die Landlust
| Voice, Keyboard
| 1781
| C major
|
|-
| [[Liebeslied, Hob.XXVIa:11 (Haydn, Joseph)|Hob.XXVIa:11]]
| Liebeslied
| Voice, Keyboard
| 1781
| D major
|
|-
| [[Die zu späte Ankunft der Mutter, Hob.XXVIa:12 (Haydn, Joseph)|Hob.XXVIa:12]]
| Die zu späte Ankunft der Mutter
| Voice, Keyboard
| 1781
| E-flat major
|
|-
| [[Jeder meint, der Gegenstand, Hob.XXVI:13 (Haydn, Joseph)|Hob.XXVIa:13]]
| Jeder meint, der Gegenstand
| Voice, Keyboard
| 1784
| F major
|
|-
| [[Lachet nicht, Mädchen, Hob.XXVI:14 (Haydn, Joseph)|Hob.XXVIa:14]]
| Lachet nicht, Mädchen
| Voice, Keyboard
| 1784
| B-flat major
|
|-
| [[O liebes Mädchen, höre mich, Hob.XXVI:15 (Haydn, Joseph)|Hob.XXVIa:15]]
| O liebes Mädchen, höre mich,
| Voice, Keyboard
| 1784
| G major
|
|-
| [[Gegenliebe, Hob.XXVI:16 (Haydn, Joseph)|Hob.XXVIa:16]]
| Gegenliebe
| Voice, Keyboard
| 1784
| G major
|
|-
| [[Geistliches Lied, Hob.XXVI:17 (Haydn, Joseph)|Hob.XXVIa:17]]
| Geistliches Lied
| Voice, Keyboard
| 1784
| G minor
|
|-
| [[Auch die sprödeste der Schönen, Hob.XXVI:18 (Haydn, Joseph)|Hob.XXVIa:18]]
| Auch die sprödeste der Schönen
| Voice, Keyboard
| 1784
| F major
|
|-
| [[O fließ, ja wallend fließ in Zähren, Hob.XXVI:19 (Haydn, Joseph)|Hob.XXVIa:19]]
| O fließ, ja wallend fließ in Zähren
| Voice, Keyboard
| 1784
| E major
|
|-
| [[Zufriedenheit, Hob.XXVI:20 (Haydn, Joseph)|Hob.XXVIa:20]]
| Zufriedenheit
| Voice, Keyboard
| 1784
| C major
|
|-
| [[Das Leben ist ein Traum, Hob.XXVI:21 (Haydn, Joseph)|Hob.XXVIa:21]]
| Das Leben ist ein Traum
| Voice, Keyboard
| 1784
| E-flat major
|
|-
| [[Lob der Faulheit, Hob.XXVIa:22 (Haydn, Joseph)|Hob.XXVIa:22]]
| Lob der Faulheit
| Voice, Keyboard
| 1784
| A minor
|
|-
| [[Minna, Hob.XXVI:23 (Haydn, Joseph)|Hob.XXVIa:23]]
| Minna
| Voice, Keyboard
| 1784
| A major
|
|-
| [[Auf meines Vaters Grab, Hob.XXVI:24 (Haydn, Joseph)|Hob.XXVIa:24]]
| Auf meines Vaters Grab
| Voice, Keyboard
| 1784
| E major
|
|-
| [[The Mermaid's Song, Hob.XXVIa:25 (Haydn, Joseph)|Hob.XXVIa:25]]
| The Mermaid's Song
| Voice, Keyboard
| 1794
| C major
|
|-
| [[Recollection, Hob.XXVIa:26 (Haydn, Joseph)|Hob.XXVIa:26]]
| Recollection
| Voice, Keyboard
| 1794
| F major
|
|-
| [[A Pastoral Song, Hob.XXVIa:27 (Haydn, Joseph)|Hob.XXVIa:27]]
| A Pastoral Song
| Voice, Keyboard
| 1794
| A major
| also referred to as ''Shepherd's Song''
|-
| [[Despair, Hob.XXVIa:28 (Haydn, Joseph)|Hob.XXVIa:28]]
| Despair
| Voice, Keyboard
| 1794
| E major
|
|-
| [[Pleasing Pain, Hob.XXVIa:29 (Haydn, Joseph)|Hob.XXVIa:29]]
| Pleasing Pain
| Voice, Keyboard
| 1794
| G major
|
|-
| [[Fidelity, Hob.XXVIa:30 (Haydn, Joseph)|Hob.XXVIa:30]]
| Fidelity
| Voice, Keyboard
| 1794
| F minor
|
|-
| [[Sailor's Song, Hob.XXVIa:31 (Haydn, Joseph)|Hob.XXVIa:31]]
| Sailor's Song
| Voice, Keyboard
| 1794-95
| A major
|
|-
| [[The Wanderer, Hob.XXVIa:32 (Haydn, Joseph)|Hob.XXVIa:32]]
| The Wanderer
| Voice, Keyboard
| 1794-95
| G minor
|
|-
| [[Sympathy, Hob.XXVIa:33 (Haydn, Joseph)|Hob.XXVIa:33]]
| Sympathy
| Voice, Keyboard
| 1794-95
| E major
|
|-
| [[She never told her love, Hob.XXVIa:34 (Haydn, Joseph)|Hob.XXVIa:34]]
| She never told her love
| Voice, Keyboard
| 1794-95
| A-flat major
|
|-
| [[Piercing eyes, Hob.XXVIa:35 (Haydn, Joseph)|Hob.XXVIa:35]]
| Piercing eyes
| Voice, Keyboard
| 1794-95
| G major
|
|-
| [[Content, Hob.XXVIa:36 (Haydn, Joseph)|Hob.XXVIa:36]]
| Content
| Voice, Keyboard
| 1794-95
| A major
| also referred to as ''The Transport of Pleasure''
|-
| Hob.XXVIa:37
| Beim Schmerz der dieses Herz durchwühlt
| Voice, Keyboard
|
| E major
|
|-
| Hob.XXVIa:38
| Der schlaue Pudel
| Voice, Keyboard
| 1780 ca.
| B-flat major
|
|-
| Hob.XXVIa:39
| Trachten will ich nicht auf Erden
| Voice, Keyboard
| 1790
| E major
|
|-
| Hob.XXVIa:40
| Der Feldzug
| Voice, Keyboard
| 1790
| E major
|
|-
| [[The Spirit's Song, Hob.XXVIa:41 (Haydn, Joseph)|Hob.XXVIa:41]]
| The Spirit's Song
| Voice, Keyboard
|
| F minor
|
|-
| [[O tuneful Voice, Hob.XXVIa:42 (Haydn, Joseph)|Hob.XXVIa:42]]
| O tuneful Voice
| Voice, Keyboard
|
| E-flat major
|
|-
| [[Das Kaiserlied, Hob.XXVIa:43 (Haydn, Joseph)|Hob.XXVIa:43]]
| Kaiserlied
| Voice, Keyboard
| 1797
| G major
|
|-
| Hob.XXVIa:44
| Als einst mit Weibes Schönheit
| Voice, Keyboard
|
| A major
|
|-
| [[Ein kleines Haus, Hob.XXVIa:45 (Haydn, Joseph)|Hob.XXVIa:45]]
| Ein kleines Haus
| Voice, Keyboard
| 1801
| E major
|
|-
| Hob.XXVIa:46
| Vergiß mein nicht
| Voice, Keyboard
| 1796 ca.
| G major
| also referred to as ''Antwort auf die Frage eines Mädchens''
|-
| Hob.XXVIa:47
| Bald wehen uns des Frühlings Lüfte
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXVIa:48a
| Ich liebe, du liebest, er liebet
| Voice, Keyboard
|
| E-flat major
|
|-
| Hob.XXVIa:48b
| Dürre, Staub, vermorschte Knochen
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXVIa:48c
| Sag'n allweil vom Staatsleb'n
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXVIa:48d
| Kein besseres Leben ist ja auf der Welt
| Voice, Keyboard
|
| G major
|
|-
| [[Liebes Mädchen hör mir zu, Hob.XXVIa:D1 (Haydn, Joseph)|Hob.XXVIa:D1]]
| Liebes Mädchen hör mir zu
| Voice, Keyboard
|
| D major
| authorship uncertain.
|-
| [[A prey to tender anguish, Hob.XXVIa:G1 (Haydn, Joseph)|Hob.XXVIa:G1]]
| A prey to tender anguish
| Voice, Keyboard
|
| G major
| authorship uncertain.
|-
| Hob.XXVIb:1
| Deutschlands Klage auf den Tod des grossen Friedrichs Borussens König
| Voice, Baryton
| 1776
| E-flat major
|
|-
| [[Arianna a Naxos, Hob.XXVIb:2 (Haydn, Joseph)|Hob.XXVIb:2]]
| Arianna a Naxos
| Soprano, Keyboard
| 1789 or before
| E-flat major
|
|-
| Hob.XXVIb:3
| Dr. Har(r)ingtons Compliment
| Soprano, Mixed Choir (SSTB), Keyboard
| 1794 ca.
| A major
|
|-
| Hob.XXVIb:4
| Lines from the battle of the Nile
| Soprano, Keyboard
| 1800
| C minor
|
|}

===Hob.XXVII (Sacred 1-10, Secular 1-47) Canons ===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Du sollst an einen Gott glauben, Hob.XXVIIa:1 (Haydn, Joseph)|Hob.XXVIIa:1]]
| Du sollst an einen Gott glauben
| 3 voices
| 1791
| C major
| Die X Gebothe Gottes
|-
| Hob.XXVIIa:2
| Du sollst den Namen Gottes nicht eitel nennen
| 3 voices
| 1791
| G major
| Die X Gebothe Gottes
|-
| Hob.XXVIIa:3
| Du sollst Sonn- und Feiertag heiligen
| 3 voices
| 1791
| B-flat major
| Die X Gebothe Gottes
|-
| Hob.XXVIIa:4
| Du sollst Vater und Mutter verehren
| 3 voices
| 1791
| E-flat major
| Die X Gebothe Gottes
|-
| Hob.XXVIIa:5
| Du sollst nicht töten
| 3 voices
| 1791
| B-flat major
| Die X Gebothe Gottes
|-
| Hob.XXVIIa:6
| Du sollst nicht Unkeuschheit treiben
| 3 voices
| 1791
| C major
| Die X Gebothe Gottes
|-
| Hob.XXVIIa:7
| Du sollst nicht stehlen
| 3 voices
| 1791
| A minor
| Die X Gebothe Gottes
|-
| Hob.XXVIIa:8
| Du sollst kein falsch Zeugnis geben
| 3 voices
| 1791
| E major
| Die X Gebothe Gottes
|-
| Hob.XXVIIa:9
| Du sollst nicht begehren deines Nächsten Weib
| 3 voices
| 1791
| C major
| Die X Gebothe Gottes
|-
| Hob.XXVIIa:10
| Du sollst nicht begehren, deines Nächsten Gut
| 3 voices
| 1791
| A-flat major
| Die X Gebothe Gottes
|-
| Hob.XXVIIb:1
| Hilar an Narziss
| 3 voices
|
| G major
|
|-
| Hob.XXVIIb:2
| Auf einen adeligen Dummkopf
| 3 voices
|
| E-flat major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:3]]
| Der Schuster bleib bei seinem Leist
| 8 voices
|
| F major
|
|-
| Hob.XXVIIb:4
| Herr von Gänsewitz zu seinem Kammerdiener
| 4 voices
|
| C minor
|
|-
| Hob.XXVIIb:5
| An den Marull
| 5 voices
|
| F major
|
|-
| Hob.XXVIIb:6
| Die Mutter an ihr Kind in der Wiege
| 3 voices
|
| E-flat major
|
|-
| Hob.XXVIIb:7
| Der Menschenfreund
| 4 voices
|
| E-flat major
|
|-
| Hob.XXVIIb:8
| Gottes Macht und Vorsehung
| 3 voices
|
| G major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:9]]
| An Dorilis
| 4 voices
|
| F major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:10]]
| Vixi
| 3 voices
|
| B-flat major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:11]]
| Der Kobold
| 4 voices
|
| E-flat major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:12]]
| Der Fuchs und der Marder
| 4 voices
|
| A minor
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:13]]
| Abschied
| 5 voices
|
| B-flat major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:14]]
| Die Hofstellungen
| 3 voices
|
| B minor
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:15]]
| Aus Nichts wird Nichts
| 5 voices
|
| C major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:16]]
| Cacatum non est pictum
| 4 voices
|
| A major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:17]]
| Tre cose
| 3 voices
|
| E-flat major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:18]]
| Vergebliches Glück
| 2 voices
|
| A major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:19]]
| Grabschrift
| 4 voices
|
| G minor
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:20]]
| Das Reitpferd
| 3 voices
|
| E-flat major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:21]]
| Tod und Schlaf
| 4 voices
|
| A-flat major
|
|-
| Hob.XXVIIb:22
| An einen Geizigen
| 3 voices
|
| D major
|
|-
| [[Das böse Weib, Hob.XXVIIb:23 (Haydn, Joseph)|Hob.XXVIIb:23]]
| Das böse Weib
| 3 voices
|
| G major
|
|-
| Hob.XXVIIb:23bis
| Das böse Weib
| 3 voices
|
| A minor
|
|-
| Hob.XXVIIb:24
| Der Verlust
| 3 voices
|
| E major
|
|-
| Hob.XXVIIb:25
| Der Freigeist
| 3 voices
|
| G major
|
|-
| Hob.XXVIIb:26
| Die Liebe der Feinde
| 2 voices
|
| A major
|
|-
| Hob.XXVIIb:27
| Der Furchtsame
| 3 voices
|
| C minor
|
|-
| Hob.XXVIIb:28
| Die Gewissheit
| 4 voices
|
| E-flat major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:29]]
| Phoebus und sein Sohn
| 4 voices
|
| G major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:30]]
| Die Tulipane
| 2 voices
|
| G major
|
|-
| Hob.XXVIIb:31
| Das größte Gut
| 3 voices
|
| A minor
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:32]]
| Der Hirsch
| 5 voices
|
| D minor
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:33]]
| Überschrift eines Weinhauses
| 4 voices
|
| E major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:34]]
| Der Esel und die Dohle
| 8 voices
|
| C major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:35]]
| Schalksnarren
| 6 voices
|
| B-flat major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:36]]
| Zweierlei Feinde
| 3 voices
|
| F major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:37]]
| Der Bäcker und die Maus
| 5 voices
|
| D minor
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:38]]
| Die Flinte und der Hase
| 4 voices
|
| G major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:39]]
| Der Nachbar
| 4 voices
|
| G minor
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:40]]
| Liebe zur Kunst
| 4 voices
|
| G major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:41]]
| Frag und Antwort zweier Fuhrleute; die Welt
| 5 voices
|
| G minor
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:42]]
| Der Fuchs und der Adler
| 3 voices
|
| C major
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:43]]
| Wunsch
| 4 voices
|
| G minor
|
|-
| [[29 Canons (Haydn, Joseph)|Hob.XXVIIb:44]]
| Gott im Herzen, ein Weib im Arm
| 3 voices
|
| F major
|
|-
| Hob.XXVIIb:45
| Turk was a faithful dog
| 4 voices
|
| B-flat major
|
|-
| Hob.XXVIIb:46
| Thy voice, o Harmony, is divine
| 3 voices
|
| C major
|
|-
| Hob.XXVIIb:47
| no lyrics
| 7 voices
|
| G major
|
|}

===Hob.XXVIII (1-13) Operas ===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| Hob.XXVIII:1
| Acide
| 2 Sopranos, Alto, Tenor, Bass, Orchestra
| 1762
| C major
| 1 Act
|-
| Hob.XXVIII:2
| La Canterina
| 3 Sopranos, Tenor, Orchestra
| 1766
|
| 2 Acts
|-
| [[Lo Speziale, Hob.XXVIII:3 (Haydn, Joseph)|Hob.XXVIII:3]]
| Lo Speziale
| 2 Sopranos, 2 Tenors, Orchestra
| 1768
| G major
| 3 Acts
|-
| Hob.XXVIII:4
| Le Pescatrici
| SAATTB Soloists, Mixed Choir, Orchestra
| 1769
| D major
| 3 Acts
|-
| Hob.XXVIII:5
| L'Infedeltà delusa
| 2 Sopranos, 2 Tenors, Bass, Orchestra
| 1773
| C major
| 2 Acts
|-
| [[L'incontro improvviso, Hob.XXVIII:6 (Haydn, Joseph)|Hob.XXVIII:6]]
| L'Incontro improvviso
| SSSTTB Soloists, Mixed Choir, Orchestra
| 1775
|
| 3 Acts
|-
| [[Il mondo della luna, Hob.XXVIII:7 (Haydn, Joseph)|Hob.XXVIII:7]]
| Il Mondo della Luna
| SSSATTB Soloists, Mixed Choir, Orchestra
| 1777 or before
|
| 3 Acts
|-
| [[La vera Costanza, Hob.XXVIII:8 (Haydn, Joseph)|Hob.XXVIII:8]]
| La vera Costanza
| 3 Sopranos, 3 Tenors, Bass, Orchestra
| 1777-78
|
| 3 Acts
|-
| Hob.XXVIII:8a
| Laurette
| 3 Sopranos, 3 Tenors, Bass, Orchestra
| 1791
|
| A reworking of "La vera Costanza", in different order, without recitatives and with other Haydn works added. Published by [[Sieber]] in 1791.
|-
| [[L'isola disabitata, Hob.XXVIII:9 (Haydn, Joseph)|Hob.XXVIII:9]]
| L'Isola disabitata
| 2 Sopranos, Tenor, Bass, Orchestra
| 1779 ; rev. 1802
|
| 2 Acts
|-
| [[La Fedeltà premiata, Hob.XXVIII:10 (Haydn, Joseph)|Hob.XXVIII:10]]
| La Fedeltà premiata
| 4 Sopranos, 2 Tenors, 2 Basses, Orchestra
| 1780
| D major
| 3 Acts
|-
| ''[[L'infedeltà fedele (Cimarosa, Domenico)|Hob.XXVIII:10bis]]''
| L'Infedeltà fedele
| 9 Voices, Orchestra
|
|
| actually by {{LinkComp|Domenico|Cimarosa}}
|-
| [[Orlando Paladino, Hob.XXVIII:11 (Haydn, Joseph)|Hob.XXVIII:11]]
| Orlando Paladino
| SSSTTTTBB Soloists, Mixed Choir, Orchestra
| 1782
|
| 3 Acts
|-
| [[Armida, Hob.XXVIII:12 (Haydn, Joseph)|Hob.XXVIII:12]]
| Armida
| 2 Sopranos, 3 Tenors, Bass, Orchestra
| 1783
|
| 3 Acts
|-
| [[L'Anima del Filosofo, Hob.XXVIII:13 (Haydn, Joseph)|Hob.XXVIII:13]]
| L'Anima del Filosofo (Orfeo ed Euridice)
| SSTBBB Soloists, Mixed Choir, Orchestra
| 1791
|
| 4 Acts
|}

===Hob.XXIX Marionette operas (a) and Musical comedies (b)===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| Hob.XXIXa:1
| Philemon und Baucis
| 2 Female Voices, 2 Male voices, 2 Spaeking parts, Mixed Choir, Orchestra
| 1773 or before
|
|
|-
| Hob.XXIXa:1a
| Prelude to No. 1 without title
| Soloist, Mixed Choir, Orchestra
|
| D major
| "Der Götterrath", Music lost.
|-
| Hob.XXIXa:2
| Der Hexenschabbas
|
| 1773
|
| Music lost.
|-
| Hob.XXIXa:3
| Didone Abbandonata (Dido)
| 7 People, Mixed Choir, Orchestra
| 1776
|
| Music lost.
|-
| Hob.XXIXa:4
| Opera Comique vom abgebrannten Haus
|
|
|
| Music lost.
|-
| Hob.XXIXa:5
| Genovevens vierter Theil
|
| 1777
|
| Music lost.
|-
| Hob.XXIXb:1a
| Der krumme Teufel
|
| 1751 ca.
|
| Music lost.
|-
| Hob.XXIXb:1b
| Der neue krumme Teufel
|
| 1758 or before
|
| Music lost.
|-
| Hob.XXIXb:2
| Philemon und Baucis
| 2 Sopranos, 2 Tenors, 2 speaking parts, Mixed Choir, Orchestra
|
| D minor
| Musical comedy after the marionette opera XXIXa:1
|-
| Hob.XXIXb:3
| Die bestrafte Rachbegierde
| 6 Voices, Mixed Choir, Orchestra
| 1779
|
| Music lost.
|}

===Hob.XXX Incidental Music ===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| Hob.XXX:1
| Comedia la Marchesa Ne(s)pola
|
| 1762
|
|
|-
| Hob.XXX:2
| Musik zum Schauspiel "Die Feuersbrunst"
|
| 1774
|
| Music lost.
|-
| Hob.XXX:3
| Zwischenaktmusik zum Schauspiel "Der Zerstreute"
|
| 1774
|
| Music lost.
|-
| Hob.XXX:4
| Musik zu einem Schauspiel
| Soprano, Orchestra
| 1793 or before
|
|
|-
| Hob.XXX:5
| Musik zum Schauspiel "Alfred oder der patriotische König"
|
|
|
| Most of the music lost, see next 3 items
|-
| Hob.XXX:5a
| Chor der Dänen zu dem Schauspiel
| Mixed Choir (STB), Orchestra
|
| C major
| Chorus from Hob.XXX:5
|-
| Hob.XXX:5b
| Arie des Schutzgeistes
| Soprano, Orchestra
|
| E-flat major
| Aria from from Hob.XXX:5
|-
| Hob.XXX:5c
| Duet "Der Morgen graut"
| 2 Tenors, Harp, Srings
|
| F major
| Duet from from Hob.XXX:5
|}

===Hob.XXXI (Scottish: 1-273, Welsh: 1-61) Arrangements of Folksongs and other vocal arrangements===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Mary's Dream, Hob.XXXIa:1 (Haydn, Joseph)|Hob.XXXIa:1]]
| Mary's Dream
| Voice, Violin, Cello, Keyboard
|
| F-sharp minor
|
|-
| Hob.XXXIa:1bis
| Mary's Dream
| Voice, Keyboard
|
| F-sharp minor
| Alternate version
|-
| [[John Anderson, my Jo, Hob.XXXIa:2 (Haydn, Joseph)|Hob.XXXIa:2]]
| John Anderson, my Jo
| Voice, Violin, Cello, Keyboard
|
| G minor
|
|-
| Hob.XXXIa:2bis
| John Anderson, my Jo
| Voice, Keyboard
|
| G minor
| Alternate version
|-
| [[I love my love in secret, Hob.XXXIa:3 (Haydn, Joseph)|Hob.XXXIa:3]]
| I love my love in secret
| Voice, Violin, Cello, Keyboard
|
| G major
|
|-
| [[Willie was a wanton wag, Hob.XXXIa:4 (Haydn, Joseph)|Hob.XXXIa:4]]
| Willie was a wanton wag
| Voice, Violin, Cello, Keyboard
|
| C major
|
|-
| Hob.XXXIa:4bis
| There was a lass and she was fair
| Voice, Keyboard
|
| D minor
|
|-
| [[Saw ye my Father, Hob.XXXIa:5 (Haydn, Joseph)|Hob.XXXIa:5]]
| Saw ye my Father
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| Hob.XXXIa:5bis
| Where are the joys I have met
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:5ter
| Saw ye my Father
| Voice, Keyboard
|
| D major
| Alternate version
|-
| [[Todlen hame, Hob.XXXIa:6 (Haydn, Joseph)|Hob.XXXIa:6]]
| Todlen hame
| Voice, Violin, Cello, Keyboard
|
| A major
|
|-
| Hob.XXXIa:6bis
| Todlen hame
| Voice, Keyboard
|
| A major
| Alternate version
|-
| [[Fy gar rub her o'er wi' Strae, Hob.XXXIa:7 (Haydn, Joseph)|Hob.XXXIa:7]]
| Fy gar rub her o'er wi' Strae
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| Hob.XXXIa:7bis
| Fy gar rub her o'er wi' Strae
| 2 Voices, Keyboard
|
| E minor
| Duet version
|-
| [[Green grow the Rashes, Hob.XXXIa:8 (Haydn, Joseph)|Hob.XXXIa:8]]
| Green grow the Rashes
| Voice, Violin, Cello, Keyboard
|
| D minor
|
|-
| Hob.XXXIa:8bis
| Green grow the Rashes
| Voice, Keyboard
|
| B minor
| Alternate version
|-
| [[The waefu' heart, Hob.XXXIa:9 (Haydn, Joseph)|Hob.XXXIa:9]]
| The waefu' heart
| Voice, Violin, Cello, Keyboard
|
| F major
|
|-
| Hob.XXXIa:9bis
| The waefu' heart
| Voice, Keyboard
|
| F major
| Alternate version
|-
| [[The Ploughman, Hob.XXXIa:10 (Haydn, Joseph)|Hob.XXXIa:10]]
| The Ploughman
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[Barbara Allen, Hob.XXXIa:11 (Haydn, Joseph)|Hob.XXXIa:11]]
| Barbara Allen
| Voice, Violin, Cello, Keyboard
|
| D minor
|
|-
| Hob.XXXIa:11bis
| 'Twas at the hour dark
| Voice, Keyboard
|
| C minor
|
|-
| [[Thou'rt gane awa', Hob.XXXIa:12 (Haydn, Joseph)|Hob.XXXIa:12]]
| Thou'rt gane awa'
| Voice, Violin, Cello, Keyboard
|
| A major
| also referred to as 'Had awa frae me, Donald'
|-
| Hob.XXXIa:12bis
| Thou'rt gane awa'
| Voice, Keyboard
|
| A major
| Alternate version ; also referred to as 'Had awa frae me, Donald'
|-
| [[Gramachree, Hob.XXXIa:13 (Haydn, Joseph)|Hob.XXXIa:13]]
| Gramachree
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:13bis
| One morning very early, one morning in the spring
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:13ter
| One morning very early, one morning in the spring
| Voice, Keyboard
|
| F major
| Alternate version
|-
| [[This is no mine ain house, Hob.XXXIa:14 (Haydn, Joseph)|Hob.XXXIa:14]]
| This is no mine ain house
| Voice, Violin, Cello, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:14bis
| This is no mine ain house
| Voice, Keyboard
|
| B-flat major
| Alternate version
|-
| [[Galla water, Hob.XXXIa:15 (Haydn, Joseph)|Hob.XXXIa:15]]
| Galla water
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| Hob.XXXIa:15bis
| Galla water
| Voice, Keyboard
|
| D major
| Alternate version
|-
| Hob.XXXIa:15ter
| Galla water
| Voice, Keyboard
|
| D major
| Alternate version
|-
| [[O'er Bogie, Hob.XXXIa:16 (Haydn, Joseph)|Hob.XXXIa:16]]
| O'er Bogie
| Voice, Violin, Cello, Keyboard
|
| G minor
|
|-
| Hob.XXXIa:16bis
| Well I agree you'r sure of me
| Voice, Keyboard
|
| F-sharp minor
|
|-
| [[I had a Horse, Hob.XXXIa:17 (Haydn, Joseph)|Hob.XXXIa:17]]
| I had a Horse
| Voice, Violin, Cello, Keyboard
|
| B minor
|
|-
| Hob.XXXIa:17bis
| O poortith cauld and restless love
| Voice, Keyboard
|
| C minor
|
|-
| [[My Boy Tammy, Hob.XXXIa:18 (Haydn, Joseph)|Hob.XXXIa:18]]
| My Boy Tammy
| Voice, Violin, Cello, Keyboard
|
| D minor
|
|-
| [[St. Kilda Song, Hob.XXXIa:19 (Haydn, Joseph)|Hob.XXXIa:19]]
| St. Kilda Song
| Voice, Violin, Cello, Keyboard
|
| F major
| also referred to as '[[By_the_stream_so_cool_and_clear%2C_Hob.XXXIa:19_(Haydn%2C_Joseph)|By the stream so cool and clear]]'
|-
| [[The blythesome Bridal, Hob.XXXIa:20 (Haydn, Joseph)|Hob.XXXIa:20]]
| The blythesome Bridal
| Voice, Violin, Cello, Keyboard
|
| D major
| also referred to as 'Fy, Let us a' to the Bridal'
|-
| Hob.XXXIa:20bis
| 'Tis nae very lang sin syne
| Voice, Keyboard
|
| D major
|
|-
| [[The Shepherd Adonis, Hob.XXXIa:21 (Haydn, Joseph)|Hob.XXXIa:21]]
| The Shepherd Adonis
| Voice, Violin, Cello, Keyboard
|
| G minor
|
|-
| [[The White Cockade, Hob.XXXIa:22 (Haydn, Joseph)|Hob.XXXIa:22]]
| The White Cockade
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| Hob.XXXIa:22bis
| The White Coekade
| Voice, Keyboard
|
| D major
| Alternate version
|-
| [[The Lass of Livingston, Hob.XXXIa:23 (Haydn, Joseph)|Hob.XXXIa:23]]
| The Lass of Livingston
| Voice, Violin, Cello, Keyboard
|
| C minor
|
|-
| [[John of Badenyon, Hob.XXXIa:24 (Haydn, Joseph)|Hob.XXXIa:24]]
| John of Badenyon
| Voice, Violin, Cello, Keyboard
|
| G minor
|
|-
| Hob.XXXIa:24bis
| John of Badenyon
| Voice, Keyboard
|
| G minor
| Alternate version
|-
| [[The bonniest Lass in a' the Warld, Hob.XXXIa:25 (Haydn, Joseph)|Hob.XXXIa:25]]
| The bonniest Lass in a' the Warld
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[Duncan Davison, Hob.XXXIa:26 (Haydn, Joseph)|Hob.XXXIa:26]]
| Duncan Davison
| Voice, Violin, Cello, Keyboard
|
| C major
|
|-
| [[Leader Haughs and Yarrow, Hob.XXXIa:27 (Haydn, Joseph)|Hob.XXXIa:27]]
| Leader Haughs and Yarrow
| Voice, Violin, Cello, Keyboard
|
| F major
|
|-
| [[Up in the morning early, Hob.XXXIa:28 (Haydn, Joseph)|Hob.XXXIa:28]]
| Up in the morning early
| Voice, Violin, Cello, Keyboard
|
| G minor
|
|-
| Hob.XXXIa:28bis
| Up in the morning early
| Voice, Keyboard
|
| G minor
| Alternate version
|-
| Hob.XXXIa:28ter
| Up in the morning early
| Voice, Keyboard
|
| G minor
| Alternate version
|-
| [[Fife and a' the lands about it, Hob.XXXIa:29 (Haydn, Joseph)|Hob.XXXIa:29]]
| Fife and a' the lands about it
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[I'm o'er young to marry yet, Hob.XXXIa:30 (Haydn, Joseph)|Hob.XXXIa:30]]
| I'm o'er young to marry yet
| Voice, Violin, Cello, Keyboard
|
| B-flat major
|
|-
| [[The lea-rig, Hob.XXXIa:31 (Haydn, Joseph)|Hob.XXXIa:31]]
| The lea-rig
| Voice, Violin, Cello, Keyboard
|
| F major
| also referred to as 'My ain kind Dearie, O'
|-
| Hob.XXXIa:31bis
| The lea-rig
| Voice, Keyboard
|
| G major
| Alternate version
|-
| Hob.XXXIa:31ter
| The lea-rig
| Voice, Keyboard
|
| G major
| Alternate version
|-
| [[Dainty Davie, Hob.XXXIa:32 (Haydn, Joseph)|Hob.XXXIa:32]]
| Dainty Davie
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[Pentland Hills, Hob.XXXIa:33 (Haydn, Joseph)|Hob.XXXIa:33]]
| Pentland Hills
| Voice, Violin, Cello, Keyboard
|
| F major
|
|-
| [[Duncan Gray, Hob.XXXIa:34 (Haydn, Joseph)|Hob.XXXIa:34]]
| Duncan Gray
| Voice, Violin, Cello, Keyboard
|
| G major
|
|-
| [[Maggy Lauder, Hob.XXXIa:35 (Haydn, Joseph)|Hob.XXXIa:35]]
| Maggy Lauder
| Voice, Violin, Cello, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:35bis
| Maggy Lauder
| Voice, Keyboard
|
| A major
| Alternate version
|-
| Hob.XXXIa:35ter
| Maggy Lauder
| Voice, Keyboard
|
| B-flat major
| Alternate version
|-
| [[How can I be sad on my Wedding Day, Hob.XXXIa:36 (Haydn, Joseph)|Hob.XXXIa:36]]
| How can I be sad on my Wedding Day
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[My Nanny O! Hob.XXXIa:37 (Haydn, Joseph)|Hob.XXXIa:37]]
| My Nanny O!
| Voice, Violin, Cello, Keyboard
|
| C minor
|
|-
| Hob.XXXIa:37bis
| Behind yon hill where Lugar flows
| Voice, Keyboard
|
| C minor
|
|-
| Hob.XXXIa:37ter
| My Nanny O!
| Voice, Keyboard
|
| C minor
| Alternate version
|-
| Hob.XXXIa:37quater
| My Nanny O!
| 2 Voices, Keyboard
|
| C minor
| Duet version
|-
| [[Woo'd and Married and a', Hob.XXXIa:38 (Haydn, Joseph)|Hob.XXXIa:38]]
| Woo'd and Married and a'
| Voice, Violin, Cello, Keyboard
|
| D minor
|
|-
| Hob.XXXIa:38bis
| No house in the village could stow them
| Voice, Keyboard
|
| F major
|
|-
| [[Blue Bonnets, Hob.XXXIa:39 (Haydn, Joseph)|Hob.XXXIa:39]]
| Blue Bonnets
| Voice, Violin, Cello, Keyboard
|
| C major
|
|-
| [[The Wawking of the Fauld, Hob.XXXIa:40 (Haydn, Joseph)|Hob.XXXIa:40]]
| The Wawking of the Fauld
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[John, come kiss me now, Hob.XXXIa:41 (Haydn, Joseph)|Hob.XXXIa:41]]
| John, come kiss me now
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| [[Mount your Baggage, Hob.XXXIa:42 (Haydn, Joseph)|Hob.XXXIa:42]]
| Mount your Baggage
| Voice, Violin, Cello, Keyboard
|
| C major
|
|-
| [[Ye Gods! was Strephon's picture blest, Hob.XXXIa:43 (Haydn, Joseph)|Hob.XXXIa:43]]
| Ye Gods! was Strephon's picture blest
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[Sleepy Bodie, Hob.XXXIa:44 (Haydn, Joseph)|Hob.XXXIa:44]]
| Sleepy Bodie
| Voice, Violin, Cello, Keyboard
|
| F major
|
|-
| [[The Gard'ner wi' his Paidle, Hob.XXXIa:45 (Haydn, Joseph)|Hob.XXXIa:45]]
| The Gard'ner wi' his Paidle
| Voice, Violin, Cello, Keyboard
|
| A major
|
|-
| [[The Brisk young Lad, Hob.XXXIa:46 (Haydn, Joseph)|Hob.XXXIa:46]]
| The Brisk young Lad
| Voice, Violin, Cello, Keyboard
|
| G minor
|
|-
| Hob.XXXIa:46bis
| The pawky auld carle came o'er the lea
| Voice, Keyboard
|
| E minor
|
|-
| [[Cumbernauld House, Hob.XXXIa:47 (Haydn, Joseph)|Hob.XXXIa:47]]
| Cumbernauld House
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| [[O can you Sew Cushions, Hob.XXXIa:48 (Haydn, Joseph)|Hob.XXXIa:48]]
| O can you Sew Cushions
| Voice, Violin, Cello, Keyboard
|
| G major
|
|-
| [[Heres a health to my true Love, Hob.XXXIa:49 (Haydn, Joseph)|Hob.XXXIa:49]]
| Heres a health to my true Love
| Voice, Violin, Cello, Keyboard
|
| B minor
|
|-
| [[Merry may the Maid be, Hob.XXXIa:50 (Haydn, Joseph)|Hob.XXXIa:50]]
| Merry may the Maid be
| Voice, Violin, Cello, Keyboard
|
| D minor
|
|-
| Hob.XXXIa:50bis
| Merry may the Maid be
| 2 Voices, Keyboard
|
| D minor
| Duet version
|-
| [[The Mucking of Geordie's Byne, Hob.XXXIa:51 (Haydn, Joseph)|Hob.XXXIa:51]]
| The Mucking of Geordie's Byne
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| Hob.XXXIa:51bis
| My heart is a breaking dear Titty
| Voice, Keyboard
|
| E minor
|
|-
| [[Tibby Fowler, Hob.XXXIa:52 (Haydn, Joseph)|Hob.XXXIa:52]]
| Tibby Fowler
| Voice, Violin, Cello, Keyboard
|
| B minor
|
|-
| Hob.XXXIa:52bis
| Tibby Fowler
| Voice, Keyboard
|
| B minor
| Alternate version
|-
| [[Love will find out the way, Hob.XXXIa:53 (Haydn, Joseph)|Hob.XXXIa:53]]
| Love will find out the way
| Voice, Violin, Cello, Keyboard
|
| A major
|
|-
| [[Be kind to the Young thing, Hob.XXXIa:54 (Haydn, Joseph)|Hob.XXXIa:54]]
| Be kind to the Young thing
| Voice, Violin, Cello, Keyboard
|
| B-flat major
|
|-
| [[Cauld Kail in Aberdeen, Hob.XXXIa:55 (Haydn, Joseph)|Hob.XXXIa:55]]
| Cauld Kail in Aberdeen
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| Hob.XXXIa:55bis
| How long and dreary is the night
| 2 Voices, Keyboard
|
| D major
| Duet
|-
| [[Saw ye my Peggy, Hob.XXXIa:56 (Haydn, Joseph)|Hob.XXXIa:56]]
| Saw ye my Peggy
| Voice, Violin, Cello, Keyboard
|
| D minor
|
|-
| [[The banks of Spey, Hob.XXXIa:57 (Haydn, Joseph)|Hob.XXXIa:57]]
| The banks of Spey
| Voice, Violin, Cello, Keyboard
|
| C major
|
|-
| [[The birks of Abergeldie, Hob.XXXIa:58 (Haydn, Joseph)|Hob.XXXIa:58]]
| The birks of Abergeldie
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| Hob.XXXIa:58bis
| The birks of Abergeldie
| Voice, Keyboard
|
| D major
| Alternate version
|-
| [[The bonny brucket Lassie, Hob.XXXIa:59 (Haydn, Joseph)|Hob.XXXIa:59]]
| The bonny brucket Lassie
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[The Soger Laddie, Hob.XXXIa:60 (Haydn, Joseph)|Hob.XXXIa:60]]
| The Soger Laddie
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:60bis
| Come rest ye here Johnie
| Voice, Keyboard
|
| E-flat major
|
|-
| [[O let me in this ae night, Hob.XXXIa:61 (Haydn, Joseph)|Hob.XXXIa:61]]
| O let me in this ae night
| Voice, Violin, Cello, Keyboard
|
| D minor
|
|-
| Hob.XXXIa:61bis
| O let me in this ae night
| Voice, Keyboard
|
| D minor
| Alternate version
|-
| [[When she came ben she bobet, Hob.XXXIa:62 (Haydn, Joseph)|Hob.XXXIa:62]]
| When she came ben she bobet
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| Hob.XXXIa:62bis
| O was I to blame to love him
| Voice, Keyboard
|
| E minor
|
|-
| [[Hallow ev'n, Hob.XXXIa:63 (Haydn, Joseph)|Hob.XXXIa:63]]
| Hallow ev'n
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| Hob.XXXIa:63bis
| Hallow ev'n
| Voice, Keyboard
|
| D major
| Alternate version
|-
| [[Young Jockey was the blythest Lad, Hob.XXXIa:64 (Haydn, Joseph)|Hob.XXXIa:64]]
| Young Jockey was the blythest Lad
| Voice, Violin, Cello, Keyboard
|
| A minor
|
|-
| Hob.XXXIa:64bis
| Young Jockey was the blythest Lad
| Voice, Keyboard
|
| A minor
| Alternate version
|-
| [[Margret's Ghost, Hob.XXXIa:65 (Haydn, Joseph)|Hob.XXXIa:65]]
| Margret's Ghost
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[The Black Eagle, Hob.XXXIa:66 (Haydn, Joseph)|Hob.XXXIa:66]]
| The Black Eagle
| Voice, Violin, Cello, Keyboard
|
| A major
|
|-
| [[How long and dreary is the Night, Hob.XXXIa:67 (Haydn, Joseph)|Hob.XXXIa:67]]
| How long and dreary is the Night
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[Blink o'er the Burn, sweet Betty, Hob.XXXIa:68 (Haydn, Joseph)|Hob.XXXIa:68]]
| Blink o'er the Burn, sweet Betty
| Voice, Violin, Cello, Keyboard
|
| B-flat major
|
|-
| [[What ye wha I met yestreen, Hob.XXXIa:69 (Haydn, Joseph)|Hob.XXXIa:69]]
| What ye wha I met yestreen
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:69bis
| What ye wha I met yestreen
| Voice, Keyboard
|
| E minor
| Alternate version
|-
| [[My Mithers ay glowran o'er me, Hob.XXXIa:70 (Haydn, Joseph)|Hob.XXXIa:70]]
| My Mithers ay glowran o'er me
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| Hob.XXXIa:70bis
| My Mithers ay glowran o'er me
| Voice, Keyboard
|
| E minor
| Alternate version
|-
| [[Young Damon, Hob.XXXIa:71 (Haydn, Joseph)|Hob.XXXIa:71]]
| Young Damon
| Voice, Violin, Cello, Keyboard
|
| B-flat major
|
|-
| [[Robin quo' she, Hob.XXXIa:72 (Haydn, Joseph)|Hob.XXXIa:72]]
| Robin quo' she
| Voice, Violin, Cello, Keyboard
|
| G major
|
|-
| Hob.XXXIa:72bis
| Robin quo' she
| Voice, Keyboard
|
| G major
| Alternate version
|-
| [[Logie of Buchan, Hob.XXXIa:73 (Haydn, Joseph)|Hob.XXXIa:73]]
| Logie of Buchan
| Voice, Violin, Cello, Keyboard
|
| G minor
|
|-
| [[Eppie Adair, Hob.XXXIa:74 (Haydn, Joseph)|Hob.XXXIa:74]]
| Eppie Adair
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| [[Widow, are ye waking, Hob.XXXIa:75 (Haydn, Joseph)|Hob.XXXIa:75]]
| Widow, are ye waking
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:75bis
| Widow, are ye waking
| Voice, Keyboard
|
| E-flat major
| Alternate version
|-
| [[Whistle o'er the lave o't, Hob.XXXIa:76 (Haydn, Joseph)|Hob.XXXIa:76]]
| Whistle o'er the lave o't
| Voice, Violin, Cello, Keyboard
|
| F major
|
|-
| Hob.XXXIa:76bis
| Whistle o'er the lave o't
| Voice, Keyboard
|
| F major
|
|-
| [[My heart's in the Highlands, Hob.XXXIa:77 (Haydn, Joseph)|Hob.XXXIa:77]]
| My heart's in the Highlands
| Voice, Violin, Cello, Keyboard
|
| B-flat major
|
|-
| [[Steer her up and had her gawin, Hob.XXXIa:78 (Haydn, Joseph)|Hob.XXXIa:78]]
| Steer her up and had her gawin
| Voice, Violin, Cello, Keyboard
|
| B-flat major
|
|-
| [[Jamie come try me, Hob.XXXIa:79 (Haydn, Joseph)|Hob.XXXIa:79]]
| Jamie come try me
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[If a body meet a body, Hob.XXXIa:80 (Haydn, Joseph)|Hob.XXXIa:80]]
| If a body meet a body
| Voice, Violin, Cello, Keyboard
|
| G major
| also referred to as 'The Miller's Daughter'
|-
| Hob.XXXIa:80bis
| If a body meet a body
| Voice, Keyboard
|
| G major
| Alternate version ; also referred to as 'The Miller's Daughter'
|-
| [[McGregor of Ruara's Lament, Hob.XXXIa:81 (Haydn, Joseph)|Hob.XXXIa:81]]
| McGregor of Ruara's Lament
| Voice, Violin, Cello, Keyboard
|
| C major
| also referred to as McGregor of Roro's Lament ; Raving Winds around her blowing
|-
| Hob.XXXIa:81bis
| My sorrow deep sorrow
| Voice, Keyboard
|
| C major
|
|-
| [[Willy's Rare, Hob.XXXIa:82 (Haydn, Joseph)|Hob.XXXIa:82]]
| Willy's Rare
| Voice, Violin, Cello, Keyboard
|
| B-flat major
|
|-
| [[Lizae Baillie, Hob.XXXIa:83 (Haydn, Joseph)|Hob.XXXIa:83]]
| Lizae Baillie
| Voice, Violin, Cello, Keyboard
|
| F major
|
|-
| [[The maid's Complaint, Hob.XXXIa:84 (Haydn, Joseph)|Hob.XXXIa:84]]
| The maid's Complaint
| Voice, Violin, Cello, Keyboard
|
| B minor
|
|-
| [[Oh Onochrie, Hob.XXXIa:85 (Haydn, Joseph)|Hob.XXXIa:85]]
| Oh Onochrie
| Voice, Violin, Cello, Keyboard
|
| F major
|
|-
| [[Maggie's Tocher, Hob.XXXIa:86 (Haydn, Joseph)|Hob.XXXIa:86]]
| Maggie's Tocher
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| [[I dream'd I lay, Hob.XXXIa:87 (Haydn, Joseph)|Hob.XXXIa:87]]
| I dream'd I lay
| Voice, Violin, Cello, Keyboard
|
| D minor
|
|-
| [[The Glancing of her Apron, Hob.XXXIa:88 (Haydn, Joseph)|Hob.XXXIa:88]]
| The Glancing of her Apron
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[O bonny lass, Hob.XXXIa:89 (Haydn, Joseph)|Hob.XXXIa:89]]
| O bonny lass
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| Hob.XXXIa:89bis
| O say, my sweet Nan
| Voice, Keyboard
|
| E-flat major
|
|-
| [[The Flowers of Edinburgh, Hob.XXXIa:90 (Haydn, Joseph)|Hob.XXXIa:90]]
| The Flowers of Edinburgh
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| [[Jockie and Sandie, Hob.XXXIa:91 (Haydn, Joseph)|Hob.XXXIa:91]]
| Jockie and Sandie
| Voice, Violin, Cello, Keyboard
|
| G major
|
|-
| [[The mill, mill O, Hob.XXXIa:92 (Haydn, Joseph)|Hob.XXXIa:92]]
| The mill, mill O
| Voice, Violin, Cello, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:92bis
| When wild war's deadly blast was blown
| Voice, Keyboard
|
| B-flat major
|
|-
| [[Shepherds, I have lost my love, Hob.XXXIa:93 (Haydn, Joseph)|Hob.XXXIa:93]]
| Shepherds, I have lost my love
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| Hob.XXXIa:93bis
| Shepherds, I have lost my love
| Voice, Keyboard
|
| D major
| Alternate version
|-
| [[Bonny Kate of Edinburgh, Hob.XXXIa:94 (Haydn, Joseph)|Hob.XXXIa:94]]
| Bonny Kate of Edinburgh
| Voice, Violin, Cello, Keyboard
|
| G major
|
|-
| [[If e'er ye do well it's a Wonder, Hob.XXXIa:95 (Haydn, Joseph)|Hob.XXXIa:95]]
| If e'er ye do well it's a Wonder
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[Peggy in Devotion, Hob.XXXIa:96 (Haydn, Joseph)|Hob.XXXIa:96]]
| Peggy in Devotion
| Voice, Violin, Cello, Keyboard
|
| C major
|
|-
| [[Colonel Gardner, Hob.XXXIa:97 (Haydn, Joseph)|Hob.XXXIa:97]]
| Colonel Gardner
| Voice, Violin, Cello, Keyboard
|
| B-flat major
|
|-
| [[To Daunton me, Hob.XXXIa:98 (Haydn, Joseph)|Hob.XXXIa:98]]
| To Daunton me
| Voice, Violin, Cello, Keyboard
|
| D minor
|
|-
| [[Jenny was Fair and unkind, Hob.XXXIa:99 (Haydn, Joseph)|Hob.XXXIa:99]]
| Jenny was Fair and unkind
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| [[Her absence will not alter me, Hob.XXXIa:100 (Haydn, Joseph)|Hob.XXXIa:100]]
| Her absence will not alter me
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[The Bonnie Grey ey'd Morn, Hob.XXXIa:101 (Haydn, Joseph)|Hob.XXXIa:101]]
| The Bonnie Grey ey'd Morn
| Voice, Violin, Cello, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:101bis
| A soldier am I, all the world o'er I range
| Voice, Keyboard
|
| G major
|
|-
| [[Bonnie Wee thing, Hob.XXXIa:102 (Haydn, Joseph)|Hob.XXXIa:102]]
| Bonnie Wee thing
| Voice, Violin, Cello, Keyboard
|
| A major
|
|-
| Hob.XXXIa:102bis
| Bonnie Wee thing
| Voice, Keyboard
|
| A major
| Alternate version
|-
| Hob.XXXIa:102ter
| Bonnie Wee thing
| Voice, Keyboard
|
| A major
| Alternate version
|-
| Hob.XXXIa:102quater
| Bonnie Wee thing
| Mixed choir (STB)
|
| A major
| 3 part version
|-
| [[Roy's Wife of Alldivaloch, Hob.XXXIa:103 (Haydn, Joseph)|Hob.XXXIa:103]]
| Roy's Wife of Alldivaloch
| Voice, Violin, Cello, Keyboard
|
| A minor
|
|-
| [[While hopeless, Hob.XXXIa:104 (Haydn, Joseph)|Hob.XXXIa:104]]
| While hopeless
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| [[Frae the Friends and Land I love, Hob.XXXIa:105 (Haydn, Joseph)|Hob.XXXIa:105]]
| Frae the Friends and Land I love
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| [[The Shepherd's son, Hob.XXXIa:106 (Haydn, Joseph)|Hob.XXXIa:106]]
| The Shepherd's son
| Voice, Violin, Cello, Keyboard
|
| G major
|
|-
| Hob.XXXIa:106bis
| The Shepherd's son
| Voice, Keyboard
|
| G major
| Alternate version
|-
| Hob.XXXIa:106ter
| The gowan glitters on the sword
| Voice, Keyboard
|
| A major
|
|-
| [[A Cold Frosty Morning, Hob.XXXIa:107 (Haydn, Joseph)|Hob.XXXIa:107]]
| A Cold Frosty Morning
| Voice, Violin, Cello, Keyboard
|
| F major
|
|-
| [[O, For ane and twenty Tam!, Hob.XXXIa:108 (Haydn, Joseph)|Hob.XXXIa:108]]
| O, For ane and twenty Tam!
| Voice, Violin, Cello, Keyboard
|
| C minor
|
|-
| [[Johnie Armstrong, Hob.XXXIa:109 (Haydn, Joseph)|Hob.XXXIa:109]]
| Johnie Armstrong
| Voice, Violin, Cello, Keyboard
|
| G major
|
|-
| [[I do confess thou art sae fair, Hob.XXXIa:110 (Haydn, Joseph)|Hob.XXXIa:110]]
| I do confess thou art sae fair
| Voice, Violin, Cello, Keyboard
|
| D minor
|
|-
| [[Now Westlin Winds, Hob.XXXIa:111 (Haydn, Joseph)|Hob.XXXIa:111]]
| Now Westlin Winds
| Voice, Violin, Cello, Keyboard
|
| C minor
|
|-
| [[Green Sleeves, Hob.XXXIa:112 (Haydn, Joseph)|Hob.XXXIa:112]]
| Green Sleeves
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| Hob.XXXIa:112bis
| It was the charming month of May
| Voice, Keyboard
|
| E minor
|
|-
| [[The Posie, Hob.XXXIa:113 (Haydn, Joseph)|Hob.XXXIa:113]]
| The Posie
| Voice, Violin, Cello, Keyboard
|
| C minor
|
|-
| [[As I cam down by yon Castle Wa', Hob.XXXIa:114 (Haydn, Joseph)|Hob.XXXIa:114]]
| As I cam down by yon Castle Wa'
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| [[The Minstrel, Hob.XXXIa:115 (Haydn, Joseph)|Hob.XXXIa:115]]
| The Minstrel
| Voice, Violin, Cello, Keyboard
|
| C minor
| Also referred to as [[Donocht_head%2C_Hob.XXXIa:115_(Haydn%2C_Joseph)|Donocht head]]
|-
| Hob.XXXIa:115bis
| The Minstrel
| Voice, Keyboard
|
| C minor
| Alternate version
|-
| [[The Ewy wi' the crooked Horn, Hob.XXXIa:116 (Haydn, Joseph)|Hob.XXXIa:116]]
| The Ewy wi' the crooked Horn
| Voice, Violin, Cello, Keyboard
|
| F major
|
|-
| Hob.XXXIa:116bis
| The Ewy wi' the crooked Horn
| Voice, Keyboard
|
| G major
| Alternate version
|-
| [[Fair Eliza, Hob.XXXIa:117 (Haydn, Joseph)|Hob.XXXIa:117]]
| Fair Eliza
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| [[The Widow, Hob.XXXIa:118 (Haydn, Joseph)|Hob.XXXIa:118]]
| The Widow
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| [[Yon Wild Mossy Mountains, Hob.XXXIa:119 (Haydn, Joseph)|Hob.XXXIa:119]]
| Yon Wild Mossy Mountains
| Voice, Violin, Cello, Keyboard
|
| G minor
|
|-
| [[My Goddess Woman, Hob.XXXIa:120 (Haydn, Joseph)|Hob.XXXIa:120]]
| My Goddess Woman
| Voice, Violin, Cello, Keyboard
|
| C minor
|
|-
| [[She's fair and fause, Hob.XXXIa:121 (Haydn, Joseph)|Hob.XXXIa:121]]
| She's fair and fause
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| [[O'er the Moor amang the Heather, Hob.XXXIa:122 (Haydn, Joseph)|Hob.XXXIa:122]]
| O'er the Moor amang the Heather
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:122bis
| O'er the Moor amang the Heather
| Voice, Keyboard
|
| E-flat major
| Alternate version
|-
| Hob.XXXIa:122ter
| O'er the Moor amang the Heather
| Voice, Keyboard
|
| E-flat major
| Alternate version
|-
| [[The Tears I shed, Hob.XXXIa:123 (Haydn, Joseph)|Hob.XXXIa:123]]
| The Tears I shed
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| [[The Wee Wee Man, Hob.XXXIa:124 (Haydn, Joseph)|Hob.XXXIa:124]]
| The Wee Wee Man
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:124bis
| O bonny was yon rosy
| Voice, Keyboard
|
| E-flat major
|
|-
| [[Nithsdall's Welcome home, Hob.XXXIa:125 (Haydn, Joseph)|Hob.XXXIa:125]]
| Nithsdall's Welcome home
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[Bid me not forget, Hob.XXXIa:126 (Haydn, Joseph)|Hob.XXXIa:126]]
| Bid me not forget
| Voice, Violin, Cello, Keyboard
|
| G major
|
|-
| [[Lady Randolph's Complaint, Hob.XXXIa:127 (Haydn, Joseph)|Hob.XXXIa:127]]
| Lady Randolph's Complaint
| Voice, Violin, Cello, Keyboard
|
| G major
|
|-
| [[The Shepherd's Wife, Hob.XXXIa:128 (Haydn, Joseph)|Hob.XXXIa:128]]
| The Shepherd's Wife
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:128bis
| A! rosebud by my early walk
| Voice, Keyboard
|
| E-flat major
|
|-
| [[The weary Pund o'Tow, Hob.XXXIa:129 (Haydn, Joseph)|Hob.XXXIa:129]]
| The weary Pund o'Tow
| Voice, Violin, Cello, Keyboard
|
| G major
|
|-
| Hob.XXXIa:129bis
| The weary Pund o'Tow
| Voice, Keyboard
|
| F major
| Alternate version
|-
| [[The tither morn, Hob.XXXIa:130 (Haydn, Joseph)|Hob.XXXIa:130]]
| The tither morn
| Voice, Violin, Cello, Keyboard
|
| F major
|
|-
| [[Ae fond Kiss, Hob.XXXIa:131 (Haydn, Joseph)|Hob.XXXIa:131]]
| Ae fond Kiss
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| [[Jenny drinks nae water, Hob.XXXIa:132 (Haydn, Joseph)|Hob.XXXIa:132]]
| Jenny drinks nae water
| Voice, Violin, Cello, Keyboard
|
| B-flat major
|
|-
| [[The Vain Pursuit, Hob.XXXIa:133 (Haydn, Joseph)|Hob.XXXIa:133]]
| The Vain Pursuit
| Voice, Violin, Cello, Keyboard
|
| C major
|
|-
| [[What can a young Lassie do, Hob.XXXIa:134 (Haydn, Joseph)|Hob.XXXIa:134]]
| What can a young Lassie do
| Voice, Violin, Cello, Keyboard
|
| B minor
|
|-
| Hob.XXXIa:134bis
| What can a young Lassie do
| Voice, Keyboard
|
| B minor
| Alternate version
|-
| [[The Rose Bud, Hob.XXXIa:135 (Haydn, Joseph)|Hob.XXXIa:135]]
| The Rose Bud
| Voice, Violin, Cello, Keyboard
|
| G minor
|
|-
| [[Dear Silva, Hob.XXXIa:136 (Haydn, Joseph)|Hob.XXXIa:136]]
| Dear Silvia
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| [[The Slave's Lament, Hob.XXXIa:137 (Haydn, Joseph)|Hob.XXXIa:137]]
| The Slave's Lament
| Voice, Violin, Cello, Keyboard
|
| D minor
|
|-
| [[The Death of the Linnet, Hob.XXXIa:138 (Haydn, Joseph)|Hob.XXXIa:138]]
| The Death of the Linnet
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:138bis
| The Death of the Linnet
| 2 Voices, Keyboard
|
| E-flat major
| Duet version
|-
| [[Donald and Flora, Hob.XXXIa:139 (Haydn, Joseph)|Hob.XXXIa:139]]
| Donald and Flora
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| Hob.XXXIa:139bis
| Donald and Flora
| Voice, Keyboard
|
| E-flat major
| Alternate version
|-
| [[I canna come ilke day to woo, Hob.XXXIa:140 (Haydn, Joseph)|Hob.XXXIa:140]]
| I canna come ilke day to woo
| Voice, Violin, Cello, Keyboard
|
| A major
| also referred to as 'Lass, gin ye lo'e me, tell me now'
|-
| Hob.XXXIa:140bis
| Now bank and brae are cloth'd in green
| Voice, Keyboard
|
| A major
|
|-
| [[Hughie Graham, Hob.XXXIa:141 (Haydn, Joseph)|Hob.XXXIa:141]]
| Hughie Graham
| Voice, Violin, Cello, Keyboard
|
| G minor
|
|-
| [[On a Bank of Flowers, Hob.XXXIa:142 (Haydn, Joseph)|Hob.XXXIa:142]]
| On a Bank of Flowers
| Voice, Violin, Cello, Keyboard
|
| C minor
|
|-
| [[Morag, Hob.XXXIa:143 (Haydn, Joseph)|Hob.XXXIa:143]]
| Morag
| Voice, Violin, Cello, Keyboard
|
| D minor
| also referred to as 'The young Highland Rover'
|-
| Hob.XXXIa:143bis
| Morag
| Voice, Keyboard
|
| C minor
| Alternate version
|-
| [[A Country Lassie, Hob.XXXIa:144 (Haydn, Joseph)|Hob.XXXIa:144]]
| A Country Lassie
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| [[Strathallan's Lament, Hob.XXXIa:145 (Haydn, Joseph)|Hob.XXXIa:145]]
| Strathallan's Lament
| Voice, Violin, Cello, Keyboard
|
| D major
|
|-
| Hob.XXXIa:145bis
| Strathallan's Lament
| Voice, Keyboard
|
| D major
| Alternate version
|-
| [[Tho' for sev'n years and mair, Hob.XXXIa:146 (Haydn, Joseph)|Hob.XXXIa:146]]
| Tho' for sev'n years and mair
| Voice, Violin, Cello, Keyboard
|
| F major
|
|-
| [[Bess and her Spinning Wheel, Hob.XXXIa:147 (Haydn, Joseph)|Hob.XXXIa:147]]
| Bess and her Spinning Wheel
| Voice, Violin, Cello, Keyboard
|
| E minor
|
|-
| [[Kellyburn Braes, Hob.XXXIa:148 (Haydn, Joseph)|Hob.XXXIa:148]]
| Kellyburn Braes
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:148bis
| Kellyburn Braes
| Voice, Keyboard
|
| D major
| Alternate version
|-
| [[O'er the Hills and far away, Hob.XXXIa:149 (Haydn, Joseph)|Hob.XXXIa:149]]
| O'er the Hills and far away
| Voice, Violin, Cello, Keyboard
|
| F-sharp minor
|
|-
| Hob.XXXIa:149bis
| O how can my poor hear be glad
| Voice, Keyboard
|
| G minor
|
|-
| [[Strephon and Lydia, Hob.XXXIa:150 (Haydn, Joseph)|Hob.XXXIa:150]]
| Strephon and Lydia
| Voice, Violin, Cello, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:151
| On Ettrick banks
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:152
| Down the burn Davie
| 2 Voices, Keyboard
|
| F major
|
|-
| Hob.XXXIa:153
| William and Margret
| Voice, Keyboard
|
| B-flat major
| also referred to as Margret's Ghost
|-
| Hob.XXXIa:154
| Johnny's gray breeks
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:155
| Woes my heart that we shou'd sunder
| 2 Voices, Keyboard
|
| F major
|
|-
| Hob.XXXIa:156
| Fee him, father
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:157
| A Waking, O!
| 2 Voices, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:158
| The looking glass
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIa:159
| Highland Mary
| Voice, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:160
| The lass of Patie's Mill
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:160bis
| The lass of Patie's Mill
| 2 Voices, Keyboard
|
| C major
| Duet version
|-
| Hob.XXXIa:161
| Queen Mary's lamentation
| Voice, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:162
| The blathrie o't
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:163
| Logan water
| Voice, Keyboard
|
| G minor
|
|-
| Hob.XXXIa:164
| An thou wert mine ain thing
| Voice, Keyboard
|
| A major
|
|-
| Hob.XXXIa:164bis
| An thou wert mine ain thing
| Voice, Keyboard
|
| A major
| Alternate version
|-
| Hob.XXXIa:165
| Rothie murcus Rant
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:166
| My dearie if thou die
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIa:167
| Peggy, I must love thee
| 2 Voices, Keyboard
|
| G major
|
|-
| Hob.XXXIa:168
| Auld Robin Gray
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:169
| Killicrankie
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:170
| The broom of Cowdenknows
| Voice, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:171
| Bannocks o'Barley meal
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIa:172
| Bonny Jean
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:173
| Sensibility
| Voice, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:174
| Hey tutti taiti
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIa:175
| The lone vale
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:176
| The blue bell(s) of Scotland
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:177
| I wish my Love were in a Myre
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:178
| Bessy Bell and Mary Gray
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:178bis
| Bessy Bell and Mary Gray
| Voice, Keyboard
|
| C major
| Alternate version
|-
| Hob.XXXIa:179
| Galashiels
| Voice, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:180
| Tak' your auld cloak about ye
| Voice, Keyboard
|
| G minor
|
|-
| Hob.XXXIa:180bis
| Tak' your auld cloak about ye
| Voice, Keyboard
|
| G minor
| Alternate version
|-
| Hob.XXXIa:181
| Thro' the wood, Laddie
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:182
| Macpherson's Farewell
| Voice, Keyboard
|
| A major
|
|-
| Hob.XXXIa:183
| Pinkie House
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:184
| The auld Gudeman
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:185
| Scornfu' Nancy
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:185bis
| Nancy's to the greenwood
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:186
| Tears that must ever fall
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:187
| The Birks of Invermay
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIa:187bis
| The Birks of Invermay
| Voice, Keyboard
|
| G major
| Alternate version
|-
| Hob.XXXIa:188
| The Ewe-bughts
| 2 Voices, Keyboard
|
| G major
|
|-
| Hob.XXXIa:189
| My apron deary
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIa:189bis
| My apron deary
| Voice, Keyboard
|
| A major
| Alternate version
|-
| Hob.XXXIa:190
| Lochaber
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:190bis
| Lochaber
| Voice, Keyboard
|
| F major
| Alternate version
|-
| Hob.XXXIa:191
| Roslin Castle
| Voice, Keyboard
|
| C minor
|
|-
| Hob.XXXIa:191bis
| Roslin Castle
| Voice, Keyboard
|
| C minor
| Alternate version
|-
| Hob.XXXIa:192
| Auld Rob Morris
| 2 Voices, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:193
| Craigiebum Wood
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:194
| My Love she's but a lassie yet
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:195
| The auld wife ayont the fire
| Voice, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:196
| Gil Morris
| Voice, Keyboard
|
| E-flat major
| also referred to as Morrice
|-
| Hob.XXXIa:197
| Rise up and bar the door
| Voice, Keyboard
|
| F major
| also referred to as Get up and bar the door
|-
| Hob.XXXIa:198
| The Sutor's Daughter
| 2 Voices, Keyboard
|
| G major
|
|-
| Hob.XXXIa:199
| The last time I came o'er the muir
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:199bis
| The last time I came o'er the muir
| Voice, Keyboard
|
| D major
| Alternate version
|-
| Hob.XXXIa:200
| The braes of Ballenden
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIa:200bis
| The braes of Ballenden
| Voice, Keyboard
|
| G major
| Alternate version
|-
| Hob.XXXIa:201
| The Tears of Caledonia
| Voice, Keyboard
|
| D minor
|
|-
| Hob.XXXIa:202
| Robin Adair
| 2 Voices, Keyboard
|
| C major
|
|-
| Hob.XXXIa:203
| Erin-go-bragh
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:203bis
| Savourna deligh
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:204
| The bush aboon Traquair
| 2 Voices, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:205
| I'll never leave thee
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:206
| Tweedside
| 2 Voices, Keyboard
|
| G major
|
|-
| Hob.XXXIa:207
| The braes of Yarrow
| Voice, Keyboard
|
| A major
|
|-
| Hob.XXXIa:208
| The silken snood
| Voice, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:209
| The lass of Lochroyan
| Voice, Keyboard
|
| A minor
|
|-
| Hob.XXXIa:210
| Low down in the broom
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:211
| The yellow hair'd laddie
| 2 Voices, Keyboard
|
| D major
|
|-
| Hob.XXXIa:212
| The flowers of the forest
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:213
| The Collier's bonny Lassie
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:214
| Waly, Waly
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:214bis
| Waly, Waly
| Voice, Keyboard
|
| D major
| Alternate version
|-
| Hob.XXXIa:214ter
| Waly, Waly
| 2 Voices, Keyboard
|
| D major
| Duet version
|-
| Hob.XXXIa:215
| Lewie Gordon
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIa:216
| Corn riggs
| 2 Voices, Keyboard
|
| A major
|
|-
| Hob.XXXIa:217
| Donald
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:218
| Auld lang syne
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:219
| She rose and loot me in
| Voice, Keyboard
|
| D minor
|
|-
| Hob.XXXIa:219bis
| She rose and loot me in
| Voice, Keyboard
|
| D minor
| Alternate version
|-
| Hob.XXXIa:220
| Katherine Ogie
| Voice, Keyboard
|
| G minor
|
|-
| Hob.XXXIa:221
| The Maid that tends the goats
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:221bis
| Hark the mavis' ev'ning sang
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:222
| For the lack of Gold
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:223
| Sae merry as we ha'e been
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:224
| Captain O'Kain
| Voice, Keyboard
|
| E minor
|
|-
| Hob.XXXIa:224bis
| Captain O'Kain
| Voice, Keyboard
|
| E minor
| Alternate version
|-
| Hob.XXXIa:225
| Gilderoy
| 2 Voices, Keyboard
|
| G minor
|
|-
| Hob.XXXIa:226
| The braes of Ballochmyle
| Voice, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:227
| Rattling roaring Willy
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:228
| Oran Gaoil
| 2 Voices, Keyboard
|
| D minor
|
|-
| Hob.XXXIa:229
| Deil tak the wars
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:230
| The Poet's ain Jean
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIa:230bis
| The Poet's ain Jean
| 2 Voicea, Keyboard
|
| A major
| Duet version
|-
| Hob.XXXIa:231
| A Jacobite Air
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:232
| The border widow's lament
| Voice, Keyboard
|
| A major
|
|-
| Hob.XXXIa:233
| Up and war them a'Willie
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:234
| The east Neuk o'Fife
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:235
| Langolee
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIa:236
| Fair Helen of Kirkconnell
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:237
| Hooly and fairly
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:238
| Johny Macgill
| Voice, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:239
| Shelah O'Neal
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:240
| Jenny dang the weaver
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:241
| Pat & Kate
| 2 Voices, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:242
| Muirland Willy
| Voice, Keyboard
|
| D minor
|
|-
| Hob.XXXIa:243
| The happy Topers
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:244
| What ails this heart of mine
| 2 Voices, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:245
| The wish
| Voice, Keyboard
|
| G minor
|
|-
| Hob.XXXIa:246
| The Boatman
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:247
| Happy Dick Dawson
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:248
| The old highland laddie
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:249
| Oonagh
| Voice, Keyboard
|
| D minor
|
|-
| Hob.XXXIa:250
| Sir Patrick Spence
| Voice, Keyboard
|
| A major
|
|-
| Hob.XXXIa:251
| Johny Faw
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:252
| Jenny's Bawbee
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIa:253A
| Cro Challin
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:253B
| The rock and a wee pickle Tow
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:254
| Good night and joy be wi'ye
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIa:255
| Open the door
| Voice, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:256
| The Humours o'Glen
| Voice, Keyboard
|
| A minor
|
|-
| Hob.XXXIa:257
| Here awa', there awa'
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:257bis
| Wandering Willie
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:258
| My Jo Janet
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:259
| The Day returns
| 2 Voices, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:260
| The siller crown
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:261
| Sweet Annie
| Voice, Keyboard
|
| G minor
|
|-
| Hob.XXXIa:262
| My lodging is on the cold ground
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIa:263
| Jingling Jonnie
| Voice, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:264
| The three Captains
| Voice, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIa:265
| Polwarth on the Green
| 2 Voices, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIa:266
| The sailor's lady
| Voice, Keyboard
|
| A major
|
|-
| Hob.XXXIa:267
| Over the water to Charlie
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:268
| My love's a wanton wee thing
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:269
| Kelvin Grove
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIa:270
| Tullochgorum
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIa:271
| O were my Love yon Lilac fair
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIa:272
| Lassie wi' the gowden hair
| Voice, Keyboard
|
| D minor
|
|-
| Hob.XXXIa:273
|
| Voice, Keyboard
|
| A minor
|
|-
| Hob.XXXIb:1
| Codiad yr Hedydd
| Voice, Keyboard
|
| B-flat major
| (The rising of the Lark)
|-
| Hob.XXXIb:2
| Gorhoffedd gwyr Harlech
| Voice, Keyboard
|
| G major
| (The March of the Men of Harlech)
|-
| Hob.XXXIb:3
| Torriad y Dydd
| Voice, Keyboard
|
| B minor
| (The dawn of Day)
|-
| Hob.XXXIb:4
| Daffydd y Garreg-Wen
| Voice, Keyboard
|
| G minor
| (David on the White Rock)
|-
| Hob.XXXIb:5
| Mantell Siani
| Voice, Keyboard
|
| G major
| (Jenny's mantle)
|-
| Hob.XXXIb:6
| Mentra Gwen
| 2 Voices, Keyboard
|
| A major
| (Venture Gwen)
|-
| Hob.XXXIb:7
| Llwyn Onn
| Voice, Keyboard
|
| G major
| (The Ash Grove)
|-
| Hob.XXXIb:8
| Rhyfelgyrch Cadpen Morgan
| Voice, Keyboard
|
| B-flat major
| (Captain Morgan's March)
|-
| Hob.XXXIb:9
| Ar hyd y Nos
| 2 Voices, Keyboard
|
| A major
| (The live long night)
|-
| Hob.XXXIb:10
| Twll yn ei Boch
| Voice, Keyboard
|
| C major
| (The dimpled cheek)
|-
| Hob.XXXIb:11
| Hob y deri dando
| Voice, Keyboard
|
| G major
| (Away, my herd, under the green oak)
|-
| Hob.XXXIb:12
| Codiad yr Haul
| 2 Voices, Keyboard
|
| B-flat major
| (The rising sun)
|-
| Hob.XXXIb:13
| Ffarwel Ffranses
| Voice, Keyboard
|
| E-flat major
| (Farewell Frances)
|-
| Hob.XXXIb:14
| Dowck i'r Frwydr
| 2 Voices, Keyboard
|
| B-flat major
| (Come to battle)
|-
| Hob.XXXIb:15
| Grisiel Ground
| 2 Voices, Keyboard
|
| B-flat major
| (The crystal Ground)
|-
| Hob.XXXIb:16
| Hob y deri danno
| Voice, Keyboard
|
| G major
| (Away to the oaken grove)
|-
| Hob.XXXIb:17
| Tros y Garreg
| Voice, Keyboard
|
| G minor
| (Over the Stone)
|-
| Hob.XXXIb:18
| Ton y Ceiliog Du
| 2 Voices, Keyboard
|
| B-flat major
| (The Note of the black Cock)
|-
| Hob.XXXIb:19
| Wyres Ned Puw
| Voice, Keyboard
|
| G minor
| (Ned Pugh's Grand Daughter)
|-
| Hob.XXXIb:20
| Eryri Wen
| Voice, Keyboard
|
| B minor
| (The white Mountains of Snowdon)
|-
| Hob.XXXIb:21
| The Cornish May song
| Voice, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIb:22
| Pant corlant yr wyn/Dafydd or Garreg-Ias
| 2 Voices, Keyboard
|
| B-flat major
| (The lambs'fold vale/David of the blue stone)
|-
| Hob.XXXIb:23
| Blodau LIundain
| 2 Voices, Keyboard
|
| C major
| (The flowers of London)
|-
| Hob.XXXIb:24
| Y Gadly's
| Voice, Keyboard
|
| E-flat major
| (The Camp-Palace or Leaders Tent)
|-
| Hob.XXXIb:25
| Y Bardd yn ei Awen
| Voice, Keyboard
|
| C major
| (The inspired Bard)
|-
| Hob.XXXIb:26
| Castell Towyn
| Voice, Keyboard
|
| E-flat major
| (Towyn castle)
|-
| Hob.XXXIb:27
| Erddigan Caer y Waun
| Voice, Keyboard
|
| G major
| (The Minstrelsy of Chirk Castle)
|-
| Hob.XXXIb:28
| Hoffedd Hywel ab Owen Gwynedd
| Voice, Keyboard
|
| C minor
| (The delight of Prince Hoel, son of Owen Gwyned)
|-
| Hob.XXXIb:29
| Nos galan
| Voice, Keyboard
|
| G major
| (New Year's night)
|-
| Hob.XXXIb:30
| Blodaur's Grug
| Voice, Keyboard
|
| C major
| (The flowers of the heath)
|-
| Hob.XXXIb:31
| Mwynen Cynwyd
| Voice, Keyboard
|
| E-flat major
| (The melody of Cynwyd)
|-
| Hob.XXXIb:32
| Y Cymry Dedwydd
| Voice, Keyboard
|
| B-flat major
| (The happy Cambrians)
|-
| Hob.XXXIb:33
| Hela'r Ysgyfamog
| Voice, Keyboard
|
| C major
| (Hunting the Hare)
|-
| Hob.XXXIb:34
| Digan y Pibydd Cock
| Voice, Keyboard
|
| C minor
| (The red piper's melody)
|-
| Hob.XXXIb:35
| Blodau'r Drain
| Voice, Keyboard
|
| G minor
| (The Blossom of the Thorns)
|-
| Hob.XXXIb:36
| Maltreath
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIb:37
| Yr hen Erddigan
| Voice, Keyboard
|
| C minor
| (The ancient harmony)
|-
| Hob.XXXIb:38
| Reged
| Voice, Keyboard
|
| G major
|
|-
| Hob.XXXIb:39
| Cerdd yr hen-wr or Coed
| Voice, Keyboard
|
| F major
| (The Song of the old man of the Wood)
|-
| Hob.XXXIb:40
| Ffarwell Jenengetid
| Voice, Keyboard
|
| E-flat major
| (Adieu to my juvenile days)
|-
| Hob.XXXIb:41
| Troiad y Droell
| Voice, Keyboard
|
| B-flat major
| (The Whirling of the spinning wheel)
|-
| Hob.XXXIb:42
| Happiness lost
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIb:43a
| The lamentation of Britain
| 2 Voices, Keyboard
|
| G minor
|
|-
| Hob.XXXIb:43b
| The lamentation of Cambria
| 2 Voices, Keyboard
|
| G minor
|
|-
| Hob.XXXIb:44
| The sweet melody of North Wales
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIb:45
| Lady Owen's delight
| Voice, Keyboard
|
| F major
|
|-
| Hob.XXXIb:46
| Winifreda
| 2 Voices, Keyboard
|
| E-flat major
|
|-
| Hob.XXXIb:47
| The Willow hymn
| Voice, Keyboard
|
| D minor
|
|-
| Hob.XXXIb:48
| The allurement of love
| 2 Voices, Keyboard
|
| D major
|
|-
| Hob.XXXIb:49
| The marsh of Rhuddlan
| Voice, Keyboard
|
| G minor
|
|-
| Hob.XXXIb:50
| The door clapper
| 2 Voices, Keyboard
|
| G major
|
|-
| Hob.XXXIb:51
| The Britons
| Voice, Keyboard
|
| C minor
|
|-
| Hob.XXXIb:52
| The pursuit of Love
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIb:53
| The poor pedlar
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIb:54
| The Blossom of the honey suckle
| Voice, Keyboard
|
| A minor
|
|-
| Hob.XXXIb:55
| Aria di guerra e Vittoria
| Voice, Keyboard
|
| D major
|
|-
| Hob.XXXIb:56
| The Bend of the Horse-shoe
| Voice, Keyboard
|
| B-flat major
|
|-
| Hob.XXXIb:57
| La Partenza dal Paese e dalli Amici
| Voice, Keyboard
|
| A minor
|
|-
| Hob.XXXIb:58
| The flower of North Wales
| Voice, Keyboard
|
| C major
|
|-
| Hob.XXXIb:59
| The departure of the King
| Voice, Keyboard
|
| E minor
|
|-
| Hob.XXXIb:60
| The New Year's Gift
| Voice, Keyboard
|
| A minor
|
|-
| Hob.XXXIb:61
| The Parson boasts of mild ale
| Voice, Keyboard
|
| G minor
|
|-
| Hob.XXXIc:1
| Graduale: Vias tuas Domine demonstra mihi et semitas tuas edoce me
| 3 Voices (SSA)
|
| C major
| Gradual Composed in 1576, deciphered by Joseph Haydn
|-
| Hob.XXXIc:2
| L'idol mio fu questi un giorno
| Oboe, Strings
|
| C major
| arrangement from the opera ''II finto pazzo'' by {{LinkComp|Carl Ditters von|Dittersdorf}}
|-
| Hob.XXXIc:3
| Vi miro fiso
| 2 Oboes, 2 Horns
|
| A major
| arrangement from the opera ''Arcifanfano Re de'Matti'' by {{LinkComp|Carl Ditters von|Dittersdorf}}
|-
| Hob.XXXIc:4
| Se provasse un poeolino
| 2 Oboes, 2 Horns
|
| B-flat major
| arrangement from the opera {{LinkWork|La forza delle donne||Anfossi|Pasquale|0}} by {{LinkComp|Pasquale|Anfossi}}
|-
| Hob.XXXIc:5
| Ah crudel poi chè lo brami
| Voice, Keyboard
|
| F major
| arrangement from the opera {{LinkWork|La vendemmia||Gazzaniga|Giuseppe|0}} by {{LinkComp|Giuseppe|Gazzaniga}}
|-
| Hob.XXXIc:6
| Gelosi d'amore è figlia
| Voice, Keyboard
|
| F major
| arrangement from the opera {{LinkWork|La scuola de' gelosi||Salieri|Antonio|0}} by {{LinkComp|Antonio|Salieri}}
|-
| Hob.XXXIc:7
| Si promette facilmente
| Voice, Keyboard
|
| B minor
| arrangement from the opera ''La finta giardiniera'' by {{LinkComp|Pasquale|Anfossi}}
|-
| Hob.XXXIc:8
| Vorrei panirti indegno
| Voice, Keyboard
|
| B-flat major
| arrangement from the opera ''La finta giardiniera'' by {{LinkComp|Pasquale|Anfossi}}
|-
| Hob.XXXIc:9
| Non ama la vita chi fugge il diletto
| Voice, Keyboard
|
| F major
| arrangement from the opera {{LinkWork|Isabella e Rodrigo||Anfossi|Pasquale|0}} by {{LinkComp|Pasquale|Anfossi}}
|-
| Hob.XXXIc:10
| Che tortura io sono lontano
| Voice, Keyboard
|
| F major
| arrangement from the opera {{LinkWork|Gli stravaganti||Piccinni|Niccolò|0}} by {{LinkComp|Niccolò|Piccinni}}
|-
| Hob.XXXIc:11
| Un semplice angelletta
| Voice, Keyboard
|
| G major
| arrangement from the opera {{LinkWork|Gli stravaganti||Piccinni|Niccolò|0}} by {{LinkComp|Niccolò|Piccinni}}
|-
| Hob.XXXIc:12
| Deh' frenati i mesti accento
| Voice, Keyboard
|
| A major
| arrangement from the opera {{LinkWork|Il curioso indiscreto||Anfossi|Pasquale|0}} by {{LinkComp|Pasquale|Anfossi}}
|-
| Hob.XXXIc:13
| Se voi foste un cavaliere
| Voice, Keyboard
|
| G major
| arrangement from the opera {{LinkWork|I due supposti conti||Cimarosa|Domenico|0}} by {{LinkComp|Domenico|Cimarosa}}
|-
| Hob.XXXIc:14
| Silenzio miei Signori
| Voice, Keyboard
|
|
| arrangement from the opera {{LinkWork|L'impresario in angustie||Cimarosa|Domenico|0}} by {{LinkComp|Domenico|Cimarosa}}
|-
| Hob.XXXIc:15
| Se palpitar degg'io con cento larve
| Voice, Keyboard
|
| B-flat major
| arrangement from the opera {{LinkWork|La vendetta di Nino||Prati|Alessio|0}} by {{LinkComp|Alessio|Prati}}
|-
| Hob.XXXIc:16
| 12 Catches and Glees
| 3 Voices, Keyboard
|
|
| accompaniment by Haydn
|-
| Hob.XXXIc:17a
| The Ladies Looking-Glass
| Voice, Keyboard
|
| D major
|
|-
| [[Contredanse in D major, Hob.XXXIc:17b (Haydn, Joseph)|Hob.XXXIc:17b]]
| The Ladies Looking-Glass
| Voice, Keyboard
|
| D major
|
|}

===Hob.XXXII (1-4) Pasticcios===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| Hob.XXXII:1
| La Circe ossia L'isola incantata
| 2 Sopranos, 3 Tenors, Bass, Orchestra.
| 1789
|
| Arranged from parts of "Ipocondriaco" by {{LinkComp|Johann Gottlieb|Naumann}} and an unknown opera, edited by Haydn.
|-
| Hob.XXXII:2
| "Der Freybrief von Josef Haydn"
|
|
|
| arranged by Fridolin von Weber using works by Haydn and other composers. Music lost.
|-
| Hob.XXXII:3
| Alessandro il Grande
|
|
|
| Music lost
|-
| Hob.XXXII:4
| Der Äpfeldieb
|
|
|
| Music lost.
|}

===Hob.deest===
{| class="wikitable sortable" style="font-size:90%; width: 98%; vertical-align: top; border: 1px solid #AAA"
!width="10%"|No.
!width="20%"|Subtitle
!width="20%"|Instrumentation
!width="8%"|Date
!width="7%"|Key
!width="35%"|Notes
|-
| [[Divertimento_in_D_major%2C_Hob.deest_(Haydn%2C_Joseph)|Hob.deest]]
| Divertimento No.8
| 2 oboes, 2 bassoons, 2 horns
|
| D major
|
|-
| [[Divertimento_in_G_major%2C_Hob.deest_(Haydn%2C_Joseph)|Hob.deest]]
| Divertimento / Parthia
| 2 oboes, 2 bassoons, 2 horns
| 1760
| G major
|
|}

Wishlist A-B

2022-09-28T08:34:56Z

Alsebal: /* {{Cat|Albinoni, Tomaso}} (1671–1751) */

{{Wishlist|A-B}}

<div style="float: right; margin-left: 10px; font-size: 85%; padding-left: 80px">__TOC__</div>

=={{Cat|Dall'Abaco, Joseph}} (Marie Clément Ferdinand) (1710–1805)==
(Son of {{LinkComp|Evaristo Felice|Dall'Abaco}})
* Rondo all'Hongarese for Double Bass and Chamber Orchestra

=={{Cat|Abbiate, Louis}} (1866–1933)==
* Ave Maria in C major (1899) (autograph at Biblioteca di Archeologia e Storia dell'Arte, Roma)
* String Quartet in F Op.8 (Enoch, pub.1901) (BNF has this score)
* Cello concerto in D minor Op.35 (1895)
* Piano Concerto "Italien" Op.96 (©1926?)
* 2nd piano sonata, Op.17 (pub.1904, Édition Mutuelle)
* Cello Suite, Op.5 (pub.1904)
* Bassoon Scherzino (pub.1901)
* Cello Suite No.2, Op.16 (pub.1907)
* Burlesque & Chant du matin for cello and piano (pub.1904)
* Songs (Pièces) pour chant et piano (collection, published when by Lucien Grus. )
* Violin Sonata in B-flat major, Op.57 (pub.1925)
* Piano Sonata No.3 elegiac, Op.34 (pub.1925)

=={{Cat|Abel, Carl Friedrich}} (1723–1787)==
* Cello concerto in C, WK 60 (possibly first published around 1958 or later in an edition by Walter Knape (i.e. WK))
* 27 Pieces for Bass Viol, complete collection in manuscript (copy of Drexel 5871 or comparable source)

=={{Cat|Achron, Joseph}} (1886–1943)==

=={{Cat|Adam, Adolphe}} (1803–1856)==
* La Jolie Fille de Gand (1842) ''Piano reduction''
* Le Filleule des Fées (1849) ''Piano reduction'' (Harvard Mus. Assoc. library has this reduction, according to Worldcat. Published by Richault.)
* Pierre et Marie, ou le soldat menetrie. (vaudeville, premiered 1824; libretto at Brussels via Internet Archive; score/parts may be lost?...)

=={{Cat|Adam, Louis}} (1758–1848)==

=={{Cat|Adelburg, August}} (1830–1873)==
* String Quartets Opp.16 (pub.1863) (Op.17 may be {{RISMs|452001998}} of by-1858 (and see {{WC|163626139}} links, it's the same work, but Op.16 is in A minor according to the ad in NZM 1863 p.182...), though the op.nos. listed for his 2 quartets there are 97 (in D) and 98 (in E{{flat}}) - perhaps there are many more qts in ms). There may be two published qts no.1, opp.12 & 16.)

=={{Cat|Adlung, Jakob}} (1699–1762)==
* Musica mechanica organoedi, 1726 Das ist: Gründlicher Unterricht von der Struktur, Gebrauch und Erhaltung, etc. der Orgeln, Clavicymbel, Clavichordien und anderer Instrumente, in so fern einem Organisten von solchen Sachen etwas zu wissen nöthig ist. 2 Tle. Berlin 1768 — modern edition by C. Mahrenholz (Kassel, 1931)
* Musikalisches Siebengestirn, das ist Sieben zu der edlen Tonkunst gehörige Fragen (Berlin, 1768)

=={{Cat|Aggházy, Károly}} (1855–1918)==
* String Quartet, Op.25
* Fairy Play (Art Publication Society, ©1913)
* Maritta, Opera Op.32 (ca.1898) (and prelude to opera)
* Violin sonata "dramatique", Op.7

=={{Cat|Agincour, François d'}} (1684–1758)==
* Airs à voix seule et basse continue (1713–1716)

=={{Cat|Agostini, Mezio}} (1875–1944)==
* Trio, Op.17 (pub.1911, Schmidl)
* Violin sonata, Op.46 (pub. 1922, Pizzi)

=={{Cat|Agricola, Johann Friedrich}} (1720–1774)==
* Il filosofo convinto in amore, Divertissement. Uraufführung: Herbst 1750 Potsdam
* La ricamatrice divenuta dama, Intermezzo (1. November 1751 Potsdam)
* Il re pastore, Oper 3 Akte. Libretto: Pietro Metastasio. Uraufführung: 9. Oktober 1752 Berlin
* La citadella ingannata, Oper. Uraufführung: 1752 Antwerpen (Antwerp)
* La nobilità delusa, Dramma giocoso 3 Akte. Uraufführung: 1754 Charlottenburg
* Psyche, Oper 3 Akte. Uraufführung: 1756 Berlin
* Die Sendung des Heiligen Geistes, Oratorium. Komponiert 1757
* Die Auferstehung und Himmelfahrt Jesu, Oratorium. Libretto: Karl Wilhelm Ramler. 25. Dezember 1757 Berlin
* Achille in Sciro, Opera seria 3 Akte. Libretto: Pietro Metastasio. Uraufführung: 16. September 1765 Berlin, zur Vermählung des "Prinzen von Preußen" [nachmals König Friedrich Wilhelm II., 1786-1797] mit Prinzessin Elisabeth von Braunschweig
* Semiramis, Schauspiel 3 Akte von Voltaire. Uraufführung: 11. Juni 1767 Hamburg
* Amor e Psiche, Opera seria 3 Akte. Libretto: Antonio Landi. Uraufführung: 5. Oktober 1767 Berlin, zur Vermählung der Prinzessin Wilhelmine von Preußen mit dem Erbstatthalter von Holland
* Musica Mechanica Organoedi. Das ist: Gründlicher Unterricht von der Struktur, Gebrauch und Erhaltung, etc. der Orgeln, Clavicymbel, Clavichordien und anderer Instrumente, in so fern einem Organisten von solchen Sachen etwas zu wissen nöthig ist. 2 Tle. Berlin 1768 (ed. and extensive notes by Agricola)
* Oreste e Pilade Opera seria 3 Akte. Libretto: Antonio Landi. Uraufführung: 24. März 1772 Berlin. Neufassung: I Greci in Tauri: März 1772 Potsdam

=={{Cat|Aguilar, Emanuel}} (1824–1904)==
*Allegro maestoso pour le Pianoforte avec accompagnement d'Orchestre. Op.16.
*3 piano trios

=={{Cat|Agus, Joseph}} (1725–1803)==
(ca.1725?, actually.)
* Violin solos with "thorough bass for the harpsichord", Op.1
* 6 String Quintets (manuscript copies, Naples)
* 6 sonatas for three instruments Op.6 (pub.ca.1775)
* 6 Duets for 2 violins (once attributed to Boccherini, G.72)

=={{Cat|Aimon, Léopold}} (1779–1866)==
* 2nd Bassoon concerto, in D minor (pub.1812, Frey) (see BdlF, 4 Dec. 1812)
* "Quatuor concertino" for strings (published by Heugel in 1853)
* 3 Quartets for strings w/o opus (published 1812 by Frey acc. to BdlF, poss. the same as {{BNFref|12148/cb42809692f|this BNF entry}}) (we may have this already as 3 String Quartets under Collections.)
* Étude élémentaire de l'harmonie (published first in the 1810s?, coauthored with Méhul; went through at least 11 editions through the late 1830s.)

=={{Cat|Alain, Jehan}} (1911–1940)==
* The Cat with Three Tails (opera) (?!) (does this exist?--ES) (note: possibly Alain's "Chat qui s'en va tout seul" after Kipling?)
* Fantasmagorie, for organ (©1980 in ''Quatre oeuvres pour orgue'' according to http://www.jehanalain.com/works.jsp?lang=fr - JA 63)
:First edited in 1980, this is in the PD in the EU, but copyright in other countries

=={{Cat|Alaleona, Domenico}} (1881–1928)==
* La Città Fiorita for piano (pub. 1922, Ricordi)

=={{Cat|Alard, Jean Delphin}} (1815–1888)==
* Op.3 – Introduction et Variations brillantes for Violin and Piano
* Op.5 – Fantaisie sur un thême original No.3 for Violin and Orchestra
* Op.6 – Nocturne No.1 for Violin and Piano
* Op.7 – Elegie for Violin and Piano
* Op.9 – Fantaisie sur ‘Norma’ de Bellini for Violin and Piano (1842)
* Op.11 – Fantaisie sur ‘Anna Bolena’ de Donizetti for Violin and Piano (1843
* Op.20 – Fantaisie sur ‘La Favorita’ de Donizetti for Violin and Piano (1849)
* Op.24 – Fantaisie caracteristique for Violin, Piano and Orchestra (1851)
* Op.50 – 3 Fantaisies faciles for Violin and Piano (1873)
* Op.50bis – 6 Fantaisies faciles for Violin and Piano (1873)
* Op.52 – Pastorale et célèbre Menuet de Boccherini
* Op.55 – Fantaisie sur 'Romeo et Juliette' de Gounod for Violin and Piano
* Op.61 – Fantaisie sur ‘Aida’ de Verdi for Violin and Piano (1880)
* Air varié for Violin and Piano (1838)
* Andantino grazioso for Violin and Piano (1839)
* Air béarnaise for Violin and Piano (1848)

=={{Cat|Alary, Georges}} (1850–1928)==
* String Quartet No.3 in G minor, Op.25 (1886)
* String Quartet (No.4), Op.60 (pub.1902, Durdilly)
* String Quartet No.6 in {{K|Eb}} (1917, Paris: C. Hayet.)
* Quintette-fantaisie, Op.43 (pub.1897)
* Piano Quintet, Op.45 (ca.1897, Durdilly) (partly uploaded but incomplete)

=={{Cat|Albert, Eugen d'}} (1864–1932)==
* Seejungfräulein, Op.15
* Wie wir die Natur erleben, Op.24
* Lieder

=={{Cat|Alberti, Johann Friedrich}} (1642–1710)==
* Any Keyboard works

=={{Cat|Albinoni, Tomaso}} (1671–1751)==
* Sonata in C for Trumpet & Organ
* {{NoComp|12 Trio Sonatas, Op.1|Albinoni, Tomaso}} for Violin I & II and Basso continuo (in full score): No.8 in h-Moll
* [http://www.youtube.com/watch?v=7aOvcB2XVU0 This] wonderful Adagio for 2 violins & basso continuo taken from [http://www.cduniverse.com/search/xx/music/pid/2208477/a/Musica+Barocca.htm this CD] (track #20); unfortunately I don't know where this "manuscript" is...
* Op. 8: 6 Balletti & 6 Sonate a tre (for 2 violins and basso continuo), 1722
* Opera Eumene (digitized by BSB in 2017? See [http://daten.digitale-sammlungen.de/~db/0010/bsb00109880/images NBN].) (RISM regards as also/more likely by {{LinkName|Pietro|Torri}} ?)
* L'inconstanza schernita (opera): score

=={{Cat|Albrecht, Sandor}} (1885–1958)==
{{WLcopy|NPD-EU}}
Also known as Alexander Albrecht.
Much information including list of manuscripts, etc. @ {{plain|http://www.albrechtforum.eu/en/Albrechts/Alexander-Albrecht|Albrechtforum.eu}}. Works mostly PD-CA at present if that?
* String Quartet in D, Op.19 (composed 1918; published 1925 by Tischer & Jagenberg)
* Andante con moto for organ, Op.22 (composed 1922; published 1923)

=={{Cat|Albrecht of Prussia, Prince Joachim}} (1876–1939)==
* Lustspiel-Ouv., Op.67 (pub.1904, Apollo-Verlag)

=={{Cat|Alcock Sr., John}} (1715–1806)==
* {{LinkWork|6 Concertos in 7 Parts||Alcock Sr.|John|0}} (pub.1750)

=={{Cat|Alder, Ernest}} (1853–1904)==
* Petit (piano) trio in D major (pub. Lemoine, 1896)

=={{Cat|Aleksandrov, Anatoly}} (1888–1982)==
{{WLcopy|NPD-CA}}
* Poem for piano, Op.9 (pub.1925)
* Piano Sonata No.2 in D minor, Op.12 (Muzgiz, 1925...)
* Piano Sonata No.3, Op.18 (Muzgiz, 1924, PD-US only)
* Piano Sonata No.4, Op.19 (Muzgiz, 1923, PD-US only)
* Visions for piano, Op.21 (pub. 1926, PD-US)
* Piano Sonata No.6, Op.26 (published by Muzgiz in 1926, PD-US only)

=={{Cat|Alfano, Franco}} (1875–1954)==
{{WLcopy|NPD-EU}}
* String Quartet No.1 in D major (1918; pub.1920)
* Tre Poemi di Rabindranath Tagore - there are several sets; we have no.2 from the 1919-published set
* Lʹombra di Don Giovanni (vocal score 329pp ©1914)
* Danses roumaines, Op.9 (piano) (published 1900, Hachette)
* Sinfonia classica (no.1 in e? E?; in quattro tempi) (published 1910. Revised, with 3 movements, ©1923)
* Symphony no.2 (in do) (published 1933)
* Violin sonata (©1924)
* String quartet no.2 (in Do) (©1928)
* String quartet no.3 (©1949)
* Triple concerto (©1933)

=={{Cat|Alford, Kenneth J.}} (1881–1945)==
Military marches, particularly:
* The Voice of the Guns (1917)
* The Mad Major (1921)
* By Land and Sea (1941)
* The Standard of St George (1930)
* HM Jollies (1929)

=={{Cat|Alfvén, Hugo}} (1872–1960)==
{{WLcopy|NPD-EU}}
* Symphony No.3 in E major, Op.23/25
* Cantata op.36 ''Kantat vid Reformationsfesten i Uppsala den 31 okt. 1917''
* Symphony No.4 in C minor for vocalists and orchestra, Op.39 (pub.1922 by UE)
* "Gustav II Adolf" suite, op. 49 (©1938-43?)
* Elégie at Emil Sjögren's funeral, Op.38 (pub.1918?)
* Festspiel (Festival Overture), opus 25 (pub.1907)
* Festive Overture, opus 52 ©1944/5
* Legend of the Skerries (En skärgårdssägen) Op. 20 (pub. 1949)
* Synnöve Solbakken
* Symphony no.1 Op.7 (pub.1951 - earlier too?)
{{WLcopy|GEN}}
* Symphony No.5 in A minor, op. 54 (1942-1952, revised 1953. Full score & parts of 1953 revision in manuscript @ Fleisher.)
**Published first in 1997 by Swedish Music Information Center. (Op.54 also attached to a work "Saa tag mit hjerte", 1946, published 1949.)

=={{Cat|Alkan, Charles-Valentin}} (1813–1888)==
* Concerto da camera nr 1, nr 2 (Orchestral score)
:1er Concerto da camera (orchestral score) copyright worldwide (publ. 1996)
:2me Concerto da camera PD EU, copyright in other countries (publ. 1972)
* Alkan in miniature
** This is actually a collection of other works which we have (I think)
* Les Regrets de la Nonnette
* Fantasticheria
* Pas redoublé
* Hermann et Ketty
* L'entrée en loge
* Pour Monsieur Gurkhaus
** Now on the composer's page
* Stances de Millevoye
* Alkan's manuscript copy of the Sonate de concert, Op.47
* The Barenreiter edition of Op.47 (published 1975, so OK for EU)

=={{Cat|Alnæs, Eyvind}} (1872–1932)==
* Piano Concerto, Op.27 (pub.1919)
* 60 Light preludes for organ, Op.33 (pub.1921)
* Symphonic variations, Op.8 (pub.1905)

=={{Cat|Altès, Ernest Eugène}} (1830–1899)==
* String Quartet in D minor, Op.27 (pub.1879)
* Violin Sonata, Op.31 (pub.1887)
* PIano Trio No.2, Op.37 in C (Juilliard School has. pub.1908 ({{HMBref|1908|161}}) or earlier)

=={{Cat|Altès, Joseph-Henri}} (1826–1899)==
Note: we do have his younger brother, {{LinkComp|Ernest Eugène|Altès}} (1830–99). A 1910 bio gives his death year as 1895, as does [[wikipedia:de:Joseph-Henri Altès|Wikipedia (German)]].
* 26 Selected Studies
* [[Method for the Boehm Flute (Altès, Joseph-Henri)|Method for the Boehm Flute]] - part 1 uploaded (other parts?)

=={{Cat|Althaus, Basil}} (1865–1910)==
* Violin Concertino No.3 "Militaire", Op.80 (published by Chanot, 1905)
* 56 Short Exercises on Broken Chords in all keys for violin, Op.101 (pub.ca.1910?)

=={{Cat|Altnikol, Johann Christoph}} (1720–1759)==
* eine Klaviersonate
* zwei Kantaten
* eine Ricercare (C-Dur) für Clavier (Orgel?)
* eine Messe in d-Moll (Kyrie, Gloria)

=={{Cat|Alwyn, William Crowther}} (1845–1924)==
Not to be confused with William Alwyn Smith (1905-85), symphonist, chamber and film composer.
* Piano Sonata in F, Op.5 (published 1869)
* Mass in F (published ca.1875. Downloadable online?)
* Piano Sonata in D minor (published 1874, @ British Library)
* Capriccio in F minor for piano (pub. 1876)

=={{Cat|Amadei, Filippo}} (1690–1730)==
* Il pensiero che rapido vola

=={{Cat|Amberg, Herman}} (1834–1902)==
(brother of Johan Amberg. Several posthumously published works, one notices)
* 10 Præ- og Postludier, Op.11 (pub.1904)

=={{Cat|Amberg, Johan}} (1846–1928)==
* Danse des lutins (cello and piano), Op.14 (pub.1923, Stahl)
* Andante funèbre (cello and organ), Op.15 (pub.1923, Stahl)

=='''Ambrosius, Hermann''' (1897–1983)==
{{WLcopy|NPD-CA}}
* Intermezzi for piano (pub.1913)
(eventually, when PD-CA, 13-plus symphonies too "wished" for, but that'll be in a few decades. sym. 4 Op.42 and piano trio in A-flat minor Op.47 e.g. both pub./ ©1924, 25...)

=={{Cat|Ammerbach, Elias Nikolaus}} (1530–1597)==

=={{Cat|Amon, Johann Andreas}} (1763–1825)==
* Op.100. Piano Sonata No.6 (published 1824)
* Op.70. Sonate perodique trés facile pour le piano forté, Opus 70 (Schott, published 1810s)
* Op.25 Symphony (parts @ Württembergische Landesbibliothek)
* Op.30 symphony (several sources available. Published in 1805)
* Op.19 violin sonatas (published by André ca.1803, @SBB)
* Op.30 Also: 3 flute quartets
* Op.44 Flute concerto (published 1807)

=={{Cat|Ancot fils, Jean}} (1799–1829)==
* Piano Sonata (grande sonate) No.1, Op.4 (pub.1819)
* Piano Sonata (grande sonate), Op.10

=={{Cat|Andersen-Wingar, Alfred}} (1869–1952)==
{{WLcopy|NPD-EU}}
* Les naïades, idylle für kleines orchester (Lienau/Schlesinger)

=={{Cat|André, Johann Anton}} (1775–1842)==
* Symphony (no.2?) in D major, Op.7 (pub.1797) (no.1 seems to be C major, op.4. a copy of the parts of no.2 are @Rudolstadt)
* Symphony in D "Tempest", Op.41 (ca.1819)

=={{Cat|Andreae, Volkmar}} (1879–1962)==
{{WLcopy|NPD-EU}}
* Symphony in C, Op.31 (pub.1920 by [[Hug]])
* String Quartet No.2, Op.33 (pub. ca.1911-1920? by [[Eulenburg]])
* Charon's Nachen, Op.3 (soloists, chorus & orchestra) published 1904 by [[Schott]]
* Kleine Suite (serenade) für orchester, Op.27 (pub.1917?)
* Violin Sonata in D, Op.4 (published in 1903)
* Rhapsody for violin and orchestra (published 1920)

=={{Cat|Anonymous}} (see also {{Cat|Gregorian Chant}})==
* St. John Passion (1534)
* Worldes Blis Ne Last No Throwe (Anonymous English, in 2 musical sources:
**Oxford, Bodleian Library, MS Rawlinson G.18 (SC 147510)
**London, British Library, MS Arundel 248
* Missa Caput (1440s) manuscript [[Missa Caput (Anonymous)|DTÖ here]]
* 6 Piezas de clarines para trompeta y organ, uber Themen von Lully
* Susanne von Soldt manuscript (1599), British Library Add MS 29485.
* Dublin manuscript (~1570), Trinity College Library (TCD MS 410/2), Dublin
* Rouen Gradual, BN latin 904. [http://vc.lib.harvard.edu/vc/deliver/~scores/006646974 (vol. 1 of 1907 publ. here]; but it is vol. 2 that contains the facsimile)

=={{Cat|Ansorge, Conrad}} (1862–1930)==
* String Sextet, Op.9
* String Quartet No.1 in A{{flat}} major, Op.13 (Dreililien, 1904)
* String Quartet No.2 in A major, Op.20 (Hofmeister, 1911)

=={{Cat|Antheil, George}} (1900–1959)==
{{WLcopy|NPD-EU}}
* Early Piano Works, such as Sonate Sauvage, Woman Sonata?
* Concerto for Chamber Orchestra
* Symphony for Five Instruments

=={{Cat|Anthiome, Eugène}} (1836–1916)==
* Sommeil et triomphe de Bacchus, scène mythologique pour orchestre (pub.1893, 1896)
* Piano Trio in E{{flat}} major (pub.1873 by Benoit)
* Piano Concerto in C minor

=={{Cat|Antonii, Giovanni Battista degli}} (1636–1698)==
*12 Ricercate for Cello Solo (1687)

=={{Cat|Anzoletti, Marco}} (1866–1929)==
* Violin Sonata in C minor (©1896, B&H)
* En avant, soldat de France! (Rohdé, 1901 or 1902)

=={{Cat|Appunn, Heinrich}} (1870–1932)==
German cellist & composer.
* Romance for Cello & Piano in D, Op.10 (pub.1911)

=={{Cat|Araujo, Juan de}} (1646–1712)==
*Dixit Dominus a 11 voci, preferably as facsimile

=={{Cat|Arban, Jean-Baptiste}} (1825–1889) ==
* Variation on a Tyrolean Song

=={{Cat|Arensky, Anton}} (1861–1906)==
* Cantata op.3 ''The Wood King''
* ''Nal' i Damajanti'', opera op.47 (libretto by Modest Tchaikovsky after the ''Mahabharata'', premiered January 1904 Moscow; Jurgenson, 1903)
* Fantasia "Margarite Gautier" Op.9
* Suite No.5, Op.65
* String Quartett no. 2 op. 35/1894 – Moscow: P. Jurgenson. Arrangement for piano 4 hands. Plate 19312.
* Intermezzo, Op.13 String version orchestration by the composer
* Symphony No. 2 orchestral version
* In Memory of Suvorov March for orchestra

=={{Cat|Argenton, Antonin d'}} (1818-1883)==
* Douze Études Poétiques, Op.12, for piano (Leipzig, Hofmeister)
* Sonate, Op.15, for piano (Paris, Lemoine, 1847)
* Piano Trio in A minor, Op.30 (published in 1865 by [[Richault]]

=={{Cat|Armstrong, William Dawson}} (1868–1936)==
(Subject of a book "William Dawson Armstrong, American Composer" in 1916)
*Choral Mass in G ((c)1899)

=={{Cat|Arne, Thomas Augustine}} (1710–1778)==
* 1740: Alfred, opera in 3 acts, originally written as a masque to celebrate the accession of George II in 1740. Was later revised into an all sung oratorio in 1745 and then greatly expanded into its final version as an opera in 1753. A score of the final version still survives
* 1751: Eight overtures in 8 parts, collection of overtures from various stage works by Arne including the overtures for Henry and Emma, Comus, and The Judgment of Paris. First used for a concert performance in 1751, the collection most recently published by J. Herbage in 1937
* 1756: VIII Sonatas or Lessons
* 1757: {{NoComp|7 Trio Sonatas, Op.3|Arne, Thomas Augustine}}
* 1767: Four New Overtures or Symphonies in 8 and 10 Parts, another selection of symphonic works mostly from Arne's stage works that were initially put together for concert performance in 1767
* 1770: 'Rise Glory Rise', song from 'Rosamond', arr. on two staves for high voice and harpsichord with figured bass (published London).
* 1793: Six Favourite Concertos, these keyboard concertos were part of various stage works by Arne and were compiled for publication in 1793

=={{Cat|Arnold, Johann Gottfried}} (1773–1806)==
* 6 Cello Concertos (parts for Nos.1{{EN}}3 uploaded)

=={{Cat|Arrieta, Emilio}} (1823–1894)==
* Marina (1871 version in three acts; vocal score)
* Ildegonda (1846, vocal score)
* La Conquista de Granada (1850, vocal score)

=={{Cat|Ascher, Joseph}} (1829–1869)==

=={{Cat|Ascher, Leo}} (1880–1942)==
* Operettas including ''Was tut man nicht alles aus liebe''

=={{Cat|Ashton, Algernon}} (1859–1937)==
* Piano Quintet No.1, Op.25 (pub.1885)
* Violin Sonata No.4, Op.99 (pub.1898 by Simrock)
* Violin Sonata No.2 in E, Op.38 (pub.1889)
* Cello Sonata No.4 in B{{flat}}, Op.128 (pub.1899)
* Piano Sonata No.6 in A minor, Op.170 (pub.1925) (and surrounding sonatas, at British Library etc)
* Violin Sonata no.1 in D, Op.3 (pub.1881)
* Cello Sonata No.1 in F, Op.6

=={{Cat|Attaingnant, Pierre}} (ca. 1494–late 1551 or 1552)==
* Moteti. [[Motettorum, Book 10 (Attaingnant, Pierre)|Liber decimus]]: passiones dominice in ramis Palmarum, veneris sancte necnon lectiones feriarum quinte, sexte, ac sabbati hebdomade sancte multaque alia quadragesime congruentia continet, ut palam didere licet. Paris, 1534. (Present. An index to these volumes would be quite nice! [[User:Richard Mix|Richard Mix]] 19:52, 19 January 2015 (EST))

=={{Cat|Attenhofer, Karl}} (1837–1914)==
*Die falsche Prinzessin. Märchendichtung, Op.139 (cop 1910)
*12 Lieder, Op.84 (pub.1901)

=={{Cat|Atterberg, Kurt Magnus}} (1887–1974)==
{{WLcopy|NPD-CA}}
* Rhapsody for Piano and Orchestra Op.1, Score (1909, rev.1956)
* Symphony No.4 in G minor, Op.14, Score (pub.1922)
* Älven (The River), Op.33, Score (ca.1929. Unpub. except through STIM?)
* Overture in A minor, Op.4, Score (1910, rev. 1932, unpub.?)
* Aladdin Overture, Op.44, Score (pub.ca.1945?) (prob. belongs under line below)
* Hostballader, Op.15 (pub.1919)
* De fåvitska jungfrurna, Op.17 (pub.1921 in some form)
* Symphony No.3, Op.10 (pub.1920 or perhaps 1916)
* Concerto for Cello in C minor, Op.21 (1922), Score (pub.1923)
* Symphony No.1 in B minor, Op.3, Score (pub.1924)
{{WLcopy|GEN}}
* Symphony No. 6 in C, Op.31 (pub.1928)
* Värmlands Rhapsody, Op.36, Score (pub.1935)
* Piano Concerto Op. 37 in B flat minor, Score (pub.1937)
* Symphony No.5 in D minor, Op.20, Score (1919-22/1947) (poss. "n.d." in one or both versions, however)
* Symphony No.9, Op.54, Score (1955-56. Unpub. except through STIM? (Note: Cornell U. has a manuscript facs. score (2011) of this, prob. other places too.))

=={{Cat|Autezac, Léo d'}} (fl. 1909-1921)==
(also Léo Arnold; +pseudonym de Cazeteaux. Married sculptor Henry Arnold in 1903. Almost a dozen digitized works @ Gallica.) (Sorry, have no better estimate of dates, am breaking own rules here...)
* 4 pieces for violin solo (Hachette, 1906 (ca.?))

=={{Cat|Averkamp, Anton}} (1861{{EN}}1934)==
* Violin Sonata in D, Op.2 (pub.1890)
* Bethlehem : cantate voor tenor en bariton-solo, vierstemmig mannenkoor met orgel of piano, Op.6 (pub.1897)
* His edition of Willaert's "Missa super Benedicta" (pub.1915)

=={{Cat|Ayres, Frederick}} (1876–1926)==
* Cello Sonata
* Piano Trio No.1 (Op.13? pub.1914 by Stahl)
* String Quartet, Op.16 (ms @ Juilliard. most of his ms @ LoC I think.)

=={{Cat|Azanchevsky, Mikhail}} (1839–1881)==
* String Quartet in A minor, Op.3 (pub.1863, Dörffel)
* String Quartet No.2
* Piano Trio No.2
* Concert Overture in F major, Op.9 (pub.1865 in reduction, poss. also in full score?) (@ Strasbourg Lib)
* 6 Pieces Op.1 (ded. to Adolf Felchner. @ SBB[erlin] and also @ British Library)
* 6 Lieder Op.5 (available digitized from BSB)

=={{Cat|Baal, Johann}} (1657–1701)==
* Missa tota a 2. Violini 2. Viole Fagotto 4. Voci. Basso contin del Sigr. Joh. Baal Partitura - Now available in this page : https://imslp.org/wiki/Missa_Tota_(Baal,_Johann)

=={{Cat|Babell, William}} (1689/90–1723)==
* Harpsichord arrangements from Handel operas – are in the last section of this volume of the Handel complete works – [[Works for Organ & Harpsichord (Handel, George Frideric)]] – can this be made available separately under Babell?
*Concertos for sixt-flute, faksimile

=={{Cat|Bach, Carl Philipp Emanuel}} (1714–1788)==
* Die Sechs Sammlungen von Sonaten, freien Fantasien und Rondos für Kenner und Liebhaber
* 3 Cello Concertos with orchestral parts (these also exist in flute and harpsichord versions by the composer)
* Triosonatas for Fl, Vln, BC in C major and D minor
* Sonata for Flute and hapsichord Wq. 83
* Sonata for viola da gamba & continuo in C
* Die Passionen and Passionskantate
* Symphonie Wq. 175 in F major (H 650) (first published 1982)
* Symphonie Wq. 179 in E flat major (H 654) (probably first published 1982)
* Symphonie Wq. 180 in G major (H 655) (")
* Symphonie Wq. 181 in F major (H 656) (an arrangement, H.227, was published in the Musikalisches Vierley in 1770)
* Magnificat (full score–both Berlin and Hamburg versions)
* Any of: Symphonies, Flute Concertos, Oboe concertos, Organ concertos, Organ Works, Keyboard Fantasias
* H.397 spurious Minuetto [I-II] in D major
* H.497 (Kast 33) spurious Violin Concerto actually by Henri Casadesus
* Sonatas H.30-34 and H.36 published in 1742 by Haffner and Schmid of Nuremberg as "Opus 2"
* early (for the 19th century, not early absolutely) British edition of many of the piano works edited by Rahles for [[Robert Cocks]] in 6 volumes
* Keyboard sonata Wq.53/1/ H 162 in C (complete manuscript digitized by SBB. We have collection but a separate page and ms might be good. May work on.)
* Concerto per il cembalo solo H 191 in C (published in an edition by E. Pauer in 1887 by Breitkopf & Härtel)

=={{Cat|Bach, Johann Bernhard}} (1676–1749)==
* Orchestersuite Ouvertüre Nr. 1 in g-Moll Full Score
* Orchestersuite Ouvertüre Nr. 2 in G-Dur Full Score
* Orchestersuite Ouvertüre Nr. 3 in e-Moll Full Score
* Orchestersuite Ouvertüre Nr. 4 in D-Dur full Score
* Ouvertüre g-Moll (in CPEBach Catalogue 1790--Found in Kiev?) Full Score
* Fugue in D for Organ
* Fugue in F for Organ
* Christ lag in Todesbanden
* Partita über "Du Friedefürst, Herr Jesu Christ"
* Jesus, Jesus, nichts als Jesus!
* Nun freut euch, lieben Christen, g'mein
* Vom Himmel hoch da komm ich her
* Wir glauben all' an einen Gott (3 versions)

=={{Cat|Bach, Johann Christian}} (1735–1782)==
* Symphony in G minor, Op. 6/6, W.C12
* Sinfonias op. 9, op. 3, op. 6

=={{Cat|Bach, Johann Christoph}} (1642–1703)==
* ''"Meine Freundin, du bist schön"'', cantata
* Aria a-moll mit Veränderungen
* Vocal Concert (Cantata) "Die Furcht des Herren" Full Score
* Vocal Concert (Cantata) "Es erhub sich ein Streit" Full Score
* Aria "Es ist nun aus mit meinem Leben" Full Score
* "Herr, nun lässest du dein Diener" Full Score
* Aria "Mit Weinen hebt sich's an" Full Score
* "Unsers Herzens Freude" Full Score
* Any [[Choralvorspiele (Bach, Johann Christoph)|Choral preludes]]

=={{Cat|Bach, Johann Christoph Friedrich}} (1732–1795)==
* BR C 4 \ Symphony in D minor (Wf I: 3) (by 1768)
* BR D 1 \ Die Pillgrimme auf Golgatha
* BR D 2 \ Der Tod Jesu (Wf XIV:1)
* BR D 3 \ Die Auferstehung und Himmelfahrt Jesu (Wf XIV:10)
* BR D 4 \ Die Hirten bey der Krippe Jesu (Wf XIV:9)
* BR D 7 \ Der Fremdling auf Golgotha (Wf XIV:7)
*Six Piano Sonatas (Wf III)

=={{Cat|Bach, Johann Ludwig}} (1677–1731)==
* Messe sopra cantilena " Allein Gott in der Höh" e-moll BWV Anh. II 166 (or by Johann Nikolaus Bach?) Full Score
* Cantata "Ja, mir hast du Arbeit gemacht" JLB 5 Full Score
* Cantatas JLB 6-17 Full Scores
* Funeral music "O Herr, ich bin dein Knecht" JLB 19 Full Score or Manuscript

=={{Cat|Bach, Johann Sebastian}} (1685–1750)==
* BWV 249 (NBA Version, with Appendices).
* Reconstruction of violin concerti [[Violin Concerto, BWV 1052r (Bach, Johann Sebastian)|BWV1052 (d minor)]], [[Violin Concerto in G minor, BWV 1056R (Bach, Johann Sebastian)|BWV1056 (g minor)]] and triple violin concerto BWV1064 (D major) from the corresponding keyboard versions
* Siciliano from flute sonata BWV1031 (arranged by Siloti) sheetmusic
* Concerto for two violins and strings in D minor, BWV 1043 (Harpsichord and Soloist parts)
* Piano transcription of organ fugue in g minor, BWV 578 (so called "little fugue")
* Passion pastische "Wer ist der, so von Edom kömmt"
* Christmas Oratorio, BWV 248: Arrangement for (Soli, Choir,) Harmonium and Piano by August Horn
* 24 Flute Concert Studies
* Chromatic Fantasia and Fugue, BWV 903 (Keyboard Score) edited by Adolphe F. Wouters
* Cantata parts in general, and specifically for BWV211, ''Schweigt stille''
* Mass in b minor BWV 232 Bärenreiter Verlag Urtext Edition, Score and Parts.
* Sonatas and Partitas for violin BWV 1001-1006, Galamian edition (IMC)
Possibly [[IMSLP:Wishlist|unreasonable]] requests:
* Full Scores and/or manuscripts for: BWV 232 I (BC E 2); BWV 232 II Movements 13 and 15 (earlier versions); BWV 232 III (BC E 12); BWV 245 (BC D 2a,b, and d); BWV 244b (BC D 3a), and BWV deest (BC D 10, BC D 5 and 5a and b, and VBN I/H/1)
* Various full scores requested: BWV 62 (BC A 2) after the Autograph Score (Movement 4 with only BC accompaniment); early version of BWV 36 (BC A 3a); BWV 70a (after BWV 70); BWV 186a (after 186); BWV 147a (after 147); BWV 82 (BC A 169 geplante Urfassung, BC A 169a-c); BWV 23 (BC A 47a and 47c, 47b is correct key for that version [C minor instead of B minor]); BWV 4 (BC A 54a and b); BWV 249 (BC D 8aI and II and BC D 8b I); BWV 12 (BC A 68, version in G minor); BWV 21R and BWV 21 (BC A 99a and b); BWV 199 (BC A 120, all versions); BWV 1083 (BC B 26); BWV 208a (BC G 1 and 27); BWV 527a; BWV 528a; BWV 532a; BWV 533a; BWV 535a; BWV 536a; BWV 541 (earlier version); BWV 542 (J.L. Krebs version); BWV 543a; BWV 545b; BWV 549a; BWV 566a; BWV 572 (earlier version); BWV 574b; BWV 581; BWV 630a; BWV 638a; BWV 667a; BWV 667b; BWV 249/I-IIIR (Concerto after Movements 1-3 of BWV 249); BWV 1046a I (BC O 5a); BWV 1047a; BWV 1050a; BWV 1052a ; BWV 1053a (both Oboe and Oboe d'Amore versions); BWV 1055R (Both Oboe d'Amore and Viola d'Amore versions); BWV 1056R (Both Violin and Oboe versions); BWV 1059; BWV 1061a; BWV 1066aR; BWV 1067aR; BWV 1068aR; BWV 1069aR; BWV 97aR; BWV 119aR; BWV BWV 194R
* [[Toccata and Fugue in D minor, BWV 565 (Bach, Johann Sebastian)|Toccata and Fugue in D minor, BWV 565]] as orchestrated by [https://en.wikipedia.org/wiki/Leopold_Stokowski Leopold Stokowski] and performed in ''[https://en.wikipedia.org/wiki/Fantasia_(1940_film) Fantasia]''

=={{Cat|Bach, Otto}} (1833–1893)==
*String Quartet, Op.6 (p1863?)
*Piano Trio No.2, Op.22 (p1872)
*Piano Trio No.1 in {{K|c#}}, Op.7 (@DKB, Coburg)
*Duo for violin and piano, Op.18
*Piano Sonata in A minor (1857. Manuscript @ ÖNB)
*Symphony No.3 in E major (1856. Manuscript @ ÖNB)
*String Quartet No.2 in A (April 1852. " )
*String Quartet No.4 in F (Manuscript @ ÖNB)

=={{Cat|Bach, Wilhelm Friedemann}} (1710–1784)==
* Sonata in A minor (harpsichord), FK nv8
* Duet in E{{flat}} major for flute
* Six Duets for flute
* BR A 9, Keyboard Sonata in E minor (F.204)
* BR A 39, Harpsichord Suite in G minor (F.24)
* BR A 40–41, 2 German Dances for harpsichord in G minor (F.205)
* BR A 42–43, 2 Menuets for harpsichord
* BR A 44–47, 4 Preludes for harpsichord (F.206)
* BR A 48–49, 2 pieces for harpsichord (F.25) {{NoComp|Presto in D minor, F.25/2|Bach, Wilhelm Friedemann}}
* BR A 60, Andante for harpsichord in E minor (F.209)
* BR A 92, Fugue for organ in G minor (F.37)
* BR C 2, Symphony in F major (F.67)
* BR C 7, Symphony in D minor (F.65)
* BR C 12, Harpsichord Concerto in E minor (F.43)
* BR E 1, Mass in G minor (F.100)
* BR E 2, Missa (Deutsche Messe) in D minor (F.98) (see eg {{RISMs|225004551}})
* BR E 4, Agnus Dei in D minor
* BR F 9, Erzittert und fallet (F.83)
* Sinfonia d moll (F. 66)

=={{Cat|Bache, Francis Edward}} (1833–1858)==
* Piano Trio, Op.25 (posth. pub. 1865)

=={{Cat|Bache, Isak}} (1877–1945)==
* Violin Sonata, Op.7 (pub.1910, Schuberth) (HMB and Worldcat have as by "J. Bache" or similar)

=={{Cat|Bachmann, Gottlob}} (1763–1840)==
*ca.9? string quartets (op.3, op.5, op.8, op.32, op.57 from 1790s to ca.1828)
*Symphony, op.2 (ca.1796?)

=={{Cat|Bachofen, Johann Caspar}} (1695–1755)==
Dates: 26 December 1695–23 June 1755
* Brockes-Passion Full Score and Manuscript

=={{Cat|Backofen, Johann Georg Heinrich}} (1768–1830)==
Dates: 6 July 1768–10 July 1830
* Concertante opus 7 (Breitkopf, ca.1800) for Basset-horn , harp, cello (and orch.?)
* Quintet opus 9 for basset horn, 2 violins, viola and cello
* Clarinet Quintet op.15 (Breitkopf, 1804) (U Northern Colorado has)
* Concerto Op.24 (pub.1823)

=={{Cat|Baermann, Carl}} (1810–1885)==
* Vollständige Clarinett-Schule - Complete School For The Clarinet

=={{Cat|Baermann, Heinrich}} (1784–1847)==
* Fantasy for clarinet and orchestra in F major, Op.26 (published 1824 by Breitkopf und Härtel)

=={{Cat|Bagge, Selmar}} (1823–1896)==
*Piano Sonatas
Listing of works see: {{ForumTh|8907}}.

=={{Cat|Baillot, Pierre}} (1771–1842)==

*8 violin concertos (pub.1822, possibly first published earlier) (opp 3, 6, 7, 10, 13, 18, 21, 22?)
(nos. 6 and 8 already scanned in parts @ Gallica/BNF, will reupload soon.) (no.6 Op.18 pub.1810 or so.) (3, 5, 6 and 8 we have pages for now.)
*Symphonie concertante, Op.38 (pub.1825/6? by André)

=={{Cat|Bainton, Edgar Leslie}} (1880–1956)==
{{WLcopy|NPD-EU}}
* Concerto Fantasia for piano and orchestra (full score and piano duet reduction)
* Miniature Suite for piano duet
* Symphony No.2 in D minor (copy in Baillieu Library, Melbourne Uni) (published 1943)
* Symphony no. 3 in C minor
* Three Pieces for Orchestra: Elegie, Intermezzo, and Humoresque
* Before sunrise : a symphony for contralto solo, chorus, and orchestra (published Stainer & Bell, 1920, full score 1922)
* Cello Sonata (©1953)
* String Quartet in A (ms?)

=={{Cat|Bairstow, Edward Cuthbert}} (1874–1946)==
* Six Variations on an original Theme for Violin and Piano (OUP, 1931)
* Nocturne in D flat for Organ
* Meditation for Organ

=={{Cat|Bajić, Isidor}} (1878–1915)==
* Album of compositions for the piano (Album kompozicija za glasovir)
* Serbian Rhapsody for piano (Srpska rapsodija)
* Poems of Love song-cycle (Песме љубави)

=={{Cat|Baldwin, Ralph Lyman}} (1872–1943)==
* Organ Sonata in C minor (©1901, Schirmer)

=={{Cat|Bantock, Granville}} (1868–1946)==
*[[Pibroch (Bantock, Granville)|Pibroch]], A Highland Lament for cello and harp (1917)
*{{NoComp|Hamabdil|Bantock, Granville}} Also arr. for Cello and Piano
*Dramatic Poem for cello and orchestra (1941)
*Fantastic Poem for cello and piano (1924)
*Sonata in G minor for solo cello (1924)
*Cello Sonata No. 1 in B minor (1940)
*Cello Sonata No. 2 in F sharp minor (1945)
*Dramatic Poem for cello and piano (1945)
*Helena, variations on H.F.B. (pub.1901)
*Fifine at the fair : (a defence of inconstancy) (pub.1912, Novello)
*6 Narrenlieder (Jester Songs) (Breitkopf, pub.1908)
*Gethsemane, an episode from the life of Christ (Vocal score scanned by Google) (©1910) (an expanded version of section 4 of Bantock's {{NoComp|Christus|Bantock, Granville}}.)
*The Pearl of Iran, Romantic Opera in one act (published 1894)
*Sea-Wanderers, for chorus and orchestra (©1906)
*Overture to a Greek Tragedy (Oedipus at Colonus) (Leuckart, 1912)
*The Great God Pan, ballet (pub.1915)

==Barber, Samuel (1910–1981)==
{{WLcopy|NPD}}

=={{Cat|Barblan, Otto}} (1860–1943)==
*Passacaglia, Op.6 (p.1895)
*String Quartet, Op.19 (composed 1911, pub.1925?)
*3 Pieces for Organ, Op.22 (published 1910)
*Post tenebras lux, Cantate, Op.20 (published 1909, reduced, 1923, full score)

=={{Cat|Bargiel, Woldemar}} (1828–1897)==

=={{Cat|Barié, Augustin}} (1883–1915)==
{{WLcopy|EP}}

=={{Cat|Barjansky, Adolf}} (1850–1900)==
(MusicSack prefers Baryanski.)
*String quartet in A minor, Op.8 (p.1894)
*String quartet in E, Op.6

=={{Cat|Barnekow, Christian}} (1837–1913)==
*50 Preludes for Organ or Harmonium (pub. [[Hansen]], 1906)

=={{Cat|Barnett, John}} (1802–1890)==
*3 string quartets (Worldcat turns up quartets by his nephew, but Wikipedia claims J Barnett wrote 3 as well)
*Violin sonata

=={{Cat|Barns, Ethel}} (1874–1948)==
(1873 or 1874?)
*Violin Sonata No.2 (p.ca.1904)
*Concertstück Op.19 (p.1908)
*Piano Trio Op.10 (p.1909)
*Violin Sonata No.4 Op.24 Gm (p.1911)

=={{Cat|Barrière, Jean-Baptiste}} (1707–1747)==

=={{Cat|Barrios Mangoré, Agustín}} (1885–1944)==

=={{Cat|Bartmuss, Richard}} (1859–1910)==
*Concerto No.1 for organ and orchestra with optional choir, Op.25 (pub.1899, Pabst)
*Organ Sonata No.2, Op.21 (pub.1897)
*Cantata for Easter, Op.40 (pub.1906)

=={{Cat|Bartók, Béla}} (1881–1945)==
*5 Songs, opus 15
*5 Songs, opus 16
* Any Works from the [[List of works by Béla Bartók#1st Set (1890-94)|1st]] and [[List of works by Béla Bartók#2nd Set (1894-98)|2nd set of Opus numbers]].
* [[RRomanian_Folk_Dances,_Sz.56_(Bartók,_Béla)|Roumanian Folk Dances]]
**arr. violin and piano (J. Szigeti, 1892 – 1973))
**arr. string orchestra
* Scherzo from Suite Op 1a [?]
* Piano Quintet (score and parts) DD.77
* [[Violin Concerto No.1, Sz.36 (Bartók, Béla)|Violin Concerto No. 1]] (piano reduction)
* Violin Sonatas [[Violin Sonata No.1, Sz.75 (Bartók, Béla)|Nos.1, Sz 75]] & [[Violin Sonata No.2, Sz.76 (Bartók, Béla)|2, Sz.76]] – subject to '''[TB]'''
* 3 Hungarian Folksongs (Folktunes) for Piano (1914/18) Sz.66
* 3 Village Scenes

{{WLcopy|GEN}}
* Viola Concerto (orchestral score or piano reduction)
* Sonata for Solo Violin ed. Menuhin (d. 1999)
* Cantata Profana ‘The Nine Enchanted Stags’ (A kilenc csodaszarvas), Sz.94 (German translator Benedikt Szabolesi died 1973)

=={{Cat|Bartovský, Josef}} (1884–1964)==
{{WLcopy|NPD-EU}}
*Hankowy pjsně, Op.15 (©1922)
*Suite for violin and piano, Op.3 (Bosworth, ©1926)
*Opera "Václav z Michalovic", Op.29 (©1928)
*Ballada blanická, Op.30 (©1930)
*Cartes visites, Op.39 (pub.ca.1921)
*Little suite for piano (Pilsen : Theodor Mareš, 1946)

=={{Cat|Barvinski, Vassili}} (1888–1963)==
{{WLcopy|NPD-EU}}
*Cello Sonata (published 1967)
*Piano Concerto (1917 - published ?? ?)

=={{Cat|Bass, Roderich}} (1873–1933)==
* Ballade romantique for orch, Op.21 (by 1908)
* Piano Trio in C minor, Op.26 (pub.1908)
* Ballade symphonique for orch, w/o op. (by 1908)

=={{Cat|Bassani, Giovanni Battista}} (ca.1650–1716)==
* Acroama missale
* L'Esaltazione di S Croce, 1675
* Any masses, sacred choral works, chamber works

=={{Cat|Bastiaans, Johannes Gijsbertus}} (1812–1875)==
* Any organ works

=={{Cat|Bastyr, Hans}} (1873–1928)==
*Opp.1-3 (men's choruses, pub. 1906 by Förster)

=={{Cat|Bate, Stanley}} (1911–1959)==
{{WLcopy|NPD-EU}}
* Perseus (Schott, ©1941)
* Flute Sonata, Op.11 (©1938, Oiseau-Lyre)
* Piano Concertante, Op.24 (Schott, ©1941)
*Incantations, Op.48 (Schott/AMP, ©1945)
*Sonatina for recorder or flute and piano (©1950)

=={{Cat|Bauer, Adolf}} (1877–1948)==
(One of two composers by that name. It's not certain the following work, mentioned in HMB, is from this composer rather than the other, though their birth and death dates are nearly the same fwiw- still, identification would be good...)
* Totentanz, Op.29 for mixed chorus and large orchestra. Reduction by W. Walloth published 1925 by Tischer & Jagenberg.
* "Schubert: Scherzo aus der Klaviersonate e-moll (Juny 1817) ... nach einem bisher unveröffentlichten Manuscript aus dem Nachlass von ... Erich Prieger-Bonn zum ersten Male veröffentlicht von Adolf Bauer" (pub. 1928?)

=={{Cat|Bauer, Marion}} (1882–1955)==
{{WLcopy|NPD-EU}}
* Two Songs (Nocturne & The Last Word) (pub. 1912)
* Star Trysts (pub. 1912)
* Coyote Song (pub. 1912)
* In the Country, op. 5: four little piano pieces (pub. 1913)
* 3 Songs (Only of Thee and Me; A Little Lane; Phillis) (pub. 1913) (we have 2, but not "A Little Lane", as of 2014-12)
* 3 Impressions, op. 10 (pub. 1918)
* Thoughts (pub. 1921)
* The Driftwood Fire (pub. 1921)
* From the New Hampshire Woods, op. 12 (no. 1 The White Birches pub. 1922)
* Fantasia Quasi una Sonata for Violin & Piano, Op.18 (pub.1928 by [[Schirmer]]. Prob. PD-CA only.)
* Wind Quintet, Op.48 (©1956, PD-CA only)
* Boston Common Cantata, Op.49 (©1953, PD-CA only)
* "Twentieth century music how it developed, how to listen to it" (©1947, PD-CA only)

=={{Cat|Baumfelder, Friedrich}} (1836–1916)==
* Souvenir de Dresde, valse gracieuse, Op.130 (1866)
* Abendmärchen. Sechs Characterstücke, Op.242 (1887)
* Kinderscenen für Pianoforte, Op.270 (1872)
* Bon Humeur. Rondo, Op.274 (1872)
* Bagatelle, Op.386 (1905)
* Immortelle, Op.400 (1910)
* Idyl, Op.403 (1910)

=={{Cat|Baussnern, Waldemar von}} (1866–1931)==
* Suite for Violin and Piano. Berlin-Lichterfelde : Vieweg, ©1924.
* Suite for Flute and Piano. Berlin-Lichterfelde : Vieweg, ©1924.
* Suite for Cello and Piano. Berlin-Lichterfelde : Vieweg, ©1925.
* Piano Trio 'O bellissima Italia!' Berlin-Lichterfelde : Vieweg, ©1925.
* 2 Kleine sonaten (sonatinas) for piano. Ries & Erler, ca.1916?
* Dürer in Venedig, Oper - ©1898

=={{Cat|Bax, Arnold}} (1883–1953)==
{{WLcopy|NPD-EU}}
* Clarinet Sonata in D major (Parlett 327) (1934)
* Nonet (flute, oboe, clarinet, harp and string quintet) 1930 (pub.1932)
* Cello Concerto (1932) (pub.1934 in cello/piano reduction)
* Rhapsodic Ballad, for cello (1939) (pub. ca. 1948 in a collection of Bax works for cello?)
* Folk-Tale, for cello & piano (1918) (pub. 1920)
* Cello Sonatina (1933) (pub.ca.1934?)
* Legend-Sonata, for cello & piano (1943) (pub.ca.1944)
* Spring Fire: (based upon the first chorus in Swinburne's "Atalanta in Calydon") (sometimes called symphony) (GP 153, 1912/3. premiered 1970. Published ???? by Chappell)
* Violin Sonata No.3 in G minor (GP 289, 1927, ©1929)
* String Quartet No.2 in E minor (GP 271, 1925, ©1927)
* String Quartet No.3 in F major (GP 338, 1936, ©1941)
* Violin Concerto (GP 342, 1938, ©1946)
* String Quintet (No.2) (1933, ©1935, GP 319)
* Piano Quartet (GP 255, 1922, ©1924)
* Overture, Elegy and Rondo (GP288, 1927)
* This Worldes Joie (motet, GP 254, 1922, published 1923, now PD-US and CA)
* The Tale the Pine-Trees Knew
* The Happy Forest
* Dance in the Sunlight
* Symphonic Variations for Piano and Orchestra
* Sonata for Two Pianos
* Hardanger for two pianos
* The Poisoned Fountain for two pianos
* Red Autumn for two pianos
* Lyrical interlude for string quintet (GP 261, 1922 (revision of the slow movement of GP 107 of 1908); ©1923, PD-US/CA)
{{WLcopy|GEN}}
* Concerto (flute, oboe, harp, string quartet) 1934 (pub. 1990 from facsimile)
* Threnody and Scherzo (bassoon, harp and string sextet) (pub. 2000s from facsimile)

=={{Cat|Bazzini, Antonio}} (1818–1897)==
* Violin Concertos (1-5) - Full Orchestral Scores
* Violin Concertos (2,3,5) - Violin and Piano Arrangements
* 6 Morceaux caractéristiques, Op. 34 (Movements 2,3,5)
* 3 Morceaux lyriques, Op.41 (Movement 3)

=={{Cat|Beauvarlet-Charpentier, Jean-Jacques}} (1734–1794)==
* Journal d'orgue.
N. B. : Les ''Journaux d'orgue 3, 6. 7, 9 & 12'' are now available.

* Noels (including op. XIII) and rest of works for organ (Marche, Victory de l'armee d'Italie, etc.)

N. B. : La ''Victoire de l'armée d'Italie'' est de''' Jacques-Marie''' B.-C. et est maintenant disponible ici: http://imslp.org/wiki/Victoire_de_l’armée_d’Italie_(Beauvarlet-Charpentier,_Jacques-Marie)
PG

=={{Cat|Beach, Amy Marcy}} (1867-1944)==
*{{LinkWork|3 Songs|Op.2|Beach|Amy Marcy|0}}, No.1 ''Twilight''
*{{LinkWork|Songs of the Sea|Op.10|Beach|Amy Marcy|0}}, No.3 ''Sea Song''
*{{LinkWork|3 Songs|Op.12|Beach|Amy Marcy|0}}, No.1 ''Wilt thou be my dearie?'', No.2 ''Ye banks and braes o’ bonnie doon''
*{{LinkWork|4 Songs|Op.14|Beach|Amy Marcy|0}}, No.1 ''The Summer Wind'', No.4 ''The Thrush''
*{{LinkWork|3 Songs|Op.21|Beach|Amy Marcy|0}}, No.1 ''Chanson d'amour''
*{{LinkWork|4 Songs|Op.26|Beach|Amy Marcy|0}}, No.3 ''Spring'' (high voice version)
*3 Flower Songs, Op.31 (Arthur P. Schmidt, 1896)
*{{LinkWork|4 Songs|Op.35|Beach|Amy Marcy|0}}, No.2 ''Alone (Allein)''
*{{LinkWork|4 Songs|Op.51|Beach|Amy Marcy|0}}, No.2 ''Wir drei / We Three'' (low voice version)
*{{LinkWork|4 Songs|Op.75|Beach|Amy Marcy|0}}, No.2 ''A Thanksgiving Fable'' (original voice/piano version)

=={{Cat|Beach, John Parsons}} (1877-1953)==
*Songs from A Child's Garden of Verses; C. C. Birchard, 1907
*Short Songs for Children; C. C. Birchard, 1911
*Two Songs of Labor; G. Schirmer, 1923
*Two Poems by James Oppenheim; G. Schirmer, 1928

=={{Cat|Becker, Albert}} (1834–1899)==
* Symphony in G minor (ms., 1858)
* Adagios (we have one uploaded) for violin and organ or harmonium
* Phantasie in E for Violin, Op.35 (1884/85, B&H) (@ SLUB)
* Mass in B minor Op.16 (pub.1880)
* Any first editions of a capella choral works

=={{Cat|Becker, Hugo}} (1863–1941)==
* Cello Concerto in A, Op.10 (pub.1896, 1904 (fs), Schott)
* Romance No.2 after a theme by Widor, Op.9 (pub.1896, Schott)

=={{Cat|Becker, Jean}} (1833–1884)==
* String Quartet in C minor (manuscript ca.1880. @Stabikat though not digitized; listed at RISM.)

=={{Cat|Becker, Reinhold}} (1842–1924)==
* Violin Concerto in A minor, Op.4 (pub.1874)
* Violin Concerto No.2 in E, Op.100 (pub.1901)
* Violin Sonata, Op.150 (pub.1911)

=={{Cat|Beckman, Bror}} (1866–1929)==
* Violin Sonata, Op.1 (1891, pub.1893)
* Symphony in F, Op.6 (1895, pub.1929)

=={{Cat|Becquié, Jean-Marie}} (1797–1876)==
("de Peyreville". Born 1797 or 1798.)
* Duo de concert for violin and piano, Op.57 (pub.1846? By a member of the Becquié family, may have been Charles Joachim (1807-77) instead, e.g.; Worldcat gives just "Becquié de Peyreville")
* Oratorio de Noël (pub.1840)

=={{Cat|Bédos de Celles de Salelles, François Lamathe}} (1709–1779)==
also known as Dom Bédos.

=={{Cat|Beer-Walbrunn, Anton}} (1864–1929)==
* Kleine Fantaisie für Violine und Pianoforte in G moll, Op.3 (pub.1897)
* Sühne, tragic opera in 3 acts (©1896)
* Cello Sonata, Op.15 (pub. Schmid, 1897)
* Ode for cello and piano, Op.20 (pub.1899)

=={{Cat|Beethoven, Ludwig van}} (1770–1827)==
* Piano Sonata in D, Biamonti 213
:Biamonti 213 ?
::see [http://www.unheardbeethoven.org/search/search.pl?criteria=biamonti here]
* Piano Sonatas edited by Immanuel von Faisst und Hans von Bülow for Opus 2 no 2, opus 13 (pub. by 1876), opus 27 no 2, opus 28, opus 78, opus 81a, opus 90.
* Trio WoO 31 for clarinet, flute and piano (arr. from [[Fugue for Organ, WoO 31 (Beethoven, Ludwig van)]]?) (or poss. related to [[Trio for Piano, Flute and Bassoon, WoO 37 (Beethoven, Ludwig van)|trio for flute, bassoon and piano]] in G major WoO 37?)
* [[6 Minuets, WoO 10 (Beethoven, Ludwig van)|Menuett in G-Dur, WoO 10 Nr. 2]] (orchestral score) (whose orchestration? will probably be in 6 Minuets, WoO 10 whenever an orch. is uploaded)
* Original cadenza to violin concerto op. 61
* Piano Concerto No.0, WoO 4 (piano part)
* Lied: Que le temps me dure, WoO 116 [1st/2nd version, sometimes "jour" instead of "temps", text by J-J. Rousseau] (1793)
* Complete Full Score: {{NoComp|Piano Concerto in D major, Op.61a|Beethoven, Ludwig van}} and Klavierkonzert C-Dur (WoO 4); Leonora (1805 and 1806 versions and variants); Die Weihe des Hauses (complete music with text)
* Horn Sonata Op.17 arranged by Charles Khym for 2 violins viola cello and bass (Bonn, Simrock, no.1285: 1818) [http://www.saulbgroen.nl/pdf/5instr.pdf Quintets]
* Piano-vocal score for [[Cantata on the Death of Emperor Joseph II, WoO 87 (Beethoven, Ludwig van)]]
* Exercises for Salieri's lessons WoO 99
* Piano Concerto No.1, Steingräber 1881 - Franz Kullak
* Piano Concerto No.1, First Edition
* Nos.4-5/5 Stücke für Flötenuhr/5 pieces for mechanical organ, WoO 33
* Piano Concerto (Allegro) in D major, Kinsky Anh. 7 (attr. to Beethoven)
* Symphony No. 5, 1st Mov. "Allegro Con Brio" - Transcription for Organ Solo
*[[Fidelio, Op.72 (Beethoven, Ludwig van)]]- 1810 vocal score; full scores of 1805 & 1806 versions & variants
* Andante con Variazioni, for mandolin and keyboard, in D major; WoO 44b. [https://youtu.be/BMYoZTCiks8 Recorded performance on YouTube] (Erhard Fietz, mandolin; Amadeus Webersinke, piano). Note: IMSLP already has [http://imslp.org/wiki/Sonatina_for_Mandolin_and_Harpsichord,_WoO_43a_(Beethoven,_Ludwig_van) WoO 43a], [http://imslp.org/wiki/Adagio_for_Mandolin_and_Harpsichord,_WoO_43b_(Beethoven,_Ludwig_van) WoO 43b] and [http://imslp.org/wiki/Sonatina_for_Mandolin_and_Piano,_WoO_44a_(Beethoven,_Ludwig_van) WoO 44a].
* From [[12 Irish Songs, WoO 154 (Beethoven, Ludwig van)|"12 Irish songs" (WoO 154)]], the autograph manuscript versions of No. 9 and No. 11 that Hess separately assigned as H. 198 and H. 199
* H.235: 26 exercises in free style
* Symphony No. 9 - orchestration by Gustav Mahler
* H.324: Melody in C Minor
* Bia 364: Fragment for Piano

=={{Cat|Behm, Eduard}} (1862{{EN}}1946)==
* Frühling: Tonstück für Orchester
* Kleine Suite (violin & piano), Op.22 (@ Perth) (pub. 1900, Ries & Erler)
* Marienkind : Legende in 3 Aufzügen (©1901. vocal score @ Zürich)
* Violin Sonata in A, Op.15 (pub.1899)
* Piano Concerto (premiered 1900 ca.)
* Ariadne auf Naxos, Op.30
* Lieder, Op.38 (Simrock, pub. 1909)

=={{Cat|Behr, Hermann}} (1875?{{EN}}?)==
* Symphony in E minor (1906? at the latest) (see {{GoogleB|OKs6AQAAMAAJ|RA1-PA243|Verwaltungs- Rechenscahft Mainz}}) (describes the orchestra's financial records, season, says Kapellmeister Hermann Behr conducted the orchestra in his own symphony in E minor, - this may be an earlier performance, perhaps also a different orchestra, than a 1907 one described in another contemporary journal.)

1875 seems an unlikely birthdate unless he was a considerable prodigy, whatever Riethmuller's Busoni in Berlin says? :)... Behr was already published by 1888 (see {{HMBref|1888|422}} for example) and up to Op.8 by 1890 ({{HMBref|1890|322}} - 10 (Opp.9&10 were also published in 1890, see p.341) published works with assigned opus numbers by age 15, assuming these are all the same person and age 15 is accurate. Where is "1875" from anyway (there are many "Hermann Behr"s about in the records?)... It reads more like a flourishing date that got misread as a birthdate along the way by someone?... - E.S. (note: Op.8, Der Frühling : zehn characteristische Variationen, can be downloaded {{WC|632767686|here}}, so one can at least create the category and get started.

=={{Cat|Beilschmidt, Curt}} (1886–1962)==
{{WLcopy|NPD-EU}}
* Drei Gesänge für mittlere Stimme, Op.35 (published 1921(?) by Steingräber) ({{HMBref|1921|32}})
* Im Maien : Sinfonietta (E-Dur) für Orchester : op.17 (Kahnt, ©1912)
* Skizzen, 4 Stücke für Klavier, Op.34 (Heinrichshofen, ©1921)
* Violin Sonata, Op.37 (premiered late 1920)

=={{Cat|Belcke, Christian Gottlieb}} (1796{{EN}}1875)==
*Fantasia pastorale (for flute with orchestra or piano) in B{{flat}} major, Op.7 (pub.1833 or earlier)
*Des Sängers Vaterland. Festgesang. Ged. v. E. Müller f. Solostimmen, Chor u. Orchester. Op.30. (published 1865 and 1912)
*Arrangement as concertino with piano of Tulou's 5th flute concerto op.37

=={{Cat|Beliczay, Gyula}} (1835–1893)==
*Trio op.30 (p1883)
*Symphonies opp. 45 (1887), 66? (1892?) (ms?)
*Mass in F op.50 (pub.1891) (ms copy @ Hofburgkapelle, Vienna)
*String Quartet No.2 op.51 (composed 1891?)
*String Quintet in E-flat ([http://nektar.oszk.hu/en/manifestation/2725621 mss.] @ Szechenyi)
*Adagio Op.47 for cello and piano (pub.1892)

=={{Cat|Bell, William Henry}} (1873–1946)==
* Arabesque for Violin (p.1906)
* Arcadian Suite (p.1911)

=={{Cat|Bemberg, Herman}} (1859–1931)==
* La mort de Jeanne d'Arc (cantata, excerpts) (pub.1886 acc. to BNF catalog by Leduc.) - uploaded in vocal score~
** From this: Historic scene for orchestra (pub. 1893, Leduc)
* Nymphe et sylvains (performed 1893)

==[[:Category:Benda, Franz|Benda, Franz (František)]] (1709–1786)==
* Flute Concerto in E minor (possibly L 2.4 which we have?)
* Flute Concerto in A major (poss. L 2.15 which we have?)
* Flute Concerto in A minor (poss. L 2.16 which we have?)

==[[:Category:Benda, Georg|Benda, Georg (Jiří Antonín)]] (1722–1795)==
* Medea, melodrama
* Any: Kirchenmusik; Sinfonien; Cembalokonzerten; Violinkonzerten
* Passionen und Passionskantaten
* Sinfonien in moll-Tonen

=={{Cat|Bendl, Carl}} (1808–1874)==
(not to be confused with {{LinkName|Karel|Bendl}}, born 1838!)
* Berg-Lieder. Ländler für Violine und Pianoforte. Op.43. Haslinger, 1844.
* Cypressen. Walzer für Violine und Pianoforte. Op.44. Haslinger, 1844.

=={{Cat|Bendl, Karel}} (1838–1897)==
* Švanda dudák (Schwanda the Bagpiper), opera in 3 acts, 1880 cantata version (pub. Urbánek 1883)

=={{Cat|Benedict, Julius}} (1804–1885)==
* String Quartet in G minor, Op.87 (published by Lienau/Schlesinger in 1875)
* {{LinkWork|Symphony|Op.101|Benedict|Julius|0}} (No.2 in G minor) {{EM}} Parts needed
* Piano Sonata (No.2?) in D major, Op.4 (pub.ca.1825)
* Caprice, Op.33 (published 1843 by Schott)

=={{Cat|Benedict, Milo Ellsworth}} (1866–1931)==
* Piano Concerto in E minor, Op.4 (perf. Boston Symphony, 5th season, ca1884?)

=={{Cat|Beneš, Josef}} (1795–1873)==
Sometimes given as Joseph Benesch, 1793-1873.
*Concertino No.2 op.20 (pub.1841)

=={{Cat|Bengtsson, Gustaf}} (1886–1965)==
{{WLcopy|NPD-EU}}
* String Quartet in G major (composed? 1929; at best PD-CA?) (G major acc. to Wikipedia-de? Hrm. The score- if this is the 1929- published in 1955, has G-dur.)
* 3 symphonies (acc. to Wi-de)

=={{Cat|Benkert, George Felix}} (1831–1876)==
(actually, 1831-fl.ca.1877)
*String Quartet No.(1? 2?) in E{{flat}} (1849. ms.)
*String Quartet No.3 in D (ms.) (both held by Penn Libraries)
*Piano Trio (was scheduled to be performed 1858 - putting request out there? :) )

==Bennett, Robert Russell (1894–1981)==
{{WLcopy|NPD-CA}}
* Porgy and Bess suite (''under copyright worldwide, publ. 1943'')

=={{Cat|Bennett, William Sterndale}} (1816–1875)==
*Piano Concerto No.1 in d minor Op. 1
*Piano Concerto No.2 in E flat major Op. 4
*Piano Concerto No.3 in c minor Op. 9

=={{Cat|Benoît, Peter}} (1834–1901)==
* Flute Concerto "Symphonic Tale" Concertstuk opus 43a (1865) complete orchestra - uploaded in reduction (Symphonisch gedicht voor fluit en orkest) just not in full score

=={{Cat|Bentzon, Jørgen}} (1897–1951)==
{{WLcopy|NPD-EU}}
* String Quartets Opp.3 (pub.1923), 15 (pub.1929) (PD-CA only?)
* Preludio patetico for string quartet, Op.11 (pub.1926 by Kistner & Siegel) (PD-CA only?)

=={{Cat|Berardi, Angelo}} (ca.1636–1694)==
* Documenti Armonici. nell quali con varie Discorsi Regolo ed essemligg. In Bolohna 1687
* Discorsi musicali (1670)
* Ragionamenti musicali (1681)
* Arcani musicali svelati amicitia (…) con un modo facilissimo per sonare trasportato (1690)
* Il perché musicale, overo staffetta armonica (1693)
* Any: Masses, Sacred Songs, Psalms, Chamber music

=={{Cat|Berbiguier, Tranquille}} (1782–1838)==
* Fantaisie en quintetto, for flute and strings, Op.36 (pub. Janet et Cotelle, 1818 (pl.1036))
* 8th Flute Concerto, Op.44 (pub.1819, dedicated to Aimon)
* Rondo de concert pour flûte avec piano ou orchestre, Op.98 (pub. 1829 by [[Schott]])
* Flute concertos 5 and 6 (published 1817)

=={{Cat|Berens, Hermann}} (1826–1880)==
* {{NoComp|20 Etudes enfantines, Op.79|Berens, Hermann}} [12/10]
* {{NoComp|Die Schule der Tonleitern, Akkorde und Verzierungen, Op.88|Berens, Hermann}} [12/10]
* {{NoComp|Die Pflege der linken Hand, Op.89|Berens, Hermann}} [12/10]
* Piano Quartet in C minor, Op.1 (Haslinger, 1848)
* Piano Trio No.1 in E minor, Op.6 (Schuberth, 1847)
* Fantaisie für orgel, Op.25
* Sonata for piano 4-hands in G major, op.26 (Cranz, 1852)
* String Quartet in E minor (perhaps opus 78)

=={{Cat|Berezowsky, Nicolai}} (1900–1953)==
{{WLcopy|NPD-EU}}
*String Quartet No.1, Op.16 (©1931)
*Symphony No.1, Op.12 (composed 1931 acc. to {{plain|http://www.columbia.edu/cu/lweb/eresources/archives/rbml/Berezowsky/index.html|Berezowsky papers}})
*Suite hébraïque, Op.3 (©1934?)
*Chant d'amour, Op.3 (!?) (©1927)
*Theme and Fantastic Variations, Op.7 (1927, pub. ?)
*Violin Concerto, Op.14 (©1931)

=={{Cat|Berg, Alban}} (1885–1935)==
{{WLcopy|EP}}
* 3 "Bruchstücke" from Wozzeck, Op.7 (Universal Edition, published 1924 (n.d. it seems, but presumably renewed?)) (whether Op.7 refers to the Bruchstücke or to Wozzeck itself has been unclear.) A later publication of them has " 1952, ©1924."
* Wozzeck (full score) (Universal Edition, ©(?) 1926) (not meaning here the 1955 revised edition edited by Hans Erich Apostel (1901-72) "according to the final corrections and amendments left by the composer"; this edition might actually qualify as Urtext but if not, pretty definitely PD-nowhere...)
*[[5 Orchesterlieder, Op.4 (Berg, Alban)|5 Orchesterlieder, Op.4 (Altenberg Lieder)]] appeared in a piano reduction by (iirc) Webern, (UE 12126?)

{{WLcopy|GEN}}
* Wozzeck (vocal score; piano reduction by Fritz Heinrich Klein (1892–1977)) (full score seems to be PD-CA/EU, however, see above.)
* Lulu (orchestral score completed by Friedrich Cerha (b.1926) publ. 1979 copyright worldwide)

* {{NoComp|4 Stücke, Op.5|Berg, Alban}}, for clarinet and piano (1920 Schlessinger Edition.)
Evidently, Universal Edition committed copyfraud when it published its edition copyright 1924 (renewed by Helene Berg in 1952). This work was first published in 1920 by Schlessinger in Berlin. Consequently it is now PD in the US, in the EU and in Canada. The 1924 Universal Edition is posted on IMSLP. However, Americans may be reluctant to touch this work unless the Schlessinger Edition is also posted on IMSLP with its 1920 copyright date clearly displayed – to provide irrefutable documentation that the work is now PD.

=={{Cat|Berg, Konrad-Mathias}} (1785-1852)==
* Concerto de société, Op.32 (pub. in 1830 - {{BdlF|1e série, 19e année (33e de la collection), Nº 33, 14 Août 1830, p.552, r.151}})

=={{Cat|Berger, Ludwig}} (1777–1839)==
*Symphony in D, Op.42 (autograph by 1820? at Berlin State Library; pub.1843 Hofmeister)
*Piano Concerto in C, Op.34 (pub. 1841 in solo reduction by Hofmeister, like symphony also in complete edition. Parts at SBB.)
*String Quartet in G (the most complete - apparently entirely- of the "8 quartets" for strings or flute and strings in manuscript at SBB. The quartets in F major and G minor may be a bit sketchy, the others apparently are partially fragmentary)
*Gesänge, Op.11
*Oeuvres complèts p. Pfte. Cah. II. (conten. Air russe avec 12 Variations, suivies d’une Marche funèbre. Oe. 14, in Am. – Deux Rondeaux. Oe. 29, in A. D. – 28e Etude en Forme de Rondo. Oe. 30. in Em.) Hofmeister, 1841 (or 1840)

=={{Cat|Berger, Wilhelm}} (1861–1911)==
*6 Piano Pieces "fürs Haus", Op.105 (pub.1911)
*Piano Quartet No.2, Op.100 in C minor (unpub.?? Ca.1911)
*Piano Suite, Op.82 (pub.1901)
*Festmarsch in E-flat (Meiningen, 1907, manuscript only?)
*Fantasiestück op.4 for violin and piano (Pub.1880.)

=={{Cat|Bergh, Rudolph}} (1859–1924)==
*Requiem für Werther für Chor, Altsolo und Orchester, Op.32 (Tischer & Jagenberg, ©1911.)
*9 Waltzes, Op.2 for piano duet (Hansen, 1892)

=={{Cat|Berghout, Johannes Cornelis}} (1869–1963)==
{{WLcopy|NPD-EU}}
* Violin sonata in C minor, Op.47 (pub.1910)
* Piano Trio, Op.45 (pub.1909)
* Piano Quartet, Op.42 (pub.1908)
* Suite for strings, Op.52 (pub.1913)

=={{Cat|Bériot, Charles-Auguste de}} (1802–1870)==
* Violin Concertos 1-10; full scores for violin and orchestra
op77 premier guide du violoniste : 20 études élémentaires pour violon ( OCLC 212427064)

=={{Cat|Bériot, Charles-Wilfrid}} (1833–1914)==
* Piano Concertos - Opp.40 (p.1881), 46, 70, 83 (pub. by [[Hamelle]])
* Etude-caprice, Op.1 (p.1852, Brandus)
* Concerto Op.30? (see {{RISMc|450108313|D-Cl Ms Mus 156}})

=={{Cat|Berlioz, Hector}} (1803–1869)==
* {{NoComp|Benvenuto Cellini, H 76|Berlioz, Hector}} (full score, Choudens, 1886)
* {{NoComp|Grande ouverture du roi Lear, H 53|Berlioz, Hector}} (orchestral parts)
* Berlioz/Gluck: [[Orfeo ed Euridice, Wq.30 (Gluck, Christoph Willibald)|Orphée et Eurydice]] (1859)\
Les Troyens (Complete opera) Complete orchestral parts

=={{Cat|Berlyn, Anton}} (1817–1870)==
* Symphony in D, Op.104 (pub.1858) (see {{RISMc|225007556|D-LEsta 21070 C. F. Peters, Leipzig, Nr. 5620}} for a small amount of info)
* String Quartet No.1, Op.39 (pub.1841)
* Overtures (C major, D minor, C minor)

=={{Cat|Bernard, Émile}} (1843–1902)==
* Concertstück for piano and orchestra, Op.40 (1892)
* Romance for Violin and Orchestra, Op.27 (full score pub.1888, red. pub.1881?)
* Fantaisie Op.31 for piano and orchestra (Fleisher has- anyone else?...)
* Violin Sonata, Op.48 (pub.1898?, Durand)
* String Quartet No.3, Op.52 (57?) (pub. by Janin, 1903)
* Suite in E major for Organ, Op.26 (Novello) (Scherzo-Caprice for organ belongs to this)
* Prelude et Fugue (E minor) for Organ or Pedal Clavier, Op.20
* Andante et rondo pour violoncelle et piano, Op.43 (pub.1892)

=={{Cat|Bernhard, Christoph}} (1628–1692)==
* Missa "Durch Adams Fall ist ganz verderbt" Full Score

==Bernstein, Leonard (1918–1990)==
{{WLcopy|NPD}}

=={{Cat|Bersa, Blagoje}} (1873{{EN}}1934)==
(also Benito Bersa, see Wikipedia)
*Der Eisenhammer, opera, pub.1911 by Doblinger (vocal score @ Syracuse U.)
*Der Schuster von Delft, opera, pub.ca.1918
*Slavenske himne arr. for piano (pub.1919 acc.to.HMB)
*Na zalu (for piano)
*Ballibile (for piano)
*Bagatella Op.16 (for piano)
*Piano Sonata No.2 in F Minor Op.20
*Marcia trionfale Op.24 (for piano)
*Fantaisie-Impromptu Op.27 (for piano)
*Ora triste Op.37 (for piano)
*Notturno Op.38 (for piano)
*Airs de ballet "Po nacinu starih" (for piano)

=={{Cat|Bertali, Antonio}} (1605–1669)==
* Ciaconna

=={{Cat|Bertin, Louise}} (1805–1877)==
* Guy Mannering (1825) (possibly unpublished; manuscript scores exist)
* Fausto (1831) (Op.11. Janet et Cotelle, ca.1831)
* La Esmeralda (Vocal score arranged by Liszt S476)

=={{Cat|Bertini, Henri}} (1798–1876)==
* Motets (at least 4 or 5 ; autograph ms at Staatsbibliothek zu Berlin)
* Piano Sextet No.1, Op.79 (Lemoine, 1825 / Breitkopf, 1839)

=={{Cat|Bertoni, Ferdinando}} (1725–1813)==
* String quartets (5?) (some in manuscript, some published in or by the 1920s - 1920{{EN}}1927)

=={{Cat|Bertrand, Marcel}} (1883–1945)==
* Ghyslaine, drame lyrique (pub. [[Grus]], 1907) (text by Gustave Guiches (1860-1935) and Marcel Frager (poss.1881-1964?))
* Violin Sonata in E minor (pub.1921)

=={{Cat|Berutti, Arturo}} (1862–1938)==
* Semblanzas: „Rapidas como el vuelo“. Romanza p. Canto con Piano. Stuttgart: Zumsteeg, 1888.
* 2 Rhapsodies for piano. Kistner, 1886.
* Tarantelle for piano. Schott, 1888.
* Suite for piano. (Nocturne. Danse sudaméricaine. Rhapsodie argentine. Toccata.) Schott, 1890.

=={{Cat|Berwald, Franz}} (1796–1868)==
* Operas (eg operetta "Ein ländliches Verlobungsfest in Schweden", published in arrangement in 1847)
* PD-US versions of works uploaded in Bärenreiter editions, where possible (eg 1883 Hirsch edition of sinfonie sérieuse, Schuberth editions of trios...)

=={{Cat|Bezekirsky, Vasily}} (1835–1919)==
* Violin concerto in A min., op.3 (pub.1868 by Kistner as by "Guillaume" Bezekirsky)

=={{Cat|Biber, Heinrich Ignaz Franz von}} (1644–1704)==
* Serenada a 5 ("Der Nachtwächter")
* Missa Bruxellensis (facsimile)
* Sonatae Violino Solo, 1681 (facsimile)
* Duets for 2 Trumpets

=={{Cat|Bienstock, Heinrich}} (1894–1918)==
*Symphony in B minor, Op.13 (pub.1915)

=={{Cat|Binder, Fritz}} (1872–1945)==
* String Trio (in Form einer Suite), Op.1 (pub.1900 by vom Ende)

=={{Cat|Birch, Helen Louise}} (1883–1925)==
* Aedh Laments the Loss of Love (C. F. Summy, 1915)
* April for voice and piano (C. F. Summy, 1915)
* The Moods for voice and piano (C. F. Summy, 1915)
* The Poet Pleads with His Friend for voice and piano (C. F. Summy, 1915)
* Requiescat for voice and piano (C. F. Summy, 1915)
* The Return of Love for voice and piano (C. F. Summy, 1915)
* The Wanderer for voice and piano (G. Schirmer, 1918)
All scores held by the British Library

=={{Cat|Bischoff, Hermann}} (1868–1936)==
* Symphony No.2 in D minor (pub.1914)

=={{Cat|Bittner, Julius}} (1874–1939)==
* String Quartet no.1 in A (pub.1913)
* String Quartet no.2 in E{{flat}} (©1916)
* Vaterland, symphonic poem (©1916, Universal Edition)
* Symphony in F minor (©1923, photo-lithograph ("Wien, den 21. Mai 1923."), Universal Edition)
* Mass with Te Deum (©1925 (klavieraus), 1926 (score) (acc. to ONB), Universal Edition)

=={{Cat|Bizet, Georges}} (1838–1875)==
* Te Deum
* [[Roma (Bizet, Georges)|Roma]] (parts)
* Any piano solo works
* Symphonie in C four hands (Durand)

=={{Cat|Blahetka, Leopoldine}} (1809ca.–1885ca.)==
* Piano Quartet No.1, Op.43 (published 1836)
* Piano Quartet No.2, Op.44 (published 1838 by Hofmeister)
* Concertstück f. Pianoforte mit Orchestre, Op.25 (published 1830) (piano solo uploaded)
* Variations sur la Chanson autrichienne: Gott erhalte Franz den Kaiser, p. Pfte avec Orchestre, Op.28 (pub. 1831) (piano solo version uploaded)
* Variations brillantes sur un Thême de Gallenberg p. Pfte av. Orchestre, Op.29 (pub.1831)

=={{Cat|Blanc, Adolphe}} (1828–1885)==
* String Quartet No.1, Op.16 (p.1856)
* Piano Quartet No.1, Op.28 (p.1858)
* Piano Quartet No.4, Op.49
* {{LinkWork|Quintet for Piano and Winds|Op.37|Blanc|Adolphe|0}}: Piano quintet arrangement
* {{LinkWork|Septet|Op.54|Blanc|Adolphe|0}}: Piano quintet arrangement

=={{Cat|Blanter, Matvey}} (1903–1990)==
{{WLcopy|NPD-CA}}
*Dzhon Grei, Foks-Trot (published 1924) (digitized by [https://catalog.princeton.edu/catalog/10454770 Princeton University Library])

=={{Cat|Blech, Leo}} (1871–1958)==
{{WLcopy|NPD-EU}}
* Die Strohwitwe, operetta, Op.26 (p.ca.1920)

=={{Cat|Bleichmann, Julius}} (1868–1910)==
* Symphony, Op.18 (pub. by Wispolsky of St. Petersburg)
* 2 Suites for Orchestra (No.2 at Fleisher Collection, Philadelphia)

=={{Cat|Bleyle, Karl}} (1880–1969)==
{{WLcopy|NPD-EU}}
*Cello Concerto (No.1?) (performed in Dessau Nov.14, 1910)
*Chorus Mysticus aus Goethe's "Faust" für gemischten Chor, Harmonium und Klavier, Op.19 (pub.1911)
*String Quartet in A minor, Op.37 (pub.1928)
*Cello Concerto (No.2??) in D minor, Op.49 (1934, ©1936)
*Violin Sonata in G, Op.38 (pub. by Breitkopf, 1925 or 1926)

=={{Cat|Bliss, Paul}} (1872–1933)==
Presumably referring to Paul Bliss Jr., not Sr. (Philip Paul Bliss).
* In October (piano suite)

=={{Cat|Bloch, Ernest}} (1880–1959)==
{{WLcopy|NPD-EU}}
* Violin Concerto (1938, published the same year)
* Suite for Cello Solo No. 1
* Méditation hébraïque, B.55
* Concerto symphonique (piano), B.77 (©1950)
* 3 Nocturnes for trio, B.56 (©1925) (my local library may have, will see about borrowing)

=={{Cat|Bloch, József}} (1862–1922)==
* Ouverture solennelle, Op.57 (Rozsnyai, p1910)
* Violin Concerto, Op.64 (Rozsnyai, p1912)
For the violin concerto, both the full score and the reduction for violin and piano
* Ungarische Ouvertüre, Op.20
* Concertino no.1 for violin, Op.12 (pub.1897)
* Concertino no.2 for violin, Op.19 (pub.1898)
* Suite no.2, Op.10 (pub.1896)
* Concertino no.4 in E minor for violin, Op.63 (pub.1909)

=={{Cat|Blockx, Jan}} (1851–1912)==
* Baldie, Zangspel in drie bedrijven (pub.1908)
* Maître Martin . opéra en quatre actes (pub. 1892)
* Gloria Patriae : cantate (pub.ca.1902)
* 5 Pieces (Lied, Printemps, 3 Romances) for violin and piano (Heugel, 1922)
* Negen kinderliederen, Op.50 (pub.ca.1910s?)

=={{Cat|Blodek, Vilém}} (1834–1874)==
* Dvě písně ve snadném slohu (Two Songs in Simple Style) (pub. Urbánek)
* Flute concerto (1862?,piano red. pub.1903)
* Písně milostné (Love Songs) (1860)
* Symphony in D minor (1850s? pub.2012 by Cesky Rozhlas) (if not earlier?)

=={{Cat|Blow, John}} (1649–1708)==
* Suite No. 1 in D minor (keyboard)
* Suite No. 2 in D minor (keyboard)
* Suite No. 3 in A minor (keyboard)
* Suite No. 4 in C (keyboard)
* Suite No. 5 in D minor (keyboard)
* Suite No. 6 in G minor (keyboard)
* Dr Blow's Ground in Gamutt Flatt, G minor (keyboard)
* Mortlack's/Mortlake's Ground (keyboard version)
* Ground in D minor (keyboard)
* Ground in C major (keyboard)
* Suite in G major (along with several of the other works here? part of GB-Lbl Add. 31403)

=={{Cat|Blumenfeld, Felix}} (1863–1931)==

=={{Cat|Blumenthal, Sandro}} (1874–1919)==
*2 Lieder, Op.52 (München: Lewy, 1906)

=={{Cat|Blumer, Theodor Anton}} (1881–1964)==
{{WLcopy|NPD-EU}}
* Cello Sonata (B-flat minor?), Op.23 (pub.1908 by Kistner)
* String Quartet in G minor, Op. 51 (autograph 1924 @ RISM, ©1925)
* Trio for violin, clarinet, and cello, Op. 55 (1928)
* Piano Quintet in B minor, Op.21 (p1906) ({{WC|940285225}})
* Erlösung for orchestra Op.24 (p1909)
* Finale for orchestra Op.31 (p1912)
* Violin Sonata No.1, Op.33 in D minor (p1914)
* Piano Quartet Op.50 (©1925)
* Canzonetta Op.71 (pub.1932)
* Kriegsgesang, Op.38 (pub.1915)

=={{Cat|Blumlacher, Josef}} (1827–1907)==
Also Joseph rather than Josef
* s' Herzausschütten : Alpenjodler für Zither-Solo, Op.261 (Heft 58 of Salon und Hütte) (copy at ÖNB. Gives first publication(?) date as 1895; HMB lists in 1905.) (possibly downloadable [https://unipub.uni-graz.at/urn:nbn:at:at-ubg:2-6117 here]; their catalog lists 10 digitized works by him)

=={{Cat|Boccherini, Luigi}} (1743–1805)==
* Piano quintets op.56 (complete) - parts and score
* Cello Concerto No. 10 in D major, G. 483
* Stabat mater G.532 (1781 version) - Parts and score
* String Quintet G.341 in D, "Fandango"
* Guitar Quintet No.4 in G, G.448 “Fandango”
* G 506: Symphony Op. 12 No. 4 in D minor ("La Casa del Diavolo"), Full Score/Manuscript
* Flute Concerto: Full score and reduction for flute and piano
* Dixit Dominus in G, G.533 (1764/6?) (parts at Einsiedeln)
* All of G.340-345, in fact?

=={{Cat|Bödecker, Louis}} (1845–1899)==
*Phantasie-Sonate in E minor for violin and piano, Op.15 (pub.1880)
*Impromptu über ein wendisches Lied for string quartet, Op.31 (pub.1887)

=={{Cat|Boehe, Ernst}} (1880–1938)==
* Meditation and Processional

=={{Cat|Boehm, Theobald}} (1794–1881)==
* Grand Polonaise op.16 for flute and piano
* Schubert song transcriptions/arrangements for alto flute
* Op 6 Divertissement sur un air de Carafe (flute and piano)
* Op 13 Divertissement sur Alma Lied (flute and piano)
* Op 23 & Op 24 Fantasy on Swiss Themes (flute and piano)
* Op 25 Fantasy Scotch Airs (flute and piano)
* Op 27 Andante cantabile (flute and piano)
* Op 28 Rondo Allegro (flute and piano)
* Op 29 Andantino, Romance (flute and piano)
* Op 31 Andante Pastorale (flute and piano)
* Op 32 Rondo Laendler (flute and piano)
* Op 34 Tarantella (flute and piano)
* Op 35 Larghetto (flute and piano)
* Op 36 Rondo alla Mazurka (flute and piano)
* Op 46 Andante from Beethovens Serenade (flute and piano)

=={{Cat|Boëllmann, Léon}} (1862–1897)==
* Fantaisie sur des airs hongrois, for violin and piano Op.7 (c1885) J Hamelle, plate number J 2604 H
* Le Chant du ruisseau, Op.9 (c1885) J Hamelle
* Deuxième Valse, for piano Op.14 (c1886) J Hamelle, plate number J 3092 H
* Symphony in F major, Op.24 (pub. in reduction and full score by Durand around 1895)
* {{NoComp|Fantaisie Dialoguée, Op.35|Boëllmann, Léon}} (full orch. score)

=={{Cat|Boëly, Alexandre Pierre François}} (1785–1858)==
* Messe du jour de Noël (op.11), for organ (we have)
* Fantasie et fugue en Sib Major AVAILABLE HERE : {{LinkWork|12_Pièces_pour_orgue|Op.18|Boëly|Alexandre-Pierre-François|0}}
* Any organ works
* 5th string trio Op.23 (pub. Richault, 1859)
* Duet Sonata Op.17, pub. by Richault, 1855)
* 40 pièces d'étude, op. 13

=={{Cat|Bohm, Carl}} (1844–1920)==
*Allegro, Op.291 (Breslau: Julius Hainauer, 1883 (Plate 2522))

=={{Cat|Böhm, Carl Leopold}} (1806–1859)==
*Fantasy for cello and orchestra, Op.27
*Mass in A minor (autograph) (ca.1850)
*Impromptu for cello in E minor (September 1840)

=={{Cat|Böhm, Georg}} (1661–1733)==
* Any vocal works--Georg Böhm: Sämtliche Werke, Vol. 2 (Vols. 3 & 4), ed. Johannes Wolgast, Gesa Wolgast, and Harald Kümmerling

=={{Cat|Böhme, Oskar}} (1870–1938)==
* Berceuse (Wiegenlied), Op. 7 - cornet and piano
* Entsagung, Op. 19 - cornet and piano
* Serenade, Op. 22 no. 1 - cornet and piano
* Nachtmusik (Nokturno & Barkarole), Op. 44 no. 1 & 2 - brass quintet
* Fantasie über russische Volksklänge, Op. 45 no.1 - brass quartet/quintet
* Rokoko Suite, Op. 46 - brass quartet

=={{Cat|Bohnke, Emil}} (1888–1928)==
* {{LinkWork|String Quartet|Op.1|Bohnke|Emil|0}} - parts
* {{LinkWork|Piano Concerto|Op.14|Bohnke|Emil|0}} - full score. Republished by MPH
* Symphony, Op.16 (1927) (PD-CA?) (pub. ? - repub. ")
* {{LinkWork|Violin Concerto|Op.11|Bohnke|Emil|0}} - full score
* Cello Sonata, Op.7 (pub. 19??)

=={{Cat|Bohrer, Antoine}} (1783–1852)==
* Cello Concerto No.3, Op.25 (pub.1820)

=={{Cat|Bohrer, Max}} (1785–1867)==
* Rondoletto (Rondolette) for cello with piano or orchestra, Op.22 (pub.1838, Richault/Hofmeister)
* Cello Concerto No.1, Op.1 (poss. a coproduction (M-J - Max and Joseph (Antoine)) ? )
* Cello Concerto No.2, Op.2
* Cello Concerto No.3, Op.10 (pub. Schott, 1828 acc. BdlF)
* Concerto "Militaire" No.4, Op.25
* Duos concertants (Opp.14 pub.1832, 20 - op.20 pub.1838?) (some of these works co-publications with Antoine Bohrer or Nicolas Louis?)
* Violin Concerto No.5, Op.4 (also pub. Schott, 1828 acc. BdlF (or earlier?))

=={{Cat|Boieldieu, François Adrien}} (1775–1834)==
* Harp Concerto in C major in full score
* Harp Concerto in C major (harp and piano reduction)

* Ma Tante Aurore, Vocal Score

=={{Cat|Boisdeffre, René de}} (1838–1906)==
*Dans la forêt : ode-symphonie pour solo (ténor) et choeurs, Op.41 (pub.1888, Hamelle. Repub.1995, Recital Pubs.)
*6 Mélodies, Op.53

=={{Cat|Boismortier, Joseph Bodin de}} (1689–1755)==
* [[6 Sonates a deux flutes-traversieres sans basse, Op.1 (Boismortier, Joseph Bodin de)|Sonatas, Op. 1]]
* Sonatas, Op. 6

=={{Cat|Boisseau, Arthur Léopold}} (1845–1904)==
* Aubade for piano quartet, Op.3 (pub. by [[Louis Gregh]] in 1875)

=={{Cat|Boito, Arrigo}} (1842–1918)==
* Nerone - Vocal score, full score (I do not know if this work is already out of copyright, the first edition was published by Ricordi in 1924)

=={{Cat|Bölsche, Jakob (Jacob)}} (d.1684)==
* Organ Works

=={{Cat|Bomtempo, João Domingos}} (1775–1842)==
* Symphony No.1, Op.11 (published in piano duet reduction in 1809 or 1810. British Library has)
* Piano Concerto No.3, Op.7 (pub. by London: Clementi in 1810)
* The remaining piano sonatas (there are 10-11 at least in all)
* Piano Quintet No.3, original edition e.g. Clementi & Co.

=={{Cat|Bond, Capel}} (1730–1790)==
* 6 Anthems in Score, 1769

==[[:Category:Bonnal, Ermend|Bonnal, Joseph-Ermend]] (1880–1944)==
* Reflets Solaires for Organ
* Trio à cordes
* 1er Quatuor
* 2eme Quatuor

=={{Cat|Bonnet, Joseph}} (1884–1944)==
* Ave Maria Op.2
* Agnus Dei Op.6 No.1
* 2eme Ave Maria Op.6 No.2
* Pie Jesu Op.8 No.2

=={{Cat|Bonnet, Louis}} (1849–1911)==
Louis-Nestor Bonnet, born 1849, pianist, professor at the Conservatory @ Nimes. Alive in 1910, may have died in 1911 (a death notice for ''a'' Louis Bonnet is registered...)
* Piano Trio in D, self-published in 1880
* Ici-bas, mélodie, poésie de Sully Prudhomme (Leduc, 1885)

=={{Cat|Bononcini, Giovanni}} (1670–1747)==
* Six Solos for Two Violoncellos (London, 1748)
* San Nicola di Bari

=={{Cat|Bononcini, Giovanni Maria}} (1642–1678)==
* op.8 Das kontrapunktische Lehrwerk Musico prattico che brevemente dimostra il modo di giungere alla perfetta cognizione di tutte quelle cose, che concorrono alla composizione de i canti, e di ciò ch'all'arte del contrapunto si ricerca, (Bologna, 1673 deutsche Übersetzung Stuttgart, 1701)

=={{Cat|Bonvin, Ludwig}} (1850–1939)==
* Melodie for string quartet, Op.56a (Leuckart, 1911)
* Zwei Lieder v. H. W. Longfellow, Op.40 (Breitkopf und Härtel, 1898) (St. Louis Public Library has)
* Festzug (Festival Procession), Op.27 (published 1896, Breitkopf. Several libraries. Has been recorded.)
* Ballade for large orchestra, Op.25 (pub.1897. Fleisher, poss. other libraries.)

=={{Cat|Boom, Jan van}} (1807–1872)==
* Piano Trio No.1, Op.14 (p.1847)

=={{Cat|Bordet, Toussaint}} (1710–1775)==
* Tambourins
* Tambourins Des Troqueurs

=={{Cat|Borgstrøm, Hjalmar}} (1864–1925)==
*Romanze for violin and orchestra, Op.12 (pub.1901)
*Piano Quintet in F major, Op.31 (pub.NMF, 1922)

=={{Cat|Borne, François}} (1840–1920)==

=={{Cat|Borodin, Aleksandr}} (1833–1887)==
* First movement of the String Trio
* Sonata in b minor for Cello and Piano
* Prince Igor, full score
** Act 2, [[Prince Igor (Borodin, Aleksandr)|Polovtsian Dances]]
:: Full score, no. 17 (Act II Finale) without vocal parts
:: Vocal score available at [[cpdl:Polovetsian Dances (Alexander Borodin)|CPDL]]
* String Quintet in f minor
* Quartet in D major for Flute, Oboe, Viola and Cello

=={{Cat|Borowski, Felix}} (1872–1956)==
{{WLcopy|NPD-EU}}
* Peintures for orchestra (ms., 1917)
* 3 string quartets, several symphonies (ms only?)
* 2 pieces for string quintet or string orchestra (cop 1905, Williams)
* Le printemps passioné, poem for orchestra (ms., 1920)

=={{Cat|Børresen, Hakon}} (1876–1954)==
{{WLcopy|NPD-EU}}
* Romance for cello and orchestra, Op.4
* Den kongelige gæst, komedie (pub.1919)
* 3 symphonies (no.3 published 1931, first 2 in manuscript though available from {{plain|http://www.edition-s.dk/composer/hakon-b%C3%B8rresen|Edition S}})
* Serenade for horn, strings and timpani (published 1943)
* Violin sonata in A minor, Op.13 (1907)

=={{Cat|Bortkiewicz, Sergei}} (1877–1952)==
{{WLcopy|NPD-EU}}
* Cello Concerto, Op.20
* Cello Sonata, Op.36
* Piano Trio, Op.38
* Suite for Cello solo, Op.41
* Im 3/4 Takt, Op.48 Nos. 2 & 5 arr. for violin and piano
* 2 Klavierstucke, Op.49
* Symphony No.1, Op.52
* Symphony No.2, Op.55
* Piano Sonata No.2, Op.60
* Tom Sawyer's Abenteuer, Op.68
* Cinq Esquisses de femmes, Op.70
* Piano Concerto No.2 (full score)
* Piano Concerto No.3 (full score)

=={{Cat|Bortz, Alfred}} (1882–1969)==
{{WLcopy|NPD-EU}}
* Sinfonietta pastorale, Op.15 (published 1913 by N. Simrock)

=={{Cat|Bossi, Marco Enrico}} (1861–1925)==
* Feuillets d'Album, Op.111 for cello and Piano (pub.1897) (no.1 uploaded.)
* Der Blinde (Il Cieco), Lyrische Scene für Bariton, Chor und Orchester, Op.112 (performed in Rome in 1898, possibly published 1897? but fairly definitely in 1905)
* Organ Sonata No.1, Op.60
* Arrangement for organ of the “Gebet” from Wagner’s Tannhäuser (recorded, but score not uploaded as of 4/21. Mostly similar to the Warren arrangement but with a substantial prelude and postlude.)

=={{Cat|Bossi, Renzo}} (1883–1965)==
{{WLcopy|NPD-EU}}
* Symphony in A minor (pub.1909) (op.11)
* Violin Concerto (pub. ca. 1915?) (op.15)
* Violin sonata "intima" cop.1923
*Quartet in A op.28 cop.1924

=={{Cat|Bottesini, Giovanni}} (1821–1889)==
* Concerto for Violoncello and double bass G major
* Double Bass Concertos
* Pieces for Double Bass and Piano
{{Laundry|Bottesini, Giovanni|[[Talk:List of works by Giovanni Bottesini‎]]}}

=={{Cat|Boulanger, Georges}} (1893–1958)==
{{WLcopy|NPD-EU}}
[http://www.prima-carezza.ch/boulange.htm see here]
* Tokai
* Hora Maré
* Legumes! Legumes! Legumes!
* Hungarian Dance
* Da Capo!
* Gypsy Serenade
* Vitamin Polka
* Tango Torero
* Allo! Budapest
* Julika
* Tango Marina
* Hongrois
* Sue la Mer Noire
* Red Roses
* Budapest at Night
* La Polka Lunatique
* Dream of the Puszta
* Hungarian Sensibility

=={{Cat|Boulanger, Lili}} (1898–1918)==
{{WLcopy|EP}}
* {{NoComp|Faust et Hélène|Boulanger, Lili}}, full orchestral score (1913)
* {{NoComp|Pie Jesu|Boulanger, Lili}}, for soprano, string quartet, harp, organ (1918), published by Durand 1924
* Thème et variations, for piano (1914)
* Psaume XXIV (Complete score)
* Psaume CXXIX (Complete score)
* D'un soir triste
* D’un matin de printemps (Full score)
* Psaume CXXIX (Full score)
* Dans l’immense tristesse (©1919, Société anonyme des éditions Ricordi)

=={{Cat|Boulnois, Joseph}} (1884–1918)==
* Choral for Organ
* Symphonie for Organ
* Sonata for Piano and Orchestra
* Violin Sonata

=={{Cat|Bourges, Maurice}} (1812–1881)==
* String Quartet in F (pub. (posth.) 1881, Lissarrague)
* Violin Sonata No.1 in D minor (1862, Brandus)
* Piano Trio No.2 in B{{flat}} (1862, Brandus)
* Violin Sonata No.3 in D (1881, A. O'Kelly et Naus) (also: {{BNFref|12148/cb428725233|3 violin sonatas}} published by O'Kelly probably around 1881, the D minor not included - in B-flat, in F-sharp minor, in D major. So these are perhaps sonatas 2-4. Unless the D minor is by ''Jean-Maurice'' Bourges or similar?)
* Viola sonata (1881, posthumously, A. O'Kelly et Naus)

=={{Cat|Bousquet, Georges}} (1818–1854)==
* String Quartet in G (p.1852, Brandus)

=={{Cat|Boutmy, Josse}} (1697–1779)==
* Petites suites de pièces de clavecin (Bruxelles, entre 1736 et 1738)
* Premier livre (Paris, 1738)
* Second livre (Paris, 1740-44)
* Troisième livre (Bruxelles, vers 1749) dédié au gouverneur Charles de Lorraine.

=={{Cat|Bowen, York}} (1884–1961)==
{{WLcopy|NPD-EU}}
* Viola Concerto in C minor
* Concerto for Horn, Strings and Timpani, op. 150
* Andante for Viola and Piano
* Fantasia in F Major for Viola and Organ
* Fantasie for Four Violas
* Melody for the G String for Violin (or Viola) and Piano, in {{K|Gb}}, Op.47
* Melody for the C String of the Viola with Piano Accompaniment, in F Major, Op.51 No.2
* Phantasy in F Major for Viola and Piano, Op.54
* Piano Sonata No. 5 in f minor, Op. 72 (pub. 1923)
* Romance for Viola and Organ
* 2 Duets for Two Violas
* 3 Duos for Violin and Viola
* Piano works
* Cello Sonata, Op.64 (pub.1923)

=={{Cat|Boyce, William}} (1711–1779)==
* Heart of Oak - non-original concert band score and parts
* Ode for St Cecilia's day, manuscript or first edition
* Shakespeare Incidental Music
* Keyboard Works
* Sinfonias 3-5, 7, 8

=={{Cat|Boyle, Ina}} (1889–1967)==
{{WLcopy|NPD-EU}}
* Soldiers at peace : set to music for chorus and orchestra (published 1917, text by Herbert Asquith (1852-1928))
* The Magic Harp, rhapsody for orchestra (Stainer & Bell, ©1921)

=={{Cat|Braga, Ernani}} (1888–1948)==
* Cinco canções nordestinas
* Cancioneiro Gaúcho (1940)

=={{Cat|Brahms, Johannes}} (1833–1897)==
* Piano Trios Nos.2 (Op.87) & 3 (Op.101) (arrangement for one piano four hands)
* Clarinet Sonata Op.120, No.1 (arrangement for one piano four hands, by Klengel, publ. by Simrock)
* Original version of Serenade No.1, Op.11, for nonet — lost?
* Triumphlied Op.55 Orchestra Parts
* Symphony No.2, Op.73 (1st clarinet part transposed to Bb)
* WoO 36, 8 Deutsche Volkslieder, 1859–62 (für Frauenchor)--NOT PD US. First published 1938 and 1940
* WoO 37, 16 Deutsche Volkslieder, 1859–62 (für Frauenchor)--NOT PD. First published 1964 and 1965
* WoO 38, 20 Deutsche Volkslieder, 1859–62 (für Frauenchor)--NOT PD. First published 1970
* Enescu, Cadenza for the Brahms Violin Concerto (Salabert)

=={{Cat|Brambach, Carl Joseph}} (1833–1902)==
* Piano Quartet No.1 in E{{flat}}, Op.13 (pub.1868)

=={{Cat|Brandl, Johann Evangelist}} (1760–1837)==
* 3 String Quartets, Op.25(?) (pub.1803)
* Germania, Ein Heroisches Singspiel in Drey Aufzügen (libretto - only? - (known to be) available online as of Aug.2015. music)
* Schillers Andenken: eine Kantate (libretto available online- music?)
* 3 String Quartets, Op.40 (published 1822, see May 1822 AMZ.)

=={{Cat|Brandt, Fritz}} (1880–1949)==
* String Quartets no.1 in Am., Op.14 (Bisping, Münster); no.2
* Piano Sonata in A{{flat}}, Op.3 (pub.1907)
* Cello Sonata in C, Op.6 (pub.1920 by Bisping)

=={{Cat|Brandt, Karl Wilhelm}} (1869–1923)==
{{WLcopy|EP}}
Better known as Vassily Brandt.
* Concertpiece No.1, Op.11 for trumpet and piano
* Concertpiece No.2, Op.12 for trumpet and piano

=={{Cat|Brandts Buys, Jan}} (1868–1933)==
* Piano Trio, Op.1 (p.1890)
* Konzertstück, Op.3 (2pf or pf&orch) (p.1896)
* Suite, Op.7 (p.1896)

=={{Cat|Brassin, Louis}} (1840–1884)==
* Piano Concerto Op.22 in F (published 1865)
* Piano Concerto No.3 in G (Pastoral-Concert) (published posth. 1888 by Schott)

=={{Cat|Brauer, Max}} (1855–1918)==
* String Quartet in F (pub. B&H, 1920)
* Romance Op.9 for violin & piano (pub. by 1902)
* Suite for strings Op.14 (pub.1891, Geibel)
* Funerale Op.11 for organ
* Romanze Op.1 for vn&pf (pub.1879)

=={{Cat|Braunfels, Walter}} (1882–1954)==
{{WLcopy|NPD-EU}}
* Ariels Gesäng, Op.18 (p.1911)
* Phantastische Erscheinungen eines Themas von Hector Berlioz, Op.25
* Serenade, Op.20 (p.1911)
* Don Juan, Op.34 (p.1925)
* Grosse messe, Op.37 (p.1927)
* Die Ammen-Uhr, Op.28 (published 1921)
* Prinzessin Brambilla, opera, Op.12b, published 1909
* 9 Bagatelles for piano, Op.5 (Lewy, ca.1907?)
* Don Gil von den grünen Hosen, Op.35
* Divertimento, Op.42
* Serenade in E-flat major, Op.20

=={{Cat|Bree, Johannes Bernardus van}} (1801–1857)==
* Overture in E flat major (1839)
* Concertoverture in b minor "Le Bandit"
* Scene for horn and orchestra

=={{Cat|Breitenbach, Clemens}} (1864–1943)==
* Op.3 - 12 Fughetten zu 3 Stimmen für Orgel (oder Harmonium) (Leipzig: Pflugmacher 1896). CVK No.2071
* Op.6 -Exaltabo. 4 Fugen für Orgel zum kirchlichen Gebrauch (Hildesheim bei Franz Borgmeyer 1898). CVK No.2258
* Op.8 - Gloria. 30 neue Orgel-Stücke für den kirchlichen Gebrauch. (Hildesheim bei Franz Borgmeyer 1898). CVK No.2259
* Op.10 - Cantabo. 40 Orgelstücke für den kirchlichen Gebrauch. (Regensburg: A.Coppenrath (?). CVK No.3749
* Op.12 - 50 Fughetten für Orgel (Leipzig: Steingräber, 1902). Publication noted in Hofmeister's Monatsbericht (1902), p.25.
* Op.21 - Fantasia (D minor) für Orgel (Leipzig: Kahnt Nachf., 1908). Publication noted in Hofmeister's Monatsbericht (1908), p.188.
* Op.22 - Organ pieces for christmas time:-"Lasst uns das Kindlein wiegen aus",-"O du fröhliche aus".
* Op.24 Violin Sonata in A minor, (p.1913).

=={{Cat|Brian, Havergal}} (1876–1972)==
{{WLcopy|NPD-CA}}
'''Public Domain Works (USA only)''' 
''Six early orchestral works, published by Breitkopf & Härtel (B&H), London, 1913/4:''
* ''For valour'', concert overture, op.7 (1904–06)
* English suite no.1, op.12 (1906)
* Fantastic Variations on an old Rhyme (1907–09/12)
* ''Festal Dance'', (1907 or 1908–09) (See [https://catalog.freelibrary.org/Record/1576507 Fleisher]. British Library and Sheffield also have this score.)
* ''In memoriam'', symphonic poem (1910 - published 1913, premiered 26 December 1921)
* ''Doctor Merryheart'', comedy overture no.1 (1911–12, published 1913 and premiered 3 Jan. 1913.)
''Other works:''
* ''Shall I compare thee to a summer's day?'', op.5 (1903/04), B&H, 1905
* Three Songs for Contralto or Baritone, op.6 (?1904/05), B&H, 1913
* Psalm 137, ''By the waters of Babylon'', op.11 (1905/09), VS, B&H, 1914
* ''Stars of a summer night'', op.1 (1905), Novello, 1908
* ''The vision of Cleopatra'', cantata, op.15 (1907), VS Bosworth, 1908/09. Full score lost.
* [[:Category talk:Brian, Havergal|Various songs]] (solo voice, and partsongs) published by J. Curwen & Son, J.&W. Chester, Enoch, OUP and Augener before 1923 
{{WLcopy|GEN}}
* Orchestral: Symphonies 2–32 (1930–68); Violin concerto in C major (1934–35)
* Operas: ''Turandot, prinzessin von China'' (1950–51); ''The Cenci'' (1951–52); ''Faust'' (1955–56); ''Agammemnon'' (1957)

=={{Cat|Bretón, Tomás}} (1850–1923)==
All works unpublished or published only recently; but there should be manuscripts
* Symphony No.2
* Los galeotes, symphonic poem
* Elegía y añoranza, symphonic poem
* Violin Concerto
* Piano Quintet
* Wind sextet

=={{Cat|Bréville, Pierre de}} (1861–1949)==
* Tête de Kenwark, Scène lyrique for Cello and Orchestra
* Nouvelles ballades op. 165
* Hymne à Venus, Vocal duo or chorus in 2 parts with viola, flute, oboe, clarinet, bassoon, harp (c.1885); words by Auguste Villiers de l'Isle-Adam
* Suite brève for Organ
* Deuxieme Suite en Cinq Parties for Organ/Harmonium
* Violin Sonata No.2 (©1927) "sonate fantaisie en forme de rondeau"
* Épitaphe (Baudoux, 1899) (dedicated to Thérèse Roger)

=={{Cat|Briccialdi, Giulio}} (1818–1881)==
* Allegro for 2 flutes
* 8 Duos for flute
* Flute Concerto in F major (pub.1850, [[Richault]])

=={{Cat|Bridge, Frank}} (1879–1941)==
Source for publication dates and other information: [https://issuu.com/phmpublishing/docs/frank_bridge_-_the_complete_works_- Frank Bridge- The Complete Works (Hindmarsh)] @ Issuu/PHM Publishing
* [[3 Dances, H.4 (Bridge, Frank)|3 Dances for Violin & Piano, H.4 (1900)]], Version for Cello & Piano
* Scherzetto for Cello & Piano, H.19 (date unknown, estimated 1901-2 based on musical style by Hindmarsh. Published (hire only) in a (recent) orchestration.)

* Morning Song for Cello & Piano, H133 (1918)
* The Pneu world, for Cello and Piano, H.163 (1925)

* Sir Roger De Coverley, H. 155 (1922) (Orig. orchestral strings, also arr. [[Sir Roger de Coverley (Bridge, Frank)|string quartet]] and full orchestra version.)
* Pensiero (H. 53) for Viola (©1908)
* Songs

* Summer, H. 116 (1914-15) (published 1923 by Augener)

* Caprice & Lament for 2 violas, H.101 (1912)
** No.2 published 1981 by PHM. No.1 (Caprice) still unpublished
* Adagio ma non troppo for Organ, H.11 (ca. 1901 (?). Unpublished.)
* Two Poems for Orchestra after Richard Jefferies, H. 118 (1915) (published by [[Augener]] in 1923. Now only available through their hire library, according to Hindmarsh.)
* Lament (String Orchestra)
* Phantasm (Piano and Orchestra) - preferably full score, or, failing that, 2-piano version (pub.1941)
* Divertimenti, H. 189 (Flute, oboe, clarinet and bassoon) (1934-38) (pub.1940, copyright assigned to another publisher in 1982; republished with permission by mph in 2019; also available from the Frank Bridge Edition (PHM))
* Rhapsody Trio for two violins and viola, H. 176 (1928) (published 1965)
* Canzonetta, H.169 (1926)
* Graziella, H. 170 (1926) (H. 169/70 both pub. Winthrop Rogers/BMC/Hawkes in 1927)
* String Quartet No.3, H.175 (Augener, c 1928)

{{WLcopy|GEN}}
* Enter Spring Rhapsody (not published until 1977 apparently (Faber). Republished with permission by MPH in 2019.)
* Tempo di Mazurka for Cello and Piano, H.32 (1903) (pub.1991 in Hindmarsh edition.)
* Three Songs for voice, viola and piano (H76) (1906, 1906, 1903/7, first published 1982)
* Oration for Cello & Orchestra, H.180 (1930) (pub. 1979)

=={{Cat|Brissler, Friedrich}} (1818–1893)==
* Symphony
* Piano pieces (e.g. mazurka (1878))

==Britten, Benjamin (1913–1976)==
{{WLcopy|NPD}}
{{WLcopy|GEN}}
* The Young Person’s Guide to the Orchestra (©1947 ?)
* Four Sea Interludes (from Op.33) (Passacaglia ©1939, Sea Interludes as a set ©1941, some libraries list as "?" - may be some copyright issues here - conceivably became PD-US when published as a set - look into??)
* Simple Symphony (©1934)
* Peter Grimes op. 33 (©1945)

=={{Cat|Brixi, František Xaver}} (1732–1771)==
* Viola Concerto in C Major

=={{Cat|Brod, Henri}} (1799–1839)==
* Le retour du petit savoyard, duo concertant pour piano et hautbois sur la romance de F. Bérat, op.32 (published in 1831 by Schonenberger, plate SN 74)
* Morceau de salon pour hautbois (pub. 1839 by Schonenberger)
* Souvenirs d'Elisa et Claudio (Mercadante) (pub. 1839 by Schonenberger)

=={{Cat|Brogi, Renato}} (1873–1924)==
* String Quartet in B minor (pub.1904)
* Piano Trio in E minor (published 1909)

==[[:Category:Bronsart von Schellendorff, Hans|Bronsart, Hans]] (1830–1913)==
* Frühlings Fantaisie, Op.11 für Orchester (full score)

=={{Cat|Bronsart, Ingeborg}} (1840–1913)==
* Notturno, Op.13; Elegie, Op.14, Romanze, Op.15 (pub.1879) (vc/pf)
* Die Göttin von Sais oder Linas und Liane: idyllische Oper in drei Aufzügen (text by Conrad Ferdinand Meyer) (libretto, published 1866, scanned- rest of opera?)

=={{Cat|Brosig, Moritz}} (1815–1887)==
* 3 Preludes and 2 Postludes, Op.70. Leuckart, 1852.

=={{Cat|Broustet, Édouard}} (1836–1901)==
*{{LinkWork|Symphonie concertante|Op.38|Broustet|Édouard|0}} - full score ; parts?
*Piano Quintet
*Piano Concerto (no.2?)
*Sonata for violin or cello and piano, Op.52
*Sérénade Op.49 for piano trio (published by Minier, 1878)

=={{Cat|Bruch, Max}} (1838–1920)==
* {{NoComp|In Memoriam, Op.65|Bruch, Max}}, full score, orchestral parts
* {{NoComp|Adagio appassionato, Op.57|Bruch, Max}}, full score, orchestral parts
* {{NoComp|Romanze, Op.42|Bruch, Max}}, orchestral parts
* {{NoComp|Violin Concerto No.2, Op.44|Bruch, Max}}, orchestral parts
* {{NoComp|Violin Concerto No.3, Op.58|Bruch, Max}}, orchestral parts
* {{NoComp|Serenade, Op.75|Bruch, Max}}, orchestral parts
* [[Concerto for 2 Pianos, Op.88a (Bruch, Max)|Double Piano Concerto in A-flat minor]] (also called Op. 88); orchestral parts, full score or complete version for three pianos (one for orchestra). (So far only two movements are present, and arranged only for two pianos.)
* [[Octet (Bruch, Max)|String Octet in B-flat major]] (pub. 1996)
* {{NoComp|Konzertstück, Op.84|Bruch, Max}}, orchestral parts

=={{Cat|Bruckner, Anton}} (1824–1896)==
* [[Missa solemnis, WAB 29 (Bruckner, Anton)|Missa solemnis, WAB 29]], full score.
* [[Psalm 112, WAB 35 (Bruckner, Anton)|Psalm 112 in B-flat minor, WAB 35]], full score
* [[Fantasie in G major, WAB 118 (Bruckner, Anton)|Fantasie in G major, WAB 118]], complete score of Part II. Current score is missing p. 22 of the original score.
* [[Stille Betrachtung an einem Herbstabend, WAB 123 (Bruckner, Anton)|Stille Betrachtung an einem Herbstabend, WAB 123]], I would like a good pianist in Canada to add fingerings, maybe record a performance.
* Offertory in C for organ (?) (besides [[Prélude in D minor, WAB 130 (Bruckner, Anton)]], a dozen or so organ works (mostly arrangements) are collected in a {{WC|1516580|Kalmus volume}})

=={{Cat|Brückner, Oscar}} (1857–1930)==
* Cello Concerto Op.59 (pub.1916/17)

=={{Cat|Bruhns, Friedrich Nikolaus}} (1637–1718)==
* Full score/manuscript: Johannes-Passion (1702) formerly attributed to Reinhard Keiser
* Full score/manuscript: Markus-Passion (1705) formerly attributed to Reinhard Keiser

=={{Cat|Bruhns, Nicolaus}} (1665–1697)==
* “Little” Praeludium in E minor – not the “Great” {{NoComp|Praeludium in E minor|Bruhns, Nicolaus}} NOW AVAIBALE HERE: http://imslp.org/wiki/Praeludium_in_E_minor_%27Little%27_(Bruhns,_Nicolaus)
* Chorale Fantasia “Nun komm, der Heiden Heiland”
* Ich liege und schlafe (Cantata) Now availible here: https://imslp.org/wiki/Ich_liege_und_schlafe_(Bruhns%2C_Nicolaus)
* Hemmt eure Tränenflut (Cantata) Now available here: https://imslp.org/wiki/Hemmt_eure_Tr%C3%A4nenflut_(Bruhns%2C_Nicolaus)
* Die Zeit meines Abschieds ist vorhanden (Cantata)
* Muss nicht der Mensch auf dieser Erden (Cantata)
* Wohl dem, der den Herren fürchtet (Cantata)

=={{Cat|Brüll, Ignaz}} (1846–1907)==
* {{NoComp|Im Walde, Op.25|Brüll, Ignaz}} (full score wanted)
* {{NoComp|Symphony, Op.31|Brüll, Ignaz}} (full score wanted)
* {{NoComp|Violin Concerto, Op.41|Brüll, Ignaz}} (full score wanted) – see [[Category talk:Brüll, Ignaz|composer’s talk page]]
* Violin Sonata No.3 in E minor, Op.81
* {{NoComp|Ouverture pathétique, Op.98|Brüll, Ignaz}} (full score wanted)

=={{Cat|Brumel, Antoine}} (fl.1483–1513)==
*RISM A/I B 4643, Missæ (Venice: Petrucci, 1503) [http://www.bibliotecamusica.it/cmbm/scripts/gaspari/scheda.asp?id=3422 Bologna]

=={{Cat|Brun, Fritz}} (1878–1959)==
{{WLcopy|NPD-EU}}
* Symphony No.2 in B-flat (pub.1912)
* Symphony No.3 in D m. (pub.1922 or 1923 - {{HMBref|1923|4}} ; library catalogs generally give [1922], some give [1920?]...)
* Violin Sonata in D minor (1906, pub.1920)
* String Quartet in G (published 1924)
* Symphony No.4 in E (published 1928 or 1929?)
* Le martyre de Jeanne d'Arc : drame lyrique en 2 actes (published 1932)
* 5 Lieder for Alto and Piano (published by Hüni in 1920, see {{HMBref|1920|201}})

=={{Cat|Bruna, Pablo}} (1611–1679)==
With an anniversary year coming up, only the same handfull of his ~30 tientos are online at
*[http://bnpm.ch/index.php?navig=partition&search=Bruna%20Pablo BNPM]

=={{Cat|Brunckhorst, Arnold Matthias}} (1670–1725)==
* Any organ works
* Prelude & Fugue (Präludium) in e and other Organ works

=={{Cat|Brune, Adolf}} (1870–1935)==
* Piano concerto, Op.24 (c.1904)

=={{Cat|Bruneau, Alfred}} (1857–1934)==
* Lazare (Lazarus), oratorio, Op.30 (1903)

=={{Cat|Brusselmans, Michel}} (1886–1960)==
{{WLcopy|NPD-EU}}
* Violin Sonata in B minor (pub. Senart, 1921)
* Cello Sonata in D major (pub. Senart, 1921 (registered 1922 in US?))

=={{Cat|Brzowski, Józef}} (1803/1805–1888)==
* Hrabia Weseliński (Count Merrymaker), comic opera (staged 1833)
* Rejent z Flandrii czyli Piwowar z Gandawy (The Regent of Flanders or The Brewer of Ghent), opera (not staged?) 1880
* 2 Polonaises, Op.4
* Dramatic Symphony 1840
* Concert Overture 1850
* Elegie for violin and orchestra 1870 (we may have the violin/pf reduction uploaded?)
* Piano Quintet
* Piano Quartet 1859
* Requiem 1845
* Mass in A - MS in Bibliothèque royale de Belgique (B-Br Mus Ms 768)
* 'La Foi' Mass - MS in Bibliothèque royale de Belgique (B-Br Mus Ms 1593)
* Te Deum 1867
* Quintet for solo voice chorus and piano

=={{Cat|Buchner, Philip Friedrich}} (1614–1669)==
* Plectrum musicum

=={{Cat|Buck, Dudley}} (1839–1909)==
*Symphony in E-flat major (unpublished, has it survived in manuscript?)

=={{Cat|Buffardin, Pierre-Gabriel}} (1690–1768)==
* concerto à cinq en mi mineur [[Flute Concerto in E minor (Buffardin, Pierre-Gabriel)|Flute Concerto in E minor]] (His only known Concerto and only one of 2 known works)

=={{Cat|Buke, Eižens}} (1877–1920)==
Also Evgeny Bukke (in Russian)
* Opera "Fate" (in English translation)
or anything else?

=={{Cat|Bukinik, Mikhail}} (1872–1947)==
* 4 Concert Etudes (I think we have these uploaded now)

=={{Cat|Bulakhov, Pavel}} (1824–1875)==
* Romans Ego uzh ni︠e︡t : ispolnennyĭ Tamberlikom (pub. Gutheil, 1861) (main publication?)

=={{Cat|Bulakhov, Pyotr}} (1822–1885)==

=={{Cat|Bullerian, Hans}} (1885–1948)==
* Piano Trio No.2 in B{{natural}}, Op.27 (pub.1922)
* Violin Sonata in E minor, Op.29 (pub.1922, HMB 1923 p.4) (now PD-US whether pub.1922 or 1923)
* Sextet in G{{flat}} major, Op.38 ((c)?1924, maybe 1925)

=={{Cat|Bumcke, Gustav}} (1876–1963)==
{{WLcopy|NPD-EU}}
* Wind-sextet, Op.19 (pub.1908)
* Harmonielehre (pub.1921)
* Suite über die Töne F-H-G-B, Op.28 (pub.1919)

=={{Cat|Bungert, August}} (1845–1915)==
* Mysterium (Warum? Woher? Wohin?), Op.60 (score at Dutch Royal Library)
* Torquato Tasso, Op.14 (score at: Zurich, Free Lib. Philadelphia, SBB)

=={{Cat|Bunte, Johann Friedrich}} (1769–1843)==
* 2 String Quartets, Op.3 (pub.1808)
* String Quartet, Op.5
* Symphony, Op.9 (ca.1817?)

=={{Cat|Burger, Max}} (1856–1917)==
* Sinfonietta in B-flat for strings, Op.65, published 1909

=={{Cat|Busch, Adolf}} (1891–1952)==
{{WLcopy|NPD-EU}}
* Variations on the Radetzky-Marsch by Strauss, Op.9 (pub.1917)
* Concerto for Large Orchestra, Op.43 (Breitkopf u Härtel, 1931) (PD-CA-only)
* Symphony in E minor, Op.39 (Breitkopf u Härtel, ©1928) (PD-CA-only but something>nothing :) )
* Variationen und Fuge für kleines Orchester über ein Thema von W.A. Mozart, Op.19, ©1920 by Eschig (listed in HMB in 1923 (N. Simrock), curiously - maybe confused with Op.19a?)
* Violin Sonata in G, Op.21 (©1923)
* Sinfonische Phantasie for chorus, organ and orchestra, Op.17 (pub. 1933? See {{WC|611604863}} and {{HMBref|1933|6}}.)
* Fantasie über Joh. Seb. Bachs Rezitativ aus der Matthäus-Passion "Mein Gott, warum hast du mich verlassen" und den Choral" Aus tiefer Not schrei ich zu dir". Für Orgel, Op.19a (published 1923.) (©ÖNB)
* Piano Concerto, Op.31 (©1928)
* Divertimento, Op.30 (published 1925, Breitkopf)

=={{Cat|Busch, William}} (1901–1945)==
*Cello Concerto (1940) - see {{WC|725340506}}

=={{Cat|Busoni, Ferruccio}} (1866–1924)==
{{WLcopy|EP}}
* Altoums Warnung (Zweiter Anhang zur Turandot-Suite), BV 248b (full score; B&H, Part.B. 1976a)
* Die Brautwahl, BV 258 (full score; Harmonie-Verlag, V-Nr. 509)
* Zwei Gedichte von Goethe für eine Männerstimme mit kleinem Orchester: Altoums Warnung aus Turandot, BV 277 (full score; B&H, Part.B. 2481)
* Zwei Gedichte von Goethe für eine Männerstimme mit kleinem Orchester: Lied des Mephistopheles aus Goethes Faust, BV 278 (full score; B&H, Part.B. 2482)
* Romanza e Scherzoso for Piano and Orchestra, BV 290 (full score; B&H, Part.B. 2639)
* Beethoven. Benedictus aus der Missa solennis. Bearbeitet von Ferruccio Busoni, BV B 49 (B&H, E.B. 4474)
* Sechs Orgelchoralvorspiele von Johannes Brahms für das Pianoforte ausgewählt und übertragen von Ferruccio Busoni, BV B 50 (Simrock, plate number 11779)
* Polonaise en la bémol, œuvre 53. Interprétée par Ferruccio Busoni, BV B 51 (Schmidl, plate number 4171)
* Heroischer Marsch in ungarischem Styl für das Piano-Forte von F. Liszt. Neu herausgegeben … von Ferruccio Busoni, BV B 62 (Schlesinger; plate number S. 2977)
* Franz Liszt. Polonaise No.2 (E Dur) pour Piano. Nouvelle Édition augmentée d'une Cadence Finale par Ferruccio Busoni, BV B 64 (Simrock, plate number 12604)
* Konzertsuite aus der Musik zu Mozarts Idomeneo, BV B 85 (full score; B&H, Part.B. 2479)
* Rondo Concertante für Klavier u. Orchester aus dem 22. Concerto von W. A. Mozart neu bearbeitet von Ferruccio Busoni, BV B 87 (B&H, Part.B. 2604)
* Adagio aus dem Klarinetten-Konzert (KV 622), BV B 90 (B&H, Part.B. 2532)
* Scherzo aus dem Streichquartett in E moll von Ottokar Novacek. Zum Concertvortrage für Pianoforte bearbeitet … von Ferruccio B. Busoni, BV B 95 (Fritzsch, E.W.F. 523, ©1892. Could be put on the existing page for {{LinkWork|String Quartet in E minor||Nováček|Ottokar|}} where the existing recording of the arrangement is already in the NML section.)
* Konzert-Allegro mit Introduktion. (op. 134) Bearbeitung für zwei Pianoforte, BV B 109 (B&H, V.A. 832)
* Joh. Seb. Bach. Sechs Tonstücke. Klavier-Übertragung von Ferruccio Busoni. Neue durchgesehene Ausgabe (B&H, V.A. 1916)
* Bach-Busoni. Gesammelte Ausgabe. Bearbeitungen, Übertragungen, Studien und Kompositionen für Pianoforte nach Johann Sebastian Bach von Ferruccio Busoni. Vollständige und vervollkommnete Ausgabe (6 vols., BB I - BB VI; 1916)
* Bearbeitungen, Übertragungen, Studien und Kompositionen für Pianoforte nach Johann Sebastian Bach von Ferruccio Busoni. Vollständige und vervollkommnete Ausgabe (7 vols., BB I - BB VII; 1920)

=={{Cat|Büsser, Henri}} (1872–1973)==
{{WLcopy|NPD-CA}}
* Minerve : ouverture de concert, Op.7 (pub.1905 by [[Lemoine]] in fs, 2pf, etc.)
* Hercule au jardin des Hespérides, Op.18 (symphonic poem) (pub.1900 in reduction, 1901 full score by [[Lemoine]])

=={{Cat|Butler, Henry}} (1623–1652)==
(First recorded as an emigré musician in King Philip's court in 1623, died 1652, also called Botelero)
* Trio sonata in F major (RISM ID 806928816, recorded by the Newberry Consort in 1996)

=={{Cat|Butterworth, George}} (1885–1916)==
*2 English Idylls (full score, parts)

=={{Cat|Butting, Max}} (1888–1976)'''==
{{WLcopy|NPD-CA}}
*String Quartet No.1 in A Op.8 (pub.1919)
*Kammersymphonie für 13 Instrumente ; op. 25 ; [1923] (pub. 1924 by Tischer & Jagenberg)
*Kleine stücke für streichquartett, Op.26 (pub. 1924 by Schott)
{{WLcopy|GEN}}
*Symphony No.2 Op.29 (pub.1933 by Universal Edition)
*Symphony No.3 Op.34 (pub.1933 by Universal Edition) (appears in HMB in 1935 for some reason, but ©1933.)
*Symphony No.6 Op.44 (pub.1962, Edit. Peters)
*Symphony No.9 in one movement Op.94 (pub.1959, Verlag für Neue Musik)

=={{Cat|Büttner, Max}} (1879–1948)==
* Harp Concerto, Op.10 (pub. 1926? by Himmelreich of Munich) (publication date from HMB; composed by 1924, see {{RISMc|1001057747|D-Mbs Mus.ms. 10854; Nachlass Max Büttner}})

=={{Cat|Büttner, Paul}} (1870–1943)==
* Symphony No.1 in F (pub.1917?)
* Symphony No.2 in G (pub.1917 (at least in piano solo reduction))
* Symphony No.3 in D{{flat}} (pub.1917? (at least in piano solo reduction))

=={{Cat|Buttstett, Johann Heinrich}} (1666–1727)==
* Any keyboard works
3 Chorale Preludes uploaded.

=={{Cat|Buttykay, Ákos}} (1871–1935)==
* Symphony (No.1) in C{{sharp}} minor (performed 1900 February? in Budapest) (@ Szechenyi lib. - Mus. Ms. 3136. Possibly unpublished.)
* Liebesrausch, operetta in 3 acts (published 1920 by Leipzig: Eibenschütz & Berté) (libretto Robert Bodanzky (1879-1923))
* It seems over 50? other works of his are held in the Szechenyi Library (e.g. "Der fliegende Griech" grosse Operette, ...).
* 3? violin concertos (Opp. 18, 19 (1910); 1933)

=={{Cat|Buxtehude, Dietrich}} (1637–1707)==
* [[Mit Fried und Freud, BuxWV 76 (Buxtehude, Dietrich)|Klagelied]] BuxWV76b (version pour soprano ou mezzo, et orgue)
* “Wacht, euch zum Streit gefasset macht” of “Das Jüngste Gericht” BuxWV Anh.3

Organ completists would like:
* Praeludien, BuxWV 138, 147, 154, and 162 - uploaded
* Canzonas and Canzonettas, BuxWV 167, 169, 170, 172, 173, and 225
* Chorale preludes, BuxWV 214-216 (BuxWV 214 and 215 being separated), "Erhalt uns, Herr, bei deinem Wort (BuxWV Anh. 11) and "Chirst lag in Todesbanden" (BuxWV Anh 14) 214-215 are in Spitta/Seifert "Orgelcompositionen". So is 216 though it hasn't been transferred to a separate workpage.

Suites for harpsichord:
* BuxWV 226 - 234, 237 - 244 (in modern sheet music, not tablature)

Variations for harpsichord:
* BuxWV 245 - 250 (in modern sheet music, not tablature) (if possible. 250 particularly given its possible relation to Bach's Goldberg set? - Schissel, who would find any representation- a recording, arrangement, tablature, of BuxWV 250 to be acceptable, so long as it was copyright-ok goes-without-etc. ...) (245, 246 and 249 have been typeset by Fynnjamin. The others not yet.)

The Burning of London

=={{Cat|Byrd, William}} (ca.1540–1623)==
* ''[[Gradualia I (Byrd, William)|Gradualia I]]'' (1605) Full (=completed?) Score, Original form (not transcriptions as is now in the Library)
* Turbarum voces (= choruses of St. John Passion, part of Gradualia above) these are up as #10 of the three part pieces (confusingly labeled 2.1.1.1), albeit w/o text; see also [http://www.cpdl.org/wiki/index.php/Passio_Domini_nostri_Jesu_Christi_secundum_Johannem_(William_Byrd) cpdl]
* ''Psalmes, songs, and sonnets'' (1611) and Byrd facsimiles in general [[User:Richard Mix|Richard Mix]] 12:09, 29 December 2011 (UTC)

==Bytovetzski, Pavel (late 19th century–fl.1976?)==
{{WLcopy|NPD}} probably?
* Double-stopping

----
{{WLfooter}}

12 Cantatas, GB-Lcm MS 104 (Caldara, Antonio)

2022-07-13T16:03:04Z

Alsebal: Add instrumentation

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP1093838-MS_104_Caldara_-_Cantatas-compressed.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Manuscript Scan
|Scanner={{IArch|ms104caldaracantatasimages|Royal College of Music Library}}
|Uploader=[[User:Royal College of Music Library|Royal College of Music Library]]
|Date Submitted=2021/3/15
|Publisher Information=Manuscript, 1729.
|Copyright=Public Domain
|Thumb Filename=TN-PMLP1093838-MS_104_Caldara_-_Cantatas-compressed-7299.jpg
|Misc. Notes={{MiscLib|GBLcm|2||{{GB-Lcm|17904|MS 104}}}}
}}

| *****WORK INFO*****

|Work Title=12 Cantatas, GB-Lcm MS 104
|Alternative Title=
|Opus/Catalogue Number=
|Key=
|Movements Header=12 Cantatas
|Number of Movements/Sections=12 Cantatas
#Questo, che all' erbe intorno. Canto solo con due violini concertati.
#Vedro senz' onde il mare. Alto solo con due violini concertati.
#Porgete per pietà. Canto solo, con violino e violoncello concertati.
#Traditor traditor, che già spezzasti. Canto solo, con strumenti (2 violins, viola, bc).
#{{LinkWork|Vicino a un rivoletto||Caldara|Antonio|0}} Alto solo, con un Aria di violino, e l'altra violoncello solo.
#Ingrato! e perche mai? Soprano solo, con Instromenti (2 violins, viola, bc).
#Mentre tra' balze (Il Lamento d'Orfeo). Basso solo con Strumenti (2 violins, viola, bc).
#Ascolta ò Dafni. Alto solo con un violino concertanti e ripieni (2 violins, viola, bc).
#In un Antro Solingho. Canto solo, con un violino e violoncello.
#Vogiolo i Numi (La Partenza d'Ulisse). Basso solo con Strumenti (2 violins, viola, bc).
#Vola al mio bene in seno. Alto solo, con un violino concertato e Ripieni (2 violins, viola, bc).
#Là di Parnasso. Soprano solo, con Arie una à violino solo, e l'altra con violoncello.
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1729
|Librettist=
|Language=Italian
|Page Type=Collection
|Piece Style=Baroque
|Instrumentation=voice, 2 violins, continuo; voice, violin, cello, continuo; voice, 2 violins, viola, continuo; voice, violin, continuo; voice, cello, continuo; voice, concertino violin, 2 violins, viola, continuo
|Tags=secular cantatas ; v 2vn bc ; v vn vc bc ; v 2vn va bc ; v str bc ; v vn bc ; v vc bc ; v vn str bc ; it

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Vicino a un rivoletto (Caldara, Antonio)

2022-07-13T15:31:40Z

Alsebal: Correct Instrumentation

{{#fte:imslppage

| *****FILES***** =

{{#fte:imslpfile
|File Name 1=PMLP144530-Caldara_Vicino_a_un.pdf
|File Description 1=Complete score
|Page Count 1=8
|Editor={{LinkEd|Eusebius|Mandyczewski}} (1857–1929)
|Language=Italian / German
|Translator=Hugo Engelbrecht-Schwarz (1880–?), German text
|Publisher Information={{DenkmalerTonkunst|75|1932|XXXIX 75}}
|Image Type=Normal Scan
|Scanner=University Music Editions
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2010/7/20
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Vicino a un rivoletto
|Alternative Title=
|Opus/Catalogue Number=
|Key=
|Number of Movements/Sections=
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=Italian
|Piece Style=Baroque
|Instrumentation=alto, violin, violoncello, continuo
|Tags=secular cantatas ; bass bc ; it

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Fama (Caldara, Antonio)

2022-07-13T14:48:10Z

Alsebal: Correct title according to source

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP616979--Mus.ms.30182-_Fama.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Manuscript Scan
|Scanner={{SBB|PPN82110599X}}
|Uploader=[[User:Tito Manlio|Tito Manlio]]
|Date Submitted=2015/6/14
|Publisher Information={{Mss|17|50|99}}
|Copyright=Public Domain
|Misc. Notes=Staatsbibliothek zu Berlin (D-B): {{RISM|455031322|Mus.ms.30182}}.
}}

| *****WORK INFO*****

|Work Title=La Fama
|Alternative Title=Cantata per soprano e basso continuo
|Opus/Catalogue Number=
|Key=
|Number of Movements/Sections=3 movements
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=Italian
|Piece Style=Baroque
|Instrumentation=soprano, continuo
|Tags=secular cantatas ; sop bc ; it

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Musiche sacre e morali (Mazzocchi, Domenico)

2022-07-13T14:04:57Z

Alsebal: Add contents

{{CollPage}}{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP693212-I-Bc_AA.278.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner={{Mibm-Bologna}}
|Uploader=[[User:Vangi|Vangi]]
|Date Submitted=2016/6/16
|Publisher Information=Roma: Lodovico Grignani, 1640.
|Copyright=Public Domain
|Misc. Notes={{MiscLib|IBc|1|00000990040364| AA.278 ; RISM A/I: M 1676}} Partitura in fol [manca la prima carta].
}}

| *****WORK INFO*****

|Work Title=Musiche sacre e morali, a una, due e tre voci
|Alternative Title=
|Opus/Catalogue Number=
|Key=
|Movements Header=40 pieces
|Number of Movements/Sections=40 pieces
*''Sonetti, & Arie di più parti à voce sola.
:1. Travestirsi. Sonetto. parti 4
:2. Giunto alla Cuna. Ottave. par.3.
:3. Homai le luci. Sonetto. par. 3.
:4. No me mueve. Sonetto. par. 4.
:5. Pazzarello Augellin. Sonetto. par. 4.
:6. Perfido, che chiamare. Sonetto. par. 3.
:7. Cura, che di timor. Sonetto. par. 4. Basso.
:8. Con ghirlanda di Rose. Sonetto. par. 4.
:9. Questi, che al par del Ciel. Sonetto. par. 4.
:10. Spoglie, che fosti un tempo. Ottave. par. 4.
*''Recitativi à solo, à due, e à tre.
:1. Oda, e stupisca il Mondo. Canto Solo.
:2. Dunque ove tù. Ottava. Tenor solo.
:3. Susanna combattuta. Terzetti. Canto solo.
:4. Fin dal monte Sion. Aria. canto solo.
:5. Ecco Bettulia. Canto solo.
:6. Misura altri. Sonetto. Tenor solo.
:7. Padre del Ciel. Ottave. Basso solo.
:8. Piangete occhi piangete. à 2. soprani.
:9. La Notte di Natale. à 3. Canto, Tenore e Basso.
:10. La candida Aurora. Aria à 3. gli medesimi.
:11. Vergine bella. Canzone à 3. due Soprani, e Basso.
:12. Fortuna su'l volto. Aria. Canto solo.
*''Altri Concerti à due.
:1. Signor non sotto l'ombra. Ottava. à 2 Canti.
:2. Cangia mio cor. Arai. à 2. Canti.
:3. Ecco l'Alba luminosa. Aria. Canto, e Tenore.
:4. Colombella, che di latte. Aria. Due canti.
:5. Non hà, non hà più loco. Aria. Canto, e Basso.
*''Arie à trè.
:1. Vergine bella. Due Canti, e Alto.
:2. Ben che sdegnato. Due Canti, e Basso.
:3. Lascia lascia dolente. Canto, Tenore, e Basso.
:4. Il Mondo fuggite. Alto, Tenore, e Basso.
:5. O che dolce mirare. canto, Tenore, e Basso.
:6. Non voglio più. Due Canti, e Basso.
:7. Amorose catene. Canto, Tenore, e Basso.
:8. Disdegnoso il Ciel. Canto, Tenore, e Basso.
:9. Folle cor. A trè Soprani.
:10. Guerra guerra. Due Canti, e Basso.
:11. Sù sù forte mio core. Seconda parte
:12. Christo smarrito co'l Lamento della Beata Vergine. Dialogo à 4.
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1640 - {{RISMc|00000990040364|Roma: Lodovico Grignani}}
|Page Type=Collection
|Librettist=
|Language=Italian
|Piece Style=Baroque
|Instrumentation=1-4 voices, continuo
|Tags=sacred songs ; v bc ; 2vv bc ; 3vv bc ; 4vv ; it

| *****COMMENTS***** =
Though the title page says "a una, due e tre voci", the last work in the collection is for 4 voices, though it is unclear whether a continuo follows the lowest part, or whether it is ''a capella''.

| *****END OF TEMPLATE***** }}

Sinfonia concertante No.11 (Stamitz, Carl Philipp)

2022-06-25T09:43:09Z

Alsebal: Error corrected. Instrumentation: clarinets instead of oboes

{{#fte:imslppage

| *****FILES***** =
===Parts===
{{#fte:imslpfile
|File Name 1=PMLP217156-11eme_sinf_concert_vn_va_vc.pdf
|File Description 1=Complete Parts
|Editor=
|Image Type=Normal Scan
|Scanner={{BNF|12148/btv1b9010186f}}
|Uploader=[[User:Nachus001|Nachus001]]
|Date Submitted=2011/6/23
|Publisher Information=Paris: Le Duc, n.d.[1784]. Plate 374.
|Copyright=Public Domain
|Misc. Notes=Re-issue of {{plain|http://gallica.bnf.fr/ark:/12148/btv1b90628574|Chevardiere's first edition plates}}.
}}

| *****WORK INFO*****

|Work Title=Sinfonia concertante No.11
|Alternative Title=Simphonie Concertante a plusieurs instruments ; Sinfonia Concertante à Violino, Violoncello è Viola Conc:te - Violini Clarinetti Corni Viola e Basso
|Opus/Catalogue Number=KaiS Sc11
|Key={{Key|A}}
|Number of Movements/Sections=2 movements
# Allegro Molto
# Allegro non Presto-Trio
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1770 ca. - de la Chevardière (Paris)
|Librettist=
|Language=
|Manuscript Sources={{RISMc|450011281|D-Rtt C. Stamitz 28}} (abschrifts, 1775 ca.)
|Incipit={{sb}} (Violino obligato lines opening the 2 movements) 
<score>\relative c' { \clef treble \key a \major \time 2/2 \tempo "I. All[o] molto"
<a e' a>4 a'2 d8([ cis])
bis([ cis]) cis2 fis8([ e])
dis([ e]) e2 a8([ gis])
\grace gis8 fis4\trill e r8 a,[-. cis-. e]-.

}</score> 
<score>\relative c' { \clef treble \key a \major \time 3/8 \tempo "II. All[egr]o non presto"
\partial 8
e8_\f
<cis a'>4.
<e b'>
d'16([ cis b a) a'( fis)]
e8([ d cis])
eis16[( fis) eis( fis) eis( fis)]

}</score>
|Piece Style=Classical
|Instrumentation=''Violin, Viola, Cello soli with Orchestra''
:2 clarinets, 2 horns, strings
|Tags=symphonies concertantes ; vn va vc orch

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Ouverture-Suite, FaWV K:g4 (Fasch, Johann Friedrich)

2021-09-20T08:05:40Z

Alsebal:

{{#fte:imslppage

| *****AUDIO***** =

===Synthesized/MIDI===
{{#fte:imslpaudio
|File Name 1=PMLP111203-FascKg4Sco.mp3
|File Name 2=PMLP111203-FascKg4VHSco.mp3
|File Description 1=3. Gavotte (Urtext)
|File Description 2=3. Gavotte (Violin & Harpsichord)
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/5/25
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

| *****FILES***** =
===Scores and Parts===
{{#fte:imslpfile
|File Name 1=PMLP111203-fasch_suite_Kg4.pdf
|File Description 1=complete parts
|Page Count 1=
|Editor=
|Image Type=Manuscript Scan
|Scanner={{SLUB|/ppn307518914}}
|Uploader=[[User:Fynnjamin|Fynnjamin]]
|Date Submitted=2010/1/22
|Publisher Information={{Mss|17|25|35}}
|Copyright=Public Domain
|Misc. Notes={{Schrank2}} ; {{RISMs|212002838}} solo passages for 2 oboes and bassoon, marked "Trio"
}}
{{#fte:imslpfile
|File Name 1=PMLP111203-FascKg4ALL.pdf
|File Name 2=PMLP111203-FascKg4.zip
|File Description 1=3. Gavotte - Complete Score & Parts (Urtext)
|File Description 2=Engraving files (Finale & XML)
|Editor={{LinkEd|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/5/25
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

===Arrangements and Transcriptions===
=====For Violin and Harpsichord (Rondeau)=====
{{#fte:imslpfile
|File Name 1=PMLP111203-FascKg4VHALL.pdf
|File Name 2=PMLP111203-FascKg4VH.zip
|File Description 1=3. Gavotte - Complete Score, Violin Part
|File Description 2=Engraving files (Finale & XML)
|Arranger={{LinkArr|Michel|Rondeau}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/5/25
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

| *****WORK INFO*****

|Work Title=Ouverture-Suite in G minor
|Alternative Title=
|Opus/Catalogue Number=FaWV K:g4
|Key={{Key|g}}
|Movements Header=7 movements
|Number of Movements/Sections=7 movements:
:1. Ouverture
:2. Jardiniers
:3. Gavotte
:4. Menuets I/II/III
:5. Aria
:6. Bourrée
:7. Passepied I/II
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=2 oboes, bassoon, 2 violins, viola, continuo (cembalo)
|Tags=overtures ; suites ; orch

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Ouverture-Suite, FaWV K:d3 (Fasch, Johann Friedrich)

2021-09-20T08:04:44Z

Alsebal: Edited movements

{{#fte:imslppage

| *****AUDIO***** =

===Synthesized/MIDI===
{{#fte:imslpaudio
|File Name 1=PMLP509121-FascHd3Sco.mp3
|File Name 2=PMLP509121-FascHd3VHSco.mp3
|File Description 1=3. Bourrée (Urtext)
|File Description 2=3. Bourrée (Violin & Harpsichord)
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/1/25
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

| *****FILES***** =
===Scores and Parts===
{{#fte:imslpfile
|File Name 1=PMLP509121-Fasch_K_d3_score.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Manuscript Scan
|Scanner={{SLUB|/ppn313095272}}
|Uploader=[[User:Notenschreiber|Notenschreiber]]
|Date Submitted=2014/2/10
|Publisher Information={{MssAu|17|35|45}}
|Copyright=Public Domain
|Misc. Notes={{Schrank2}} ; {{RISMs|212002925}}
}}
{{#fte:imslpfile
|File Name 1=PMLP509121-Fasch_K_d3_parts.pdf
|File Description 1=Complete Parts
|Editor={{LinkEd|Johann Gottlieb|Morgenstern}} (1687-1763)
|Image Type=Manuscript Scan
|Scanner={{SLUB|/ppn340160357}}
|Uploader=[[User:Notenschreiber|Notenschreiber]]
|Date Submitted=2014/2/10
|Publisher Information=Manuscript, n.d.
|Copyright=Public Domain
|Misc. Notes={{Schrank2}} ; {{RISMs|212003422}}
}}
====Overture====
{{#fte:imslpfile
|File Name 1=PMLP509121-Overture_in_d_minor_K_d3_full_score.pdf
|File Name 2=PMLP509121-Fasch_K_d3_-_Flute_1_-_2020-04-30_2005.pdf
|File Name 3=PMLP509121-Fasch_K_d3_-_Flute_2_-_2020-04-30_2005.pdf
|File Name 4=PMLP509121-Fasch_K_d3_-_Oboe_1_-_2020-04-30_2005.pdf
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|File Name 6=PMLP509121-Fasch_K_d3_-_Clarinet_in_C_(Chalumeaux)_-_2020-04-30_2005.pdf
|File Name 7=PMLP509121-Fasch_K_d3_-_Bassoon_-_2020-04-30_2005.pdf
|File Name 8=PMLP509121-Fasch_K_d3_-_Viola_1_-_2020-04-30_2005.pdf
|File Name 9=PMLP509121-Fasch_K_d3_-_Viola_2_-_2020-04-30_2005.pdf
|File Name 10=PMLP509121-Fasch_K_d3_-_Violin_1_-_2020-04-30_2005.pdf
|File Name 11=PMLP509121-Fasch_K_d3_-_Violin_2_-_2020-04-30_2005.pdf
|File Name 12=PMLP509121-Fasch_K_d3_-_Violoncello_-_2020-04-30_2005.pdf
|File Name 13=PMLP509121-Fasch_K_d3_-_Contrabass_-_2020-04-30_2005.pdf
|File Description 1=Complete Score
|File Description 2=Flute 1
|File Description 3=Flute 2
|File Description 4=Oboe 1
|File Description 5=Oboe 2
|File Description 6=Chalumeaux
|File Description 7=Bassoon
|File Description 8=Violas I
|File Description 9=Violas II
|File Description 10=Violins I
|File Description 11=Violins II
|File Description 12=Continuo (Harpsichord/Cellos)
|File Description 13=Basses
|Editor={{LinkEd|Antony|Gray||}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Antony Gray|Antony Gray]]
|Date Submitted=2020/4/30
|Publisher Information=Antony Gray, 2020.
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=Flutes have no independent lines and could be considered optional.
}}
====Bourrée I-II (No.3)====
{{#fte:imslpfile
|File Name 1=PMLP509121-FascHd3ALL.pdf
|File Name 2=PMLP509121-FascHd3.zip
|File Description 1=Complete Score and Parts (Urtext)
|File Description 2=Engraving files (Finale & XML)
|Editor={{LinkEd|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/1/25
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

===Arrangements and Transcriptions===
=====For Violin and Harpsichord (Rondeau)=====
{{#fte:imslpfile
|File Name 1=PMLP509121-FascHd3VHALL.pdf
|File Name 2=PMLP509121-FascHd3VH.zip
|File Description 1=3. Bourrée - Complete Score, Violin Part
|File Description 2=Engraving files (Finale & XML)
|Arranger={{LinkArr|Michel|Rondeau}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/1/25
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

| *****WORK INFO*****

|Work Title=Ouverture-Suite in D minor
|Alternative Title=
|Opus/Catalogue Number=FaWV K:d3
|Key={{Key|d}}
|Number of Movements/Sections=6 movements:
# Ouverture
# Air (Andante)
# Bourrée I/II
# Air
# Gavotte I/II
# Menuet I/II
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=2 oboes, chalumeau, bassoon, strings, continuo
|Tags=overtures ; suites ; orch
| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Ouverture-Suite, FaWV K:g3 (Fasch, Johann Friedrich)

2021-09-20T08:02:02Z

Alsebal: Edited movements

{{#fte:imslppage

| *****AUDIO***** =

===Synthesized/MIDI===
{{#fte:imslpaudio
|File Name 1=PMLP511607-FascKg3Sco.mp3
|File Name 2=PMLP511607-FascKg3VHSco.mp3
|File Description 1=3. Gavotte (Urtext)
|File Description 2=3. Gavotte (Violin & Harpsichord)
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/5/24
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

| *****FILES***** =

===Scores and Parts===
{{#fte:imslpfile
|File Name 1=PMLP511607-Fasch_K_g3.pdf
|File Description 1=Complete Parts
|Editor={{LinkEd|Johann Gottfried|Grundig}} (ca.1706-1773)
|Image Type=Manuscript Scan
|Scanner={{SLUB|/ppn30745570X}}
|Uploader=[[User:Notenschreiber|Notenschreiber]]
|Date Submitted=2014/2/22
|Publisher Information={{Mss|17|30|45}}
|Copyright=Public Domain
|Misc. Notes={{Schrank2}} ; {{RISMs|212002836}}
}}
{{#fte:imslpfile
|File Name 1=PMLP511607-FascKg3ALL.pdf
|File Name 2=PMLP511607-FascKg3.zip
|File Description 1=3. Gavotte - Complete Score & Parts (Urtext)
|File Description 2=Engraving files (Finale & XML)
|Editor={{LinkEd|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/5/24
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

===Arrangements and Transcriptions===
=====For Violin and Harpsichord (Rondeau)=====
{{#fte:imslpfile
|File Name 1=PMLP511607-FascKg3VHALL.pdf
|File Name 2=PMLP511607-FascKg3VH.zip
|File Description 1=3. Gavotte - Complete Score, Violin Part
|File Description 2=Engraving files (Finale & XML)
|Arranger={{LinkArr|Michel|Rondeau}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/5/24
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

| *****WORK INFO*****

|Work Title=Ouverture-Suite
|Alternative Title=
|Opus/Catalogue Number=FaWV K:g3
|Key={{Key|g}}
|Number of Movements/Sections=7 movements:
# Ouverture
# Aria un poco allegro
# Gavotte
# Air
# Hornpipe
# Aria
# Menuet I/II
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=2 oboes, 2 bassoons, strings, continuo
|Tags=overtures ; suites ; orch
| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Ouverture-Suite, FaWV K:g5 (Fasch, Johann Friedrich)

2021-09-20T07:59:10Z

Alsebal: Edited movements

{{#fte:imslppage

| *****AUDIO***** =

===Synthesized/MIDI===
{{#fte:imslpaudio
|File Name 1=PMLP512274-FascKg5BSco.mp3
|File Name 2=PMLP512274-FascKg5BVHSco.mp3
|File Description 1=5. Bourrée (Urtext)
|File Description 2=5. Bourrée (Violin & Harpsichord)
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/5/28
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

| *****FILES***** =
===Scores and Parts===
{{#fte:imslpfile
|File Name 1=PMLP512274-Fasch_K_g5.pdf
|File Description 1=Complete Parts
|Editor=
|Image Type=Manuscript Scan
|Scanner={{SLUB|/ppn313096279}}
|Uploader=[[User:Notenschreiber|Notenschreiber]]
|Date Submitted=2014/2/26
|Publisher Information={{MssAu|17||35-45}}
|Copyright=Public Domain
|Misc. Notes={{Schrank2}} ; {{RISMs|212002926}}
}}
{{#fte:imslpfile
|File Name 1=PMLP512274-Fasch_K_g5_2.pdf
|File Description 1=Complete Parts
|Editor={{LinkEd|Johann Gottfried|Grundig}} (ca.1706-1773) {{LinkEd|Johann Gottlieb|Morgenstern}} (1687-1763)
|Image Type=Manuscript Scan
|Scanner={{SLUB|/ppn307456471}}
|Uploader=[[User:Notenschreiber|Notenschreiber]]
|Date Submitted=2014/2/26
|Publisher Information={{Mss|17|40|50}}
|Copyright=Public Domain
|Misc. Notes={{Schrank2}} ; {{RISMs|212002837}}
}}
{{#fte:imslpfile
|File Name 1=PMLP512274-FascKg5BALL.pdf
|File Name 2=PMLP512274-FascKg5B.zip
|File Description 1=5. Bourrée - Complete score & Parts (Urtext)
|File Description 2=Engraving files (Finale & XML)
|Editor={{LinkEd|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/5/28
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

===Arrangements and Transcriptions===
=====For Violin and Harpsichord (Rondeau)=====
{{#fte:imslpfile
|File Name 1=PMLP512274-FascKg5BVHALL.pdf
|File Name 2=PMLP512274-FascKg5BVH.zip
|File Description 1=5. Bourrée - Complete score, Violin Part
|File Description 2=Engraving files (Finale & XML)
|Arranger={{LinkArr|Michel|Rondeau}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/5/28
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

| *****WORK INFO*****

|Work Title=Ouverture-Suite
|Alternative Title=
|Opus/Catalogue Number=FaWV K:g5
|Key={{Key|g}}
|Number of Movements/Sections=6 movements:
# Ouverture
# Air
# Gavotte I/II
# Air
# Bourrée
# Menuet I/II
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=2 oboes, bassoon, strings, continuo
|Tags=overtures ; suites ; orch

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Concerto for Flute and Oboe, FaWV L:e1 (Fasch, Johann Friedrich)

2021-09-04T17:56:25Z

Alsebal:

{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
===Scores and Parts===
{{#fte:imslpfile
|File Name 1=PMLP375887-Mus-Ms-290-18.pdf
|File Description 1=Complete Score and Parts
|Editor=
|Image Type=Manuscript Scan
|Scanner={{ULB|290-18}}
|Uploader=[[User:Boccaccio|Boccaccio]]
|Date Submitted=2012/6/7
|Publisher Information={{Mss|17|40}}
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP375887-Fasch_e_minor_-_.pdf
|File Name 2=PMLP375887-Fasch_e_minor_-_Flute.pdf
|File Name 3=PMLP375887-Fasch_e_minor_-_Oboe.pdf
|File Name 4=PMLP375887-Fasch_e_minor_-_Violin_1.pdf
|File Name 5=PMLP375887-Fasch_e_minor_-_Violin_2.pdf
|File Name 6=PMLP375887-Fasch_e_minor_-_Viola.pdf
|File Name 7=PMLP375887-Fasch_e_minor_-_Violoncello.pdf
|File Description 1=Complete Score
|File Description 2=Flute
|File Description 3=Oboe
|File Description 4=Violins I
|File Description 5=Violins II
|File Description 6=Violas
|File Description 7=Cellos/Basses
|Editor={{LinkEd|Antony|Gray||}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Antony Gray|Antony Gray]]
|Date Submitted=2017/3/20
|Publisher Information=Antony Gray
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Concerto for Flute and Oboe in E minor
|Alternative Title=
|Opus/Catalogue Number=FaWV L:e1
|Key={{key|e}}
|Number of Movements/Sections=3 movements
#Allegro
#Adagio
#Allegro
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=''Solo:'' flute, oboe ''Orchestra:'' strings, continuo
|Tags=concertos ; fl ob str bc

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Ouverture-Suite, FaWV K:G1 (Fasch, Johann Friedrich)

2021-09-04T17:32:05Z

Alsebal:

{{#fte:imslppage

| *****AUDIO***** =

===Synthesized/MIDI===
{{#fte:imslpaudio
|File Name 1=PMLP508591-FascDKG1Sco.mp3
|File Name 2=PMLP508591-FascDKG1VHSco.mp3
|File Description 1=3. Gavotte (Urtext)
|File Description 2=3. Gavotte (Violin & Harpsichord)
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/4/30
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

| *****FILES***** =
===Scores and Parts===
{{#fte:imslpfile
|File Name 1=PMLP508591-Fasch_K_G1.pdf
|File Description 1=Complete Parts
|Editor={{LinkEd|Johann Gottfried|Grundig}} (ca.1706-1773)
|Image Type=Manuscript Scan
|Scanner={{SLUB|/ppn33439113X}}
|Uploader=[[User:Notenschreiber|Notenschreiber]]
|Date Submitted=2014/2/8
|Publisher Information={{Mss|17|40|50}}
|Copyright=Public Domain
|Misc. Notes={{Schrank2}} ; {{RISMs|212003404}}
}}
{{#fte:imslpfile
|File Name 1=PMLP508591-FascDKG1ALL.pdf
|File Name 2=PMLP508591-FascDKG1.zip
|File Description 1=3. Gavotte - Complete Score & Parts (Urtext)
|File Description 2=Engraving files (Finale & XML)
|Editor={{LinkEd|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/4/30
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

===Arrangements and Transcriptions===
=====For Violin and Harpsichord (Rondeau)=====
{{#fte:imslpfile
|File Name 1=PMLP508591-FascDKG1VHALL.pdf
|File Name 2=PMLP508591-FascDKG1VH.zip
|File Description 1=3. Gavotte - Complete Score, Violin Part
|File Description 2=Engraving files (Finale & XML)
|Arranger={{LinkArr|Michel|Rondeau}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2015/4/30
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes={{WIMAProject}}
}}

| *****WORK INFO*****

|Work Title=Ouverture-Suite
|Alternative Title=
|Opus/Catalogue Number=FaWV K:G1
|Key={{Key|G}}
|Movements Header=6
|Number of Movements/Sections=6 movements
# Ouverture
# Air I
# Gavotte I/II
# Air II. Largo
# Jardiniers
# Passepied I/II
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Violin solo, orchestra
:2 flutes, 2 oboes, bassoon, 2 horns, strings, continuo
|Tags=overtures ; suites ; vn orch

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Ouverture-Suite, FaWV K:D15 (Fasch, Johann Friedrich)

2021-09-04T16:07:30Z

Alsebal: 3 -> 2 flutes; name of movements

{{#fte:imslppage

| *****AUDIO***** =

===Synthesized/MIDI===
{{#fte:imslpaudio
|File Name 1=PMLP676105-FacFWVKD15Sco.mp3
|File Name 2=PMLP676105-FacFWVKD15VHSco.mp3
|File Description 1=3. Bourrée (2 flutes & Strings)
|File Description 2=3. Bourrée (Violin & Harpsichord)
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2016/3/31
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes={{WIMAProject}}
}}

| *****FILES***** =
===Parts===
{{#fte:imslpfile
|File Name 1=PMLP676105-Fasch_Suite_K_D15.pdf
|File Description 1=Complete Parts
|Editor={{LinkCopy|Johann Gottfried|Grundig}} (ca.1706-1773)
|Image Type=Manuscript Scan
|Scanner={{SLUB|/ppn313150583}}
|Uploader=[[User:Notenschreiber|Notenschreiber]]
|Date Submitted=2016/3/27
|Publisher Information={{Mss}}
|Copyright=Public Domain
|Misc. Notes={{Schrank2}} {{RISMs|212002842}}
}}

===Arrangements and Transcriptions===
====Bourrée (No.3)====
=====For 2 Flutes, Strings and Continuo (Rondeau)=====
{{#fte:imslpfile
|File Name 1=PMLP676105-FacFWVKD15ALL.pdf
|File Name 2=PMLP676105-FacFWVKD15.zip
|File Description 1=Complete Score and Parts
|File Description 2=Engraving files (Finale & XML)
|Arranger={{LinkArr|Michel|Rondeau}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2016/3/31
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes={{WIMAProject}}
}}
=====For Violin and Harpsichord (Rondeau)=====
{{#fte:imslpfile
|File Name 1=PMLP676105-FacFWVKD15VHALL.pdf
|File Name 2=PMLP676105-FacFWVKD15VH.zip
|File Description 1=Complete Score and Violin Part
|File Description 2=Engraving files (Finale & XML)
|Arranger={{LinkArr|Michel|Rondeau}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2016/3/31
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes={{WIMAProject}}
}}

| *****WORK INFO*****

|Work Title=Ouverture-Suite
|Alternative Title=
|Opus/Catalogue Number=FaWV K:D15
|Key={{Key|D}}
|Number of Movements/Sections=6 movements
|Number of Movements/Sections=6 movements:
# Ouverture
# Air
# Bouree
# Aria staccato
# Gigue
# Menuet
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=2 flutes, strings, continuo
|Tags=overtures ; suites ; 2fl str bc
| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Clavierstücke (Marpurg, Friedrich Wilhelm)

2021-04-09T10:56:59Z

Alsebal: trancription errata in one of the titles

{{CollPage}}
{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP825298-marpurg_Clavierstuecke_1_bn5.1-198804_(etc).pdf
|File Name 2=PMLP825298-marpurg_Clavierstuecke_1_bn5.1-198804.pdf
|File Name 3=PMLP825298-marpurg_Clavierstuecke_2_bn5.1-198829.pdf
|File Name 4=PMLP825298-marpurg_Clavierstuecke_3_bn5.1-198835.pdf
|File Description 1=Complete Score
|File Description 2=Sammlung 1
|File Description 3=Sammlung 2
|File Description 4=Sammlung 3
|Editor=
|Image Type=Normal Scan
|Scanner={{ULBBonn|5:1-198818}}
|Uploader 1=[[User:Music Addict|Music Addict]]
|Uploader=[[User:Fynnjamin|Fynnjamin]]
|Date Submitted 1=2018/4/10
|Date Submitted=2018/1/17
|Publisher Information={{P||Haude & Spener|Berlin|1762-63|||}}
|Copyright=Public Domain
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=Clavierstücke
|Alternative Title=Clavierstücke mit einem practischen Unterricht für Anfänger und Geübtere
|Opus/Catalogue Number=
|Key=
|Movements Header=3 volumes
|Number of Movements/Sections=3 volumes:
*'''Sammlung 1'''
#Clérambault - La Jeannette
#{{LinkComp|Carl Philipp Emanuel|Bach|CPE Bach}} - [[Fugue in A major, H.101 (Bach, Carl Philipp Emanuel)|''Fugue in A major'', H.101]]
#JCF Fischer - Allemande (from [[Les pièces de clavessin, Op.2 (Fischer, Johann Caspar Ferdinand)|''Suite in {{K|D}}'']])
#Kirnberger - Sonata, {{K|C}}
#{{LinkComp|Christoph|Nichelmann|Nichelmann}} - [[Keyboard Sonata in E-flat major (Nichelmann, Christoph)|Sonata]], {{K|Eb}}
#Pepusch - Chaconne, {{K|C}}
#{{LinkComp|Friedrich Wilhelm|Marpurg|Marpurg}} - [[La Badine (Marpurg, Friedrich Wilhelm)|La Badine]]
#Couperin - Le Reveil
#{{LinkComp|Friedrich Wilhelm|Marpurg|Marpurg}} - [[L'Engageante (Marpurg, Friedrich Wilhelm)|L'Engageante]]
#Kirnberger - Polonoise, {{K|g}}
#Kirnberger - Polonoise, {{K|D}}
#Kirnberger - Polonoise, {{K|Eb}}
*'''Sammlung 2'''
#{{LinkComp|Carl Philipp Emanuel|Bach|CPE Bach}} - [[Fugue in E-flat major, H.102 (Bach, Carl Philipp Emanuel)|''Fugue in E-flat major'', H.102]]
#Marpurg - [[La Voltigeuse (Marpurg, Friedrich Wilhelm)|La Voltigeuse]] (rondo)
#Dandrieu - Les Fifres (rondo)
#{{LinkComp|Friedrich Wilhelm|Marpurg|Marpurg}} - [[Menuet in G major (Marpurg, Friedrich Wilhelm)|Menuet]], {{K|G}}
#{{LinkComp|Christoph|Nichelmann|Nichelmann}} - [[Keyboard Sonata in E minor (Nichelmann, Christoph)|Sonata]], {{K|e}}
#Kirnberger - Menuet 1, {{K|Eb}}
#Kirnberger - Menuet 2, {{K|c}}
#Kirnberger - Sonata, {{K|G}}
#Kirnberger - Menuet, {{K|D}}
#Kirnberger - Polonoise, {{K|D}}
#{{LinkComp|George Frideric|Handel|Handel}} - Fugue (from [[Suite in F-sharp minor, HWV 431 (Handel, George Frideric)|''Suite in F-sharp minor'', HWV 431]])
*'''Sammlung 3'''
#Kirnberger - Allabreve (chorus) ''Wende dich zu mir'' (SATB voices, organ continuo)
#{{LinkComp|Christoph|Nichelmann|Nichelmann}} - [[Presto in E minor (Nichelmann, Christoph)|Presto]], {{K|e}}
#CPE Bach - Sonata in {{K|D}}, H.22 (Wq.62/3)
#Kirnberger - La Lutine
#Kirnberger - La Gaillarde
#Kirnberger - Prelude, {{K|e}}
#Kirnberger - Vivace, {{K|A}}
#Kirnberger - Menuet, {{K|E}}
#Kirnberger - Polonoise, {{K|E}}
|Average Duration=
|Dedication={{LinkDed|Johann Philipp|Sack}}
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1762-63 (Berlin: Haude & Spener)
|Librettist=
|Language=German
|Piece Style=Classical
|Page Type=Collection
|Instrumentation=keyboard (e.g. harpsichord, clavichord); 1 piece for SATB voices and organ continuo
|Tags=pieces ; fugues ; allemandes ; sonatas ; chaconnes ; polonaises ; rondos ; minuets ; kbd ; clvd ; sacred choruses ; sop alt ten bass bc ; music analysis ; de

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}
{{ColCat|Clérambault, Louis Nicolas}}
{{ColCat|Bach, Carl Philipp Emanuel}}
{{ColCat|Kirnberger, Johann Philipp}}
{{ColCat|Nichelmann, Christoph}}
{{ColCat|Fischer, Johann Caspar Ferdinand}}
{{ColCat|Pepusch, John Christopher}}
{{ColCat|Couperin, François}}
{{ColCat|Dandrieu, Jean-François}}
{{ColCat|Händel, Georg Friedrich}}
{{ColCat|Quantz, Johann Joachim}}
{{ColCat|Various}}

List of works by Ludwig van Beethoven

2020-11-03T07:12:19Z

Alsebal: Added dates of composition/publication to Duets, WoO 27 according to information available at https://imslp.org/wiki/3_Duets_for_Clarinet_and_Bassoon,_WoO_27_(Beethoven,_Ludwig_van)

{{worklist|Beethoven, Ludwig van}}
The tables and lists below gives the following information for works by {{LinkComp|Ludwig van|Beethoven}} (where applicable):
*'''Op.''' — opus numbers; these were assigned by his publishers, and follow the order in which his works were published, rather than the order they were written. This is why, for example, the Wind Octet of 1792 can be Opus 103, when Opus 102 and Opus 104 were written in 1815 and 1817 respectively. Everything up to and including Opus 135 was published in Beethoven's lifetime; later numbers were published posthumously.
*'''WoO''' (''Werke ohne Opuszahl'' — literally, "works without opus number") number. These were assigned by Georg Kinsky and Hans Halm (who took over from Kinsky after his death) in their 1955 catalogue of Beethoven's works. "Anh." numbers refer to works listed in the appendix (German: ''Anhang'', hence the abbreviation) of Kinsky's catalogue as being probably spurious. Some of these have since been shown to be authored by Beethoven.
*'''Hess''' number. These were assigned by Willy Hess in a listing published shortly after Kinsky's which includes pieces not included in the 19th century Beethoven Gesamtausgabe published by [[Breitkopf und Härtel]]. Hess includes many more fragmentary works than does Kinsky. Many pieces have both WoO and H numbers - in these cases, WoO numbers are generally favoured over Hess numbers. Hess's catalogue also includes an appendix ("Anh".)
*'''Biamonti''' — numbering in the catalogue compiled by Giovanni Biamonti, in ''Catalogo cronologico e tematico di tutte le opere di Beethoven, comprese quelle inedite e gli abbozzi non utilizzati'' (Turin, 1968). This combines the pieces with opus numbers and all the works from Kinsky's and Hess' catalogue with hitherto uncatalogued fragments to make a single chronological listing. Biamonti numbers are not very often referred to, however.
*'''Title''' — as used on IMSLP
*'''Key''' — the principal key of the work
*'''Date''' — the year(s) of composition or arrangement, where known
*'''Scoring''' — the instrumentation used (see [[IMSLP:Abbreviations for Instruments]])
*'''Genre''' — works are grouped in the following broad categories: Stage, Vocal, Orchestral, Chamber and Keyboard
*'''Notes''' — including comments about arrangements and different versions of works

[[:Category:Beethoven, Ludwig van|Return to category: Beethoven, Ludwig van]] 

{| class="wikitable sortable" style="font-size:95%; width: 98%; vertical-align: top; border: 1px solid #AAA">
|-
! width="5%"|Op.
!width="5%"|WoO
! width="5%"|Hess
! width="5%"|Biam-onti
! width="25%"|Title
! width="8%"|Key
! width="7%"|Date
! width="10%"|Scoring
! width="9%"|Genre
! width="22%"|Notes
|-
| {{hs|00}}1
| —
| —
| {{hs|0}}62
| '''Piano Trios''' (3):
|
| 1792-94
| vn vc pf
| Chamber
|
|-
| {{hs|00}}1/1
| —
| —
| {{hs|0}}62/1
|
: [[Piano Trio in E-flat major, Op.1 No.1 (Beethoven, Ludwig van)|Piano Trio]]
| E{{flat}} major
| 1792-93
| vn vc pf
| Chamber
|
|-
| {{hs|00}}1/2
| —
| —
| {{hs|0}}62/2
|
: [[Piano Trio in G major, Op.1 No.2 (Beethoven, Ludwig van)|Piano Trio]]
| G major
| 1792-94
| vn vc pf
| Chamber
|
|-
| {{hs|00}}1/3
| —
| —
| {{hs|0}}62/3
|
: [[Piano Trio in C minor, Op.1 No.3 (Beethoven, Ludwig van)|Piano Trio]]
| C minor
| 1792-94
| vn vc pf
| Chamber
| arr. for 2vn va vc as Op.104
|-
| {{hs|00}}2
| —
| —
| {{hs|0}}87
| '''Piano Sonatas''' (3):
|
| 1793-95
| pf
| Keyboard
|
|-
| {{hs|00}}2/1
| —
| —
| {{hs|0}}87/1
|
: [[Piano Sonata No.1, Op.2 No.1 (Beethoven, Ludwig van)|Piano Sonata No.1]]
| F minor
| 1793-95
| pf
| Keyboard
|
|-
| {{hs|00}}2/2
| —
| —
| {{hs|0}}87/2
|
: [[Piano Sonata No.2, Op.2 No.2 (Beethoven, Ludwig van)|Piano Sonata No.2]]
| A major
| 1794-95
| pf
| Keyboard
|
|-
| {{hs|00}}2/3
| —
| —
| {{hs|0}}87/3
|
: [[Piano Sonata No.3, Op.2 No.3 (Beethoven, Ludwig van)|Piano Sonata No.3]]
| C major
| 1794-95
| pf
| Keyboard
|
|-
| {{hs|00}}3
| —
| —
| 105
| '''[[String Trio in E-flat major, Op.3 (Beethoven, Ludwig van)|String Trio]]'''
| E{{flat}} major
| 1794
| vn va vc
| Chamber
| see also Op.64
|-
| {{hs|00}}4
| —
| —
| 115
| '''[[String Quintet in E-flat major, Op.4 (Beethoven, Ludwig van)|String Quintet]]'''
| E{{flat}} major
| 1795
| 2vn 2va vc
| Chamber
| based on Op.103; see also Op.63
|-
| {{hs|00}}5
| —
| —
| 106
| '''Cello Sonatas''' (2)
|
| 1796
| vc pf
| Chamber
|
|-
| {{hs|00}}5/1
| —
| —
| 106/1
|
: [[Cello Sonata No.1, Op.5 No.1 (Beethoven, Ludwig van)|Cello Sonata No.1]]
| F major
| 1796
| vc pf
| Chamber
|
|-
| {{hs|00}}5/2
| —
| —
| 106/2
|
: [[Cello Sonata No.2, Op.5 No.2 (Beethoven, Ludwig van)|Cello Sonata No.2]]
| G minor
| 1796
| vc pf
| Chamber
|
|-
| {{hs|00}}6
| —
| —
| 134
| '''[[Sonata for Piano Four Hands in D major, Op.6 (Beethoven, Ludwig van)|Sonata for Piano Four Hands in D major]]'''
| D major
| 1796-97
| pf4h
| Keyboard
|
|-
| {{hs|00}}7
| —
| —
| 136
| '''[[Piano Sonata No.4, Op.7 (Beethoven, Ludwig van)|Piano Sonata No.4]]''' ('Grand Sonata')
| E{{flat}} major
| 1796-97
| pf
| Keyboard
|
|-
| {{hs|00}}8
| —
| —
| 135
| '''[[Serenade in D major, Op.8 (Beethoven, Ludwig van)|Serenade]]'''
| D major
| 1796-97
| vn va vc
| Chamber
|
|-
| {{hs|00}}9
| —
| —
| 153
| '''[[3 String Trios, Op.9 (Beethoven, Ludwig van)|String Trios]]''' (3):
|
| 1797-98
| vn va vc
| Chamber
|
|-
| {{hs|00}}9/1
| —
| —
| 153/1
|
: [[String Trio in G major, Op.9 No.1 (Beethoven, Ludwig van)|String Trio]]
| G major
| 1797-98
| vn va vc
| Chamber
|
|-
| {{hs|00}}9/2
| —
| —
| 153/2
|
: [[String Trio in D major, Op.9 No.2 (Beethoven, Ludwig van)|String Trio]]
| D major
| 1797-98
| vn va vc
| Chamber
|
|-
| {{hs|00}}9/3
| —
| —
| 153/3
|
:[[String Trio in C minor, Op.9 No.3 (Beethoven, Ludwig van)|String Trio]]
| C minor
| 1797-98
| vn va vc
| Chamber
|
|-
| {{hs|0}}10
| —
| —
| 157
| '''Piano Sonatas''' (3):
|
| 1795-98
| pf
| Keyboard
|
|-
| {{hs|0}}10/1
| —
| —
| 157/1
|
: [[Piano Sonata No.5, Op.10 No.1 (Beethoven, Ludwig van)|Piano Sonata No.5]]
| C minor
| 1795-97
| pf
| Keyboard
|
|-
| {{hs|0}}10/2
| —
| —
| 157/2
|
: [[Piano Sonata No.6, Op.10 No.2 (Beethoven, Ludwig van)|Piano Sonata No.6]]
| F major
| 1796-97
| pf
| Keyboard
|
|-
| {{hs|0}}10/3
| —
| —
| 157/3
|
: [[Piano Sonata No.7, Op.10 No.3 (Beethoven, Ludwig van)|Piano Sonata No.7]]
| D major
| 1797-98
| pf
| Keyboard
|
|-
| {{hs|0}}11
| —
| —
| 156
| '''[[Trio in B-flat major, Op.11 (Beethoven, Ludwig van)|Trio in B-flat major]]''' ('Gassenhauer')
| B{{flat}} major
| 1797-98
| cl/vn vc pf
| Chamber
|
|-
| {{hs|0}}12
| —
| —
| 165
| '''Violin Sonatas''' (3):
|
| 1797-98
| vn pf
| Chamber
|
|-
| {{hs|0}}12/1
| —
| —
| 165/1
|
: [[Violin Sonata No.1, Op.12 No.1 (Beethoven, Ludwig van)|Violin Sonata No.1]]
| D major
| 1797-98
| vn pf
| Chamber
|
|-
| {{hs|0}}12/2
| —
| —
| 165/2
|
: [[Violin Sonata No.2, Op.12 No.2 (Beethoven, Ludwig van)|Violin Sonata No.2]]
| A major
| 1797-98
| vn pf
| Chamber
|
|-
| {{hs|0}}12/3
| —
| —
| 165/3
|
: [[Violin Sonata No.3, Op.12 No.3 (Beethoven, Ludwig van)|Violin Sonata No.3]]
| E{{flat}} major
| 1797-98
| vn pf
| Chamber
|
|-
| {{hs|0}}13
| —
| —
| 184
| '''[[Piano Sonata No.8, Op.13 (Beethoven, Ludwig van)|Piano Sonata No.8]]''' ('Pathétique')
| C minor
| 1797-98
| pf
| Keyboard
|
|-
| {{hs|0}}14
| —
| —
| —
| '''Piano Sonatas''' (2):
|
| 1798-99
| pf
| Keyboard
|
|-
| {{hs|0}}14/1
| —
| —
| 285
|
: [[Piano Sonata No.9, Op.14 No.1 (Beethoven, Ludwig van)|Piano Sonata No.9]]
| E major
| 1798-99
| pf
| Keyboard
|
|-
| {{hs|0}}14/2
| —
| —
| 284
|
: [[Piano Sonata No.10, Op.14 No.2 (Beethoven, Ludwig van)|Piano Sonata No.10]]
| G major
| 1799
| pf
| Keyboard
|
|-
| {{hs|0}}15
| —
| —
| 167
| '''[[Piano Concerto No.1, Op.15 (Beethoven, Ludwig van)|Piano Concerto No.1]]'''
| C major
| 1795-1800
| pf orch
| Orchestral
|
|-
| {{hs|0}}16
| —
| —
| 130
| '''[[Quintet in E-flat major, Op.16 (Beethoven, Ludwig van)|Quintet in E-flat major]]'''
| E{{flat}} major
| 1796-97
| ob cl bn hn pf
| Chamber
| arr for vn va vc pf as Op.16a
|-
| {{hs|0}}16a
| —
| —
| 131
| '''[[Quintet in E-flat major, Op.16 (Beethoven, Ludwig van)|Quintet in E-flat major]]'''
| E{{flat}} major
| 1796-97
| vn va vc pf
| Chamber
| arr of Op.16
|-
| {{hs|0}}17
| —
| —
| 206
| '''[[Horn Sonata, Op.17 (Beethoven, Ludwig van)|Horn Sonata]]'''
| F major
| 1800
| hn pf
| Chamber
|
|-
| {{hs|0}}18
| —
| —
| 225/1
| '''String Quartets''' (6):
|
| 1798-1800
| 2vn va vc
| Chamber
|
|-
| {{hs|0}}18/1
| —
| —
| 225/1
|
: [[String Quartet No.1, Op.18 No.1 (Beethoven, Ludwig van)|String Quartet No.1]]
| F major
| 1798-1800
| 2vn va vc
| Chamber
|
|-
| {{hs|0}}18/2
| —
| —
| 225/2
|
: [[String Quartet No.2, Op.18 No.2 (Beethoven, Ludwig van)|String Quartet No.2]]
| G major
| 1798-1800
| 2vn va vc
| Chamber
|
|-
| {{hs|0}}18/3
| —
| —
| 225/3
|
: [[String Quartet No.3, Op.18 No.3 (Beethoven, Ludwig van)|String Quartet No.3]]
| D major
| 1798-1800
| 2vn va vc
| Chamber
|
|-
| {{hs|0}}18/4
| —
| —
| 225/4
|
: [[String Quartet No.4, Op.18 No.4 (Beethoven, Ludwig van)|String Quartet No.4]]
| C minor
| 1798-1800
| 2vn va vc
| Chamber
|
|-
| {{hs|0}}18/5
| —
| —
| 225/5
|
: [[String Quartet No.5, Op.18 No.5 (Beethoven, Ludwig van)|String Quartet No.5]]
| A major
| 1798-1800
| 2vn va vc
| Chamber
|
|-
| {{hs|0}}18/6
| —
| —
| 225/6
|
: [[String Quartet No.6, Op.18 No.6 (Beethoven, Ludwig van)|String Quartet No.6]]
| B{{flat}} major
| 1798-1800
| 2vn va vc
| Chamber
|
|-
| {{hs|0}}19
| —
| —
| 166
| '''[[Piano Concerto No.2, Op.19 (Beethoven, Ludwig van)|Piano Concerto No.2]]'''
| B{{flat}} major
| 1788-1801
| pf orch
| Orchestral
|
|-
| {{hs|0}}20
| —
| —
| 204
| '''[[Septet in E-flat major, Op.20 (Beethoven, Ludwig van)|Septet]]'''
| E{{flat}} major
| 1799
| cl bn hn vn va vc db
| Chamber
|
|-
| {{hs|0}}21
| —
| —
| 203
| '''[[Symphony No.1, Op.21 (Beethoven, Ludwig van)|Symphony No.1]]'''
| C major
| 1799-1800
| orch
| Orchestral
|
|-
| {{hs|0}}22
| —
| —
| 208
| '''[[Piano Sonata No.11, Op.22 (Beethoven, Ludwig van)|Piano Sonata No.11]]'''
| B{{flat}} major
| 1800
| pf
| Keyboard
|
|-
| {{hs|0}}23
| —
| —
| 293
| '''[[Violin Sonata No.4, Op.23 (Beethoven, Ludwig van)|Violin Sonata No.4]]'''
| A minor
| 1800-01
| vn pf
| Chamber
|
|-
| {{hs|0}}24
| —
| —
| 294
| '''[[Violin Sonata No.5, Op.24 (Beethoven, Ludwig van)|Violin Sonata No.5]]'''
| F major
| 1800-01
| vn pf
| Chamber
|
|-
| {{hs|0}}25
| —
| —
| 114
| '''[[Serenade in D major, Op.25 (Beethoven, Ludwig van)|Serenade]]'''
| D major
| 1801
| For flute, violin, viola
| Chamber
| arr. for fl pf as Op.41
|-
| {{hs|0}}26
| —
| —
| 296
| '''[[Piano Sonata No.12, Op.26 (Beethoven, Ludwig van)|Piano Sonata No.12]]''' ('Funeral March')
| A{{flat}} major
| 1800-01
| pf
| Keyboard
| movt. III arr. for orch as WoO 96/4
|-
| {{hs|0}}27
| —
| —
| 297/1
| '''Piano Sonatas''' (2):
|
| 1800-01
| pf
| Keyboard
|
|-
| {{hs|0}}27/1
| —
| —
| 297/1
|
: [[Piano Sonata No.13, Op.27 No.1 (Beethoven, Ludwig van)|Piano Sonata No.13]] ('Quasi una fantasia')
| E{{flat}} major
| 1800-01
| pf
| Keyboard
|
|-
| {{hs|0}}27/2
| —
| —
| 297/2
|
: [[Piano Sonata No.14, Op.27 No.2 (Beethoven, Ludwig van)|Piano Sonata No.14]] ('Moonlight')
| C{{sharp}} minor
| 1801
| pf
| Keyboard
|
|-
| {{hs|0}}28
| —
| —
| 302
| '''[[Piano Sonata No.15, Op.28 (Beethoven, Ludwig van)|Piano Sonata No.15]]''' ('Pastoral')
| D major
| 1801
| pf
| Keyboard
|
|-
| {{hs|0}}29
| —
| —
| 298
| '''[[String Quintet in C major, Op.29 (Beethoven, Ludwig van)|String Quintet in C major]]''' ('Storm')
| C major
| 1801
| 2vn 2va vc
| Chamber
|
|-
| {{hs|0}}30
| —
| —
| 340
| '''Violin Sonatas''' (3):
|
| 1801-02
| vn pf
| Chamber
|
|-
| {{hs|0}}30/1
| —
| —
| 340/1
|
: [[Violin Sonata No.6, Op.30 No.1 (Beethoven, Ludwig van)|Violin Sonata No.6]]
| A major
| 1801-02
| vn pf
| Chamber
|
|-
| {{hs|0}}30/2
| —
| —
| 340/2
|
: [[Violin Sonata No.7, Op.30 No.2 (Beethoven, Ludwig van)|Violin Sonata No.7]] ('Eroica')
| C minor
| 1801-02
| vn pf
| Chamber
|
|-
| {{hs|0}}30/3
| —
| —
| 340/3
|
: [[Violin Sonata No.8, Op.30 No.3 (Beethoven, Ludwig van)|Violin Sonata No.8]]
| G major
| 1801-02
| vn pf
| Chamber
|
|-
| {{hs|0}}31
| —
| —
| 339
| '''Piano Sonatas''' (3):
|
| 1802
| pf
| Keyboard
|
|-
| {{hs|0}}31/1
| —
| —
| 339/1
|
: [[Piano Sonata No.16, Op.31 No.1 (Beethoven, Ludwig van)|Piano Sonata No.16]]
| G major
| 1802
| pf
| Keyboard
|
|-
| {{hs|0}}31/2
| —
| —
| 339/3
|
: [[Piano Sonata No.17, Op.31 No.2 (Beethoven, Ludwig van)|Piano Sonata No.17]] ('Tempest')
| D minor
| 1802
| pf
| Keyboard
|
|-
| {{hs|0}}31/3
| —
| —
| 339/2
|
: [[Piano Sonata No.18, Op.31 No.3 (Beethoven, Ludwig van)|Piano Sonata No.18]] ('Hunt')
| E{{flat}} major
| 1802
| pf
| Keyboard
|
|-
| {{hs|0}}32
| —
| —
| 421
| '''[[An die Hoffnung, Op.32 (Beethoven, Ludwig van)|An die Hoffnung]]''' ("Die du so gern in heilgen Nächten feierst")
|
| 1804-05
| v pf
| Vocal
| 1st setting; see also Op.94
|-
| {{hs|0}}33
| —
| —
| 334
| '''[[7 Bagatelles, Op.33 (Beethoven, Ludwig van)|Bagatelles]]''' (7)
|
| 1801-02
| pf
| Keyboard
|
|-
| {{hs|0}}34
| —
| —
| 327
| '''[[6 Variations in F major, Op.34 (Beethoven, Ludwig van)|Variations]]''' (6)
| F major
| 1802
| pf
| Keyboard
|
|-
| {{hs|0}}35
| —
| —
| 328
| '''[[Variations and Fugue in E-flat major, Op.35 (Beethoven, Ludwig van)|Variations and Fugue]]''' ('Eroica Variations')
| E{{flat}} major
| 1802
| pf
| Keyboard
|
|-
| {{hs|0}}36
| —
| —
| 326
| '''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphony No.2]]'''
| D major
| 1801-02
| orch
| Orchestral
| also arr. for vn vc pf
|-
| {{hs|0}}36
| —
| —
| 425
| '''[[Symphony No.2, Op.36 (Beethoven, Ludwig van)|Symphony No.2]]'''
| D major
| 1805
| vn vc pf
| Chamber
| arr. of version for orch
|-
| {{hs|0}}37
| —
| —
| 337
| '''[[Piano Concerto No.3, Op.37 (Beethoven, Ludwig van)|Piano Concerto No.3]]'''
| C minor
| 1800-03
| pf orch
| Orchestral
|
|-
| {{hs|0}}38
| —
| —
| 376
| '''[[Trio in E-flat major, Op.38 (Beethoven, Ludwig van)|Trio]]'''
| E{{flat}} major
| 1802-03
| cl/vn vc pf
| Chamber
| arr. of Op. 20
|-
| {{hs|0}}39
| —
| —
| 375
| '''[[2 Preludes, Op.39 (Beethoven, Ludwig van)|Preludes]]''' (2) ('par tous les 12 tons majeurs')
| C major
| 1789
| pf/org
| Keyboard
|
|-
| {{hs|0}}40
| —
| —
| 329
| '''[[Romance in G major, Op.40 (Beethoven, Ludwig van)|Romance]]'''
| G major
| 1800-02
| vn orch
| Orchestral
|
|-
| {{hs|0}}41
| —
| Anh.12
| 371
| '''[[Serenade in D major, Op.25 (Beethoven, Ludwig van)|Serenade]]'''
| D major
| 1803
| fl pf
| Chamber
| spurious; arr. of Op.25 by {{LinkName|Franz Xaver|Kleinheinz}}
|-
| {{hs|0}}42
| —
| Anh.13
| 372
| '''[[Notturno in D major, Op.42 (Beethoven, Ludwig van)|Notturno]]'''
| D major
| 1803-04
| va pf
| Chamber
| spurious; arr. of Op.8 by {{LinkName|Franz Xaver|Kleinheinz}}
|-
| {{hs|0}}43
| —
| —
| 288
| '''[[Die Geschöpfe des Prometheus, Op.43 (Beethoven, Ludwig van)|Die Geschöpfe des Prometheus]]''' (The Creatures of Prometheus)
|
| 1800-01
| orch
| Stage
|
|-
| {{hs|0}}44
| —
| —
| 263
| '''[[Variations in E-flat major, Op.44 (Beethoven, Ludwig van)|Variations]]''' (14)
| E{{flat}} major
| 1792
| vn va pf
| Chamber
|
|-
| {{hs|0}}45
| —
| —
| 377
| '''[[3 Marches, Op.45 (Beethoven, Ludwig van)|Marches]]''' (3)
|
| 1803
| pf4h
| Keyboard
|
|-
| {{hs|0}}46
| —
| —
| 111
| '''[[Adelaide, Op.46 (Beethoven, Ludwig van)|Adelaide]]''' ("Einsam wandelt dein Freund")
| B{{flat}} major
| 1794-95
| v pf
| Vocal
|
|-
| {{hs|0}}47
| —
| —
| 366
| ''' [[Violin Sonata No.9, Op.47 (Beethoven, Ludwig van)|Violin Sonata No.9]]''' ("Kreutzer")
| A major
| 1802-03
| vn pf
| Chamber
|
|-
| {{hs|0}}48
| —
| —
| 367
| '''[[6 Lieder, Op.48 (Beethoven, Ludwig van)|Lieder]]''' (6)
|
| 1801-02
| v pf
| Vocal
|
|-
| {{hs|0}}48/1
| —
| —
| 367/1
|
: Bitten ("Gott, deine Güte reicht so weit")
| E major
| 1801-02
| v pf
| Vocal
|
|-
| {{hs|0}}48/2
| —
| —
| 367/2
|
: Die Liebe des Nächsten ("So jemand spricht: Ich liebe Gott!")
| E{{flat}} major
| 1801-02
| v pf
| Vocal
|
|-
| {{hs|0}}48/3
| —
| —
| 367/3
|
: Vom Tode ("Meine Lebenszeit verstreicht")
| F{{sharp}} minor
| 1801-02
| v pf
| Vocal
|
|-
| {{hs|0}}48/4
| —
| —
| 367/4
|
: Die Ehre Gottes aus der Natur ("Die Himmel rühmen des Ewigen Ehre")
| C major
| 1801-02
| v pf
| Vocal
|
|-
| {{hs|0}}48/5
| —
| —
| 367/5
|
: Gottes Macht und Vorsehung ("Gott ist mein Leid!")
| C major
| 1801-02
| v pf
| Vocal
|
|-
| {{hs|0}}48/6
| —
| —
| 367/6
|
: Bußlied ("An dir allein, an dir hab ich gendigt")
| A minor
| 1801-02
| v pf
| Vocal
|
|-
| {{hs|0}}49
| —
| —
| —
| '''Piano Sonatas''' (2):
|
| 1797
| pf
| Keyboard
|
|-
| {{hs|0}}49/1
| —
| —
| 170
|
: [[Piano Sonata No.19, Op.49 No.1 (Beethoven, Ludwig van)|Piano Sonata No.19]]
| G minor
| 1797
| pf
| Keyboard
|
|-
| {{hs|0}}49/2
| —
| —
| 120
|
: [[Piano Sonata No.20, Op.49 No.2 (Beethoven, Ludwig van)|Piano Sonata No.20]]
| G major
| 1795-96
| pf
| Keyboard
|
|-
| {{hs|0}}50
| —
| —
| 330
| '''[[Romance in F major, Op.50 (Beethoven, Ludwig van)|Romance]]'''
| F major
| 1798
| vn orch
| Orchestral
|
|-
| {{hs|0}}51
| —
| —
| —
| '''[[2 Rondos, Op.51 (Beethoven, Ludwig van)|Rondos]]''' (2)
|
| 1796-97
| pf
| Keyboard
|
|-
| {{hs|0}}52
| —
| —
| {{hs|0}}34
| '''[[8 Lieder, Op.52 (Beethoven, Ludwig van)|Lieder]]''' (8):
|
| 1785-93
| v pf
| Vocal
|
|-
| {{hs|0}}52/1
| —
| —
| {{hs|0}}34/1
|
: Urians Reise um die Welt ("Wenn jemand eine Reise tut")
| A minor
| 1785-93
| v pf
| Vocal
| Words by {{LinkName|Matthias|Claudius}}
|-
| {{hs|0}}52/2
| —
| —
| {{hs|0}}34/2
|
: Feuerfarb ("Ich weiß eine Farbe")
| G major
| 1785-93
| v pf
| Vocal
| Words by {{LinkName|Sophie|Mereau}}
|-
| {{hs|0}}52/3
| —
| —
| {{hs|0}}34/3
|
: Das Liedchen von der Ruhe ("Im Arm der Liebe ruht sich's wohl")
| F major
| 1785-93
| v pf
| Vocal
| Words by {{LinkName|Hermann Wilhelm Franz|Ueltzen}}
|-
| {{hs|0}}52/4
| —
| —
| {{hs|0}}34/4
|
: Maigesang (Mailied) ("Wie herrlich leuchtet mir dir Natur")
| E{{flat}} major
| 1785-93
| v pf
| Vocal
| Words by {{LinkName|Johann Wolfgang von|Goethe}}
|-
| {{hs|0}}52/5
| —
| —
| {{hs|0}}34/5
|
: Mollys Abschied ("Lebe wohl, du Mann")
| G major
| 1785-93
| v pf
| Vocal
| Words by {{LinkName|Gottfried August|Bürger}}
|-
| {{hs|0}}52/6
| —
| —
| {{hs|0}}34/6
|
: Die Liebe ("Ohne Liebe lebe wer da kann")
| F major
| 1785-93
| v pf
| Vocal
| Words by {{LinkName|Gotthold Ephraim|Lessing}}
|-
| {{hs|0}}52/7
| —
| —
| {{hs|0}}34/7
|
: Marmotte ("Ich komme schon durch manches Land")
| A major
| 1785-93
| v pf
| Vocal
| Words by {{LinkName|Johann Wolfgang von|Goethe}}
|-
| {{hs|0}}52/8
| —
| —
| {{hs|0}}34/8
|
: Das Blümchen Wunderhold ("Es blüht ein Blümchen irgendwo")
| G major
| 1785-93
| v pf
| Vocal
| Words by {{LinkName|Gottfried August|Bürger}}
|-
| {{hs|0}}53
| —
| —
| 411
| '''[[Piano Sonata No.21, Op.53 (Beethoven, Ludwig van)|Piano Sonata No.21]]''' ("Waldstein")
| C major
| 1803-04
| pf
| Keyboard
|
|-
| {{hs|0}}54
| —
| —
| 412
| '''[[Piano Sonata No.22, Op.54 (Beethoven, Ludwig van)|Piano Sonata No.22]]'''
| F major
| 1804
| pf
| Keyboard
|
|-
| {{hs|0}}55
| —
| —
| 406
| '''[[Symphony No.3, Op.55 (Beethoven, Ludwig van)|Symphony No.3]]''' ('Eroica')
| E{{flat}} major
| 1803
| orch
| Orchestral
|
|-
| {{hs|0}}56
| —
| —
| 410
| '''[[Triple Concerto, Op.56 (Beethoven, Ludwig van)|Triple Concerto]]'''
| C major
| 1804-05
| vn vc pf orch
| Orchestral
|
|-
| {{hs|0}}57
| —
| —
| 420
| '''[[Piano Sonata No.23, Op.57 (Beethoven, Ludwig van)|Piano Sonata No.23]]''' ('Apassionata')
| F minor
| 1804-05
| pf
| Keyboard
|
|-
| {{hs|0}}58
| —
| —
| 431
| '''[[Piano Concerto No.4, Op.58 (Beethoven, Ludwig van)|Piano Concerto No.4]]'''
| G major
| 1804-07, rev.1809
| pf orch
| Orchestral
| arr. for 2vn va vc db pf as Op.58a
|-
| {{hs|0}}58a
| —
| —
| 431
| '''[[Piano Concerto No.4, Op.58 (Beethoven, Ludwig van)|Piano Concerto No.4]]'''
| G major
| 1804-07
| 2vn va vc db pf
| Chamber
| arr. of Op.58
|-
| {{hs|0}}59
| —
| —
| 436
| '''String Quartets''' (3) ('Razumovsky Quartets'):
|
| 1806
| 2vn va vc
| Chamber
|
|-
| {{hs|0}}59/1
| —
| —
| 436/1
|
: [[String Quartet No.7, Op.59 No.1 (Beethoven, Ludwig van)|String Quartet No.7]]
| F major
| 1806
| 2vn va vc
| Chamber
|
|-
| {{hs|0}}59/2
| —
| —
| 436/2
|
: [[String Quartet No.8, Op.59 No.2 (Beethoven, Ludwig van)|String Quartet No.8]]
| E minor
| 1806
| 2vn va vc
| Chamber
|
|-
| {{hs|0}}59/3
| —
| —
| 436/3
|
: [[String Quartet No.9, Op.59 No.3 (Beethoven, Ludwig van)|String Quartet No.9]]
| C major
| 1806
| 2vn va vc
| Chamber
|
|-
| {{hs|0}}60
| —
| —
| 429
| '''[[Symphony No.4, Op.60 (Beethoven, Ludwig van)|Symphony No.4]]'''
| B{{flat}} major
| 1806
| orch
| Orchestral
|
|-
| {{hs|0}}61
| —
| —
| 432
| '''[[Violin Concerto in D major, Op.61 (Beethoven, Ludwig van)|Violin Concerto]]'''
| D major
| 1806
| vn orch
| Orchestral
| arr for pf orch as Op.61a
|-
| {{hs|0}}61a
| —
| —
| 441
| '''[[Piano Concerto in D major, Op.61a (Beethoven, Ludwig van)|Piano Concerto]]'''
| D major
| 1807
| pf orch
| Orchestral
| arr. of Op.61
|-
| {{hs|0}}62
| —
| —
| 438
| '''[[Coriolan, Op.62 (Beethoven, Ludwig van)|Coriolan]]'''
| C minor
| 1807
| orch
| Orchestral
|
|-
| {{hs|0}}63
| —
| Anh.14
| II/65
| '''Piano Trio'''
| E{{flat}} major
| —
| vn va vc
| Chamber
| arr. of Op.4; Beethoven's authorship doubtful
|-
| {{hs|0}}64
| —
| Anh.15
| II/60
| '''[[Cello Sonata in E-flat major, Op.64 (Beethoven, Ludwig van)|Cello Sonata]]''' ('Grand Sonata')
| E{{flat}} major
| 1807
| vc pf
| Chamber
| spurious; arr.of Op.3 by unknown author
|-
| {{hs|0}}65
| —
| —
| 116
| '''[[Ah! Perfido, Op.65 (Beethoven, Ludwig van)|Ah! Perfido]]'''
|
| 1796
| sop orch
| Vocal
|
|-
| {{hs|0}}66
| —
| —
| 160
| '''[[12 Variations on 'Ein Mädchen oder Weibchen', Op.66 (Beethoven, Ludwig van)|Variations on 'Ein Mädchen oder Weibchen']]''' (12)
| F major
| 1796
| vc pf
| Chamber
| based on an aria from {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}
|-
| {{hs|0}}67
| —
| —
| 443
| '''[[Symphony No.5, Op.67 (Beethoven, Ludwig van)|Symphony No.5]]'''
| C minor
| 1804-08
| orch
| Orchestral
|
|-
| {{hs|0}}68
| —
| —
| 453
| '''[[Symphony No.6, Op.68 (Beethoven, Ludwig van)|Symphony No.6]]'''
| F major
| 1807-08
| orch
| Orchestral
|
|-
| {{hs|0}}69
| —
| —
| 444
| '''[[Cello Sonata No.3, Op.69 (Beethoven, Ludwig van)|Cello Sonata No.3]]'''
| A major
| 1807-08
| vc pf
| Chamber
|
|-
| {{hs|0}}70
| —
| —
| 455
| '''Piano Trios''' (2):
|
| 1808
| vn vc pf
| Chamber
|
|-
| {{hs|0}}70/1
| —
| —
| 455/1
|
: [[Piano Trio in D major, Op.70 No.1 (Beethoven, Ludwig van)|Piano Trio]] ('Ghost')
| D major
| 1808
| vn vc pf
| Chamber
|
|-
| {{hs|0}}70/2
| —
| —
| 455/2
|
: [[Piano Trio in E-flat major, Op.70 No.2 (Beethoven, Ludwig van)|Piano Trio]]
| E{{flat}} major
| 1808
| vn vc pf
| Chamber
|
|-
| {{hs|0}}71
| —
| —
| 118
| '''[[Sextet in E-flat major, Op.71 (Beethoven, Ludwig van)|Sextet]]'''
| E{{flat}} major
| 1792-96
| 2cl 2bn 2hn
| Chamber
|
|-
| {{hs|0}}72
| —
| 109
| 423
| '''[[Fidelio, Op.72 (Beethoven, Ludwig van)|Fidelio]]''' (Leonore, oder Der Triumph der ehelichen Liebe), opera in 3 acts
|
| 1804-05
| vv ch orch
| Stage
| 1st version; includes Op. 72a
|-
| {{hs|0}}72
| —
| 110
| 427
| '''[[Fidelio, Op.72 (Beethoven, Ludwig van)|Fidelio]]''' (Leonore, oder Der Triumph der ehelichen Liebe), opera in 2 acts
|
| 1805-06
| vv ch orch
| Stage
| 2nd version; includes Op. 72b (and WoO 2/2?)
|-
| {{hs|0}}72
| —
| —
| 570
| '''[[Fidelio, Op.72 (Beethoven, Ludwig van)|Fidelio]]''', opera in 2 acts
|
| 1814
| vv ch orch
| Stage
| 3rd version
|-
| {{hs|0}}72a
| —
| —
| 423
| '''[[Leonora Overture No.2, Op.72a (Beethoven, Ludwig van)|Leonora Overture No.2]]'''
| C major
| 1804-05
| orch
| Orchestral
| 1st version of Opp. 72b,, 138 (included in 1st version of Op. 72)
|-
| {{hs|0}}72b
| —
| —
| 427
| '''[[Leonora Overture No.3, Op.72b (Beethoven, Ludwig van)|Leonora Overture No.3]]'''
| C major
| 1806
| orch
| Orchestral
| 2nd version of Opp. 72a, 138 (included in 2nd version of Op. 72)
|-
| {{hs|0}}73
| —
| —
| 499
| '''[[Piano Concerto No.5, Op.73 (Beethoven, Ludwig van)|Piano Concerto No.5]]''' ('Emperor')
| E{{flat}} major
| 1808-09
| pf orch
| Orchestral
|
|-
| {{hs|0}}74
| —
| —
| 485
| '''[[String Quartet No.10, Op.74 (Beethoven, Ludwig van)|String Quartet No.10]]''' ('Harp')
| E{{flat}} major
| 1809
| 2vn va vc
| Chamber
|
|-
| {{hs|0}}75
| —
| —
| 502
| '''[[6 Gesänge, Op.75 (Beethoven, Ludwig van)|Gesänge]]''' (6):
|
| 1809
| v pf
| Vocal
|
|-
| {{hs|0}}75/1
| —
| —
| 502/1
|
: Mignon ("Kennst du das Land")
|
| 1809
| v pf
| Vocal
|
|-
| {{hs|0}}75/2
| —
| —
| 502/2
|
: Neue Liebe, neues Leben ("Herz, mein Herz, was soll das geben?")
|
| 1809
| v pf
| Vocal
| 2nd setting of WoO 27
|-
| {{hs|0}}75/3
| —
| —
| 502/3
|
: Aus Goethes Faust ("Es war einmal ein König")
|
| 1809
| v pf
| Vocal
|
|-
| {{hs|0}}75/4
| —
| —
| 502/4
|
: Gretels Warnung ("Mit Liebesblick und Spiel")
|
| 1809
| v pf
| Vocal
|
|-
| {{hs|0}}75/5
| —
| —
| 502/5
|
: An den fernen Geliebten ("Einst wohnten süsse Ruh'")
|
| 1809
| v pf
| Vocal
|
|-
| {{hs|0}}75/6
| —
| —
| 502/6
|
: Der Zufriedene ("Zwar schuf das Glück hienieden")
|
| 1809
| v pf
| Vocal
|
|-
| {{hs|0}}76
| —
| —
| 494
| '''[[6 Variations in D major, Op.76 (Beethoven, Ludwig van)|Variations]]''' (6)
| D major
| 1809
| pf
| Keyboard
|
|-
| {{hs|0}}77
| —
| —
| 492
| '''[[Fantasia for Piano, Op.77 (Beethoven, Ludwig van)|Fantasia]]'''
| G minor
| 1809
| pf
| Keyboard
|
|-
| {{hs|0}}78
| —
| —
| 493
| '''[[Piano Sonata No.24, Op.78 (Beethoven, Ludwig van)|Piano Sonata No.24]]''' ('A Thérèse')
| F{{sharp}} major
| 1809
| pf
| Keyboard
|
|-
| {{hs|0}}79
| —
| —
| 495
| '''[[Piano Sonata No.25, Op.79 (Beethoven, Ludwig van)|Piano Sonata No.25]]''' ('Cuckoo')
| G major
| 1809
| pf
| Keyboard
|
|-
| {{hs|0}}80
| —
| —
| 486
| '''[[Fantasia in C minor, Op.80 (Beethoven, Ludwig van)|Fantasia in C minor]]''' ('Choral Fantasia')
| C minor
| 1808-09
| ch pf orch
| Vocal
|
|-
| {{hs|0}}81a
| —
| —
| 514
| '''[[Piano Sonata No.26, Op.81a (Beethoven, Ludwig van)|Piano Sonata No.26]]''' ('Les adieux')
| E{{flat}} major
| 1809-10
| pf
| Keyboard
|
|-
| {{hs|0}}81b
| —
| —
| {{hs|0}}72
| '''[[Sextet in E-flat major, Op.81b (Beethoven, Ludwig van)|Sextet in E-flat major]]'''
| E{{flat}} major
| 1795
| 2hn 2vn va vc
| Chamber
|
|-
| {{hs|0}}82
| —
| —
| 513
| '''[[4 Arietten und ein Duett, Op.82 (Beethoven, Ludwig van)|Arietten und ein Duett]]''' (4):
|
| 1809-10
| v/2vv pf
| Vocal
|
|-
| {{hs|0}}82/1
| —
| —
| 513/1
|
: Hoffnung ("Dimmi, ben mio, che m'ami")
|
| 1809-10
| v pf
| Vocal
|
|-
| {{hs|0}}82/2
| —
| —
| 513/2
|
: Liebes-Klage ("T'intendo, si, mio cor")
|
| 1809-10
| v pf
| Vocal
|
|-
| {{hs|0}}82/3
| —
| —
| 513/3
|
: Che fa il mio bene? ("L'amante impatiente")
|
| 1809-10
| v pf
| Vocal
|
|-
| {{hs|0}}82/4
| —
| —
| 513/4
|
: Che fa il mio bene? ("L'amante impatiente")
|
| 1809-10
| v pf
| Vocal
|
|-
| {{hs|0}}82/5
| —
| —
| 513/5
|
: Lebensgenuß ("Odi l'aura che dolce sospira")
|
| 1809-10
| 2vvv pf
| Vocal
|
|-
| {{hs|0}}83
| —
| —
| 531
| '''[[3 Gesänge, Op.83 (Beethoven, Ludwig van)|Gesänge]]''' (3)
|
| 1810
| v pf
| Vocal
|
|-
| {{hs|0}}83/1
| —
| —
| 531
|
: Wonne der Wehmut ("Trocknet nicht, Tränen der ewigen Liebe!")
|
| 1810
| v pf
| Vocal
|
|-
| {{hs|0}}83/2
| —
| —
| 531
|
: Sensucht ("Was zieht mir das Herz so?")
|
| 1810
| v pf
| Vocal
|
|-
| {{hs|0}}83/3
| —
| —
| 531
|
: Mit einem gemalten Band ("Kleine Blumen, kleine Blätter streuen wir mit leichter Hand")
|
| 1810
| v pf
| Vocal
|
|-
| {{hs|0}}84
| —
| —
| 518
| '''[[Egmont, Op.84 (Beethoven, Ludwig van)|Egmont]]'''
|
| 1809-10
| vv orch
| Stage
|
|-
| {{hs|0}}85
| —
| —
| 363
| '''[[Christus am Ölberge, Op.85 (Beethoven, Ludwig van)|Christus am Ölberge]]''' ('Christ on the Mount of Olives')
|
| 1803-04
| 3vv ch orch
| Vocal
|
|-
| {{hs|0}}86
| —
| —
| 439
| '''[[Mass in C major, Op.86 (Beethoven, Ludwig van)|Mass]]'''
| C major
| 1807
| 4vvch orch
| Vocal
|
|-
| {{hs|0}}87
| —
| —
| 63
| '''[[Trio in C major, Op.87 (Beethoven, Ludwig van)|Trio]]'''
| C major
| 1794-95
| 2ob eh
| Chamber
|
|-
| {{hs|0}}88
| —
| —
| 370
| '''[[Das Glück der Freundschaft, Op.88 (Beethoven, Ludwig van)|Das Glück der Freundschaft]]''' ("Der lebt ein Leben wonniglich")
|
| 1803
| v pf
| Vocal
|
|-
| {{hs|0}}89
| —
| —
| 588
| '''[[Polonaise in C major, Op.89 (Beethoven, Ludwig van)|Polonaise in C major]]'''
| C major
| 1814
| pf
| Keyboard
|
|-
| {{hs|0}}90
| —
| —
| 578
| '''[[Piano Sonata No.27, Op.90 (Beethoven, Ludwig van)|Piano Sonata No.27]]'''
| E minor
| 1814
| pf
| Keyboard
|
|-
| {{hs|0}}91
| —
| —
| 560
| '''[[Wellingtons Sieg, Op.91 (Beethoven, Ludwig van)|Wellingtons Sieg]]''' (Wellington's Victory or 'Battle Symphony')
|
| 1813
| orch
| Orchestral
|
|-
| {{hs|0}}92
| —
| —
| 544
| '''[[Symphony No.7, Op.92 (Beethoven, Ludwig van)|Symphony No.7]]'''
| A major
| 1811-12
| orch
| Orchestral
|
|-
| {{hs|0}}93
| —
| —
| 659
| '''[[Symphony No.8, Op.93 (Beethoven, Ludwig van)|Symphony No.8]]'''
| F major
| 1812
| orch
| Orchestral
|
|-
| {{hs|0}}94
| —
| —
| 611
| '''[[An die Hoffnung, Op.94 (Beethoven, Ludwig van)|An die Hoffnung]]''' ("Ob ein Gott sei?")
| B{{flat}} minor
| 1813-15
| v pf
| Vocal
| 2nd setting; see Op.32
|-
| {{hs|0}}95
| —
| —
| 524
| '''[[String Quartet No.11, Op.95 (Beethoven, Ludwig van)|String Quartet No.11]]''' ("Serioso")
| F minor
| 1810-11
| 2vn va vc
| Chamber
|
|-
| {{hs|0}}96
| —
| —
| 550
| '''[[Violin Sonata No.10, Op.96 (Beethoven, Ludwig van)|Violin Sonata No.10]]''' ("Cock-crow")
| G major
| 1812
| vn pf
| Chamber
|
|-
| {{hs|0}}97
| —
| —
| 536
| '''[[Piano Trio in B-flat major, Op.97 (Beethoven, Ludwig van)|Piano Trio]]'''("Archduke")
| B{{flat}} major
| 1810-15
| vn va vc
| Chamber
|
|-
| {{hs|0}}98
| —
| —
| 652
| '''[[An die ferne Geliebte, Op.98 (Beethoven, Ludwig van)|An die ferne Geliebte]]''':
|
| 1816
| v pf
| Vocal
|
|-
| {{hs|0}}98/1
| —
| —
| 652
|
: Auf dem Hügel sitz' ich, spähend
|
| 1816
| v pf
| Vocal
|
|-
| {{hs|0}}98/2
| —
| —
| 652
|
: Wo die Bergen so blau
|
| 1816
| v pf
| Vocal
|
|-
| {{hs|0}}98/3
| —
| —
| 652
|
: Leichte Segler in den Höhen
|
| 1816
| v pf
| Vocal
|
|-
| {{hs|0}}98/4
| —
| —
| 652
|
: Diese Wolken in den Höhen
|
| 1816
| v pf
| Vocal
|
|-
| {{hs|0}}98/5
| —
| —
| 652
|
: Es kehret der Maien
|
| 1816
| v pf
| Vocal
|
|-
| {{hs|0}}98/6
| —
| —
| 652
|
: Nimm sie hin denn, diese Lieder
|
| 1816
| v pf
| Vocal
|
|-
| {{hs|0}}99
| —
| —
| 655
| '''[[Der Mann von Wort, Op.99 (Beethoven, Ludwig van)|Der Mann von Wort]]''' ("Du sagtest, Freund")
| G major
| 1816
| v pf
| Vocal
|
|-
| 100
| —
| —
| 596
| '''[[Merkenstein, Op.100 (Beethoven, Ludwig van)|Merkenstein]]'''
| F major
| 1815
| 2vvv pf
| Vocal
| 2nd setting of WoO 144
|-
| 101
| —
| —
| 656
| '''[[Piano Sonata No.28, Op.101 (Beethoven, Ludwig van)|Piano Sonata No.28]]'''
| A major
| 1816
| pf
| Keyboard
|
|-
| 102
| —
| —
| 599
| '''Cello Sonatas''' (2):
|
| 1815
| vc pf
| Chamber
|
|-
| 102/1
| —
| —
| 599/1
|
: [[Cello Sonata No.4, Op.102 No.1 (Beethoven, Ludwig van)|Cello Sonata No.4]]
| C major
| 1815
| vc pf
| Chamber
|
|-
| 102/2
| —
| —
| 599/2
|
: [[Cello Sonata No.5, Op.102 No.2 (Beethoven, Ludwig van)|Cello Sonata No.5]]
| D major
| 1815
| vc pf
| Chamber
|
|-
| 103
| —
| —
| {{hs|0}}41
| '''[[Wind Octet in E-flat major, Op.103 (Beethoven, Ludwig van)|Wind Octet]]'''
| E{{flat}} major
| 1792-93
| 2ob 2cl 2bn 2hn
| Chamber
| revised for string quintet as Op.4
|-
| 104
| —
| —
| 675
| '''[[String Quintet in C minor, Op.104 (Beethoven, Ludwig van)|String Quintet]]'''
| C minor
| 1817
| 2vn 2va vc
| Quintets
| arrangement of Op.1/3
|-
| 105
| —
| —
| 693
| '''[[6 National Airs with Variations, Op.105 (Beethoven, Ludwig van)|National Airs with Variations]]''' (6)
|
| 1818-19
| fl/vn pf
| Chamber
|
|-
| 105/1
| —
| —
| 693/1
|
: Air écossais ("The Cottage Maid")
| G major
| 1818
| fl/vn pf
| Chamber
|
|-
| 105/2
| —
| —
| 693/2
|
: Air écossais
| C minor
| 1819
| fl/vn pf
| Chamber
|
|-
| 105/3
| —
| —
| 693/3
|
: Air autrichien ("A Schsserl und a Reindel")
| C major
| 1818
| fl/vn pf
| Chamber
|
|-
| 105/4
| —
| —
| 693/4
|
: Air écossais ("The Last Rose of Summer")
| E{{flat}} major
| 1818
| fl/vn pf
| Chamber
|
|-
| 105/5
| —
| —
| 693/5
|
: Air écossais ("Chiling O'Guiry")
| E{{flat}} major
| 1818
| fl/vn pf
| Chamber
|
|-
| 105/6
| —
| —
| 693/6
|
: Air écossais ("Paddy Whack")
| D major
| 1818
| fl/vn pf
| Chamber
|
|-
| 106
| —
| —
| 708
| '''[[Piano Sonata No.29, Op.106 (Beethoven, Ludwig van)|Piano Sonata No.29]]''' ("Hammerklavier")
| B{{flat}} major
| 1816-18
| pf
| Keyboard
|
|-
| 107
| —
| —
| 694
| '''[[10 National Airs with Variations, Op.107 (Beethoven, Ludwig van)|National Airs with Variations]]''' (10):
|
| 1818-19
| fl/vn pf
| Chamber
|
|-
| 107/1
| —
| —
| 694/1
|
: Air tirolien ("I bin a Tiroler Bua")
|
| 1819
| fl/vn pf
| Chamber
| see also WoO 158/5
|-
| 107/2
| —
| —
| 694/2
|
: Air écossais ("Bonnie Laddie, Highland Laddie")
|
| 1818
| fl/vn pf
| Chamber
|
|-
| 107/3
| —
| —
| 694/3
|
: Air de la petite Russie
|
| 1819
| fl/vn pf
| Chamber
|
|-
| 107/4
| —
| —
| 694/4
|
: Air écossais ("St. Patrick's Day")
|
| 1819
| fl/vn pf
| Chamber
| see also WoO 154/4
|-
| 107/5
| —
| —
| 694/5
|
: Air tirolien ("A Madel, ja a Madel")
|
| 1818
| fl/vn pf
| Chamber
| see also WoO 158/6
|-
| 107/6
| —
| —
| 694/6
|
: Air écossais ("Merch Megan")
|
| 1818
| fl/vn pf
| Chamber
| see also WoO 155/11
|-
| 107/7
| —
| —
| 694/7
|
: Air russe ("Schöne Minka")
|
| 1818
| fl/vn pf
| Chamber
| see also WoO 158/16
|-
| 107/8
| —
| —
| 694/8
|
: Air écossais ("O, Mary at thy Window Be")
|
| 1818
| fl/vn pf
| Chamber
|
|-
| 107/9
| —
| —
| 694/9
|
: Air écossais ("Oh, Thou art the Lad of my Heart")
|
| 1818
| fl/vn pf
| Chamber
|
|-
| 107/10
| —
| —
| 694/10
|
: Air écossais ("The Highland Watch")
|
| 1818
| fl/vn pf
| Chamber
|
|-
| 108
| —
| —
| 660
| '''[[25 Scottish Songs, Op.108 (Beethoven, Ludwig van)|Scottish Songs]]''' (25):
|
| 1815-18
| v vn vc pf
| Vocal
|
|-
| 108/1
| —
| —
| 660/1
|
: Music, Love and Wine ("O let me music hear, night and day!")
|
| 1817
| v vn vc pf
| Vocal
|
|-
| 108/2
| —
| —
| 660/2
|
: Sunset ("The sun upon the Weirdlaw Hill")
|
| 1818
| v vn vc pf
| Vocal
|
|-
| 108/3
| —
| —
| 660/3
|
: O Sweet were the Hours
|
| 1817
| v vn vc pf
| Vocal
|
|-
| 108/4
| —
| —
| 660/4
|
: The Maid of Isla ("O maid of Isla from yon cliff")
|
| 1817
| v vn vc pf
| Vocal
|
|-
| 108/5
| —
| —
| 660/5
|
: The Sweetest Lad was Jamie
|
| 1815
| v vn vc pf
| Vocal
|
|-
| 108/6
| —
| —
| 660/6
|
: Dim, Dim is my Eye
|
| 1815
| v vn vc pf
| Vocal
|
|-
| 108/7
| —
| —
| 660/7
|
: Bonnie Laddie, Highland Laddie ("Where got ye that siller moon")
|
| 1815
| v vn vc pf
| Vocal
|
|-
| 108/8
| —
| —
| 660/8
|
: The Lovely Lass of Inverness
|
| 1816
| v vn vc pf
| Vocal
|
|-
| 108/9
| —
| —
| 660/9
|
: Behold my Love how Green the Groves
|
| 1817
| v vn vc pf
| Vocal
|
|-
| 108/10
| —
| —
| 660/10
|
: Sympathy ("Why, Julia, say, that pensive mien?")
|
| 1815
| v vn vc pf
| Vocal
|
|-
| 108/11
| —
| —
| 660/11
|
: O! Thou Art the Lad of my Heart
|
| 1815
| v vn vc pf
| Vocal
|
|-
| 108/12
| —
| —
| 660/12
|
: O, Had My Fate Been Join'd With Thine
|
| 1816
| v vn vc pf
| Vocal
|
|-
| 108/13
| —
| —
| 660/13
|
: Come Fill, Fill, my Good fellow!
|
| 1817
| v vn vc pf
| Vocal
|
|-
| 108/14
| —
| —
| 660/14
|
: O, How Can I Be Blithe and Glad
|
| 1816
| v vn vc pf
| Vocal
|
|-
| 108/15
| —
| —
| 660/15
|
: O Cruel Was My Father
|
| 1816
| v vn vc pf
| Vocal
|
|-
| 108/16
| —
| —
| 660/16
|
: Could This Ill World Have Been Contriv'd
|
| 1816
| v vn vc pf
| Vocal
|
|-
| 108/17
| —
| —
| 660/17
|
: O Mary, at Thy Window Be
|
| 1817
| v vn vc pf
| Vocal
|
|-
| 108/18
| —
| —
| 660/18
|
: Enchantress, Farewell
|
| 1818
| v vn vc pf
| Vocal
|
|-
| 108/19
| —
| —
| 660/19
|
: O Swiftly Glides the Bonny Boat
|
| 1815
| v vn vc pf
| Vocal
|
|-
| 108/20
| —
| —
| 660/20
|
: Faithfu' Johnie (When will you come again)
|
| 1813
| v vn vc pf
| Vocal
|
|-
| 108/21
| —
| —
| 660/21
|
: Jeanie's Distress ("By William late offended")
|
| 1817
| v vn vc pf
| Vocal
|
|-
| 108/22
| —
| —
| 660/22
|
: The Highland Watch ("Old Scotia, wake thy mountain strain")
|
| 1817
| v vn vc pf
| Vocal
|
|-
| 108/23
| —
| —
| 660/23
|
: The Shepherd's Song ("The gowan glitters on the sward")
|
| 1818
| v vn vc pf
| Vocal
|
|-
| 108/24
| —
| —
| 660/24
|
: Again, my Lyre
|
| 1815
| v vn vc pf
| Vocal
|
|-
| 108/25
| —
| —
| 660/25
|
: Sally in Our Alley ("Of all the girls that are so smart")
|
| 1817
| v vn vc pf
| Vocal
|
|-
| 109
| —
| —
| 729
| '''[[Piano Sonata No.30, Op.109 (Beethoven, Ludwig van)|Piano Sonata No.30]]'''
| E major
| 1820
| pf
| Keyboard
|
|-
| 110
| —
| —
| 739
| '''[[Piano Sonata No.31, Op.110 (Beethoven, Ludwig van)|Piano Sonata No.31]]'''
| A{{flat}} major
| 1821-22
| pf
| Keyboard
|
|-
| 111
| —
| —
| 741
| '''[[Piano Sonata No.32, Op.111 (Beethoven, Ludwig van)|Piano Sonata No.32]]'''
| C minor
| 1821-22
| pf
| Keyboard
|
|-
| 112
| —
| —
| 609
| '''[[Meeresstille und glückliche Fahrt, Op.112 (Beethoven, Ludwig van)|Meeresstille und glückliche Fahrt]]'''(Calm Sea & Prosperous Voyage)
| D major
| 1814-15
| ch orch
| Orchestral
|
|-
| 113
| —
| 118
| 539
| '''[[Die Ruinen von Athen, Op.113 (Beethoven, Ludwig van)|Die Ruinen von Athen]]''' (The Ruins of Athens), music to Kotzebue's drama
|
| 1811
| vv ch orch
| Stage
| 1st version of Op. 114
|-
| 114
| —
| 118
| 742
| '''[[Die Ruinen von Athen, Op.113 (Beethoven, Ludwig van)|Die Ruinen von Athen]]''' (The Ruins of Athens), music to Kotzebue's drama
|
| 1822
| vv ch orch
| Stage
| 2nd version of Op. 113; includes Op. 124, WoO 98
|-
| 115
| —
| —
| 597
| '''[[Overture in C major, Op.115 (Beethoven, Ludwig van)|Overture]],''' 'Zur Namensfeier' (Name-Day)
| C major
| 1814-15
| orch
| Orchestral
|
|-
| 116
| —
| —
| 567
| '''[[Tremate, empi tremate, Op.116 (Beethoven, Ludwig van)|Tremate, empi tremate]]'''
| B{{flat}} major
| 1802-14
| 3vv orch
| Vocal
|
|-
| 117
| —
| —
| 538
| '''[[König Stephan, Op.117 (Beethoven, Ludwig van)|König Stephan]]''' (King Stephen), music to Kotzebue's play
| E{{flat}} major
| 1811
| vv ch orch
| Stage
|
|-
| 118
| —
| —
| 576
| '''[[Elegischer Gesang, Op.118 (Beethoven, Ludwig van)|Elegischer Gesang]]''' ("Sanft wie du lebtest")
|
| 1814
| 4vv 2vn va vc
| Vocal
|
|-
| 119
| —
| —
| 745
| '''[[11 Bagatelles, Op.119 (Beethoven, Ludwig van)|Bagatelles]]''' (11)
|
| 1820-22
| pf
| Keyboard
|
|-
| 120
| —
| —
| 774
| '''[[Veränderungen über einen Walzer, Op.120 (Beethoven, Ludwig van)|Veränderungen über einen Walzer]]''' ('Diabelli Variations')
| C major
| 1819-23
| pf
| Keyboard
|
|-
| 121a
| —
| —
| 654
| '''[[10 Variations on 'Ich bin der Schneider Kakadu', Op.121a (Beethoven, Ludwig van)|Variations on 'Ich bin der Schneider Kakadu']] '''(10)
| G major
| 1803-16
| vn va pf
| Chamber
| on a theme from {{LinkWorkN|Die Schwestern von Prag||Müller|Wenzel}}
|-
| 121b
| —
| —
| 766
| '''[[Opferlied, Op.121b (Beethoven, Ludwig van)|Opferlied]]''' ("Die Flamme lodert")
| E major
| 1822
| 3vv ch orch
| Vocal
| 3rd version of Op. 121b, WoO 126, Hess 91, Hess 145
|-
| 121b
| —
| —
| 790
| '''[[Opferlied, Op.121b (Beethoven, Ludwig van)|Opferlied]]''' ("Die Flamme lodert")
| E major
| 1824
| 3vv ch orch
| Vocal
| 4th version of Op. 121b, WoO 126, Hess 91, Hess 145
|-
| 122
| —
| —
| 767
| '''[[Bundeslied, Op.122 (Beethoven, Ludwig van)|Bundeslied]]''' ("In allen guten Stunden")
| B{{flat}} major
| 1822-24
| 2vv ch ww br
| Vocal
|
|-
| 123
| —
| —
| 776
| '''[[Missa solemnis, Op.123 (Beethoven, Ludwig van)|Missa solemnis]]'''
| D major
| 1819-23
| 4vv ch org orch
| Vocal
|
|-
| 124
| —
| 118
| 742
| '''[[Die Weihe des Hauses, Op.124 (Beethoven, Ludwig van)|Die Weihe des Hauses]]''', overture
| C major
| 1822
| orch
| Orchestral
| overture to Op.114
|-
| 125
| —
| —
| 787
| '''[[Symphony No.9, Op.125 (Beethoven, Ludwig van)|Symphony No.9]]'''
| D minor
| 1817-24
| sop alt ten bass ch
| Vocal
|
|-
| 126
| —
| —
| 788
| '''[[6 Bagatelles, Op.126 (Beethoven, Ludwig van)|Bagatelles]]'''(6)
|
| 1824
| pf
| Keyboard
|
|-
| 127
| —
| —
| 803
| '''[[String Quartet No.12, Op.127 (Beethoven, Ludwig van)|String Quartet No.12]]'''
| E{{flat}} major
| 1822-25
| 2vn va vc
| Chamber
|
|-
| 128
| —
| —
| 748
| '''[[Der Kuß, Op.128 (Beethoven, Ludwig van)|Der Kuß]]'''("Ich var bei Chloen ganz allein")
| A major
| 1798-1822
| v pf
| Vocal
|
|-
| 129
| —
| —
| 162
| '''[[Rondo a capriccio, Op.129 (Beethoven, Ludwig van)|Rondo a capriccio]]''' ('Rage Over a Lost Penny')
| G major
| 1795
| pf
| Keyboard
|
|-
| 130
| —
| —
| 830
| '''[[String Quartet No.13, Op.130 (Beethoven, Ludwig van)|String Quartet No.13]]'''
| B{{flat}} major
| 1825
| 2vn va vc
| Chamber
| 1st version (including Op.133)
|-
| 130
| —
| —
| 847
| '''[[String Quartet No.13, Op.130 (Beethoven, Ludwig van)|String Quartet No.13]]'''
| B{{flat}} major
| 1826
| 2vn va vc
| Chamber
| 2nd version
|-
| 131
| —
| —
| 840
| '''[[String Quartet No.14, Op.131 (Beethoven, Ludwig van)|String Quartet No.14]]'''
| C{{sharp}} minor
| 1825-26
| 2vn va vc
| Chamber
|
|-
| 132
| —
| —
| 808
| '''[[String Quartet No.15, Op.132 (Beethoven, Ludwig van)|String Quartet No.15]]''' ('Heiliger Dankgesang')
| A minor
| 1823-25
| 2vn va vc
| Chamber
|
|-
| 133
| —
| —
| 830
| '''[[Große Fuge, Op.133 (Beethoven, Ludwig van)|Große Fuge]]'''
| B{{flat}} major
| 1825-26
| 2vn va vc
| Chamber
| finale to 1st version of Op.130; arr.for pf4h as Op.134
|-
| 134
| —
| {{hs|0}}86
| 841
| '''[[Große Fuge, Op.133 (Beethoven, Ludwig van)|Große Fuge]]'''
| B{{flat}} major
| 1826
| pf4h
| Keyboard
| arr. from Op.133
|-
| 135
| —
| —
| 845
| '''[[String Quartet No.16, Op.135 (Beethoven, Ludwig van)|String Quartet No.16]]'''
| F major
| 1826
| 2vn va vc
| Chamber
|
|-
| 136
| —
| —
| 581
| '''[[Der glorreiche Augenblick, Op.136 (Beethoven, Ludwig van)|Der glorreiche Augenblick]]''' (The Glorious Moment)
|
| 1814
| 4vv ch orch
| Vocal
|
|-
| 137
| —
| —
| 678
| '''[[Fugue in D major, Op.137 (Beethoven, Ludwig van)|Fugue in D major]]'''
| D major
| 1817
| 2vn va vc
| Chamber
|
|-
| 138
| —
| —
| 422
| '''[[Leonora Overture No.1, Op.138 (Beethoven, Ludwig van)|Leonora Overture No.1]]'''
| C major
| 1807
| orch
| Orchestral
| 3rd version of Opp. 72a, 72b
|-
| —
| {{hs|00}}1
| —
| {{hs|0}}29
| '''[[Musik zu einem Ritterballet, WoO 1 (Beethoven, Ludwig van)|Musik zu einem Ritterballet]]'''
| D major
| 1790-91
| orch
| Stage
| music for a ballet of knights; also arr. for pf
|-
| —
| {{hs|00}}1
| {{hs|0}}89
| {{hs|0}}30
| '''[[Musik zu einem Ritterballet, WoO 1 (Beethoven, Ludwig van)|Musik zu einem Ritterballet]]'''
| D major
| 1791
| pf
| Stage
| arr. of version for orch
|-
| —
| {{hs|00}}2
| —
| —
| '''[[Tarpeja, WoO 2 (Beethoven, Ludwig van)|Tarpeja]]''', music for Christoph Kuffner's drama (2):
|
| 1813
| orch
| Stage
|
|-
| —
| {{hs|00}}2a
| 117
| 553
|
: '''[[Tarpeja, WoO 2 (Beethoven, Ludwig van)|Triumphal March]]'''
| C major
| 1813
| orch
| Stage
|
|-
| —
| {{hs|00}}2b
| 117
| 554
|
: '''Prelude to Act II'''
| D major
| 1805?
| orch
| Stage
| now thought to be from the opening of Act II of ''Leonore'', Op. 72 (2nd version)
|-
| —
| {{hs|00}}3
| —
| 744
| '''[[Gratulations-Menuett, WoO 3 (Beethoven, Ludwig van)|Gratulations-Menuett]]'''
| E{{flat}} major
| 1822
| orch
| Orchestral
|
|-
| —
| {{hs|00}}4
| —
| {{hs|0|}}10
| '''Piano Concerto'''
| E-flat major
| 1784
| pf orch
| Orchestral
| only pf part survives; completed by {{LinkName|Willy|Hess}}
|-
| —
| {{hs|00}}5
| {{hs|0}}10
| {{hs|0}}33
| '''Violin Concerto'''
| C major
| 1790-92
| vn orch
| Orchestral
| only fragment of movt. I survives; completed by {{LinkName|Joseph|Hellmesberger Sr.}} (1876)
|-
| —
| {{hs|00}}6
| —
| 103
| '''[[Rondo in B-flat major, WoO 6 (Beethoven, Ludwig van)|Rondo]]'''
| B{{flat}} major
| 1793
| pf orch
| Orchestral
| probably original finale to Op. 19; only fragment survives, completed by {{LinkName|Carl|Czerny}}
|-
| —
| {{hs|00}}7
| —
| {{hs|0}}88
| '''[[12 Minuets, WoO 7 (Beethoven, Ludwig van)|Minuets]]''' (12)
|
| 1795
| orch
| Orchestral
| also arr. for pf
|-
| —
| {{hs|00}}7
| 101
| {{hs|0}}92
| '''[[12 Minuets, WoO 7 (Beethoven, Ludwig van)|Minuets]]''' (12)
|
| 1795
| pf
| Keyboard
| arr. of version for orch
|-
| —
| {{hs|00}}8
| —
| {{hs|0}}89
| '''[[12 German Dances, WoO 8 (Beethoven, Ludwig van)|German Dances]]''' (12)
|
| 1795
| orch
| Orchestral
| also arr. for pf
|-
| —
| {{hs|00}}8
| 100
| {{hs|0}}93
| '''[[12 German Dances, WoO 8 (Beethoven, Ludwig van)|German Dances]]''' (12)
|
| 1795
| pf
| Keyboard
| arr. of version for orch
|-
| —
| {{hs|00}}9
| {{hs|0}}26
| 101
| '''[[6 Minuets, WoO 9 (Beethoven, Ludwig van)|Minuets]]''' (6)
|
| 1795
| 2vn vc
| Chamber
|
|-
| —
| {{hs|0}}10
| —
| —
| '''[[6 Minuets, WoO 10 (Beethoven, Ludwig van)|Minuets]]''' (6)
|
| 1795
| orch
| Orchestral
| version lost; also arr. for pf
|-
| —
| {{hs|0}}10
| —
| 102
| '''[[6 Minuets, WoO 10 (Beethoven, Ludwig van)|Minuets]]''' (6)
|
| 1795
| pf
| Keyboard
| arr. of version for orch
|-
| —
| {{hs|0}}11
| —
| —
| '''[[7 Ländler, WoO 11 (Beethoven, Ludwig van)|Ländler]]''' (7)
|
| 1799
| orch
| Orchestral
| version lost; also arr. for pf
|-
| —
| {{hs|0}}11
| {{hs|0}}27
| 163
| '''[[7 Ländler, WoO 11 (Beethoven, Ludwig van)|Ländler]]''' (7)
|
| 1799
| pf
| Keyboard
| arr. of version for orch
|-
| —
| {{hs|0}}12
| {{hs|00}}2
| —
| '''Minuets'''(12)
|
| 1799
| orch
| Orchestral
| spurious; written by Beethoven's brother {{LinkName|Kaspar Anton Karl van|Beethoven|Karl}}. Have been digitized.
|-
| —
| {{hs|0}}13
| —
| —
| '''[[12 German Dances, WoO 13 (Beethoven, Ludwig van)|German Dances]]''' (12)
|
| 1792-97
| orch
| Orchestral
| version lost; also arr. for pf
|-
| —
| {{hs|0}}13
| {{hs|00}}5
| 218
| '''[[12 German Dances, WoO 13 (Beethoven, Ludwig van)|German Dances]]''' (12)
|
| 1792-97
| pf
| Keyboard
| arr. of version for orch
|-
| —
| {{hs|0}}14
| —
| 295
| '''[[12 Contredanses, WoO 14 (Beethoven, Ludwig van)|Contredanses]]''' (12)
|
| 1791-1802
| orch
| Orchestral
| Nos. 1, 2, 4, 5, 7, 8, 9, 10 and 12 arr. for pf as Hess 102
|-
| —
| {{hs|0}}15
| —
| 324
| '''[[6 Ländler for 2 Violins and Cello, WoO 15 (Beethoven, Ludwig van)|Ländler]]''' (6)
| D major
| 1802
| 2vn vc
| Chamber
| also arr. for pf
|-
| —
| {{hs|0}}15
| —
| 325
| '''[[6 Ländler for 2 Violins and Cello, WoO 15 (Beethoven, Ludwig van)|Ländler]]''' (6)
| D major
| 1802
| pf
| Keyboard
| arr. of version for orch
|-
| —
| {{hs|0}}16
| —
| —
| '''Ecossaises'''(12)
|
|
| orch
| Orchestral
| spurious
|-
| —
| {{hs|0}}17
| {{hs|0}}20
| 710
| '''[[11 Mödlinger Tänze, WoO 17 (Beethoven, Ludwig van)|Mödlinger Tänze]]''' (11)
|
| 1819
| 2cl 2hn 2vn db
| Chamber
| probably spurious
|-
| —
| {{hs|0}}18
| —
| 519/1
| '''[[2 Marches for Military Band, WoO 18-19 (Beethoven, Ludwig van)|March]]''' ('Marsch für die bohmische Landwehr') ('Yorckscher Marsch')
| F major
| 1809-10
| ww br perc
| Orchestral
| 1st version, without trio or 'Turkish' orchestration; also arr. for pf
|-
| —
| {{hs|0}}18
| {{hs|00}}6
| 501
| '''[[2 Marches for Military Band, WoO 18-19 (Beethoven, Ludwig van)|March]]''' ('Marsch für die bohmische Landwehr') ('Yorckscher Marsch')
| F major
| 1809-10
| ww br perc
| Orchestral
| 2nd version, without trio, but with 'Turkish' orchestration
|-
| —
| {{hs|0}}18
| {{hs|0}}99
| 504
| '''[[2 Marches for Military Band, WoO 18-19 (Beethoven, Ludwig van)|March]]''' ('Marsch für die bohmische Landwehr') ('Yorckscher Marsch')
| F major
| 1809-10
| pf
| Keyboard
| arr. of 1st version
|-
| —
| {{hs|0}}18
| {{hs|00}}7
| 780
| '''[[2 Marches for Military Band, WoO 18-19 (Beethoven, Ludwig van)|March]]''' ('Marsch für die bohmische Landwehr') ('Yorckscher Marsch')
| F major
| 1822 ca.
| ww br perc
| Orchestral
| 3rd version, with trio and 'Turkish' orchestration
|-
| —
| {{hs|0}}19
| —
| 519/2
| '''[[2 Marches for Military Band, WoO 18-19 (Beethoven, Ludwig van)|March]]'''
| F major
| 1809-10
| ww br perc
| Orchestral
| 1st version, without trio or 'Turkish' orchestration; also arr. for pf
|-
| —
| {{hs|0}}19
| {{hs|00}}8
| 517
| '''[[2 Marches for Military Band, WoO 18-19 (Beethoven, Ludwig van)|March]]'''
| F major
| 1810
| ww br perc
| Orchestral
| 2nd version, without trio, but with 'Turkish' orchestration
|-
| —
| {{hs|0}}19
| {{hs|00}}9
| 781
| '''[[2 Marches for Military Band, WoO 18-19 (Beethoven, Ludwig van)|March]]'''
| F major
| 1822 ca.
| ww br perc
| Orchestral
| 3rd version, with trio and 'Turkish' orchestration
|-
| —
| {{hs|0}}20
| —
| 525
| '''[[March for Military Band, WoO 20 (Beethoven, Ludwig van)|March]]''' ('Zapfenstreich') ('The Tattoo')
| C major
| 1809
| ww br perc
| Orchestral
| 1st version, without trio
|-
| —
| {{hs|0}}20
| —
| 525
| '''[[March for Military Band, WoO 20 (Beethoven, Ludwig van)|March]]''' ('Zapfenstreich') ('The Tattoo')
| C major
| 1822 ca.
| ww br perc
| Orchestral
| 2nd version, with trio
|-
| —
| {{hs|0}}21
| —
| 520
| '''[[Polonaise for Military Band, WoO 21 (Beethoven, Ludwig van)|Polonaise]]'''
| D major
| 1810
| ww br perc
| Orchestral
|
|-
| —
| {{hs|0}}22
| —
| 521
| '''[[Ecossaise for Military Band, WoO 22 (Beethoven, Ludwig van)|Ecossaise]]'''
| D major
| 1809-10
| ww br perc
| Orchestral
|
|-
| —
| {{hs|0}}23
| —
| 532
| '''[[Ecossaise for Military Band, WoO 23 (Beethoven, Ludwig van)|Ecossaise]]'''
| G major
| 1810
| ww br perc
| Orchestral
| lost; only know in arr. for pf by {{LinkName|Carl|Czerny}}
|-
| —
| {{hs|0}}24
| —
| 653
| '''[[March for Military Band, WoO 24 (Beethoven, Ludwig van)|March]]'''
| D major
| 1816
| ww br perc
| Orchestral
|
|-
| —
| {{hs|0}}25
| —
| {{hs|0}}40
| '''[[Rondino in E-flat major, WoO 25 (Beethoven, Ludwig van)|Rondino]]'''
| E{{flat}} major
| 1792-93
| 2ob 2cl 2bn 2hn
| Chamber
| originally intended as finale to Op. 103
|-
| —
| {{hs|0}}26
| {{hs|0}}17
| {{hs|0}}32
| '''[[Duo for 2 flutes, WoO 26 (Beethoven, Ludwig van)|Duo for 2 flutes]]'''
| G major
| 1792
| 2fl
| Chamber
|
|-
| —
| {{hs|0}}27
| —
| {{hs|0}}39
| '''[[3 Duets for Clarinet and Bassoon, WoO 27 (Beethoven, Ludwig van)|Duets]]''' (3)
|
| 1792-1810
| cl bn
| Chamber
| Beethoven's authorship doubtful; also arr. for vn vc
|-
| —
| {{hs|0}}27
| —
| {{hs|0}}39
| '''[[3 Duets for Clarinet and Bassoon, WoO 27 (Beethoven, Ludwig van)|Duets]]''' (3)
|
| 1792-1810
| vn vc
| Chamber
| Beethoven's authorship doubtful; arr. from version for cl bn
|-
| —
| {{hs|0}}28
| {{hs|0}}18
| —
| '''[[Variations on 'Là ci darem la mano', WoO 28 (Beethoven, Ludwig van)|Variations on 'Là ci darem la mano', WoO 28]]''' (8)
| C major
| 1795
| 2ob eh
| Chamber
| theme from {{LinkWork|Don Giovanni|K.527|Mozart|Wolfgang Amadeus}}
|-
| —
| {{hs|0}}29
| —
| {{hs|0}}440
| '''[[March for Wind Sextet in B-flat major, WoO 29 (Beethoven, Ludwig van)|March for Wind Sextet in B-flat major]]'''('Grenadiermarsch')
| B{{flat}} major
| 1797-98
| 2cl 2bn 2hn
| Chanber
| music re-used in Hess 107; also arr. for pf
|-
| —
| {{hs|0}}29
| {{hs|0}}87
| —
| '''[[March for Wind Sextet in B-flat major, WoO 29 (Beethoven, Ludwig van)|March for Wind Sextet in B-flat major]]'''('Grenadiermarsch')
| B{{flat}} major
| 1797-98
| pf
| Keyboard
| arr. of version for wind sextet
|-
| —
| {{hs|0}}30
| —
| 548
| '''[[3 Equali, WoO 30 (Beethoven, Ludwig van)|Equali]]''' (3)
|
| 1812
| 4tbn
| Chamber
| also arr. for mch
|-
| —
| {{hs|0}}30
| —
| —
| '''[[3 Equali, WoO 30 (Beethoven, Ludwig van)|Equali]]''' (3)
|
| 1812
| mch
| Chamber
| arr. from version for 4tbn; Beethoven's authorship uncertain
|-
| —
| {{hs|0}}31
| —
| {{hs|00}}6
| '''[[Fugue for Organ, WoO 31 (Beethoven, Ludwig van)|Fugue]]'''
| D major
| 1783
| org
| Keyboard
|
|-
| —
| {{hs|0}}32
| {{hs|0}}22-24
| 161
| '''[[Duet mit zwei obligaten Augengläsern, WoO 32 (Beethoven, Ludwig van)|Duet mit zwei obligaten Augengläsern]]''' ('Duet with 2 obbligato eyeglasses')
| E{{flat}} major
| 1796-97
| va vc
| Chamber
| movt. II incomplete
|-
| —
| {{hs|0}}33
| 103-106
| 197-200
| '''[[5 Pieces for Musical Clock, WoO 33 (Beethoven, Ludwig van)|Pieces for Musical Clock]]''' (or for flute) (5)
|
| 1794-1800
| mech/fl
| Chamber
|
|-
| —
| {{hs|0}}33b
| 106-107
|
| '''[[2 Pieces, WoO 33b (Beethoven, Ludwig van)|Pieces]]''' (2)
|
| 1795 ca.
|
|
|
|-
| —
| {{hs|0}}34
| {{hs|0}}42
| 740
| '''Duet'''
| A major
| 1822
| 2vn
| Chamber
|
|-
| —
| {{hs|0}}35
| 273
| 809
| '''Canon'''
| A major
| 1825
| 2vn/2vc
| Chamber
|
|-
| —
| {{hs|0}}36
| —
| {{hs|0}}12
| '''Piano Quartets'''(3):
|
| 1785
| vn va vc pf
| Chamber
|
|-
| —
| {{hs|0}}36/1
| —
| {{hs|0}}12/1
|
: [[Piano Quartet No.1 in E-flat major, WoO 36 (Beethoven, Ludwig van)|Piano Quartet No.1 in E-flat major]]
| E{{flat}} major
| 1785
| vn va vc pf
| Chamber
| one theme also used in Hess 298
|-
| —
| {{hs|0}}36/2
| —
| {{hs|0}}12/2
|
: [[Piano Quartet No.2 in D major, WoO 36 (Beethoven, Ludwig van)|Piano Quartet No.2 in D major]]
| D major
| 1785
| vn va vc pf
| Chamber
|
|-
| —
| {{hs|0}}36/3
| —
| {{hs|0}}12/3
|
: [[Piano Quartet No.3 in C major, WoO 36 (Beethoven, Ludwig van)|Piano Quartet No.3 in C major]]
| C major
| 1785
| vn va vc pf
| Chamber
| some music re-used in Op.2/1 and Op. 2/3
|-
| —
| {{hs|0}}37
| —
| {{hs|0}}19
| '''[[Trio for Piano, Flute and Bassoon, WoO 37 (Beethoven, Ludwig van)|Trio]]'''
| G major
| 1786-90
| fl bn pf
| Chamber
|
|-
| —
| {{hs|0}}38
| —
| {{hs|0}}31
| '''[[Piano Trio in E-flat major, WoO 38 (Beethoven, Ludwig van)|Piano Trio in E-flat major]]'''
| E{{flat}} major
| 1785-91
| vn vc pf
| Chamber
|
|-
| —
| {{hs|0}}39
| —
| 542
| '''[[Allegretto, WoO 39 (Beethoven, Ludwig van)|Allegretto]]'''
| B{{flat}} major
| 1812
| vn vc pf
| Chamber
|
|-
| —
| {{hs|0}}40
| —
| {{hs|0}}46
| '''[[12 Variations on 'Se vuol ballare', WoO 40 (Beethoven, Ludwig van)|Variations on 'Se vuol ballare']]''' (12)
| F major
| 1792-93
| vn pf
| Chamber
| theme from the opera {{LinkWork|Le nozze di Figaro|K.492|Mozart, Wolfgang Amadeus}}
|-
| —
| {{hs|0}}41
| —
| {{hs|0}}57
| '''[[Rondo for Violin and Piano, WoO 41 (Beethoven, Ludwig van)|Rondo]]'''
| G major
| 1793-94
| vn pf
| Chamber
|
|-
| —
| {{hs|0}}42
| —
| 112
| '''[[6 German Dances, WoO 42 (Beethoven, Ludwig van)|German Dances]]''' (6)
|
| 1796
| vn pf
| Chamber
|
|-
| —
| {{hs|0}}43a
| —
| 121
| '''[[Sonatina for Mandolin and Harpsichord, WoO 43a (Beethoven, Ludwig van)|Sonatina]]'''
| C minor
| 1796
| mand hpd
| Chamber
|
|-
| —
| {{hs|0}}43b
| —
| 122
| '''[[Adagio for Mandolin and Harpsichord, WoO 43b (Beethoven, Ludwig van)|Adagio]]'''
| E{{flat}} major
| 1796
| mand hpd
| Chamber
| 1st version
|-
| —
| {{hs|0}}43b
| {{hs|0}}44
| 123
| '''[[Adagio for Mandolin and Harpsichord, WoO 43b (Beethoven, Ludwig van)|Adagio]]'''
| E{{flat}} major
|
| mand hpd
| Chamber
| 2nd version
|-
| —
| {{hs|0}}44a
| {{hs|0}}43
| 124
| '''[[Sonatina for Mandolin and Harpsichord, WoO 44a (Beethoven, Ludwig van)|Sonatina]]'''
| C major
| 1796
| mand hpd
| Chamber
|
|-
| —
| {{hs|0}}44b
| {{hs|0}}45
| 125
| '''Andante con Variazioni'''
| D major
| 1796
| mand hpd
| Chamber
|
|-
| —
| {{hs|0}}45
| —
| 126
| '''[[12 Variations on 'See the conqu'ring hero comes', WoO 45 (Beethoven, Ludwig van)|Variations on 'See the conqu'ring hero comes']]''' (12)
| G major
| 1796
| vc pf
| Chamber
| theme from the oratorio {{LinkWork|Judas Maccabaeus|HWV 63|Handel|George Frideric}}
|-
| —
| {{hs|0}}46
| —
| 300
| '''[[7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46 (Beethoven, Ludwig van)|Variations on 'Bei Männern, welche Liebe fühlen']]''' (7)
| E{{flat}} major
| 1801
| vc pf
| Chamber
| theme from the opera {{LinkWork|Die Zauberflöte|K.620|Mozart|Wolfgang Amadeus}}
|-
| —
| {{hs|0}}47
| —
| 2
| '''[[3 Piano Sonatas, WoO 47 (Beethoven, Ludwig van)|Piano Sonatas]]''' ('Electoral') ('Kurfürstensonate'):
|
| 1783
| pf
| Keyboard
|
|-
| —
| {{hs|0}}47/1
| —
| {{hs|00}}2/1
|
: Piano Sonata
| E{{flat}} major
| 1783
| pf
| Keyboard
|
|-
| —
| {{hs|0}}47/2
| —
| {{hs|00}}2/2
|
: Piano Sonata
| F minor
| 1783
| pf
| Keyboard
|
|-
| —
| {{hs|0}}47/3
| —
| {{hs|00}}2/3
|
: Piano Sonata
| D major
| 1783
| pf
| Keyboard
|
|-
| —
| {{hs|0}}48
| {{hs|0}}51
| {{hs|00}}4
| '''[[Rondo, WoO 48 (Beethoven, Ludwig van)|Rondo]]'''
| C major
| 1783
| pf
| Keyboard
|
|-
| —
| {{hs|0}}49
| —
| {{hs|00}}5
| '''[[Rondo, WoO 49 (Beethoven, Ludwig van)|Rondo]]'''
| A major
| 1783
| pf
| Keyboard
|
|-
| —
| {{hs|0}}50
| {{hs|0}}53
| {{hs|0}}21
| '''Piano Sonata'''
| F major
| 1790-92
| pf
| Keyboard
| 2 movts. only
|-
| —
| {{hs|0}}51
| —
| {{hs|0}}36
| '''[[Piano Sonata in C major, WoO 51 (Beethoven, Ludwig van)|Piano Sonata]]'''
| C major
| 1791-98
| pf
| Keyboard
| partially lost; completion by {{LinkName|Ferdinand Ries}}
|-
| —
| {{hs|0}}52
| —
| 139
| '''[[Bagatelle, WoO 52 (Beethoven, Ludwig van)|Bagatelle]]'''
| C minor
| 1795-1822
| pf
| Keyboard
| originally intended for Op.10
|-
| —
| {{hs|0}}53
| —
| 158
| '''[[Allegretto, WoO 53 (Beethoven, Ludwig van)|Allegretto]]'''
| C minor
| 1796-97
| pf
| Keyboard
| originally intended for Op. 10; 1st version
|-
| —
| {{hs|0}}53
| {{hs|0}}66
| 159
| '''[[Allegretto, WoO 53 (Beethoven, Ludwig van)|Allegretto]]'''
| C minor
| 1796-97 ?
| pf
| Keyboard
| 2nd version
|-
| —
| {{hs|0}}54
| —
| {{hs|0}}26
| '''[[Bagatelle, WoO 54 (Beethoven, Ludwig van)|Bagatelle]]''' ('Lustig-traurig')
| C major-C minor
| 1802
| pf
| Keyboard
|
|-
| —
| {{hs|0}}55
| —
| 374
| '''[[Prelude, WoO 55 (Beethoven, Ludwig van)|Prelude]]'''
| F minor
| 1803
| pf
| Keyboard
|
|-
| —
| {{hs|0}}56
| —
| 408
| '''[[Bagatelle, WoO 56 (Beethoven, Ludwig van)|Bagatelle]]'''
| C major
| 1803-22
| pf
| Keyboard
|
|-
| —
| {{hs|0}}57
| —
| 409
| '''[[Andante favori, WoO 57 (Beethoven, Ludwig van)|Andante favori]]'''
| F major
| 1803-04
| pf
| Keyboard
| originally intended as movt. II of Op. 53; see also Hess Anh. 10
|-
| —
| {{hs|0}}58
| —
| 424
| '''[[Piano Concerto No.20 in D minor, K.466 (Mozart, Wolfgang Amadeus)|Cadenzas]]''' (2)
| D minor
| 1809
| pf
| Keyboard
| for movts. I and III of {{LinkWork|Piano Concerto No.20 in D minor|K.466|Mozart|Wolfgang Amadeus}}
|-
| —
| {{hs|0}}59
| —
| 515
| '''[[Für Elise, WoO 59 (Beethoven, Ludwig van)|Für Elise]]''' (Bagatelle)
| A minor
| 1808-10
| pf
| Keyboard
|
|-
| —
| {{hs|0}}60
| —
| 690
| '''[[Bagatelle in B-flat major, WoO 60 (Beethoven, Ludwig van)|Bagatelle in B-flat major]]''' ('Zeimlich lebhaft') ('A little lively')
| B{{flat}} major
| 1818
| pf
| Keyboard
|
|-
| —
| {{hs|0}}61
| {{hs|0}}62
| 736
| '''[[Allegretto, WoO 61 (Beethoven, Ludwig van)|Allegretto]]'''
| B minor
| 1821
| pf
| Keyboard
|
|-
| —
| {{hs|0}}61a
| {{hs|0}}56
| 825
| '''[[Bagatelle, WoO 61a (Beethoven, Ludwig van)|Bagatelle]]''' (Allegretto quasi Andante)
| G minor
| 1825
| pf
| Keyboard
|
|-
| —
| {{hs|0}}62
| {{hs|0}}41
| 846
| '''[[String Quintet in C major, WoO 62 (Beethoven, Ludwig van)|String Quintet]]''' ('"Letzter musikalischer Gedanke') '('Last Musical Thought')
| C major
| 1826
| 2vn va vc
| Chamber
| sketches only; arr. for pf and completed by {{LinkName|Anton|Diabelli}}
|-
| —
| {{hs|0}}63
| —
| {{hs|00}}1
| '''[[9 Variations on a March by Dressler, WoO 63 (Beethoven, Ludwig van)|Variations on a March by Dressler]]''' (9)
| C minor
| 1782
| pf
| Chamber
| based on a march by Ernst Christoph Dressler
|-
| —
| {{hs|0}}64
| —
| {{hs|0}}25
| '''[[6 Variations on a Swiss song, WoO 64 (Beethoven, Ludwig van)|Variations on a Swiss song]]'''(6)
| F major
| 1790-92
| pf/hp
| Keyboard/ Chamber
|
|-
| —
| {{hs|0}}65
| {{hs|0}}55
| 299
| '''[[24 Variations on 'Venni Amore', WoO 65 (Beethoven, Ludwig van)|Variations on 'Venni Amore']]''' (24)
| D major
| 1790-91
| pf
| Keyboard
| theme by {{LinkName|Vincenzo|Righini}}
|-
| —
| {{hs|0}}66
| —
| {{hs|0}}37
| '''[[13 Variations on 'Es war einmal ein alter Mann', WoO 66 (Beethoven, Ludwig van)|Variations on 'Es war einmal ein alter Mann']]'''(13)
| A major
| 1792
| pf
| Keyboard
| theme from the opera {{LinkWork|Das rote Käppchen||Dittersdorf|Carl Ditters von}}
|-
| —
| {{hs|0}}67
| —
| {{hs|0}}35
| '''[[8 Variations on a Theme by Count Waldstein, WoO 67 (Beethoven, Ludwig van)|Variations on a Theme by Count Waldstein]]''' (8)
| C major
| 1792
| pf4h
| Keyboard
|
|-
| —
| {{hs|0}}68
| —
| {{hs|0}}94
| '''[[12 Variations on 'Menuet a la Vigano', WoO 68 (Beethoven, Ludwig van)|Variations on 'Menuet a la Vigano']] (12)'''
| C major
| 1795
| pf
| Keyboard
| theme from the ballet ''La nozza disturbate'' by {{LinkName|Jakob|Haibel}}
|-
| —
| {{hs|0}}69
| —
| {{hs|0}}90
| '''[[9 Variations on 'Quant'e piu bello', WoO 69 (Beethoven, Ludwig van)|Variations on 'Quant'e piu bello']]''' (9)
| A major
| 1795
| pf
| Keyboard
| theme from the opera {{LinkWork|L'amor contrastato|R 1.76|Paisiello|Giovanni}}
|-
| —
| {{hs|0}}70
| —
| {{hs|0}}91
| '''[[6 Variations on 'Nel cor piu non mi sento', WoO 70 (Beethoven, Ludwig van)|Variations on 'Nel cor piu non mi sento']]''' (6)
| G major
| 1795
| pf
| Keyboard
| theme from the opera {{LinkWork|L'amor contrastato|R 1.76|Paisiello|Giovanni}}
|-
| —
| {{hs|0}}71
| —
| 107
| '''[[12 Variations on the Russian Dance from 'Das Waldmädchen', WoO 71 (Beethoven, Ludwig van)|Variations on the Russian Dance from 'Das Waldmädchen']]''' (12)
| A major
| 1796-97
| pf
| Keyboard
| theme from the ballet ''Das Waldmádchen'' by {{LinkName|Paul|Wranitzky}}
|-
| —
| {{hs|0}}72
| —
| 138
| '''[[8 Variations on 'Une fièvre brûlante', WoO 72 (Beethoven, Ludwig van)|Variations on 'Une fièvre brûlante']]''' (8)
| C major
| 1795-98
| pf
| Keyboard
| theme from the opera {{LinkWork|Richard Cœur-de-Lion||Grétry|André Ernest Modeste}}
|-
| —
| {{hs|0}}73
| —
| 175
| '''[[10 Variations on 'La stessa, la stessissima', WoO 73 (Beethoven, Ludwig van)|Variations on 'La stessa, la stessissima']]''' (10)
| B{{flat}} major
| 1799
| pf
| Keyboard
| theme from the opera {{LinkWork|Falstaff||Salieri|Antonio}}
|-
| —
| {{hs|0}}74
| —
| 177 / 418
| '''[[6 Variations on 'Ich denke dein', WoO 74 (Beethoven, Ludwig van)|Variations for Piano Four-Hands on 'Ich denke dein']]''' (6)
| D major
| 1799-1803
| pf4h (+ v)
| Keyboard / Vocal
| theme includes vocal part
|-
| —
| {{hs|0}}75
| —
| 181
| '''[[7 Variations on 'Kind, willst du ruhig schlafen', WoO 75 (Beethoven, Ludwig van)|Variations on 'Kind, willst du ruhig schlafen']]''' (7)
| F major
| 1792-99
| pf
| Keyboard
| theme from the opera {{LinkWork|Das unterbrochene Opferfest||Winter|Peter von}}
|-
| —
| {{hs|0}}76
| —
| 179
| '''[[8 Variations on 'Tändeln und Scherzen', WoO 76 (Beethoven, Ludwig van)|Variations on 'Tändeln und Scherzen']]''' (8)
| F major
| 1799
| pf
| Keyboard
| theme from the opera ''Soliman oder die drei Sultaninnen'' by {{LinkName|Franz Xaver|Süssmayr}}
|-
| —
| {{hs|0}}77
| —
| 209
| '''[[6 Variations in G major, WoO 77 (Beethoven, Ludwig van)|Variations in G major]]'''(6) ('Six Easy Variations on an Original Theme')
| G major
| 1800
| pf
| Keyboard
|
|-
| —
| {{hs|0}}78
| —
| 368
| '''[[7 Variations on 'God Save the King', WoO 78 (Beethoven, Ludwig van)|Variations on 'God Save the King']]''' (7)
| C major
| 1802-03
| pf
| Keyboard
| theme of the British national anthem {{LinkWorkN|God Save the King||Carey|Henry|0}}
|-
| —
| {{hs|0}}79
| —
| 369
| '''[[5 Variations on 'Rule Britannia', WoO 79 (Beethoven, Ludwig van)|Variations on 'Rule Britannia']]''' (5)
| D major
| 1803
| pf
| Keyboard
| theme of {{LinkWork|Rule Britannia||Arne| Thomas Augustine}}
|-
| —
| {{hs|0}}80
| —
| 430
| '''[[32 Variations in C minor, WoO 80 (Beethoven, Ludwig van)|Variations]]''' (32)
| C minor
| 1806
| pf
| Keyboard
|
|-
| —
| {{hs|0}}81
| —
| 266
| '''[[Allemande, WoO 81 (Beethoven, Ludwig van)|Allemande]]'''
| A major
| 1793-1822
| pf
| Keyboard
|
|-
| —
| {{hs|0}}82
| —
| 373
| '''[[Minuet, WoO 82 (Beethoven, Ludwig van)|Minuet]]'''
| E{{flat}} major
| 1803
| pf
| Keyboard
|
|-
| —
| {{hs|0}}83
| —
| 437
| '''[[6 Ecossaises, WoO 83 (Beethoven, Ludwig van)|Ecossaises]]''' (6)
| E{{flat}} major
| 1806
| pf
| Keyboard
|
|-
| —
| {{hs|0}}84
| —
| 793
| '''[[Waltz, WoO 84 (Beethoven, Ludwig van)|Waltz]]'''
| E{{flat}} major
| 1824
| pf
| Keyboard
|
|-
| —
| {{hs|0}}85
| —
| 828
| '''[[Waltz, WoO 85 (Beethoven, Ludwig van)|Waltz]]'''
| D major
| 1825
| pf
| Keyboard
|
|-
| —
| {{hs|0}}86
| —
| 829
| '''[[Ecossaise, WoO 86 (Beethoven, Ludwig van)|Ecossaise]]'''
| E{{flat}} major
| 1825
| pf
| Keyboard
|
|-
| —
| {{hs|0}}87
| —
| {{hs|0}}17
| '''[[Cantata on the Death of Emperor Joseph II, WoO 87 (Beethoven, Ludwig van)|Cantata on the Death of Emperor Joseph II]]''' (Trauerkantate auf den Tod Joseph II)
| C minor
| 1790
| sop bass ch orch
| Vocal
|
|-
| —
| {{hs|0}}88
| —
| {{hs|0}}18
| '''[[Cantata on the Accession of Emperor Leopold II, WoO 88 (Beethoven, Ludwig van)|Cantata on the Accession of Emperor Leopold II]]''' (Kantate auf die Erhebung Leopold II zur Kaiserwürde)
| A{{flat}} major-D major
| 1790
| sop ten bass ch orch
| Vocal
|
|-
| —
| {{hs|0}}89
| —
| {{hs|0}}28/1
| '''[[Prüfung des Küssens, WoO 89 (Beethoven, Ludwig van)|Prüfung des Küssens]]''' ("Meine weise Mutter spricht")
| F major
| 1790-92
| bass orch
| Vocal
|
|-
| —
| {{hs|0}}90
| —
| {{hs|0}}28/2
| '''[[Mit Mädeln sich vertragen, WoO 90 (Beethoven, Ludwig van)|Mit Mädeln sich vertragen]]'''
| D major
| 1790-92
| bass orch
| Vocal
|
|-
| —
| {{hs|0}}91
| —
| 119
| '''[[Die schöne Schusterin, WoO 91 (Beethoven, Ludwig van)|Die schöne Schusterin]]''', arias for Umlau's Singspiel (2):
|
| 1795
| sop orch
| Stage
| for the Singspiel Singspiel ''Die schöne Schusterin, oder Die pücefarbenen Schuhe'' by{{LinkName|Ignaz|Umlauf}}
|-
| —
| {{hs|0}}91/1
| —
| 119/1
|
: O welch ein Leben! ein ganzes Meer
| F major
| 1795
| sop orch
| Stage
| theme re-used in Op. 52/4
|-
| —
| {{hs|0}}91/2
| —
| 119/2
|
: Soll ein Schuh nicht drücken
| B{{flat}} major
| 1795
| sop orch
| Stage
|
|-
| —
| {{hs|0}}92
| —
| 214
| '''[[Primo amore piacer del ciel, WoO 92 (Beethoven, Ludwig van)|Primo amore piacer del ciel]]''', scene and aria
| A major
| 1791-92
| sop orch
| Vocal
|
|-
| —
| {{hs|0}}92a
| 119
| 304
| '''No, non turbarti''', scene and aria
|
| 1802
| sop str
| Vocal
|
|-
| —
| {{hs|0}}93
| 120
| 352
| '''Ne' giorni tuoi felici''', duet
|
| 1802
| sop ten orch
| Vocal
|
|-
| —
| {{hs|0}}94
| —
| 568
| '''[[Germania, WoO 94 (Beethoven, Ludwig van)|Germania]]'''
| B{{flat}} major
| 1814
| vv ch orch
| Stage
| finale for the Singspield ''Die gute Nachricht'' by {{LinkName|Georg Friedrich|Treitschke}}
|-
| —
| {{hs|0}}95
| —
| 583
| '''[[Chorus for the Allied Princes, WoO 95 (Beethoven, Ludwig van)|Chorus for the Allied Princes]]''' (Chor auf die verbündeten Fürsten) ("Ihr weisen Gründer")
| A major
| 1814
| ch orch
| Vocal
|
|-
| —
| {{hs|0}}96
| —
| 595
| '''[[Leonore Prohaska, WoO 96 (Beethoven, Ludwig van)|Leonore Prohaska]]''', incidental music
|
| 1815
| nar sop mch orch
| Stage
| for the drama of the same name by {{LinkName|Johann Friedrich Leopold|Duncker}}; the funeral march (No. 4) is arr. for orch of movt. III from Op. 26
|-
| —
| {{hs|0}}97
| —
| 598
| '''[[Es ist vollbracht, WoO 97 (Beethoven, Ludwig van)|Es ist vollbracht]]''', chorus
| D major
| 1815
| bass ch orch
| Stage
| finale for the Singspiel ''Die Ehrempforten'' by {{LinkName|Georg Friedrich|Treitschke}}
|-
| —
| {{hs|0}}98
| 118
| 742
| '''[[Wo sich die Pulse, WoO 98 (Beethoven, Ludwig van)|Wo sich die Pulse]]''', chorus
| B{{flat}} major
| 1822
| sop ch orch
| Stage
| part of Op. 114
|-
| —
| {{hs|0}}99
| —
| —
| '''Italian Partsongs'''
|
|
|
|
|
|-
| —
| {{hs|0}}99/1
| 211
| {{hs|0}}58
|
: Bei labbri, che Amore
| B{{flat}} major
| 1801-03
| 2vv
| Vocal
|
|-
| —
| {{hs|0}}99/2
| 214
| 202
|
: Chi mai di questo core
| C major
| 1801-03
| 3vv
| Vocal
|
|-
| —
| {{hs|0}}99/3a
| —
| 142
|
: Fra tutte le pene
|
| 1796-97
| 2vv
| Vocal
| 1st setting, 1st version
|-
| —
| {{hs|0}}99/3a
| 208
| 143
|
: Fra tutte le pene
|
| 1801-03
| 2vv
| Vocal
| 1st setting, 2nd version
|-
| —
| {{hs|0}}99/3b
| 225
| 144
|
: Fra tutte le pene
|
| 1801-03
| 2vv
| Vocal
| 2nd setting, 1st version
|-
| —
| {{hs|0}}99/3b
| 209
| 145
|
: Fra tutte le pene
|
| 1801-03
| 2vv
| Vocal
| 2nd setting, 2nd version
|-
| —
| {{hs|0}}99/3c
| 224
| 146
|
: Fra tutte le pene
|
| 1801-03
| 2vv
| Vocal
| 3rd setting, 1st version
|-
| —
| {{hs|0}}99/3c
| 210
| 147
|
: Fra tutte le pene
|
| 1801-03
| 2vv
| Vocal
| 3rd setting, 2nd version
|-
| —
| {{hs|0}}99/4a
| 222
| 341
|
: Già la notte s'avvicina
|
| 1801-03
| 4vv
| Vocal
| 1st setting
|-
| —
| {{hs|0}}99/4b
| 223
| 342
|
: Già la notte s'avvicina
|
| 1801-03
| 3vv
| Vocal
| 2nd setting
|-
| —
| —
| 230
| 215
|
: Giura il nocchier
| C major
| 1792-94
| 4vv
| Vocal
| 1st setting, 1st version
|-
| —
| {{hs|0}}99/5a
| 221
| 336
|
: Giura il nocchier
| C major
| 1801-03
| 4vv
| Vocal
| 1st setting, 2nd version
|-
| —
| {{hs|0}}99/5b
| 227
| {{hs|0}}59
|
: Giura il nocchier
| C major
| 1801-03
| 3vv
| Vocal
| 2nd setting
|-
| —
| {{hs|0}}99/6
| 212
| {{hs|0}}60
|
: Ma tu tremi, o mio tesoro
| G major
| 1801-03
| 3vv
| Vocal
|
|-
| —
| {{hs|0}}99/7a
| 217
| 109
|
: Nei campi e nelle selve
| C major
| 1801-03
| 4vv
| Vocal
| 1st setting
|-
| —
| {{hs|0}}99/7b
| 220
| 110
|
: Nei campi e nelle selve
| C major
| 1801-03
| 4vv
| Vocal
| 2nd setting
|-
| —
| {{hs|0}}99/8
| —
| {{hs|0}}84
|
: O care selve
| G major
| 1794-95
| v uch
| Vocal
| also published separately as WoO 119
|-
| —
| {{hs|0}}99/9
| 216
| 127
|
: Per te d'amico aprile
| E{{flat}} major
| 1801-03
| 3vv
| Vocal
|
|-
| —
| {{hs|0}}99/10a
| 213
| 149
|
: Quella cetra ah pur tu sei
| A major
| 1801-03
| 3vv
| Vocal
| 1st setting
|-
| —
| {{hs|0}}99/10b
| 218
| 148
|
: Quella cetra ah pur tu sei
| A major
| 1801-03
| 3vv
| Vocal
| 2nd setting
|-
| —
| {{hs|0}}99/10c
| 219
| 150
|
: Quella cetra ah pur tu sei
| A major
| 1801-03
| 3vv
| Vocal
| 3rd setting
|-
| —
| {{hs|0}}99/11
| 215
| 128
|
: Scrivo in te
| D major
| 1801-03
| 3vv
| Vocal
|
|-
| —
| {{hs|0}}99/12
| 226
| 335
|
: Silvio, amante disperato
|
| 1801-02
| 4vv
| Vocal
|
|-
| —
| 100
| 278
| 303
| '''Lob auf den Dicken''' ("Schuppanzigh ist ein Lump"), musical joke
| G major
| 1801
| ten 2bass ch
| Vocal
|
|-
| —
| 101
| 279
| 331
| '''Graf, liebster Graf, liebstes Schaf''', musical joke
| E{{flat}} major
| 1802
| 3vv
| Vocal
|
|-
| —
| 102
| —
| 573
| '''[[Abschiedsgesang, WoO 102 (Beethoven, Ludwig van)|Abschiedsgesang]]''' ("Die Stunde schlägt") ('Song of Farewell')
| B{{flat}} major
| 1814
| ten 2bass
| Vocal
|
|-
| —
| 103
| 127
| 574
| '''Un lieto brindisi'''('Cantata campestre') ("Johannisfeier begehn wir heute")
| B{{flat}} major
| 1814
| 4vv pf
| Vocal
|
|-
| —
| 104
| —
| 673
| '''[[Gesang der Mönche, WoO 104 (Beethoven, Ludwig van)|Gesang der Mönche]]''' ("Rasch tritt der Tod den Menchen an") (Song of the Monks)
| C minor
| 1817
| 2ten bass
| Vocal
| for the play ''William Tell'' by {{LinkName|Friedrich|Schiller}}
|-
| —
| 105
| 124
| 696
| '''Hochzeitslied'''("Auf Freunde, singt dem Gott der ehen!")
| A major
| 1819
| bass ch pf
| Vocal
| 1st version
|-
| —
| 105
| 125
| 696
| '''Hochzeitslied'''("Auf Freunde, singt dem Gott der ehen!")
| C major
| 1819
| uch pf
| Vocal
| 2nd version
|-
| —
| 106
| —
| 772
| '''[[Lobkowitz-Cantate, WoO 106 (Beethoven, Ludwig van)|Lobkowitz-Cantate]]'''
| E{{flat}} major
| 1823
| sop ch pf
| Vocal
|
|-
| —
| 107
| —
| {{hs|00}}7
| '''[[Schilderung eines Mädchens, WoO 107 (Beethoven, Ludwig van)|Schilderung eines Mädchens]]'''("Schildern, willst du Freund, soll ich dir Elisen?")
| G major
| 1782
| v pf
| Vocal
|
|-
| —
| 108
| —
| {{hs|00}}9
| '''[[An einen Säugling, WoO 108 (Beethoven, Ludwig van)|An einen Säugling]]''' ("Noch weisst du nicht, wes Kind du bist")
| A major
| 1783
| v pf
| Vocal
|
|-
| —
| 109
| —
| {{hs|0}}13
| ''' [[Trinklied, WoO 109 (Beethoven, Ludwig van)|Trinklied (beim Abschied zu singen)]]''' ("Erhebt das Glas mit froher Hand")
| C major
| 1791-92
| v pf
| Vocal
|
|-
| —
| 110
| —
| {{hs|0}}14
| '''[[Elegie auf den Tod eines Pudels, WoO 110 (Beethoven, Ludwig van)|Elegie auf den Tod eines Pudels]]''' ("Stirb immerhin, es welken ja so viele der Freuden")
| F minor
| 1790
| v pf
| Vocal
|
|-
| —
| 111
| 126
| {{hs|0}}22
| '''Punschlied'''("Wer nicht, wenn warm von Hand zu Hand")
| G major
| 1791-92
| v pf
| Vocal
|
|-
| —
| 112
| 128
| {{hs|}}27
| '''An Laura'''("Freud' umblühe dich auf allen Wegen")
| G major
| 1792
| v pf
| Vocal
|
|-
| —
| 113
| —
| {{hs|0}}23
| '''[[Klage, WoO 113 (Beethoven, Ludwig van)|Klage]]'''
| E major
| 1790
| v pf
| Vocal
|
|-
| —
| 114
| —
| {{hs|0}}38
| '''[[Ein Selbstgespräch, WoO 114 (Beethoven, Ludwig van)|Ein Selbstgespräch]]''' ("Ich, der mit flatternden Sinn")
| E major
| 1793
| v pf
| Vocal
|
|-
| —
| 115
| —
| {{hs|0}}45
| '''[[An Minna, WoO 115 (Beethoven, Ludwig van)|An Minna]]'''("Nur bei dir, an deinem Herzen")
| D major
| 1792
| v pf
| Vocal
|
|-
| —
| 116a
| 129
| {{hs|0}}44
| '''Que le temps me dure'''
| C minor
| 1793
| v pf
| Vocal
| 1st version, incomplete
|-
| —
| 116b
| 130
| {{hs|0}}44
| '''Que le temps me dure'''
| C major
| 1793
| v pf
| Vocal
| 2nd version, incomplete
|-
| —
| 117
| —
| {{hs|0}}77
| '''[[Der freie Mann, WoO 117 (Beethoven, Ludwig van)|Der freie Mann]]''' ("Wer ist ein freier Mann?")
| C major
| 1792-94
| uch
| Vocal
|
|-
| —
| 118
| —
| {{hs|0}}79
| '''[[Seufzer eines Ungeliebten und Gegenliebe, WoO 118 (Beethoven, Ludwig van)|Seufzer eines Ungeliebten und Gegenliebe]]''' ("Hast du nicht Liebe zugernessen")
| C minor
| 1794-95
| v pf
| Vocal
| theme later used in Op.80
|-
| —
| 119
| —
| {{hs|0}}84
| '''[[O care selve, WoO 119 (Beethoven, Ludwig van)|O care selve]]'''
| G major
| 1794-95
| v pf
| Vocal
| also published as WoO 99/8
|-
| —
| 120
| —
| {{hs|0}}78
| '''[[Man strebt, die Flamme zu verhehlen, WoO 120 (Beethoven, Ludwig van)|Man strebt, die Flamme zu verhehlen]]'''
| F major
| 1800-02
| v pf
| Vocal
|
|-
| —
| 121
| —
| 108
| '''[[Abschiedsgesang an Wiens Bürger, WoO 121 (Beethoven, Ludwig van)|Abschiedsgesang an Wiens Bürger]]'''("Keine Klage soll erschallen")
| G major
| 1796
| v pf
| Vocal
|
|-
| —
| 122
| —
| 132
| '''[[Kriegslied der Österreicher, WoO 122 (Beethoven, Ludwig van)|Kriegslied der Österreicher]]''' ("Ein grosses deutches Volk sind wir")
| C major
| 1797
| v uch pf
| Vocal
|
|-
| —
| 123
| —
| 287
| '''[[Zärtliche Liebe, WoO 123 (Beethoven, Ludwig van)|Zärtliche Liebe]]''' ("Ich liebe dich, so wie du mich")
| G major
| 1795
| v pf
| Vocal
|
|-
| —
| 124
| —
| 164
| '''[[La Partenza, WoO 124 (Beethoven, Ludwig van)|La Partenza]]''' (Der Abschied) ("Ecco quel fiero istante!")
| A major
| 1795
| v pf
| Vocal
|
|-
| —
| 125
| 135
| 125
| '''La tiranna'''("Ah grief to think")
| E{{flat}} major
| 1798-99
| v pf
| Vocal
|
|-
| —
| 126
| —
| 173
| '''[[Opferlied, WoO 126 (Beethoven, Ludwig van)|Opferlied]]'''("Die Flamme lodert")
| E major
| 1794-95
| v pf
| Vocal
| 1st version of Op. 121b, Hess 91, Hess 145
|-
| —
| 127
| 136
| 186
| '''Neue Liebe, neues Leben''' ("Herz, mein Herz, was soll das geben?")
| C major
| 1798-99
| v pf
| Vocal
| 1st setting of Op. 75/2
|-
| —
| 128
| 131
| 201
| '''Plaisir d'aimer"''' ("Plaisir d'aimer besoin d'une âme tendre")
| G major
| 1798-99
| v pf
| Vocal
|
|-
| —
| 129
| —
| 378
| '''[[Der Wachtelschlag, WoO 129 (Beethoven, Ludwig van)|Der Wachtelschlag]] ('''"Ach, wie schalt's dorten so lieblich hervor")
| F major
| 1803
| v pf
| Vocal
|
|-
| —
| 130
| —
| 416
| '''[[Gedenke mein!, WoO 130 (Beethoven, Ludwig van)|Gedenke mein!]]''' ("Gedenke mein, ich denke dein")
| E{{flat}} major
| 1804-20
| v pf
| Vocal
|
|-
| —
| 131
| 148
| 526
| '''[[Erlkönig, WoO 131 (Beethoven, Ludwig van)|Erlkönig]]'''("Wer reitet so spat durch Nacht und Wind?")
| D minor
| 1794-96
| v pf (?)
| Vocal
| unfinished sketch for song
|-
| —
| 132
| —
| 428
| '''[[Als die Geliebte sich trennen wollte, WoO 132 (Beethoven, Ludwig van)|Als die Geliebte sich trennen wollte]]'''("Der Hoffnung letzter Schimmer sinkt dahin") ('Empfindungen bei Lydiens Untreue')
| E{{flat}} major
| 1806
| v pf
| Vocal
|
|-
| —
| 133
| —
| 442
| '''[[In questa tomba oscura, WoO 133 (Beethoven, Ludwig van)|In questa tomba oscura]]''', arietta
| A{{flat}} major
| 1806-07
| v pf
| Vocal
|
|-
| —
| 134/1
| —
| 446/1
| '''[[Sehnsucht, WoO 134 (Beethoven, Ludwig van)|Sehnsucht]]'''
| G minor
| 1807-08
| v pf
| Vocal
| 1st setting
|-
| —
| 134/2
| —
| 446/2
| '''[[Sehnsucht, WoO 134 (Beethoven, Ludwig van)|Sehnsucht]]'''
| G minor
| 1807-08
| v pf
| Vocal
| 2nd setting
|-
| —
| 134/3
| —
| 446/3
| '''[[Sehnsucht, WoO 134 (Beethoven, Ludwig van)|Sehnsucht]]'''
| E{{flat}} major
| 1807-08
| v pf
| Vocal
| 3rd setting
|-
| —
| 134/4
| —
| 446/4
| '''[[Sehnsucht, WoO 134 (Beethoven, Ludwig van)|Sehnsucht]]'''
| G minor
| 1807-08
| v pf
| Vocal
| 4th setting
|-
| —
| 135
| —
| 503
| '''[[Die laute Klage, WoO 135 (Beethoven, Ludwig van)|Die laute Klage]]''' ("Turteltaube, du klagtest so laut")
| C minor
| 1814-15
| v pf
| Vocal
|
|-
| —
| 136
| —
| 496
| '''[[Andenken, WoO 136 (Beethoven, Ludwig van)|Andenken]]''' ("Ich denke dein")
| D major
| 1808
| v pf
| Vocal
|
|-
| —
| 137
| —
| 498
| '''[[Lied aus der Ferne, WoO 137 (Beethoven, Ludwig van)|Lied aus der Ferne]]''' ("Als mir noch die Träne")
| B{{flat}} major
| 1809
| v pf
| Vocal
|
|-
| —
| 138
| —
| 497
| '''[[Der Jüngling in der Fremde, WoO 138 (Beethoven, Ludwig van)|Der Jüngling in der Fremde]]''' ("Der Früling entblühet dem Schoß der Natur")
| B{{flat}} major
| 1809
| v pf
| Vocal
|
|-
| —
| 139
| —
| 500
| '''[[Der Liebende, WoO 139 (Beethoven, Ludwig van)|Der Liebende]]''' ("Welch ein wunderbares Leben")
| D major
| 1809
| v pf
| Vocal
|
|-
| —
| 140/1
| —
| 540/1
| '''[[An die Geliebte, WoO 140 (Beethoven, Ludwig van)|An die Geliebte]]''' ("O daß ich dir vom stillen Auge")
| D major
| 1811
| v pf
| Vocal
| 1st setting
|-
| —
| 140/2
| —
| 540/2
| '''[[An die Geliebte, WoO 140 (Beethoven, Ludwig van)|An die Geliebte]]''' ("O daß ich dir vom stillen Auge")
| D major
| 1814
| v pf
| Vocal
| 2nd setting
|-
| —
| 141
| —
| 555
| '''[[Der Gesang der Nachtigall, WoO 141 (Beethoven, Ludwig van)|Der Gesang der Nachtigall]]''' ("Höre, die Nachtigall singt"")
| C major
| 1813
| v pf
| Vocal
|
|-
| —
| 142
| —
| 558
| '''[[Der Bardengeist, WoO 142 (Beethoven, Ludwig van)|Der Bardengeist]]''' ("Dort auf dem hohen Felsen sang")
| E minor
| 1813
| v pf
| Vocal
|
|-
| —
| 143
| —
| 589
| '''[[Des Krieger's Abschied, WoO 143 (Beethoven, Ludwig van)|Des Kriegers Abschied]]''' ("Ich zieh' ins Feld von Lieb'entbrannt")
| E{{flat}} major
| 1814
| v pf
| Vocal
|
|-
| —
| 144
| —
| 587
| '''[[Merkenstein, WoO 144 (Beethoven, Ludwig van)|Merkenstein]]'''
| E{{flat}} major
| 1814
| v pf
| Vocal
| 1st setting of Op.100
|-
| —
| 145
| —
| 642
| '''[[Das Geheimnis, WoO 145 (Beethoven, Ludwig van)|Das Geheimnis]]''' ("Wo blüht das Blümchen, das nie verblüht?")
| G major
| 1815
| v pf
| Vocal
|
|-
| —
| 146
| —
| 648
| '''[[Sehnsucht, WoO 146 (Beethoven, Ludwig van)|Sehnsucht]]''' ("Die stille Nacht umdunkelt")
| E major
| 1816
| v pf
| Vocal
|
|-
| —
| 147
| —
| 658
| '''[[Ruf vom Berge, WoO 147 (Beethoven, Ludwig van)|Ruf vom Berge]]''' ("Wenn ich ein Vöglein wär")
| A major
| 1816
| v pf
| Vocal
|
|-
| —
| 148
| —
| 670
| '''[[So oder So, WoO 148 (Beethoven, Ludwig van)|So oder So]]''' ("Nord oder Süd!")
| F major
| 1817
| v pf
| Vocal
|
|-
| —
| 149
| —
| 679
| '''[[Resignation, WoO 149 (Beethoven, Ludwig van)|Resignation]]''' ("Lisch aus, mein Licht!")
| D major
| 1817
| v pf
| Vocal
|
|-
| —
| 150
| —
| 722
| '''[[Abendlied unter'm gestirnten Himmel, WoO 150 (Beethoven, Ludwig van)|Abendlied unter'm gestirnten Himmel]]''' ("Wenn die Sonne nieder sinket")
| E major
| 1820
| v pf
| Vocal
|
|-
| —
| 151
| 132
| 768
| '''Der edle Mensch sei hilfreich und gut'''
| G major
| 1823
| v pf
| Vocal
|
|-
| —
| 152
| —
| 561
| '''[[25 Irish Songs, WoO 152 (Beethoven, Ludwig van)|Irish Songs]]'''(25)
|
| 1810-12
| vv vn vc pf
| Vocal
|
|-
| —
| 153
| —
| 563
| '''[[20 Irish Songs, WoO 153 (Beethoven, Ludwig van)|Irish Songs]]''' (20)
|
| 1810-13
| vv vn vc pf
| Vocal
|
|-
| —
| 154
| —
| 565
| '''[[12 Irish Songs, WoO 154 (Beethoven, Ludwig van)|Irish Songs]]''' (12)
|
| 1812-13
| vv vn vc pf
| Vocal
|
|-
| —
| 155
| —
| 533
| '''[[26 Welsh Songs, WoO 155 (Beethoven, Ludwig van)|Welsh Songs]] (26)'''
|
| 1810-15
| vv vn vc pf
| Vocal
|
|-
| —
| 156
| —
| 691
| '''[[12 Scottish Songs, WoO 156 (Beethoven, Ludwig van)|Scottish Songs]]''' (12)
|
| 1815-19
| vv vn vc pf
| Vocal
|
|-
| —
| 157
| —
| 612
| '''[[12 Songs of Various Nationalities, WoO 157 (Beethoven, Ludwig van)|Songs of Various Nationalities]]''' (12)
|
| 1815-20
| vv (ch) vn vc pf
| Vocal
|
|-
| —
| 158a
| —
| 663
| '''[[23 Songs of Various Nationalities, WoO 158a (Beethoven, Ludwig van)|Songs of Various Nationalities]]''' (23)
|
| 1816-17
| vv vn vc pf
| Vocal
|
|-
| —
| 158b
| —
| 667
| '''British Folk Songs''' (7)
|
| 1810-17
| vv vn vc pf
| Vocal
|
|-
| —
| 158c
| —
| 692
| '''Assorted Folk Songs''' (6)
|
| 1810-20
| vv vn vc pf
| Vocal
|
|-
| —
| 158d
| —
| —
| '''Air Français'''
| F major
|
| vv vn vc pf
| Vocal
|
|-
| —
| 159
| —
| {{hs|0}}83
| '''[[Im Arm der Liebe ruht sich's wohl, WoO 159 (Beethoven, Ludwig van)|Im Arm der Liebe ruht sich's wohl]]''', canon
| F major
| 1795
| 3vv
| Vocal
|
|-
| —
| 160a
| 247
| {{hs|0}}85
| '''Canon'''
| G major
| 1795
| 3vv
| Vocal
| without text
|-
| —
| 160b
| 248
| {{hs|0}}86
| '''Canon'''
| G major
| 1795
| 4vv
| Vocal
| without text
|-
| —
| 161
| —
| 528
| '''[[Ewig dein, WoO 161 (Beethoven, Ludwig van)|Ewig dein]]''', canon''''''
| C major
| 1811
| 3vv
| Vocal
|
|-
| —
| 162
| —
| 646
| '''[[An Mälzel, WoO 162 (Beethoven, Ludwig van)|An Mälzel]]'''("Ta ta ta, lieber Mälzel"), canon
| B{{flat}} major
|
| 4vv
| Vocal
| spurious; probably written by Anton Schindler
|-
| —
| 163
| —
| 559
| '''[[Kurz ist der Schmerz, und ewig ist die Freude, WoO 163 (Beethoven, Ludwig van)|Kurz ist der Schmerz, und ewig ist die Freude]]''', canon''''''
| F minor
| 1813
| 3vv
| Vocal
| 1st setting of WoO 166
|-
| —
| 164
| —
| 579
| '''[[5 Canons (Beethoven, Ludwig van)|Freundschaft ist die Quelle wahrer Glückseligkeit]]''', canon
| C major
| 1814
| 3vv
| Vocal
|
|-
| —
| 165
| —
| 593
| '''[[Glück zum neuen Jahr, WoO 165 (Beethoven, Ludwig van)|Glück zum neuen Jahr]]''', canon
| D major
| 1815
| 4vv
| Vocal
| 1st setting of WoO 176
|-
| —
| 166
| —
| 594
| '''[[Kurz ist der Schmerz, und ewig ist die Freude, WoO 166 (Beethoven, Ludwig van)|Kurz ist der Schmerz, und ewig ist die Freude]]''', canon
| F major
| 1815
| 3vv
| Vocal
| 2nd setting of WoO 163
|-
| —
| 167
| 249
| 610
| '''Brauchle, Linke'''
| C major
| 1815
| 3vv
| Vocal
|
|-
| —
| 168a
| —
| 649
| '''[[Das Schweigen, WoO 168a (Beethoven, Ludwig van)|Das Schweigen]]''', canon
| D minor
| 1816
| 3vv
| Vocal
|
|-
| —
| 168b
| —
| 650
| '''[[Das Reden, WoO 168b (Beethoven, Ludwig van)|Das Reden]]''', canon
| F major
| 1816
| 3vv
| Vocal
|
|-
| —
| 169
| 250
| 647
| '''Ich küße Sie, drücke Sie an mein Herz,''' canon
| C major
| 1816
| 2vv
| Vocal
|
|-
| —
| 170
| 251
| 651
| '''Ars longa, vita brevis''', canon
| C major
| 1816
| 2vv
| Vocal
| 1st version of WoO 192, WoO 193
|-
| —
| 171
| 252
| 683
| '''Glück fehl' dir vor allem!''', canon
| G major
|
| 4vv
| Vocal
| spurious; now believed to have been written by {{LinkName|Michael|Haydn}}
|-
| —
| 172
| —
| 695
| '''[[Ich bitt' dich, WoO 172 (Beethoven, Ludwig van)|Ich bitt' dich]]''', canon
| E{{flat}} major
| 1818
| 3vv
| Vocal
|
|-
| —
| 173
| 253
| 711
| '''Hol' euch der Teufel!'''
| B{{flat}} major
| 1819
| 2vv
| Vocal
|
|-
| —
| 174
| —
| 712
| '''[[5 Canons (Beethoven, Ludwig van)|Glaube und hoffe]]''', canon
| B{{flat}} major
| 1819
| 4vv
| Vocal
|
|-
| —
| 175
| 255
| 715
| '''Sankt Petrus war ein Fels''', canon
|
| 1820
| 4vv
| Vocal
|
|-
| —
| 176
| —
| 716
| '''[[Glück zum neuen Jahr, WoO 176 (Beethoven, Ludwig van)|Glück zum neuen Jahr]]''', canon
| F major
| 1819
| 3vv
| Vocal
| 2nd setting of WoO 165
|-
| —
| 177
| 257
| 734
| '''Bester Magistrat, Ihr friert''', canon
| E major
| 1820
| 4vv 2db
| Vocal
|
|-
| —
| 178
| —
| 733
| '''[[Abbé Stadler, WoO 178 (Beethoven, Ludwig van)|Abbé Stadler]]''' ("Signor Abate"), canon
| B{{flat}} major
| 1820
| 3vv
| Vocal
|
|-
| —
| 179
| —
| 717
| '''[[Alles Gute, alles Schöne!, WoO 179 (Beethoven, Ludwig van)|Alles Gute, alles Schöne!]]''' ("Seiner Kaiserlichen Hoheit"), canon
| C major
| 1819
| 4vv
| Vocal
|
|-
| —
| 180
| —
| 724
| '''[[Hofmann und kein Hofmann, WoO 180 (Beethoven, Ludwig van)|Hofmann und kein Hofmann]]''' ("Auf einen, welcher Hoffmann geheißen"), canon
| C major
| 1820
| 2vv
| Vocal
|
|-
| —
| 181/1
| —
| 749
| '''[[5 Canons (Beethoven, Ludwig van)|Gedenket heute an Baden]]''', canon
| C major
| 1820
| 4vv
| Vocal
|
|-
| —
| 181/2
| 258
| 750
| '''Gehabt euch wohl''', canon
| C major
| 1820
| 4vv
| Vocal
|
|-
| —
| 181/3
| 259
| 751
| '''Tugend ist kein leerer Name''', canon
| C major
| 1820
| 3vv
| Vocal
|
|-
| —
| 182
| —
| 737
| '''[[O Tobias!, WoO 182 (Beethoven, Ludwig van)|O Tobias!]]''', canon
| D minor
| 1821
| 3vv
| Vocal
|
|-
| —
| 183
| —
| 770
| '''Bester Herr Graf''', canon
| F major
| 1823
| 4vv
| Vocal
|
|-
| —
| 184
| 262
| 773
| '''Falstafferel, lass dich sehen!''', canon
| G major
| 1823
| 5vv
| Vocal
|
|-
| —
| 185
| —
| 775
| '''[[Edel sei der Mensch, WoO 185 (Beethoven, Ludwig van)|Edel sei der Mensch]]''', canon
| E major
| 1823
| 6vv
| Vocal
| 1st version
|-
| —
| 185
| —
| 775
| '''[[Edel sei der Mensch, WoO 185 (Beethoven, Ludwig van)|Edel sei der Mensch]]''', canon
| E{{flat}} major
| 1823
| 6vv
| Vocal
| 2nd version
|-
| —
| 186
| —
| 789
| '''[[5 Canons (Beethoven, Ludwig van)|Te solo adoro]]''', canon
| E{{flat}} major
| 1824
| 2vv
| Vocal
| 1st setting of Hess 263, Hess 264
|-
| —
| 187
| —
| 792
| '''[[Schwenke, WoO 187 (Beethoven, Ludwig van)|Schwenke]]''' ("Schwenke dich ohne Schwänke"), canon
| D minor
| 1824
| 4vv
| Vocal
|
|-
| —
| 188
| 265
| 802
| '''Gott ist eine feste Burg''', canon
| B{{flat}} major
| 1825
| 2vv
| Vocal
|
|-
| —
| 189
| 266
| 805
| '''Doktor sperrt das Tor dem Tod''', canon
| C major
| 1825
| 4vv
| Vocal
|
|-
| —
| 190
| 267
| 807
| '''Ich war hier, Doktor''', canon
| C major
| 1825
| 2vv
| Vocal
|
|-
| —
| 191
| —
| 823
| '''[[Kühl, nicht lau, WoO 191 (Beethoven, Ludwig van)|Kühl, nicht lau]]''', canon
| B{{flat}} major
| 1825
| 3vv
| Vocal
|
|-
| —
| 192
| 268
| 824
| '''Ars longa, vita brevis'''
| F major
| 1825
| 4vv
| Vocal
| 2nd setting of WoO 170 and WoO 193
|-
| —
| 193
| 269
| 833
| '''Ars longa, vita brevis'''
| C major
| 1825
|
| Vocal
| 3rd setting of WoO 170 and WoO 192
|-
| —
| 194
| —
| 827
| '''[[Si non per portas, WoO 194 (Beethoven, Ludwig van)|Si non per portas]]''', canon
| E{{flat}} major
| 1825
| 4vv
| Vocal
|
|-
| —
| 195
| —
| 831
| '''[[5 Canons (Beethoven, Ludwig van)|Freu dich des Lebens]]'''
| A minor
| 1825
| 2vv
| Vocal
|
|-
| —
| 196
| 270
| 834
| '''Es muß sein!''', canon
| F major
| 1826
| 4vv
| Vocal
|
|-
| —
| 197
| 271
| 842
| '''Da ist das Werk''', canon
| C major
| 1826
| 5vv
| Vocal
|
|-
| —
| 198
| 280
| 848
| '''Wir irren allesamt''', canon
| C major
| 1826
| 2vv
| Vocal
|
|-
| —
| 199
| 281
| 585
| '''Ich bin der Herr von zu'''
| D major
| 1814
| v
| Vocal
|
|-
| —
| 200
| {{hs|0}}75
| 688
| '''O Hoffnung'''
| G major
| 1818
| pf
| Keyboard
|
|-
| —
| 201
| 282
| 689
| '''Ich bin bereit'''
| C major
| 1818
| pf
| Keyboard
|
|-
| —
| 202
| 283
| 778
| '''Das Schöne zum Guten!''', canon
| F major
| 1823
| v
| Vocal
| 1st version of WoO 203
|-
| —
| 203
| 272
| 804
| '''Das Schöne zum Guten!''', canon
| A major
| 1825
| v
| Vocal
| 2nd version of WoO 202
|-
| —
| 204
| 284
| 826
| '''Holz, Holz geigt die Quartette so'''
| D minor
| 1825
| v
| Vocal
|
|-
| —
| 205
| 286-295
| —
| '''Musical Greetings'''(10)
|
| 1798-1826
| v
| Vocal
| from Beethoven's letters and conversation books
|-
| —
| Anh. {{hs|0}}4
| —
| —
| '''[[Flute Sonata in B-flat major, Anh.4 (Beethoven, Ludwig van)|Flute Sonata]]'''
| B{{flat}} major
| 1790-92 ?
| fl pf
| Chamber
| Beethoven's authoship uncertain
|-
| —
| Anh. {{hs|0}}5
| —
| —
| '''[[2 Sonatinas for Piano, Anh.5 (Beethoven, Ludwig van)|Sonatinas]]''' (2)
|
| 1790-92 ?
| pf
| Keyboard
| probably spurious
|-
| —
| Anh. 10
| —
| —
| '''[[8 Variations on 'Ich hab ein kleines Hüttchen nur' (Beethoven, Ludwig van)|Variations on 'Ich hab ein kleines Hüttchen nur']]'''
| B{{flat}} major
| 1795 ?
| pf
| Keyboard
| Beethoven's authorship is doubtful
|-
| —
| Anh. 14
| —
| —
| '''[[6 Waltzes, Anh 14 (Beethoven, Ludwig van)| Waltzes]]''' (6)
|
|
| pf
| Keyboard
| spurious; authorship unknown
|-
| —
| —
| {{hs|0}}19
| 129
| '''[[Wind Quintet in E-flat major, Hess 19 (Beethoven, Ludwig van)|Wind Quintet]]'''
| E{{flat}} major
| 1793-96
| ob bn 2hn
| Chamber
| fragment only; completion by {{LinkName|Leopold Alexander|Zellner}} (1862)
|-
| —
| —
| {{hs|0}}29
| {{hs|0}}80
| '''[[Prelude and Fugue, Hess 29 (Beethoven, Ludwig van)|Prelude and Fugue]]'''
| E minor
| 1794-95
| 2vn vc
| Chamber
|
|-
| —
| —
| {{hs|0}}30
| {{hs|0}}80
| '''[[Prelude and Fugue, Hess 30 (Beethoven, Ludwig van)|Prelude and Fugue]]'''
| F major
| 1794-95
| 2vn va vc
| Chamber
|
|-
| —
| —
| {{hs|0}}40
| 684
| '''[[String Quintet in D minor, Hess 40 (Beethoven, Ludwig van)|String Quintet]]'''
| D minor
| 1817
| 2vn 2va vc
| Chamber
| part of 1 movt. only
|-
| —
| —
| {{hs|0}}91
| —
| '''[[Opferlied, Op.121b (Beethoven, Ludwig van)|Opferlied]]''' ("Die Flamme lodert")
| E major
| 1824
| v ch pf
| Vocal
| 5th version of Op. 121b, WoO 126, Hess 91, Hess 145
|-
| —
| —
| 145
| 117
| '''[[Opferlied, WoO 126 (Beethoven, Ludwig van)|Opferlied]]''' ("Die Flamme lodert")
| E major
| 1796
| v pf
| Vocal
| 2nd version of Op. 121b, WoO 126, Hess 91
|-
| —
| —
| 238
| {{hs|0}}80
| '''[[9 Fugues for 4 Voices, Hess 238 (Beethoven, Ludwig van)|9 Fugues for 4 Voices]]'''
|
| 1794-95
| 4open
| Chamber
|
|-
| —
| —
| 244
| {{hs|0}}80
| '''[[2 Triple Fugues for 4 Voices, Hess 244 (Beethoven, Ludwig van)|Triple Fugues]]''' (2)
|
| 1794-95
| 4open
| Chamber
|
|-
| —
| —
| Anh. 10
| —
| '''[[Andante favori, WoO 57 (Beethoven, Ludwig van)|Andante favori]]'''
| F major
|
| 2vn va vc
| Chamber
| arr. of WoO 57; Beethoven's authorship uncertain
|-
| —
| —
| —
| 838
| '''[[Symphony No.10 (Beethoven, Ludwig van)|Symphony No.10]]'''
| E{{flat}} major
| 1822-25
|
| Orchestral
| unfinished sketches only; completion by Barry Cooper (1988)
|-
| —
| —
| —
| —
| '''[[Bagatelle in F minor (Beethoven, Ludwig van)|Bagatelle in F minor]]'''
| F minor
| 1826
| pf
| Keyboard
| unidentified work; Beethoven's authorshp disputed
|-
| —
| —
| —
| —
| '''[[Hymne an die Nacht (Beethoven, Ludwig van)|Hymne an die Nacht]]'''
| C major
| -
| ch pf
| Vocal
| setting of theme from Op.57; Beethoven's authorship disputed
|}

==Works with "Anh" Number (spurious)==
These are works from the Appendix (Anhang in German) of Kinsky's catalog that were attributed to Beethoven at the time the catalog was compiled, but might not have been written by him.
*'''Anh 1''': Symphony in C major ("Jena") – now attributed to Friedrich Witt
*'''Anh 2''': Six string quartets
*'''Anh 3''' - Piano Trio in D major (published in [[Werke (Beethoven, Ludwig van)#Abteilung IV|Werke]], Abteilung IV, Band 3, pp. 199-218)
*'''Anh 4''' - [[Flute Sonata in B-flat major, Anh.4 (Beethoven, Ludwig van)|Flute Sonata in B-flat major]]
*'''Anh 5''' - Two Piano Sonatinas
**No.1: [[Sonatina in F major AnH 5 (Beethoven, Ludwig van)|Sonatina in F major]]
**No.2: [[Sonatina in G AnH 5 (Beethoven, Ludwig van)|Sonatina in G]]
*'''Anh 6''' - Rondo in B flat major for piano
*'''Anh 7''' - Piano Concerto (Allegro) for Piano & Orchestra in D Major (first movement); authorship: spurious – at first, many were unconvinced that this work was by Beethoven; some believed this to be a missing movement from a piano concerto by the Bohemian composer, Jan Joseph Rosler (1771-1813). Though today, some experts believe this to be a true work by Beethoven as it musically represents an early 20-year old Beethoven. Regardless, this work is estimated to have been written between 1788 and 1793.
*'''Anh 8'''
**[[Gavotte in F Major, WoO Anh.8 (Beethoven, Ludwig van)|Gavotte in F Major]]
**Allegro for Piano Four Hands in B Flat Major; authorship: probably doubtful
**Fragment for Piano Four Hands in C Minor: of Marche lugubre; authorship: probably doubtful
*'''Anh 9''' - 9 German Dances for Piano Four Hands
*'''Anh 10''' - [[8 Variations on the Song "Ich hab ein kleines Hüttchen nur" (Beethoven, Ludwig van)|8 Variations for Piano in B flat major: on "Gestern abend war Vetter Michael da" (Yesterday evening nephew Michael was there) or "Ich habe ein kleines Huettchen nur" (I only have a little hat)]]
*'''Anh 11''' - March for Piano in F Major: "Alexandermarsch" for Duport’s ballet "Der blode Ritter"
*'''Anh 12''' - March for Piano in C Major: "Pariser Einzugsmarsch"; authorship: Johnn H. Walch.
*'''Anh 13''' - [[Trauermarsch, Anh.13 (Beethoven, Ludwig van)|Trauermarsch]], Funeral March for Piano in F Minor; authorship: Johnn H. Walch.
*'''Anh 14''' - [[6 Waltzes, Anh 14 (Beethoven, Ludwig van)|6 Waltzes]]
**No.1: Waltz for Piano in A-flat major: "Sehnsuchtwalzer"; authorship: probably spurious
**No.2: Waltz for Piano in F minor: "Schmerzenwalzer"; authorship: probably spurious
**No.3: Waltz for Piano in E flat major: "Hoffnungswalzer"; authorship: probably spurious
**No.4: Waltz for Piano in A major: "Geisterwalzer"; authorship: probably spurious
**No.5: Waltz for Piano in F major; authorship: probably spurious
**No.6: Waltz for Piano in D flat major; authorship: probably spurious
*'''Anh 15''' - [[Waltz for Piano in F Major, Anh.15 (Beethoven, Ludwig van)|Waltz for Piano in F Major]]: "Glaube, Liebe, und Hoffnung"; authorship: probably doubtful (also known as 'Farewell to the Piano').
*'''Anh 16''' - 4 Waltzes for piano
**No.1: Waltz for Piano in C sharp major: "Jubelwalzer"; authorship: probably doubtful
**No.2: Waltz for Piano in B flat major: "Gertruds Traumwalzer" (Gertrude’s Dream); authorship: spurious
**No.3: Waltz for Piano in B Flat Major: "Sonnenscheinwalzer"; authorship: probably doubtful
**No.4: Waltz for Piano in A Flat Major: "Mondscheinwalzer"; authorship: probably doubtful
*'''Anh 17''' - Waltz for Piano in F Major: Introduction and Waltz
*'''Anh 18''' - [[An Sie, Anh.18 (Beethoven, Ludwig van)|Song: "An Sie" or "Nachruf"]]

==Selected works with "Hess" Number==
These works have numbers that were assigned by Willy Hess. Many of the works in the Hess catalog also have WoO numbers; those entries are not listed here.
*'''Hess 1''' - Fragment in F major (original ending to first movement of Symphony No. 8, Opus 93)
*'''Hess 3''' - 12 Ecossaises for piano or orchestra (lost; possibly the same as WoO 16)
*'''Hess 6''' - [[2 Marches for Military Band, WoO 18-19 (Beethoven, Ludwig van)|March for Military Band]] (version of WoO 18 without trio)
*'''Hess 8''' - [[2 Marches for Military Band, WoO 18-19 (Beethoven, Ludwig van)|March for Military Band]] (version of WoO 19 without trio)
*'''Hess 11''' - Romance for Violin and Orchestra No. 3 (lost or never written)
*'''Hess 12''' - Oboe Concerto in F (fragment only)
*'''Hess 13''' - Romance in E minor for 3 soloists and orchestra
*'''Hess 14''' - Fragment for Piano and Orchestra in B flat major (unfinished; fragment of the first version of the first movement of Piano Concerto No. 2, Opus 19)
*'''Hess 15''' - Piano Concerto No. 6 (unfinished)
*'''Hess 16''' - Original introduction to the Choral Fantasia, Opus 80
*'''Hess 19''' - [[Wind Quintet in E flat major, Hess 19 (Beethoven, Ludwig van)|Wind quintet in E flat major]]
*'''Hess 21''' - Andante con Variazioni for Wind Band (fragments of an arrangement of the Septet, Opus 20, for Military Band; Beethoven's involvement with the arrangement is uncertain)
*'''Hess 22''' - Duo for viola and cello (first movement of WoO 32; published in [[Werke (Beethoven, Ludwig van)#Abteilung VI|Werke]], Abteilung VI, Band 6, pp. 115-120)
*'''Hess 23''' - Minuet for viola and cello (third movement of WoO 32; published in [[Werke (Beethoven, Ludwig van)#Abteilung VI|Werke]], Abteilung VI, Band 6, pp. 120-121)
*'''Hess 24''' - Fragment for viola and cello (second movement of WoO 32, fragment only)
*'''Hess 25''' - String Trio (original finale to Opus 3)
*'''Hess 28''' - Movement in A flat major for string trio (second trio to the scherzo of Opus 9 No. 1; published in [[Werke (Beethoven, Ludwig van)#Abteilung VI|Werke]], Abteilung VI, Band 6, pp. 122-123)
*'''Hess 29''' - [[String Trio in E minor, Hess 29 (Beethoven, Ludwig van)|Prelude and Fugue for 2 Violins and Cello]]
*'''Hess 30''' - [[Prelude and Fugue in F major, Hess 30 (Beethoven, Ludwig van)|Prelude and Fugue for String Quartet]]
*'''Hess 31''' - Prelude and Fugue for String Quartet
*'''Hess 32''' - String Quartet in F major (first version of Opus 18 No. 1; published in [[Werke (Beethoven, Ludwig van)#Abteilung VI|Werke]], Abteilung VI, Band 3, pp. 124-150)
*'''Hess 33''' - Minuet for string quartet
*'''Hess 34''' - [[Piano Sonata No.9, Op.14 No.1 (Beethoven, Ludwig van)#For String Quartet (Beethoven)|String Quartet arrangement of Opus 14 No. 1]] (also published in [[Werke (Beethoven, Ludwig van)#Abteilung VI|Werke]], Abteilung VI, Band 3, pp. 151-161)
*'''Hess 35''' - Fragment for String Quartet in B minor (arrangement of Fugue No. 24 from ''Das wohltemperierte Klavier'' I by J. S. Bach)
*'''Hess 36''' - Handel Fugue (from ''Solomon'' overture) arranged for String Quartet
*'''Hess 37''' - Mozart Fugue for 2 pianos in C minor, KV 426, revised by Beethoven
*'''Hess 38''' - J. S. Bach Fugue (No. 22 from ''Das wohltemperierte Klavier'' I) arranged for String Quintet
*'''Hess 39''' - String Quintet in F major (lost)
*'''Hess 40''' - [[Quintettsatz in D minor, Hess 40 (Beethoven, Ludwig van)|Movement in D minor for String Quintet]] (published in [[Werke (Beethoven, Ludwig van)#Abteilung VI|Werke]], Abteilung VI, Band 2, pp. 117-118)
*'''Hess 44''' - Adagio for mandolin and harpsichord (later revision of WoO 43b)
*'''Hess 46''' - Violin Sonata in A major
*'''Hess 47''' - Piano Trio (arrangement of Opus 3)
*'''Hess 48''' - Allegretto in E flat major for piano trio (published in [[Werke (Beethoven, Ludwig van)#Abteilung IV|Werke]], Abteilung IV, Band 3, pp. 219-223)
*'''Hess 49''' - Piano Trio in E flat major (lost or spurious)
*'''Hess 50''' - Piano Trio in B Flat Major (lost or spurious)
*'''Hess 52''' - Piano Sonata in C Major (lost; possibly spurious)
*'''Hess 54''' - Variations for piano on Amenda's theme "Freudvoll und leidvoll" (lost)
*'''Hess 55''' - Variations for piano on Vincenzo Righini's aria "Venni Amore" (original version of 1791; originally thought to be different from the 1802 edition, WoO 65, but now known to be identical)
*'''Hess 57''' - Bagatelle in C major (unfinished sketch for piano)
*'''Hess 58''' - Exercise for Piano in B flat major
*'''Hess 59''' - Exercise for Piano in C major
*'''Hess 60''' - Draft for Piano in A major (unfinished)
*'''Hess 61''' - Anglaise in D major for piano
*'''Hess 63''' - Piece for Piano (arrangement of Christian Friedrich Daniel Schubart's "Kaplied")
*'''Hess 64''' - Fugue for keyboard
*'''Hess 65''' - Concerto excerpt (piano solo arrangement of Opus 37)
*'''Hess 66''' - Allegretto for Piano in C minor (second version of WoO 53)
*'''Hess 67''' - 2 German Dances for Piano: in F major and F minor
*'''Hess 68''' - Ländler for Piano in C minor
*'''Hess 69''' - Bagatelle in C minor for piano
*'''Hess 70''' - Adagio for Piano in G major
*'''Hess 71''' - Movement for Piano in G major
*'''Hess 72''' - Variations for Piano in A major
*'''Hess 73''' - Bagatelle for Piano in C major
*'''Hess 74''' - Bagatelle for Piano in E flat major
*'''Hess 76''' - Cadenza for Piano Concerto No. 1, Opus 15 (fragments and sketches)
*'''Hess 77''' - Cadenza for the first movement of Piano Concerto No. 1, Opus 15 (lost)
*'''Hess 78''' - Cadenza for the third movement of Piano Concerto No. 1, Opus 15
*'''Hess 79''' - Cadenza for the first version of Piano Concerto No. 2, Opus 19 (fragments and sketches)
*'''Hess 80''' - Cadenza for the first movement of Piano Concerto No. 3, Opus 37 (spurious, actually by Thalberg)
*'''Hess 81''' - Cadenza for the first movement of Piano Concerto No. 4, Opus 58 (published in [[Werke (Beethoven, Ludwig van)#Abteilung VII|Werke]], Abteilung VII, Band 7, p. 28)
*'''Hess 82''' - Cadenza "senza misura" for the Rondo of Piano Concerto No. 4, Opus 58 (published in [[Werke (Beethoven, Ludwig van)#Abteilung VII|Werke]], Abteilung VII, Band 7, p. 31)
*'''Hess 83''' - Very brief cadenza for the Rondo of Piano Concerto No. 4, Opus 58 (published in [[Werke (Beethoven, Ludwig van)#Abteilung VII|Werke]], Abteilung VII, Band 7, p. 31)
*'''Hess 84''' - Solo passage for the Rondo of the piano version of the Violin Concerto, Opus 61 (published in [[Werke (Beethoven, Ludwig van)#Abteilung VII|Werke]], Abteilung VII, Band 7, p. 41)
*'''Hess 85''' - Cadenza for the Rondo of the piano version of the Violin Concerto, Opus 61 (published in [[Werke (Beethoven, Ludwig van)#Abteilung VII|Werke]], Abteilung VII, Band 7, pp. 42-43)
*'''Hess 86''' - [[Große Fuge, Op.133 (Beethoven, Ludwig van)#For Piano 4 hands (Beethoven)|Große Fuge for Piano Four Hands]] (same as Opus 134; arrangement of Opus 133)
*'''Hess 87''' - March for piano (arrangement of WoO 29)
*'''Hess 88''' - Minuet for piano (arrangement of Hess 33)
*'''Hess 89''' - Ritterballett (piano arrangement of WoO 1)
*'''Hess 90''' - [[Die Geschöpfe des Prometheus, Op.43 (Beethoven, Ludwig van)#For Piano solo (Composer)|The Creatures of Prometheus]] (piano arrangement of Opus 43)
*'''Hess 91''' - Opferlied (piano arrangement of Opus 121b)
*'''Hess 92''' - Bundeslied (piano arrangement of Opus 122)
*'''Hess 93''' - 'Freudvoll und leidvoll' (in A major), piano accompaniment for Opus 84 No. 4
*'''Hess 94''' - 'Freudvoll und leidvoll' (in G major), piano accompaniment for Opus 84 No. 4
*'''Hess 95''' - 'Freudvoll und leidvoll' (in F major), piano accompaniment for Opus 84 No. 4
*'''Hess 96''' - Fragment of Symphony No. 7, Opus 92, for piano (first 46 measures of first movement)
*'''Hess 97''' - Wellington's Victory (piano arrangement of Opus 91)
*'''Hess 98''' - Scherzo for piano (unfinished; arrangement of the third movement of Opus 1 No. 2)
*'''Hess 99''' - March for piano (arrangement of Hess 6)
*'''Hess 100''' - [[12 German Dances, WoO 8 (Beethoven, Ludwig van)#For Piano Solo|12 German Dances for Piano]] (arrangement of WoO 8)
*'''Hess 101''' - [[12 Minuets, WoO 7 (Beethoven, Ludwig van)#For Piano solo|12 Minuets for Piano]] (arrangement of WoO 7)
*'''Hess 102''' - 9 Contredanses for Piano (arrangement of WoO 14, Nos. 8, 7, 4, 10, 9, 1, 2, 5 and 12)
*'''Hess 107''' - Grenadier's March
*'''Hess 108''' - Wellington's Victory (panharmonicon arrangement of Opus 91)
*'''Hess 115''' - Vestas Feuer (unfinished Opera)
*'''Hess 118''' - Music for the Consecration of the House (from Opus 113)
*'''Hess 133''' - Folksong
*'''Hess 134''' - Folksong
*'''Hess 137''' - Song `Ich wiege dich' (lost)
*'''Hess 139''' - Song `Minnesold' (lost)
*'''Hess 143''' - Song `An die Freude' (lost)
*'''Hess 151''' - Song 'Traute Henriette'
*'''Hess 152-207''' - Folksong settings
*'''Hess 208-232''' - Italian partsongs
*'''Hess 233-246''' - Counterpoint exercises
**Hess 238 - [[9 Fugues for 4 Voices, H.238 (Beethoven, Ludwig van)|9 Fugues for 4 Voices]]
**Hess 244 - [[2 Triple Fugues for 4 Voices, H.244 (Beethoven, Ludwig van)|2 Triple Fugues for 4 Voices]]
*'''Hess 274''' - Canon à 2 in G (instrumental)
*'''Hess 275''' - Canon à 2 in Ab (instrumental)
*'''Hess 276''' - Canon à 3 'Herr Graf, ich komme zu fragen'
*'''Hess 277''' - Canon à 3 'Esel aller Esel, hi ha'
*'''Hess 297''' - Adagio for three horns
*'''Hess 300-301''' - Two Canons
*...
*'''Hess 335'''
*'''Hess Anh 1'''
*...
*'''Hess Anh 66'''
*

==Collections and other miscellaneous works==
* [[Cadenzas for Piano Concertos Nos.1-4 (Beethoven, Ludwig van)|Cadenzas for Piano Concertos Nos.1-4]]
* [[Bagatelle in F minor (Beethoven, Ludwig van)|Bagatelle in F minor]]
* [[Hymne an die Nacht (Beethoven, Ludwig van)|Hymne an die Nacht]]
* [[Symphony No.10 (Beethoven, Ludwig van)|Symphony “No.10” in E flat major]] (sketches, elaborated by Barry Cooper)
* [[String Quintet in C major (Beethoven, Ludwig van)|String Quintet in C major]]
* [[Revisionsbericht (Beethoven, Ludwig van)|Revisionsbericht]]
* [[Studien im Generalbass, Contrapunkt und in der Compositionslehre (Beethoven, Ludwig van)|Studien im Generalbass, Contrapunkt und in der Compositionslehre]]
* [[Thematisches Verzeichniss Der Im Druck Erschienenen Werke (Beethoven, Ludwig van)|Thematisches Verzeichniss Der Im Druck Erschienenen Werke]]
* [[Letters (Beethoven, Ludwig van)|Letters]]

L'éolienne (Anty, Marthe)

2020-01-11T18:20:43Z

Alsebal:

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|Alternative Title=Valse brillante
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L'éolienne (Anty, Marthe)

2020-01-11T18:20:07Z

Alsebal:

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|Piece Style=Romantic
|Instrumentation=piano
|Tags=waltzes ; orch

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Cantates à voix seule et avec simfonie (Montéclair, Michel Pignolet de)

2020-01-10T17:53:49Z

Alsebal: Added titles of the cantatas in each book

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|Number of Movements/Sections=3 books (24 cantatas):
;*Premier Livre
# La Fortune (Pre. Cantate)
# Le Triomfe de la Constance (2e Cantate)
# La Badine (3e Cantate à voix seule)
# Le Dépit généreux (Cantate à voix seule avec un Dessus de Violon ou de Flûte)
# Godimento e pena in Amore (Cantata 5ª)
# La Mort de Didon (Cantate avec un Dessus de Violon)
# Amante di bella donna (Cantata 7ª)
# Le Retour de la Paix (8e Cantate avec deux dessus de Violon)
;*Seconde Livre
# L'Amour vangé (Premiere Cantate à voix seule)
# Les Syrènes (II. Cantate à voix seule)
# Le triomphe de l'Amour (IIIe Cantate à voix seule)
# Pan et Sirinx (IVe Cantate à voix seule, avec un dessus de Violon, de Haubois, ou de Flute)
# L'Enlevement d'Orithie (Ve Cantate à voix seule avec un dessus de Violon)
# Pyrame et Thisbé (VIe Cantate à Trois Voix avec un dessus de Violon)
# Il dispetto in Amore (Cantata 7ª a voce sola)
;*Troisième Livre
# Les Delices Champestres (Premiere Cantate à Deux Voix)
# L'heureux moment (IIe Cantate à Voix Seule)
# Ariane et Bacchus (IIIe Cantate à Voix Seule avec une Flute ou un Violon)
# Sur un Arbrisseau (IVe Cantate à Voix Seule)
# La Bergere (Ve Cantate à Voix Seule, avec une Flute et un Violon)
# Tircis et Climene (VIe Cantate à Deux Voix, Dessus et Basse, avec un Violon ou une Flute)
# Le Songe (VIIe Cantate à Voix Seule)
# Europe (VIIIe Cantate à Voix Seule avec un Violon ou une Flute)
# Morte di Lucretia (Cantata a Voce Sola, con due Violini e il Basso)
|Average Duration=
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|Page Type=Collection
|Librettist=M. Liebaux
|Language=French, Italian
|Piece Style=Baroque
|Instrumentation=voice, violin, viol, continuo - various combinations
|Tags=secular cantatas ; v bc ; v 2vn bc ; v vn bc ; v viol bc ; fr

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Opus musicum sonatarum praestantissimarum (Pezel, Johann Christoph)

2020-01-02T19:37:22Z

Alsebal:

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|Misc. Notes={{MiscLib|FPn|1|00000990049229|RISM A/I: P 1698}}
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#Sonata Abella
#Sonata Baccha
#Sonata Cadmea
#Sonata Dejanira
#Sonata Ebura
#Sonata Fabaria
#Sonata Gaba
#Sonata Hoemonia
#Sonata Ja
#Sonata Köhlerina
#Sonata Laconia
#Sonata Macra
#Sonata Nabathea
#Sonata Octavia
#Sonata Padusa
#Sonata Quinquatria
#Sonata Rha
#Sonata Sabaea
#Sonata Tamara
#Sonata Vacuna
#Sonata Wallona
#Sonata Xantippea
#Sonata Yvana
#Sonata Zacchantea
#Ciacona
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|Instrumentation=2 violins, 3 violas, bassoon or violone, continuo
|Tags=sonatas ; chaconnes ; 2vn 3va vlne bc ; bn 2vn 3va bc

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The Celebrated Chop Waltz (Allan, Euphemia)

2019-11-07T14:08:27Z

Alsebal:

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|Copyright=Public Domain
|Misc. Notes=Published under pseudonym "Arthur de Lulli"
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|Alternative Title=Chopsticks
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|Year/Date of Composition=1877
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| *****COMMENTS***** =

Deposited Feb. 3, 1877 at the British Museum as ''The Celebrated Chop Waltz'', composed by Arthur de Lulli (pseudonym of Euphemia Allen) aranged as duet and solo for piano and published by Mozart Allen, Glasgow and Howard & Co., London. In the same year, Alexander Borodin's daughter played four measures of music similar to the first part of this piece, which served as a basis for a set of variations composed by Borodin, Cui, Liadov which was published under the title ''Paraphrases on the Coteletten Polka'' by A. Büttner in 1878 or 1879. An additional variation was later contributed by Franz Liszt. James Fuld has speculated that both works might share a common, earlier source, which has not yet surfaced.

| *****END OF TEMPLATE***** }}

3 Morceaux, Op.30 (Alferaki, Achilles)

2019-10-22T13:24:03Z

Alsebal: Work Info: Name of the 3 pieces

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# Menuet
# Etude
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2 Pieces, Op.72 (Akimenko, Theodore)

2019-09-27T09:30:32Z

Alsebal:

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|Date Submitted=2015/6/27
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|Copyright=Public Domain
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Opinioni de’ cantori antichi e moderni (Tosi, Pier Francesco)

2019-07-19T14:10:42Z

Alsebal: Publisher Information of the first edition (1723) is included at the end of its last page.

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|Number of Movements/Sections=
|Average Duration=
|Dedication=
|First Performance=
|Page Type=Book
|Year/Date of Composition=
|Year of First Publication=1723
|Librettist=
|Language=Italian
|Piece Style=Baroque
|Instrumentation=voice
|Tags=methods ; music history ; performance practice ; v ; it

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Pièces de clavecin, Livre 4 (Couperin, François)

2019-06-27T21:32:34Z

Alsebal:

{{#fte:imslppage

| *****AUDIO***** =
===Synthesized/MIDI===
====Ordre XII====
{{#fte:imslpaudio
|File Name 1=PMLP200271-Cou73Sco.mp3
|File Description 1=1. Le Trophé (Trumpet and Organ)
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2017/6/17
|Publisher Information=Michel Rondeau, 2017.
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes={{WIMAProject}}
}}
====Ordre XXV====
{{#fte:imslpaudio
|File Name 1=PMLP200271-Couperin_25_5_Ombres.mid
|File Description 1=5. Les Ombres Errantes
|Audio Length 1=2:58
|Performers=MIDI file by Pierre Gouin
|Performer Categories=
|Uploader=[[User:Keanur|Keanur]]
|Date Submitted=2016/9/9
|Publisher Information=Montréal: Les Éditions Outremontaises, 2016
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

| *****FILES***** =
====Complete====
{{#fte:imslpfile
|File Name 1=PMLP200271-Couperin_-_Quatrieme_Livre_-Royaumont-.pdf
|File Name 2=PMLP200271-Couperin_-_Quatrieme_Livre_-Royaumont,_BW-.pdf
|File Name 3=PMLP200271-Couperin_-_Quatrieme_Livre.pdf
|File Name 4=PMLP200271-Couperin_-_Quatrieme_Livre_de_Pieces_de_Clavecin_(1730).pdf
|File Description 1=Complete Score (colour)
|File Description 2=Complete Score (monochrome)
|File Description 3=Complete Score (monochrome)
|File Description 4=Complete Score (monochrome)
|Editor=
|Engraver=François du Plessy
|Image Type=Normal Scan
|Scanner 1={{BMFL}}
|Scanner 2={{BMFL}}
|Scanner 3={{BNF|ark:/12148/btv1b9010051w}}
|Scanner 4={{BNF|ark:/12148/btv1b9010051w}}
|Uploader=[[User:Irishmaestro|Irishmaestro]]
|Date Submitted 1=2016/8/8
|Date Submitted 2=2016/8/8
|Date Submitted 3=2011/7/1
|Date Submitted 4=2013/10/4
|Publisher Information=Paris: chez l'Auteur, [[Boivin]], Le Clerc, 1730.
|Copyright=Public Domain
|Misc. Notes=#434207/8: 1733 printing. #298209: Pages have been deskewed, despeckled, etc. Page 73 (containing the 2nd half of Saillie) has a significant crease in the original, obscuring some of the music.
}}
{{#fte:imslpfile
|File Name 1=PMLP200271-Couperin_-_Pieces_de_clavecin_Bk4.pdf
|File Description 1=Complete Score
|Page Count 1=129
|Editor={{LinkEd|Johannes|Brahms}} (1833-1897) {{LinkEd|Friedrich|Chrysander}} (1826-1901)
|Image Type=Normal Scan
|Scanner=University of Toronto
|Uploader=[[User:Massenetique|Massenetique]]
|Date Submitted=2011/4/14
|Publisher Information=London: [[Augener]], No.8100, 1888. Plate 8144.
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP11414-Musique_de_Clavecin_IV.pdf
|File Description 1=Complete score
|Page Count 1=
|Page Count 2=
|Editor={{LinkEd|Maurice|Cauchie}} (1882-1963)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Irishmaestro|Irishmaestro]]
|Date Submitted=2011/2/17
|Publisher Information=Paris: Éditions de l'Oiseau-Lyre, 1932. Plate O.L. 11
|Copyright=Public Domain
|Misc. Notes=
}}
====Ordre XX====
{{#fte:imslpfile
|File Name 1=WIMA.b44a-Couperin_20eO_01b_Air_Polonois.pdf
|File Name 2=WIMA.047e-Couperin_20eO_08_Tambourins.pdf
|File Description 1=1. Air dans le goût Polonois
|File Description 2=8. Les Tambourins
|Editor={{LinkEd|Pierre|Gouin}} [mailto:pierre.gouin@videotron.ca - Contact]
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Keanur|editor]]
|Date Submitted=2011/9/23
|Publisher Information=Montréal: Les Éditions Outremontaises, 2006
|Copyright=Creative Commons Attribution Non-commercial 3.0
|Misc. Notes={{WIMAProject}} Urtext.
}}
{{#fte:imslpfile
|File Name 1=PMLP200271-Couperin;_Les_Tambourins.pdf
|File Description 1=8. Les Tambourins
|Editor={{LinkEd|Paul-Gustav|Feller}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Pgfeller|Pgfeller]]
|Date Submitted=2014/5/20
|Publisher Information=Ritter von Schleyer Verlag
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=Added fingerings.
}}
====Ordre XXII====
{{#fte:imslpfile
|File Name 1=PMLP200271-couperin_l'anguille.pdf
|File Description 1=4. L'Anguille
|Editor=Superollywood
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Superollywood|Superollywood]]
|Date Submitted=2014/1/31
|Publisher Information=Superollywood, 2014
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====Ordre XXIII====
{{#fte:imslpfile
|File Name 1=WIMA.4a20-Couperin_23eOrdre_L_Arlequine.pdf
|File Description 1=3. L’Arlequine
|Editor={{LinkEd|Pierre|Gouin}} [mailto:pierre.gouin@videotron.ca - Contact]
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Keanur|editor]]
|Date Submitted=2011/9/23
|Publisher Information=Montréal: Les Éditions Outremontaises, 2005
|Copyright=Creative Commons Attribution Non-commercial 3.0
|Misc. Notes={{WIMAProject}} Urtext.
}}
====Ordre XXV====
{{#fte:imslpfile
|File Name 1=PMLP200271-Couperin_25_5_Ombres.pdf
|File Description 1=5. Les Ombres Errantes
|Editor={{LinkEd|Pierre|Gouin}} [mailto:pierre.gouin@videotron.ca - Contact]
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Keanur|editor]]
|Date Submitted=2016/9/9
|Publisher Information=Montréal: Les Éditions Outremontaises, 2016
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=Urtext keyboard score.
}}

===Arrangements and Transcriptions===
====Ordre XX. No.3. Les chérubins====
=====For Violin and Piano (Salmon)=====
{{#fte:imslpfile
|File Name 1=SIBLEY1802.16660.28fb-39087004883130score.pdf
|File Name 2=SIBLEY1802.16660.2da1-39087004883130violin.pdf
|File Description 1=Piano score
|File Description 2=Violin
|Page Count 1=
|Page Count 2=
|Page Count 3=
|Page Count 4=
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/16660}}
|Uploader=[[User:Schalltrichter|Schalltrichter]]
|Date Submitted=2012/6/13
|Publisher Information=Paris: Ricordi, 1914. Plate R. 84.
|Copyright=Public Domain
|Arranger={{LinkArr|Joseph|Salmon}} (1864-1943)
|Misc. Notes={{SibleyProject}}
}}
=====For Cello and Piano (Salmon)=====
{{#fte:imslpfile
|File Name 1=PMLP200271-Couperin_-_Les_Cherubins_for_cello_and_piano_(Salmon)_pno.pdf
|File Name 2=PMLP200271-Couperin_-_Les_Cherubins_for_cello_and_piano_(Salmon)_vc.pdf
|File Description 1=Piano Score
|File Description 2=Cello
|Page Count 1=5
|Page Count 2=2
|Editor=
|Arranger={{LinkArr|Joseph|Salmon}} (1864-1943)
|Image Type=Normal Scan
|Scanner 1=
|Scanner 2=
|Uploader 1=[[User:Generoso|Generoso]]
|Uploader 2=[[User:Generoso|Generoso]]
|Date Submitted 1=2011/4/19
|Date Submitted 2=2011/4/19
|Publisher Information=Paris: [[Ricordi]], 1914. Plate R.109.
|Copyright=Public Domain
|Misc. Notes=
}}
====Ordre XX. No.4. La Crouilli ====
=====For 3 Guitars (Testa)=====
{{#fte:imslpfile
|File Name 1=PMLP200271-F._Couperin_-_La_Crouilli_(3_guit.).pdf
|File Description 1=Complete Score
|Arranger=Luca Testa
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Lucatesta|Lucatesta]]
|Date Submitted=2015/1/21
|Publisher Information=Luca Testa
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}
=====For Trumpet and Organ (Rondeau)=====
{{#fte:imslpfile
|File Name 1=PMLP200271-Cou73ALL.pdf
|File Name 2=PMLP200271-Cou73.zip
|File Description 1=Complete Score, Trumpet Part
|File Description 2=Engraving files (Finale & XML)
|Arranger={{LinkArr|Michel|Rondeau|1948|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2017/6/17
|Publisher Information=Michel Rondeau, 2017.
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes={{WIMAProject}}
}}

| *****WORK INFO*****

|Work Title=Quatrième livre de pièces de clavecin
|Alternative Title=
|Opus/Catalogue Number=
|Key=
|Movements Header=8 ordres (numbered XX through XXVII)
|Number of Movements/Sections=8 ordres (numbered XX through XXVII):
;*Vingtième Ordre (XX)
# La Princesse Marie
# Air Polonois pour la Suite de la pièce précédente
# La Boufonne
# Les Chérubins
# Deuxième partie de la pièce précédente
# La Croüilly ou la Couperinette
# Suite, et Musette
# La Fine Madelon
# La Douce Janneton
# La Sézile
# Les Tambourins
;*Vingt unième Ordre (XXI)
# La Reine des Coeurs
# La Bondissante
# La Couperin
# La Harpée
# La Petite-pince-Sans rire
;*Vingt deuxième Ordre (XXII)
# Le Trophée
# Air pour la Suite du Trophée
# Le Point du jour
# L'Anguille
# Le Croc-en-jambe
# Menuets croiséz
# Les tours de passepasse
;*Vingt troisième Ordre (XXIII)
# L'Audacieuse
# Les Tricoteuses
# L'Arlequine
# Les Gondoles
# Les Satires
;*Vingt quatrième Ordre (XXIV)
# Les Vieux Seigneurs
# Les Jeunes Seigneurs jadis les petits Maîtres
# Les Dards homicides
# Les Guirlandes
# Les Brinborions
# La Divine Babîche, ou les Amours badins
# La Belle Javotte jadis l'Infante
# L'Amphibie
;*Vingt cinquième Ordre (XXV)
# La Visionnaire
# La Misterieuse
# La Monflambert
# La Muse Victorieuse
# Les Ombres-errantes
;*Vingt sixième Ordre (XXVI)
# La Convalescente
# Gavote
# La Sophie
# L'Epineuse
# La Pantomime
;*Vingt septième Ordre (XXVII)
# L'Exquise
# Les Pavots
# Les Chinois
# Saïllie
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1730
|Librettist=
|Language=
|Piece Style=Baroque
|Page Type=Collection
|Instrumentation=harpsichord
|Tags=pieces ; hpd

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}
[[Category:Couperin, François/Collections|Pièces de Clavecin, Livre 4]]

Cantata al sepolcro di nostro signore, S.30 (Heinichen, Johann David)

2019-03-10T14:30:59Z

Alsebal:

{{#fte:imslppage

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP593975--Mus.2398-D-62-_Cantata_al_sepolcro_di_nostro_signore.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Manuscript Scan
|Scanner={{SLUB|/ppn426604903}}
|Uploader=[[User:Tito Manlio|Tito Manlio]]
|Date Submitted=2015/6/18
|Publisher Information={{MssAu|17|24}}
|Copyright=Public Domain
|Misc. Notes={{MiscLib|DDl|1|212006455|Mus.2398-D-62}} {{HiRes}} Full SLUB resolution.
}}

| *****WORK INFO*****

|Work Title=Cantata al sepolcro di nostro signore
|Alternative Title=L'aride tempie ignude
|Opus/Catalogue Number=SeiH 30
|Key=
|Number of Movements/Sections=
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=1724
|Year of First Publication=
|Librettist=
|Language=Italian
|Piece Style=Baroque
|Instrumentation=''voices'' - soprano (Speranza), alto (Amor divino), tenor (la Penitenza), bass (Morte) ''orchestra'' - 2 flutes, 3 oboes, strings, continuo
|Tags=sacred cantatas ; sop alt ten bass orch ; it

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Notebooks for Anna Magdalena Bach (Bach, Johann Sebastian)

2018-06-12T14:02:30Z

Alsebal:

{{#fte:imslppage

| *****AUDIO***** =
{{#fte:imslpaudio
|File Name 1=PMLP06107-AMB1.mp3
|File Name 2=PMLP06107-AMB2.mp3
|File Name 3=PMLP06107-AMB3.mp3
|File Name 4=PMLP06107-AMB4.mp3
|File Name 5=PMLP06107-AMB5.mp3
|File Name 6=PMLP06107-AMB6.mp3
|File Name 7=PMLP06107-AMB7.mp3
|File Name 8=PMLP06107-AMB8.mp3
|File Name 9=PMLP06107-AMB9.mp3
|File Name 10=PMLP06107-AMB10.mp3
|File Name 11=PMLP06107-AMB11.mp3
|File Name 12=PMLP06107-AMB12.mp3
|File Name 13=PMLP06107-AMB13.mp3
|File Name 14=PMLP06107-AMB14.mp3
|File Name 15=PMLP06107-AMB15.mp3
|File Name 16=PMLP06107-AMB16.mp3
|File Name 17=PMLP06107-AMB17.mp3
|File Name 18=PMLP06107-AMB18.mp3
|File Name 19=PMLP06107-AMB19.mp3
|File Name 20=PMLP06107-AMB20.mp3
|File Name 21=PMLP06107-AMB21.mp3
|File Name 22=PMLP06107-AMB22.mp3
|File Name 23=PMLP06107-AMB23.mp3
|File Name 24=PMLP06107-AMB24.mp3
|File Name 25=PMLP06107-AMB25.mp3
|File Name 26=PMLP06107-AMB26.mp3
|File Description 1=Choral C major
|File Description 2=Minuet F major
|File Description 3=Minuet G major
|File Description 4=Minuet G minor
|File Description 5=Minuet G major
|File Description 6=Plonaise F major
|File Description 7=Choral F major
|File Description 8=Minuet B-flat major
|File Description 9=Polonaise G minor
|File Description 10=Choral A minor
|File Description 11=Minuet A minor
|File Description 12=Minuet C minor
|File Description 13=Choral G minor
|File Description 14=March D major
|File Description 15=Polonaise G minor
|File Description 16=March G major
|File Description 17=Polonaise G minor
|File Description 18=Choral G minor
|File Description 19=Minuet G major
|File Description 20=Minuet D minor
|File Description 21=Musette
|File Description 22=March E-flat major
|File Description 23=Bist du bei mir
|File Description 24=Polonaise G major
|File Description 25=Aria - Theme, Goldberg Variations
|File Description 26=Solo per il cembalo
|Performers=Rami Bar-Niv (piano)
|Performer Categories=
|Uploader=[[User:Pianofingering|Pianofingering]]
|Date Submitted=2016/5/3
|Publisher Information={{AmazonDtl|B00W3XKNZE|''The Little Notebook for Anna Magdalena Bach''}} Rami Bar-Niv
|Copyright=Creative Commons Attribution-NonCommercial-NoDerivs 4.0
|Misc. Notes=Played on piano, CD available via Amazon link above or at {{Plain|https://www.createspace.com/2278460|CreateSpace}}. {{YT|breNjWRCaGY|Partial selection (YouTube)}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP6107-DVG_B-37_-_Le_Petit_Livre_d-Anna_Magdalena_Bach_(1964).mp3
|File Description 1=Complete Recording
|Performers=Robert Veyron-Lacroix (harpsichord)
|Performer Categories=
|Uploader=[[User:Vangi|Vangi]]
|Date Submitted=2017/11/26
|Publisher Information=Erato Fiori musicali EFM 42103, 1964.
|Copyright=Creative Commons Zero 1.0
|Thumb Filename=TN-PMLP6107-DVG_B-37_-_Le_Petit_Livre_d-Anna_Magdalena_Bach_(1964)-153.jpg
|Misc. Notes=DVG B-37 - Disque microsillon 33 t, 25 cm, mono
[https://my.pcloud.com/publink/show?code=kZrgF57ZHeCGBxsC6lmoQpVzieQBKQAAiGN7 Album complet]
}}
{{#fte:imslpaudio
|File Name 1=PMLP06107-Minuet_in_G_Maj._Anh._114.mp3
|File Description 1=Minuet in {{K|G}}, BWV Anh.114
|Performers=Tullio Forlenza
|Performer Categories=
|Uploader=[[User:Tullio Forlenza|performer]]
|Date Submitted=2016/6/18
|Publisher Information={{plain|http://www.growingpianist.it|Growing Pianist}}
|Copyright=Creative Commons Attribution-NonCommercial-NoDerivs 4.0
|Misc. Notes=
}}

===Synthesized/MIDI===
====Selections====
=====For Keyboard (Composer)=====
{{#fte:imslpaudio
|File Name 1=WIMA.4775-Marche-BWV_Anhang122.mid
|File Name 2=WIMA.3464-Musette_BWV-Anhang126.mid
|File Description 1=Marche in D major, BWV Anh.122
|File Description 2=Musette in D major, BWV Anh.126
|Audio Length 1=
|Audio Length 2=
|Performers=Jürgen Knuth
|Performer Categories=
|Uploader=[[User:Wrshannon|wrshannon]]
|Date Submitted=2012/6/30
|Publisher Information={{knuth}}
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
=====For 2 Trumpets and 2 Trombones (Rondeau)=====
{{#fte:imslpaudio
|File Name 1=WIMA.a3e4-AM(I)Sco.mid
|File Name 2=WIMA.90da-AM(II)Sco.mid
|File Name 3=WIMA.6952-AM(III)Sco.mid
|File Name 4=WIMA.2f41-AM(IV)Sco.mid
|File Name 5=WIMA.6678-AM(V)Sco.mid
|File Name 6=WIMA.f29b-AM(VI)Sco.mid
|File Name 7=WIMA.0886-AM(VII)Sco.mid
|File Name 8=WIMA.d598-AM(VIII)Sco.mid
|File Description 1=1. Marche, BWV Anh.122
|File Description 2=2. Menuet, BWV Anh.114
|File Description 3=3. March, BWV Anh.124
|File Description 4=4. Menuet, BWV Anh.115
|File Description 5=5. Polonaise, BWV Anh.119
|File Description 6=6. Musette, BWV Anh.126
|File Description 7=7. Menuet, BWV Anh.113
|File Description 8=8. Polonaise, BWV Anh.123
|Audio Length 1=
|Audio Length 2=
|Audio Length 3=
|Audio Length 4=
|Audio Length 5=
|Audio Length 6=
|Audio Length 7=
|Audio Length 8=
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/4/28
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
=====For Double Bass and Piano (Karaca)=====
{{#fte:imslpaudio
|File Name 1=PMLP06107-Bwv_Anh_114.mp3
|File Description 1=Menuet in G major, BWV Anh.114
|Performers=Finale 2011
|Performer Categories=
|Uploader=[[User:Tkaraca|Tolga Karaca]]
|Date Submitted=2013/5/30
|Publisher Information=Tolga Karaca
|Copyright=Creative Commons Attribution-NonCommercial 3.0
|Misc. Notes=
}}
====Gedenke doch, mein Geist, BWV 509====
=====For Trumpet and Organ (Rondeau)=====
{{#fte:imslpaudio
|File Name 1=PMLP06107-Bac509Sco.mp3
|File Description 1=Aria in G Major, BWV 509
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2013/6/2
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
=====For Organ (Gouin)=====
{{#fte:imslpaudio
|File Name 1=PMLP06107-Bach_Aria_BWV509.mid
|File Description 1=Synthesized performance
|Audio Length 1=1:26
|Performers=MIDI file by Pierre Gouin
|Performer Categories=
|Uploader=[[User:Keanur|Keanur]]
|Date Submitted=2013/6/3
|Publisher Information=Montréal: Les Éditions Outremontaises, 2013
|Copyright=Creative Commons Attribution-NonCommercial 3.0
|Misc. Notes=Original key of E ♭major.
}}

| *****FILES***** =
====Complete====
====1st Book (1722)====
{{#fte:imslpfile
|File Name 1=PMLP06107-Partitur_D-B_Mus._ms._Bach_P_224.pdf
|File Description 1=Complete Score
|Editor={{LinkCopy|Anna Magdalena|Bach}} (1701-1760)
|Image Type=Manuscript Scan
|Scanner={{SBB|PPN862847516}}
|Uploader=[[User:BachFan|BachFan]]
|Date Submitted=2017/6/8
|Publisher Information={{MssD|17|22-1724}} {{MssAu|17|22-1724}}
|Copyright=Public Domain
|Misc. Notes={{MiscLib|DB|1|467022400|Mus.ms. Bach P 224}} (BWV 813/5, 841) Title: Clavier-Büchlein vor Anna Magdalena Bachin ANNO 1722. B Ante Calvinismus und Christen Schule item Anti Melancholicus von D. Pfeifern
}}
====2nd Book (1725)====
{{#fte:imslpfile
|File Name 1=PMLP06107-Partitur_D-B_Mus.ms._Bach_P_225.pdf
|File Description 1=Complete Score
|Editor={{LinkCopy|Anna Magdalena|Bach}} (1701-1760) {{LinkCopy|Carl Philipp Emanuel|Bach}} (1714-1788) {{LinkCopy|Johann Christoph Friedrich|Bach}} (1732-1795) {{LinkCopy|Johann Christian|Bach}} (1735-1782) {{LinkCopy|Johann Gottfried Bernhard|Bach}} (1715-1739) {{LinkCopy|Bernhard Dietrich|Ludewig}} (1707-1740) {{LinkCopy|Carl Friedrich|Zelter}} (1758-1832) Anon. L 23, L 24
|Image Type=Manuscript Scan
|Scanner={{SBB|PPN862771390}}
|Uploader=[[User:BachFan|BachFan]]
|Date Submitted=2017/6/8
|Publisher Information={{Mss|17|25-1740}} {{MssAu|ca. 17|25-1740}}
|Copyright=Public Domain
|Misc. Notes={{MiscLib|DB|1|467022500|Mus.ms. Bach P 225}} Title: Anna Magdal Bach 1725.
}}
====Selections====
{{#fte:imslpfile
|File Name 1=Bach-AnnaMagdalena1722.pdf
|File Description 1=Selections from the Notebook of 1722
|Editor={{LinkEd|Paul|Waldersee}} (1831-1906)
|Scanner=
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2006/12/07
|Page Count 1=23
|Publisher Information={{BachComplete|43.2|1894|XLIII(2)}}
|Copyright=Public Domain
|Misc. Notes=These files contains all pages of band 43 volume 2.
|Image Type=Normal Scan
|File Name 2=Bach-AnnaMagdalena1725.pdf
|File Description 2=Selections from the Notebook of 1725
|Page Count 2=47
}}
{{#fte:imslpfile
|File Name 1=PMLP06107-BGA44_9.pdf
|File Description 1=Autograph title page and a gavotte from "Kleine Clavierbuchlein"
|Page Count 1=2
|Editor={{LinkEd|Hermann|Kretzschmar}} (1848–1924)
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Perlnerd666|Perlnerd666]]
|Date Submitted=2008/10/12
|Publisher Information={{BachComplete|44|1895|XLIV}}
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=PMLP06107-BGA44_17.pdf
|File Description 2=Title Page and eight Pages from "Grosses ClavierBuchlein"
|Page Count 2=9
}}
{{#fte:imslpfile
|File Name 1=PMLP06107-Bach_-_Die_Lieder_aus_dem_Notenbuch_der_Anna_Magdalena_Bach.pdf
|File Description 1=Die Lieder aus dem Notenbuch der Anna Magdalena Bach
|Page Count 1=16
|Editor={{LinkEd|Herman|Roth}}
|Image Type=Normal Scan
|Scanner=Bassani
|Uploader=[[User:Bassani|Bassani]]
|Date Submitted=2010/4/7
|Publisher Information=Leipzig: [[Edition Peters]], Nr.3392b, 1920. Plate 10228
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP6107-BACH_-_Augener_Edition_No._7984_-_The_Little_Music_Book_of_Anna.pdf
|File Description 1=20 Easy Pieces
|Editor={{LinkEd|Adam|Carse|1878|1958}}
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Bernardomota|Bernardomota]]
|Date Submitted=2017/6/7
|Publisher Information={{P|Augener||London||1933|7984|}}
|Copyright=Public Domain
|Misc. Notes=Later print (Galliard)
}}
{{#fte:imslpfile
|File Name 1=PMLP06107-AMBach_Menuet_F.pdf
|File Name 2=PMLP06107-AMBach_Menuets_G_114_115.pdf
|File Name 3=PMLP06107-AMBach_Menuet_G_A116.pdf
|File Name 4=PMLP06107-AMBach_Polonaise_F_A117.pdf
|File Name 5=PMLP06107-AMBach_Menuet_Bb_A118.pdf
|File Name 6=PMLP06107-AMBach_Polonaise_A119.pdf
|File Name 7=PMLP06107-AMBach_Menuet_Am_A120.pdf
|File Name 8=PMLP06107-AMBach_Menuet_Cm_A121.pdf
|File Name 9=PMLP06107-Bach_CPE_Marche_A122.pdf
|File Name 10=PMLP06107-AMBach_Polonaise_Gm_A123.pdf
|File Name 11=PMLP06107-AMBach_Marche_G_A124.pdf
|File Name 12=PMLP06107-AMBach_Polonaise_A125.pdf
|File Name 13=PMLP06107-AMBach_Musette_D.pdf
|File Name 14=PMLP06107-AMBach_Marche_Eb_A127.pdf
|File Name 15=PMLP06107-AMBach_Polonaise_Dm_A128.pdf
|File Name 16=PMLP06107-AMBach_Polonaise_A130.pdf
|File Name 17=PMLP06107-AMBach_Gavotte_A131.pdf
|File Name 18=PMLP06107-AMBach_Menuet_Dm_A132.pdf
|File Description 1=Menuet in F major, BWV Anh.113
|File Description 2=Menuets in G major & G minor, BWV Anh.114, 115
|File Description 3=Menuet in G major, BWV Anh.116
|File Description 4=Polonaise in F major, BWV Anh.117
|File Description 5=Menuet in B{{flat}} major, BWV Anh.118
|File Description 6=Polonaise in G minor, BWV Anh.119
|File Description 7=Menuet in A minor, BWV Anh.120
|File Description 8=Menuet in C minor, BWV Anh.121
|File Description 9=Marche in D major, BWV Anh.122
|File Description 10=Polonaise in G minor, BWV Anh. 123
|File Description 11=Marche in G major, BWV Anh.124
|File Description 12=Polonaise in G major, BWV Anh. 125
|File Description 13=Musette in D major, BWV Anh.126*
|File Description 14=Marche in E{{flat}} major, BWV Anh.127
|File Description 15=(Polonaise) in D minor, BWV Anh.128
|File Description 16=Polonaise in G minor, BWV Anh.130
|File Description 17=(Gavotte) in F major, BWV Anh.131
|File Description 18=Menuet in D minor, BWV Anh.132
|Date Submitted 1=2012/4/29
|Date Submitted=2012/4/30
|Date Submitted 4=2012/5/3
|Date Submitted 5=2012/5/3
|Date Submitted 7=2012/5/3
|Date Submitted 8=2012/5/3
|Date Submitted 9=2012/4/29
|Date Submitted 10=2012/5/3
|Date Submitted 13=2011/9/25
|Date Submitted 14=2012/5/3
|Date Submitted 15=2012/5/2
|Date Submitted 17=2012/5/2
|Date Submitted 18=2012/5/2
|Editor={{LinkArr|Pierre|Gouin}} [mailto:pierre.gouin@videotron.ca - Contact]
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Keanur|Pierre Gouin]]
|Publisher Information=Montréal: Les Éditions Outremontaises, 2005*, 2012.
|Copyright=Creative Commons Attribution Non-commercial 3.0
|Misc. Notes=Urtext. *{{WIMAProject}}
}}
{{#fte:imslpfile
|File Name 1=Anna-magdalena-03-a4.pdf
|File Description 1=Menuet in F major, BWV Anh.113
|Editor={{LinkEd|Allen|Garvin}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Lts1996|Lts1996]]
|Date Submitted=2007/6/20
|Page Count 1=1
|Publisher Information={{Mutopia||2001}}
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
|File Name 2=Anna-magdalena-04-a4.pdf
|File Description 2=Menuet in G major, BWV Anh.114
|Page Count 2=1
}}
{{#fte:imslpfile
|File Name 1=WIMA.5042-Marche-BWV_Anhang122.pdf
|File Name 2=WIMA.d787-Marche-BWV_Anhang122.zip
|File Name 3=WIMA.e1ba-Musette_BWV-Anhang126.pdf
|File Name 4=WIMA.1b11-Musette_BWV-Anhang126.zip
|File Description 1=Marche in D major, BWV Anh.122
|File Description 2=Engraving files (Capella): Marche in D major
|File Description 3=Musette in D major, BWV Anh.126
|File Description 4=Engraving files (Capella): Musette in D major
|Editor={{LinkEd|Jürgen|Knuth}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Wrshannon|wrshannon]]
|Date Submitted=2012/6/30
|Publisher Information={{knuth}}
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Musette_in_D.MUS
|File Description 1=Musette, BWV Anh.126
|Editor={{LinkEd|Myscha|Butt}}
|Scanner=editor
|Uploader=[[User:Sphemusator|Sphemusator]]
|Date Submitted=2006/9/02
|Page Count 1=1
|Publisher Information=Myscha Butt
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=This is a very basic transcription of this tune. I have omitted all dynamics and accents (not sure if they were in the original) from the piano version from which this was transcribed.
|Image Type=Typeset
}}
{{#fte:imslpfile
|File Name 1=PMLP06107-J.S.Bach;_Menuet_BWV_Anh.120.pdf
|File Name 2=PMLP06107-J.S.Bach(?);_Musette_BWV_Anh_126.pdf
|File Name 3=PMLP06107-J.S.Bach;_Menuet_(BWV_Anh.132).pdf
|File Description 1=Menuet in A minor, BWV Anh.120
|File Description 2=Musette in D major, BWV Anh.126
|File Description 3=Menuet in D minor, BWV Anh.132
|Editor={{LinkEd|Paul-Gustav|Feller}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Pgfeller|Pgfeller]]
|Date Submitted=2014/5/13
|Publisher Information=Ritter von Schleyer Verlag
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes= Added fingerings.
}}

===Arrangements and Transcriptions===
====Selections====
=====For 2 Trumpets and 2 Trombones (Rondeau)=====
{{#fte:imslpfile
|File Name 1=WIMA.5f15-AM(I)Sco.pdf
|File Name 2=WIMA.be28-AM(I)Trp1.pdf
|File Name 3=WIMA.7fff-AM(I)Trp2.pdf
|File Name 4=WIMA.f0e4-AM(I)Trb.pdf
|File Name 5=WIMA.e05d-AM(I)BTrb.pdf
|File Description 1=1. Marche, BWV Anh.122 - score
|File Description 2=Trumpet 1
|File Description 3=Trumpet 2
|File Description 4=Trombone
|File Description 5=Bass trombone
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/4/28
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
{{#fte:imslpfile
|File Name 1=WIMA.cc45-AM(II)Sco.pdf
|File Description 1=2. Menuet, BWV Anh.114 - score
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/4/28
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
{{#fte:imslpfile
|File Name 1=WIMA.86bf-AM(III)Sco.pdf
|File Name 2=WIMA.9273-AM(III)Trp1.pdf
|File Name 3=WIMA.83e0-AM(III)Trp2.pdf
|File Name 4=WIMA.21ad-AM(III)Trb.pdf
|File Name 5=WIMA.cdf9-AM(III)BTrb.pdf
|File Description 1=3. March, BWV Anh.124 - score
|File Description 2=Trumpet 1
|File Description 3=Trumpet 2
|File Description 4=Trombone
|File Description 5=Bass trombone
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/4/28
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
{{#fte:imslpfile
|File Name 1=WIMA.d1e5-AM(IV)Sco.pdf
|File Name 2=WIMA.761e-AM(IV)Trp1.pdf
|File Name 3=WIMA.dc7e-AM(IV)Trp2.pdf
|File Name 4=WIMA.06f8-AM(IV)Trb.pdf
|File Name 5=WIMA.a77f-AM(IV)BTrb.pdf
|File Description 1=4. Menuet, BWV Anh.115 - score
|File Description 2=Trumpet 1
|File Description 3=Trumpet 2
|File Description 4=Trombone
|File Description 5=Bass trombone
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/4/28
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
{{#fte:imslpfile
|File Name 1=WIMA.a34d-AM(V)Sco.pdf
|File Name 2=WIMA.ac5b-AM(V)Trp1.pdf
|File Name 3=WIMA.c808-AM(V)Trp2.pdf
|File Name 4=WIMA.18df-AM(V)Trb.pdf
|File Name 5=WIMA.1266-AM(V)BTrb.pdf
|File Description 1=5. Polonaise, BWV Anh.119 - score
|File Description 2=Trumpet 1
|File Description 3=Trumpet 2
|File Description 4=Trombone
|File Description 5=Bass Trombone
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/4/28
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
{{#fte:imslpfile
|File Name 1=WIMA.dbdf-AM(VI)Sco.pdf
|File Name 2=WIMA.c165-AM(VI)Trp1.pdf
|File Name 3=WIMA.3d47-AM(VI)Trp2.pdf
|File Name 4=WIMA.7b22-AM(VI)Trb.pdf
|File Name 5=WIMA.9362-AM(VI)BTrb.pdf
|File Description 1=6. Musette, BWV Anh.126 - score
|File Description 2=Trumpet 1
|File Description 3=Trumpet 2
|File Description 4=Trombone
|File Description 5=Bass trombone
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/4/28
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
{{#fte:imslpfile
|File Name 1=WIMA.bfc3-AM(VII)Sco.pdf
|File Name 2=WIMA.3829-AM(VII)Trp1.pdf
|File Name 3=WIMA.3ced-AM(VII)Trp2.pdf
|File Name 4=WIMA.48e9-AM(VII)Trb.pdf
|File Name 5=WIMA.fd7e-AM(VII)BTrb.pdf
|File Description 1=7. Menuet, BWV Anh.113 - score
|File Description 2=Trumpet 1
|File Description 3=Trumpet 2
|File Description 4=Trombone
|File Description 5=Bass trombone
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/4/28
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
{{#fte:imslpfile
|File Name 1=WIMA.1090-AM(VIII)Sco.pdf
|File Name 2=WIMA.d408-AM(VIII)Trp1.pdf
|File Name 3=WIMA.10e4-AM(VIII)Trp2.pdf
|File Name 4=WIMA.197f-AM(VIII)Trb.pdf
|File Name 5=WIMA.6155-AM(VIII)BTrb.pdf
|File Name 6=WIMA.280a-rondeau_amb.zip
|File Description 1=8. Polonaise, BWV Anh.123 - score
|File Description 2=Trumpet 1
|File Description 3=Trumpet 2
|File Description 4=Trombone
|File Description 5=Bass trombone
|File Description 6=Engraving files (Finale)
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/4/28
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
=====For Violin and Piano (Seely-Brown)=====
{{#fte:imslpfile
|File Name 1=PMLP06107-BACH-Seely-Brown_Ten_little_classics_VN_PF_all.pdf
|File Description 1=Piano Score, Violin part
|Arranger=Constance Seely-Brown (d.1960)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/22800}}
|Uploader=[[User:JDH|JDH]]
|Date Submitted=2012/8/25
|Publisher Information=New York: [[Carl Fischer]], 1917. Plate 19817-28.
|Copyright=Public Domain
|Misc. Notes=Cleaned & letter-sized by JDH. {{SibleyProject}}
}}
=====For Guitar (Mourey)=====
{{#fte:imslpfile
|File Name 1=PMLP06107-3_Minuets_Bach_for_guitar_solo.pdf
|File Description 1=3 Minuets
|Arranger={{LinkArr|Colette|Mourey}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Mourey.colette|Mourey.colette]]
|Date Submitted=2017/3/30
|Publisher Information=Colette Mourey
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}
====Aria: Erbauliche Gedanken eines Tabakrauchers (BWV 515)====
=====For 3 Guitars (Marieh)=====
{{#fte:imslpfile
|File Name 1=PMLP6107-Aria_-_Erbauliche_Gedanken_eines_Tabakrauchers_-_J.S.Bach_1685_-_1750_BWV_515.pdf
|File Name 2=PMLP6107-Erbauliche_Gedanken_eines_Tabakrauchers_-_J.S.Bach_1685_-_1750_BWV_515_Tablature.pdf
|File Description 1=Complete Score
|File Description 2=Complete Score (tablature)
|Arranger={{LinkArr|Marieh|Marieh||}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Marieh|Marieh]]
|Date Submitted=2017/8/30
|Publisher Information=Marieh
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}
====Menuet, BWV Anh.116, 132 ; Marche, BWV Anh.122====
=====For 2 Guitars (Goldau)=====
{{#fte:imslpfile
|File Name 1=PMLP06107-Bach_BWV_Anh._112,116,132.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Bernd|Goldau}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Notenarchiv.Bernd.Goldau|NBG]]
|Date Submitted=2016/8/21
|Publisher Information=Bernd Goldau
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}
====Menuet in {{K|G}}, BWV Anh.114====
=====For Double Bass and Piano (Karaca)=====
{{#fte:imslpfile
|File Name 1=PMLP06107-Bach_menuet_piano.pdf
|File Name 2=PMLP06107-Bach_Menuett_-_Bass.pdf
|File Description 1=Complete Score
|File Description 2=Double Bass Part
|Arranger={{LinkArr|Tolga|Karaca}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Tkaraca|Tolga Karaca]]
|Date Submitted=2013/5/30
|Publisher Information=Tolga Karaca
|Copyright=Creative Commons Attribution-ShareAlike 3.0
|Misc. Notes=
}}
=====For 2 Bass Guitars (Ruelas Villela)=====
{{#fte:imslpfile
|File Name 1=PMLP6107-minuet_in_g_score.pdf
|File Name 2=PMLP6107-minuet_in_g_bi.pdf
|File Name 3=PMLP6107-minuet_in_g_bii.pdf
|File Description 1=Score
|File Description 2=Bass Guitar I
|File Description 3=Bass Guitar II
|Arranger={{LinkArr|Rodrigo|Ruelas Villela|1990|}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Rodrigo Ruelas Villela|Rodrigo Ruelas Villela]]
|Date Submitted=2018/3/12
|Publisher Information=Durango: Rodrigo Ruelas Villela, 2018.
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

=====*For Guitar (Dada)=====
{{crossref|[[Minuet in G major (Pezold, Christian)|''Minuet in G major'' (Pezold, Christian)]]}}
=====*For Guitar (Apke)=====
{{crossref|[[Minuet in G major (Pezold, Christian)|''Minuet in G major'' (Pezold, Christian)]]}}
====Aria ''Gedenke doch, mein Geist'' in {{K|Eb}}, BWV 509====
=====For Trumpet and Organ (Rondeau)=====
{{#fte:imslpfile
|File Name 1=PMLP06107-Bac509all.pdf
|File Name 2=PMLP06107-Bac509.zip
|File Description 1=Complete Score and Part
|File Description 2=Engraving files (Finale & XML)
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=Michel Rondeau
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2013/6/2
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}} Transposed to {{K|G}}
}}
=====For Organ (Gouin)=====
{{#fte:imslpfile
|File Name 1=WIMA.61fa-Bach_Aria_BWV509.pdf
|File Description 1=Complete Score
|Arranger={{LinkArr|Pierre|Gouin}} [mailto:pierre.gouin@videotron.ca - Contact]
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Keanur|Pierre Gouin]]
|Date Submitted=2011/9/24
|Publisher Information=Montréal: Les Éditions Outremontaises, 2009.
|Copyright=Creative Commons Attribution Non-commercial 3.0
|Misc. Notes={{WIMAProject}} New improved version (June 2013).
}}

| *****WORK INFO*****

|Work Title=Notebook for Anna Magdalena Bach
|Alternative Title=Notenbüchlein vor Anna Magdalena Bach
|Opus/Catalogue Number=
|Number of Movements/Sections=
|Dedication=
|Year/Date of Composition=
|Year of First Publication=1722/1725
|Librettist=
|Language=
|Piece Style=Baroque
|Page Type=Collection
|External Links=[[wikipedia:Notebook_for_Anna_Magdalena_Bach|Wikipedia article]]
|Instrumentation=keyboard
|Tags=pieces ; kbd

| *****COMMENTS***** =

{{Bluefatbox|title=See Also|body=<center>[[List of Intermediate Piano Repertoire]]</center>}}
| *****END OF TEMPLATE***** }}

French Suite No.3 in B minor, BWV 814 (Bach, Johann Sebastian)

2017-08-14T22:42:22Z

Alsebal: Correct dances

{{#fte:imslppage

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=BWV0814.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Ernst|Naumann}} (1832-1910)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Feldmahler|Feldmahler]]
|Date Submitted=2006/11/15
|Publisher Information={{BachComplete|45.2|1895|XLV(2)|100-05}}
|Copyright=Public Domain
|Misc. Notes=Corrected edition of the score in Band 13.2
}}

===Arrangements and Transcriptions===
=====For Violin and Cello (Bartoli)=====
{{#fte:imslpfile
|File Name 1=PMLP05771-BWV814_-_Full_Score.pdf
|File Description 1=Complete score
|Arranger={{LinkArr|Russ|Bartoli}}
|Editor=
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:RussBart|RussBart]]
|Date Submitted=2015/2/3
|Publisher Information=Russ Bartoli
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}

| *****WORK INFO*****

|Work Title=French Suite No.3 in B minor
|Alternative Title=
|Opus/Catalogue Number=BWV 814 ; BC L21
|Key={{key|b}}
|Movements Header=6
|Number of Movements/Sections=6 movements
# Allemande
# Courante
# Sarabande
# Menuet - Trio
# Anglaise
# Gigue
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=1722
|Year of First Publication=1802-03 in {{LinkWork|6 French Suites, BWV 812-817||Bach|Johann Sebastian|0}} (No.3)
|Librettist=
|Language=
|Manuscript Sources={{BachDigRef|00000948}}
|External Links=[[wikipedia:French_Suites_(Bach)|Wikipedia article (French Suites)]]
|Piece Style=Baroque
|Instrumentation=Keyboard
|Tags=suites ; kbd

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Piano Sonata No.26, Op.81a (Beethoven, Ludwig van)

2017-08-12T17:17:59Z

Alsebal: Correct "Andante" (instead of "Adante")

{{#fte:imslppage

| *****AUDIO***** =
{{#fte:imslpaudio
|File Name 1=PMLP01483-beethoven_op81a.mp3
|File Description 1=Complete Performance
|Performers=
|Performer Categories=Jumppanen, Paavali=piano
|Uploader=[[User:Cypressdome|Cypressdome]]
|Date Submitted=2014/2/19
|Publisher Information={{GardnerMus}}
|Copyright=Creative Commons Attribution-NonCommercial-NoDerivs 4.0
|Misc. Notes=
}}
{{#fte:imslpaudio
|File Name 1=PMLP01483-Beethoven-LebewohlSonata-Seitzer.ogg
|File Description 1=Complete Performance
|Audio Length 1=14:41
|Performers=
|Performer Categories=Seitzer, Janet=Piano
|Uploader=[[User:KGill|KGill]]
|Date Submitted=2011/8/17
|Publisher Information=Kenneth Gill, 2011.
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes=Live recording, 6 March 1988 (mono)
}}
{{#fte:imslpaudio
|File Name 1=PMLP01483-贝多芬-'告别'奏鸣曲-全乐章-Beethoven-Piano_Sonata_No.26,Op.81a-Les_Adieux.mp3
|File Name 2=PMLP01483-I.Das_Lebewohl.mp3
|File Name 3=PMLP01483-II.Abwesenheit.mp3
|File Name 4=PMLP01483-III.Das_Wiedersehen.mp3
|File Description 1=Complete performance
|File Description 2=I. Das Lebewohl
|File Description 3=II. Abwesenheit
|File Description 4=III. Das Wiedersehen
|Performers=
|Performer Categories=Zhang, Shuwen=Piano
|Uploader=[[User:Shuwen Zhang|Shuwen Zhang]]
|Date Submitted=2015/9/15
|Publisher Information=Shuwen Zhang
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=
}}
{{#fte:imslpaudio
|File Name 1=PMLP01483-02_曲目_2.mp3
|File Name 2=PMLP01483-03_曲目_3.mp3
|File Name 3=PMLP01483-04_曲目_4.mp3
|File Description 1=I. Das Lebewohl
|File Description 2=II. Abwesenheit
|File Description 3=III. Das Wiedersehen
|Performers=
|Performer Categories=Zhang, Shuwen=Piano
|Uploader=[[User:Shuwen Zhang|Shuwen Zhang]]
|Date Submitted=2016/4/16
|Publisher Information=Shuwen Zhang
|Copyright=Creative Commons Attribution-NonCommercial 4.0
|Misc. Notes=Manhattan School of Music, Pforzheimer Hall, April 4, 2016 (live performance)
}}

| *****FILES***** =
{{#fte:imslpfile
|File Name 1=PMLP01483-Op.81a.pdf
|File Description 1=Complete Score
|Page Count 1=23
|Editor={{FE}}
|Image Type=Normal Scan
|Scanner={{BeethBonn}}
|Uploader=[[User:Ivdruiz|Ivdruiz]]
|Date Submitted=2009/12/29
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d.[1811]. Plates 1588-1589.
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP01483-Beethoven_Werke_Breitkopf_Serie_16_No_149_Op_81a.pdf
|File Description 1=Complete Score
|Page Count 1=16
|Editor=
|Image Type=Normal Scan
|Scanner={{BSB}}
|Uploader=[[User:Piupianissimo|piupianissimo]]
|Date Submitted=2010/1/2
|Publisher Information={{BeethovenComplete|16: Sonaten für das Pianoforte ''(pp.9-24)''|149}}
|Copyright=Public Domain
|Thumb Filename=TN-Beethoven_Werke_Breitkopf_Serie_16_No_149_Op_81a.jpg
|Sample Filename=PV-Beethoven_Werke_Breitkopf_Serie_16_No_149_Op_81a.jpg
|Misc. Notes=Originally scanned at about 160dpi, [[Image Conversion|converted to 600dpi monochrome]].
|Amazon={{AmazonLinks|0769240437|Kalmus/Alfred (reprint)}}
}}
{{#fte:imslpfile
|File Name 1=Beethoven, L.v. - Piano Sonata 26.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Heinrich|Schenker}} (1868-1935)
|Scanner=
|Uploader=[[User:Feldmahler|Feldmahler]]
|Date Submitted=2006/2/16
|Page Count 1=17
|Publisher Information=Vienna: [[Universal Edition]], 1918-21.
|Reprint=New York: [[Dover Publications]], 1975. (pp.463-479)
|Copyright=Public Domain
|Misc. Notes=
|Amazon={{AmazonLinks|0486231356}} - Dover vol. (reprint)
|Image Type=Normal Scan
}}
{{#fte:imslpfile
|File Name 1=Beethoven_-_Piano_Sonatas_Lamond_-_26.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Frederic|Lamond}} (1868-1948)
|Image Type=Normal Scan
|Scanner=alenmusic.narod.ru
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/2/24
|Page Count 1=15
|Publisher Information=''Klaviersonaten, Band II'' Berlin: Ullstein, n.d.(ca.1918). Reissue - Leipzig: [[Breitkopf|Breitkopf & Härtel]], 1923. Plate 28727.
|Reprint=Kiev: [[Muzyka|Musytschna Ukraina]], 1969.
|Copyright=Public Domain
|Sample Filename=Beethoven_-_Piano_Sonatas_Lamond_-_26.png
|Misc. Notes=
|SM+={{SMPlink|Samtliche-Sonaten-Band-II/2656603|Breitkopf vol. (Lamond)}}
}}
{{#fte:imslpfile
|File Name 1=PMLP01483-Opus_81a.pdf
|File Description 1=Complete Score
|Page Count 1=23
|Editor={{LinkEd|Alfredo|Casella}} (1883–1947)
|Image Type=Normal Scan
|Scanner={{IArch|sonateperpianofo03beet}}
|Uploader=[[User:Worov|worov]]
|Date Submitted=2010/7/1
|Publisher Information=[[Sonate per pianoforte (Beethoven, Ludwig van)|''Sonate per pianoforte'', vol.3]] Milan: [[Ricordi|G. Ricordi & C.]], 1920. Plate E.R. 3.
|Copyright=Public Domain
|Misc. Notes={{Cypsub|300dpi, color jpg2000|2950 by 4250 usable}} See [[Sonate per pianoforte (Beethoven, Ludwig van)|''Sonate per pianoforte'']] for complete volumes including preface.
|SM+={{SMPlink|Sonatas-Vol-2-Nos-17-32/5089931|Ricordi vol. (Casella)}}
}}
{{#fte:imslpfile
|File Name 1=Btsn81a.pdf
|File Description 1=Complete Score
|Editor={{LinkEd|Max|Pauer}} (1866-1945) {{LinkEd|Carl Adolf|Martienssen}} (1881-1955), ''revision''
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Funper|Funper]]
|Date Submitted=2007/4/29
|Page Count 1=17
|Publisher Information=''Sonaten für Klavier zu zwei Händen, Bd.2'' Leipzig: [[C.F. Peters]], n.d.(ca.1920). Plates 10543, 10555-56.
|Reprint=[Martienssen revision], n.d.(1927). - #66415 (pp.465-481)
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=PMLP01483-Sonata_in_Eb_major_Opus_81a.pdf
|File Description 2=Complete Score
|Page Count 2=17
|Scanner 2={{Piano.ru}}
|Uploader 2=[[User:Worov|worov]]
|Date Submitted 2=2010/6/6
|SM+={{SMPlink|Sonatas-Vol-2/4369583|Peters (Martienssen)}}
}}

| *****WORK INFO*****

|Work Title=Piano Sonata No.26
|Key={{Key|Eb}}
|Alternative Title=Les Adieux/Das Lebewohl
|Opus/Catalogue Number=Op.81a
|Number of Movements/Sections=3 movements
:I. Das Lebewohl. Adagio
:II. Abwesenheit. Andante espressivo
:III. Das Wiedersehen. Vivacissimamente
|Dedication=[[Wikipedia:Archduke Rudolf of Austria (1788–1831)|Archduke Rudolph of Austria]] (1788-1831)
|Year/Date of Composition=1809–10
|Year of First Publication=1811
|Average Duration=17-18 minutes
|Librettist=
|Language=
|Piece Style=Romantic
|External Links=[[wikipedia:Piano_Sonata_No._26_(Beethoven)|Wikipedia article]]
|Instrumentation=piano
|Tags=sonatas ; pf

| *****COMMENTS***** =

{{Piano Sonatas (Beethoven, Ludwig van)}}
| *****END OF TEMPLATE***** }}

IMSLP:Guía para el envío de partituras

2015-09-24T17:58:23Z

Alsebal: /* Editar una Página */

{{Template:NavContributingScores-es}}
{{:OtherLangs:Score_submission_guide}}

Esta página explica cómo enviar partituras a IMSLP. Si lo deseas, primero puedes leer la [[IMSLP:Guia Partituras|introducción]]. '''Por favor asegúrate de haber revisado [[IMSLP:Verificando el estado de Copyright|el estado de derecho de autor]] de la pieza antes de continuar.'''

Enviar una partitura consiste básicamente en:
# Crear una página para el compositor en caso de no existir
# Crear una página para la obra en caso de no existir
# Agregar el archivo a la página de la obra

Información adicional:
* Para los detalles del modo de envío correcto, revisa el [[IMSLP:Score submission guide/Manual of Style|Manual de Estilo]].

* Para casos especiales como partes, piezas incompletas, ediciones distitnas, arreglos, etc., ve la página de [[IMSLP:Score submission guide/Special cases|casos especiales]]{{sintrad}}

Si tienes alguna duda, envía la partitura del mejor modo que creas. El objetivo es hacer el trabajo de manera clara para todos, que las páginas no sean muy extensas, y que las listas tampoco lo sean. Tambien puede dejar un requerimiento al moderador en el [http://imslpforums.org foro].

== Cómo crear una página de compositor nueva ==

# Dirígete a la [[:Category:Composers|pagina principal de compositores]]{{sintrad}}, y haz clic en "Agregar Compositor"
# El formulario debiera explicarse a sí mismo fácilmente. Todos las casillas son opcionales, a excepción de Apellido, Nombre (en general, a menos que el compositor no tenga) y Período.
## Si el compositor abarca dos períodos, escoge aquél en el cual pasó la mayor parte de su vida.
## Si consideras que debiera asignarse a ambos períodos igualmente, por favor selecciona un de los períodos y deja una requerimiento al moderador en el [http://imslpforums.org foro].
## Incluye la fecha completa (año/mes/día) tanto de nacimiento como de defunción de ser posible.
# '''POR FAVOR NO CREES PÁGINAS EN BLANCO.''' Las páginas de compositores en blanco sin actividad durante las siguientes 24 horas serán borradas sin previo aviso.

== Cómo crear una página de obra nueva ==
# Antes de todo, verifica en la página del compositor si la obra ya existe en IMSLP. De lo contrario, dirígete a la página del compositor y haz clic en "agregar una pieza a este compositor". ¡No crees generes duplicidades para la misma pieza! Aún cuando se trate de diferentes ediciones, manuscritos, escaneos, arreglos u otra clase de documentos, todos ellos deben ir en la misma página de la obra en cuestión.
# Se encuentra disponible una explicación en el formulario mismo. Puedes dejar en blanco las casillas que desconozcas excepto las obligatorias (título, género, y estilo)
# '''POR FAVOR NO CREES PÁGINAS EN BLANCO.''' Las páginas de obras en blanco sin actividad durante las siguientes 24 horas serán borradas sin previo aviso.

== Cómo subir un archivo a la página de la obra ==
# Ve hacia la página de la obra, luego haz clic en "Agregar un archivo a esta obra".
# '''Por favor agrega la mayor cantidad de información que puedas. Esto ayuda a prevenir confusiones y que se agreguen archivos ya existentes'''. Encuentra ayuda para esta sección en la [[IMSLP:Guia Partituras|introducción]]. Las casillas se explican en el mismo formulario (Opcionalmente, lee la explicación detallada [[IMSLP:Special:AddFile/MainText|aquí]]). {{sintrad}}

:Notas:
:* Los únicos archivos permitidos son [[PDF]], [[MUS]] y [[SIB]]. El límite actual para los archivos es de 150MB; lo que no da pié para generar archivos de ese volumen, sin embargo si ese es el caso, contacta a un miembro del equipo IMSLP [[IMSLP staff contact list|aquí]] y buscaremos una solución.

== Cómo agregar varios archivos ==
* Para enviar varios archivos (hasta 15), utiliza la opción "Agregar múltiples archivos". Se desplegará un formulario en el cual puedes agregar los nombres, despcripciones, etc., para cada uno de los archivos que deseas subir.
* Una vez finalizado el proceso, quizá desees reorganizar la página de la obra un poco. Los archivos nuevo se van agregando al final de la página tras los archivos ya existentes. Al hacer click en 'editar' te permitirá copiar y pegar el contenido en la forma usual.

==Cómo agregar imágenes miniatura y previsualizaciones ==

====Imágenes miniatura====
Las imágenes miniatura aparecen en el costado dererecho del cuado de descripción de la pieza.

* Primero, sube el archivo que deseas utilizar como imagen en miniatura de la partitura (revisa las instrucciones más abajo). El formato debe ser 'jpg'. Por favor, agrégale al nombre del archivo el prefijo '''"TN-"''' (por ejemplo, ''TN-Mahler-SymphonyNo1-Peters.jpg'') para mentener un órden en el sistema.
* Todas las imágenes en miniatura se ajustan automáticamente a los 165 píxeles de alto (por el momento), pero está disponible su vista completa al hacer click en su vínculo. Se mantiene la proporción al reajustar su tamaño.
* El nombre del archivo de la imágen miniatura se ingresa en el formulario de envío. Para agregar una imágen miniatura para una obra ya existente, edita la página y agrega a la plantilla el campo |Thumb Filename=''<<thumnbail filename>>''.

====Previsualizaciones====
Si se sube una previsualización, se agrega un link en la primera barra de la descripción del archivo. Resulta especialmente útil agregar una previsualización de los primeros compases en el caso de archivos de gran tamaño, de modo que los usuarios puedan decidir si bajarán el archivo.
* Sube la previsualización del archivo. Incluye una porción de los primeros compases en máxima resolución. Por favor, agrégale al nombre del archivo el prefijo '''"PV"''' (por ejemplo, ''PV-Mahler-SymphonyNo1-Peters.jpg'') para mantener un cierto órden en el sistema.
* La muestra o previsualización no se puede agregar por el momento en el formulario de envío. Para agregar una previsualización o muestra debes editar la página y agregarle a la plantilla correspondiente el campo |Sample Filename=''<<sample filename>>''.

Revisa un ejemplo tanto de Imágenes en miniatura como muestras o previsualizaciones en la [[Piano Sonata No.11 (Beethoven, Ludwig van)]]

P.D.: Por favor no subir imágenes mayores de 12megapíxeles, pues no se desplegarán correctamente.

== Cómo Mantener Páginas Existentes ==

=== Editar una Página ===
* Los usuarios de IMSLP utilizan el afamado software Mediawiki, del mismo modo como en Wikipedia.
* Para modificar una página, o bien puedes hacer click en un enlace de color rojo que te redirigirá directamente a la página de edición, o simplemente haz click en la pestaña ''"editar"'' ubicado en el extremo superior de cualquier artículo. 
* En IMSLP, debes acceder a tu cuenta para efectuar cambios en el sitio.

* Para mayor información, visita [[Help:Page editing|Edición de Páginas]].

=== Borrar una Página ===
* Los usuarios en general no pueden borrar páginas por sí mismo. Si visitas alguna página que tú consideres deba ser eliminada, debes etiquetarla con la plantilla especial de borrado y un administrador evaluará su eliminación permanente.

* Para mayor información, incluyendo las políticas del sitio para la eliminación de páginas, visita [[Help:Page deletion|Borrado de páginas]].

=== Cambiar el Título de una Página ===
* Para renombrar una página, simplemente haz clic en la pestaña ''"mover"'' en el costado superior.
* El nombre de la página debe adecuarse a los estándares del [[IMSLP:Score submission guide/Manual of Style|Manual de Estilo]]

(Nota: La página en realidad no es renombrada - la antigua continúa existiendo, sin embargo posee un 'redireccionador' hacia la página con el nuevo nombre)

== Mantención de Archivos ==

=== Subir un Archivo ===
* El uso más común de esta función es para subir imágenes en miniatura y previsualizaciones. Para subir una o más partituras a una página, utiliza las instrucciones detalladas más arriba.
* Para subir un archivo, haz click en el vínculo 'Subir archivo' en la barra del costado izquierdo de la pantalla. Sigue las instrucciones que aparecen allí.

=== Reemplazar un Archivo ===
* Puede ser útil reemplazar un archivo ya existente, si por error no corresponde, o para mejorar uno ya existente.

1. Dirígete a la página de la obra con el archivo de deseas reemplazar. 
2. Localiza la barra azul con la partitura, ejemplo:

{{#fte:imslpfile
|File Name 1=Strauss op.08 Violin Concerto pianored.pdf
|File Description 1=Full Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2007/10/9
|Page Count 1=53
|Publisher Information=Munich: Jos. Aibl, 1897. Plate R.2518c |Copyright=Public Domain
}}

3. Haz click en el enlace del índice del archivo - '''IMSLP #15297''' - esto te conducirá a la página del archivo de imagen. 
(corresponde a una página de mantención asociadad a cada archivo del sitio)

4. Haz click en el enlace '''Sube una nueva versión de este archivo'''. Indica la dirección del archivo a subir. También debes escribir un poco acerca de tus motivos para efectuar este cambio. En caso de renovar una versión antigua de una paritura, tal archivo será nuevamente cotejado por el equipo de revisión de derechos de autor antes de estar disponible para ser bajado.

=== Borrar un Archivo ===
* Sí como eliminar páginas, los usuaros en general no pueden eliminar archivos. Si identificas un archivo que consideras debe ser eliminado, etiquétalo con la plantilla especial de borrado y un administrador se hará cargo de él.

Los primeros tres pasos son idénticos a reemplaar un archivo.

1. Ve a la página de la obra con el archivo que desea reemplazar. 
2. Localiza la barra azul con la partitura. 
3. Haz click en el vínculo del índice del archivo - '''IMSLP #15297''' - que te dirigirá a la página del archivo de imagen.. 
4. Haz click en la pestaña '''editar''' en el costado superior de la página. 
5. Inserta la plantilla especial de eliminación ej.:
<nowiki>{{Delete|RAZON}}</nowiki>

Reemplaza RAZON con una breves palabras explicando el porqué debería ser borrada. Los administradores del sitio actuarán y eliminarán el archivo.

Sonate concertate in stil moderno, libro secondo (Castello, Dario)

2015-07-02T17:46:03Z

Alsebal:

{{#fte:imslppage

| *****AUDIO***** =

===Synthesized/MIDI===
====Sonata No.1====
{{#fte:imslpaudio
|File Name 1=WIMA.69b9-son1L2score.mid
|File Description 1=Synthesized performance
|Audio Length 1=
|Performers=Dominique Remaud & Alain Gallerne
|Performer Categories=
|Uploader=[[User:Marc lanoiselee|Marc Lanoiselée]]
|Date Submitted=2012/5/12
|Publisher Information=[mailto:dominique.remaud10@wanadoo.fr Dominique Remaud]
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
{{#fte:imslpaudio
|File Name 1=PMLP187052-Sonata_Prima_Libro_Secondo_Dario_Castello_1644.mid
|File Description 1=Midi Performance
|Audio Length 1=
|Performers=Dillon Upton
|Performer Categories=
|Uploader=[[User:DillonUpton1992|DillonUpton1992]]
|Date Submitted=2014/9/12
|Publisher Information=Dillon Upton
|Copyright=Creative Commons Attribution 4.0
|Misc. Notes=
}}
====Sonata No.3====
=====For 2 Trumpets and Organ (Rondeau)=====
{{#fte:imslpaudio
|File Name 1=WIMA.48f0-CasII3Sco.mp3
|File Name 2=WIMA.1899-CasII3Sco.mid
|File Description 1=Sonata No.3
|File Description 2=Sonata No.3
|Audio Length 1=
|Audio Length 2=
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/5/5
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
{{#fte:imslpaudio
|File Name 1=WIMA.0836-Cast4Sco.mp3
|File Name 2=WIMA.47f8-Cast4Sco.mid
|File Description 1=Sonata No.4
|File Description 2=Sonata No.4
|Audio Length 1=
|Audio Length 2=
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/5/5
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
====Sonata No.5====
{{#fte:imslpaudio
|File Name 1=WIMA.439a-son5L2.mid
|File Description 1=Synthesized performance
|Audio Length 1=
|Performers=Dominique Remaud & Alain Gallerne
|Performer Categories=
|Uploader=[[User:Marc lanoiselee|Marc Lanoiselée]]
|Date Submitted=2012/5/12
|Publisher Information=[mailto:dominique.remaud10@wanadoo.fr Dominique Remaud]
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
====Sonata No.10====
{{#fte:imslpaudio
|File Name 1=WIMA.e233-son10L2.mid
|File Description 1=Synthesized performance
|Audio Length 1=
|Performers=Dominique Remaud & Alain Gallerne
|Performer Categories=
|Uploader=[[User:Marc lanoiselee|Marc Lanoiselée]]
|Date Submitted=2012/5/12
|Publisher Information=[mailto:dominique.remaud10@wanadoo.fr Dominique Remaud]
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}

====Sonata No.15====
=====For Strings and Continuo (Composer)=====
{{#fte:imslpaudio
|File Name 1=WIMA.295c-15cson_m.mid
|File Description 1=Sonata No.15
|Audio Length 1=
|Performers=Johan Tufvesson
|Performer Categories=
|Uploader=[[User:Wrshannon|wrshannon]]
|Date Submitted=2012/3/8
|Publisher Information=Johan Tufvesson
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
=====For 2 Trumpets and 2 Trombones (Rondeau)=====
{{#fte:imslpaudio
|File Name 1=WIMA.bec7-CASco.mid
|File Description 1=MIDI performance
|Audio Length 1=
|Performers=MIDI
|Performer Categories=
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/5/5
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}

| *****FILES***** =
===Scores and Parts===
====Complete====
{{#fte:imslpfile
|File Name 1=PMLP187052-Prima_parte.pdf
|File Description 1=Prima parte
|Page Count 1=36
|File Name 2=PMLP187052-Seconda_Parte.pdf
|File Description 2=Seconda Parte
|Page Count 2=32
|File Name 3=PMLP187052-Terza_Parte.pdf
|File Description 3=Terza Parte
|Page Count 3=18
|File Name 4=PMLP187052-Quarta_Parte.pdf
|File Description 4=Quarta Parte
|Page Count 4=8
|File Name 5=PMLP187052-Basso_Continuo.pdf
|File Description 5=Continuo
|Page Count 5=36
|Editor={{FE}}
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Mostad|Mostad]]
|Date Submitted=2011/1/25
|Publisher Information=Venezia: Bartolomeo Magni, 1644.
|Copyright=Public Domain
|Misc. Notes=Table of contents on the last page, 300 dpi
}}
====Sonata No.1====
{{#fte:imslpfile
|File Name 1=PMLP176604-castelloson1.pdf
|File Description 1=Score and parts
|Page Count 1=12
|Editor={{LinkEd|Michele|Bertucci}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Musichele|musichele]]
|Date Submitted=2010/12/3
|Publisher Information=Michele Bertucci
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=WIMA.50c2-Castello-sonata-prima-score.pdf
|File Name 2=WIMA.d9e8-Castello-sonata-prima-Soprano.pdf
|File Name 3=WIMA.3abc-Castello-sonata-prima-Basso.pdf
|File Name 4=WIMA.24c3-SonateConc2.zip
|File Description 1=Complete score
|File Description 2=Soprano instrument
|File Description 3=Continuo
|File Description 4=Engraving files (Sibelius)
|Editor={{LinkEd|Borys|Medicky}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Wrshannon|wrshannon]]
|Date Submitted=2012/2/26
|Publisher Information=Borys Medicky
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes=Urtext edition. {{WIMAProject}}
}}
{{#fte:imslpfile
|File Name 1=WIMA.084e-son1L2score.pdf
|File Name 2=WIMA.dc3c-son1L2sopr.pdf
|File Name 3=WIMA.bdb7-son1L2Basse.pdf
|File Name 4=WIMA.72b5-SonateConc2.zip
|File Description 1=Complete score
|File Description 2=Soprano (Cornetto)
|File Description 3=Continuo
|File Description 4=Engraving files (Finale)
|Editor={{LinkEd|Dominique|Remaud}} {{LinkEd|Alain|Gallerne}}
|Image Type=Typeset
|Scanner=editors
|Uploader=[[User:Marc lanoiselee|Marc Lanoiselée]]
|Date Submitted=2012/5/12
|Publisher Information=[mailto:dominique.remaud10@wanadoo.fr Dominique Remaud]
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
====Sonata No.2====
{{#fte:imslpfile
|File Name 1=PMLP187052-castello-Sonata-seconda.pdf
|File Description 1=Complete score
|Editor={{LinkEd|Hans-Thomas|Müller-Schmidt}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Csakan-2011|Csakan-2011]]
|Date Submitted=2015/2/24
|Publisher Information=Hans-Thomas Müller-Schmidt
|Copyright=Creative Commons Attribution-ShareAlike 4.0
|Misc. Notes=
}}
====Sonata No.5====
{{#fte:imslpfile
|File Name 1=WIMA.8b98-Castello_S5_L2_score.pdf
|File Name 2=WIMA.ebf1-Castello_S5_L2_Cornet.pdf
|File Name 3=WIMA.3186-Castello_S5_L2_Trombone.pdf
|File Name 4=WIMA.55bf-Castello_S5_L2_BC.pdf
|File Description 1=Complete score
|File Description 2=Cornetto
|File Description 3=Trombone
|File Description 4=Continuo
|Editor={{LinkEd|Dominique|Remaud}} {{LinkEd|Alain|Gallerne}}
|Image Type=Typeset
|Scanner=editors
|Uploader=[[User:Marc lanoiselee|Marc Lanoiselée]]
|Date Submitted=2012/5/12
|Publisher Information=[mailto:dominique.remaud10@wanadoo.fr Dominique Remaud]
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
====Sonata No.6====
{{#fte:imslpfile
|File Name 1=PMLP187052-6_score.pdf
|File Description 1=Complete Score
|Page Count 1=3
|Editor={{LinkEd|Gil|Garty}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Gil Garty|Gil Garty]]
|Date Submitted=2011/12/14
|Publisher Information=Tel-Aviv: G & H Edition, 2011
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
|Date Submitted 2=2011/12/17
}}
====Sonata No.9====
{{#fte:imslpfile
|File Name 1=PMLP187052-score.pdf
|File Description 1=Complete Score
|Page Count 1=7
|Editor={{LinkEd|Gil|Garty}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Gil Garty|Gil Garty]]
|Date Submitted=2011/12/14
|Publisher Information=Tel-Aviv: G & H Edition, 2011
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
|Date Submitted 2=2011/12/17
}}
====Sonata No.10====
{{#fte:imslpfile
|File Name 1=WIMA.8008-Castello_S10_L2_score.pdf
|File Name 2=WIMA.eece-Castello_S10_L2_Sopr1.pdf
|File Name 3=WIMA.74b8-Castello_S10_L2_Sopr2.pdf
|File Name 4=WIMA.0fbf-Castello_S10_L2_Basson.pdf
|File Name 5=WIMA.4769-Castello_S10_L2_Basse.pdf
|File Description 1=Complete score
|File Description 2=Soprano Instrument 1
|File Description 3=Soprano Instrument 2
|File Description 4=Bassoon
|File Description 5=Continuo
|Editor={{LinkEd|Dominique|Remaud}} {{LinkEd|Alain|Gallerne}}
|Image Type=Typeset
|Scanner=editors
|Uploader=[[User:Marc lanoiselee|Marc Lanoiselée]]
|Date Submitted=2012/5/12
|Publisher Information=[mailto:dominique.remaud10@wanadoo.fr Dominique Remaud]
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
====Sonata No.11====
{{#fte:imslpfile
|File Name 1=WIMA.5648-Castello_S11_L2_Score.pdf
|File Name 2=WIMA.17ec-Castello_S11_L2_Sop1.pdf
|File Name 3=WIMA.e10b-Castello_S11_L2_Sop2.pdf
|File Name 4=WIMA.73fd-Castello_S11_L2_Tromb.pdf
|File Name 5=WIMA.b9ad-Castello_S11_L2_BC.pdf
|File Description 1=Complete score
|File Description 2=Soprano Instrument 1
|File Description 3=Soprano Instrument 2
|File Description 4=Trombone
|File Description 5=Continuo
|Editor={{LinkEd|Dominique|Remaud}} {{LinkEd|Alain|Gallerne}}
|Image Type=Typeset
|Scanner=editors
|Uploader=[[User:Marc lanoiselee|Marc Lanoiselée]]
|Date Submitted=2012/5/12
|Publisher Information=[mailto:dominique.remaud10@wanadoo.fr Dominique Remaud]
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
====Sonata No.12====
{{#fte:imslpfile
|File Name 1=WIMA.0fc9-Castello_S12_L2_score.pdf
|File Name 2=WIMA.ee7c-Castello_S12_L2_sop1.pdf
|File Name 3=WIMA.65dc-Castello_S12_L2_sop2.pdf
|File Name 4=WIMA.4983-Castello_S12_L2_Tromb.pdf
|File Name 5=WIMA.f2da-Castello_S12_L2_Basse.pdf
|File Description 1=Complete score
|File Description 2=Soprano Instrument 1
|File Description 3=Soprano Instrument 2
|File Description 4=Trombone
|File Description 5=Continuo
|Editor={{LinkEd|Dominique|Remaud}} {{LinkEd|Alain|Gallerne}}
|Image Type=Typeset
|Scanner=editors
|Uploader=[[User:Marc lanoiselee|Marc Lanoiselée]]
|Date Submitted=2012/5/12
|Publisher Information=[mailto:dominique.remaud10@wanadoo.fr Dominique Remaud]
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
====Sonata No.13====
{{#fte:imslpfile
|File Name 1=WIMA.8ea6-Castello_S13_L2_score.pdf
|File Name 2=WIMA.dd05-Castello_S13_L2_Sopr1.pdf
|File Name 3=WIMA.5039-Castello_S13_L2_Sopr2.pdf
|File Name 4=WIMA.e4a1-Castello_S13_L2_Tromb1.pdf
|File Name 5=WIMA.d3eb-Castello_S13_L2_Tromb2.pdf
|File Name 6=WIMA.988d-Castello_S13_L2_Basse.pdf
|File Description 1=Complete score
|File Description 2=Soprano Instrument 1
|File Description 3=Soprano Instrument 2
|File Description 4=Trombone 1
|File Description 5=Trombone 2
|File Description 6=Continuo
|Editor={{LinkEd|Dominique|Remaud}} {{LinkEd|Alain|Gallerne}}
|Image Type=Typeset
|Scanner=editors
|Uploader=[[User:Marc lanoiselee|Marc Lanoiselée]]
|Date Submitted=2012/5/12
|Publisher Information=[mailto:dominique.remaud10@wanadoo.fr Dominique Remaud]
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
====Sonata No.14====
{{#fte:imslpfile
|File Name 1=WIMA.1de6-Castello_S14_L2_score.pdf
|File Name 2=WIMA.6c75-Castello_S14_L2_Sopr1.pdf
|File Name 3=WIMA.06dd-Castello_S14_L2_Sopr2.pdf
|File Name 4=WIMA.4b53-Castello_S14_L2_Tromb1.pdf
|File Name 5=WIMA.127d-Castello_S14_L2_Tromb2.pdf
|File Name 6=WIMA.0f75-Castello_S14_L2_Basse.pdf
|File Description 1=Complete score
|File Description 2=Soprano Instrument 1
|File Description 3=Soprano Instrument 2
|File Description 4=Trombone 1
|File Description 5=Trombone 2
|File Description 6=Continuo
|Editor={{LinkEd|Dominique|Remaud}} {{LinkEd|Alain|Gallerne}}
|Image Type=Typeset
|Scanner=editors
|Uploader=[[User:Marc lanoiselee|Marc Lanoiselée]]
|Date Submitted=2012/5/12
|Publisher Information=[mailto:dominique.remaud10@wanadoo.fr Dominique Remaud]
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes={{WIMAProject}}
}}
====Sonata No.15====
{{#fte:imslpfile
|File Name 1=PMLP187052-castello15cson.pdf
|File Description 1=Complete Score
|Page Count 1=11
|Editor={{LinkEd|Johan|Tufvesson}} {{LinkEd|Kompy}}, continuo realization
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Kompy|kompy]]
|Date Submitted=2011/9/21
|Publisher Information={{plain|http://www.lysator.liu.se/~tuben/scores/|Johan Tufvesson}}
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes=see {{plain|http://www.lysator.liu.se/~tuben/scores/faq.xml|editor website}} for copyright (no commercial sale) {{WIMAProject|D}}
|File Name 2=PMLP187052-15cson5.pdf
|File Name 3=PMLP187052-15cson4.pdf
|File Name 4=PMLP187052-15cson3.pdf
|File Name 6=PMLP187052-15cson2.pdf
|File Name 7=PMLP187052-15cson1.pdf
|File Description 2=Violin (1)
|File Description 3=Violetta 1 (Violin 2)
|File Description 4=Violetta 2 (Viola)
|File Description 6=Viola (da gamba/ Violoncello)
|File Description 7=Continuo (unrealized)
|Page Count 2=3
|Page Count 3=3
|Page Count 4=3
|Page Count 6=3
|Page Count 7=3
|File Name 5=PMLP187052-castello_son15vl3.pdf
|File Description 5=Violetta 2 (Violin 3)
|Page Count 5=2
|Scanner 5=Kompy
|File Name 8=PMLP187052-15cson0.pdf
|File Description 8=Cembalo (realized continuo)
|Page Count 8=4
|Scanner 8=kompy
}}
====Sonata No.16====
{{#fte:imslpfile
|File Name 1=PMLP187052-Sonata_No._16_Book_2.pdf
|File Description 1=Complete Score
|Page Count 1=9
|Editor={{LinkEd|Gil|Garty}}
|Image Type=Typeset
|Scanner=editor
|Uploader=[[User:Gil Garty|Gil Garty]]
|Date Submitted=2011/12/28
|Publisher Information=Tel-Aviv: G & H Edition, 2011
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}

===Arrangements and Transcriptions===
====Selections====
=====For 2 Trumpets and Organ (Rondeau)=====
{{#fte:imslpfile
|File Name 1=WIMA.c5d0-CasII3Sco.pdf
|File Name 2=WIMA.d845-CasII3Trps.pdf
|File Name 3=WIMA.4226-CasII3Org.pdf
|File Name 4=WIMA.36a4-CasII3.zip
|File Description 1=Sonata No.3 - complete score
|File Description 2=Trumpet 1/2
|File Description 3=Organ
|File Description 4=Engraving files (Finale)
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/5/5
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
{{#fte:imslpfile
|File Name 1=WIMA.e83c-Cast4Sco.pdf
|File Name 2=WIMA.b345-Cast4Trps.pdf
|File Name 3=WIMA.c2ba-Cast4Org.pdf
|File Name 4=WIMA.07b3-Cast4.zip
|File Description 1=Sonata No.4 - complete score
|File Description 2=Trumpet 1/2
|File Description 3=Organ
|File Description 4=Engraving files (Finale)
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/5/5
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}
====Sonata No.15====
=====For 4 Recorders (Kompy)=====
{{#fte:imslpfile
|File Name 1=PMLP187052-son15_d_bfl.pdf
|File Description 1=Complete Score and Parts
|Page Count 1=17
|Arranger={{LinkArr|Kompy}}
|Image Type=Typeset
|Scanner=kompy
|Uploader=[[User:Kompy|kompy]]
|Date Submitted=2011/12/3
|Publisher Information=Kompy
|Copyright=Creative Commons Attribution Non-commercial Share Alike 3.0
|Misc. Notes=1. Alto, Tenor, Bass, Great Bass/Contrabass recorders 2. Soprano, Alto, Tenor, Bass recorders. Transposed to C minor
|File Name 2=PMLP187052-son15_c.pdf
|File Description 2=Complete Score and Parts (transposed)
|Page Count 2=15
|Date Submitted 2=2011/12/7
}}
=====For 2 Trumpets and 2 Trombones (Rondeau)=====
{{#fte:imslpfile
|File Name 1=WIMA.55fb-CASco.pdf
|File Name 2=WIMA.006a-CATrp1.pdf
|File Name 3=WIMA.e5bf-CATrp2.pdf
|File Name 4=WIMA.c05d-CATrb.pdf
|File Name 5=WIMA.3273-CABtrb.pdf
|File Name 6=WIMA.899b-CA.zip
|File Description 1=Complete score
|File Description 2=Trumpet 1
|File Description 3=Trumpet 2
|File Description 4=Trombone
|File Description 5=Bass trombone
|File Description 6=Engraving files (Finale)
|Arranger={{LinkArr|Michel|Rondeau}}
|Image Type=Typeset
|Scanner=arranger
|Uploader=[[User:Michrond|Michrond]]
|Date Submitted=2012/5/5
|Publisher Information=Michel Rondeau
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes={{WIMAProject}}
}}

| *****WORK INFO*****

|Work Title=Sonate concertate in stil moderno, libro secondo
|Alternative Title=
|Opus/Catalogue Number=Libro secondo
|Key=
|Number of Movements/Sections=17 sonatas
# Sonata Prima A Sopran Solo.
# Sonata Seconda A Sopran Solo.
# Sonata Terza à 2. Soprani.
# Sonata Quarta A 2. Soprani.
# Sonata Quinta A 2. Sopran, e Trombon ouero violeta.
# Sonata Sesta A 2. Soprano e Trombon ouero violeta.
# Sonata Settima A 2. Sopran e Fagotto, ouero Viola.
# Sonata Ottaua à 2. Sopran, e Fagotto, ouero Viola.
# Sonata Nona A 3. Due Soprani e Fagotto, ouero Viola.
# Sonata Decima à 3. Due Soprani è Fagotto. Ouero viola.
# Sonata vndecima à 3. doi Soprani e Trombon ouero violeta.
# Sonata Duodecima A 3. due Soprani, e Trombon ouero violetta.
# Sonata Decima Terza A 4. Doi Soprani e doi Tromboni, Ouero Violete.
# Sonata Decima quarta à 4. doi Soprani e doi Tromboni, ouero violete.
# Sonata Decima quinta à 4. Per stromenti d'arco.
# Sonata Decima Sesta à 4. Per stromenti d'Arco.
# Sonata Decima settima A 4. in ecco. Per doi Cornetti, e due violini.
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1644
|Page Type=Collection
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=1, 2, 3 or 4 parts with basso continuo
|Tags=sonatas ; bc 1open ; bc 2open ; bc 3open ; bc 4open

| *****COMMENTS***** =
Castello himself was a wind player, and according to Grove Music, "Castello's two collections of sonatas, comprising 29 works, are not as idiomatic to the violin as works by some of his contemporaries (for example G.B. Fontana, C.A. Marini and Uccellini), but the virtuoso instrumental writing, especially for the bassoon, is notable." This gives a clear indication as to the types of instruments that would be suitable for these sonatas.

| *****END OF TEMPLATE***** }}
[[Category:17th Century Facsimiles]]

Sonate concertate in stil moderno, libro primo (Castello, Dario)

2015-07-02T17:28:21Z

Alsebal:

{{CollPage}}{{#fte:imslppage

| *****AUDIO***** =

| *****FILES***** =
===Scores and Parts===
====Complete====
{{#fte:imslpfile
|File Name 1=PMLP186967-Canto_Primo.pdf
|File Description 1=Canto primo
|Page Count 1=15
|File Name 2=PMLP186967-Canto_Secondo.pdf
|File Description 2=Canto secondo
|Page Count 2=17
|File Name 3=PMLP186967-Basso.pdf
|File Description 3=Basso (not continuo but bass instrument part)
|Page Count 3=9
|File Name 4=PMLP186967-Partitura.pdf
|File Description 4=Continuo
|Page Count 4=15
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Mostad|Mostad]]
|Date Submitted=2011/1/23
|Publisher Information=Venice: Franscesco Magni, 1658.
|Copyright=Public Domain
|Misc. Notes=Table of contents on the last page, 300 dpi
}}

| *****WORK INFO*****

|Work Title=Sonate concertate in stil moderno per sonar nel organo overo spineta con diversi Instrumenti a 2 & 3 voci
|Alternative Title=
|Opus/Catalogue Number=Libro Primo
|Key=
|Number of Movements/Sections=12 sonatas
# Prima Sonata. A due soprani.
# Seconda Sonata. A due soprani.
# Terza Sonata. A due soprani.
# Quarta Sonata. A due. Sopran e Trombon ouero violeta.
# Quinta Sonata. à due. Sopran e Trombon ouero violeta.
# Sesta Sonata. a due. Sopran e Trombon ouero violeta.
# Settima Sonata. à due. Fagotto e violin.
# Ottaua Sonata. A due. Fagotto e violin.
# Nona Sonata. à 3. due violini, e Fagotto.
# Decima Sonata. à 3. due violini, e Fagotto.
# Vndecima Sonata. à 3. Due violini e Fagotto.
# Duodecima Sonata. à 3. due violini e Trombone ouero violetta.
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1621
|Page Type=Collection
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=2 or 3 parts with Basso Continuo (see table of contents on last page of every file)
|Tags=sonatas ; bc open 2sop ; bc open 2sop bass
| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}
[[Category:17th Century Facsimiles]]