IMSLP - User contributions [en]

User talk:Fynnjamin

2011-12-14T06:06:32Z

Andrewt: /* Buxtehude keyboard music */ new section

== Walter Braithwaite copyright ==

Dear Fynnjamin, Are you the heir of Walter Braithwaite, or do have written permission from the heirs to post his work here? If not, or if we don't get a response from you very soon, the item you posted will be deleted for copyright violation as his work is not [[public domain]] in Canada (or anywhere else). Thanks, [[User:Carolus|Carolus]] 17:53, 19 May 2009 (EDT) (IMSLP Copyright Admin)
 
Hello, 
Walter Braithwaite was my great-grandfather, and I own his manuscripts.
I own the copyright to his work, and want to share it with a wider audience. 
Regards,
Fynn Titford-Mock 
22:05 GMT, 1 June 2009
:Thanks for letting us know! Feel free to post everything you wish. I think we deleted the item you posted previously as we had not received a reply from you. Sorry for the inconvenience, but we really have to be careful about enforcing copyright around here as there are plenty of folks who have no problem with dropping by and posting scores by Leonard Bernstein, Piazolla and other fully protected works. Best Wishes, [[User:Carolus|Carolus]] 19:24, 1 June 2009 (EDT)

That's fine, I understand! Not used to this great site yet. More music to come! Fynn

== Bishop: Divine Harmony ==

Hello Fynnjamin, There's no need to delete the page itself. You can simply replace the present file with a new, improved one by clicking on the file-number link, which will take you to the image-page (a page for managing the file itself). From there, just use the "replace file" feature. Thanks, [[User:Carolus|Carolus]] 16:24, 17 June 2009 (EDT)

== Sibley Uploader ==

I noticed the errors that the Sibley uploader was spitting out when you tried to use it, and I've corrected the problem. It should work as intended now. Sorry for the inconvenience! --[[User:Feldmahler|Feldmahler]] 15:08, 25 July 2009 (UTC)

Hello, I removed some empty work pages, as we usually do not host pages without scores on them. If you wish to upload scores to those pages, just drop me a note on my talk page and I will restore the pages. Thank you. --[[User:Leonard Vertighel|Leonard Vertighel]] 13:44, 27 July 2009 (UTC)

:Hi again. I just noticed that now the Sibley upload page is spewing out different error messages on the same file. I'm very sorry for this, as I had thought it fixed. I will investigate this further and fix this before the end of the week. It appears to have something to do with a slightly strange convention on the Sibley website that is throwing off the downloader, but should be fixable from IMSLP anyhow. --[[User:Feldmahler|Feldmahler]] 01:37, 28 July 2009 (UTC)

== Internet Archive ==
Dear Fynnjamin, in some of your recent uploads ([[Popular Selections from O'Neill's Dance Music of Ireland (O'Neill, Selena A.)|here]], [[Morris Dance Tunes (Sharp, Cecil)|here]] and [[Swedish Folk Dances (Bergquist, Nils W.)|here]]) the Microsoft logo is present on each page. Before we can release the scores the logos must be removed. If possible please replace the files with cleaned versions. Thanks and Regards, [[User:Hobbypianist|Hobbypianist]] 17:51, 28 September 2009 (UTC)

== Danish Royal Library ==

Hello Fynnjamin, Thanks for uploading so many nice items from this important collection. As a little courtesy to them (they've never complained even a little), please include the link in the scanner field. Just use this: <nowiki>[http://www.kb.dk/da/nb/samling/ma/digmus/index.html Det Kongelige Bibliotek]</nowiki>. Thanks, [[User:Carolus|Carolus]] 23:09, 4 October 2009 (UTC)

==Bother==
I've just uploaded a load of Telemann from SLUB Dresden, but listed it as from Det Kongelige Bibliotek. Bother. I'll sort it out when I can.
:Well, it's a very fine addition regardless of which library it comes from. I'll take care of adding SLUB Dresden what you uploaded, just something to remember next time you bring us some Telemann offerings (which I, for one, certainly appreciate). Thanks, [[User:Carolus|Carolus]] 01:46, 18 October 2009 (UTC)

== Score info ==

Dear Fynnjamin. Thanks for your latest scores from the Dresden Library. Could I ask you to include the following information on future uploads where possible: 1) the number of pages in each PDF file; 2) the publisher and date as shown on the site; 3) the correct URL of the page on the Dresden Library site. Otherwise the copyright reviewers have to chase around finding and checking this information, which can leave the file blocked for longer than it needs to be. Thanks — [[User:P.davydov|P.davydov]] 22:28, 18 October 2009 (UTC)

==Sorry==
apologies, I will be more careful with future uploads, and I'll try and correct what I've submitted so far. Sorry. Fynn. 10:08, 19 October 2009

== Concerto for 2 Flutes & 2 Oboes in G major (Fasch, Johann Friedrich)‎ ==

Hi Fynnjamin. It's not a good idea to put ampersands (&) in file names, and this has caused the file you just uploaded to become separated from its work page. The only solution is to delete both the faulty page and the file that's become detached (which as an administrator I've been able to do for you). You might like to create another workpage for "Concerto for 2 Flutes and 2 Oboes in G major (Fasch, Johann Friedrich)‎" and try uploading the file again. Sorry for the inconvenience — [[User:P.davydov|P.davydov]] 15:23, 24 January 2010 (UTC)

OK, I apologise I hadn't realised that.

== Ludwig Schlösser ==

You kindly started a composer page for him. He is actually one and the same as the composer detailed in:
http://de.wikipedia.org/wiki/Louis_Schl%C3%B6sser

The confusion arises because he was often known by the French equivalent of his first name. I tried to update the info myself, but am not enough of an expert on the wiki grammar!
:Fixed. I am slightly freaked out by this because they give a link to a VIAF record for him - but when I search for one (as I did before), no relevant results turn up. It makes me wonder how many other 'unknown' composers actually have VIAF records but just don't turn up in searches... [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 02:06, 24 February 2010 (UTC)

== [[:Category:Pestalozzi, Heinrich|Heinrich Pestalozzi]] ==

Hi. I'm pretty sure that Pestalozzi is actually [http://musicsack.com/PersonFMTDetail.cfm?PersonPK=100038406 this guy], considering that the profile (composer) is a closer match, the work was first published in 1922, and the title page just says 'Heinrich', not 'Johann Heinrich'. They're both Swiss, however. So I guess Sibley just messed up. Cheers, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 19:41, 31 March 2010 (UTC)

== Grainger ==

Hi, as he died less than 50 years ago, his music still can't be allowed on the site (not PD in Canada until 2012). Sorry... [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 16:54, 3 April 2010 (UTC)

Yep just realised. bother.

== SLUB template ==

Hi, and thanks for all these great uploads! I've been changing the link in the Scanner field to the SLUB template (I think this is what you were trying to do); you can do this yourself by putting <nowiki>{{SLUB}}</nowiki> (including curly braces) for the scanner when you submit the file. Cheers, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 01:00, 16 June 2010 (UTC)
:Actually the SLUB template allows one to do a little better than to just use <nowiki>{{SLUB}}</nowiki>. One can use <nowiki>{{SLUB|/ppn1234567}}</nowiki> to get the link to the work page. This really saves a lot of typing! :) --[[User:Boccaccio|Boccaccio]][[User talk:Boccaccio|Talk]] [[Special:Emailuser/Boccaccio|Email]] 09:16, 17 June 2010 (UTC)

::cool - for most of them I have been using a huge long link. this will save time - cheers.

:I just discovered that you slightly misused the SLUB template. You do not only have to give the number, but you also have to include the ppn before, so {{SLUB|/323968449}} is wrong, but {{SLUB|/ppn323968449}} is correct. --[[User:Boccaccio|Boccaccio]][[User talk:Boccaccio|Talk]] [[Special:Emailuser/Boccaccio|Email]] 06:09, 14 August 2010 (UTC)

::right. silly me - will sort it --[[User:Fynnjamin|Fynnjamin]] 11:19, 14 August 2010 (UTC)

== Bruni trios ==

About the Bruni trios, you note (I think) that the viola part is absent - is there evidence one was ever written? I recall that for many if not most string trios before Mozart's (Vaclav Pichl's being one exception) two violins and bass was the norm, violas not being part of the normal instrumentation of a string trio at the time. Though no date is provided for the Bruni trios, so I don't know that they were written before Pichl's, either? :) [[User:Schissel|Eric]] 03:15, 10 July 2010 (UTC)

== Stanford string quintet no.1 ==

There's already an article for that work... :) [[String_Quintet_No.1,_Op.85_(Stanford,_Charles_Villiers)]] [[User:Schissel|Eric]] 01:38, 21 July 2010 (UTC)

== Latest uploads ==

Great job! Could you please credit the scanner (yourself?)? Thanks.-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 22:08, 29 July 2010 (UTC)
:Thanks!-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 22:43, 29 July 2010 (UTC)

== Opus Numbers (General Information) ==

I notice that when you upload works, you generally write "Opus #". According to our [[Manual of Style/General Information|general information guide]], it's best to write "Op.#" (with no space of course). Really small nit-picky thing, but since you're a regular uploader, it's best that you are aware of both the guide and the rule. I must commend you on your instrumentation, though. You follow the formatting almost perfectly. Thanks, [[User:BKhon|BKhon]] 19:32, 15 September 2010 (UTC)
:ok, cheers, will do --[[User:Fynnjamin|Fynnjamin]] 19:36, 15 September 2010 (UTC)
::Also capitalize "Score", so it says "Complete Score". Really nitpicky, though, and hardly worth mentioning. Thanks for your contributions, [[User:BKhon|BKhon]] 19:37, 19 September 2010 (UTC)
:::Now I sort of feel bad for criticizing you, but could you please specify whether or not something is major or minor in the general information field, rather than just posting "A" or "D". With kind regards, [[User:BKhon|BKhon]] 23:00, 19 September 2010 (UTC)
::::OK, sorry - I will do in future. --[[User:Fynnjamin|Fynnjamin]] [[Special:Emailuser/Fynnjamin|Email me]] 23:05, 19 September 2010 (UTC)

== Links ==

You can link to pages within IMSLP by using double brackets ("[[ ]]") instead of externally linking using single ("[ ]") brackets. Cheers-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 21:03, 26 September 2010 (UTC)

== [[Psalm 23 (Carey, Henry)|Carey: Psalm 23]] ==

Hello Fynnjamin, Are these actually 2 pages from the collection ''Harmonia Perfecta''? If so, go ahead and use the format I inserted into the publisher field (collection title in italics on top line, followed by usual publisher citation below) for cases like these. Of course, if you've already uploaded the collection previously, you can link to as described by Perlnerd above. Thanks, as usual, for all of the interesting historic uploads! [[User:Carolus|Carolus]] 22:18, 8 October 2010 (UTC)

:Ah, cheers - it looks neater that way. --[[User:Fynnjamin|Fynnjamin]] 22:22, 8 October 2010 (UTC)

== [[Caro Mio Ben (Giordani, Tommaso)]] ==

Dear Fynnjamin. You inadvertently caused a problem when you changed the tag on this work recently, which meant that it was removed from the categorization system. If you believe that a work is incorrectly tagged then please contact a member of the [[IMSLP:Categorization/Project_Members|tagging team]], as they alone are authorised to change the tags. Thanks — [[User:P.davydov|P.davydov]] 05:48, 13 October 2010 (UTC)

== Page Numbers ==

Hi Fynnjamin. I see that you are doing quite a bit of work adding page numbers in the work fields. Unless the automatic page counter (which was recently installed) is incorrect, I wouldn't worry too much about meticulously adding them :-) [[User:BKhon|BKhon]] 12:36, 4 November 2010 (UTC)
:Well the automatic counter was not reading it correctly in this case (Boccherini Quintets). File 1 was ?, and the others were listed as 9 or 10 pages, when they actually are around 25 or 22 pages --[[User:Fynnjamin|Fynnjamin]] 13:53, 4 November 2010 (UTC)

== Praetorius Musae ==

Fabulous! Nice work-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 04:00, 23 November 2010 (UTC)
:Amen! Wonderful addition. [[User:Carolus|Carolus]] 04:18, 23 November 2010 (UTC)
::I agree, though as we are yet to have a Praetorius worklist most of the contents of these colossal collections are currently undocumented. I don’t suppose you have a list in electronic form of the indexes to the Musæ, Polyhymnia, and Syntagma? Regards, and thanks again for these uploads, [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User talk:Pml|talk]] 05:30, 24 November 2010 (UTC)
:::Thanks everyone - Sadly I don't have a list of contents, but I can make a start on one. --[[User:Fynnjamin|Fynnjamin]] 11:26, 24 November 2010 (UTC)
::Hi Fynnjamin, I suggest it might be best left for someone with access to Grove online or MGG to see if they have something of a list that can be borrowed or adapted for our purposes, rather than you having to start entirely from scratch. (I was going to do something similar, but I didn’t find any on-line lists.) Regards, [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User talk:Pml|talk]] 12:16, 24 November 2010 (UTC)
:::Philip - I have checked Grove online, but sadly no list. Also, Det Kongelige Bibliothek only has the first 4 volumes (out of 9) - it's going to be a long list. There must be one somewhere though. --[[User:Fynnjamin|Fynnjamin]] 12:22, 24 November 2010 (UTC)
::I knew there wasn’t one in the first edition of the New Grove, but I would have thought one might have been concocted in the intervening quarter century. Rats. Oh, and thanks for uploading the scan of Josquin’s 24-voice quadruple canon. [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User talk:Pml|talk]] 21:13, 24 November 2010 (UTC)
Thank you! Does Grove have this summary worklist? I have no access. [http://etd.library.miami.edu/theses/available/etd-07282009-105611/unrestricted/sspearsS209.pdf http://etd.library.miami.edu/theses/available/etd-07282009-105611/unrestricted/sspearsS209.pdf] (Thank you, Mr. Spears):

"Table 1.1. Music publications by Michael Praetorius 
Title of publication ---- Volume in collected works[7]

*Musae Sioniae I (1605) 1
*Musae Sioniae II (1607) 2
*Musae Sioniae III (1607) 3
*Musae Sioniae IV (1607) 4
*Musae Sioniae V (1607) 5
*Musarum Sionarum (1607) 10
*Musae Sioniae VI (1609) 6
*Musae Sioniae VII (1609) 7
*Musae Sioniae VIII (1610) 8
*Musae Sioniae IX (1610) 9
*Missodia Sionia (1611) 11
*Hymnodia Sionia (1611) 12
*Eulogodia Sionia (1611) 13
*Megalynodia Sionia (1611) 14
*Terpsichore (1612) 15
*Urania (1613) 16
*Litaniae (1613) 20
*Polyhymnia caduceatrix (1619) 17
*Polyhymnia exercitatrix (1620) 18
*Puericinium (1621) 19

[7] Michael Praetorius, Gesamtausgabe der musikalischen Werke von Michael Praetorius, 21 vols.,
ed. Friedrich Blume (Wolfenbüttel: Kallmeyer, 1928-56)." With more than 1200 works in the Musae Sioniae alone, a detailed listing here would be a major contribution! [[User:Olmsted|Olmsted]] 04:27, 25 November 2010 (UTC)
:Yes, a listing of the items in Fynnjamin’s upload is a non-trivial amount of work, which is why I’m not suggesting anyone undertake it from scratch if someone has already done some of the heavy lifting. [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User talk:Pml|talk]] 04:42, 25 November 2010 (UTC)

== List of Compositions By Michael Praetorius ==

An excellent starting point can be found at [http://www.worldcat.org/title/gesamtausgabe-der-musikalischen-werke/oclc/3577784 http://www.worldcat.org/title/gesamtausgabe-der-musikalischen-werke/oclc/3577784] (scroll down to the bottom of the page). The page numbers or chapter/piece numbers are not listed, however. 
See also [http://www.medieval.org/emfaq/composers/terpsichore.html http://www.medieval.org/emfaq/composers/terpsichore.html]. [[User:Olmsted|Olmsted]] 16:41, 25 November 2010 (UTC)
:Nice work-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 16:59, 25 November 2010 (UTC)

== Gleissner symphonies ==

Good catch re opus 1 - I think I had remembered unusually there being only one work in the set (not so unusually in 1798-1800, ok... between a page that was then visible - not anymore I think - in Wyn Jones' book on Beethoven's Vienna in Google Books, and also de-Wikipedia) but was mistaken. There are several Gleissner opus 1 sets, annoyingly, but the others seem to not be symphonies (choral works, mostly), fortunately :). Some of his music has in fact been recorded, apparently (a symphony and a piano concerto, at the least, noticed it on amazon.com), by the way. Anyhow, thanks! [[User:Schissel|Eric]] 14:46, 30 November 2010 (UTC)
:Thanks. Could the DKB parts be the Offenbach:J.Andre edition? Will require some plate number-checking... Interesting that Gombart does not include the Minuet and Trio in No.1. --[[User:Fynnjamin|Fynnjamin]] 14:55, 30 November 2010 (UTC)
::Yes, it looks as though they are Andre's edition (c.1800 according to the plate numbering page) - and look typographically similar to other Andre publications (e.g. Gyrowetz symphonies which I will shortly upload - although my internet connection seems to be suffering from the snow)--[[User:Fynnjamin|Fynnjamin]] 15:01, 30 November 2010 (UTC)

== Fa[il]uré ==

I've put a load of Faure songs in from Sibley, but in the wrong place, i.e. by making a separate page for each, rather than adding to the Song Opp. pages. darn.

== Vranken ==

Hi Fynnjamin. Just to let you know that he's been moved to {{cat|Vranken, Peter Johannes Joseph}} in accordance with our [[IMSLP:Composer Names|naming guidelines]] (I decided to go with the German form of the name). Cheers, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 01:16, 18 January 2011 (UTC)]

cheers! --[[User:Fynnjamin|Fynnjamin]] 11:18, 18 January 2011 (UTC)

== Marzo mass ==

In noting the instrumentation of [[Messe solennelle, Op.19 (Marzo, Eduardo)]], you wrote "SATB soli, SATB chorus". The score clearly shows a piano or organ part as early as page 1 ??? [[User:Schissel|Eric]] 02:08, 18 January 2011 (UTC)

Nope, wasn't me. I think I just put SATB voices, organ. Someone else edited it. --[[User:Fynnjamin|Fynnjamin]] 11:18, 18 January 2011 (UTC)

Oh- I really need to read page histories more. Many apologies! [[User:Schissel|Eric]] 13:05, 18 January 2011 (UTC)

== Cartellieri ==

Hi Fynnjamin. Just to let you know that he's been moved to {{cat|Cartellieri, Casimir Anton}} in accordance with IMSLP's [[IMSLP:Composer Names|naming guidelines]]. Cheers, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 02:15, 19 January 2011 (UTC)
:(Ditto Wodicka, moved to {{cat|Vodička, Václav}}.) [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 02:18, 19 January 2011 (UTC)

== Hartmann ==

Hi Fynnjamin. Just to let you know that he's been moved to {{cat|Hartmann, P.}} in accordance with our [[IMSLP:Composer Names|naming guidelines]]. Cheers, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 01:39, 31 January 2011 (UTC)
:Ditto Raehs - moved to {{cat|Ræhs, Martin}}. Cheers, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 21:47, 6 February 2011 (UTC)

== Hasse 12 Arias ==
"Per questo dolce amplesso" is from Artaserse as well, cf., e.g., here: http://www.youtube.com/watch?v=c-Jw9qy_Dn4 --[[User:Boccaccio|Boccaccio]][[User talk:Boccaccio|Talk]] [[Special:Emailuser/Boccaccio|Email]] 14:31, 11 February 2011 (UTC)
:cheers! will sort that out. --[[User:Fynnjamin|Fynnjamin]] 15:01, 11 February 2011 (UTC)

== Haydn ==

Great find at DKB for the early Haydn parts issued by Hummel and Sieber - and the actual first edition of Schoepfung! [[User:Carolus|Carolus]] 23:53, 18 February 2011 (UTC)

:Thank you! Took a bit of searching back and forth. DKB also has a larger size colour scan of the 1st Schoepfung. --[[User:Fynnjamin|Fynnjamin]] 00:09, 19 February 2011 (UTC)

== Turkish March ==

Hi Fynnjamin,

This one sort of amazes me. Apparently, the arranger of the Beethoven ''Turkish March'' you uploaded from DKB is [http://viaf.org/viaf/32261221/#Borovsky,_Alexander,_1889-1968 Alexander Borovsky (1889-1968)]. As this is clearly an arrangement or adaptation, it would not be free in either the USA (published 1947 with a valid notice), Canada or the EU. Nevertheless, DKB has it available for download! I'm going to tag this N/N/N for now and will e-mail the person at DKB who has been so kind in helping us obtain the Nielsen critical edition. [[User:Carolus|Carolus]] 06:41, 20 February 2011 (UTC)

== Tags ==

Hi Fynnjamin. Please don't modify the 'tags' section of a workpage, as that is reserved for designated members of the [[IMSLP:Categorization|categorization project]] team (who have all had to read a very long manual). If you're considering joining the team, [[User:P.davydov|Davydov]] is the person to ask about it. Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 12:18, 17 March 2011 (UTC)

:Ooops. Sorry :-S --[[User:Fynnjamin|Fynnjamin]] 12:20, 17 March 2011 (UTC)

== Hässler Op.5 ==

Hi Fynnjamin. While doing copyright tagging I noticed that the file you uploaded to that page is in fact an exact duplicate of the one you uploaded to [[Fantaisie et Sonate, Op.4 (Hässler, Johann Wilhelm)]]. Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 17:10, 20 March 2011 (UTC)
:Thanks for alerting me - now sorted fine. --[[User:Fynnjamin|Fynnjamin]] 16:34, 22 March 2011 (UTC)

== Tagging Team ==

Hi Fynnjamin. Thanks for your email, and we could do with extra help at the moment, so welcome to the team! If there's anything you're uncertain about then don't hesitate to ask on the [[IMSLP talk:Categorization/Project Members|project discussion page]] — [[User:P.davydov|P.davydov]] 19:32, 28 March 2011 (UTC)

== [[Jewett's National Flutina and Accordion Teacher (Various)]] ==

Please be careful when tagging to make sure you include the work type ''and'' the instrumentation (and language for vocal works). You missed the instrumentation on this piece — [[User:P.davydov|P.davydov]] 21:13, 5 April 2011 (UTC)
:Sorry this one slipped through the net. By the way, flutina is not a type of flute, but a freereed instrument with keys, rather like a melodeon or button accordion. So the language tab is for vocal works only? And presumably for the various Writings too... --[[User:Fynnjamin|Fynnjamin]] 22:01, 5 April 2011 (UTC)

== DKB ==

Hi, please have a look at I'm trying to set up here: [[IMSLP:Community_Projects/DKB_Project]]. Cheers − [[User:Pierre.chepelov|Pierre.chepelov]] 21:35, 30 April 2011 (UTC)

== Telemann: Johannes Passion ==

Hi − IMHO it is not a manuscript because: 1. there are marks of the plate being pressed on the paper, especially on the upper corner of the cover page ; 2. it looks very similar to other self-engraved Telemann scores ; 3. there are a few added numbers that are indeed manuscript and look very different from the regular ones, e.g. 6th system, p.11 of the "vocal score" (strocked 7 / 2, 5 / 2). What do you think? Cheers [[User:Pierre.chepelov|Pierre.chepelov]] 08:10, 2 May 2011 (UTC)

:That's what I've been thinking - it does bear a resemblance to other Telemann scores, for instance the clefs and time signatures. Also that the pages are numbered so neatly - unusual in MS. But unlike many of Telemann's self-published/self-engraved, stamps do not seem to have been used (e.g. for clefs). And the text is pretty neat and not too difficult to read (once you know how to read Fraktur of course!) - one would expect more evidence of the movement of a pen. So, yes thinking about it, I agree it's likely to be an engraving. (Balthasar Schmid was a publisher anyway I think - although some manuscript copyists wrote the publisher info in their copies). It would be easier to tell with a colour facsimile. [[User:Fynnjamin|Fynnjamin]] 09:31, 2 May 2011 (UTC)

Yes - check other Balthasar Schmid publications (e.g. Goldberg Variations) - the style looks so similar, it must be the same. And yes there do seem to be a couple of figures added in MS - again, a colour facsimile would show this better. --[[User:Fynnjamin|Fynnjamin]] 09:44, 2 May 2011 (UTC)

:Indeed! I also noticed that I could read the text without too much headache :-) − The Latin characters on the title page also look similar to those on Schmid's engraving of Bach's Italian concerto. [[User:Pierre.chepelov|Pierre.chepelov]] 11:13, 2 May 2011 (UTC)

== ok- what I don't get is ==

why is {{LinkWork|Quartet for Bassoon and Strings|Op.43|Schneider|Georg Abraham}} being left as is?... [[User:Schissel|Eric]]
:oops missed that - although it's not as common to find bassoon quartet (which would suggest 4 bassoons) than it is to find flute quartet (which might suggest 4 flutes, but almost always is for flute, violin, viola & cello)... that's my reasoning, maybe I'm wrong. But there was already some Flute Quartets on Schneider's page, so I wanted some consistency, if only in the Flute Quartets. By the way, you don't know how to fix my problem on Telemann's 36 Fantaisies? I've put a request in the discussion page. cheers --[[User:Fynnjamin|Fynnjamin]] 08:50, 3 May 2011 (UTC)
hmm second thoughts... maybe just undo my moves if you don't like it, I don't mind --[[User:Fynnjamin|Fynnjamin]] 08:53, 3 May 2011 (UTC)

== [[The Dance Music of Scotland (Various)]] ==

Hi Fynnjamin. Do you know whether the Highland Music Trust has explicitly given permission for their engravings to be distributed freely? I couldn't find anything specific about that on their site, though I may have been missing something. Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 23:56, 5 May 2011 (UTC)
:I spoke informally to someone involved in the organisation who told me it was fine to upload the free stuff from their website. I actually rang them today while editing things on here, just to re-confirm that this was OK - and yes, it is, they don't appear to have any problem with us using the pdfs they provide for free. They ought perhaps to put a little bit info stating this on their website though. --[[User:Fynnjamin|Fynnjamin]] 00:01, 6 May 2011 (UTC)
::Sounds good! Thanks for your response; it has been released for download now. Cheers, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 00:08, 6 May 2011 (UTC)

== Gellert's Songs and Odes ==

Hi Fynnjamin, thanks for the correction! Indeed: "Peface" is not a good omen for a translation...--[[User:Ralph Theo Misch|Ralph Theo Misch]] 21:05, 6 May 2011 (UTC)
:hehe indeed. Kein Problem --[[User:Fynnjamin|Fynnjamin]] 09:36, 7 May 2011 (UTC)

== First Performance Date (General Info section) ==

This field is now being 'read' by the system (a feature which is increasing as we interface with iPad apps, etc.), I understand that we should be entering this info in the following format: YYYY-MM-DD. Since you're such a major contributor, I thought you might like to know. [[User:Carolus|Carolus]] 19:19, 12 May 2011 (UTC)
:OK, thanks --[[User:Fynnjamin|Fynnjamin]] 20:05, 12 May 2011 (UTC)

== [[Aus der Tiefe, Op.30 (Henschel, George)]] ==

It would appear that LOC agrees. He must have either composed it while in Germany or with the German text in mind. Thanks! [[User:Carolus|Carolus]] 01:44, 19 May 2011 (UTC)

==Nicholds, Fall of Babylon==
Hi, Fynnjamin, I'm just checking some tagging. Does your source score say "anthem" anywhere on it? If it doesn't, I'd like to re-tag it "sacred choruses", because that is what is used as a generic if there is nothing taggable in the title. Thanks, [[User:Steltz|Steltz]] 17:01, 23 May 2011 (UTC)
:Ah, my mistake; doesn't say anthem in source. Sacred choruses would be better. --[[User:Fynnjamin|Fynnjamin]] 18:09, 23 May 2011 (UTC)

== Creative Commons Licenses ==

{{MsgComposerUser|[[User:Carolus|Carolus]] 03:08, 24 May 2011 (UTC) PS: Since you're adding your own works, I thought you might like to review this.}}

:Gosh, this is complicated. I might just take down my Compositions while I think about it. How do I do that? --[[User:Fynnjamin|Fynnjamin]] 12:42, 25 May 2011 (UTC)
I can take them down if you like. I would recommend using the Performance Restricted if you are member of a society like PRS or ASCAP. Otherwise, the non-commercial is useful for keeping the Ebay crazies at bay - so to speak (the folks who rip this site and sell CDs and DVDs of "All the World's Greatest Music Sheets for <instrument>" and the like - which has included works of living composers copied from here in the past (until I made some complaints to Ebay about the issue). [[User:Carolus|Carolus]] 23:39, 25 May 2011 (UTC)

:If you could take them down then, that would be good. I am a member of PRS so I ought to be doing this properly, even though performance restriction is irritating; (is it just that people have to obtain my permission before they can perform it publicly?). I'll upload them in a while as a set, on one page called Hymns. thanks --[[User:Fynnjamin|Fynnjamin]] 10:31, 26 May 2011 (UTC)
OK, I've taken them all down. I expect PRS will regard all of the CC licenses as ASCAP has in my discussions with them - toxic in a word. What the performance restrictions mean (for the USA - I am not that well-versed on how it works in the UK but expect its quite similar) is that anyone performing your work apart from some very narrow legally-specified exemptions (benefit performances in which everyone involved donates their services, for example) must obtain a license in order to perform the work either live or via broadcast. Most organizations - even non-professional ones - have what is referred to as a "blanket license" for this purpose, which is typically a yearly payment to PRS, ASCAP or a similar agency. The performing organization has to send copies of their programs every year and PRS then pays its members accordingly. For your editions, another thing to keep in mind is that the plain-vanilla [[Creative Commons Attribution 3.0]] has no sort of restriction on commercial use. Thus, if anyone wanted to make copies of your files and sell them on Ebay, they would be perfectly free to do so. If this is not OK with you, I would recommend using the non-commercial version. That means you have to replace your files of course, since you diligently placed the Creative Commons notice on the first page of the items I looked at. Your engraving is very fine, BTW. You should join in on the discussion over at the forum about prospective standards for new typesets. [[User:Carolus|Carolus]] 06:33, 27 May 2011 (UTC)

== Gerson ==

Re Gerson, it seems he did publish one string quartet, but I can't seem to work out its key from here at the moment- any idea and any idea if it's one of the 5 manuscript ones? Also, I'm surprised they posted the symphony as it seems to have been published (in that big Garland Publishing series, the symphony in ... ...) in the 1980s (I recall seeing it and the overture on a recent CD I think so hope that there are other factors that do allow us to have it here though. I've heard other items I think were on that CD iirc- Kunzen's G minor symphony, JPE Hartmann's later G minor no.1 - and may have heard Gerson's also... anyhow- thanks much!! and always good to have 5 more quartets to read and for others to play :) ) [[User:Schissel|Eric]] 00:27, 3 June 2011 (UTC)
:Thanks, there's still more to upload; I've split the files from DKB to give the separate works. So far they have scanned 4 of 5 autograph volumes of Gerson's music, plus the his own autograph catalogue. If one of the MS quartets was published during his lifetime, it's likely that it would be mentioned in his 'Verzeichnis' by the presence of the word 'gedruckt' or something similar (I haven't checked yet). It's very unusual to have a composer who is so meticulous about the dates of composition etc. - a fascinating insight into a lesser-known composer's life. --[[User:Fynnjamin|Fynnjamin]] 06:44, 3 June 2011 (UTC)
I'm wondering if I ought to give all the pieces their Gerson catalgue number, e.g. 'G.68' - there are several pieces with the same title which would be better distinguished that way. --[[User:Fynnjamin|Fynnjamin]] 06:49, 3 June 2011 (UTC)
::Thanks! and Hrm. I personally think it’s an excellent notion and that it’s on the whole been a benefit to editors and users of music by composers like Gilchrist (who didn’t create his own catalogue but where Schleifer’s catalogue numbering has been very useful) e.g. - and I tend to think would be so even for (tangentially) a composer like Krommer who did use opus numbers, but for whom the same opus number several times will apply to more than one work (etc. - in his case there’s the Padrta catalogue as listed on Wikipedia.) Anyhow, erm. Bringing ship of mind back around to dock, in my opinion, yes - if not in the titles (a lot of renaming, though perhaps worth it) then at least in the information area for now? [[User:Schissel|Eric]] 13:59, 3 June 2011 (UTC)

==Gerson, Duett aus Claudina==
Dear Fynnjamin: I've changed the tag on this -- lieder isn't mentioned in the title, and the "aus" designation makes it seem as if it's from something larger anyway. It should just be "duets" for now, and if it turns out that there is a larger work called Claudina von Villa, the page will need to be changed to reflect that. Thanks. [[User:Steltz|Steltz]] 06:39, 4 June 2011 (UTC)

== Viotti ==

I think Sibley has it very wrong and really should correct what they have at 1802/14842 - the trios for strings "oeuvre 2me" dedicated to Pugnani, according anyway to the interesting and hopefully fairly reliable worklist at the Italian Viotti Wikipedia page, are actually W. III 1 to 6, not 19 to 24 :) (they give the key sequence there, and it matches those of the trios in the file at Sibley, too, for confirmation.) [[User:Schissel|Eric]] 23:46, 4 June 2011 (UTC)

==tagging symphonic music==
Dear Fynnjamin: when you tag symphonic music, please don't tag the individual wind instruments (e.g. Dittersdorf Symphony in C). We only do this when the wind instruments are solo instruments, for example a concerto. The correct tag for this was "orch bc". Thanks, [[User:Steltz|Steltz]] 07:13, 9 June 2011 (UTC)

==eichner, 3 harpsichord sonatas==
Dear Fynnjamin: just to let you know that I added an "hpd" tag to this, because the string parts are ad lib, so the sonatas can also be done by harpsichord solo. [[User:Steltz|Steltz]] 08:56, 14 June 2011 (UTC)

==Ristori, Cantata a 4 voci==
Dear Fynnjamin: just to let you know that I added a "bc" tag to this -- when we tag orchestral works that have continuo, the tag is "orch bc", although this doesn't apply to modern keyboard parts within orchestral works, just proper continuo parts. [[User:Steltz|Steltz]] 13:56, 27 June 2011 (UTC)

== Johann Strauss Sr. ==

My understanding (which could be mistaken) was that all of the waltzes and other dances were originally for orchestra even if they were first published as piano arrangements. Since he was a popular orchestral leader of the day (like his sons), things were normally premiered by the Strauss orchestra under his baton. It's all very difficult to discern exactly of course as the orchestra and piano versions were frequently done at the same time. [[User:Carolus|Carolus]] 00:56, 28 June 2011 (UTC)
:Yes I had wondered about this. 'orch' tag? --[[User:Fynnjamin|Fynnjamin]] 07:51, 28 June 2011 (UTC)

== Scores vs. Full Scores ==

I've been using "Full Scores" for the second-level hierarchy to avoid redundancy with the major page division which was re-named "Scores" from "Files" a while back. (I actually preferred the less-specific "Scores" myself, to tell you the truth). Love the RISM links, BTW. Since I'm doing lots of templates lately, perhaps I look over there and see if I can make one for RISM as well. I'm also starting to think we need to add another optional field for "Engraver/Scribe" to the file template as there seem to be a fair number of these folks appearing the editor field lately, another optional "External Links" field might be a good place to add your RISM links. [[User:Carolus|Carolus]] 04:33, 29 June 2011 (UTC)
:Yes - good thoughts. --[[User:Fynnjamin|Fynnjamin]] 22:22, 3 July 2011 (UTC)

== SLUB ==
Hi Fynnjamin, I noticed that you continued uploading a lot of interesting scores from SLUB recently. Did you find a systematic way to work through their repertoire? Or did you find a list of newly uploaded scores (there still seems to be nor rss feed like on the old page)? --[[User:Boccaccio|Boccaccio]][[User talk:Boccaccio|Talk]] [[Special:Emailuser/Boccaccio|Email]] 09:23, 3 July 2011 (UTC)
:I haven't got a method really for finding the newly uploaded stuff from SLUB Dresden yet, other than trawling through the lot every so often. I seem to remember the old site had also more helpful ways of sorting the list of works. They're still adding more though! --[[User:Fynnjamin|Fynnjamin]] 22:24, 3 July 2011 (UTC)
I asked via their support form if they plan to reintroduce RSS. After more than a week, I finally got a reply: They have it as a top priority on their agenda and it should be available within 4 weeks. --[[User:Boccaccio|Boccaccio]][[User talk:Boccaccio|Talk]] [[Special:Emailuser/Boccaccio|Email]] 15:41, 14 July 2011 (UTC)
:Great, good work! I don't have as much time to spend uploading things any more, probably for several months, so am taking a backseat for a while. --[[User:Fynnjamin|Fynnjamin]] 16:46, 14 July 2011 (UTC)
RSS feeds now up and running on SLUB website! Huzzah! --[[User:Fynnjamin|Fynnjamin]] 16:55, 31 August 2011 (UTC)

== Herder, Huldigungs-Marsch ==

Hello,
I just changed the attribution of the Huldigungs-Marsch, from Johann Gottfried Herder (the famous poet) to Johann ''Jakob'' Gottfried von Herder (the later's grandson), and also changed the estimated publication date from ca.1790 to ca.1850, following the HAAB, because:
* the dedicatee, Grand-Duke Carl Friedrich, reigned from 1828 to 1853, long after the poet's death in 1803 (and his father Carl August did not bear the title of Grand-Duke before 1815)
* Herder (the composer) was a "Lieutenant" − I don't think Herder (the poet) had a military career.
* the music sounds, and the engraving looks, more post-1800 than 1790's...
Just say, if you don't mind... Cheers. [[User:Pierre.chepelov|Pierre Ch.]] 12:35, 7 July 2011 (UTC)
:That's fine - I didn't know about J Jakob G Herder - but yes, it makes sense now. Thanks --[[User:Fynnjamin|Fynnjamin]] 13:12, 7 July 2011 (UTC)

== Tagging ==

Hi Fynn, 
Just a couple things to keep in mind:
*[[Symphonie concertante No.3, Op.34b (Alard, Jean Delphin)]] - we have a tag 'symphonies concertantes'; please use it rather than both 'symphonies' and 'concertantes' separately.
*I have noticed that you provide copious alternate tags for some works - like [[El Grillo (Josquin Desprez)|this]] one, where you tagged it both as a frottola (which it is) and a madrigal (which would, I suppose, be a passable though somewhat inaccurate alternative); or [[Traité du violoncelle, Op.42 (Bréval, Jean-Baptiste)|this page]], for which you came up with the tags 'studies ; sonatas ; duets', presumably for its contents, but the correct tag is simply 'methods', as that is what the whole work is. Please ''only'' either (a) tag according to titles and subtitles, or (b) use the most accurate tag you can come up with (for works which don't have indicative titles).
Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 21:32, 7 July 2011 (UTC)
:One other thing: I just noticed that [[Overture in F major (Falcari, Ferdinando)|here]] and on at least one other page, you have tagged individual instruments in an orchestra (for instance, '2hn str') when it is clearly not meant to be a concertante work. This causes the page to be lumped in with works that actually have solo horn (or what have you) parts, which is highly misleading. Please just tag even small orchestras with more than one instrumental group as 'orch' (or 'orch bc', when applicable). Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 02:10, 9 July 2011 (UTC)

== [[Caprice or Pot-Pourri on Russian Songs, Op.6 (Nehrlich, Johann Peter Theodor)]] ==

I can't tell for sure but was <nowiki>{{AAB}}</nowiki> what was meant? Best! [[User:Schissel|Eric]] 13:15, 16 July 2011 (UTC) Oh- ok, you did mean HAAB I'm guessing ? - but I don't think we have a template for it yet? (or maybe with different capitalization? hrm. it's not in [[:Category:External library templates]], at least... I don't know what it stands for though... one's always learning on this site, or can. all to the good I say...
: I meant {AAB}, Anna Amalia Bibliothek, should be correct now --[[User:Fynnjamin|Fynnjamin]] 13:30, 16 July 2011 (UTC)

Re Reinsdorp etc. the best I can seem to find about them just this moment is this Google book brief info - [http://books.google.com/books?id=HVsmHZNp7mYC&pg=PA403&lpg=PA403 Musik und Migration in Ostmitteleuropa] (2005 book, page 403, preview). Active turn of the 19th century, first publisher went by H. Reinsdorp/Rejnsdorp, started in 1787 if I'm reading the German correctly, not sure but the notation in the book may mean that Kaestner joined around 1800 or so, and that the operation lasted until 1812. The book seems pretty sure (though other references from earlier dates are not) that they were indeed based in Moscow. Their source overall is Muzycuk1999. [[User:Schissel|Eric]] 00:28, 17 July 2011 (UTC)

==Variations sur une Romance de la composition de Mademoiselle S. de K., No.9 (Ferguson, Ludwig Wilhelm Tepper von) and Variations on a Romance from Mehul's 'Une Folie' (Ferguson, Ludwig Wilhelm Tepper von==
Hi, Fynnjamin, just need to let you know that I re-tagged both of these. Variations never get tagged by the type of theme used (it can't really be played separately anyway), so I removed the romances tag. I think the confusion is coming because the subtitle lists the word "Romance" first. However, the "variée" at the end of the line is the deciding factor, and it took me a while to work this out when I started tagging, but it's more a problem of grammatical construction. A "Romance variée" is a "varied Romance", which isn't strictly a Romance, it's a set of variations on the Romance. It's just that with all the explanation in the middle as to where the Romance is from, these titles have to be read as "Romance (from blah-dee-blahh) varied". Thanks, [[User:Steltz|Steltz]] 08:15, 17 July 2011 (UTC)

==2 Sonatas for Piano and Violin, Op.5 (Ferguson, Ludwig Wilhelm Tepper von)==
This one needed to be re-tagged as well. Although piano is listed first in the title, the phrase "avec accompagnement d'un Violin obligé" indicates that the violin part is obligatory, i.e. this will never be performed as a piano solo work. Thanks, [[User:Steltz|Steltz]] 08:22, 17 July 2011 (UTC)

== Bach Quartets ==

Uoh, we must have downloaded these at almost the same time. Someone will have to delete one of these two workpages.
But, do you have any evidence for Op.10??, The linked list of works has them as Op.8, as has the Hayes Oboe Bibliography--[[User:Kalliwoda|Kalliwoda]] 09:21, 21 July 2011 (UTC)
:Well, just went ahead with a redirect (op.10 are the violin sonatas you upladed in march!), let me know if it looks ok - lots of tags, if one wants to include the use of continuo or violoncello as well--[[User:Kalliwoda|Kalliwoda]] 11:36, 21 July 2011 (UTC)

== Brescianello Triosonata ==

SLUB emailed me, that this has been withdrawn for technical revisions to the scan--[[User:Kalliwoda|Kalliwoda]] 15:43, 25 July 2011 (UTC)

== Jiranek ==

Hallo, laut RISM stammen die beiden Stücke aus der SLUB nicht von Antonin Jiranek, sondern von Frantisek Jiranek.

RISM: Ergebnisse 1–2 von insgesamt 2 für Freie Suche = jiranek (0,14 Sekunden)
Jiránek, František
Symphonies - C-Dur; strings, bc, ob (3); Abschrift; etc; D-Dl; Mus.4076-N-1
Jiránek, František
Concertos - d-Moll; vl, strings, bc; Abschrift; D-Dl; Mus.4076-O-1

Sollte man eine neue Composerseite einrichten und die beiden Kompositionen dahin verschieben? [[User:Notenschreiber|Notenschreiber]] 05:51, 1 August 2011 (UTC)
:Ja, gute Idee. Hab ich nicht bemerkt. --[[User:Fynnjamin|Fynnjamin]] 06:12, 1 August 2011 (UTC)

== careful with the term "concertantes" please ==

Hallo Fynnjamin,

May I suggest that the tagging team review their application of the term concertante - It seems just complete nonsense to tag a work as "concertante" just because one of three original prints uses it as was common practice in Paris around 1790-1810 to add this term to almost any duo, trio, quartet or quintet if it was not an instructional work. The Vanhal quartets have nothing in common with a Sinfonia concertante or the virtuosic Duo concertante of an Ignaz Moscheles for Violin and Piano.
http://imslpforums.org/viewtopic.php?f=7&t=5238

Same with grand by the way... - or would you prefer to rename the Beethoven Septet as "Grand Septuor" and the Wind octet as "Grand Octuor". Of cause, there are a few exceptions where the established modern name includes the word, but this should not be the general rule. The Piano Trio version (Op.38) of the Septet is a nice example of my argument above, because in its only french print by Pleyel it had the title "Grand Trio concertant - surely this would not warrant the classification as a "Concertante" that just happens to be a Piano Trio.
--[[User:Kalliwoda|Kalliwoda]] 11:27, 25 August 2011 (UTC)

==Heinsius, Symphonies, op.2, and Fränzl Symphonies==
Dear Fynnjamin: I noticed you tagged these "orch". Only string parts are uploaded. Is there anything else involved? I listened to some samples of the Heinsius from recordings on Arkiv, and I can only hear strings and continuo. If there is no evidence for wind/timpani, these has to be retagged. Thanks, [[User:Steltz|Steltz]] 19:16, 29 August 2011 (UTC)

== Ben Joosen ==

He was still alive (making recording) in 1976. So, the arrangement you just uploaded has to be moved to the USA server, as it's not free in Canada. It will be blocked until then. [[User:Carolus|Carolus]] 06:16, 21 October 2011 (UTC)

== Gerson catalog numbers ==

Hello Fynnjamin

While adding my new modern edition of Gerson's Capric[c]io for violin and orchestra to IMSLP I noticed that you've included Gerson catalog numbers into the work page titles. I wonder who prepared this catalog. There is no reference to a catalog in the Grove article on the composer nor in the most recent edition of "Dansk biografisk leksikon", now on line accessible as part of "Den store danske encyklopædi" (http://www.denstoredanske.dk/Dansk_Biografisk_Leksikon/Samfund,_jura_og_politik/Økonomi/Bankier/Georg_Gerson).

The catalog numbers are not the same as those in the "Verzeichnis". Did you prepare the catalog yourself? Please consider adding a reference to the catalog.

BTW - Jens Egeberg, responsible for Royal Library's music digitizing, appreciates your upload of its facsimiles to IMSLP:-)

--[[User:Reccmo|Reccmo]] 09:35, 27 November 2011 (UTC)

:Hi - the catalogue numbers are actually taken from Gerson's own autograph catalogue, dated 1823, which I've also uploaded [http://imslp.org/wiki/Verzeichnis_%C3%BCber_200_meiner_Compositionen_%28Gerson,_Georg%29 here].
:He's entered them in order of date of composition (I think there are a few of his last compositions missing off the end), each with a handy incipit. A fascinating piece of work - very neat and orderly, which fits with his career as a banker! But also a bit of a pain to search through if you want to find a particular piece! (although most of the autograph scores are dated).
:Ah, I just re-read: you say the numbers are not the same... it's possible I've made a mistake somewhere, but also some pieces are entered twice under different dates for different revisions and versions... If I've made a mistake, please correct it!
:Hope this helps
:Thanks! --[[User:Fynnjamin|Fynnjamin]] 10:02, 27 November 2011 (UTC)

::The mismatching catalog number I was hinting at is that for the first string quartet (I've started preparing a modern edition). This number is not mismatching. I don't know where I had my eyes. Sorry! --[[User:Reccmo|Reccmo]] 11:44, 27 November 2011 (UTC)

Ha! No worries! --[[User:Fynnjamin|Fynnjamin]] 19:41, 27 November 2011 (UTC)

== Buxtehude keyboard music ==

Hi! I just played through the 2 Buxtehude keyboard suites that you transcribed--thanks so much for doing that!! Buxtehude is my favorite composer, and I love playing his music. Do you know of any other sources for his music, especially the keyboard suites, arias, variations, etc? I can't seem to find anywhere where I can buy them. I assume most of them are still in manuscript? Maybe you would be willing to transcribe some more tablature if I bought some facsimiles?? Keep up the good work! A lot of interesting scores that I download here have your name next to the file :) [[User:Andrewt|Andrewt]] 06:06, 14 December 2011 (UTC)

5 Cello Sonatas and a Trio, Op.1 (Berteau, Martin)

2011-11-12T05:55:52Z

Andrewt:

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5 Cello Sonatas and a Trio, Op.1 (Berteau, Martin)

2011-11-11T22:01:25Z

Andrewt:

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5 Cello Sonatas and a Trio, Op.1 (Berteau, Martin)

2011-11-11T21:59:56Z

Andrewt: Added 1 files to Cello Sonatas, Op.1 (Berteau, Martin)

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File:PMLP276568-Berteau, Martin - Cello Sonatas, Op.1.pdf

2011-11-11T21:59:55Z

Andrewt:

5 Cello Sonatas and a Trio, Op.1 (Berteau, Martin)

2011-11-11T21:48:07Z

Andrewt: Create article for work

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User talk:Justinmckay

2011-11-01T01:35:02Z

Andrewt: Cello Sonata

== Cello Sonata ==

Hi Justin, I'm listening to your cello sonata right now, and I really like it! Probably my favorite of all the new cello works on IMSLP. [[User:Andrewt|Andrewt]] 01:35, 1 November 2011 (UTC)

User talk:Matesic

2011-09-04T06:35:29Z

Andrewt: /* Huré String Quartet */ new section

Dear Matesic, Are you Steve Jones or do you have his permission to post his arrangement of Ravel's ''Menuet Antique'' here? Please respond in 24 hours or less as we delete unauthorized arrangements in that period. Thanks, [[User:Carolus|Carolus]] 17:38, 8 May 2010 (UTC) (IMSLP Copyright Admin)

Hi Carolus - absolutely, all my own work!
:Thanks! [[User:Carolus|Carolus]] 03:04, 9 May 2010 (UTC)

Dear Matesic, You might wish to consider using either the 'non-commercial' or 'share alike' version of the Creative Commons license as we've had some reports of new arrangements (like yours) being copied and sold on Ebay by the folks who are always selling DVDs of 'the world's greatest mega-collection of sheet music', etc. At least if you employ one of the above versions, you can make a complaint to Ebay in the event you notice one of the sellers offering your arrangements for sale. Best Wishes, [[User:Carolus|Carolus]] 20:29, 11 May 2010 (UTC)

== Quartet recordings ==

To you and your quartet (or was it multi-channeled, one person playing several tracks at different times? However it was done and to whoever besides you was involved, as well as to you)- excellent work (based on the Macfarren recordings I've heard so far.) Thanks so much for them and for uploading them!! [[User:Schissel|Eric]] 06:34, 21 September 2010 (UTC)

:Eric - Thank you, most encouraging! I do hope a real quartet will take up these pieces (the recordings are indeed multitracked, and the "cello" is a viola in digital disguise). Quartet No 4, incidentally, seems to be lost, so what you see is Macfarren's whole surviving oeuvre in this medium. Best Wishes, Steve aka Matesic

==Merton==
On a guess, Merton Music was only willing to put some of their scores on their FTP server for general free distribution (which are the ones we can use here if I understand what happened) - plus of course permissions issues etc. (they may have limited licenses to publish some things that do not extend to wider distribution. Some composers they publish died too recently - I noticed we were allowed to upload a work by one of those composers anyway, but that was because Merton was given general permission and able to transfer it to us - etc. If I understand, etc. By the way, you left the comment on his user page- may want to transfer it to his talk page...) [[User:Schissel|Eric]] 19:45, 27 October 2010 (UTC)

== Ellerton op. 61 no.1 ; thoughts etc ==

Was listening to this today. Odd scherzo- practically every appearance of being in F major, if you don't count the D minor coda. Very good piece in all. I'm surprised I was just interested in him as a way of filling in a gap in a slightly illegitimate list in Wikipedia ([[wikipedia:List of symphonies in D minor|this one]]) but I'm glad to have previously underrated him, if I make sense... hope to hear more. Thanks! Going to listen to the Bishop and Castillon soon. (To pick up on that thread, I guess I'm - not surprised but surprised too, that Beethoven's late works had so little influence in most ways, though I can name some obvious ways in which they ''did'' - the recitative in the A minor quartet influencing Mendelssohn's opus 13 (of course) but also, much later, Stenhammar's 4th quartet in the same key too (which also shows signs of the composer's having listened closely to Beethoven's opus 74 and I think others too... while his 3rd quartet concludes with a fantasy and fugue that makes some nods to the fugue that opens Beethoven's opus 131, while opening with a movement that has some of the atmosphere(?) of Beethoven's opus 135... ... anyway... but it does seem that in a century where most of the symphonic work showed lots of formal experiment, and some of the piano-and-chamber-work too (e.g. Volkmann's 2nd piano trio in one movement, premiered I think with Liszt at the piano; and of course Liszt's own piano sonata), that so much of the chamber music for strings, esp string quartets, should formally be - for the most part - relatively respectful. (Not boring in content, mind- I would not say that of the best of it- Brahms' 3 string quartets are not boring for sticking to 4 movements, his other string chamber music either - just in some senses respectful. Though even then with the Brahms maybe respectful is the wrong word since in ''other'' formal senses it's not quite apt... :) ) It seems a good point or at least worth looking into. [[User:Schissel|Eric]] 06:02, 19 November 2010 (UTC)

== Re: Stanford quartets ==

Re Wood, have you heard his quartet in A minor (from the ASV CD, performed by the Lindsays "a recreation of the historic concert", 1993, also contains a premiere of Tippett's 5th quartet, other works)? Only quartet of his I ''think'' is recorded. Anyhow, I'm on Long Island in New York right now, borrowing a backup computer of one of my parents- very slow and 5 years old :) (...ok, in my day- my first computer I mean, they lasted 9 years, but that one didn't have an internet connection or a hard drive at all ... anyway.) - haven't heard the Stanford 3 yet but looking forward to it. (Someone posted a notice of it to unsungcomposers.com/forum so the word is out, as with the MacFarren. Wasn't me, actually, though I did second. I do think there ''may'' be a technical problem with the MacFarren 6 finale audiofile- I'm not positive :) ) As to the 2nd movement of Stanford's 3rd quartet - other Brahms works too, maybe, (and maybe Mendelssohn's quieter quartet intermezzi?... I don't know...) but I agree. I'd forgotten the others were unpublished - looking very much forward to, of course, this has been wonderful discovery! Best and thanks!! [[User:Schissel|Eric]] 13:28, 24 November 2010 (UTC)

BTW I see Porte [http://books.google.com/books?id=InRoPKWM3F8C&pg=PA63 here] does speak of the 3rd quartet favorably though briefly - I will have to go to the local library and see what their copy of Cobbett actually says though, I'm intrigued... :) [[User:Schissel|Eric]] 16:45, 25 November 2010 (UTC) (and I didn't know there ''was'' a second piano quartet (op133). but then people seemed to vacillate about the 2nd violin concerto- only in manuscript of violin/piano score? is there even an orchestral score at all?... at present, someone should prepare an edition... - also wasn't aware of the 3rd piano concerto, cello concerto, etc. So goes :) are quartets 4, 6, 7 the unpublished ones - also a no.8??) [[User:Schissel|Eric]] 16:54, 25 November 2010 (UTC)
:I might save you a trip by quoting Cobbett "The later string quartets," (after 1 & 2 - he counts 6 altogether but I'm sure there are more) "only 2 of which appear to be published, are decidedly less attractive. Number 3... suffers from a paucity of themes which arrest attention. The technique is unimpeachable, but the melodic invention shows a falling off from the earlier quartets, which, if not strikingly original, had certainly an easy grace and fresh good humour to commend them". I strongly suspect he never heard it, which in the case of other composers' works (e.g.Macfarren's) never stopped him giving an adverse opinion! I

== [[11 Vesper Voluntaries, Op.14 (Elgar, Edward)|Elgar: 11 Vesper Voluntaries, Op.14]] ==

Works beautifully for string orchestra! Great work. [[User:Carolus|Carolus]] 00:22, 30 November 2010 (UTC)

== Sokolov quartet 3 ==

:As a rule I think 19th century Russians (especially Tchaik!) might have been better off not attempting fugatos, but I reckon Sokolov got his just right, building up the tension before the condensed recap. I gather Shostakovitch dedicated his Op3 Theme and Variations to him, possibly after he died? Enjoying the Steinberg, which is a thing apart and quite a challenge - his scherzo makes me almost think of Prokofiev but he discovered Tristan big-time for the andante. It gets a good mention in Cobbett (from Calvocoressi - "stands high in the repertory of Russian chamber music"), but poor Sokolov is packed off with "not very distinguished or individual". Unlike the Russians it looks like most of the obscure German romantics are now getting some exposure, so I'm not so inclined to go there, but the Draeseke does look interesting. Fuchs's second Terzetto was fun up to the finale, but with trios there really is nowhere to hide - in bigger groups have you noticed how even some of the top players manage to discreetly "disappear" for a few beats? I also tried and enjoyed Gernsheim's 3rd a while back (very Brahmsy), so maybe I should finish it off. I do appreciate all the suggestions, even if only ever get round to playing a few of them. How to choose from all that fascinating stuff? Best, Steve.

Responding to this from awhile ago as I seem to recall you may have requested some names from Hungary, Czech/Slovakia, or Russia- though on the tip of the proverbial tongue is a German one that's quite obscure that despite the above (which is fairly accurate) ... ... hrm. As to Hungary, the [[String Quartet in E minor (Nováček, Ottokar)]] (ca.1891) looks neat (and the 1898-ish slightly later [[String Quartet, Op.10 (Nováček, Ottokar)]] also. With op.13 in C major also on the site he gets a bit strange it seems (can't identify the influence offhand, but those opening bars ''are'' a departure...)- not that I mind. Very little of his has been recorded, I think- a showpiece or two. Actually, [[String Quartet, Op.13 (Nováček, Ottokar)|op.13]] looks very interesting... Of that laundry list of quartets I sent your way back 10 December, though, the one that most intrigued me (fwiw!!), I'm pretty sure, was the Perinello :) Cheers and all best. Listened to the Miles sextet once through on my iPod - not entirely sure myself which movements are too long (the second and fourth?) but found them inventive. And belated - and many - thanks for telling me how to 'clean' those logo-tagged image files by cropping, speaking of the Miles sextet. [[User:Schissel|Eric]] 01:10, 9 January 2011 (UTC):

You're right, it was 2 and 4 that I lost some patience with - so many notes in the scherzo and the march rhythm of the finale got very relentless played 6 times over. Fortunately the notes there are so easy it was only the first violin that needed going over a second time. It looks like Percy's is the only string sextet written/published by a Britisher (no octets?), and I can only think of 3 string quintets - Stanford's and Ethyl Smyth's have of course been commercially recorded which leaves my friend JLE! It's a hard piece (for me) to bring off, but the long (15 minute) first movement I find definitely impressive so I guess that's another recording I ought to brush up. Yes, there must surely be some good unsung Hungarians, and I'll add Novacek to the list. I previously tried Koessler's second, thinking that the man who taught Bartok and Kodaly must know a thing or two, but it didn't do much for me. Cheers, Steve

:Four string quintets (Romantic era; pre-Bax who wrote two) no, with two by Stanford (the C minor second, op.86 may only be in manuscript assuming it hasn't been lost though- hope not, I'm- again - curious.) The piano quintet was a much more popular medium, I gather. Dutton (I think) plans to record all of Tovey's chamber music.

:[[String Quintet, Op.99 (Mascia, Giuseppe)]] - here's an Italian quintet in manuscript that's been lying around here for a bit- only noticed it yesterday when the recent changes feed picked an edit to it up (and I edited the edit - from F to F major to B-flat major, on checking the parts.) Composer dates 1808-1870; have very, very little information about him at all. (Ah, I see we now have the Ellerton quintet thanks to the Merton project. I'm not sure if I downloaded it- will do so.) Yes, I do like pieces whose trios revert to the old style :) I think Stenhammar's [[Symphony No.2, Op.34 (Stenhammar, Wilhelm)|2nd symphony]] does that (from sound- will have to check; I should listen with the score sometime soon, it's a favorite of mine, I have two recordings and have heard at least one other (Westerberg's I think, and/or Tor Mann's; and perhaps Sundqvist's on Naxos also)). (Do you know the technique of 3 or 4 tildes <nowiki>~</nowiki> to sign posts? Can be quite useful though I've been on Wikis for ages and keep forgetting in a hurry [[User:Schissel|Eric]] 15:27, 9 January 2011 (UTC)

:String quintets- E{{flat}} major by Parry, too, I think, makes five? Still, not so many. [[User:Schissel|Eric]] 20:01, 9 January 2011 (UTC):

:Much-belated response as I often take such statements as challenges *g* - string sextets by Britishers- besides the Bridge - does Goossens (1926) (Phantasy-sextet, I think) count as a Britisher or an Australian in this connection? Both are 20th-century though then again the Miles is 1920 also :) (also, Holbrooke's op43 of 1902, recorded on Marco Polo?) [[User:Schissel|Eric]] 10:24, 19 July 2011 (UTC):

Ah well, I have to bow... Goossens, I read, was actually born in France to a Belgian family. I don't think Australia has any claim over him - in fact I believe they refused him entry on discovering some dodgy material in his suitcase. The sextet could be interesting with another variety of instrumentation - 3 violins, 1 viola, 2 cellos. I've got miniature scores of his second string quartet and also Two Sketches, but they look fiendish. Cheers, [[User:Matesic|Matesic]] 11:21, 19 July 2011 (UTC)

:I assumed it was by his son, Eugene Aynsley Goossens, born in London in 1893 (died 1962), who lived in Australia from 1947 to 1956 (now that I check Wikipedia)- and I believe it is he, not his father, who wrote the music you have, especially the 2 Sketches (which are indeed attributed to him at IMSLP) but I'm not positive. I don't doubt all three Eugene Goossens- pere, fils and grandson (the latter being 1893-1962) - composed, though, and correct composer attribution is often a mess and another mess and yet another. And for dodgy material one can't beat at least the allegations surrounding grandson's life... (Looking forward to hearing the Kopylov - that was fast! :) ) [[User:Schissel|Eric]] 16:40, 20 July 2011 (UTC)

== Steinberg ==

Listened to Steinberg quartet 1 - well, 1.8 times so far. Really, really good piece and performance. The end of the slow movement catches me up, incidentally. Are you familiar with Nikolai Y. Myaskovsky's 2nd symphony (C{{sharp}} minor, around 1910-11, op.11)? The ending of its A minor second movement (of three) (''Molto sostenuto. Adagio serioso, ma espressivo'') basically is like this - a connecting passage (ending with a pause, so not strictly ''attacca'') into the finale that quotes its main theme several times, preceded however by a calm coda in A major. The end of that coda sounds (really very nearly?..., I think- and of course, different instrumentation and key...) exactly?... (not sure... it's very close at least?) like the end of the slow movement of the Steinberg. I'd think it more a coincidence except Myaskovsky dedicated his 11th symphony to Steinberg and arranged Steinberg's 3rd symphony for piano 4 hands (I think) (and his "Prinses Marlene" for 2 pianos 8 hands) (see [http://home.wanadoo.nl/ovar/miasopus.htm Myaskovsky opus list], so it's pretty clear Myaskovsky knew of Steinberg and his music, at least (well, as of 1926 if not necessarily as early as 1910!)... they may have been friends; I don't know. Mildly interesting maybe. (Not thinking plagiarism, though, and it's a brief enough though striking passage anyway. Just kept feeling the jagged opening of the symphony finale was going to follow, not the dancing and also quite good finale that did. Anyhow, irrelevant. Carry on :) ) [[User:Schissel|Eric]] 14:56, 11 December 2010 (UTC)

Out of curiosity have you had a look at [[String Quartet No.1, Op.21 (Stephens, Charles Edward)]]? (composed ca 1879, pub. 1881)? Not nec. high priority but may be worth a glance, did win a Trinity College award apparently. [[User:Schissel|Eric]] 05:26, 17 December 2010 (UTC):
Yes I did - very boring, almost galant in style and no part-writing at all! I believe Stephens was mainly an organist and the award was probably just some kind of acknowledgement of his eminence. A couple of earlier prize-winners (Society of British Musicians) were Perry and Prout who were also anxious not to offend anybody by doing anything new. At least Hirschbach was trying to stretch the envelope, but judging from his 13th quartet unfortunately he just lacked any musical competence. Schumann (quoted in Cobbett) hinted as much "the composer would fain be styled a poet...he was in his youth a student of medicine...accounts for the defective musical culture which is here and there apparent in his music". The direct association of instrumental music with poetry seems to have been a short-lived fad in the 1840's or 50's. Heller and Ernst did it rather well I think in their "Pensees Fugitives" for piano and violin, some of which I got to play with a real pianist a few months back. Another dud I tried this week was Dimitrescu's 4th quartet (early Beethoven pastiche) but I'm currently up to my neck in something bigger and better! Cheers, Steve:

Afraid I'm not quite up to speed with Myaskovsky with just one symphony and the cello concerto to base my prejudices on. I thought it was interesting that Neeme Jarvi used his DG contract to record Myaskovky's 6th as well as wanting to do all 5 of Steinberg's! The second is very impressive although doesn't leave you humming the tunes.

:intriguing :)! [[User:Schissel|Eric]] 09:35, 17 December 2010 (UTC)

== Wilm ==

I don't know offhand of any other recordings of anything of his- seeing his name attached to uploads here was my first encounter with. More later and thank you- [[User:Schissel|Eric]] 19:09, 19 December 2010 (UTC)

Well, I'll be (something something) . Piano duo music by Wilm (not confused with Jan W. Wilms, a composer who I have heard :), unlike von Wilm so far, though of course with online radio and everything that can change so quickly. Still, [http://radiowavetuner.com Radiowave Tuner]'s search feature mentions a few works by Wilms- symphonies and movements from- and nothing by Wilm in the next week... ) on a 2003 CD - [http://www.worldcat.org/title/nicolai-von-wilm/oclc/502280431 here], a disc devoted to his work. Also Worldcat.org mentions a few other recordings containing a work or two of von Wilm's, some of them duplications - LPs and their CD versions, for instance... (played by Menuhin and Zabaleta [http://www.worldcat.org/title/werke-fur-violine-und-harfe/oclc/14235907 here] (1989 LP), an interesting-looking "Salonhorn" horn and piano CD [http://www.worldcat.org/title/salonhorn/oclc/154213567 here] (Carl Reissiger, Leone Sinigaglia, and Wilm do not turn up all that often at all separately, leave alone together :) ). The recording on the 1989 LP is of a rather late work of his (a violin/harp duo op.156- op.150 is also from his last year I think. (Though I see his op.nos. go up at least to 217 and that for a work published not in 1911 but in 1905. Hrm. Rethinking that... :) Opus numbers are often such a mess - ask Dvorak- or many others who make ''his'' case seem so simple... ). Anyhow. Just thought I'd correct my misapprehension. Will check again to see if the nonet is now unblocked, and will download the files if so. Looking forward to hearing. Thanks much! [[User:Schissel|Eric]] 20:45, 19 December 2010 (UTC)

== skimming the RAM catalog... ==

Did you say whether or not you've had a look at a string quartet in manuscript by [[:Category:Mackenzie, Alexander Campbell|Alexander Mackenzie]] that's there? Harvey Lohr is an intriguing name (name, anyway) but I suppose he's non-PD-EU strictly-speaking :). You did mention Alice Mary Smith- is that -22- quartets?... [[User:Schissel|Eric]] 00:36, 22 December 2010 (UTC) (I've heard of Potter - not sure if I've heard anything by him yet but have skimmed, I think, one of his scores, hope to hear at least one of those symphonies that's been recorded, and a string quartet should you upload one of course - but his name has often crossed my ears so to speak. Is Charles Lucas another of the ones that was worth avoiding? :) Haven't heard of him myself. Anyhow. Cheers! ) [[User:Schissel|Eric]] 00:40, 22 December 2010 (UTC):

The RAM have sent copies of the Potter and Lucas mss so now it's down to work. Potter has some strong advocates for his symphonies but I've only ever heard snippets. The quartet was written about the same time, i.e. 1830's. I wonder how many other people could claim to have met both Beethoven and Wagner? Lucas was another principal of the RAM, 1859-1866. I see from the RAM material that his quartet was played in Birmingham (from the ms) as late as the 1880's, but then so was one of Prout's so that's no guarantee of quality! My understanding of the RAM catalogue is that there are 3 Alice Smith quartets, but I'm told they haven't been digitized yet so will cost me more of I want copies - surprised the feminists haven't been there yet! I hadn't spotted the Mackenzie which could certainly be worth a look. Re recent noises from the bedroom, I found Sinigaglia's D major quartet a bit turgid, but the Op8 Scherzo was fun. Took me ages to get to the end of Krein's 15-minute Quatuor-poeme, and the cellist didn't quite make it - maybe another day. All the best, Steve

:hrm, should have made my comment down here actually. Is the RAM nowhere near close enough to travel and photocopy or do things not work like that- that's how I used to do things at Cornell, though on the other, New York Public Library at Lincoln Center Research Collections (very fine collections, not all of them catalogued online by any means) had much much stricter rules about photocopying if I remember (regardless, I think, of the copyright status of the work being photocopied- about 10% of the pages at most). BTW Rebecca Hilferich Clarke's teacher (and would-be paramour? something?... ... - not a smart fellow, this guy- but it's a story. Also friend of Lionel Tertis.) [[:Category:Miles, Percy Hilder|Percy Hilder Miles]] wrote a couple of things - a string sextet for an unusual combination from 1920, near his year of death, that's at google books (if it's no longer there, I downloaded it and can send it you if you like; I didn't upload it here because I really have no clue how to remove the google imprint. sigh) and a rather earlier (1903?) set of fantasy pieces for string quartet. Can't guarantee the interest of either but doubt either has been recorded. [[User:Schissel|Eric]] 08:04, 22 December 2010 (UTC):

== Miles ==

Just downloaded your rendition of the Fantasy pieces - will listen soon. Very interested in the sextet of course. Hope someone will upload the score of his youthful piano trio. Don't know of too many other works by him (though he's at least mentioned in other connections in articles as early as 1896- sometimes as a violinist and MacFarren (Walter? George?? don't know the details) Scholar in the Musical Times, indeed the piano trio is mentioned in part because he performed the violin part in it in an article there around 1896?.) (also mentioned in a 1903 Musical Times as a former Mendelssohn Scholar. I suppose I have material for a possible Wikipedia stub, anyway... *g*) Ah, there's also (plus some shorter works, plus perhaps other things) an andante and allegro for piano quintet, composed by 1899, for which he received a composition award (silver medal). (Musical News, volume 15, page 107.) [[User:Schissel|Eric]] 23:38, 30 December 2010 (UTC)

A list of other Google-available scores that -may- be usable (I don't know if this is resource is very accessible in the UK actually, I've heard some suggestions that some items that should be perfectly PD-EU in Google/HathiTrust are not from British friends, but here is the link...) - well, search for quartet or quintet at [http://www.hathitrust.org/ HathiTrust]. Can't save the whole PDF at once as Google Books once allowed- only the images page by page and the interface is a pain, can't move to quickly or it thinks you're a bot apparently... - but if something interests you considerably, I can save the work and send the PDF or movement PDFs, for performance and/or Google-cleaning. Have found a few things myself but most of the things on my list are definitely non-PD-EU (like David Stanley Smith's quartet- he died in 1949) or have been recorded (like Børresen's op.20). [[User:Schissel|Eric]] 15:10, 5 January 2011 (UTC):

Can't get anywhere with Hathitrust - over here everything seems to be "Limited (search-only"). Interesting, though, that one of the first quartets to come up was a set by Pierre Vachon, one of which I played with a real group on Monday. The editor was my music teacher in the 1960's! Percy's sextet is coming along laboriously, but rewardingly. The first two movements are quite complex harmonically speaking (as you might expect from a teacher of harmony) and playing off the score doesn't make it any easier. Haven't managed to discover any more info about him, although there is a reference to a cello concerto that was given at the 1908 proms. (http://landofllostcontent.blogspot.com/2008_02_01_archive.html). Cheers, Steve.

:I remember that I've seen some of {{LinkComp|Pierre|Vachon}}'s quartets on a CD but I don't think I've heard too much about him (ah, WorldCat says a quartet from opus 1 was on a 1996 Auvidis CD- that sounds about right. And two quartets from other opus #s on an ASV CD the same year). Hrm. Actually, did I suggest Kriens' opus 74? (I was able to save-pagewise and then make PDFs- un-google-cleaned though- of {{LinkComp|Ewald|Straesser}}'s E minor (4th) string quartet. Oh neat, a Miles cello concerto and at the proms? Any mention of the soloist by chance? Enjoyed the Fantasy Pieces! (Ah, link doesn't mention, but I'll check to see if there's a 1908 Musical Times or something online or at Cornell Library.) [[User:Schissel|Eric]] 02:14, 6 January 2011 (UTC) (another reference - findable though probably only in US or CA on Google Books - to that list is ''The New music review and Church music review, Volume 7'', page 608, from 1908, btw :) )

:Odd though, Miles doesn't show up in a search of the (official?) Proms Archive. [http://www.bbc.co.uk/proms/archive/search/season.shtml?id=14&tab=search&sub_tab=season Here] is the 1908 Proms - they say... [[User:Schissel|Eric]] 02:33, 6 January 2011 (UTC) (if the blogspot was based on the link I provided, it's conceivable the performance was cancelled... that was an announcement of a performance-to-be from before the season had started, I think):

Right you are! David Cox's book The Henry Wood Proms has exactly the same list of novelties for 1908, minus Percy's cello concerto. What a shame! Still, he got to see something of the world as an examiner for the Associated Board (http://trove.nla.gov.au/ndp/del/article/26350500). The Straesser quartet looks very do-able. BTW on Monday we also enjoyed playing through Sokolov's second. Must tackle the first soon.

:Enjoy if so. You expressed interest (which I can understand, even if you understandably do not find it a major concern) in being first past the post ;) - [[String Quartet No.1 (Crémont, Pierre)]] (parts only ; published 1810s) probably hasn't been performed in quite awhile. Had another look at it, looks interesting if (as I do) one enjoys e.g. Spohr's chamber music. (The shift from G major to D{{flat}} major in the violin I part of the finale probably takes some maneuvering of course.) The movements all look fairly brief. I'll see about getting back to Lilypond and preparing a score of one of these things... Re Google-cleaning, so far as what's needed is cropping off that section of the page rather than filling it with clear page-colored ink, that much I can do and will. Looked through the 1908 Proms and found the Bowen 3rd concerto (which I've heard in two different performances now, Driver's on Dutton and the Hyperion recording also - good piece as is his violin concerto imho...) and the Gardiner symphony (haven't heard yet) - definitely both there - probably all of the others too and I just wasn't looking as hard for them, but the Miles wasn't, no. It probably existed, though... (though it might not now, too...) [[User:Schissel|Eric]] 10:02, 6 January 2011 (UTC)

:As to late-19th-century British quartets, how's [[String Quartet in D minor (Ouseley, F.A. Gore)]] and the C major quartet that Merton has also published by the same? :) if and as time allows- I'm still most interested in hearing the Miles personally and selfishly ;), and you have work to do. But thought I'd ask since I hadn't even realized anything substantial by him was on the site, leave alone string quartets. I think I do adore this site sometimes, yes. :D (Sorry) [[User:Schissel|Eric]] 13:26, 6 January 2011 (UTC)

:The Musical Times of 1886 (page 351) mentions a 1831 MS string quartet by Sterndale Bennett given its premiere(??) May? June? 14th of 1886 (ult. is an abbreviation whose use I don't quite get and should.) Not at RAM, but perhaps elsewhere. [http://www.bl.uk/catalogues/manuscripts/HITS0001.ASP?VPath=arevhtml/68895.htm&Search=RPS+MS.+170&Highlight=F British Library Collection] doesn't list it either. [[User:Schissel|Eric]] 14:01, 6 January 2011 (UTC) (IMSLP's list of his compositions does mention this - G major quartet.):

== Straesser ==

downloaded, looking forward to listening to. Should have guessed you were going to upload, but hadn't guessed :) (only 75 bars into the Mascia score. Not even a full page's worth of the parts - clarification- I'm not right now also working on a computer-fair-copy of the parts, though need to do that later of course too. Well, slow but steady.) [[User:Schissel|Eric]] 17:25, 12 January 2011 (UTC):

I don't know Lilypond, which I guess must have virtues of its own, but one of the huge assets of Printmusic is how easy it is to convert the score into parts. Back to Potter tomorrow, but today giving myself a bit of a headache with H.Gradener's octet...

actually it usually is fairly easy to convert score into parts with Lilypond, I gather (I really haven't done so...) - not as easy as I'd like, but a matter of a couple of tweaks. I'm out of practice! (Though more tweaks if there's things like transposing instruments that are in C in the score and in B{{flat}} in the part, to deal with. The tweaks have to deal with in part, the fact that some things appear only once in the score but in every part. lilypond.org has information, PDF documentation - huge detailed and small overview documents - describing the program, which can be installed on a number of different platforms though it does require some things. Free software with a lot of what that entails, some negative too yes; at least it's ongoing and not stalled-development free software. The Gradener intrigues. Mentioned the Straesser and got an immediate positive response on the forum not yet to the recording but to the choice of the piece from one of the moderators, who has heard a symphony of his. Hopefully a good sign. Listened to it myself a few hours ago and like it a lot. Thanks! Must dash. [[User:Schissel|Eric]] 22:40, 12 January 2011 (UTC)

Ok, first movement of Mascia score - op.99 - now basically notated except I think for a few editing specifics and checks... will work on the other three, then go back to it (and them). Generoso has uploaded several others of his quintets today also... [[User:Schissel|Eric]] 23:47, 16 January 2011 (UTC):

Heck, I haven't even started on quintets yet! The parts of Parry's seem to have been produced with a very primitive notation program with notes the size of pennies, about 30 bars to the page and you could read it from the other side of the room. Unfortunately it does clearly state "Copyright 2002", so if SBB ever gets around to tackling it I'll email you a personal link. Gradener writes a couple of tunes in his octet that Brahms wouldn't have been ashamed of - definitely another worthwhile piece, although rather let down by the finale. The best passage is the last variation of III where the second cello is in scordatura, C string tuned down to B. I didn't understand the instructions at first and it sounded a bit Ivesian! Should finish it tomorrow I hope. Another quiz question - how many real jokes are there in the chamber repertoire? I love Straesser's little discussion about how fast to take the trio, ending up sounding like the Keystone Cops. I reckon he must have been thinking of the end of Beethoven's Op 95 ("Serioso"?) which always cracks me up. Ellerton does a nice little "wrong note" joke in the first movement of Op.61 No.3 that probably just sounds like wrong notes the way I play it, but by the third time round a few listeners might get it. Nearly finished notating the first movement of Potter, who also had a rush of Beethoven's blood to his head and gives the first violin an arpeggio passage like in Op.74. Cheers, Steve

The trio of the Straesser reminded me - slightly?- of a couple of things but most definitely (if still vaguely) of the weirdest and last appearance of the trio (/coda) in the 5th movement of Beethoven's C{{sharp}} minor quartet... fairly sure there's a personal connection of some sort between Brahms and one or the other of the Gradeners. Chamber music by Brahms' circle has begun to be explored it's true - Herzogenberg's is increasingly and maybe almost entirely at least once recorded, Fuchs' too, Gernsheim's is beginning to get there, Gustav Jenner (his only formal student)'s chamber music is a little recorded also; then there's Dessoff, Dietrich and others... a lot of it seems of some interest (sorry the Fuchs terzetto disappointed though. I hadn't actually heard it, only other works of his- especially his string quartets - especially fine in my opinion but yes, already recorded - and symphonies.) ... not sure where Straesser wrote the discussion though, will look for it. As to quiz question, despite scherzo's origin as 'joke', can't think of so many (I do consider Mozart's Musikalisches Spaß to be a collection of good musical jokes in its way- his only work to end on a tritone, I believe, there's a musical joke for one ;) ) [[User:Schissel|Eric]] 00:43, 18 January 2011 (UTC):

Sorry - didn't make myself clear. The "discussion" I hear is all in the music (how much in my imagination?). First the cello and first violin start to play a dull German tune at a jog trot. The others go "huh?", the violin answers, guffaws with laughter when he realises he's gone of at half tempo, they agree it should go at twice the speed and it sounds even more ridiculous (like a speeded up phonograph?). There's a brief post-mortem, they decide it hasn't worked and go back and play the scherzo again. The only other chamber music joke I can think of is the hurdy-gurdy at the end of Bartok 5. That bit in Op131 is a wonderful stroke - are they a beat apart? It always gives me a shiver.

:re Straesser isn't there a variation in the finale with particular repeated turns of phrase that suggest the Fantasia of Stanford's 3rd quartet, written a few years before after all... [[User:Schissel|Eric]] 18:54, 23 January 2011 (UTC):

I hadn't noticed that (will check it out), although there are moments in the opening movement that remind me of Castillon!

:btw progress on typesetting parts of op42 - exists but slow because of temperature ;) Will get there, apologies! [[User:Schissel|Eric]] 20:34, 30 January 2011 (UTC):

Here are the two slow(er) movements of the Op42, which I may polish up a bit when you've finished writing the parts. A very nice piece, I think, particularly the impressively dolorous finale which may sound a bit odd because I played around with the speed towards the end. I found one mistake in your first violin part of I - a spurious Ab in bar 57. Of course I is a lot more technical than II and IV, but looks and feels good. Cui's Op68 was well enough, just not very exciting. And the BL won't let me have Miles's 3 pieces for violin and piano, saying they're in copyright! This from the organization that happily provided me with the unpublished Bishop ms. I've asked them for clarification and am also awaiting the final verdict from the RAM. Cheers, Steve

:ok, I need to go over that with the finer-toothed sort of comb, and thank you re bar 57. Listened to the Cui (which reminded me a little of one of my early introductions to serious classical music fandom, Borodin's in the same key - very very vaguely reminded, I mean, but still) and to the first of the two Straesser movements today- whose light glum minor-mode mumblings made me think of... not sure. A movement from a quartet by Ernst Toch (1887-1964) I think... I'm wondering if the fact that the end of the finale seems to be identical to that of the first movement (have to check if this is so- it's true of the first violin part in the score) should be highlighted or no- up to you if/when you perform the first movement, whose finished parts (and those of the 12-page also scherzando? marchlike? third) will be done and over your way before too long. Thanks for posting these! Re the Miles- I wonder if someone republished them with what some here on IMSLP call - appropriately I think - a 'copyfraud'-ish notice, one that asserts a copyright renewal when there's no legal right to do so? Some take such notices seriously. The score is (c) 1920 and should have expired... but such things are beyond me too. [[User:Schissel|Eric]] 02:22, 16 February 2011 (UTC) (ah yes, and one bar after "2"-- that is, in bar 55, that should be c d e-flat f-sharp, not c d e-flat f-natural, for the first four notes, over "dolce espress."... I think I thought it was in C minor/major when it was in G :) )

Listened to the finale of the Straesser quartet 4 - wonderful stuff. (Because of the long-lined, specific as in un-generic, conversational and thought-out melancholy lyricism, it put me in mind of something of a personal favorite quartet slow movement, the 3rd movement of Myaskovsky's 3rd string quartet (a student piece he revised in the 1930s) and a few others also, I think... really good first impression and very well-played. The use of the - yearning? - upward scale that closes the piece at various places throughout the movement - I only noticed when hearing it (I hadn't given it as good a skim as I'd thought...) - and is very effective in conveying not only structure but even a sort of tale (which my mind insists on attaching to some of these pieces, especially the finale of Prokofiev's first string quartet, long my favorite of them all :) ) Even though (Alan) Walker in a volume of one of his biographies of Liszt attaches enough cautionary notes about ''that'' sort of thing... Thanks again! [[User:Schissel|Eric]] 13:18, 16 February 2011 (UTC)

Re Straesser: apparently there -is- a 5th string quartet after all (G minor, op.52, published by Steingraber during the 1920s possibly. BSB has it , not I think scanned in yet; but they do have the score, as do about 7 other libraries in Europe -not the UK alas- and the USA. Will see if pub. before 1923 and what else I can find out, and will get more seriously back to getting parts out of mvts 1 and 3 of quartet 4, as well. :) [[User:Schissel|Eric]] 05:28, 3 March 2011 (UTC):

Yes - Altmann writing in Cobbett says the 2 middle movements are "of a quite unusual order, suggesting, indeed, a musical New World" (in G minor, but was he starting to catch something from Schoenberg?) He says the score was published by Chester - no date but the Op.34 clarinet quintet was published in 1920, so I guess the 5th quartet can't be PD. There's still the second and third quartets to find though! Played the 1st in the foursome flesh on Saturday along with the second movements of P-M and PHM, all much enjoyed. Cheers, Steve.

:Apologies for belated response. Have been tired and lazy and distracted but -will- get to stuff, it's not a chore and I do enjoy it truly... will also check ONB's Hofmeister scans for Straesser/Strässer/Sträßer works in the roaring 20s ;) to see if it was noted as published before 1923 (the PD-US date - well, there are other rules too, like whether the publisher remembers to renew, and other things. One would have thought these copyright laws would be simple, or somethi... ok, that sarcasm isn't even funny.) And re Cobbett's comment, intriguing. (Have you heard Zemlinsky's 3rd and 4th quartets?... or also tonally and somewhat earlier- well, all of them are tonal but all of them have something odd about them that's at least of their time, though I don't want to be dismissive that way, I think ''very'' highly of these works- the 2nd quartet (G minor - sort of...), in one movement (op31) of Josef Suk?) [[User:Schissel|Eric]] 01:35, 6 March 2011 (UTC) (Hrm, he may have only been up to opus 43 by 1922 according to HMB- so unless that's a notice of a republication, as sometimes happens with HMB, opus 52 was indeed of later date. Would still be pd-ca unless it was published as posthumously late as 1962, of course - in which case HMB which stopped publication shortly after WW2 would not be too helpful anyway ... ) also, v. glad to hear the other quartetters- quartettistas - enjoyed the P-M, PHM, and EwS (and other works before that :) ) While in no way obscure - ... yet and any more... - my playing Tchaikovsky's serenade for strings in ensemble and other works (well, trying to- and trying to play the even harder viola part to Schumann's 2nd piano quartet...) had a lot of influence on me, I think...) Looking over what I wrote, it's not so much Myaskovski or Toch that the Straesser reminded me of as Medtner's Ballades/Skazki and his 'Forgotten Melodies' (op.38 in particular, which Marc-André Hamelin plays wonderfully on Hyperion, and whose first number, a 'sonata reminiscenza' is sometimes performed separately... anyhow. thanks again!)

:Hrm. Further on quartet 5, if it lacks a copyright notice and was published by a certain date (I forget which), I think US copyright law does make it PD-US. And I'm guessing it lacks a copyright notice since libraries ''usually'' mention and report such things (though I've noticed archive.org several times saying things like 'no copyright notice found' when it's right under the first page of score in clear readable image- but they're not a library, and it's a report of an automated scanning program, not a person...) [[User:Schissel|Eric]] 16:28, 8 March 2011 (UTC)

:I find out- Straesser quartet 5- published in 1927 or so (HMB 1927, anyway :) - another source seems to suggest 1926). There seemed little doubt... Found out there's a 3rd symphony (maybe in manuscript), too. I like doing this research... Anyway, may all depend on whether the score when one finds it, has a copyright notice of the right kind, whether it turns out to be PD-US though, because of the Byzantine qualities of the law :) [[User:Schissel|Eric]] 02:56, 23 March 2011 (UTC):

I guess you could try German sources (Cologne, Stuttgart) to see if anything else survives in ms. Cobbett mentions the third quartet Op15, a piano quintet Op18, piano trio Op33 and violin sonata Op32 all published by "Tischer & J.." (1913, 1911, 1917, 1918 so presumably written in Cologne) plus a wind quintet in ms. And there's also the cello concerto that was given at the 1903 proms. I wondered if I could "do" anything with the clarinet quintet (a tuned down violin, or a bit of pitch cheating with Audacity that I'm starting to think of more as Mendacity), but it's clearly written for a real clarinettist and not a busking fiddler! Cheers, Steve:

I'm a bit amazed to find the British Library have a document listing his compositions, compiled by his widow (http://catalogue.bl.uk/F/5CFRV9P6GNQUKXILJDD6THVF5SUTB6G8AN17VLTPK9AXDN2Q9U-65593?func=find-b&request=straesser&find_code=WRD&adjacent=N&image.x=37&image.y=11). They also have a 1997 edition of the wind quintet, transcribed from the manuscript in Cologne University.

Tischer and Jagenburg I think? I've been beginning to compile a pseudo-quasi-semi-hemidemiworklist of a sort on the talk page of his category together with the wishlist page- ... adding the name of that book and information about it under Extra Information on the cat. page, btw. Thank you. [[User:Schissel|Eric]] 20:39, 23 March 2011 (UTC) (Mascia string quartet op.110 (no.3, though the other two prob. not much better) not the hardest to read manuscript I have ever tried to typeset, I think- I think that honor may go to Sorabji's toccata IV of 1969 or so which I never did finish the job with at all... - but it is trying to be...) (... 1869 quartet seems of questionable quality too ( [[3 String Quartets, Op.a110 (Mascia, Giuseppe)]] ) - but only cello part, 144-bar-first movement, 3rd quartet, now typeset, first draft. still- ow. .. eyestrain. :) sorry about constant-comment-etc.)

== Grädener (the younger?) ==

(ah yes- Carl Grädener 1812-1883, Hermann 1844-1929. both wrote string octets, too, it seems...) anyhow, downloaded and will listen soon!- the score does look intriguing, very much looking forward to hearing. I doubt much has been recorded or broadcast non-commercially by either composer, though I might be mistaken- I was surprised to hear that one of Straesser's symphonies had been broadcast, after all (but still. ah, a piano trio by Carl Grädener was recorded a few years back, I see, because of the Brahms connection...) Thanks! Have decided to upload a performing edition of score and parts rather than a 'scholarly' one (... right. :) ) of the first movement of the Mascia soonish and get to the other mvts. ... Best! [[User:Schissel|Eric]] 17:53, 18 January 2011 (UTC):

That octet is a real battleship of a piece - Brahms on steroids? I'm afraid sheer fatigue got me a bit at the end - the finale frankly doesn't live up to the rest of it and the first violin part is pretty fiendish. There must be a precedent, but the best moment for me is in the Variations (III, G major) where the final appearance of the theme is in Eb! Incidentally I'm sure you must have noticed on unsungcomposers.com all the BBC recordings of British music that Albion has recently made available. More Potter than you can shake a stick at, and not at all bad.

== Wood quartets ==

I really should go see about hearing the ASV recording. My CD/mp3 collection makes any attempt on my part to make me come across as a copyright straight-arrow seem something of a joke I think but I have my limits and boundaries. Glad the imslp.eu and imslp.us sites (and this site in general, as I keep saying) exist for their purposes- it used to be so difficult to find scores hunting library after library that it became the stuff of my dreams in the most literal of senses. (Hey, here's the score of Myaskovsky's 11th symphony, a piece whose one recording at that time really did grab me... - what library am I at?... turned out that when I found it, it was in no more 'fantastic' a library- a rather fantastic library really but not an imaginary one - than the New York Public Library at Lincoln Center, that one. I'd just failed to look closely enough. &c, &c. apologies for digression. Glad to see more music by Wood and more even though I can't always hear all of it myself. Feeling better and will try to get back to the Straesser now that I have that stressor behind me. (Had to.)) [[User:Schissel|Eric]] 16:21, 31 January 2011 (UTC):

Playing off the score is a bit of a stressor for me, particularly when you have to keep turning pages to make the repeats, middle section, da capo al segno e piu il coda. I can get usually 4 pages onto the screen (we're now 100% paperless), but then my nose is almost up against it. I thought the first two movements of Wood's F major were worth the strain, but that Irish jig... If you REALLY can't hear it I'll send you a link! For some reason Merton's parts of the A minor still seems to be in limbo, or I might have put a recording up. Can't complain about the Macfarren parts, although several months back I did come across one of my Ellerton transcriptions up for sale on a CDROM - wouldn't want to stand in the way of private enterprise. Haven't heard back from the RAM librarian yet (stuff of my dreams - "yes, we do have a box of Miles's manuscripts and personal documents that nobody seems to have looked at since 1922"). This week's little number is Catoire's Op23 - looks tough towards the end but I should be able to make something of the first movement at least. Cheers, Steve.

:Which has actually been recorded (the Catoire) (see [http://libraries.colorado.edu/record=b4149889~S3 here] (edit: score published 1913 by Russischer Musikverlag...) Which surprises me, though I knew several of his piano-accompanied chamber works had been and had heard a few- quite good all! Hope to hear the quartet... Upgraded Lilypond ''again'' but latest version has some advantages so seemed worthwhile. :) Can well believe re playing off score alright especially in more... labyrinthine sections, and forget about it in a manuscript ... [[User:Schissel|Eric]] 10:53, 1 February 2011 (UTC)

:Looking forward to the Catoire if you decide to go ahead with it btw or did I miss it? Also [[String Quartet, Op.17 (Krehl, Stephan)]] of 1899 is another piece that looks interesting (not that this site lacks for them I suppose), A major quartet with impatient opening and A minor finale :D [[User:Schissel|Eric]] 07:36, 24 March 2011 (UTC):

Thanks to your info I bought the Catoire CD instead - a lot less trouble for a better result! A bit feverish for my taste - can't get along with Scriabin or Szymanowsky for the same reason. I'll take a look at the Krehl but this week I've got unfinished business with Ellerton's quintet which I think is pretty good in parts. Unfortunately the finale isn't one of them. Cheers, Steve.

Any number of composers I'm not into of course, and Szymanowski only became one of the ones I am into - not sure when, really. Likewise Scriabin, but mostly not his orchestral music (tend to quip that Myaskovsky's 2nd and 3rd are Scriabin's best symphonies, which is unfair to both of them especially since the former two are among my favorite of the 27 Myaskovsky wrote...) though Szymanowski's 2nd and 3rd symphonies -have- grown on me. Ellerton's quintet? intriguing- have skimmed the parts and that is to look forward to (my grammar is fractured even in my native language, yes.) could always just upload some of the movements rather than all :) (same goes with PDFs, I sometimes have to remind myself- just because the first movement of someone else's scan - or in the rare case I'm scanning a score I own, of mine - is unusable, maybe an inner movement, or a complete instrument/vocal part, or even a complete instrument/vocal part of one movement, can be rescued and the page created anyway... have done that before certainly. [[User:Schissel|Eric]] 09:16, 24 March 2011 (UTC)

Looking at the Merton Ellerton quintet parts. Seem to be missing the cello 2 last pages?? Not the performance, the parts themselves. A question I should put to KGill (and Mr. Wyatt) but I wanted to get a 2nd opinion to see if I was out of my mind - well, about this. I already know I am. :) Downloaded files, looking forward to listening- thanks! [[User:Schissel|Eric]] 17:03, 24 March 2011 (UTC):

You aren't mad, it's the system! Thanks to Merton's A3 printing method you have to go backwards from the end to see the higher numbered pages. But I believe there's a large cache of Merton editions (including several Ellerton quartets for sure) that still for some reason still haven't been uploaded.

I thought I looked for that page everywhere actually (with the closing bar of the 2nd cello part of the finale)- I just missed it on the first pass-through. The Merton parts are definitely designed for printing, there's no question - not that this is a vice, really (well - I have learned of groups, and presumably soloists, that use IMSLP and play off the computer screen rather than printing out the parts first. But even then an image-editor can rearrange the pages, true.) I'm a little surprised the {{LinkCompS|Susan|Spain-Dunk}} quartet score @Merton was uploaded as her music isn't PD-CA/EU - I was thinking of taking the parts that are at Sibley Library's server and uploading them to imslp.us , actually. I gather though that someone - Spain-Dunk's estate? - gave Merton transferrable permission to publish the score and us therefore to host the pdfs on our site. (Raises the to-me interesting question of whether that permission extends to the parts!) I do wonder what does stop the rest of the scores they have from being transferred though if it's not just a matter of they'd rather not :) (btw meant 2nd cello - last pages, not cello "2 last pages" of course) [[User:Schissel|Eric]] 18:22, 24 March 2011 (UTC):

Merton's parts are a bit irritating to play off the screen with more page turns than there should be, but for my purposes certainly better than a score. I had a go at the Susan S-D from parts I bought from Merton, but I believe it's been done commercially c/w the Smyth quartet. Like Percy, Susan was a quartettist-composer from Kent (Dame Ethyl too!) who actually did get several pieces played at the Proms. Her active period seems to be more or less contiguous with Percy's but I believe nobody ever saw them in the same room at the same time... OK, now I'm going mad. Steve

Well, until yesterday I didn't know if anyone had any guesses as to her dates of birth and death, or any further biographical info, so it ''could'' have been an alias, a second publishing and performing id (Warlock doesn't count, did Philip Heseltine publish anything he composed under his own name? hrm. I'd have to look into that.)... like "Jean Hanze" for Joseph Holbrooke after all... just it seems not to have been. Oh, you mean an alias for Percy - that would have been odder still. No madder than me when I try, though! (Okaaay, maybe I should not be announcing that.) Wasn't Percy from Erith, not Kent, or do I get things very confused? [[User:Schissel|Eric]] 13:03, 25 March 2011 (UTC) (alas even in a place where links to notable people who do not yet have pages is traditionally tolerated-- [[wikipedia:List_of_people_from_Folkestone]] - Spain-Dunk does not yet merit an entry. Maybe my next task is to write ''her'' a brief stub... hrm! I mean, after typesetting a bit more of the (expl.del. Mascia op.a110 no.3) quartet and getting some chores done, of course. but I like the idea. :) [[User:Schissel|Eric]] 13:06, 25 March 2011 (UTC)

I wonder when the Ellerton quintet was written as against published, and when Mendelssohn's quartet opus 80 was given its English premiere, what its reception was, whether Ellerton heard it... doubt its reception was positive really, that quartet is not so mainstream "Mendelssohnian" as I think the term might have been understood then. Ellerton's quintet has some of the melancholy of Mendelssohn's (posthumous??) 2nd string quintet (inner movements) in places I'd say- first movement , maybe second, anyway- and maybe in other ways the finale reminds me of the other composer too (i'll think about whether it's weak compared to the other three movements, but the difference didn't jump out at me; I liked all four mvts. of the Ellerton a lot. ... Actually, the opening of the finale ''does'' remind me a little bit of the opening of the finale of Mendelssohn's opus 80 quartet - of his six complete and published (not counting the early E-flat and opus 81 pieces) quartets..., the one I know best probably along with opus 44/1 in D, at present, though I've heard them all except maybe the early w/o opus E-flat... anyway... - though without the driving off-beat background rhythm.) Hrm. The choice of key is probably entirely coincidence anyway... I just couldn't help thinking that Mendelssohn, argued to be a great influence in England's musical scene generally for numerous reasons, had just written his last major work a couple of years before, and that it was in the same key, though a quartet (and a stunning though again admittedly uncharacteristic one though not unprecedented in his earlier work, to repeat myself :) ) and not a quintet. [[User:Schissel|Eric]] 17:05, 25 March 2011 (UTC):

I think all Ellerton's string chamber pieces date from between about 1845 and 1865. A quintet (I have a second one in ms, plus a third with two of the parts missing.) was reviewed in Schumann's Neue Zeitschrift für Musik in 1850 so Mendelssohn's late pieces could well have been in his mind (he spent a lot of time in Germany too). That "drumbeat" accompaniment in the finale is very well, only it crops up in so many of the quartets too it must have one of his favourite devices. Yesterday tried Krehl (very bland - pity because I liked the sound of his clarinet quintet) and Winkler (very academic for a Russian) before settling I think on Leo Sachs (Debussy and water) for next week. Cheers, Steve 27.3.11

== btw... re Creative Commons licenses... ==

[http://www.load.cd/sheetmusic/sm-29103_string_quartet_no_2_violin_i_op_54.html this] is one example of what Carolus may have been referring to - a company offering your freely offered work at a price of $4 USD per violin part of that quartet, etc. (ah, apologies, not the best example- that's a link to the original Kistner parts, isn't it. let me see, they probably do have your parts up for sale too though...) [[User:Schissel|Eric]] 16:27, 31 January 2011 (UTC) ... scratch that whole thing, they've actually become careful. never mind.

Ah. did you know that Mr. Silvertrust (his surname as far as I know- which is why it's 'Edition Silvertrust' :) ) is using your mp3s of the Straesser quartet no.4 on his site though? (I rather like him and approve of his company, and he's used midis I've made on his site until better versions have come along- anyhow, [http://www.editionsilvertrust.com/straesser-qt-4.htm this] is what I'm referring to :) ) [[User:Schissel|Eric]] 21:31, 13 March 2011 (UTC):

Well I guess I can't complain. It looks like he's copied the last set of parts in existence and not done the decent thing by uploading them! But if we can all buy them for $24.95 is it worth your while copying them out from score? Either way I certainly want to find out how the whole piece goes one day. Cheers, Steve.

These things do get pricey but at least it would be quicker :( maybe I should work on the Neal instead. Getting good practice still and learning (still) more about this (mumblemumble) complicated program- e.g. that I could have used the "tempo" command rather than the workarounds I was using... erm- anyway. In re Stanford and the RAM, was [http://www.nationalarchives.gov.uk/archon/searches/locresult_details.asp?LR=1249 this] the archive you were referring to recently? Interesting! [[User:Schissel|Eric]] 04:51, 17 March 2011 (UTC)

== Miles Pieces ==

glad to see! Sorry to have to move the page though. Saw the article in the IMSLP Journal by the way - thanks, shall endeavour to be of service! [[User:Schissel|Eric]] 14:00, 19 February 2011 (UTC)

== question out of curiosity ==

I gather he's mentioned in Cobbett (as a performer, as a "Captain A.S. Beaumont")- what might you know about {{LinkComp|Alex S.|Beaumont}} ? :) Thanks and sorry about the odd question... [[User:Schissel|Eric]] 00:09, 19 March 2011 (UTC):

Interesting - somehow he eluded me completely. I don't have any other info but Cobbett gives his dates as 1848-1913 and describes him as a generous patron of the arts who published several chamber works of ambitious design at his own expense, including two suites for piano and strings, one of them dedicated to Cobbett. He makes vaguely approving noises, but then he would, wouldn't he? Speaking of Wood, I should be ready to dish up the Highgate quartet very soon. A really good piece, on a par I think with Stanford 3 (which must have been written a few years later) if not 2. I'm waiting to get hold of a 1978 book on his music (Copley). And the RAM have finally invoiced me (very reasonably) for copying Percy's composition list, cello concerto, clarinet quintet, 2nd string quintet and two late songs. Best, Steve.

Having a look at a few other (more PD-EU) quartets etc. also just out of curiosity (then going back to the Mascia :) ).Will also see if I can find other PD-EU qts on archive.org and Sibley etc not yet uploaded to IMSLP just to increase the annoyance :) Of ones already here, Dimitrescu(o)’s 4th, Gm., quartet, for example published in 1889- can't tell just offhand about the part-writing but it seems to have a goodly amount of emotion (again, can't tell from a first look if the expression ''of'' that emotion has features worth a second look, though it seems to, anyway...) As to Sachs, I'm reminded of something Debussy did say about people who tried to mimic him, but then I don't know if Sachs was one of them. Watered-down Debussy or not, thanks for giving it a go- I think I remember liking what I saw in the score and look forward to, again :)! ... " avant-garde audience was unable to distinguish Debussy from Leo Sachs" (from Ravel: Man and Musician" by Arbie Orenstein, courtesy of Google Books. v.brief excerpt. I’ll have to check the context soon...) [[User:Schissel|Eric]] 01:59, 27 March 2011 (UTC):

Done my thing with Sachs - fun to put together, particularly the finale, although thematically not hugely distinguished (note the big dig in the ribs towards the end - "remember my opening theme?!"). I wasn't at all impressed with Dimitrescu's third, but maybe he got it together for the fourth so I'll certainly take a look. Steve 30.3.11

Could be. They were published in 1889 but I know nothing about their composition dates. I think there's a 5th published later, I forget... btw re signatures, don't know if you know the 3-or-4 tilde trick... probably but... <nowiki>~~~~</nowiki> [[User:Schissel|Eric]] 19:01, 30 March 2011 (UTC)

Only listened to the Sachs once and didn’t catch that (then again was distracted, poss. on bus, at the time? I think- will listen again several times - did enjoy, anycase.) Looking forward to listening to the newly uploaded Brandts-Buys quartet (perhaps composed before 1911 as the opus 25 Romantic Serenade is said to have been composed and even maybe published in 1905, but opus numbers confuse me much too much :) - what with at one time not long ago (J. Klengel?) the same opus number being provided by two different publishers for two different works, and.. .well.... anyway. ) [[User:Schissel|Eric]] 16:10, 5 April 2011 (UTC)

A different kind of question- after like some other people encountering Reicha through recordings of (or in some cases parts of) his wind music, I found out he wrote string quartets and symphonies, too (none, i think, of the former, of which he wrote quite a few, are recorded. A musicologist has made quite an effort to make new editions of the unpublished ones, I believe, among other Reicha-related things, and organized a first modern performance, I think he wrote on his blog, of a Reicha string quartet. not sure which one.) anyhow, it did seem to be only a matter of time before, in this particular case {{LinkWork|3 String Quartets|Op.95|Reicha|Anton}} were posted to (first scanned by Sibley and then posted to, rather) IMSLP (first, I think, published 1824). Look interesting at all? [[User:Schissel|Eric]] 23:12, 22 April 2011 (UTC):

They're on my "maybe one day" list. Cobbett's contributor says the later ones can be interesting, but "the editor" doesn't seem to agree. I read in some article that Ellerton is supposed to have studied with him in Paris, but no source. btw hope you got the Picasa link to the Miles cello concerto ms. If we can't publish him, why not leak him to a few (hundred) close friends?. Hey, the tildes work! [[User:Matesic|Matesic]] 07:34, 23 April 2011 (UTC)

==Thanks==
Dear Steve, thanks for all your hard work; via your efforts, I could finally appreciate a bit of the work of my fellow citizen Leone Sinigaglia, not to mention the many other completely forgotten works you recorded in this months (right now I'm listening to Brandt Buys String quartet op.19....Gosh, you did an INCREDIBLE work). What about working on his [[String Quartet, Op.27 (Sinigaglia, Leone)|String Quartet Op.27]]? I have seen many times the original manuscript in our school library, and I know it was considered to be something of his "masterwork" around the time of its composition...in any case, as we say in Italy, grazie di cuore ("thanks from the heart"). Jacopo (Turin - Italy):

Kind words, much appreciated! I did take a look at Sinigaglia's Op.27 and was put off by a slightly "Regerish" feeling, but Casella writing in Cobbett's Cyclopedic Survey rates it very highly so I'll keep it in mind. Too much choice! Very best wishes, Steve:

Hi again Jacopo - thanks for making me persist with Sinigaglia's quartet. It took a while but now I really enjoy it. All the best, Steve.

Dear Steve, thanks so much for your work. I'll listen to the string quartet as soon as possible, and I'll be back here! Jacopo

::Interesting interesting interesting and really good stuff... the Sinigaglia is Regerian in at least one way with all those unisons- must get to know it better though... great to have the opportunity! (decided to start to typeset the rather lengthy c minor quartet no.6 by Pappalardo- 1856-1879 or maybe 1856 with an epigraph written in 1879, or something. 1200 or so bars? 60 pages, one part 2 pages sort-of-typeset with lots of question marks about hard-to-read but also possibly eccentric expression marks- will have to go back to the original scans from Internet Culturale to see if they're better resolution. anyhow, thanks again and cheers!! [[User:Schissel|Eric]] 03:28, 26 April 2011 (UTC)

== C Schumann ==

it's possible. I have my doubts. Camillo Schumann's opus 1 and later fully-identified works started to appear in 1897, while "C. Schumann" wrote a series of works, including these three string quartets, from 1887 to 1894. I think it possible that Camillo Schumann was biding his time as a teen writing works under a sort-of-pseudonym, but there's also the alternative that Carl Schumann, cantor, 1835-1910, was the composer. Libraries list Carl Schumann as the composer but absent, I think, any positive evidence- but still, I don't know if Cobbett had any either? [[User:Schissel|Eric]] 13:53, 27 April 2011 (UTC)

== Gernsheim 5 ==

listening to. A delight this - reminds me of the Minguet-Quartett recording on MDG of Fuchs' quartet 4 in the same key (from about 5 years later, in publishing date anyway). Really good- thanks again!! [[User:Schissel|Eric]] 04:38, 14 May 2011 (UTC):

Also tried Gernsheim's 3rd a while back - found the leaps in the first violin part a bit hard going but I'll dig it out again some day. Do all his quartets contain a "sincere tribute" to Brahms? I hear the G minor piano quartet and Op.51/2 string quartet in No.1, 3rd symphony in No.3, clarinet quintet in No.5... Yesterday reluctantly gave up on Gliere's 2nd sextet - the 5/4 scherzo was hairy enough, but the finale! As an antidote got out Alexanian's Petite Suite Armenienne, which seems pretty radical for its date. Meanwhile, re Percy Miles, I gather his Strad was the "General Kyd" also played by Perlman. Gerri Cox his Australian relative (mother's branch) is currently on a European tour and will be staying a few days with a friend in my town. The world keeps shrinking. Cheers, [[User:Matesic|Matesic]] 06:25, 18 May 2011 (UTC)

Couldn't tell you- I haven't even yet heard Gernsheim's (piano) quartets that ''have'' been recorded, more's the pity. Yet, that is. (Nor the piano quintets, trios,... the cello sonata no.1, cello concerto, 4 symphonies, yes, and glad of them :) Oddly, the 4th Gernsheim symphony reminds me a little bit of Berwald 4? which I suspect Gernsheim couldn't possibly have known- nor was the Gernsheim composed when the Berwald ws written. Meanwhile keep thinking that a refrain from Sinigaglia D major first movement reminds me of some quartet or something- but not one of Reger's six... plus a hint of Nielsen along the way, too. ) Never even heard of Alexanian yet. Interesting re Ms. Cox- hope something about Miles' legacy and perhaps permissions comes of that. Am up to the exposition repeat first mvt. (bar 157...) in the Pappalardo. (Hrm. ''Marcato e dispetto'', indeed. :D) Best!! [[User:Schissel|Eric]] 06:54, 18 May 2011 (UTC)

== Rousseau ==

that was a surprise choice (assuredly not in ''any'' negative sense!). looking forward as usual to downloading! :) [[User:Schissel|Eric]] 07:24, 23 May 2011 (UTC):

Yes - fancied something not too demanding for the weekend! The andante I thought good in parts although I'm not sure he was quite on top of some of the progressions. The scherzo was just good fun. Wood's Highgate quartet went down well in vivo on Sat. Cheers [[User:Matesic|Matesic]] 09:51, 23 May 2011 (UTC)

== Gernsheim ==

In Memoriam, too? (as I say too often but do still intend and am not disappointed, looking forward to.) (as to Gernsheim, there’s also the first of the two string quintets- the second I think was not published during his lifetime - though as opus 9 perhaps too early- still- hrm. also not to my knowledge commercially recorded.) Anyhow, thanks!!! [[User:Schissel|Eric]] 02:33, 29 May 2011 (UTC):

Organ is the only other instrument I can plausibly fake. In fact, I reckon all organists could be replaced by computers. The third quartet is my favourite of Gernsheim's so far, in spite of all the Brahms references. The Op9 quintet (pre Brahms?) could make an interesting comparison. Cheers [[User:Matesic|Matesic]] 05:58, 29 May 2011 (UTC)

Hrm, not sure when Gernsheim encountered Brahms’ music or when the two met (I assume they did- erm... actually, wait). Wonder how much about the former’s biography I can determine... Gernsheim sym 1 is pre-publication of Brahms sym. 1, true... (though if they knew each other, this sometimes remarked-on fact takes on much less significance. "Hey, Friedrich, let me show you my new manuscript..." - actually, somehow, that just doesn’t scan as Brahms, somehow. Though maybe in turn that shows how little I know about him, even after reading MacDonald’s bio - awhile back, true.) ... Hrm. According to John Kersey, Friedrich Gernsheim met Brahms later in his career, in 1868 (presumably, meaning met for the first time, here - I see the quintet was published that year, but Brahms might conceivably have made some suggestions as he did with Dvorak pre-publication. still -don’t know.) [[User:Schissel|Eric]] 15:25, 29 May 2011 (UTC):

Cobbett/Altmann doesn't help much - points out his friendship with Bruch but doesn't mention Brahms. Also no mention of G. in Swafford's Brahms biography. G's quintet predates Brahms's string quartets, but not of course the sextets so I wouldn't be surprised to hear some echoes. I feel inclined to make a list of all the Brahms references I think I spotted in quartets 1, 3 and 5. Coming up soon, some brand new Percy Miles for your ears only... [[User:Matesic|Matesic]] 18:08, 29 May 2011 (UTC)

Contributions I've read from Swafford in internet discussion forums make me disposed to like him - what little I've read of his Brahms biography does not (he oversimplifies, even I would say somewhat falsifies, parts of the Brahms/Liszt quarrel, and the nature of Liszt’s "side" of it; and the greater War of the Romantics as well- much too much even allowing that his biography is much briefer than Walker’s far more nuanced account in the second volume (The Weimar Years) of his Liszt biography.) Erm. Tangent. Sorry. Walker- has his own troubles. [[User:Schissel|Eric]] 18:18, 29 May 2011 (UTC) (I am surprised Mr. Silvertrust hasn’t asked to use some of your other Gernsheim recordings now, at that. I do see he’s added attribution to many, perhaps all, of your recordings that he uses, all to the good of course...):

No trace of Brahms in the quintet (to my ears), no Mozart either but lots of Mendelssohn and a bit of late Beethoven (Op127) in the Andante? Definitely a good piece, although you'd have to say Gernsheim never really developed a voice of his own. Where would orchestral and instrumental music have gone without Brahms? [[User:Matesic|Matesic]] 18:54, 4 June 2011 (UTC):

OK, maybe he did recycle the opening of the Bb sextet, as far as the falling third...[[User:Matesic|Matesic]] 14:01, 5 June 2011 (UTC)

Hrm. Downloaded it and had a look at the score- the scherzo does suggest Mendelssohn or some Schumann or just that time, there's something about the breadth of the opening movement that makes me expect I might hear something later-Romantic in it (... maybe I will end up thinking Brahms first sextet from the sound, the look of the score had me thinking it for a moment for some reason. I still remember the first time I heard that work - 1987 I think it was.) I've skimmed the quintet before (not so much from the copy here as at New York Public Library I think) and failed to notice that D minor finale :)... Re Miles, are you in communication with his relative who will be visiting nearby? You've wanted to discuss manuscript-permission related matters with his relatives at some point though finding a way to do so properly I expect may be difficult.

couple of other things - it seems that the range of scanning places has expanded, so am looking for yet more quartets, quintets, etc. if you are ever looking for more repertoire (... ok, which I doubt- you are probably getting quite full already, at a guess :) ) [[User:Schissel|Eric]] 15:21, 5 June 2011 (UTC)

== Stanford piano qt 2 in C minor (?) ==

Apparently and hearkening back to a rather earlier conversation Naxos will next month be releasing a CD with CV Stanford's 1st piano trio (not a premiere) and 2nd piano quartet (as far as I know, very much one) ([http://www.naxos.com/catalogue/item.asp?item_code=8.572452 Naxos weblink] (I'd escape things out to use the Plain template but that breaks the link) ) :) [[User:Schissel|Eric]] 05:44, 4 June 2011 (UTC):

That's good to hear, now the Hyperion "series" seems to have come to a dead stop - I can't even get hold of one of the existing albums (piano and string quintets). I played the first piano trio a couple of years ago and enjoyed it. Work on Gernsheim's quintet got suspended yesterday when one of my computers crashed - all backed up apart from several hours of work on Percy's cello concerto. Just hoping someone can rescue it. Gnash [[User:Matesic|Matesic]] 07:15, 4 June 2011 (UTC)

Having had to replace and back up my Mac's hard drive twice in a few years I can sympathize directly with that! [[User:Schissel|Eric]] 12:51, 4 June 2011 (UTC)

== Grädener ==

ah neat! :) [[User:Schissel|Eric]] 04:03, 11 June 2011 (UTC)

== Perinello ==

early reaction while listening- I like this! More detailed though still brief reaction- the harmonies and harmonic progressions of the first movement reminded me of another (and an excellent) work published around the same time, the 2nd string quartet of {{LinkComp|Josef|Suk}} (op.31) (composed around 1911, published 1912. We don't have it but do have other works by him from around the same time that may give an idea what I'm talking about- perhaps some parts of his {{LinkWork|Lullabies|Op.33|Suk|Josef|0}}). ( [[User:Schissel|Eric]] 22:41, 17 June 2011 (UTC):

I like it too, thinking of Debussy (sometimes a bit too close?) via Verklaerte Nacht, but some extraordinary passages all his own. Another one whose manuscripts should be worth tracking down? Never properly got to know Suk's 2nd quartet which looks a bit too technical, but the Meditation on Wenceslas definitely. Cheers[[User:Matesic|Matesic]] 07:10, 18 June 2011 (UTC)

The Suk is a long piece but I recommend getting to hear it sometime (I prefer a recording reissued on Supraphon) at least- there's a very specially good B major (I think it's in that key) recurring contrasting slow section, and the rest isn't bad either...

(It was something my mind went to when I saw the B major beginning of the 2nd group of the Pappalardo first movement, actually, though they are not similar. The Suk's contrasting section(?) is - maybe less lyrical than almost withdrawn and meditative.) Will think about what the technical part, though- am not a performer and have not that point of view, and it is valuable. It is true he insists on bringing the themes - contrasting section, all the sections - together in various different ways - and this can be done well or badly - I think it's done well but that is opinion.

Heard the rest of the Perinello - especially impressed by the slow movement which on a first listen may lack direction (and I would not insist on that being the case, I may not have heard it right) but the polyphony reminds me of passages I love in composers several generations later (like Holmboe - also tonal or more or less, and in his late quartets capable of creating this maybe similar impression of the most flowing interactions among his instrumental lines.) Looking forward to the Sinigaglia H.M. (once unblocked- someone told me that being an admin gives me access to such things but apparently this is not the case and I do not think I would or should use it for such an un-adminish reason even if it did :) ) [[User:Schissel|Eric]] 13:31, 18 June 2011 (UTC)

about composers to try, can add a few more suggestions here and there- one American ({{LinkWork|String Quartet|Op.27|Fairchild|Blair|}}, in G minor, pub. 1911. hrm. looking at it again, I like the ending, and not because it's the ending!) and some Scandinavian ones like, oh- hrm... {{LinkWork|String Quartet in D major||Dam|Mads Gregers|}} (ca.1810?), the quartets of {{LinkComp|Georg|Gerson}} (in manuscript- his opus 1 was a published string quartet, I don't know if it's one of the manuscript quartets or not, in anycase I don't think any of them are recorded- can work on parts for those while working on the Pappalardo if they look interesting (and can try to hurry up) ), also {{LinkWork|String Quartet No.2|Op.2|Eggert|Joachim Nicolas|}} (also pub. ca.1810?)(one of Eggert's quartets has been recorded, not sure which one- ah. in C minor. Op.2 is in G minor.) , {{LinkWork|String Sextet||Ölander|Per August|}} in A major (score and parts in it seems quite readable manuscript copy from Merton Music online uploaded here) [[User:Schissel|Eric]] 22:42, 18 June 2011 (UTC)

also, going to skim 2 odd-looking or at least odd-labeled :) quartets and a sextet by {{LinkComp|François|Fémy}}, another early Romantic. Admittedly lots of them on this site, but will try to get an idea, though I can't judge part-interaction... [[User:Schissel|Eric]] 00:02, 19 June 2011 (UTC):

Looking for criteria how to choose what to record I once thought I might only go for composers with silly names, e.g. Pick-Mangiagalli, Brandts Buys etc. Mads Gregers Dam of course went straight onto the short list, but unfortunately I didn't fancy the music much. Going back to your last inspiration but three or four, some of Suk's piano pieces (that I don't know at all) look like they might go well on strings, but I'll try not to get distracted from the last few pages of Percy's cello concerto. From my point of view it's a blessing that most of the forgotten romantic quartets aren't too hard to play, but paradoxically that could be a factor against them being taken up professionally. Mastering a few technical difficulties certainly adds to the satisfaction quotient. Of course there's a difference between "good" difficulties and "bad" ones that make you feel "$%£! this" and try something else. And all those "quatuors brillants" where the first violin plays a concerto while the rest chug along in the background. It looks like most of Fesca's are that way inclined, apart from the Op.12 which is another thing altogether. Strange... [[User:Matesic|Matesic]] 07:14, 19 June 2011 (UTC)

Did become I gather quite the fad in part of the 19th century. Don’t know if Spohr started it, and only know one (quintuor) brillant by him at all well, I think (the first of the opus 33, from a CD I have containing both; the other doesn’t seem to be a quintuor brillant at all.

There’s a whole history Alfred Einstein goes through, in his ''Mozart: His Character, His Work'', on the crisis of the string quartet in the Classical Era, or I should say Haydn’s crisis mainly and mainly between opus 20 and opus 33... and why Einstein (musicologist, not a close relation to the physicist, probably) thought that in the time between the writing of those two sets of quartets was the birth of the quartet as Haydn, Mozart and Beethoven in his earlier days knew and wrote for it. Opus 20 with its (iirc) fugues here and violin-centered/accompaniment writing there; opus 33 with the introduction of obbligato writing - violin 1 still first among equals but doesn’t keep the limelight and every instrument has something to say - and sometimes even takes first place, yes, even my viola. No fugues, no evocations of the Baroque (choral works of the early Classical would interchange Rococo and faux-Baroque or even Renaissance movements - but polyphonic writing/imitiation/etc. within an otherwise up-to-date movement, no). Soon after Haydn has this crisis, so does Mozart- which is why Einstein mentions it at all, naturally enough... the whole idea of the ''quatuor brillant'' reminds me of several things (one of them being that while it’s been described as a concerto for violin and string trio, it’s usually a very, very bad one with little if any at all of the interaction and solo-accompaniment back-and-forth you find in a the best real concertos - like Mozart’s C minor concerto)... anyway. but there are, I think, some good ones, like those by the apparent originator of the fad, or so it seems to me! alas, no new ground to be found there, as most of Spohr’s have, I ''think'', been recorded or soon will be. I hoped we had one of {{LinkComp|Ludvig|Norman}}’s quartets - though some of them have been recorded or at least broadcast, I have two of them on tape (one unpublished, I think, the E major supposedly with op.20?) - good pieces, they sound like. but no such luck so far... it did seem to me that the Nordic regions were not well-covered yet by SBB, but that might have been for better reasons than I thought (not for lack of good music perhaps but lack of good music available here and as yet unrecorded.) Speaking of easy pieces for string quartet, I should upload Carl Schumann’s quartet no.3 from that volume, it’s been long enough :). Sorry about the portmanteau response and thanks again! [[User:Schissel|Eric]] 18:17, 19 June 2011 (UTC):

On an admin note, today I woke up feeling a bit twitchy about some particularly dodgy violin in the Perinello (the opening and that great pp passage in the Andante) and substituted revised files for m's 1 and 3, but now it's reappeared on the main page nothing seems to have changed. Any ideas? More interestingly, Charles Rosen also has good insight into what Haydn did differently with his Op.33, kind of blurring the distinction between "tune" and "accompaniment" but without the real democracy of fugue. Cabinet music? See what I did there? - chamber/cabinet music, presidential/cabinet government?. Total nonsense, I expect. But I'm quite confident in saying I can't and won't do "brillant". Re Nordic quartets, did you listen to Meilck's? I think I hear a few splashes of local colour, and the opening rhythm surely comes straight from Karelia. Finally, I really hope the rest of Straesser's quartets will turn up eventually. I noticed first two up for sale on Abebooks, but would prefer not to expend cash Matesic 20:14, 19 June 2011 (UTC)

new files sometimes take a few days to show up on the workpages of the pages they've been uploaded to, I think. it's a IMSLP-siteside-cachepurge-sort-of-thing. (This is above and beyond any browser-side cachepurge-sort-of-thing :) ) Will check, though!... and chamber music referred- well, I think the origin was somewhere in Tudor times?... hrm... (have this very very good in my opinion book ''English chamber music, the history of a great art from the middle ages to Purcell'' (the 1946 title grabbed from Worldcat...) from - will have to check my copy, it was first published in 1946, written by Ernst Hermann Meyer. Social, musical, multifaceted history of music with many music examples. (No surprise that I adore a book - like Walker's Liszt biography, or this one- that tries to do both, be expansive and detailed - as well as it can anyway...)

I think I listened to the whole of the Mielck a few days after it was uploaded and thought it quite good but should have said as much (and think there's a quartet no.2 around somewhere and wonder where...) I also wish someone would record Sinding's quartet op70 (I'm aware it's non-PD-EU though.) Made a MIDI of its first movement awhile back and was impressed by it (then again, spend that much time working on a MIDI and sometimes the self-justification reflex kicks in, I know. Still, I did think it was pretty good, with good lyricism and dynamism.)

and I wonder what happened to Straesser's cello concerto in D ("the solo part of which was performed for the first time in England on the 9th ult. [9 Oct. 1903] by Herr Karl Piening, principal violoncellist of the Meiningen Orchestra" - not a memorable work further writes the reviewer for the Musical Times - apparently not, as, well, it would seem to have vanished?... 1 cello concerto (maybe), 2 violin concertos (maybe - not sure where either has gone, just that each is mentioned somewhere)... will listen to his piano concerto soon, anyway... [[User:Schissel|Eric]] 22:24, 19 June 2011 (UTC)

Also, for me to download sound files with this browser (Safari) I actually do have to go to the sound file page (otherwise it takes me to this listen-but-not download page which is not very helpful). So not sure if I'll be able to readily tell when the change takes effect (well, unless I go back to another browser of course, of which I have a few downloaded. Should do that to test.) [[User:Schissel|Eric]] 12:57, 21 June 2011 (UTC):

No problem - the files got changed as you predicted. Currently halfway through recording Helsted's quartet and enjoying it hugely. Cheers [[User:Matesic|Matesic]] 15:44, 21 June 2011 (UTC)

And then hopefully someone will post his (apparently) other 4 :). I expect to enjoy it too, for my own part! [[User:Schissel|Eric]] 17:22, 21 June 2011 (UTC)

== Helsted ==

The first two movements are quite modern and individual, very well written, the last two distinctly odd. Was he being ironical? I get the same feeling sometimes with Nielsen, and not just with the late pieces. "Odd" also appears in his Danish Wikipedia entry. Also tried Blair Fairchild - shouldn't condemn on the evidence of one movement, but boy did he like Debussy! All the obvious tricks but nothing new to say, 20 years on. Read through all of Zolotarev's second but didn't get fired up, nor by Weingartner's second. [[User:Matesic|Matesic]] 18:56, 21 June 2011 (UTC)

Well, the Weingartner will be recorded soon anyway by cpo (let's see - quartets 1 and 3 on volume 1, quartet 5 on volume 2 - quartets 2 and 4 on volume 3 upcoming, at a guess.) I tend to like the feeling of irony or distance I get from Zemlinsky (eg) later quartets, but it's certainly not to all tastes. [[User:Schissel|Eric]] 01:54, 22 June 2011 (UTC):

Doesn't quite hang together I think, but definitely worth doing. Loved the first two movements, the andante I'd say is on the weird side of odd, the finale probably more gauche than ironic. He has to be joking with those semiquavers at the end though![[User:Matesic|Matesic]] 16:34, 23 June 2011 (UTC)

Just listened to a moment of it as I got back from something, will hear the whole thing later- it sounds really good. As suggestions go though I still have probably made too many- is Scontrino's G minor out because all 4 movements are just too long (hrm- a point, as the movements work out to 12 min/6 min/8 min/11 min in the performance I have), or somesuch (midis of that quartet created by friend Mr. Lim long ago - and uploaded with permission to my possibly soon to be dismantled or moved website - {{plain|http://www.lightlink.com/schissel/scontrino.html|here}} - that's the only performance I have). (I'm especially fond of the D major Adagio, but I know my subjectivity when I hear it! The first movement does lose some focus - though with some fine melodies and really only relatively speaking I believe..., but the 2nd movement and finale are pretty good too.) [[User:Schissel|Eric]] 03:39, 24 June 2011 (UTC)

== unfortunately, only score, no parts here as yet ==

i see that the British Lib. has the parts in the reading room which is not maybe much help... the just-uploaded-by-Sibley {{LinkWork|String Quartet|Op.21|Windsperger|Lothar|}} looks pretty good - especially the last few pages, at least. need to get back to you about the rest... [[User:Schissel|Eric]] 13:35, 26 July 2011 (UTC):

Will keep an eye open. Meanwhile Madeleine Dedieu-Peters seems to be misspelled in the Composers list, assuming she approved the top pages page of her 3 Pieces for string quartet - lovely little jewels I thought. Cheers [[User:Matesic|Matesic]] 17:39, 26 July 2011 (UTC)

I am thinking me that I goofed when I created that category. ... checking... [[User:Schissel|Eric]] 00:39, 27 July 2011 (UTC) hrm. Musicsack has Peteres... but its compiler goofs too. Will keep looking... the parts make one think. in the 1780s publications often had names misspelled (e.g. the piano quartet by "Mozard" recently uploaded to Sibley, not atypical sort of thing even a century later), but hopefully in the 1920s it's often a sign the other way around... (ok, moved):

"Madeleine" too, don't you think? Online sources for these French composers seem to be pretty scarce. Popping over there today, but don't expect to learn much! [[User:Matesic|Matesic]] 06:13, 27 July 2011 (UTC)

I think I lost the thread of that conversation - there- British Library? I -think- the parts were in the St. Pancras division so unless you were headed over to that branch in particular... well, lots of stuff in the other branches worth looking at, I'd think, though I do not speak from a performer's experiences here it's true. If the score looks interesting enough though I could always try to focus on that instead as a typesetting project of course... hopefully more successfully. Anyhow, cheers! [[User:Schissel|Eric]] 03:56, 30 July 2011 (UTC):

Me too - which piece are we talking about - Windsperger? Cobbett says "a thoughtful and at times dramatic work of considerable technical difficulty", but I haven't dared look at it yet. The British Library unfortunately doesn't lend. Their imaging service is very good but of course costs money - up to 50 images of a single catalogue item for about £30. The parts of Percy's sextet are there too, so when the collected works finally get published in 2039... Meanwhile Vitols's quartet starts well but the substance seems to leak away in III. and IV. Planning to try Godard 3 next, followed by Straesser 5 which Ray Silvertrust kindly sent. Cheers [[User:Matesic|Matesic]] 06:36, 30 July 2011 (UTC)

Ah neat! It would be just my luck if Steingraber did remember to put a ©-notice on the quartet (even though some library catalog listings fail to notice it). (If they forgot to put one with date anywhere, I ''think'' it's PD-US despite being after 1922, though I gather the law's a bit complicated- when isn't it... worth recording anycase of course. I get more and more impressed by his music considering I hadn't heard of him at all a year or so ago- which should be a non-sequitur I suppose. And I had had no clue Godard wrote any chamber music at that time; now I gather there are at least two contemporary composers of that surname who did, one of them the one we know :) . Having too much fun looking these things up, I think. Hope you are enjoying performing them.) [[User:Schissel|Eric]] 12:41, 30 July 2011 (UTC):

The finale scuppered me in places but overall it felt well worth the effort. His harmonic language came a long way between 1901 and 1927, although I can't help feeling the more conservative middle movements are the best. No copyright issues for me of course, but it seems unlikely that Silvertrust will be able to republish for a few years. [[User:Matesic|Matesic]] 12:04, 8 August 2011 (UTC)

Looking forward to hearing sometime! If there was a copyright notice with date right there, then it's outright odd - though not that odd :( - that some library catalog listings had either no date (like the Basel catalog, which just has a plate number, 2285 Steingraber parts) or Newberry Library Illinois which has again a plate number (2284 - score and edition no.2433) and for date, "19??"- (and Worldcat has 3 other libraries with the score which give "192?" for date) ... ?? oh. maybe the copyright date is on the parts but not the score... that is not unknown- though no library mentions it- odd still. ... I only found out the date using HMB- hard way about when it was right there :) Hearing some good stuff lately though not having much luck finding more string ensemble music to upload for a rainy day so to speak unfortunately. As to Straesser, even his earlier music (well, up to 1920- not so much earlier) suggests he's been a real discovery... I wonder if there's something else from that period that can be arranged for string ensemble (I might try my hand at that...) (or if you want to try his violin sonata op.32 with a local pianist at some point down the line..., not for recording but out of interest). Anycase, thanks again, cheers and best! [[User:Schissel|Eric]] 16:18, 8 August 2011 (UTC)

*cackle* and that (recent chat) would be? *plunks an F{{sharp}} octave* [[User:Schissel|Eric]] 17:51, 15 August 2011 (UTC)

Wetz - I have seen one of them (I think the later one, recorded on MDG in 1993, a recording I haven't heard) in a library I think and the parts of the earlier one here too. Have heard five works of his (three symphonies, one in an earlier recording though sometimes on the radio in the newer one, the violin concerto, overture) at least on recordings. Quartet no.1- would be a good addition! :) ...

Francmesnil- hrm... maybe closer to Fauré or someone than Debussy or at least to later Debussy? [[User:Schissel|Eric]] 21:20, 20 August 2011 (UTC) (ooh, so that is what you've been busy at... must hear, yes!):

When he started the piece "tres decide" with two downbows he must have known the whole audience would nod in recognition, although I think there's some Ravel in there too and also a bit of Breton(?) folkiness that could be all his own (actually reminds me slightly of Charles Wood's oirishry) [[User:Matesic|Matesic]] 07:13, 21 August 2011 (UTC)

Breton folkiness- ok, now that makes me think Ropartz immediately. But good point on the first point. [[User:Schissel|Eric]] 12:44, 21 August 2011 (UTC)

== Wetz ==

well, I will now- thanks much!! [[User:Schissel|Eric]] 14:37, 24 August 2011 (UTC)

Hrm. Was supposedly (I wonder who says so and on what evidence...) composed in 1916... the war was in progress then, but a lament for the war dead is possible. (Still haven't heard it, will soon, and will re-look at parts.) Also considering his colleagues who died in that year or thereabouts. Too many, though I wonder if he got along with Reger- it's possible despite allegedly prickly personalities and conflicting musical views- odder things happen and I am very much not being sarcastic, I find myself curious. Gernsheim I think also died then or around then and I can imagine Gernsheim and Wetz getting along, perhaps... or Wetz and Draeseke who'd died a few years before. (Digression, sorry.) [[User:Schissel|Eric]] 14:58, 24 August 2011 (UTC)

Also, don’t think I thanked you for the Godard- fun piece!

== Ferroud ==

to my surprise, Ferroud's quartet was recorded by the Quatuor Loewenguth on a Vox LP released 1965 (coupled with Milhaud's 3rd quartet.) [[User:Schissel|Eric]] 20:08, 25 August 2011 (UTC) (the label Doremi started a "Quatuor Loewenguth" series in 2008 so this might be released on CD, even...)

== I also noticed ==

that my parts don't agree as to ''number'' of bars. been meaning to fix that.
... I'm assuming you did though. Thank you very very much indeed!!

There isn't a rest-of yet, though there was supposed to be- died of excessive ambition (at ''that'' age and lack of practice I intended to write a 2-viola equivalent to pieces I hadn't even heard yet, like Reger's 3rd quartet - or moreso...?) ... I do have written parts to a few other quartet movements (mostly nontonal, I think, unless I wrote down the E{{flat}} major quintet movement I almost finished somewhere around- 1998?- instead of leaving it as a MIDI, composing it entirely in Finale on a computer and never even printing it out- which may be what I did. (And I no longer have Finale. LilyPond - haven't checked since I upgraded, but I think so :) ) Pity, since I rather liked that quintet ;)...) But as to something new... hrm. :) No, I did not take that as some sort of commission, just a prod... [[User:Schissel|Eric]] 15:45, 27 August 2011 (UTC)

Listened to the performance and recording now it's unblocked... - enjoyed that. Not the most stylistically consistent piece I could have written :) (not a consideration I understood or believed in, if I remember) but was very glad to hear it and played really well. Thanks again!! [[User:Schissel|Eric]] 22:18, 27 August 2011 (UTC):

I liked the way the dissonances and rhythmic quirks slowly creep in after what sounds like the opening of a Beethovenian adagio. Also that the working out sounds logical, recognizably sonata form, even if the exact nature of the logic isn't entirely obvious! I'd be interested to try one of your "nontonal" pieces, even if for me atonal music is a bit of an oxymoron. Cheers [[User:Matesic|Matesic]] 06:40, 28 August 2011 (UTC)

I don't think Schoenberg, anyway, ever liked the term, for what that's worth- he wrote that atonal implied things not having to do with tones, so either silence or things not in the nature of music, and neither was true of his compositions (not moreso than in that of earlier composers). Nontonal or even pantonal seemed preferable. Still, atonal has stuck... even though its usual implication, "without key", is rarely strictly true even so; for most "atonal" compositions it's more true that many key centers are implied rapidly, I think, than that none are implied at all- something on that order... (and I always keep somewhere in mind the example of Roger Sessions' music, whose "tonal" D minor 2nd symphony is more dissonant and a harder listen than his serial, 12 tone, "atonal" -- but much quieter, and bird-song-filled, it seems to me- 3rd which nevertheless contrives to end with a unison cadence in D{{flat}}...) Anyhow, I'll have a look at typesetting or re-typesetting (I lost a lot when my hard drive crashed- twice :) ) some of my quartet movements and posting same- they're mostly from maybe around 1990 to 1995, I think. Appreciate your having a look no matter what of course, and cheers!! (And one suggestion to add to the ridiculously long list - Martin Levy of the I have no idea who this is, just found his 3rd? quartet in D minor on Sibley, school :) ?) [[User:Schissel|Eric]] 23:19, 28 August 2011 (UTC):

At first glance looks very old-fashioned, but the tremolando on the second page..? Am currently employed with August Halm of similar date, also very old-fashioned and gemutlich, probably not much admired by Schoenberg. In spite of repeated exposure, practically nothing of the a/non/pan/polytonal/serial repertoire has ever stuck in my head except as a diffuse image. Someone must surely have gone through a piece of Webern's altering ALL the notes to see if anybody notices.[[User:Matesic|Matesic]] 06:41, 29 August 2011 (UTC)

John Cage no doubt, but then he did with Satie also (Cheap Imitation). Much as I liked Babbitt as a person and composer I can see such an experiment being more successful with his music than with Webern's, where some people (even me) at least thinks one hears brief ideas returning and movements are constantly based on canon and variation... :) (and don't get me started on Ligeti and his attempts to base music on higher mathematics. Erm, no. Babbitt at least I enjoy and respect and admire; attempts to base something structural that's essentially inaudible- my teachers aren't the only ones who- about my early attempts too - had things to say about that!)

At least one symphony of Halm's is recorded- it's from a review of that that I first heard of him- probably(?) not the quartets or other chamber music yet though... good idea I think. [[User:Schissel|Eric]] 10:24, 29 August 2011 (UTC) (also, heard the rest of the Wetz, which I'd had to delay listening to for a bit. Really good, that, really good.)

Found one of two movements I remember completing (usual string quartet lineup, not two-viola) in 1995... I think I have the other in full rather than just its latter half, though a first (wrote them in the wrong order, so these are II and III) was planned. Also, found an in-development version of Lilypond that works with my Mac. So- ready to typeset ;) [[User:Schissel|Eric]] 19:24, 29 August 2011 (UTC):

Rightyho. I'm happy to make suggestions re the usual trivia that players grumble about - dynamics, complimentary accidentals etc. Percy Miles was absolutely meticulous about all that, obsessively so I can't help thinking. He must have spent a huge amount of time and care on those fair copies before sticking them in his bottom drawer. I finished notating II of the clarinet quintet so will soon be going back to the RAM for more. [[User:Matesic|Matesic]] 06:43, 30 August 2011 (UTC):

I should be careful what I wish for - way too many complimentary accidentals in the cello! Also if there's some significance about which way the stems go I'm not perceiving it. Cheers. [[User:Matesic|Matesic]] 07:22, 30 August 2011 (UTC)

:Not that I recall, indeed I may redo that, I think I just didn't really know how then and now just respected how I did the stems then :) (... stems from that? down... down...) . Sorry if that was confusing- the accidentals were following a rule sometimes used for especially chromatic music (if sometimes also forgotten just when needed- erm. not to get started.) that accidentals apply only to the notes, not to the whole measure. rest to come soon. as I look at it I see I should perhaps add more dynamics now, and maybe redo some of the phrasing in the other parts at least. Well, will see. Thanks for having a look! [[User:Schissel|Eric]] 13:37, 30 August 2011 (UTC):

Are you sure about that? I can see the logic in having a "neutral" key signature, but I've never come across another example where every note is fully specified, including all the naturals which can surely be taken for granted. It actually makes it much harder to read. But then who am I to dictate how to write a string quartet in C major...? [[User:Matesic|Matesic]] 17:52, 30 August 2011 (UTC)

You're probably right- I'll go seek out the one quartet I am sure I have in my possession (... somewhere) that is an example (Schoenberg quartet 4) to see if even the natural notes are noted, or just the notes that are sharped, flatted. May have misinterpreted the "tradition" for 20th-century nontonal-ish works ;) (actually, the last chord, the measure before the cello's concluding E, is more like an F open fifth with seasoning, but I haven't put up all the parts yet, it's true. :) ) [[User:Schissel|Eric]] 21:32, 30 August 2011 (UTC) (... that said... *rewrites the cello part and soon reposts, there are a few small changes I've made anyway though they're not all in yet. Still... *

== Huré String Quartet ==

Thank you very much for recording this! I'm not aware that it's ever been recorded. Huré is one of my favorite neglected composers! I look forward to listening to the whole thing tomorrow! [[User:Andrewt|Andrewt]] 06:35, 4 September 2011 (UTC)

User talk:Ralph Theo Misch

2011-05-24T23:57:34Z

Andrewt: /* Re: Lewandowski recordings */ new section

== CCITT group 4 ==
Hallo Ralph Theo Misch, 
nun, die Übersetzung hab ich vor mehr als 2 Jahren gemacht, da hat sich inzwischen einiges geändert, nicht nur was den Seiteninhalt betrifft, sondern wahrscheinlich auch bezgl. des erwähnten Tools Imagemagick. Ich selbst hab das noch nie ausprobiert, benutze Adobe Photoshop. Momentan hab ich leider nicht mehr so viel Zeit, die ganzen deutschen Seiten hier auf den neuesten Stand zu bringen geschweige denn das Programm auszuprobieren. Von daher ist es natürlich gut, wenn Du Deine Erkenntnisse und Erfahrungen damit auf der Seite [[IMSLP_talk:Musiknoten_beisteuern]] mitteilen könntest. Ich denke, man könnte auch die übersetzten Kommentare von Feldmahler löschen und einfach was zum Tool selbst hinschreiben. In der englischen Version ist es mittlerweile auch draußen, da gibt es eine extra Seite für sowas: [[Optimizing_PDF_Compression]]. Ich überlasse das Dir :), wie schon gesagt, hab ich momentan leider nicht die Zeit dazu. Gruß, [[User:Hobbypianist|Hobbypianist]] 16:54, 22 July 2009 (UTC)

== Your user page ==

I added Babel and Instrument boxes - feel free to modify.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 23:21, 27 July 2009 (UTC)

== das IMSLP ==

Hallo,

da sind wir uns einig: dieses Projekt ist ganz toll!

viele Grüße

--[[User:Metzner|Metzner]] 05:44, 3 August 2009 (UTC)

==new message on my page==
--[[User:Homerdundas|Homerdundas]] 23:40, 4 August 2009 (UTC)
{{Newmessages|User Talk:Perlnerd666}}-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 01:44, 5 August 2009 (UTC)

Good day Mr. Ralph, I am very sorry to bother you. I am a flutist and I would like to ask you, if you might have the Trio sonata wq. 144 H 568 in G major for flute, violin e basso continuo. One of my friends order it and we are waiting for 2 months now and they didn't even ship it. She has an exam and we would like to start practicing. Thank you very much! Sincerely, Ana

== Gesamt-pdf ==

Bester Ralph Theo,
angesichts Deines verdienstvollen scans der Jensen-Lieder: ich fände es sehr praktisch, wenn es neben den Einzelliedern auch ein Gesamt-pdf gäbe. Dies nur als Anregung. Vielen Dank von Deinem --[[User:Konrad Stein|Konrad Stein]] 08:42, 20 September 2009 (UTC)
:Lieber Konrad, vielen Dank für deine Rückmeldung! Habe gerade das letzte Lied und die Anzeigen-Seiten am Ende des Bandes ("ad pages" - wie es knapp und präzis auf Englisch heißt) hochgeladen. Nun versuche ich, via PDF SPLIT AND MERGE die Pdf-Dateien zusammenzufassen. Hoffentlich geht das verlustfrei vonstatten, denn die Tif-Formate löschte ich bereits aus Platzgründen. Herzliche Grüße von Christoph.--[[User:Ralph Theo Misch|Ralph Theo Misch]] 22:01, 20 September 2009 (UTC)
Es scheint geklappt zu haben! Bitte sage mir doch, ob das Ergebnis schlechter ist als die einzelnen Dateien. Viele Grüße --[[User:Ralph Theo Misch|Ralph Theo Misch]] 22:43, 20 September 2009 (UTC)
:Bester Ralph Theo, entschuldige die späte Meldung (bin momentan nur sehr sporadisch in unserer virtuellen Noten-Bibliothek). Ich finde das Ergebnis hervorragend. Und freue mich auf Deine künftigen Uploads. Nebenbei gefragt: Ist Dir als Chordirigenten schon mal von Hermann Goetz die "Nenie op.10" (chor+orch, bzw pi-Auszug) untergekommen? Und den Harmonium-Spezialisten befragt: Weißt Du etwas über Janaceks Urfassung der "Verwachsenen Pfade" und die Abweichungen zur Klavierfassung? Das nur ganz ins Ungefähre gefragt. Ah, und die "Inneren Stimmen", gibt es da Hoffnung auf Vollständigkeit? (Warum die Stücke nicht PD in Europa sein sollen, erschließt sich mir nicht – die "Revisionen" von Kienzl werden doch kaum Schöpfungshöhe beanspruchen können). Viele Grüße von Deinem --[[User:Konrad Stein|Konrad Stein]] 19:10, 24 September 2009 (UTC)

Grüß dich, Konrad, freut mich, dass die Zusammenführung funktioniert hat - danke für deine Antwort!
Was Goetz und Janacek angeht: Muss zu meiner Schande gestehen, dass ich bis Dato nie davon hörte. Auch in meinen einschlägigen Quellen (z.B. ZVAB.com) fand ich das Gesuchte nicht, bzw. nur Bearbeitungen. "Innere Stimmen" hatte ich allerdings bestellt, aber nichts mehr vom Händler gehört - werde mal nachhaken.
Was dich hingegen interessieren könnte, ist mein Band mit Ouvertüren zu vier Händen von Mendelssohn. Wegen des Umfangs meiner historischen "Bibliothek" schaffe ich es bloß nicht, alles allein einzuscannen und hochzuladen. Deshalb gebe ich die Sachen teilweise schon an Andere weiter. So würde ich dir die Noten zum Einscannen auch zuschicken.
Bei der Gelegenheit hätte ich da noch eine Frage: Vor einiger Zeit hatte ich Dvorak's "Tempo di Valse" (Serenade für Streicher, Op.22) in meiner Bearbeitung für Harmonium und Klavier beigetragen. Jemand hat die Qualität mit 5 bewertet. Dem stehe ich recht hilflos gegenüber, ist doch die Partitur kein Scan, sondern eine Pdf-Datei meines Notensatzprogramms. Und da nun nicht die musikalische, sondern allein das technische Moment bei diesen "ratings" zählt, weiß ich nicht, was bei der Erstellung schief gelaufen sein könnte. Vielen Dank im Voraus, dein Christoph --[[User:Ralph Theo Misch|Ralph Theo Misch]] 23:16, 24 September 2009 (UTC)

Bester Ralph Theo, Entschuldige die späte Antwort. Was dem Bewerter Deines Neusatzes von Dvorak op.22 aufgestoßen sein mag, entzieht sich meiner Nachvollziehbarkeit. Ich finde ihn äußerst sauber und wohlleserlich und habe daher ein weiteres Rating dagegen gesetzt. Die Mendelssohn-Ouvertüren sind recht wohl bekannt, damit eilt es nicht, ich bin aber gespannt, was Du weiteres aus Deiner Bibliothek ans Licht stellen wirst. Viele Grüße von Deinem --[[User:Konrad Stein|Konrad Stein]] 20:46, 3 October 2009 (UTC)

== Google Logos ==

Sorry to delete a nice public domain draeseke, but we can't allow scores with Google logos, as that could involve a potential trademark suit. Sorry!-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 13:49, 18 October 2009 (UTC)
:You don't have to scan it yourself. If you have an image manipulation program of some sort, you can just remove the logos to make it postable - viz. what Carolus has done at least a hundred times now.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 14:17, 18 October 2009 (UTC)

== August Reinhard ==

Hallo Christopher,

I'm new on IMSLP and not very good with use of the website.
I wanted to thank you for your contribution with the Reinhard's Trio. Have you sonatas and other Trios of this composer ?
I have some french harmonium score ; have you interested by them ? I can send paper copy that you'll can give to IMSLP. I can't make pdf... Tell me if you're interested.
Best regards,
Emmanuel (Letsum)

::Hallo Emmanuel, I'm very pleased to hear that you can use that contribution! Unfortunately the material of original compositions by Reinhard is rather rare. I've got a copy of his Sonata No.2 C major for Harmonium and Piano - and that's all. But I know where I will find more stuff: In a monastery ca. 300 km from here (a project for the next vacations...). Some arrangements and transcriptions of this composer for Harmonium - Piano Duet you can find here: [[List of Compositions Featuring the Harmonium]]. Of course I'm interested in your scores - are you not able to scan or have you not the possibility to make pdfs? Making pdfs is quiet easy - I could tell you in a few words. The problem is that paper copies must have a high quality if they shall be suitable for scanning. Atherwise: Old scores often are bigger than Din A4, so I've got a A3 scanner. Feel free to email me: alexandre.debain at gmx.de All the best --[[User:Ralph Theo Misch|Ralph Theo Misch]] 20:16, 13 December 2009 (UTC) P.S.: I could't find your user page - are you from France?

== Hervelois ==

What is your rationale for this being public domain? The editorial contributions (esp. dynamics) look significant enough for this to be Non-PD anywhere, unless it wasn't renewed in the US, and then it still wouldn't be IMSLP-able. Thanks-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 00:05, 2 February 2010 (UTC)

== Ryba Masses ==

Hi, Ralph Theo Misch

You have done an enormous contribution that I consider it has helped many musicians, teachers and researchers. My name's Rogelio Alvarez. I'm from Mexico, I'm studying a doctorate in music in the University of Oviedo, in Spain. I'm pianist and chorus conductor. One of my principal interests is the rare music: the music that has not been so explored of the great composers or the composer's music that nowadays are considered to be minors.

I'm looking for the choral works of the czech Jakub Jan Ryba (1765-1815). I've found the most popopular work, the Czech Christmas Mass (Hej, Mistre). This is his major composition, but I'm interested in another works, like the Missa Pastoralis (he wrote several of them). Concretly, I me am refering to the Missa Pastoralis that has been recorded by Naxos and that is in the same CD of the Mass Hej Mistre.

Have you heard about this material? Do you know what is the editorial that publishes this works?

Thanks.

:Hi, Rogelio Alvarez

:Many thanks for your words of encouragement! Unfortunately I've only found the Czech Christmas Mass, too. But I'm not really sure: Pastor means "Hirte" in German; I've found the "Böhmische Hirten-Messe". That would be "Missa pastoralis". Feel free to email me: christoph.lahme (at) t-online.de. I'll send you my results. I've also tried to find that work in the online libraries of Poland (via europeana.eu). May be, I didn't use the right keywords and that piece is part of a larger collection (Musica sacra...). Regards from --[[User:Ralph Theo Misch|Ralph Theo Misch]] 01:05, 13 February 2010 (UTC)

== Venus and Adonis Score ==

thanks for the tip on the score.

== [[Motets, BWV 225-231 (Bach, Johann Sebastian)|BWV Anh. 159 — Ich lasse dich nicht]] ==

Hi Christoph,

thanks very much for your upload of this, as the existing scans of the BGA that have gained wide circulation usually substituted a wrong page for page 161. (Some people are of the view that the motet could be the work of the young JSB, so it actually does get more frequent performance than any given work by Johann Christoph Bach – either JSB’s uncle ''or'' his cousin!) Regards, [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User talk:Pml|talk]] 06:48, 10 March 2010 (UTC)

== Deletion ==

If you want something deleted, another way to go about it is to add the template "Delete" (Usage: <nowiki>{{Delete|REASON}}</nowiki>) to the page. Thanks-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 01:29, 2 April 2010 (UTC)

Lieber Herr Lahme!

Ich freue mich,daß sie diese tollen Stücke von Arne gefunden haben.
Ich selber bin Countertenor und wollte die eine Arie schon längst einmal machen.
Vor ein paar Tagen habe ich bei Google Books einen Teil der Werkausgabe sämtlicher Lieder und Balladen von Carl Loewe gefunden - immerhin 6 Bände.
Leider konnte ich aber diese Bände noch nicht bei IMSLP hineinstellen,da ich nicht weiß,wie man die Google-Signatur auf den einzelnen Seiten entfernt.
Wie haben sie das gemacht?

Herzliche Grüße Bassani

== Sturmbeschwörung ==

Hi, I unfortunately had to delete your scan of this because I [http://musicsack.com/PersonFMTDetail.cfm?PersonPK=100044246 found out] that Hans Hinrichs died in 1964 (I had evidence to connect these dates with this publication from another site). Unless it can be determined that he made minimal contributions, I think it's safe to say that your score is PD only in the US. Sorry, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 22:07, 5 May 2010 (UTC)

== Leopold Mozart ==

Bester Ralph Theo,
ich habe den scan von Leopold Mozarts "Gründlicher Violinschule" erheblich verbessert (schärfere scans bei kleinerer Dateigröße (20MB), Stauchung entfernt, 2 fehlende Registerseiten und Tabelle ergänzt): [http://www.archive.org/details/GrndlicheViolinschule1787 IA]. Bitte lade doch diese Version hoch (ich weiß schlicht nicht, wie es geht). Viele Grüße von Deinem --[[User:Konrad Stein|Konrad Stein]] 01:08, 8 June 2010 (UTC)

==Cello-Bibliothek==
I would be glad to scan in your Cello-Bibliothek. Yes please send me a list of what you have. What a pleasure it would be. [[User:Generoso|Generoso]] 00:47, 11 June 2010 (UTC)

The list looks great. There are some wonderful pieces on there. How would you like to send them to me? [[User:Generoso|Generoso]] 09:13, 12 June 2010 (UTC)

I have sent my address in an email. I am looking forward to these pieces. Thanks. [[User:Generoso|Generoso]] 13:35, 12 June 2010 (UTC)
:Thank you (They arrived!) [[User:Generoso|Generoso]] 11:47, 21 June 2010 (UTC)

== [[Grand Duo, Op.18 (Loewe, Carl)]] ==

Hi, this looks like a recent typeset by Eigen-Verlag, which only started in the 1990s - so it had to be deleted. Sorry, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 15:13, 22 June 2010 (UTC)

== Beethoven Strqrt ==

By the way, kennst Du dieses: [http://www.archive.org/details/siebzehnstreichq00beet IA]. Dies ist ein schöner Band, wie Eulenburg sie in den 1920-30ern herausgegeben hat. Da habe ich noch etwa 40 Stück von (abgesehen von ein paar auf der Vermisst-auf-ewig-nicht-findbaren-Liste) – falls wir dermaleinst nicht mehr genug zu tun haben. Viele Grüße von Deinem --[[User:Konrad Stein|Konrad Stein]] 21:28, 22 June 2010 (UTC)

== [[Missa Iste Confessor (Palestrina, Giovanni Pierluigi da)]] ==

Hi Ralph, is there a valid copyright notice on the ''Paroissien Romain'' score (i.e. 'Copyright 1927 etc.' - it has to say 'copyright' or the symbol and a year)? If there is, then it would almost certainly have to be blocked with [TB], but I'm not sure since I can only see a couple isolated pages of it. Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 01:44, 2 July 2010 (UTC)

== Clara Schumann Romances Op.21 ==

Thank you for the upload of the 3 Romances Op.21 by Clara Schumann! This will make for a very pleasant evening at the piano. [[User:Aldona|Aldona]] 08:44, 3 July 2010 (UTC)

== Bortniansky ==

I somehow doubt that he titled his wok in German originally, though it's not impossible. We should check on this. [[User:Carolus|Carolus]] 23:29, 13 July 2010 (UTC)
:Ok - I'll wait and check. --[[User:Ralph Theo Misch|Ralph Theo Misch]] 23:31, 13 July 2010 (UTC)

== Scrjabin / Scriabin ==

Hi, it was decided somewhere (I can't remember where) that it would be better to create the performer category in the form 'Scriabin (performer), Alexander', rather than try a different spelling of his name than that used by the composer category (just to maintain consistency between the two). Don't worry about this one, I'll change it. Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 00:27, 23 July 2010 (UTC)

== Question about the comment on printing of the parts for LIber Motettum on Musica Divina Page ==

I noticed with great interest your comment:
Letterpress printing (after Petrucci)
applied to the part files for Liber Motettum and numerous other of your scans.

The term Letterpress does refer to printing using raised type which can be assembled, rather than intaglio or block engraving.

Pettrucci's approach to printing was fairly unique (in addition to being the first to print whole pages in moveable type) in that it was a 2-pass process, with the lines being printed first, and a later pass providing the notes, letters and any other glyphs. The chief feature of this process is that the note stems and staff lines are uninterrupted as no breaks are required: each note is a single piece of type, and the staff lines (perpendicular to most other features) are printed separately. We don't know exactly what form or process Petrucci used to align the paper for the two impressions, but it worked very well!

The music in the part files for Liber Motettum is built up from sub-type pieces, with the lines of the staves being chopped both horizontally and vertically, which results in discontinuities in both staff lines and note stems. While this approach obviates the problem of alignment between multiple presses (there is only one) it allows a broken look to the result, which is usually attributed to wear. This is clearly not based on the innovations that Petrucci brought to bear, which is the cause of my question.

Which is, how do you mean "after Petrucci"?
[[User:Tiorbinist|Tiorbinist]] 01:48, 1 August 2010 (UTC)

:Hello Tiorbinist, you've caught me! Perhaps I should read [[Ottaviano dei Petrucci (Schmid, Anton)|those books]] I contribute to IMSLP... Well - it will be not easy for me to explain in English. But I'll try: I've noticed that in the course of Cecilian Movement editors and publishers tended to fall back to those printing methods as used by their paragons. So the prototype of Proske's publication is [[Musica divina (Various)|this]]. In my naivety I thought that it was the same method. After reading your message I looked for those publications printed by Petrucci. Now I see that it's something completely different. My comment 'after Petrucci' may be as useful as 'after Gutenberg' for nearly any kind of book. So I'll remove them. Thanks for your information - learned something new again! Regards from --[[User:Ralph Theo Misch|Ralph Theo Misch]] 14:55, 1 August 2010 (UTC)
P.S.: Before I start (about 100 pages): Should I better remove 'Letterpress printing' as well? Is it a useful notice at all?

:Hello, RTM! I'd say that the letterpress label is valid and useful, since sooner-or-later, we'll have wood-block book scans added, and currently, we already have mss. and intaglio/engraved examples. It'd be nice if people would add those labels to their uploads as appropriate, rather than you removing the letterpress info.
BTW, while you're changing this, could you go ahead and link the individual pieces to the main Musica Divina page? Thanks-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 17:14, 1 August 2010 (UTC)

== Persinger ==

Hi there. I read your query on my talk page and would like to help if I can. However, I'm not quite sure what exactly you are asking; my apologies. Are you trying to obtain a copy of the score? Or researching Persinger?

OK, so I added the Persinger arrangement to the wishlist for Dvorak ([[http://imslp.org/wiki/Wishlist_C-F#.7B.7BCat.7CDvo.C5.99.C3.A1k.2C_Anton.C3.ADn.7D.7D_.281841.E2.80.931904.29]]). I don't have a copy available to me locally, but I'm sure someone in the IMSLP community does! Best of luck.
:Actually, Persinger died in 1966, making this arrangement under copyright everywhere except the US. Sorry, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 01:34, 2 August 2010 (UTC)

== Museo internazionale e biblioteca della musica di Bologna ==
Ich wollte gerade mal wieder ein wenig aus Bologna runterladen, konvertieren und hier hochladen. Dabei habe ich mit entsetzen feststellen müssen, daß dort jetzt alle Bilder mit einem Wasserzeichen der Bibliothek, inklusive Logo versehen sind. Das sieht jetzt fast so aus, als wäre damit die ganze Quelle nicht länger benutzbar, da das Wasserzeichen sicherlich rechtich geschützt ist :-( --[[User:Boccaccio|Boccaccio]][[User talk:Boccaccio|Talk]] [[Special:Emailuser/Boccaccio|Email]] 09:20, 14 August 2010 (UTC)
:Nicht unbedingt - die Sachen, die Ivdruiz aus dem Brahms-Archiv abgefischt hat, sind ebenfalls mit einem Wasserzeichen stigmatisiert. --[[User:Ralph Theo Misch|Ralph Theo Misch]] 09:35, 14 August 2010 (UTC)
::Dies hier könnte auch für Bologna gelten: [http://imslp.org/wiki/User_talk:Carolus/archive6#Brahms-institut] --[[User:Ralph Theo Misch|Ralph Theo Misch]] 10:21, 14 August 2010 (UTC)

== Kreisler arrangement/Slavonic Dances ==

Just to let you know that your recently-uploaded file has had to be deleted because Kreisler is still in copyright in Canada and the EU until 2013. Sorry — [[User:P.davydov|P.davydov]] 08:43, 15 August 2010 (UTC)

== Hummel - Grande Sonate Op.92 ==

Thank you for the Hummel - the more I get to know of his music, the more I like. Now if I could only afford to take a year off work and just spend all the time playing the piano....[[User:Aldona|Aldona]] 12:09, 20 August 2010 (UTC)

== Farrenc ==

Thanks, I have and much enjoy the cpo recording of her quintets (my favorite works of hers) [[User:Schissel|Eric]] 23:43, 27 August 2010 (UTC)
:Nice to hear that! This moment I'm scanning the other parts. I've got No.1 as well :) --[[User:Ralph Theo Misch|Ralph Theo Misch]] 23:49, 27 August 2010 (UTC)

== [[O Jesu Christ, mein's Lebens Licht, BWV 118 (Bach, Johann Sebastian)]] ==

Hi Ralph, and thanks for the scan! Just to let you know, I have removed the preface from the original file, as it constitutes original material (and therefore isn't PD in Canada, although the score itself is). Sorry, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 23:42, 11 September 2010 (UTC)

== Worldcat; FP Lachner ==

was exactly the source I was referring to actually. Their description of his 'op.132' Ave Maria is oddly exactly the same as that of his 'op.162', up to publisher- and the op.132 one has the 1870s publication date, for that matter; they suggest a 1890s publication date for the op.162, the only substantial difference (except for the presence or absence of harmonium) that I can find. Google books once had scanned in a preview of a substantial and apparently excellent (in German, so I am guessing) modern treatise on Lachner's vocal and choral music; I refer to it in some work I did on Wikipedia (the list of his compositions, for instance) because ''inter alia'' it contains the most interesting and presumably accurate dates and information I've seen about his unpublished symphonies online yet. Google books has taken it offline but the book is probably still available for sale and at libraries... (ah yes. Jürgen Wulf (1999) : ''Die Geistliche Vokalmusik Franz Lachners: Biographische und stilistische Untersuchungen mit thematischem Verzeichnis.'' Hildesheim: Georg Olms Verlag. ISBN 3487108631.) I have no doubt that if you can find this book, it will resolve all Ave Maria (Lachner) - related issues and many other Lachnerische issues as well... [[User:Schissel|Eric]] 01:46, 27 September 2010 (UTC)

Ah, thanks much and glad to hear! And as I said when the book was up on books.google.com (partially/in preview) before they removed it just about altogether, it seems to have useful information about much of his other output too. Though I gather from Mr. Fifield the conductor (who recorded X. Scharwenka's symphony and has written a book about Bruch,... and more :) ) that he is working on a monograph/dissertation about the symphony in the mid-to-late 19th century that may have very much to say about Lachner's works in that particular form (and others' work too.) Anyhow, if more gets scanned in of Lachner's sacred work (or other music that Wulf covers) I will be sure to ask you about that among other things- good news, thank you. [[User:Schissel|Eric]] 21:31, 1 October 2010 (UTC)

In connection with which, BSB has, [http://daten.digitale-sammlungen.de/bsb00056426/image_1 here] (and etc.), a symphonic andante in manuscript in D major (36 pp. once blank pages are removed, and definitely not an ''Andante-Allegro'', have skimmed the whole movement which I suspect is part of one of Lachner's symphonies, maybe one of the published ones, maybe not. Any idea which symphony it could be from, if Wulf's book contains movement listings for any of the Lachner symphonies? (BSB estimates ca.1837, the date of the D major 6th symphony, but I suspect its slow movement would not be in D major too- but who knows. The G minor 8th symphony does have an Andante for slow movement- i will listen to the sound sample at classicsonline.com and compare it with the opening of the manuscript-scan- D-E-Fis- E-Fis- G- A) - no, fairly sure it's not from the 8th symphony, though the themes are similar. (Probably not from syms. 1, 4 or 5 because of E{{flat}} major, E major or C minor to D major shift, but- could be, too. syms. 2 (F major), 3, 7 (both Dm), 6 (DM), make more sense all told... if it is part of one of the symphonies at all that is :) ) [[User:Schissel|Eric]] 05:11, 4 January 2011 (UTC)
:I'll have a look later this day :) --[[User:Ralph Theo Misch|Ralph Theo Misch]] 09:42, 4 January 2011 (UTC)
Thanks- I had a recollection that I'd learned about other works from Wulf (hence my use of him as a source in the Wikipedia article [[wikipedia:List_of_compositions_by_Franz_Lachner|List of compositions by Franz Lachner]] ) but may be misremembering! [[User:Schissel|Eric]] 13:09, 4 January 2011 (UTC)

Sending question along to Mr. Fifield - if he has time he may be able to help. Also of course syms. 1 and 5 may have sound samples online to check against the Andante- while it is unlikely they have D major andantes (being in E{{flat}} major and C minor, again) it is not impossible. I do want to upload this interesting movement but if it's part of something larger would rather upload it as part of that, rather than as "Andante in D major" :) [[User:Schissel|Eric]] 13:22, 4 January 2011 (UTC)

Indeed, jpc (cpo is their house label) can be helpful - alas they often do not give track titles. of course for this there is naxos.com for Marco Polo CDs like the Lachner symphonies that have symphonies 1, 5 and 8. (which also have audio samples if you subscribe- but I sometimes have problems there too. I checked the andante of sym. 1 at amazon.com but the brief excerpt doesn't seem to match anything in the PDF. sym.5 doesn't have an Andante. Which leaves the unrecorded syms. 2-4, 6 and 7, if it's from one of the symphonies - or perhaps an orchestral suite...though BSB for some reason dates it ca.1837, maybe from watermark or other evidence? I do not know.) [[User:Schissel|Eric]] 00:45, 5 January 2011 (UTC)

== Concone ==

I uploaded a piece ([[Variations on a Theme by Concone (Swinstead, Felix)|this one]]) awhile back which may have been variations on a work by the same Concone many works by whom you are now uploading. It would be a fine mystery-solution (well, for me...) if the theme varied was indeed from one of the works you have already uploaded - I will download at least a few and compare with Swinstead's variations sometime soon, I think :) Nothing important I guess, just thought I'd mention- have a great evening!! [[User:Schissel|Eric]] 03:21, 17 October 2010 (UTC)

Thanks! [[User:Schissel|Eric]] 19:47, 18 October 2010 (UTC)

== Oh, understood- ==

but thanks!! [[User:Schissel|Eric]] 16:30, 24 October 2010 (UTC)

Magnificats ''seems'' to be the traditional English plural for a collection of pieces setting the text, I think. [[User:Schissel|Eric]] 12:11, 25 October 2010 (UTC)

Thank you again!! [[User:Schissel|Eric]] 23:55, 25 October 2010 (UTC)

== Thanks! ==

I really need to learn how to do that... A good thumbnail and preview do of course improve a work page and make it stand out. (I like choosing the first page or an interesting one of the music of the score myself, when I've done something similar - choosing representative images for my iPod say :):) - but that is my personal preference; the cover is of course excellent too. I need to read the instructions to see -how- to do it... :) Anyhow- neat :) ) [[User:Schissel|Eric]] 00:15, 27 October 2010 (UTC)

Thanks again - I've tried a few thumbnails now. :) [[User:Schissel|Eric]] 04:48, 27 October 2010 (UTC)

== BSB, ... ==

With some sites I only can save pages or images and then use a program like Preview to put the images together as a PDF, since the sites do not provide PDF makers. This can be a problem - or at least, time-consuming...- when the pieces I'm trying to download are 220-page opera vocal scores (for example!) ... but agreed. As I've said elsewhere (say, about orchestral instrumentation listings here!), if it's worth doing, it's worth spending the time to do right- so I ''have'' to agree with that too :)... ... Forvo- my French pronunciation is only alright, but I will give the site more of a look. Thanks!! [[User:Schissel|Eric]] 00:30, 30 October 2010 (UTC)

I found that by subscribing using Google reader- then going backward in time (they uploaded all 3 op33 of the Thuille back on June 30th). RSS feeds and readers aren't only good for seeing the latest and most recently uploaded files :):) Once I finally figured out how to use RSS, I've had fun with it...
 Also re op33, do we want to replace the thumbnail presently there with a color one (I've uploaded one)? If not I can delete the color thumbnail (from the Kahnt edition of op33/1) :)
[[User:Schissel|Eric]] 00:49, 30 October 2010 (UTC)

== ah, you added the RSS link on ==

the main page? (I subscribe to the Recent Changes RSS feed myself.) Something seems to be broken actually... [[User:Schissel|Eric]] 00:14, 31 October 2010 (UTC)
:See feldmahler's talk, at the bottom.-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 00:16, 31 October 2010 (UTC)

== Seiffert preface- ==

I don't know if I would upload it - when was it published? Hrm. If it's from that PDF that also contains lots of Senfl, which I think was published in 1907 or so, then it may be PD-US/CA but not PD-EU, if I understand these things (until 2019, since Seiffert died 1948, etc.) So perhaps that would be ok... I asked about the keyboard since it affects what tag or tags I should use, for instance... [[User:Schissel|Eric]] 00:26, 4 November 2010 (UTC)

== Reichardt ==
I don't know, not without -finding- a 1782 publication preferably in a library. I find a reference that claims, if I read it right, it was published then, but I should maybe have been less hasty in thinking that's what I read and in thinking it was right even if so... will check a few things... [[User:Schissel|Eric]] 00:26, 10 November 2010 (UTC)

Worldcat search for "Petrarchische Ode" ''only'' turns up the Serauky edition. But Worldcat unlike Google is very picky about spelling and Reichardt might have published his, if at all, under a slightly different title. [[User:Schissel|Eric]] 00:30, 10 November 2010 (UTC) (there's also a 2010 edition "Adagio : Klavierstück über eine Ode des Francesco Petrarca" by the way.) 
Hrm. A few related Worldcat searches turn up nothing more. The tree I would "bark up" might be one in which it was ''composed'' in 1782 - with composition perhaps a response to the death of his son? - I have no idea... - but date of publication might well have been 1959... will look into that next, anyway... [[User:Schissel|Eric]] 00:36, 10 November 2010 (UTC)

Just found something nice and big at BSB under Reichardt though, thank you for suggesting it... will upload it soon I think. ;) (Well, it's dangerous in some ways...) [[User:Schissel|Eric]] 00:44, 10 November 2010 (UTC)

== Sigfrid Karg-Elert ==

War das gestern ein Erlebnis "Nun ruhen alle Wälder" op. 87/3 endlich mal mit Noten zu hören.

Dieses selten aufgeführte Werk (paßt ja durch die zusätzlichen Solisten auch nicht so recht in den Orgel-Konzert-Betrieb) ist ja sooo schööön!

Danke für die tollen Scans!

Übrigens feiern wir am Freitag 19.11.2010 den 133. Geburtstag in Oberndorf/N.!

Schöne Grüße

== [[Adeste fideles (Koenen, Friedrich)|Adeste fideles]] ==

If this is the familiar tune, the composer is actually John Francis Wade. UPDATE: Ha! Very different from the Wade. Thanks - [[User:Carolus|Carolus]] 00:02, 24 November 2010 (UTC)

== Tobis Notenarchiv ==

Oh nein, ich wurde enttarnt :-). Danke für das Lob. Gerne stelle ich meine Noten - allerdings nur die noch fehlenden - hier ein.
Allerdings verwende ich ausschließlich neu abgetippte Noten, keine Scans. Aber das ist glaub ich kein Problem. Schön, dass es sogar
hier Fans meiner Seite gibt, denn umgekehrt bin ich großer Fan dieser Seite geworden! --[[User:TobisNotenarchiv|TobisNotenarchiv]] 20:45, 25 November 2010 (UTC)

Hallo Ralph,
August Klughardt schreibt dazu 1897 im Vorwort zu dem Band in Breitkopf und Härtel: "Im Besitz Seiner Hoheit des Herzogs Friedrich von Anhalt, meines gnädigsten Herrn, befindet sich eine alte prunkvolle Wanduhr (Standuhr) mit einem Musikspielwerk, dessen reizende Weisen Originalkompositionen Seb. Bachs aus der Zeit 1717-1723, als er beim Fürsten Leopold von Anhalt-Cöthen in Diensten stand, sein sollen." so heißt es in mündlichen Überlieferungen. Die Uhr existierte zu dem Zeitpunkt 1897 wohl tatsächlich noch, wenn auch das Spielwerk beschädigt war. --[[User:TobisNotenarchiv|TobisNotenarchiv]] 21:29, 8 December 2010 (UTC)

== Sacred choruses ==

Ok- the (MLA?) definition we use is "for choral compositions based on a religious subject" and that seems to fit. Considered adding the tag folksongs too but that can be added at a later date on reflection... I'm looking through onb HMB to look for confirmation of the publication date by the way, though not absolutely necessary I guess it is useful. [[User:Schissel|Eric]] 01:55, 9 December 2010 (UTC)

(Ah, I think I see, I was looking in the wrong place :) ) [[User:Schissel|Eric]] 02:15, 9 December 2010 (UTC)
: I'm inclined to think that "Carol" is the best description for this piece, as it's more specific. Anything in the "Carols" category will automatically come under "Religious works" as well — [[User:P.davydov|P.davydov]] 10:08, 9 December 2010 (UTC)

== NMA ==

looking forward to your response. Note though my comment [[User_talk:Pml#NMA|here]] re NMA and new-old information... :) (admittedly I should have linked to a news source or something for evidence if my claim is news to anyone... will be back on Monday from another mini-vacation and will do so.) [[User:Schissel|Eric]] 14:42, 11 December 2010 (UTC)

== Vivaldi, RV 265 ==

Hi, Could you be so kind as to remove the Eulenburg logos from the cover and title page of your lovely scan? Schott (aka Eulenburg) complained about it last year, so we don't really want t give them any excuses for creating difficulties for us. Thanks, [[User:Carolus|Carolus]] 00:21, 30 December 2010 (UTC)
:Hi! Done - "upload a new version" didn't work in the case of the Thumbnail. I've uploaded a completely new file. Regards --[[User:Ralph Theo Misch|Ralph Theo Misch]] 00:39, 30 December 2010 (UTC)

== Die Hohe Schule des Violinspiels ==

Hi, Your scans are really looking fine these days. I was wondering - since this is a very famous collection - if we should set up a page for it as has been done for other well-known collections, perhaps under David's name. I'll ask p.davydov what he thinks of the idea, but it might be nice to have the entire volume collection as a downloads by volume. Since it is such a famous collection, it's quite OK to simply use the short form of the collection title (as above). Happy New Year, [[User:Carolus|Carolus]] 00:02, 7 January 2011 (UTC)
:I answered [http://imslp.org/wiki/User_talk:Carolus#RE:_Die_Hohe_Schule_des_Violinspiels here]. --[[User:Ralph Theo Misch|Ralph Theo Misch]] 00:27, 7 January 2011 (UTC)
This is a copy of the contents of my 2 volumes:
 
'''Volume I.'''
 
#Heinrich J. F. Biber, ''Sonata (C minor)''
#Arcangelo Corelli, [[12 Violin Sonatas, Op.5 (Corelli, Arcangelo)|''Folies d’Espagne (Variations)'']]
#Nicolò A. Pórpora, ''Sonata''
#Antonio Vivaldi, [[12 Violin Sonatas, Op.2 (Vivaldi, Antonio)|''Sonata'']]
#Jean Marie Leclair, [[12 Sonatas for Violin and Continuo, Op.5 (Leclair, Jean-Marie)|''Sonata (Le Tombeau)'']]
# Jean Marie Leclair, [[12 Sonatas for Violin and Continuo, Op.5 (Leclair, Jean-Marie)|''Sonata (G major)'']]
#Pietro Nardini, [[Violin Sonata in D major (Nardini, Pietro)|''Sonata (D major)'']]
#Francesco M. Veracini, ''Sonata (E minor)''
#Joh. Seb. Bach, ''Sonata (E minor)''
#Joh. Seb. Bach, ''Sonata (C minor)''
 
'''Volume II.'''
 
11. Georg Fr. Händel, ''Sonata (A major)'' 
12. Giuseppe Tartini, ''Sonata (D major)'' 
13. Tomaso Vitali, [[Chaconne (Vitali, Tomaso Antonio)|''Ciaccona (G minor)'']] 
14. Pietro Locatelli, ''Sonata (G minor)'' 
15. Francesco Geminiani, [[Violin Sonata in C minor (Geminiani, Francesco)|''Sonata (C minor)'']] 
16. ''Sonata (A minor)'' – Unknown 
17. ''Sonata (E{{flat}} major)'' – Unknown 
18. ''Sonata (C minor)'' – Unknown 
19. Fr. Benda, N. Mestrino, J. Stamitz, P. Locatelli, ''Kapricen'' 
20. W. A. Mozart, ''Andante, Menuett und Rondo (G major)''
 Referring links will follow. --[[User:Ralph Theo Misch|Ralph Theo Misch]] 18:10, 11 January 2011 (UTC)
:You can now put them on the [[Die hohe Schule des Violinspiels]] page. Apparently it was first issued in 3 books, reducing to 2 only by 1891. More will no doubt be added over time. [[User:Carolus|Carolus]] 00:23, 12 January 2011 (UTC)
That's fine - I've just seen it! - Thanks!! --[[User:Ralph Theo Misch|Ralph Theo Misch]] 00:27, 12 January 2011 (UTC)

== Helmholtz ==

Hi Ralph. Just to let you know that he's been moved to {{cat|Helmholtz, Hermann von}} in accordance with our [[IMSLP:Composer Names|naming guidelines]]. Cheers, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 02:05, 14 January 2011 (UTC)
:Hi again, just to say that Zucclmaglio has been moved to {{cat|Zuccalmaglio, Anton Wilhelm Florentin von}} (rather long, I know) for the same reason. Cheers, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 02:18, 25 January 2011 (UTC)

== 1895 ==

me too, so I confirmed from another source (Hinson's ''Music for more than one piano: an annotated guide'' at Google Books)- no offense was intended of course! [[User:Schissel|Eric]] 02:17, 26 January 2011 (UTC)

== Lyonel Feininger ==

Hi,

Looks like this was only first published (as a facsimile of the manuscript) in 1971 (Tutzing: Hans Schneider). Do you have any info about an earlier publication? If it was truly unpublished until 1971, it's not PD in Canada (posthumous publication within 50 years of the author's death is protected for 50 years in Canada). 95 years from publication in the USA - though it had to have the proper notice. As Feininger was a US citizen it is ''not'' eligible for GATT restoration if Schneider, et al messed up the notice. If the work was publicly performed or recorded before 1971, the date of first public performance or recording may count as publication in Canada. Protected in EU until 2027 of course, longer in some countries (maybe UK) due to posthumous publication. Thanks for an interesting copyright review, [[User:Carolus|Carolus]] 03:06, 7 February 2011 (UTC)
:I answered [http://imslp.org/wiki/User_talk:Carolus#RE.:_Lyonel_Fininger here] --[[User:Ralph Theo Misch|Ralph Theo Misch]] 14:55, 7 February 2011 (UTC)
Looks like these items are free in Canada, but not the USA or EU. Thanks for all you research - it was a big help. [[User:Carolus|Carolus]] 02:35, 15 February 2011 (UTC)

== CR? ==

Hi Ralph. Would you like to become a copyright reviewer? You've uploaded so many scores and participated in so many CR-related discussions that I (and several others) feel that you would make a fine addition to the team. What do you think? (I can forward you the test if you wish to take it.) Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 20:09, 12 February 2011 (UTC)
: I answered [http://imslp.org/wiki/User_talk:KGill#RE:_CR.3F here] --[[User:Ralph Theo Misch|Ralph Theo Misch]] 00:51, 13 February 2011 (UTC)

==Neue Bestände==
Bester Ralph Theo, Ich hoffe, es geht gut. Bin kürzlich auf größere Bestände bei der Staatsbibliothek Berlin gestoßen die hier (jedenfalls bei den Stichproben, die nahm) noch nicht vertreten scheinen: [http://digital.staatsbibliothek-berlin.de/dms/suche/?DC=musiknoten]. Es gibt dort unterdessen auch eine pdf-Funktion. Ich habe unser Projekt nicht vergessen… (Gut Ding und gut Weile). Bis bald, Dein Konrad
:Lieber Konrad, freue mich sehr, von Dir zu hören! Bin morgen (heute) abend erst wieder daheim und melde mich von dort zurück. Viele liebe Grüße! --[[User:Ralph Theo Misch|Ralph Theo Misch]] 01:33, 26 February 2011 (UTC)

== {{cat|Volkmar, Adam Valentin}} ==

Hi Ralph, just to let you know that I've moved his category due to a minor spelling difference between sources (with more recent ones leaning towards the current form). BTW, several sources cited by LC give 1851 rather than 1852 - I guess Wikipedia just doesn't cite very up-to-date sources here. I wasn't able to find an exact death date, though (just the year). Cheers, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 02:12, 8 March 2011 (UTC)

== SBB ==

well, when it comes to translating German, my browser , dict.leo.org, and other resources help me... I'll have a look at the PDF of course - thank you :) - hrm. can't actually, it "hasn't officially been submitted to IMSLP" - I suspect I shall have to wait! ... [[User:Schissel|Eric]] 01:48, 17 March 2011 (UTC)

ah, thanks! (...hrm- "Werkzeugkasten"- "Toolbox"? - this should be interesting. will soon put it on my regular list of sites to search (e.g. when out of curiosity I sought to see if anyone had scanned-in music by Ingeborg Starck-Bronsart and saw that BSB had her Osterlied, yesterday.) [[User:Schissel|Eric]] (ooh, and a Ries piano concerto - no.9 op.177 - well, piano part of - that we don't have yet. will have to separate out the pages again I think- but I'll have the time, and it'll allow me to upload the individual movements of the huge file and process them using my primitive image programs to reduce the size... briefly- yay!! :) even an opera of his for when I really have time... )

== L. Koch ==

do your Lachner resources mention who L. Koch might be? He seems to have provided the text for an 1844 Festlied w/o opus number (not the later one to a text by Muller) and for the op.106 duets, and other works too I think, but I don't know if I can figure out anything about him- first name and birth-death date data would be wonderful of course... if time allows :)... thanks!!! [[User:Schissel|Eric]] 15:48, 21 March 2011 (UTC)

== [[Praeludio in G major (Bruhns, Nicolaus)]] ==

Lieber Ralph Theo Misch, 
ich hab hier an die monochrome Version noch mal Hand angelegt (bzw. eine neue erstellt). Ich hab gesehen, dass Deine relativ kantig in der Vergrößerung aussieht, was mich schließen lässt, dass Du zuerst von Farbe nach monochrome konvertiert und dann erst skaliert hast. Das ist immer ein schlechter Weg, da die Farbversion deutlich mehr Information enthällt (nämlich den Verlauf verschiedener Farben). Daher lässt sich die Farbversion viel besser vergrößern. Du musst eigentlich in der batch Verarbeitung von Irfanview nur die Skalierung wählen, die Wandlung nach monochrome wird automatisch am Ende durch das speichern im CCITT4 Format vorgenommen. Schöne Grüße, [[User:Piupianissimo|Matthias]] 16:23, 1 April 2011 (CET)
:I anwered [http://imslp.org/wiki/User_talk:Piupianissimo#RE:_Praeludio_in_G_major_.28Bruhns.2C_Nicolaus.29 here]. --[[User:Ralph Theo Misch|Ralph Theo Misch]] 23:50, 1 April 2011 (UTC)

== SBB (redux :) ) ==

finally exploring this - something to look forward to for when I get back from work this evening. have to break apart the PDFs to remove the title pages and whatnot, harder than for some other sites, but worth it. neat, big collection. thank you! uploaded Kalliwoda divertissement op28 from there. [[User:Schissel|Eric]] 14:57, 23 April 2011 (UTC) (oh. I was just saving each page separately because I couldn't get rid of the first one. now i see how to change mode so that I can see, select and save the pages I want. much easier, much... that I can use for the opera too.)

also re SBB, made a suggestion on the [[Template talk:SBB|template talk page]] for editing the SBB template - will it be too much bother for regular users of it too if the suggestion is implemented by the editor-thereof... (not that everyone will have to use the new stuff of course)? [[User:Schissel|Eric]] 18:28, 24 April 2011 (UTC)

Ah. the Titeldaten link of a SBB page will bring you to an information page that shows you a PPN permanent link number for that page - for the Physharmonikon page: the PPN is 642191840 which you can find by going to the workpage for the images at SBB - [http://digital.staatsbibliothek-berlin.de/dms/werkansicht/?PPN=PPN642191840 here] - the 'titeldaten' link at the top left gives that ppn number and other information also. so in SBB on the imslp linkpage one can now put SBB|PPN642191840 for instance to link directly to the page. [[User:Schissel|Eric]] 01:49, 12 May 2011 (UTC)

== Reger recording ==

Really nice recording! You have a great voice! I coincidentally got Reger's book "Modulation" today... [[User:Andrewt|Andrewt]] 02:02, 29 April 2011 (UTC)
:Just listened to some of your recordings of the Lewandowski Consolations--I really like the music! I'm going to have to print them out and play them myself now :) Are you planning on recording the rest of them? I hope so. I saw on the discussion page for the Consolations where you mentioned the quality of the mp3s--have you considered uploading FLAC files instead? Then you wouldn't hear any compression... but if you can't, the mp3s are ok for me--I just enjoy hearing the music. [[User:Andrewt|Andrewt]] 04:23, 24 May 2011 (UTC)
::Answered at [[User talk:Andrewt|Andrewt's]] --[[User:Ralph Theo Misch|Ralph Theo Misch]] 23:09, 24 May 2011 (UTC)

== Re: Lewandowski recordings ==

Well, I'll actually be playing them on a chord organ (unfortunately with limited dynamic control and range) and the ones that exceed its range I'll be playing on my computer through Hauptwerk (or maybe my piano). I unfortunately don't have access to a real harmonium or organ (except for the electronic organ at my church) so I'm building a little MIDI console for my computer. I have one MIDI keyboard connected, and I have a 2-octave pedalboard that I'm going to hook up, along with another keyboard, so in the end I'll have a decent 2-manual organ. Regarding the FLAC files, IMSLP actually does support them (Feldmahler recently uploaded his Ballade for Saxophone and Piano in FLAC) but for some reason it's not mentioned. [http://imslpforums.org/viewtopic.php?f=7&t=4822 Here] is a thread I started about it.

User talk:Ralph Theo Misch

2011-05-24T04:23:17Z

Andrewt: /* Reger recording */

User talk:Papalin

2011-05-24T04:15:02Z

Andrewt: Your recordings

== Your recordings ==

Wow! I really enjoy your recordings! Keep them coming! [[User:Andrewt|Andrewt]] 04:15, 24 May 2011 (UTC)

User talk:Andrewt

2011-05-09T04:28:53Z

Andrewt: /* New upload */

Hi! Thanks for the nice submissions :) --[[User:Feldmahler|Feldmahler]] 12:23, 26 March 2007 (EDT)

== Vivaldi ==

Thanks a lot! Great job-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 04:21, 4 August 2010 (UTC)
:Really nice scan!! [[User:Carolus|Carolus]] 04:50, 4 August 2010 (UTC)
::Thanks! My pleasure! I hope to be contributing a lot more now that I have a working scanner, and access to the Detroit Public Library... hehe [[User:Andrewt|Andrewt]] 05:32, 4 August 2010 (UTC)
:::Indeed, very nice and rare :) Can we expect more Baroque music or will you focus on more modern stuff? --[[User:Boccaccio|Boccaccio]][[User talk:Boccaccio|Talk]] [[Special:Emailuser/Boccaccio|Email]] 21:00, 4 August 2010 (UTC)
::::Both! My own collection is mostly baroque, and the stuff I'm getting from the library is mostly romantic. Tonight I'm going to do Dollé's Pièces de viole; others coming up include early printings of the Corelli violin sonatas, all the other manuscripts of the Bach cello suites, books I and III of Masse's cello sonatas, and Christopher Simpson's The Division Violist. I don't quite remember what's all in the big library bag, as I left it at work, but I think there's some pretty rare stuff. [[User:Andrewt|Andrewt]] 03:00, 5 August 2010 (UTC)
Excellent. Thanks!-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 03:14, 5 August 2010 (UTC)
:Great scan of the [[6 Cello Sonatas (Vivaldi, Antonio)|Vivaldi 6 Cello Sonatas]]!! Thank you so much. [[User:Generoso|Generoso]] 15:27, 5 August 2010 (UTC)
::You're welcome! I only hope to give back a little to what you have given all of us! [[User:Andrewt|Andrewt]] 15:48, 5 August 2010 (UTC)

== Reprint ==

...can now be done by putting "|Reprint=" under the publisher field. Regards-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 14:17, 5 August 2010 (UTC)
:OK, I'll do that from now on. [[User:Andrewt|Andrewt]] 14:40, 5 August 2010 (UTC)

== Gretchaninov ==

Belatedly- thank you, happy I was able to :) [[User:Schissel|Eric]] 17:46, 27 August 2010 (UTC)

== Featured Scores ==

Thanks for the suggestion.-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 16:11, 1 September 2010 (UTC)

== New upload ==

Hey Andrew, since you like classical symphony transcriptions here is another work I just finished and uploaded. Mozart's first symphony! http://imslp.org/wiki/Symphony_No.1_in_E-flat_major,_K.16_(Mozart,_Wolfgang_Amadeus) [[User:Alex|Alex]] 23:04, 1 April 2011 (UTC)
:Now you can find a Vivaldi concerto and Sammartini symphony on my page! [[User:Alex|Alex]] 01:59, 30 April 2011 (UTC)
::Just got the message! Sweet! I'll have to try them out soon. Keep it up! [[User:Andrewt|Andrewt]] 04:28, 9 May 2011 (UTC)

== Re: Reger recording ==

Hi Andrewt, many thanks! I am very happy! --[[User:Ralph Theo Misch|Ralph Theo Misch]] 08:15, 29 April 2011 (UTC)

User talk:Ralph Theo Misch

2011-04-29T02:02:26Z

Andrewt: /* Reger recording */ new section

== CCITT group 4 ==
Hallo Ralph Theo Misch, 
nun, die Übersetzung hab ich vor mehr als 2 Jahren gemacht, da hat sich inzwischen einiges geändert, nicht nur was den Seiteninhalt betrifft, sondern wahrscheinlich auch bezgl. des erwähnten Tools Imagemagick. Ich selbst hab das noch nie ausprobiert, benutze Adobe Photoshop. Momentan hab ich leider nicht mehr so viel Zeit, die ganzen deutschen Seiten hier auf den neuesten Stand zu bringen geschweige denn das Programm auszuprobieren. Von daher ist es natürlich gut, wenn Du Deine Erkenntnisse und Erfahrungen damit auf der Seite [[IMSLP_talk:Musiknoten_beisteuern]] mitteilen könntest. Ich denke, man könnte auch die übersetzten Kommentare von Feldmahler löschen und einfach was zum Tool selbst hinschreiben. In der englischen Version ist es mittlerweile auch draußen, da gibt es eine extra Seite für sowas: [[Optimizing_PDF_Compression]]. Ich überlasse das Dir :), wie schon gesagt, hab ich momentan leider nicht die Zeit dazu. Gruß, [[User:Hobbypianist|Hobbypianist]] 16:54, 22 July 2009 (UTC)

== Your user page ==

I added Babel and Instrument boxes - feel free to modify.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 23:21, 27 July 2009 (UTC)

== das IMSLP ==

Hallo,

da sind wir uns einig: dieses Projekt ist ganz toll!

viele Grüße

--[[User:Metzner|Metzner]] 05:44, 3 August 2009 (UTC)

==new message on my page==
--[[User:Homerdundas|Homerdundas]] 23:40, 4 August 2009 (UTC)
{{Newmessages|User Talk:Perlnerd666}}-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 01:44, 5 August 2009 (UTC)

Good day Mr. Ralph, I am very sorry to bother you. I am a flutist and I would like to ask you, if you might have the Trio sonata wq. 144 H 568 in G major for flute, violin e basso continuo. One of my friends order it and we are waiting for 2 months now and they didn't even ship it. She has an exam and we would like to start practicing. Thank you very much! Sincerely, Ana

== Gesamt-pdf ==

Bester Ralph Theo,
angesichts Deines verdienstvollen scans der Jensen-Lieder: ich fände es sehr praktisch, wenn es neben den Einzelliedern auch ein Gesamt-pdf gäbe. Dies nur als Anregung. Vielen Dank von Deinem --[[User:Konrad Stein|Konrad Stein]] 08:42, 20 September 2009 (UTC)
:Lieber Konrad, vielen Dank für deine Rückmeldung! Habe gerade das letzte Lied und die Anzeigen-Seiten am Ende des Bandes ("ad pages" - wie es knapp und präzis auf Englisch heißt) hochgeladen. Nun versuche ich, via PDF SPLIT AND MERGE die Pdf-Dateien zusammenzufassen. Hoffentlich geht das verlustfrei vonstatten, denn die Tif-Formate löschte ich bereits aus Platzgründen. Herzliche Grüße von Christoph.--[[User:Ralph Theo Misch|Ralph Theo Misch]] 22:01, 20 September 2009 (UTC)
Es scheint geklappt zu haben! Bitte sage mir doch, ob das Ergebnis schlechter ist als die einzelnen Dateien. Viele Grüße --[[User:Ralph Theo Misch|Ralph Theo Misch]] 22:43, 20 September 2009 (UTC)
:Bester Ralph Theo, entschuldige die späte Meldung (bin momentan nur sehr sporadisch in unserer virtuellen Noten-Bibliothek). Ich finde das Ergebnis hervorragend. Und freue mich auf Deine künftigen Uploads. Nebenbei gefragt: Ist Dir als Chordirigenten schon mal von Hermann Goetz die "Nenie op.10" (chor+orch, bzw pi-Auszug) untergekommen? Und den Harmonium-Spezialisten befragt: Weißt Du etwas über Janaceks Urfassung der "Verwachsenen Pfade" und die Abweichungen zur Klavierfassung? Das nur ganz ins Ungefähre gefragt. Ah, und die "Inneren Stimmen", gibt es da Hoffnung auf Vollständigkeit? (Warum die Stücke nicht PD in Europa sein sollen, erschließt sich mir nicht – die "Revisionen" von Kienzl werden doch kaum Schöpfungshöhe beanspruchen können). Viele Grüße von Deinem --[[User:Konrad Stein|Konrad Stein]] 19:10, 24 September 2009 (UTC)

Grüß dich, Konrad, freut mich, dass die Zusammenführung funktioniert hat - danke für deine Antwort!
Was Goetz und Janacek angeht: Muss zu meiner Schande gestehen, dass ich bis Dato nie davon hörte. Auch in meinen einschlägigen Quellen (z.B. ZVAB.com) fand ich das Gesuchte nicht, bzw. nur Bearbeitungen. "Innere Stimmen" hatte ich allerdings bestellt, aber nichts mehr vom Händler gehört - werde mal nachhaken.
Was dich hingegen interessieren könnte, ist mein Band mit Ouvertüren zu vier Händen von Mendelssohn. Wegen des Umfangs meiner historischen "Bibliothek" schaffe ich es bloß nicht, alles allein einzuscannen und hochzuladen. Deshalb gebe ich die Sachen teilweise schon an Andere weiter. So würde ich dir die Noten zum Einscannen auch zuschicken.
Bei der Gelegenheit hätte ich da noch eine Frage: Vor einiger Zeit hatte ich Dvorak's "Tempo di Valse" (Serenade für Streicher, Op.22) in meiner Bearbeitung für Harmonium und Klavier beigetragen. Jemand hat die Qualität mit 5 bewertet. Dem stehe ich recht hilflos gegenüber, ist doch die Partitur kein Scan, sondern eine Pdf-Datei meines Notensatzprogramms. Und da nun nicht die musikalische, sondern allein das technische Moment bei diesen "ratings" zählt, weiß ich nicht, was bei der Erstellung schief gelaufen sein könnte. Vielen Dank im Voraus, dein Christoph --[[User:Ralph Theo Misch|Ralph Theo Misch]] 23:16, 24 September 2009 (UTC)

Bester Ralph Theo, Entschuldige die späte Antwort. Was dem Bewerter Deines Neusatzes von Dvorak op.22 aufgestoßen sein mag, entzieht sich meiner Nachvollziehbarkeit. Ich finde ihn äußerst sauber und wohlleserlich und habe daher ein weiteres Rating dagegen gesetzt. Die Mendelssohn-Ouvertüren sind recht wohl bekannt, damit eilt es nicht, ich bin aber gespannt, was Du weiteres aus Deiner Bibliothek ans Licht stellen wirst. Viele Grüße von Deinem --[[User:Konrad Stein|Konrad Stein]] 20:46, 3 October 2009 (UTC)

== Google Logos ==

Sorry to delete a nice public domain draeseke, but we can't allow scores with Google logos, as that could involve a potential trademark suit. Sorry!-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 13:49, 18 October 2009 (UTC)
:You don't have to scan it yourself. If you have an image manipulation program of some sort, you can just remove the logos to make it postable - viz. what Carolus has done at least a hundred times now.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 14:17, 18 October 2009 (UTC)

== August Reinhard ==

Hallo Christopher,

I'm new on IMSLP and not very good with use of the website.
I wanted to thank you for your contribution with the Reinhard's Trio. Have you sonatas and other Trios of this composer ?
I have some french harmonium score ; have you interested by them ? I can send paper copy that you'll can give to IMSLP. I can't make pdf... Tell me if you're interested.
Best regards,
Emmanuel (Letsum)

::Hallo Emmanuel, I'm very pleased to hear that you can use that contribution! Unfortunately the material of original compositions by Reinhard is rather rare. I've got a copy of his Sonata No.2 C major for Harmonium and Piano - and that's all. But I know where I will find more stuff: In a monastery ca. 300 km from here (a project for the next vacations...). Some arrangements and transcriptions of this composer for Harmonium - Piano Duet you can find here: [[List of Compositions Featuring the Harmonium]]. Of course I'm interested in your scores - are you not able to scan or have you not the possibility to make pdfs? Making pdfs is quiet easy - I could tell you in a few words. The problem is that paper copies must have a high quality if they shall be suitable for scanning. Atherwise: Old scores often are bigger than Din A4, so I've got a A3 scanner. Feel free to email me: alexandre.debain at gmx.de All the best --[[User:Ralph Theo Misch|Ralph Theo Misch]] 20:16, 13 December 2009 (UTC) P.S.: I could't find your user page - are you from France?

== Hervelois ==

What is your rationale for this being public domain? The editorial contributions (esp. dynamics) look significant enough for this to be Non-PD anywhere, unless it wasn't renewed in the US, and then it still wouldn't be IMSLP-able. Thanks-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 00:05, 2 February 2010 (UTC)

== Ryba Masses ==

Hi, Ralph Theo Misch

You have done an enormous contribution that I consider it has helped many musicians, teachers and researchers. My name's Rogelio Alvarez. I'm from Mexico, I'm studying a doctorate in music in the University of Oviedo, in Spain. I'm pianist and chorus conductor. One of my principal interests is the rare music: the music that has not been so explored of the great composers or the composer's music that nowadays are considered to be minors.

I'm looking for the choral works of the czech Jakub Jan Ryba (1765-1815). I've found the most popopular work, the Czech Christmas Mass (Hej, Mistre). This is his major composition, but I'm interested in another works, like the Missa Pastoralis (he wrote several of them). Concretly, I me am refering to the Missa Pastoralis that has been recorded by Naxos and that is in the same CD of the Mass Hej Mistre.

Have you heard about this material? Do you know what is the editorial that publishes this works?

Thanks.

:Hi, Rogelio Alvarez

:Many thanks for your words of encouragement! Unfortunately I've only found the Czech Christmas Mass, too. But I'm not really sure: Pastor means "Hirte" in German; I've found the "Böhmische Hirten-Messe". That would be "Missa pastoralis". Feel free to email me: christoph.lahme (at) t-online.de. I'll send you my results. I've also tried to find that work in the online libraries of Poland (via europeana.eu). May be, I didn't use the right keywords and that piece is part of a larger collection (Musica sacra...). Regards from --[[User:Ralph Theo Misch|Ralph Theo Misch]] 01:05, 13 February 2010 (UTC)

== Venus and Adonis Score ==

thanks for the tip on the score.

== [[Motets, BWV 225-231 (Bach, Johann Sebastian)|BWV Anh. 159 — Ich lasse dich nicht]] ==

Hi Christoph,

thanks very much for your upload of this, as the existing scans of the BGA that have gained wide circulation usually substituted a wrong page for page 161. (Some people are of the view that the motet could be the work of the young JSB, so it actually does get more frequent performance than any given work by Johann Christoph Bach – either JSB’s uncle ''or'' his cousin!) Regards, [[User:Pml|Philip Legge]] [[Special:Emailuser/Pml|@]] [[Special:Contributions/Pml|©]] [[User talk:Pml|talk]] 06:48, 10 March 2010 (UTC)

== Deletion ==

If you want something deleted, another way to go about it is to add the template "Delete" (Usage: <nowiki>{{Delete|REASON}}</nowiki>) to the page. Thanks-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 01:29, 2 April 2010 (UTC)

Lieber Herr Lahme!

Ich freue mich,daß sie diese tollen Stücke von Arne gefunden haben.
Ich selber bin Countertenor und wollte die eine Arie schon längst einmal machen.
Vor ein paar Tagen habe ich bei Google Books einen Teil der Werkausgabe sämtlicher Lieder und Balladen von Carl Loewe gefunden - immerhin 6 Bände.
Leider konnte ich aber diese Bände noch nicht bei IMSLP hineinstellen,da ich nicht weiß,wie man die Google-Signatur auf den einzelnen Seiten entfernt.
Wie haben sie das gemacht?

Herzliche Grüße Bassani

== Sturmbeschwörung ==

Hi, I unfortunately had to delete your scan of this because I [http://musicsack.com/PersonFMTDetail.cfm?PersonPK=100044246 found out] that Hans Hinrichs died in 1964 (I had evidence to connect these dates with this publication from another site). Unless it can be determined that he made minimal contributions, I think it's safe to say that your score is PD only in the US. Sorry, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 22:07, 5 May 2010 (UTC)

== Leopold Mozart ==

Bester Ralph Theo,
ich habe den scan von Leopold Mozarts "Gründlicher Violinschule" erheblich verbessert (schärfere scans bei kleinerer Dateigröße (20MB), Stauchung entfernt, 2 fehlende Registerseiten und Tabelle ergänzt): [http://www.archive.org/details/GrndlicheViolinschule1787 IA]. Bitte lade doch diese Version hoch (ich weiß schlicht nicht, wie es geht). Viele Grüße von Deinem --[[User:Konrad Stein|Konrad Stein]] 01:08, 8 June 2010 (UTC)

==Cello-Bibliothek==
I would be glad to scan in your Cello-Bibliothek. Yes please send me a list of what you have. What a pleasure it would be. [[User:Generoso|Generoso]] 00:47, 11 June 2010 (UTC)

The list looks great. There are some wonderful pieces on there. How would you like to send them to me? [[User:Generoso|Generoso]] 09:13, 12 June 2010 (UTC)

I have sent my address in an email. I am looking forward to these pieces. Thanks. [[User:Generoso|Generoso]] 13:35, 12 June 2010 (UTC)
:Thank you (They arrived!) [[User:Generoso|Generoso]] 11:47, 21 June 2010 (UTC)

== [[Grand Duo, Op.18 (Loewe, Carl)]] ==

Hi, this looks like a recent typeset by Eigen-Verlag, which only started in the 1990s - so it had to be deleted. Sorry, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 15:13, 22 June 2010 (UTC)

== Beethoven Strqrt ==

By the way, kennst Du dieses: [http://www.archive.org/details/siebzehnstreichq00beet IA]. Dies ist ein schöner Band, wie Eulenburg sie in den 1920-30ern herausgegeben hat. Da habe ich noch etwa 40 Stück von (abgesehen von ein paar auf der Vermisst-auf-ewig-nicht-findbaren-Liste) – falls wir dermaleinst nicht mehr genug zu tun haben. Viele Grüße von Deinem --[[User:Konrad Stein|Konrad Stein]] 21:28, 22 June 2010 (UTC)

== [[Missa Iste Confessor (Palestrina, Giovanni Pierluigi da)]] ==

Hi Ralph, is there a valid copyright notice on the ''Paroissien Romain'' score (i.e. 'Copyright 1927 etc.' - it has to say 'copyright' or the symbol and a year)? If there is, then it would almost certainly have to be blocked with [TB], but I'm not sure since I can only see a couple isolated pages of it. Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 01:44, 2 July 2010 (UTC)

== Clara Schumann Romances Op.21 ==

Thank you for the upload of the 3 Romances Op.21 by Clara Schumann! This will make for a very pleasant evening at the piano. [[User:Aldona|Aldona]] 08:44, 3 July 2010 (UTC)

== Bortniansky ==

I somehow doubt that he titled his wok in German originally, though it's not impossible. We should check on this. [[User:Carolus|Carolus]] 23:29, 13 July 2010 (UTC)
:Ok - I'll wait and check. --[[User:Ralph Theo Misch|Ralph Theo Misch]] 23:31, 13 July 2010 (UTC)

== Scrjabin / Scriabin ==

Hi, it was decided somewhere (I can't remember where) that it would be better to create the performer category in the form 'Scriabin (performer), Alexander', rather than try a different spelling of his name than that used by the composer category (just to maintain consistency between the two). Don't worry about this one, I'll change it. Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 00:27, 23 July 2010 (UTC)

== Question about the comment on printing of the parts for LIber Motettum on Musica Divina Page ==

I noticed with great interest your comment:
Letterpress printing (after Petrucci)
applied to the part files for Liber Motettum and numerous other of your scans.

The term Letterpress does refer to printing using raised type which can be assembled, rather than intaglio or block engraving.

Pettrucci's approach to printing was fairly unique (in addition to being the first to print whole pages in moveable type) in that it was a 2-pass process, with the lines being printed first, and a later pass providing the notes, letters and any other glyphs. The chief feature of this process is that the note stems and staff lines are uninterrupted as no breaks are required: each note is a single piece of type, and the staff lines (perpendicular to most other features) are printed separately. We don't know exactly what form or process Petrucci used to align the paper for the two impressions, but it worked very well!

The music in the part files for Liber Motettum is built up from sub-type pieces, with the lines of the staves being chopped both horizontally and vertically, which results in discontinuities in both staff lines and note stems. While this approach obviates the problem of alignment between multiple presses (there is only one) it allows a broken look to the result, which is usually attributed to wear. This is clearly not based on the innovations that Petrucci brought to bear, which is the cause of my question.

Which is, how do you mean "after Petrucci"?
[[User:Tiorbinist|Tiorbinist]] 01:48, 1 August 2010 (UTC)

:Hello Tiorbinist, you've caught me! Perhaps I should read [[Ottaviano dei Petrucci (Schmid, Anton)|those books]] I contribute to IMSLP... Well - it will be not easy for me to explain in English. But I'll try: I've noticed that in the course of Cecilian Movement editors and publishers tended to fall back to those printing methods as used by their paragons. So the prototype of Proske's publication is [[Musica divina (Various)|this]]. In my naivety I thought that it was the same method. After reading your message I looked for those publications printed by Petrucci. Now I see that it's something completely different. My comment 'after Petrucci' may be as useful as 'after Gutenberg' for nearly any kind of book. So I'll remove them. Thanks for your information - learned something new again! Regards from --[[User:Ralph Theo Misch|Ralph Theo Misch]] 14:55, 1 August 2010 (UTC)
P.S.: Before I start (about 100 pages): Should I better remove 'Letterpress printing' as well? Is it a useful notice at all?

:Hello, RTM! I'd say that the letterpress label is valid and useful, since sooner-or-later, we'll have wood-block book scans added, and currently, we already have mss. and intaglio/engraved examples. It'd be nice if people would add those labels to their uploads as appropriate, rather than you removing the letterpress info.
BTW, while you're changing this, could you go ahead and link the individual pieces to the main Musica Divina page? Thanks-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 17:14, 1 August 2010 (UTC)

== Persinger ==

Hi there. I read your query on my talk page and would like to help if I can. However, I'm not quite sure what exactly you are asking; my apologies. Are you trying to obtain a copy of the score? Or researching Persinger?

OK, so I added the Persinger arrangement to the wishlist for Dvorak ([[http://imslp.org/wiki/Wishlist_C-F#.7B.7BCat.7CDvo.C5.99.C3.A1k.2C_Anton.C3.ADn.7D.7D_.281841.E2.80.931904.29]]). I don't have a copy available to me locally, but I'm sure someone in the IMSLP community does! Best of luck.
:Actually, Persinger died in 1966, making this arrangement under copyright everywhere except the US. Sorry, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 01:34, 2 August 2010 (UTC)

== Museo internazionale e biblioteca della musica di Bologna ==
Ich wollte gerade mal wieder ein wenig aus Bologna runterladen, konvertieren und hier hochladen. Dabei habe ich mit entsetzen feststellen müssen, daß dort jetzt alle Bilder mit einem Wasserzeichen der Bibliothek, inklusive Logo versehen sind. Das sieht jetzt fast so aus, als wäre damit die ganze Quelle nicht länger benutzbar, da das Wasserzeichen sicherlich rechtich geschützt ist :-( --[[User:Boccaccio|Boccaccio]][[User talk:Boccaccio|Talk]] [[Special:Emailuser/Boccaccio|Email]] 09:20, 14 August 2010 (UTC)
:Nicht unbedingt - die Sachen, die Ivdruiz aus dem Brahms-Archiv abgefischt hat, sind ebenfalls mit einem Wasserzeichen stigmatisiert. --[[User:Ralph Theo Misch|Ralph Theo Misch]] 09:35, 14 August 2010 (UTC)
::Dies hier könnte auch für Bologna gelten: [http://imslp.org/wiki/User_talk:Carolus/archive6#Brahms-institut] --[[User:Ralph Theo Misch|Ralph Theo Misch]] 10:21, 14 August 2010 (UTC)

== Kreisler arrangement/Slavonic Dances ==

Just to let you know that your recently-uploaded file has had to be deleted because Kreisler is still in copyright in Canada and the EU until 2013. Sorry — [[User:P.davydov|P.davydov]] 08:43, 15 August 2010 (UTC)

== Hummel - Grande Sonate Op.92 ==

Thank you for the Hummel - the more I get to know of his music, the more I like. Now if I could only afford to take a year off work and just spend all the time playing the piano....[[User:Aldona|Aldona]] 12:09, 20 August 2010 (UTC)

== Farrenc ==

Thanks, I have and much enjoy the cpo recording of her quintets (my favorite works of hers) [[User:Schissel|Eric]] 23:43, 27 August 2010 (UTC)
:Nice to hear that! This moment I'm scanning the other parts. I've got No.1 as well :) --[[User:Ralph Theo Misch|Ralph Theo Misch]] 23:49, 27 August 2010 (UTC)

== [[O Jesu Christ, mein's Lebens Licht, BWV 118 (Bach, Johann Sebastian)]] ==

Hi Ralph, and thanks for the scan! Just to let you know, I have removed the preface from the original file, as it constitutes original material (and therefore isn't PD in Canada, although the score itself is). Sorry, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 23:42, 11 September 2010 (UTC)

== Worldcat; FP Lachner ==

was exactly the source I was referring to actually. Their description of his 'op.132' Ave Maria is oddly exactly the same as that of his 'op.162', up to publisher- and the op.132 one has the 1870s publication date, for that matter; they suggest a 1890s publication date for the op.162, the only substantial difference (except for the presence or absence of harmonium) that I can find. Google books once had scanned in a preview of a substantial and apparently excellent (in German, so I am guessing) modern treatise on Lachner's vocal and choral music; I refer to it in some work I did on Wikipedia (the list of his compositions, for instance) because ''inter alia'' it contains the most interesting and presumably accurate dates and information I've seen about his unpublished symphonies online yet. Google books has taken it offline but the book is probably still available for sale and at libraries... (ah yes. Jürgen Wulf (1999) : ''Die Geistliche Vokalmusik Franz Lachners: Biographische und stilistische Untersuchungen mit thematischem Verzeichnis.'' Hildesheim: Georg Olms Verlag. ISBN 3487108631.) I have no doubt that if you can find this book, it will resolve all Ave Maria (Lachner) - related issues and many other Lachnerische issues as well... [[User:Schissel|Eric]] 01:46, 27 September 2010 (UTC)

Ah, thanks much and glad to hear! And as I said when the book was up on books.google.com (partially/in preview) before they removed it just about altogether, it seems to have useful information about much of his other output too. Though I gather from Mr. Fifield the conductor (who recorded X. Scharwenka's symphony and has written a book about Bruch,... and more :) ) that he is working on a monograph/dissertation about the symphony in the mid-to-late 19th century that may have very much to say about Lachner's works in that particular form (and others' work too.) Anyhow, if more gets scanned in of Lachner's sacred work (or other music that Wulf covers) I will be sure to ask you about that among other things- good news, thank you. [[User:Schissel|Eric]] 21:31, 1 October 2010 (UTC)

In connection with which, BSB has, [http://daten.digitale-sammlungen.de/bsb00056426/image_1 here] (and etc.), a symphonic andante in manuscript in D major (36 pp. once blank pages are removed, and definitely not an ''Andante-Allegro'', have skimmed the whole movement which I suspect is part of one of Lachner's symphonies, maybe one of the published ones, maybe not. Any idea which symphony it could be from, if Wulf's book contains movement listings for any of the Lachner symphonies? (BSB estimates ca.1837, the date of the D major 6th symphony, but I suspect its slow movement would not be in D major too- but who knows. The G minor 8th symphony does have an Andante for slow movement- i will listen to the sound sample at classicsonline.com and compare it with the opening of the manuscript-scan- D-E-Fis- E-Fis- G- A) - no, fairly sure it's not from the 8th symphony, though the themes are similar. (Probably not from syms. 1, 4 or 5 because of E{{flat}} major, E major or C minor to D major shift, but- could be, too. syms. 2 (F major), 3, 7 (both Dm), 6 (DM), make more sense all told... if it is part of one of the symphonies at all that is :) ) [[User:Schissel|Eric]] 05:11, 4 January 2011 (UTC)
:I'll have a look later this day :) --[[User:Ralph Theo Misch|Ralph Theo Misch]] 09:42, 4 January 2011 (UTC)
Thanks- I had a recollection that I'd learned about other works from Wulf (hence my use of him as a source in the Wikipedia article [[wikipedia:List_of_compositions_by_Franz_Lachner|List of compositions by Franz Lachner]] ) but may be misremembering! [[User:Schissel|Eric]] 13:09, 4 January 2011 (UTC)

Sending question along to Mr. Fifield - if he has time he may be able to help. Also of course syms. 1 and 5 may have sound samples online to check against the Andante- while it is unlikely they have D major andantes (being in E{{flat}} major and C minor, again) it is not impossible. I do want to upload this interesting movement but if it's part of something larger would rather upload it as part of that, rather than as "Andante in D major" :) [[User:Schissel|Eric]] 13:22, 4 January 2011 (UTC)

Indeed, jpc (cpo is their house label) can be helpful - alas they often do not give track titles. of course for this there is naxos.com for Marco Polo CDs like the Lachner symphonies that have symphonies 1, 5 and 8. (which also have audio samples if you subscribe- but I sometimes have problems there too. I checked the andante of sym. 1 at amazon.com but the brief excerpt doesn't seem to match anything in the PDF. sym.5 doesn't have an Andante. Which leaves the unrecorded syms. 2-4, 6 and 7, if it's from one of the symphonies - or perhaps an orchestral suite...though BSB for some reason dates it ca.1837, maybe from watermark or other evidence? I do not know.) [[User:Schissel|Eric]] 00:45, 5 January 2011 (UTC)

== Concone ==

I uploaded a piece ([[Variations on a Theme by Concone (Swinstead, Felix)|this one]]) awhile back which may have been variations on a work by the same Concone many works by whom you are now uploading. It would be a fine mystery-solution (well, for me...) if the theme varied was indeed from one of the works you have already uploaded - I will download at least a few and compare with Swinstead's variations sometime soon, I think :) Nothing important I guess, just thought I'd mention- have a great evening!! [[User:Schissel|Eric]] 03:21, 17 October 2010 (UTC)

Thanks! [[User:Schissel|Eric]] 19:47, 18 October 2010 (UTC)

== Oh, understood- ==

but thanks!! [[User:Schissel|Eric]] 16:30, 24 October 2010 (UTC)

Magnificats ''seems'' to be the traditional English plural for a collection of pieces setting the text, I think. [[User:Schissel|Eric]] 12:11, 25 October 2010 (UTC)

Thank you again!! [[User:Schissel|Eric]] 23:55, 25 October 2010 (UTC)

== Thanks! ==

I really need to learn how to do that... A good thumbnail and preview do of course improve a work page and make it stand out. (I like choosing the first page or an interesting one of the music of the score myself, when I've done something similar - choosing representative images for my iPod say :):) - but that is my personal preference; the cover is of course excellent too. I need to read the instructions to see -how- to do it... :) Anyhow- neat :) ) [[User:Schissel|Eric]] 00:15, 27 October 2010 (UTC)

Thanks again - I've tried a few thumbnails now. :) [[User:Schissel|Eric]] 04:48, 27 October 2010 (UTC)

== BSB, ... ==

With some sites I only can save pages or images and then use a program like Preview to put the images together as a PDF, since the sites do not provide PDF makers. This can be a problem - or at least, time-consuming...- when the pieces I'm trying to download are 220-page opera vocal scores (for example!) ... but agreed. As I've said elsewhere (say, about orchestral instrumentation listings here!), if it's worth doing, it's worth spending the time to do right- so I ''have'' to agree with that too :)... ... Forvo- my French pronunciation is only alright, but I will give the site more of a look. Thanks!! [[User:Schissel|Eric]] 00:30, 30 October 2010 (UTC)

I found that by subscribing using Google reader- then going backward in time (they uploaded all 3 op33 of the Thuille back on June 30th). RSS feeds and readers aren't only good for seeing the latest and most recently uploaded files :):) Once I finally figured out how to use RSS, I've had fun with it...
 Also re op33, do we want to replace the thumbnail presently there with a color one (I've uploaded one)? If not I can delete the color thumbnail (from the Kahnt edition of op33/1) :)
[[User:Schissel|Eric]] 00:49, 30 October 2010 (UTC)

== ah, you added the RSS link on ==

the main page? (I subscribe to the Recent Changes RSS feed myself.) Something seems to be broken actually... [[User:Schissel|Eric]] 00:14, 31 October 2010 (UTC)
:See feldmahler's talk, at the bottom.-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 00:16, 31 October 2010 (UTC)

== Seiffert preface- ==

I don't know if I would upload it - when was it published? Hrm. If it's from that PDF that also contains lots of Senfl, which I think was published in 1907 or so, then it may be PD-US/CA but not PD-EU, if I understand these things (until 2019, since Seiffert died 1948, etc.) So perhaps that would be ok... I asked about the keyboard since it affects what tag or tags I should use, for instance... [[User:Schissel|Eric]] 00:26, 4 November 2010 (UTC)

== Reichardt ==
I don't know, not without -finding- a 1782 publication preferably in a library. I find a reference that claims, if I read it right, it was published then, but I should maybe have been less hasty in thinking that's what I read and in thinking it was right even if so... will check a few things... [[User:Schissel|Eric]] 00:26, 10 November 2010 (UTC)

Worldcat search for "Petrarchische Ode" ''only'' turns up the Serauky edition. But Worldcat unlike Google is very picky about spelling and Reichardt might have published his, if at all, under a slightly different title. [[User:Schissel|Eric]] 00:30, 10 November 2010 (UTC) (there's also a 2010 edition "Adagio : Klavierstück über eine Ode des Francesco Petrarca" by the way.) 
Hrm. A few related Worldcat searches turn up nothing more. The tree I would "bark up" might be one in which it was ''composed'' in 1782 - with composition perhaps a response to the death of his son? - I have no idea... - but date of publication might well have been 1959... will look into that next, anyway... [[User:Schissel|Eric]] 00:36, 10 November 2010 (UTC)

Just found something nice and big at BSB under Reichardt though, thank you for suggesting it... will upload it soon I think. ;) (Well, it's dangerous in some ways...) [[User:Schissel|Eric]] 00:44, 10 November 2010 (UTC)

== Sigfrid Karg-Elert ==

War das gestern ein Erlebnis "Nun ruhen alle Wälder" op. 87/3 endlich mal mit Noten zu hören.

Dieses selten aufgeführte Werk (paßt ja durch die zusätzlichen Solisten auch nicht so recht in den Orgel-Konzert-Betrieb) ist ja sooo schööön!

Danke für die tollen Scans!

Übrigens feiern wir am Freitag 19.11.2010 den 133. Geburtstag in Oberndorf/N.!

Schöne Grüße

== [[Adeste fideles (Koenen, Friedrich)|Adeste fideles]] ==

If this is the familiar tune, the composer is actually John Francis Wade. UPDATE: Ha! Very different from the Wade. Thanks - [[User:Carolus|Carolus]] 00:02, 24 November 2010 (UTC)

== Tobis Notenarchiv ==

Oh nein, ich wurde enttarnt :-). Danke für das Lob. Gerne stelle ich meine Noten - allerdings nur die noch fehlenden - hier ein.
Allerdings verwende ich ausschließlich neu abgetippte Noten, keine Scans. Aber das ist glaub ich kein Problem. Schön, dass es sogar
hier Fans meiner Seite gibt, denn umgekehrt bin ich großer Fan dieser Seite geworden! --[[User:TobisNotenarchiv|TobisNotenarchiv]] 20:45, 25 November 2010 (UTC)

Hallo Ralph,
August Klughardt schreibt dazu 1897 im Vorwort zu dem Band in Breitkopf und Härtel: "Im Besitz Seiner Hoheit des Herzogs Friedrich von Anhalt, meines gnädigsten Herrn, befindet sich eine alte prunkvolle Wanduhr (Standuhr) mit einem Musikspielwerk, dessen reizende Weisen Originalkompositionen Seb. Bachs aus der Zeit 1717-1723, als er beim Fürsten Leopold von Anhalt-Cöthen in Diensten stand, sein sollen." so heißt es in mündlichen Überlieferungen. Die Uhr existierte zu dem Zeitpunkt 1897 wohl tatsächlich noch, wenn auch das Spielwerk beschädigt war. --[[User:TobisNotenarchiv|TobisNotenarchiv]] 21:29, 8 December 2010 (UTC)

== Sacred choruses ==

Ok- the (MLA?) definition we use is "for choral compositions based on a religious subject" and that seems to fit. Considered adding the tag folksongs too but that can be added at a later date on reflection... I'm looking through onb HMB to look for confirmation of the publication date by the way, though not absolutely necessary I guess it is useful. [[User:Schissel|Eric]] 01:55, 9 December 2010 (UTC)

(Ah, I think I see, I was looking in the wrong place :) ) [[User:Schissel|Eric]] 02:15, 9 December 2010 (UTC)
: I'm inclined to think that "Carol" is the best description for this piece, as it's more specific. Anything in the "Carols" category will automatically come under "Religious works" as well — [[User:P.davydov|P.davydov]] 10:08, 9 December 2010 (UTC)

== NMA ==

looking forward to your response. Note though my comment [[User_talk:Pml#NMA|here]] re NMA and new-old information... :) (admittedly I should have linked to a news source or something for evidence if my claim is news to anyone... will be back on Monday from another mini-vacation and will do so.) [[User:Schissel|Eric]] 14:42, 11 December 2010 (UTC)

== Vivaldi, RV 265 ==

Hi, Could you be so kind as to remove the Eulenburg logos from the cover and title page of your lovely scan? Schott (aka Eulenburg) complained about it last year, so we don't really want t give them any excuses for creating difficulties for us. Thanks, [[User:Carolus|Carolus]] 00:21, 30 December 2010 (UTC)
:Hi! Done - "upload a new version" didn't work in the case of the Thumbnail. I've uploaded a completely new file. Regards --[[User:Ralph Theo Misch|Ralph Theo Misch]] 00:39, 30 December 2010 (UTC)

== Die Hohe Schule des Violinspiels ==

Hi, Your scans are really looking fine these days. I was wondering - since this is a very famous collection - if we should set up a page for it as has been done for other well-known collections, perhaps under David's name. I'll ask p.davydov what he thinks of the idea, but it might be nice to have the entire volume collection as a downloads by volume. Since it is such a famous collection, it's quite OK to simply use the short form of the collection title (as above). Happy New Year, [[User:Carolus|Carolus]] 00:02, 7 January 2011 (UTC)
:I answered [http://imslp.org/wiki/User_talk:Carolus#RE:_Die_Hohe_Schule_des_Violinspiels here]. --[[User:Ralph Theo Misch|Ralph Theo Misch]] 00:27, 7 January 2011 (UTC)
This is a copy of the contents of my 2 volumes:
 
'''Volume I.'''
 
#Heinrich J. F. Biber, ''Sonata (C minor)''
#Arcangelo Corelli, [[12 Violin Sonatas, Op.5 (Corelli, Arcangelo)|''Folies d’Espagne (Variations)'']]
#Nicolò A. Pórpora, ''Sonata''
#Antonio Vivaldi, [[12 Violin Sonatas, Op.2 (Vivaldi, Antonio)|''Sonata'']]
#Jean Marie Leclair, [[12 Sonatas for Violin and Continuo, Op.5 (Leclair, Jean-Marie)|''Sonata (Le Tombeau)'']]
# Jean Marie Leclair, [[12 Sonatas for Violin and Continuo, Op.5 (Leclair, Jean-Marie)|''Sonata (G major)'']]
#Pietro Nardini, [[Violin Sonata in D major (Nardini, Pietro)|''Sonata (D major)'']]
#Francesco M. Veracini, ''Sonata (E minor)''
#Joh. Seb. Bach, ''Sonata (E minor)''
#Joh. Seb. Bach, ''Sonata (C minor)''
 
'''Volume II.'''
 
11. Georg Fr. Händel, ''Sonata (A major)'' 
12. Giuseppe Tartini, ''Sonata (D major)'' 
13. Tomaso Vitali, [[Chaconne (Vitali, Tomaso Antonio)|''Ciaccona (G minor)'']] 
14. Pietro Locatelli, ''Sonata (G minor)'' 
15. Francesco Geminiani, [[Violin Sonata in C minor (Geminiani, Francesco)|''Sonata (C minor)'']] 
16. ''Sonata (A minor)'' – Unknown 
17. ''Sonata (E{{flat}} major)'' – Unknown 
18. ''Sonata (C minor)'' – Unknown 
19. Fr. Benda, N. Mestrino, J. Stamitz, P. Locatelli, ''Kapricen'' 
20. W. A. Mozart, ''Andante, Menuett und Rondo (G major)''
 Referring links will follow. --[[User:Ralph Theo Misch|Ralph Theo Misch]] 18:10, 11 January 2011 (UTC)
:You can now put them on the [[Die hohe Schule des Violinspiels]] page. Apparently it was first issued in 3 books, reducing to 2 only by 1891. More will no doubt be added over time. [[User:Carolus|Carolus]] 00:23, 12 January 2011 (UTC)
That's fine - I've just seen it! - Thanks!! --[[User:Ralph Theo Misch|Ralph Theo Misch]] 00:27, 12 January 2011 (UTC)

== Helmholtz ==

Hi Ralph. Just to let you know that he's been moved to {{cat|Helmholtz, Hermann von}} in accordance with our [[IMSLP:Composer Names|naming guidelines]]. Cheers, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 02:05, 14 January 2011 (UTC)
:Hi again, just to say that Zucclmaglio has been moved to {{cat|Zuccalmaglio, Anton Wilhelm Florentin von}} (rather long, I know) for the same reason. Cheers, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 02:18, 25 January 2011 (UTC)

== 1895 ==

me too, so I confirmed from another source (Hinson's ''Music for more than one piano: an annotated guide'' at Google Books)- no offense was intended of course! [[User:Schissel|Eric]] 02:17, 26 January 2011 (UTC)

== Lyonel Feininger ==

Hi,

Looks like this was only first published (as a facsimile of the manuscript) in 1971 (Tutzing: Hans Schneider). Do you have any info about an earlier publication? If it was truly unpublished until 1971, it's not PD in Canada (posthumous publication within 50 years of the author's death is protected for 50 years in Canada). 95 years from publication in the USA - though it had to have the proper notice. As Feininger was a US citizen it is ''not'' eligible for GATT restoration if Schneider, et al messed up the notice. If the work was publicly performed or recorded before 1971, the date of first public performance or recording may count as publication in Canada. Protected in EU until 2027 of course, longer in some countries (maybe UK) due to posthumous publication. Thanks for an interesting copyright review, [[User:Carolus|Carolus]] 03:06, 7 February 2011 (UTC)
:I answered [http://imslp.org/wiki/User_talk:Carolus#RE.:_Lyonel_Fininger here] --[[User:Ralph Theo Misch|Ralph Theo Misch]] 14:55, 7 February 2011 (UTC)
Looks like these items are free in Canada, but not the USA or EU. Thanks for all you research - it was a big help. [[User:Carolus|Carolus]] 02:35, 15 February 2011 (UTC)

== CR? ==

Hi Ralph. Would you like to become a copyright reviewer? You've uploaded so many scores and participated in so many CR-related discussions that I (and several others) feel that you would make a fine addition to the team. What do you think? (I can forward you the test if you wish to take it.) Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 20:09, 12 February 2011 (UTC)
: I answered [http://imslp.org/wiki/User_talk:KGill#RE:_CR.3F here] --[[User:Ralph Theo Misch|Ralph Theo Misch]] 00:51, 13 February 2011 (UTC)

==Neue Bestände==
Bester Ralph Theo, Ich hoffe, es geht gut. Bin kürzlich auf größere Bestände bei der Staatsbibliothek Berlin gestoßen die hier (jedenfalls bei den Stichproben, die nahm) noch nicht vertreten scheinen: [http://digital.staatsbibliothek-berlin.de/dms/suche/?DC=musiknoten]. Es gibt dort unterdessen auch eine pdf-Funktion. Ich habe unser Projekt nicht vergessen… (Gut Ding und gut Weile). Bis bald, Dein Konrad
:Lieber Konrad, freue mich sehr, von Dir zu hören! Bin morgen (heute) abend erst wieder daheim und melde mich von dort zurück. Viele liebe Grüße! --[[User:Ralph Theo Misch|Ralph Theo Misch]] 01:33, 26 February 2011 (UTC)

== {{cat|Volkmar, Adam Valentin}} ==

Hi Ralph, just to let you know that I've moved his category due to a minor spelling difference between sources (with more recent ones leaning towards the current form). BTW, several sources cited by LC give 1851 rather than 1852 - I guess Wikipedia just doesn't cite very up-to-date sources here. I wasn't able to find an exact death date, though (just the year). Cheers, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 02:12, 8 March 2011 (UTC)

== SBB ==

well, when it comes to translating German, my browser , dict.leo.org, and other resources help me... I'll have a look at the PDF of course - thank you :) - hrm. can't actually, it "hasn't officially been submitted to IMSLP" - I suspect I shall have to wait! ... [[User:Schissel|Eric]] 01:48, 17 March 2011 (UTC)

ah, thanks! (...hrm- "Werkzeugkasten"- "Toolbox"? - this should be interesting. will soon put it on my regular list of sites to search (e.g. when out of curiosity I sought to see if anyone had scanned-in music by Ingeborg Starck-Bronsart and saw that BSB had her Osterlied, yesterday.) [[User:Schissel|Eric]] (ooh, and a Ries piano concerto - no.9 op.177 - well, piano part of - that we don't have yet. will have to separate out the pages again I think- but I'll have the time, and it'll allow me to upload the individual movements of the huge file and process them using my primitive image programs to reduce the size... briefly- yay!! :) even an opera of his for when I really have time... )

== L. Koch ==

do your Lachner resources mention who L. Koch might be? He seems to have provided the text for an 1844 Festlied w/o opus number (not the later one to a text by Muller) and for the op.106 duets, and other works too I think, but I don't know if I can figure out anything about him- first name and birth-death date data would be wonderful of course... if time allows :)... thanks!!! [[User:Schissel|Eric]] 15:48, 21 March 2011 (UTC)

== [[Praeludio in G major (Bruhns, Nicolaus)]] ==

Lieber Ralph Theo Misch, 
ich hab hier an die monochrome Version noch mal Hand angelegt (bzw. eine neue erstellt). Ich hab gesehen, dass Deine relativ kantig in der Vergrößerung aussieht, was mich schließen lässt, dass Du zuerst von Farbe nach monochrome konvertiert und dann erst skaliert hast. Das ist immer ein schlechter Weg, da die Farbversion deutlich mehr Information enthällt (nämlich den Verlauf verschiedener Farben). Daher lässt sich die Farbversion viel besser vergrößern. Du musst eigentlich in der batch Verarbeitung von Irfanview nur die Skalierung wählen, die Wandlung nach monochrome wird automatisch am Ende durch das speichern im CCITT4 Format vorgenommen. Schöne Grüße, [[User:Piupianissimo|Matthias]] 16:23, 1 April 2011 (CET)
:I anwered [http://imslp.org/wiki/User_talk:Piupianissimo#RE:_Praeludio_in_G_major_.28Bruhns.2C_Nicolaus.29 here]. --[[User:Ralph Theo Misch|Ralph Theo Misch]] 23:50, 1 April 2011 (UTC)

== SBB (redux :) ) ==

finally exploring this - something to look forward to for when I get back from work this evening. have to break apart the PDFs to remove the title pages and whatnot, harder than for some other sites, but worth it. neat, big collection. thank you! uploaded Kalliwoda divertissement op28 from there. [[User:Schissel|Eric]] 14:57, 23 April 2011 (UTC) (oh. I was just saving each page separately because I couldn't get rid of the first one. now i see how to change mode so that I can see, select and save the pages I want. much easier, much... that I can use for the opera too.)

also re SBB, made a suggestion on the [[Template talk:SBB|template talk page]] for editing the SBB template - will it be too much bother for regular users of it too if the suggestion is implemented by the editor-thereof... (not that everyone will have to use the new stuff of course)? [[User:Schissel|Eric]] 18:28, 24 April 2011 (UTC)

== Reger recording ==

Really nice recording! You have a great voice! I coincidentally got Reger's book "Modulation" today... [[User:Andrewt|Andrewt]] 02:02, 29 April 2011 (UTC)

User talk:Alex

2011-04-06T04:46:59Z

Andrewt: /* Clementi */

== Clementi ==

Hi Alex, Thanks for the Clementi symphony! I really enjoy playing transcriptions of classical symphonies. Maybe more are in the works?? [[User:Andrewt|Andrewt]] 05:16, 30 March 2011 (UTC)
:Hi Andrew, Thanks for noticing my upload! I also enjoy playing transcriptions, and also making them when I have time. I am working on cleaning up and finishing some older transcriptions I have done and will upload those later. I plan to work on Clementi's other symphonies, although I am not sure if I can post his 4 unpublished ones because they are still copyrighted, or if I can even get a hold of those scores. I will let you know when I upload something else, thanks for playing! [[User:Alex|Alex]] 18:55, 30 March 2011 (UTC)
::Great! I really like the (at least somewhat) lesser-known composers like Clementi, and even earlier (pre-classical, etc. *hint hint*). I'll definitely be watching your page. Thanks also for the Mozart! [[User:Andrewt|Andrewt]] 04:43, 6 April 2011 (UTC)

== Op.36 ==

Alex,

Was there something on the Sonatas page already when you moved it over the redirect? If so, you may have orphaned a number a files. If it was just a redirect page it should be OK. Let me know. [[User:Carolus|Carolus]] 05:14, 2 April 2011 (UTC) (IMSLP Admin)

User talk:Alex

2011-04-06T04:43:26Z

Andrewt: /* Clementi */

== Clementi ==

Hi Alex, Thanks for the Clementi symphony! I really enjoy playing transcriptions of classical symphonies. Maybe more are in the works?? [[User:Andrewt|Andrewt]] 05:16, 30 March 2011 (UTC)
:Hi Andrew, Thanks for noticing my upload! I also enjoy playing transcriptions, and also making them when I have time. I am working on cleaning up and finishing some older transcriptions I have done and will upload those later. I plan to work on Clementi's other symphonies, although I am not sure if I can post his 4 unpublished ones because they are still copyrighted, or if I can even get a hold of those scores. I will let you know when I upload something else, thanks for playing! [[User:Alex|Alex]] 18:55, 30 March 2011 (UTC)
::Great! I especially love (somewhat) lesser-known composers like Clementi. I'll definitely be watching your page. Thanks also for the Mozart! [[User:Andrewt|Andrewt]] 04:43, 6 April 2011 (UTC)

== Op.36 ==

Alex,

Was there something on the Sonatas page already when you moved it over the redirect? If so, you may have orphaned a number a files. If it was just a redirect page it should be OK. Let me know. [[User:Carolus|Carolus]] 05:14, 2 April 2011 (UTC) (IMSLP Admin)

User:Andrewt

2011-03-30T05:23:00Z

Andrewt:

{{Instr|eup-3|vcl-3|vdg-2|hpd-2|pno-2|tpt-2}}
{{Babel|en}}
{{user finale}}
Hi, I'm Andrew Toering, a college student from Michigan. I study euphonium, cello, and piano. I also play guitar, bass guitar, drums, double bass, trumpet, and trombone for fun. I particularly like early music.

I have a scanner now! Look forward to some good cello stuff (and a few other things)!

--OK I've been pretty lazy, but I do have more good stuff! I just have to scan it... sometime... it will be on here eventually though.

User:Andrewt

2011-03-30T05:22:43Z

Andrewt:

{{Instr|eup-3|vcl-3|vdg-2|hpd-2|pno-2|tpt-2}}
{{Babel|en}}
{{user finale}}
Hi, I'm Andrew Toering, a college student from Michigan. I study euphonium, cello, and piano. I also play guitar, bass guitar, drums, double bass, trumpet, and trombone for fun. I particularly like early music.

I have a scanner now! Look forward to some good cello stuff (and a few other things)!
--OK I've been pretty lazy, but I do have more good stuff! I just have to scan it... sometime... it will be on here eventually though.

User talk:Alex

2011-03-30T05:16:28Z

Andrewt: Clementi

User talk:Irishmaestro

2011-03-04T20:00:36Z

Andrewt: /* Rameau */ new section

Dear Irishmaestro, you recently uploaded [[Sacri Musicali Affetti, Op.5 (Strozzi, Barbara)]]. This typeset is copyrighted by Tom O'Drisceoil. Do you have permission of the editor to upload his files? Thank you, [[User:Peter|Peter]] [[User talk:Peter|talk]] 11:17, 12 October 2008 (EDT)

Tom O'Drisceoil is me! So yes, I have his permission. =)

[[User:Irishmaestro|Irishmaestro]] 21.30, 12 October 2008
:Thanks a lot for these fantastic scans! By the way, we have a template ("<nowiki>{{FE}}</nowiki>") for first editions; please put it in the "editor" field. Thanks again-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 19:47, 11 August 2010 (UTC)

Hello Tom!
Could you help me with scores access in The Ohio State University you have posted (Pachelbel's Klavierwerke in Denkmaler)?
How to get it (and another books) from this library?

Thanks a lot
Michel

Hi Michel,
I've no idea, I'm afraid. A friend of mine sent me a link to that (apparently found via the Sibley Music Library), as I had been looking for Pachelbel's Harpsichord Suites for a while. Sorry I can't help more...
--[[User:Irishmaestro|Irishmaestro]] 22:54, 16 August 2010 (UTC)

== Suggestions ==

Thanks-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 18:04, 19 August 2010 (UTC)

== Replacing files ==

Hi Tom! You actually did manage to replace the old file - due to caching, it will take a couple days for the new file to load. Annoying, I know, but there's little we can do about it. Cheers, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 22:31, 24 September 2010 (UTC)

== Rameau ==

Thanks for all of them!! [[User:Andrewt|Andrewt]] 20:00, 4 March 2011 (UTC)

User talk:Fsarud

2010-10-18T23:22:24Z

Andrewt: /* Haydn */ new section

{{MsgWelcome|Greeting=Feldmahler}}

Hi Fsarud! Nice submission and research on the publication :) I just did a few tiny corrections (Peters isn't the editor, only the publishing company... and usually arrangements don't have an "editor" in the scholarly sense, so I usually just put the name of the arranger), otherwise it's great! :) --[[User:Feldmahler|Feldmahler]] 15:08, 7 March 2007 (EST)

Perfect. I plan to upload all Ulrich's arrangements soon.--[[User:Fsarud|fsarud]] 15:35, 7 March 2007 (EST)

== Haydn ==

Thanks! I found many things that Rostropovich obscured in his edition! [[User:Andrewt|Andrewt]] 23:22, 18 October 2010 (UTC)

User talk:Andrewt

2010-09-01T22:22:43Z

Andrewt:

IMSLP:Featured

2010-09-01T05:24:10Z

Andrewt: /* Suggestions */

<div class="plainlinks"><noinclude>{{:OtherLangs:Featured}}
{{semi-protection}}
 The contents in the "current" section is displayed on the home page. Keep this in mind when changing this page. Keep new entries at the top.
 When adding new scores to the list, please take one entry in the "current" section and paste it to the "archive." 
This featured list is intended to give special attention to '''rare editions, complete collections, or just nice things (complete operas, sets of parts, etc.)'''. Pay attention to the '''scan quality''' of the score, which, of course, has to be excellent. Of particular interest are editions that have a certain musicological historical value.
 Try to space out the pieces by composer, nationality, style, forces, etc.
 Be aware that changes to this page will be reflected in the lay-out of the homepage.
 If you have any questions, ask me. [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Yell at me]] [[Special:Emailuser/Perlnerd666|Email me]]
==Criteria (feel free to edit)==
*Must have verified publisher information.
*Must be PD in all three categories. - others must go in [[IMSLP:Featured#Runners-Up (didn't meet criteria)|Runners-Up]].
*Should be complete, rare or nice (see above).
*Should be good quality scans (8+).
==Instructions==
*Add the top from "Upcoming" to the top of Current. Remove it from "Upcoming."
*Take the bottom of "Current" and place it in "Archive" '''Under''' the div tag. Remove it from "Current."
*Refresh Main Page
==Format==
*For complete collections : <nowiki>[[:Category:Composer|Composer's]] complete [Intersection link Whateverthingies], published as/by [[Publisher|Imprint]] (optional: as [[Collection#Series|Series X]] of [[Collection|Name]]). Edited by Editor.</nowiki>
*Other: <nowiki>The something (and something) of [[:Category:Composer|Composer's]] [[Piece|Name]], published by [[Publisher|Imprint]]. Edited by Editor.</nowiki>
'''Feel free to get creative! It makes it a little less monotonous for the viewer ;)'''
==Current==
</noinclude>
*The full score of [[Alceste, Wq.44 (Gluck, Christoph Willibald)|Gluck's]] and [[Alceste, LWV 50 (Lully, Jean-Baptiste)|Lully's]] ''Alceste'', published by Bureau d'Abonnement Musical and [[Philidor]] respectively.
*{{LinkCompS|Alban|Berg|Berg's}} [[4 Stücke, Op.5 (Berg, Alban)|4 Pieces for Clarinet and Piano, Op.5]], in the first edition published by [[Universal Edition]].
*{{LinkCompS|Marin|Marais|Marais's}} [[Pièces de Viole (Marais, Marin)|Pièces de Viole, Volumes 1-3]] in the first editions published by the composer.
*The score and parts of {{LinkCompS|Paul|Dukas|Dukas's}} {{NoComp|La Péri (poème dansé)|Dukas, Paul}}, in the first edition published by [[Durand|Durand et Cie.]]
{{IMSLP:Featured/Links}}
<noinclude>
==Archive==
<div style="overflow:auto; height: 150px">
*The first editions of {{LinkCompS|Girolamo|Frescobaldi|Frescobaldi's}} {{NoComp|Il primo libro delle canzoni|Frescobaldi, Girolamo}}, published by Giovanni Battista Robletti.
*{{FT|Beethoven|Ludwig van}} [[List of compositions by Ludwig van Beethoven, by opus number|complete works]], published as ''[[Ludwig van Beethoven - Complete Works Edition|Ludwig van Beethovens Werke: Vollständige, kritisch durchgesehene überall berechtigte Ausgabe]]'' by [[Breitkopf und Härtel]].
*{{FT|Schütz|Heinrich}} [[Italian Madrigals, Op.1, SWV 001-021 (Schütz, Heinrich)|Primo Libro de Madrigali, Op. 1]], published as Band 9 and 14 of ''[[Heinrich Schütz - Complete Works Edition|Heinrich Schütz's Sämtliche Werke]]'' by [[Breitkopf und Härtel]]. Edited by Philipp Spitta.
*The full and vocal scores of {{FT|Weber|Carl Maria von}} {{NoComp|Der Freischütz, Op.77|Weber, Carl Maria von}}, published by [[Peters]] and [[Schirmer]].
*The first edition of {{FT|Handel|George Frideric}} [[Sonatas for an Accompanied Solo Instrument (Handel, George Frideric)|Sonatas for an Accompanied Solo Instrument, Op.1]], published by [[John Walsh]].
*The manuscript and first edition of {{LinkCompS|Franz|Liszt|Liszt's}} piano arrangement, {{NoComp|Widmung, Lied von Robert Schumann, S.566|Liszt, Franz}}, completed and published by [[Kistner|Friedrich Kistner]] in 1843.
*{{LinkCompS|Jean-François|Dandrieu|Dandrieu's}} {{NoComp|Principes de l'accompaignement du clavecin|Dandrieu, Jean-François}}, in an early edition published by M. Bayard.
*{{LinkCompS|Leopold|Mozart|Leopold Mozart's}} {{NoComp|Versuch einer gründlichen Violinschule|Mozart, Leopold}} in the third, enlarged edition published by Johann Jakob Lotter und Sohn.
*''[[Jules Massenet: Collected Songs|Jules Massenet: Mélodies]]'', in keys for high and low voices. Published by Hartmann and [[Heugel]].
*The manuscript of {{LinkCompS|Heinrich Ignaz Franz von|Biber|Biber's}} {{NoComp|Mystery (Rosary) Sonatas|Biber, Heinrich Ignaz Franz von}}.
*{{FT|Nielsen|Carl}} complete [http://imslp.org/index.php?title=Category:Symphonies&intersect=Nielsen,_Carl Symphonies], in the first editions published by [[Hansen]] and Samfundet.
*{{FT|Walther|Johann Gottfried}} complete [[Gesammelte Werke für Orgel (Walther, Johann Gottfried)|organ works]], published as Bände 26 and 27 of 1. Folge of ''[[Denkmäler deutscher Tonkunst]]'' by [[Breitkopf und Härtel]]. Edited by Max Seiffert.
*The recently rediscovered manuscript and first edition of {{LinkCompS|Ludwig van|Beethoven|Beethoven's}} {{NoComp|Große Fuge for Piano Four Hands, Op.134|Beethoven, Ludwig van}}, completed in 1826 and published by [[Artaria]] in 1827. The score was found in 2005 after being lost for 115 years.*{{FT|Berlioz|Hector}} complete vocal music with orchestra, published as volumes 4-6 of ''[[Hector Berlioz, Old Berlioz Edition|Hector Berlioz Werke. Herausgegeben von Charles Malherbe und Felix Weingartner]]'' by [[Breitkopf und Härtel]]. Edited by Charles Malherbe and Felix Weingartner.
*{{LinkCompS|Diego|Ortiz|Ortiz's}} {{NoComp|Trattado de Glosas|Ortiz, Diego}}, in the first edition published by the author.
*The score and parts of {{LinkCompS|Claude|Debussy|Debussy's}} complete [http://imslp.org/index.php?title=Category:OM_Parts&intersect=Debussy,_Claude Orchestral Works], in first editions published by [[Durand]].
*{{LinkCompS|Michael|Praetorius|Praetorius's}} {{NoComp|Syntagma Musicum|Praetorius, Michael}}, published by Johannes Richter and the author.
*{{LinkCompS|Isaac|Albéniz|Albéniz's}} {{NoComp|Iberia|Albéniz, Isaac}}, in the first edition published by Edition Mutuelle.
*[[Symphony in C (Dukas, Paul)|Dukas]] and [[Symphony in C major (Bizet, Georges)|Bizet]]: Symphonies in C major in scores and parts published by [[Choudens]] and [[Rouart, Lerolle et Cie.]]
*{{LinkCompS|Giulio|Caccini|Caccini's}} {{NoComp|Euridice|Caccini, Giulio}}, published as Band 10 of ''[[Publikation älterer praktischer und theoretischer Musik-Werke]]'' by [[Leo Liepmannssohn]]. Edited by Robert Eitner.
*The manuscript and first edition of {{LinkCompS|Franz|Liszt|Liszt's}} {{NoComp|Ballade No.2, S.171|Liszt, Franz}}, completed in 1853 and published by [[Kistner|Friedrich Kistner]] in 1854.
*The first edition of {{LinkCompS|Georg Philipp|Telemann|Telemann's}} {{NoComp|Harmonischer Gottesdienst|Telemann, Georg Philipp}}, published by the composer.
*{{FT|Berlioz|Hector}} complete instrumental works, published as volumes 1-3 of ''[[Hector Berlioz, Old Berlioz Edition|Hector Berlioz Werke. Herausgegeben von Charles Malherbe und Felix Weingartner]]'' by [[Breitkopf und Härtel]]. Edited by Charles Malherbe and Felix Weingartner.
*The first edition of {{FT|Couperin|François}} {{NoComp|L'Art de Toucher le Clavecin|Couperin, François}}, published by the composer.
*The score and parts of {{LinkCompS|Maurice|Ravel|Ravel's}} {{NoComp|Rapsodie espagnole|Ravel, Maurice}}, published by [[Durand]].
*The score and parts of [[Quintet for Piano and Winds, Op.16 (Beethoven, Ludwig van)|Beethoven's]] and [[Quintet for Piano and Winds, K.452 (Mozart, Wolfgang Amadeus)|Mozart's]] quintets for piano and winds, published by [[Breitkopf und Härtel]].
*The first edition of {{LinkCompS|Georg Philipp|Telemann|Telemann's}} {{NoComp|12 Sonate Metodiche|Telemann, Georg Philipp}}, published by the composer.
*{{LinkCompS|Antoine|Forqueray|Forqueray's}} {{NoComp|Pièces de viole|Forqueray, Antoine}}, in the first edition published by his son.
*{{LinkCompS|Guillaume de|Machaut|Guillaume de Machaut's}} complete {{NoComp|Ballades|Machaut, Guillaume de}}, published as volume 1 of ''[[Guillaume de Machaut - Complete Works Edition|Guillaume de Machaut: Musikalische Werke]]'' by [[Breitkopf und Härtel]]. Edited by Friedrich Ludwig.
*{{LinkCompS|David|Popper|Popper's}} {{NoComp|High School of Cello Playing, Op.73|Popper, David}}, in the first edition published by [[Hofmeister]].
*{{LinkCompS|Antonio de|Cabezón|Cabezón's}} {{NoComp|Obras de musica para tecla, arpa y vihuela|Cabezón, Antonio de}}, a posthumous (1570) publication of his collected keyboard works.
*The first edition of {{LinkCompS|Jean-Philippe|Rameau|Rameau's}} {{NoComp|Castor et Pollux|Rameau, Jean-Philippe}}, published by the author.
*The first edition of {{LinkCompS|Joseph|Haydn|Haydn's}} {{NoComp|3 Piano Trios, Hob.XV:21-23 (Op.71)|Haydn, Joseph}}, published by Preston and Son.
*The full score of {{LinkCompS|Léo|Delibes|Delibes's}} {{NoComp|Le roi s'amuse|Delibes, Léo}}, published by [[Heugel]].
*The scores and parts for {{LinkCompS|Antonín|Dvořák|Dvořák's}} {{NoComp|Slavonic Rhapsodies, Op.45|Dvořák, Antonín}}, published by [[SNKLHU]] and [[N. Simrock]]. Scores edited by Antonín Pokorný and Karel Šolc.
*The first editions of {{LinkCompS|Cristoph Willibald|Gluck|Gluck's}} {{NoComp|Paride ed Elena, Wq.39|Gluck, Christoph Willibald}}, published by G.T. de Trattnern.
*The score and parts of {{LinkCompS|Maurice|Ravel|Ravel's}} {{NoComp|La valse|Ravel, Maurice}}, published by [[Durand]].
*The manuscript of {{LinkCompS|Franz|Liszt|Liszt's}} magnum opus, the {{NoComp|Piano Sonata in B minor, S.178|Liszt, Franz}}, completed on 2 February 1853 in Weimar.
*The first edition of {{LinkCompS|François|Couperin|Couperin's}} {{NoComp|Concerts Royaux|Couperin, François}} and [[Les goûts-réunis, ou Nouveaux concerts (Couperin, François)|Nouveaux Concerts]], published by the composer.
*The manuscripts of {{LinkCompS|Edvard|Grieg|Grieg's}} complete [http://imslp.org/index.php?title=Category:For_2_violins,_viola,_cello&intersect=Grieg,_Edvard string quartets].
*The full scores, vocal scores and parts for {{LinkCompS|Richard|Wagner|Wagner's}} [http://imslp.org/index.php?title=Category:Wagner,_Richard&intersect=Operas last 10 operas], published by [[Peters]], [[Schott]], etc.
*{{LinkCompS|Alexander|Glazunov|Glazunov's}} complete [http://imslp.org/index.php?title=Category:Quartets&intersect=Glazunov,_Alexander string quartets], in first editions published by [[M. P. Belaieff]].
*The first edition {{LinkCompS|Jean-Philippe|Rameau|Rameau's}} {{NoComp|Pigmalion|Rameau, Jean-Philippe}}, published by the author.
*The full and vocal scores of {{LinkCompS|Pyotr Ilyich|Tchaikovsky|Tchaikovsky's}} {{NoComp|The Queen of Spades, Op.68|Tchaikovsky, Pyotr Ilyich}}, published by [[Muzyka]] and [[D. Rahter]].
*The first edition of {{LinkCompS|François|Couperin|Couperin's}} {{NoComp|L'Apotheose de Lully|Couperin, François}}, published by the composer.
*"Christus" by [[Christus, S.3 (Liszt, Franz)|Liszt]] and [[Christus, Op.97 (Mendelssohn, Felix)|Mendelssohn]] in full and vocal scores published by [[Breitkopf]] and [[J. Schuberth]].
*The manuscript of {{LinkCompS|Niels|Gade|Gade's}} {{NoComp|String Quintet in F minor|Gade, Niels}}, completed on 14 September 1837.
*The full scores, vocal scores and parts of {{LinkCompS|Richard|Wagner|Wagner's}} [[5 Gedichte für eine Frauenstimme, WWV 91 (Wagner, Richard)|Wesendonck-Lieder, WWV 91]], published by [[Schott]]. Nos. 1-4 orchestrated by {{LinkCompS|Felix|Mottl|Felix Mottl}}.
*{{LinkCompS|Enrique|Granados|Granados's}} {{NoComp|12 Danzas Españolas|Granados, Enrique}}, published by [[Union Musical Española|Casa Dostesio]].
*The first edition of {{LinkCompS|Edward|MacDowell|MacDowell's}} {{NoComp|Hamlet and Ophelia, Op.22|MacDowell, Edward}} published by Julius Hainauer.
*{{LinkCompS|Scott|Joplin|Joplin's}} complete [http://imslp.org/index.php?title=Category:For_piano&intersect=Joplin,_Sc Piano Music], in first editions published by various American publishers.
*The first edition of {{LinkCompS|Jean-Philippe|Rameau|Rameau's}} {{NoComp|Platée|Rameau, Jean-Philippe}}, published by the author.
*The score and parts of {{LinkCompS|Richard|Wagner|Wagner's}} {{NoComp|Siegfried-Idyll, WWV 103|Wagner, Richard}}, published by [[Eulenburg]] and [[Breitkopf]].
*The first edition full and vocal scores of {{LinkCompS|Hector|Berlioz|Berlioz's}} {{NoComp|Les Troyens, H 133|Berlioz, Hector}}, published by [[Choudens]].
*{{LinkCompS|Sergei|Rachmaninoff|Rachmaninoff's}} {{NoComp|Vespers, Op.37|Rachmaninoff, Sergei}}, published by [[Muzyka]].
*The score and parts of {{LinkCompS|Pyotr Ilyich|Tchaikovsky|Tchaikovsky's}} complete [http://imslp.org/index.php?title=Category:For_orchestra&intersect=Tchaikovsky,_Pyotr_Ilyich orchestral works], published by [[Muzyka]], [[Jurgenson]], etc.
*{{LinkCompS|Joseph|Haydn|Haydn's}} [[Missa in B flat, Hob.XXII:12 (Haydn, Joseph)|"Theresa" Mass (Hob.XXII:12)]], published by the Wiener Philharmonischer Verlag.
*The score and parts of {{LinkCompS|George Whitefield|Chadwick|Chadwick's}} {{NoComp|Symphonic Sketches|Chadwick, George Whitefield}} in the first edition published by [[G. Schirmer]].
*[[Septet, Op.20 (Beethoven, Ludwig van)|Beethoven]], {{LinkCompS|Johann Nepomuk|Hummel}} (Nos. [[Septet No.1, Op.74 (Hummel, Johann Nepomuk)|1]] and [[Septet No.2 'Military', Op.114 (Hummel, Johann Nepomuk)|2]]), [[Septuor, Op.65 (Saint-Saëns, Camille)|Saint-Saëns]]: Septets, published by [[Breitkopf]], [[Haslinger]], etc.
*The first edition of {{LinkCompS|Franz|Liszt|Liszt's}} [[Études d'exécution transcendante, S.139 (Liszt, Franz)|Transcendental Études]], published by [[Breitkopf und Härtel]].
*The full scores, vocal scores and parts for {{LinkCompS|Richard|Wagner|Wagner's}} {{NoComp|Der Ring des Nibelungen, WWV 86|Wagner, Richard}}, published by [[Peters]], [[Schott]], etc.
*{{LinkCompS|Jean|Huré|Huré's}} complete works, in first editions, published by [[A.Z. Mathot]], etc.
*{{LinkCompS|Carl|Loewe|Loewe's}} complete [[Goethe-Vertonungen (Loewe, Carl)|Goethe-Lieder]], published as Volume 12 of ''[[Carl Loewe - Complete Songs Edition|Gesamtausgabe der Balladen, Legenden, Lieder und Gesänge]]'' by [[Breitkopf & Härtel]]. Edited by Max Runze.
*{{NoComp|The Laborde Chansonnier|Anonymous}}, {{NoComp|The Copenhagen Chansonnier|Anonymous}}, {{NoComp|The Wulfenbuettel Chansonnier|Anonymous}}, and {{NoComp|The Mellon Chansonnier|Anonymous}}, important sources for 15th Century Music.
*The full and vocal scores of {{LinkCompS|Richard|Wagner|Wagner's}} {{NoComp|Tannhäuser, WWV 70|Wagner, Richard}}, published by [[Peters]] and [[Schott]]. Edited by Karl Klindworth.
*{{LinkCompS|Franz|Liszt|Liszt's}} [[List of compositions by Franz Liszt (S.1 - S.350)|Complete Works]], published as ''[[Franz Liszt - Liszt-Stiftung Edition|Franz Liszt's Musikalische Werke. Herausgegeben von der Franz Liszt-Stiftung]]'' by [[Breitkopf und Härtel]].
*The first edition of {{LinkCompS|Edward|MacDowell|MacDowell's}} {{NoComp|10 Woodland Sketches, Op.51|MacDowell, Edward}}, published by P.L. Jung.
*[[Schumann|Schumann's]] [[Cello Concerto, Op.129 (Schumann, Robert)|Cello Concerto]] and [[Piano Concerto, Op.54 (Schumann, Robert)|Piano Concerto]] in scores, parts and piano reductions, published by [[Breitkopf und Härtel]] and [[C.F. Peters]].
*[[:Category:Josquin Desprez|Josquin's]] {{NoComp|Missa Hercules Dux Ferrariae|Josquin Desprez}}, published as Volume 17 of ''[[Josquin - Complete Works Edition|Werken van Josquin des Prés]]'' by Kistner and Siegel. Edited by Albert Antonius Smijers.
*[[Gabrieli|Gabrieli's]] complete [[Organ and Keyboard Works (Gabrieli, Andrea)|Organ and Keyboard Works]], published by [[Bärenreiter]]. Edited by Pierre Pidoux.
*The manuscripts of [[:Category:Magnard, Albéric|Magnard's]] complete [http://imslp.org/index.php?title=Category:Magnard,_Alb%C3%A9ric&intersect=Symphony Symphonies].
*The full and vocal scores of {{LinkCompS|Richard|Wagner|Wagner's}} {{NoComp|Die Meistersinger von Nürnberg, WWV 96|Wagner, Richard}}, published by [[Peters]] and [[Schott]]. Edited by Felix Mottl, Karl Klindworth, and Hans von Bülow.
*[[Clarinet Quintet, Op.115 (Brahms, Johannes)|Brahms]], [[Quintet for Clarinet and Strings, K.581 (Mozart, Wolfgang Amadeus)|Mozart]], [[Clarinet Quintet, Op.146 (Reger, Max)|Reger]]: Clarinet Quintets, in scores and parts published by [[Breitkopf und Härtel]] and [[N. Simrock]].
*Parts and Vocal Scores for {{LinkCompS|Joseph|Haydn|Haydn's}} {{NoComp|Die Jahreszeiten, Hob.XXI:3|Haydn, Joseph}} and {{NoComp|Die Schöpfung, Hob.XXI:2|Haydn, Joseph}}, published by [[Breitkopf und Härtel]].
*[[Graduale Romanum (Anonymous)|The Graduale Romanum]] and [[Liber Usualis (Anonymous)|The Liber Usualis]], published by Desclee & Co. Edited by the Benedictine Monastery of Solesmes.
*The full score, vocal score, and parts for [[Berlioz|Berlioz's]] [[L'Enfance du Christ, H 130 (Berlioz, Hector)|L'Enfance du Christ, H 130]], published by [[Breitkopf und Härtel]].
*[[:Category:Cabezón, Antonio de|Cabezón's]] [[Keyboard Music (Cabezón, Antonio de)|Complete Keyboard Music]], published as Volumes 3, 4, 7, and 8 of ''Hispaniae Schola Musica Sacra'' by Juan Pujol & C. Edited by Felipe Pedrell.
*[[:Category:Debussy, Claude|Debussy's]] [[Sortable list of works by Claude Debussy|Complete works]], in first editions published by [[Durand]], etc.
*[[Liszt|Liszt's]] complete [http://imslp.org/index.php?title=Category:For_orchestra&intersect=Liszt,_Franz Orchestral Works], published as [[Franz Liszt - Liszt-Stiftung Edition#Serie I: Für Orchester (Orchestral Works)|Serie I]] of ''[[Franz Liszt - Liszt-Stiftung Edition|Franz Liszt's Musikalische Werke. Herausgegeben von der Franz Liszt-Stiftung]]'' by [[Breitkopf und Härtel]].
*[[Buxtehude|Buxtehude's]] complete [http://imslp.org/index.php?title=Category:For_organ&intersect=Buxtehude,_Dietrich Organ Works], published as ''Dietrich Buxtehude's Orgelkompositionen'' by [[Breitkopf und Härtel]]. Edited by Phillipp Spitta and Max Seiffert.
*The full and vocal scores of [[Rimsky|Rimsky-Korsakov's]] completion of [[Mussorgsky|Mussorgsky's]] [[Khovanshchina (Mussorgsky, Modest Petrovich)|Khovanshchina]], published by [[Bessel]] and [[Muzyka]].
*The full score, vocal score, and parts for [[Biber|Biber's]] {{NoComp|Requiem in A major|Biber, Heinrich Ignaz Franz von}}, typeset and edited by Dr. Werner Jaksch.
*[[Byrd|Byrd's]] {{NoComp|The Great Service|Byrd, William}}, published by Oxford University Press. Edited by Edmund Horace Fellowes.
*The first editions of {{LinkCompS|Robert|Schumann|Schumann's}} {{NoComp|Märchenbilder, Op.113|Schumann, Robert}} and {{NoComp|Märchenerzählungen, Op.132|Schumann, Robert}}, published by Leuckart and [[Breitkopf]].
*[[Schubert|Schubert's]] complete [http://imslp.org/index.php?title=Category:For_orchestra&intersect=Schubert,_Franz Orchestral Works], published as series [[Franz Peter Schubert - Complete Works Edition#I. Symphonien (Nos. 1-8)|1]] and [[Franz Peter Schubert - Complete Works Edition#II. Overtüren und Andere Orchesterwerke|2]] of ''[[Franz Peter Schubert - Complete Works Edition|Franz Peter Schuberts Werke. Kritische durchgesehene Gesamtausgabe]]'' by [[Breitkopf und Härtel]]. Edited by {{LinkComp|Johannes|Brahms}} and Johann Nepomuk Fuchs.
*[[:Category:Böhm, Georg|Böhm's]] [[Complete Works for Organ and Harpsichord (Böhm, Georg)|Complete Works for Organ and Harpsichord]], published by [[Breitkopf & Härtel]]. edited by Johannes and Gesa Wolgast.
*The Piano Sonata in 1853/4: First editions of [[Brahms|Brahms's]] Nos. [[Piano Sonata No.1, Op.1 (Brahms, Johannes)|1]], [[Piano Sonata No.2, Op.2 (Brahms, Johannes)|2]], [[Piano Sonata No.3, Op.5 (Brahms, Johannes)|3]] and [[Liszt|Liszt's]] [[Piano Sonata in B minor, S.178 (Liszt, Franz)|Sonata in B minor]], published by [[Breitkopf und Härtel]], etc.
*[[Dowland|Dowland's]] [[First Set of Songs, in Four Parts (Dowland, John)|First Book of Songs or Airs]], publihsed by the Musical Antiquarian Society. Edited by William Chappel.
*The full score, 2-piano reduction, and parts of [[Grieg|Grieg's]] {{NoComp|Piano Concerto, Op.16|Grieg, Edvard}}, in first editions published by [[C.F. Peters]].
*[[Scriabin|Scriabin's]] [[List of compositions by Alexander Scriabin|complete works]], in first editions published by [[M.P. Belaieff]] and [[Muzyka]].
*''[[Das Chorwerk]]'', volumes 1-80, published by Möseler.
*The ''Mus. 2405-D-21'' manuscript of [[Bach|Bach's]] {{NoComp|Mass in B minor, BWV 232|Bach, Johann Sebastian}}, an important musicological source.
*The first editions of [[Mendelssohn|Mendelssohn's]] Piano Trios, Nos. [[Piano Trio No.1, Op.49 (Mendelssohn, Felix)|1]] and [[Piano Trio No.2, Op.66 (Mendelssohn, Felix)|2]], published by [[Breitkopf und Härtel]] and [[Schlesinger]].
*The full and vocal scores of [[Elgar|Elgar's]] [[The Dream of Gerontius, Op.38 (Elgar, Edward)|The Dream of Gerontius, Op.38]], published by [[Novello]].
*The first edition of [[:Category:Muffat, Georg|Muffat's]] [[Apparatus Musico-Organisticus (Muffat, Georg)|Apparatus Musico-Organisticus]], published by the author.
*[[Antiphonale (Anonymous)|Antiphonale]], published by the Vatican.
*[[Handel|Handel's]] [[Klavierstücke (Handel, George Frideric)|Eight Great Suites, 1720]] (1720 Clavier Suites), in the first edition published by [[John Walsh]].
*The full scores and clarinet parts of [[Weber|Weber's]] Clarinet Concerti ([[Clarinet Concerto No.1, Op.73 (Weber, Carl Maria von)|1]] and [[Clarinet Concerto No.2, Op.74 (Weber, Carl Maria von)|2]]), published by [[Eulenburg]] and [[Breitkopf]].
*[[Bach|Bach's]] complete [http://imslp.org/index.php?title=Category:Bach,_Johann_Sebastian&intersect=Cantata_(sacred) Cantatas], in vocal scores published by [[Breitkopf und Härtel]]. Edited by Bernhard Todt.
*[[Vesperale Romanum (Anonymous)|Vesperale Romanum]], published by Biais Frères et Cie. Edited by the Société d'éditions du Chant Grégorien.
*The score and Parts of [[Busoni|Busoni's]] {{NoComp|Turandot Suite, Op.41, BV 248|Busoni, Ferruccio}}, published by [[Breitkopf und Härtel]].
*The first edition of [[Quantz|Quantz's]] [[Versuch einer Anweisung die Flöte traversiere zu spielen (Quantz, Johann Joachim)|Versuch einer Anweisung die Flöte traversiere zu spielen (On Playing the Flute)]], published by Johann Friedrich Voß.
*[[Franck|Franck's]] complete organ works ([[6 Pièces pour Grand Orgue (Franck, César)|6 Pièces]], [[3 Pièces pour Grand Orgue (Franck, César)|3 Pièces]], [[3 Chorals for Organ (Franck, César)|3 Chorals]]), in first editions published by [[Durand]].
*Full scores for [[beethoven|Beethoven's]] {{NoComp|Die Geschöpfe des Prometheus, Op.43|Beethoven, Ludwig van}}, [[Liszt|Liszt's]] {{NoComp|Symphonic Poem No.5, Prometheus, S.99|Liszt, Franz}} and [[Scriabin|Scriabin's]] {{NoComp|Symphony No.5, 'Prometheus, Le Poème du Feu', Op.60|Scriabin, Alexander}}, published by [[Breitkopf und Härtel]] and Edition Russe de Musique.
*The first edition of [[:Category:Caccini, Giulio|Caccini's]] {{NoComp|Le nuove musiche|Caccini, Giulio}}, published by Apresso i Marescotti.
*[[:Category:Satie, Erik|Satie's]] complete works, published by [[E. Demets]], [[Max Eschig]], etc.
*[[Officium Majoris Hebdomadæ (Anonymous)|Officium Majoris Hebdomadæ]], published by Friderici Pustet.
*[[String Quartet, Op.35 (Chausson, Ernest)|Chausson]], [[String Quartet in G minor, Op.10 (Debussy, Claude)|Debussy]], [[D'indy|D'Indy]] (Nos. [[String Quartet No.1, Op.35 (Indy, Vincent d')|1]], [[String Quartet No.2, Op.45 (Indy, Vincent d')|2]], and [[String Quartet No.3, Op.96 (Indy, Vincent d')|3]]), [[String Quartet (Franck, César)|Franck]], [[String Quartet in F major (Ravel, Maurice)|Ravel]], and [[Saint-Saens|Saint-Saëns]] (Nos. [[String Quartet No.1, Op.112 (Saint-Saëns, Camille)|1]] and [[String Quartet No.2, Op.153 (Saint-Saëns, Camille)|2]]): String Quartets, published by [[Durand]], [[J. Hamelle]], etc.
*[[Liszt|Liszt's]] complete [http://imslp.org/index.php?title=Category:Liszt,_Franz&intersect=Studies Etudes], published as Bands 1-3 of [[Franz Liszt - Liszt-Stiftung Edition#Serie II: Pianofortewerke (Works for pianoforte)|Series 2]] of ''[[Franz Liszt - Liszt-Stiftung Edition|Franz Liszt's Musikalische Werke. Herausgegeben von der Franz Liszt-Stiftung]]'' by [[Breitkopf und Härtel]]. Edited by {{LinkComp|Ferruccio|Busoni}}.
*The full score, vocal score, and parts of [[Mendelssohn|Mendelssohn's]] [[Elijah, Op.70 (Mendelssohn, Felix)|Elijah, Op.70]], published by [[Breitkopf und Härtel]] and [[C.F. Peters]]. Edited by [[:Category:Rietz, Julius|Julius Rietz]] and Hermann Kretzchmar respectively.
*[[Reger|Reger's]] Orchestral Works, published as Band 1-8 of ''[[Max Reger - Complete Works Edition|Sämtliche Werke / Max Reger ; unter Mitarbeit des Max-Reger-Institutes (Elsa-Reger-Stiftung) Bonn]]'' by [[Breitkopf und Härtel]].
*[[:Category:Josquin Desprez|Josquin's]] {{NoComp|Missa de Beata Virgine|Josquin Desprez}}, published as Volume 42 of ''[[Das Chorwerk]]'' by Möseler. Edited by Friedrich Blume.
*[[Berlioz|Berlioz's]] complete [http://imslp.org/index.php?title=Category:Berlioz,_Hector&intersect=Other_symphonic_pieces Overtures], published as [[Hector Berlioz, Old Berlioz Edition#Series II: Overtures|Series II]] of ''[[Hector Berlioz, Old Berlioz Edition|Hector Berlioz Werke. Herausgegeben von Charles Malherbe und Felix Weingartner]]'' . Edited by Charles Malherbe and {{LinkComp|Felix|Weingartner}}.
*[[Rimsky|Rimsky-Korsakov]]: scores and parts for {{NoComp|Capriccio Espagnol, Op.34|Rimsky-Korsakov, Nikolai}}, {{NoComp|Scheherazade, Op.35|Rimsky-Korsakov, Nikolai}}, and {{NoComp|Russian Easter Overture, Op.36|Rimsky-Korsakov, Nikolai}}, published by [[M.P. Belaieff]] and [[Eulenburg]].
*The first edition (parts) of [[Corelli|Corelli's]] {{NoComp|12 Concerti Grossi, Op.6|Corelli, Arcangelo}}, published by Estienne Roger.
*The score and parts of [[Elgar|Elgar's]] complete [http://imslp.org/index.php?title=Category:Elgar,_Edward&intersect=Symphony Symphonies] in the first editions published by [[Novello]].
*[[Glinka|Glinka's]] [[Ivan Susanin (Glinka, Mikhail Ivanovich)|A Life for the Czar]], published by [[Muzgiz]]. Edited by Vladimir Vasil'evich Protopopov and Victor Bogdanov-Berezovsky.
*[[Purcell|Purcell's]] {{NoComp|12 Sonatas of Three Parts, Z.790-801|Purcell, Henry}} and {{NoComp|10 Sonatas in Four Parts, Z.802-811|Purcell, Henry}}, published by [[Novello]]. Edited by John Alexander Fuller Maitland and Charles Villiers Stanford.
*''[[Felix Mendelssohn-Bartholdy - Complete Works Edition|Felix Mendelssohn-Bartholdys Werke. Kritische durchgesehene Ausgabe]]'', an "incomplete works edition" of [[mendelssohn|Mendelssohn's]] works, published by [[Breitkopf und Härtel]]. Edited by [[:Category:Rietz, Julius|Julius Rietz]].
*The parts for [[Ravel|Ravel's]] [[Daphnis et Chloé (Ravel, Maurice)|Daphnis et Chloé]] suites nos. [[Daphnis et Chloé Suite No.1 (Ravel, Maurice)|1]] and [[Daphnis et Chloé Suite No.2 (Ravel, Maurice)|2]], published by [[Durand]].
*The full score of [[verdi|Verdi's]] {{NoComp|Il Trovatore|Verdi, Giuseppe}}, published by [[G. Ricordi]].
*The first edition of [[Berlioz|Berlioz's]] [[À Travers Chants (Berlioz, Hector)|À Travers Chants]], published by Michel Levy Frères.
*The score and parts of [[Delius|Delius's]] [[2 Pieces for Small Orchestra (Delius, Frederick)|2 Pieces for Small Orchestra]] (On Hearing the First Cuckoo in Spring and Summer Night on the River), published by Tischer & Jagenberg.
*[[Dvorak|Dvořák's]] complete [http://imslp.org/index.php?title=Category:Dvo%C5%99%C3%A1k,_Anton%C3%ADn&intersect=Symphony Symphonies], published as [[Antonín Dvořák - Complete Works Edition#Series 3: Orchestral Works|Series 3, Volume 1-9]] of ''[[Antonín Dvořák - Complete Works Edition|Antonín Dvořák — Souborné vydání díla]]'' by [[SNKLHU]]. Edited by František Bartoš and Otakar Šourek.
*The first edition parts of [[Vivaldi|Vivaldi's]] [[L'estro armonico, Op.3 (Vivaldi, Antonio)|L'estro armonico, Op.3]], published by Roger Marchand Libaire.
*The first edition vocal and full scores of [[D'indy|D'Indy's]] [[Le chant de la cloche, Op.18 (Indy, Vincent d')|Le chant de la cloche, Op.18]], published by [[Hamelle]].
*The first edition score and parts of [[Bizet|Bizet's]] Carmen Suites (Nos. [[Carmen Suite No.1 (Bizet, Georges)|1]] and [[Carmen Suite No.2 (Bizet, Georges)|2]], published by [[Choudens]]. Arranged by Ernest Giraud.
*[[Berlioz|Berlioz]] works for voice and orchestra, published as [[Hector Berlioz, Old Berlioz Edition#Series II: Choral and vocal works with orchestra|Series VI]] of ''[[Hector Berlioz, Old Berlioz Edition|Hector Berlioz Werke. Herausgegeben von Charles Malherbe und Felix Weingartner]]'' . Edited by Charles Malherbe and {{LinkComp|Felix|Weingartner}}.
*The first edition of [[Schubert|Schubert's]] {{NoComp|Schwanengesang, D.957|Schubert, Franz}}, published by [[Tobias Haslinger]].
*[[Palestrina|Palestrina's]] [[List of compositions by Giovanni Pierluigi da Palestrina|complete works]], published as ''[[Giovanni Palestrina - Complete Works Edition|Opera omnia Ioannis Petraloysii Praenestini]]'' by [[Breitkopf und Härtel]]. Edited by Franz Xaver Haberl.
*The full score of [[monteverdi|Monteverdi's]] [[Il Ritorno d'Ulisse in patria, SV 325 (Monteverdi, Claudio)|Il Ritorno d'Ulisse in patria, SV 325]], published as Volume 57 of ''[[Denkmaeler der Tonkunst in Oesterreich]]'' by the [[Österreichischer Bundesverlag]]. Edited by Robert Haas.
*[[:Category:Stoltzer, Thomas|Stoltzer's]] {{NoComp|Complete Latin Hymns and Psalms|Stoltzer, Thomas}}, published as Folge 1, Band 65 of ''[[Denkmäler deutscher Tonkunst]]'' by [[Breitkopf und Härtel]]. Edited by H. Albrecht and O. Gombosi.
*The full score of the 1907 version of [[Offenbach|Offenbach's]] {{NoComp|Les Contes d'Hoffmann|Offenbach, Jacques}}, published by [[Choudens|Choudens Fils]].
*The score and parts of [[Rachmaninoff|Rachmaninoff's]] {{NoComp|Piano Concerto No.2, Op.18|Rachmaninoff, Sergei}}, published by [[A. Gutheil]] and [[Muzgiz]].
*[[Josquin|Josquin's]] {{NoComp|Missa Pange lingua|Josquin Desprez}}, published as Volume 1 of ''[[Das Chorwerk]]'' by Möseler. Edited by Friedrich Blume.
*The first edition score and parts for [[Bruch|Bruch's]] {{NoComp|Kol Nidrei, Op.47|Bruch, Max}} and {{NoComp|Violin Concerto No.1, Op.26|Bruch, Max}}, published by C.F.W. Siegel and [[N. Simrock]].
*[[Beethoven|Beethoven's]] [[List of compositions by Ludwig van Beethoven, by opus number|complete works]], in first editions/manuscripts published by [[Breitkopf]], [[Schott]], [[Simrock]], etc.
*The manuscript of [[Bellini|Bellini's]] {{NoComp|Zaira|Bellini, Vincenzo}}.
*[[Biber|Biber's]] [[Mystery (Rosary) Sonatas (Biber, Heinrich Ignaz Franz von)|Mystery (Rosary) Sonatas]], published as Volume 25 of ''[[Denkmaeler der Tonkunst in Oesterreich|Denkmäler der Tonkunst in Österreich]]'', by the [[Österreichischer Bundesverlag]]. Edited by Erwin Luntz.
*The score and parts of [[grieg|Grieg's]] Peer Gynt suites (Nos. [[Peer Gynt Suite No.1, Op.46 (Grieg, Edvard)|1]] and [[Peer Gynt Suite No.2, Op.55 (Grieg, Edvard)|2]]), published by [[C.F. Peters]].
*The full score, parts and Vocal score of [[Bach|Bach's]] {{NoComp|St. Matthew Passion, BWV 244|Bach, Johann Sebastian}}, published by [[Breitkopf und Härtel]] and [[C.F. Peters]].
*The full score of [[Verdi|Verdi's]] {{NoComp|Un Ballo in Maschera|Verdi, Giuseppe}}, published by [[Ricordi]].
*[[:Category:Dargomyzhsky, Alexander Sergeyevich|Dargomyzhsky's]] {{NoComp|Songs and Romances|Dargomyzhsky, Alexander Sergeyevich}}, published by [[Muzgiz]]. Edited by M. S. Pekelis.
*[[:Category:Gossec, François Joseph|Gossec's]] {{NoComp|Symphonie No.1|Gossec, François Joseph}} and {{NoComp|Symphonie No.2|Gossec, François Joseph}} (1771–74), in the first edition parts published by [[Sieber]].
*The first edition, vocal score, and parts of [[Beethoven|Beethoven's]] {{NoComp|Missa Solemnis, Op.123|Beethoven, Ludwig van}}, published by [[Schott]], [[Peters]], and [[Breitkopf]].
*[[:Category:Schumann, Robert|Schumann's]] [[List of compositions by Robert Schumann|complete works]], published as ''[[Robert Alexander Schumann - Complete Works Edition|Robert Schumanns Werke. Herausgegeben von Clara Schumann]]'' by [[Breitkopf und Härtel]]. Edited by [[:Category:Schumann, Clara|Clara Schumann]] and [[:Category:Brahms, Johannes|Johannes Brahms]].
*[[Smetana|Smetana's]] {{NoComp|Má Vlast, JB 1:112|Smetana, Bedřich}}, in the full score published by [[Eulenburg]]. Edited by Vilém Zemánek.
<div style="float:right;font-size:smaller;margin-top:1em">[[[IMSLP:Featured/Archive|More...]]]</div>
</div>
==Suggestions==
We now have all of the manuscript sources for the Bach Cello Suites...

==Upcoming==
*The first edition parts of {{LinkCompS|Anton Stepanovich|Arensky|Arensky's}} complete chamber music, published by [[P. Jurgenson]].
*The first collected edition of {{FT|Bach|Johann Sebastian}} {{NoComp|Partitas, BWV 825-830|Bach, Johann Sebastian}}, published as his opus 1 in 1731 by the composer.
*{{FT|Hey|Julius}} {{NoComp|Deutscher Gesangs-Unterricht|Hey, Julius}}, in the first edition published by [[B. Schott's Söhne]].
*{{FT|Janequin|Clément}} {{NoComp|Les chansons de la Guerre, la chasse, le chant des oyseaux, l'alouette, le rossignol|Janequin, Clément}}, published by {{LinkCompS|Pierre|Attaignant}}.
*The full and vocal scores of {{FT|Saint-Saëns|Camille}} {{NoComp|Déjanire, opera|Saint-Saëns, Camille}}, in the first edition published by [[Durand|Durand et Cie.]].
*A manuscript copy of {{FT|Buxtehude|Dietrich}} {{NoComp|Keyboard Suites|Buxtehude, Dietrich}}, located in the Danish Royal Library. This manuscript is written in German keyboard tablature, and is an important source for these works.
*The score and parts of {{FT|Gabrieli|Andrea}} {{NoComp|Missa Brevis Quatuor Vocum|Gabrieli, Andrea}}, published as part of Tomus 1 of ''Musica Divina'' by Friedrich Pustet. Edited by Carolus Proske.
*The first edition of {{FT|Chopin|Frederic}} [[Polonaise, Op.53 (Chopin, Frederic)|"Heroic" Polonaise, Op. 53]], published by [[M. Schlesinger]].
*''{{NoComp|Musica Divina. Sive Thesaurus Concentuum Selectissimorum|Various}}'', published by Friedrich Pustet. Edited by Carl Proske.
*{{FT|Walther|Johann Gottfried}} {{NoComp|Musicalisches Lexicon|Walther, Johann Gottfried}} and {{FT|Rousseau|Jean-Jacques}} {{NoComp|Dictionnaire de musique|Rousseau, Jean-Jacques}}, in the first editions published by Wolffgang Deer and Chez la veuve Duchesne respectively.
*{{FT|Schubert|Franz}} [[List of compositions by Franz Schubert, by Deutsch number|complete works]], published as ''[[Franz Peter Schubert - Complete Works Edition|Franz Peter Schuberts Werke. Kritische durchgesehene Gesamtausgabe]]'' by [[Breitkopf und Härtel]].
*The first edition of {{FT|Vivaldi|Antonio}} complete {{NoComp|Cello Sonatas|Vivaldi, Antonio}}, published by Le Clerc le Cadet.
*{{FT|Burney|Charles}} {{NoComp|A General History of Music|Burney, Charles}}, published by G.T. Foulis. Edited by Frank Mercer.
*{{FT|Kellner|Johann Christoph}} {{NoComp|3 Keyboard Concertos, Op.8|Kellner, Johann Christoph}}, in the first edition published by W.N. Haueisen. This work was previously considered "lost".
*The score and parts of {{FT|Janáček|Leoš}} complete [http://imslp.org/index.php?title=Category:Quartets&intersect=Janáček,_Leoš String Quartets], published by [[SNKLHU]] and [[Hudební Matice]]. Edited by (No. 1) Milan Skampa and (No. 2) Otakar Šourek.
*The first edition {{FT|Corelli|Arcangelo}} {{NoComp|12 Violin Sonatas, Op.5|Corelli, Arcangelo}}, published by Gasparo Pietra Santa.
*The manuscripts of {{FT|Mozart|Wolfgang Amadeus}} complete [http://imslp.org/index.php?title=Category:For_horn,_orchestra&intersect=Mozart,_Wolfgang_Amadeus Horn Concertos].
*The full scores of {{FT|Massenet|Jules}} complete [http://imslp.org/index.php?title=Category:Suites&intersect=For_orchestra**Massenet,_Jules orchestral suites], published by [[Durand]], [[Schott]] and [[Heugel|Georges Hartmann]].
</noinclude>

3 Sonatas for 2 Cellos, Op.103 (Dotzauer, Friedrich)

2010-08-27T04:14:14Z

Andrewt:

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3 Sonatas for 2 Cellos, Op.103 (Dotzauer, Friedrich)

2010-08-27T04:13:12Z

Andrewt:

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3 Sonatas for 2 Cellos, Op.103 (Dotzauer, Friedrich)

2010-08-27T04:10:58Z

Andrewt:

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3 Sonatas for 2 Cellos, Op.103 (Dotzauer, Friedrich)

2010-08-27T04:09:51Z

Andrewt: Added 0 files and 1 duplicates to Sonatas for 2 Violoncellos, Op.103 (Dotzauer, Friedrich)

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| *****WORK INFO*****

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| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

3 Sonatas for 2 Cellos, Op.103 (Dotzauer, Friedrich)

2010-08-27T04:09:29Z

Andrewt: Added 1 files to Sonatas for 2 Violoncellos, Op.103 (Dotzauer, Friedrich)

{{#fte:imslppage

| *****FILES***** =

{{#fte:imslpfile
|File Name 1=PMLP154261-Dotzauer_-_Sonates_pour_2_Violoncelles_Op.103-cello_1.pdf
|File Description 1=Cello 1 part
|Page Count 1=18 (14 music)
|Editor=Alwin Schröder
|Image Type=Normal Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/27
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{{#fte:imslpfile
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|File Description 1=Cello 2 part
|Page Count 1=
|Editor=Alwin Schröder
|Image Type=Normal Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/27
|Publisher Information=Leipzig: Edition Peters, n.d.(ca. 1888-1891). Plate 7439
|Copyright=Public Domain
|Misc. Notes=600 dpi
}}

| *****WORK INFO*****

|Work Title=Sonates pour 2 Violoncelles, Op.103
|Alternative Title=
|Opus/Catalogue Number=Op.103
|Key=
|Number of Movements/Sections=3
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|Dedication=
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|Year of First Publication=
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File:PMLP154261-Dotzauer - Sonates pour 2 Violoncelles Op.103-cello 2.pdf

2010-08-27T04:09:27Z

Andrewt:

3 Sonatas for 2 Cellos, Op.103 (Dotzauer, Friedrich)

2010-08-27T04:07:47Z

Andrewt:

3 Sonatas for 2 Cellos, Op.103 (Dotzauer, Friedrich)

2010-08-27T04:06:35Z

Andrewt: Added 1 files to Sonatas for 2 Violoncellos, Op.103 (Dotzauer, Friedrich)

File:PMLP154261-Dotzauer - Sonates pour 2 Violoncelles Op.103-cello 1.pdf

2010-08-27T04:06:29Z

Andrewt:

3 Sonatas for 2 Cellos, Op.103 (Dotzauer, Friedrich)

2010-08-27T03:58:41Z

Andrewt: Create article for work

{{#fte:imslppage

| *****FILES***** =

| *****WORK INFO*****

|Work Title=Sonates pour 2 Violoncelles, Op.103
|Alternative Title=
|Opus/Catalogue Number=Op.103
|Key=
|Number of Movements/Sections=3
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=
|Librettist=
|Language=
|Piece Style=Romantic
|Instrumentation=2 Cellos

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

Impromptu, Op.13 (Fitzenhagen, Wilhelm)

2010-08-27T03:29:44Z

Andrewt:

{{#fte:imslppage

| *****FILES***** =

{{#fte:imslpfile
|File Name 1=PMLP153972-Fitzenhagen_-_Impromptu_Op.13.pdf
|File Description 1=Piano score and Cello part
|Page Count 1=6
|Editor=Leipzig: Engelmann & Mühlberg, engraver
|Image Type=Normal Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/25
|Publisher Information=Berlin: Luckhardt, n.d.[1878]. Plate C.L. 883.
|Copyright=Public Domain
|Misc. Notes=600 dpi
}}

| *****WORK INFO*****

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|Alternative Title=
|Opus/Catalogue Number=Op.13
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File:PMLP153972-Fitzenhagen - Impromptu Op.13.pdf

2010-08-27T03:29:02Z

Andrewt: uploaded a new version of "File:PMLP153972-Fitzenhagen - Impromptu Op.13.pdf": re-scanned in B/W

User talk:Schissel

2010-08-26T16:07:29Z

Andrewt: /* Gretchaninov Sympony No. 1 */ new section

== Tassistro ==

Now I'm a little bit busy.The next weeks I 'll be happy to help you (if I can).
We know few things abaut Tassistro.We know that ha was principal clarinettist at Teatro alla Scala of Milano.(It's written in the frontespice of his works).At the end of october I'll go to Milan.I'll ask about him ( and the spelling of his name) at Conservatorio Library and at the museum of Teatro alla Scala.
Greetings
Carmar

== Tassistro again ==

I have just seen WorldCat site abaut Tassistro.
I don't think ha was a librettist(poet,etc.),his name is among orchestral players,after Alessandro Rolla(conductor and first violin),Vincenzo Merighi (first Cello)etc.That is a list of partecipant of opera performance.
Ciao
Carmar

== Bargiel ==
Hi, the [[Piano Sonata, Op.34 (Bargiel, Woldemar)|Sonata]] is working now. Enjoy! [[User:Hobbypianist|Hobbypianist]] 01:11, 6 July 2008 (EDT)

== Re: Wranitzky String Quartets ==

Thank you for pointing out the discrepancies with the Wranitzky scans, when I get a moment I will look into it.

Sometimes I "borrow" scores directly from other PD music websites, so I rely on their description without always checking every single page. It's good to have feedback if something does go wrong.

[[User:Aldona|Aldona]] 23:55, 6 August 2008 (EDT)

== Re: Reissiger ==

No, I don't have any more works by Reissiger in progress now. The other trios were transferred from the Sibley Music Library website. Please go ahead and scan the trio that you have.

My scanning activities at the moment are confined to the Schubert stage works (I think I will do "Claudine von Villa Bella" next). I am also working on the Chopin-Lieder, Op.17 (adding the original Polish text to an existing PD edition). Apart from that, I often visit the Sibley Music Library and the Danish Royal Library websites and if I see something interesting that we do not have here yet, I "borrow" it.

It is good to see the IMSLP library becoming more and more comprehensive. We are about to exceed 19,000 scores!

[[User:Aldona|Aldona]] 06:54, 7 August 2008 (EDT)

The Sibley Music Library website (University of Rochester) has just listed the following piano trios by Reissiger:

No.4 (Op.56);
No.5 (Op.75);
No.6 (Op.77);
No.7 (Op.85);
No.8 (Op.97);
No.9 (Op.103);
No.10 (Op.115);
No.11 (Op.125).

Normally, in this situation I would import these scores into IMSLP. But I am aware that you are scanning some trios by Reissiger, so I do not want to over-ride your hard work. Please let me know which ones you don't want me to import. (Or, if you have a different edition, it would still be useful to upload both.)
[[User:Aldona|Aldona]] 18:54, 12 August 2008 (EDT)

== Sphor op 45 No.1 ==

When I uploaded Op.45 No.1 I didn't check String quartet No.12.
You are right,it's the same piece.I don't know why Peter wrote No.12 because on first page I can read only Op.45 No 1.We should ask him...
By the way I think my file is better crooped and of higher quality.....but if you think Peter's one is better you are free to delete my page.

Thank you for your advice

Ciao

Carmar

== Bärenreiter or not? ==

Dear Eric,

Did you write on my discussion page? The links leads to this page.
I'm glad that you appreciate my typesets. Thanks! My notation software is Sibelius. Getting an acceptable layout is not so difficult, it needs only some care (the most important rule: NEVER use Times NR as a text font!). A professional music-engraver will have some objections to make to my typesets, above all the angles of the beams, which are often wrongly set by the software (e.g. the upbeat of the first movement of Telemann's [[Der getreue Music-Meister (Telemann, Georg Philipp)|Duet for Flute and Violin]]: the beam has to follow the melodic line and therefore has to go upwards and not downwards). Maybe you overestimate the quality of Bärenreiter prints. The volumes of the Complete Editions which appeared until 1985 or so (when Bärenreiter began to typeset with Score) are actually very beautiful. But often Bärenreiter's practical editions aren't engraved but hand-written with indian ink. The results are extremely ugly (cf. the [[Trio in G major for 2 Flutes (or Flute and Violin) and Violoncello (Stamitz, Carl Philipp)|Trio for 2 Flutes and Violoncello]] by Carl Philipp Stamitz in the IMSLP). You should compare my typeset of Telemann's Trio Sonata from »Essercizii musici« with the Bärenreiter print, I'm sure you would prefer my edition. So don't worry, I didn't steal the editions from Bärenreiter.

By the way, can you explain to me, how I can replace a file I uploaded with a corrected one? I found some mistakes. --[[User:Rarus|Rarus]] 17:17, 3 November 2008 (EST)

== Bargiel ==

Thanks for catching that! You're right - it should not get a separate work-page. I've already copied the entry onto the page for Op.32 and will delete the separate page shortly. Don't hesitate to contact me or leave a note somewhere if you find more of this type of thing. [[User:Carolus|Carolus]] 01:42, 3 January 2009 (EST) (IMSLP Copyright Admin)

== Molique ==

Thank you.I didn't know he wrote cadenza for Beethoven.
When I have time I'll upload that work.(On the Molique page)

Ciao

Carmar

I appreciated your comment on my page.
I responded there where you left the comment
as navigating this site is something I am learning to do.

I have added 3 other works and will add more.

== 19th-century Australian music. ==

Hallo. Sorry I've taken time to reply - I only just noticed your message now - didn't think to look earlier, because I never thought anyone would write to me about anything, anyway. (I had to look round a bit to see what prompted your question, and found it in the Berwald discussion.)

Sorry, no, I don't have any significant amount of 19th-century Australian music - probably near enough to none at all. I think most of my collection is early to mid 20th-century, with some later 20th-century. I have rarely come across 19th-century Australian music over the years; and, while it may be historically interesting and important, a lot of it, to be honest, strikes me as not being all that interesting as music. I think it took a while for Australian composers to develop some sophistication, so that, until the 20th century, maybe Australia lagged behind most European countries by some decades.

As for quartets, I have none at all. I have focused on collecting mainly piano music, since I can play it myself. I've never really focused on collecting chamber music, since I don't have anyone to play it with.

I really don't know what libraries might have such music.

Regards, Michael. [[User:M.J.E.|M.J.E.]] 10:38, 7 March 2009 (EST)

== Carl Philipp Stamitz ==

Hello Schissel. You're quite right, I misread the date of baptism given in Grove and the LoC authority file as the date of birth. Thank you for noticing [[User:P.davydov|P.davydov]] 05:28, 20 March 2009 (EDT)

== Reissiger ==

Hello Eric. I'm pretty sure that SMP's "Gottlob" is a typo on their part. I'm going by Grove, Wikipedia, and (primarily) the Library of Congress authority files [http://authorities.loc.gov] which comprehensively list all the variant spellings they've recorded, and "Gottlob" isn't listed anywhere. But we can leave it as one of the alternatives, to catch anyone who might find us after looking at SMP first — [[User:P.davydov|P.davydov]] 18:48, 22 March 2009 (EDT)

You're right that we couldn't hope to identify every possible mis-spelling of a composer's name, and we shouldn't even try. But their full birth names, and other names/titles by which they were known during their lifetimes (as given in Grove, LoC, Wikipedia), plus original forms/transliterations from their national alphabets (e.g. Russian), should be enough for anyone Googling to find the right page on IMSLP, which is the object of this particular exercise. It's quite fun really :-) — [[User:P.davydov|P.davydov]] 19:18, 22 March 2009 (EDT)

== Paderewski ==

Hi Eric. I've recently been going through the composer pages and checking the names against (1) Grove Online, (2) Library of Congress authorities, and (3) Wikipedia. This turned up a lot of superfluous names (in the "Wilhelm Richard Wagner" and "Arthur Seymour Sullivan" mould), which could be put right. But in the case of Paderewski, all 3 sources insist on the full form of his name, so there was no justification for changing it. The Library of Congress doesn't even include "Jan Paderewski" in their list of alternatives (but they obviously haven't been checking Amazon!) :-) — [[User:P.davydov|P.davydov]] 04:13, 5 April 2009 (EDT)

== Sibley ==

A few conventions:
#Do not upload the circulation records, please.
#For accidentals, use the templates <nowiki>{{Flat}}</nowiki> or <nowiki>{{Sharp}}</nowiki> which will insert the specified accidental.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 02:47, 20 August 2009 (UTC)

== Reger ==

Thanks. I actually did make a link - go to the complete works edition page for usage.-- [[User:Perlnerd666|Snailey]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 01:39, 28 August 2009 (UTC)

== Reuchsel ==

Hi, He died in 1968 and is therefore under copyright in Canada. I was just putting a message to the same effect on Generoso's talk page. The items will have to be deleted shortly. Sorry, [[User:Carolus|Carolus]] 21:17, 14 October 2009 (UTC)

== CPE Bach ==

Sorry, I just saw that the arranger died in 1964, which means the item is not free in Canada, unfortunately. [[User:Carolus|Carolus]] 03:40, 31 October 2009 (UTC)

== Raff ==

Thanks for discovering that Raff Society website. You can take the publication dates there as pretty much gospel. They appear to have confirmed everything via the entries in the Hoffmeister ''Monatsbericht'', which is extremely reliable for anything issued in Germany. Certainly more reliable than some of those Sibley entries! Cheers, [[User:Carolus|Carolus]] 05:24, 31 October 2009 (UTC)

==[[English_Suites,_BWV_806-811_(Bach,_Johann_Sebastian)#Suite_No.6_in_D_minor.2C_BWV_811_-_Gavottes_1_.26_2|Bach - Musettes]]==
Thanks for finding the original. I have put it on that page. [[User:Generoso|Generoso]] 18:43, 12 July 2010 (UTC)

== Monatsbericht ==

If you find something listed there, the date given is about as accurate as it is possible to get - especially for a major German publisher like Breitkopf. No need to bother with a "ca." at all in that case. A listing in the ''Monatsbericht'' is good enough to hold up in a court. If you wish to link to the actual listing over at Hofmeister XIX, just do it as I did on some of the Beethoven symphonies. Great job in adding so many Sibley uploads [[User:Carolus|Carolus]] 00:05, 15 July 2010 (UTC)

==Henriques, Religioso for violin and piano==
Dear Schissel: Thanks for this upload. Unfortunately, the violin part is of Henriques' op.35 Mazurka, not the op.34 Religioso, although the piano part is correct. Could you perhaps start a page for that one, and then remove the file from this page? Also, if you have the violin part for the Religioso, could you upload it to this page? Lastly, I need to tag this work, and it clearly is an arrangement. Do you happen to know the original instrumentation? Grove Music doesn't have a comprehensive list of Henriques' works. Thanks. (Steltz)

== Gustav Jenner ==

Endlich ist er da! Ich habe so lange gesucht - vergeblich. Grandios!! --[[User:Ralph Theo Misch|Ralph Theo Misch]] 23:54, 6 August 2010 (UTC)

== Tagging ==

Hi Schissel. While in this case there was no problem (i.e. your tag was correct), would you mind refraining from adding tags in the future? There's a specifically designated [[IMSLP:Categorization/Project Members|project team]], all of whom had to read the manual, etc., and it's against regulations (ask Davydov) for non-members to modify the tags. Not a big deal, but please keep it in mind in the future. Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 00:59, 7 August 2010 (UTC)

== Kotschetow ==

Hello Eric. "Kotschetow" is the German transliteration of the name, but he appears in English-language library catalogues as "Kochetov, Nikolaĭ Razumnikovich" (US) or "Kochetov, Nikolay Razumnikovich" (UK). These Russian names can be tricky! — [[User:P.davydov|P.davydov]] 14:05, 10 August 2010 (UTC)

Thanks for your reply. In answer to your question, I'd recommend [http://www.viaf.org www.viaf.org] as a good name resource, as it shows the name forms used by lots of different libraries worldwide, and often gives some background information on the people in question (like nationality/dates) — [[User:P.davydov|P.davydov]] 17:44, 10 August 2010 (UTC)

== Reverts ==

Thanks for that.-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 19:06, 11 August 2010 (UTC)

== Your Typesets ==

Hi Schissel, They're nicely done, BTW. A couple of points: 1) You might want to think about using the Non-commercial or Share Alike versions of the CC license for these as the plain old attribution allows people to duplicate your files and sell them on Ebay as part of the ''GREATEST COLLECTION OF STRING MUSIC EVER!'' on CD or DVD without paying you a royalty (Trust me - they absolutely will do so). At least if you use the non-commercial version we can complain to Ebay about violating the terms of the CC license. 2) List yourself as publisher, since it's really a new typeset/engraving/edition, even if you used a single source. Best Wishes, [[User:Carolus|Carolus]] 21:53, 11 August 2010 (UTC)

== Tagging Project ==

Hello Eric. Would you be interested in taking part in the tagging project at all? The documentation can be found at [[IMSLP:Categorization]] — [[User:P.davydov|P.davydov]] 17:41, 13 August 2010 (UTC)

== MusicSack sources ==

Hi Eric, and thanks for all the help with composer information! One thing: MusicSack usually cites many different sources, and dates all of them. The topmost source they give is usually the most reliable one (although there may be some exceptions); if more than one date is given, that means that at least one is wrong, not that they are all possible (again, there may be rare exceptions). In the case of Jan Ingenhoven, Grove 1980 gives 29 May 1876 as his date of birth. That is cited by LC and is the topmost source in MusicSack - so the sources that give 19 May are wrong, because they're dated earlier and, well, aren't Grove ;-) Not a big deal, just thought it would be good to keep in mind in the future. Thanks, [[User:KGill|KGill]] [[User Talk:KGill|talk]] [[Special:Emailuser/KGill|email]] 01:32, 16 August 2010 (UTC)

== Debussy Prélude ==

Considering that it was written in 1894, I find the 1892 date somewhat improbable :)-- [[User:Perlnerd666|Snailey (_@/)]] [[User Talk:Perlnerd666|Talk to Me]] [[Special:Emailuser/Perlnerd666|Email me]] 19:52, 16 August 2010 (UTC)

== Redirects ==

''Actually, anything that would check the links in a document to make sure they aren't redirects but actually go where they say they go would be nice to automate too, but I no longer have a clue how to do that. Eric 16:50, 18 August 2010 (UTC)''
:You could try something like this (replace <code>titles=Main%20Page</code> with whatever page you need to check):
::<code>http://imslp.org/api.php?action=query&generator=links&gpllimit=max&redirects&titles=Main%20Page</code>
:Look for the <code><redirects></code> section. Automatically replacing them would be harder, one would have to code a bot for that. --[[User:Leonard Vertighel|Leonard Vertighel]] 17:24, 18 August 2010 (UTC)

== Thieriot ==

Just notice your note for the Op.20: The title page in the BSB scan actually gives the explanation "Neue verbesserte Ausgabe" and both dates 1869/1894
Changed your note to reflect this - hope you agree--[[User:Kalliwoda|Kalliwoda]] 15:10, 22 August 2010 (UTC)

== Gretchaninov Sympony No. 1 ==

Thanks! I've been looking for that for awhile. [[User:Andrewt|Andrewt]] 16:07, 26 August 2010 (UTC)

Impromptu, Op.13 (Fitzenhagen, Wilhelm)

2010-08-25T23:03:16Z

Andrewt: Added 1 files to Impromptu, Op.13 (Fitzenhagen, Wilhelm)

{{#fte:imslppage

| *****FILES***** =

{{#fte:imslpfile
|File Name 1=PMLP153972-Fitzenhagen_-_Impromptu_Op.13.pdf
|File Description 1=Piano score and Cello part
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|Image Type=Normal Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/25
|Publisher Information=Leipzig: Engelmann & Mühlberg, n.d. Plate C.L.883
|Copyright=Public Domain
|Misc. Notes=grayscale
}}

| *****WORK INFO*****

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|Alternative Title=
|Opus/Catalogue Number=Op.13
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File:PMLP153972-Fitzenhagen - Impromptu Op.13.pdf

2010-08-25T23:03:15Z

Andrewt:

Impromptu, Op.13 (Fitzenhagen, Wilhelm)

2010-08-25T22:56:33Z

Andrewt: Create article for work

{{#fte:imslppage

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| *****WORK INFO*****

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|Alternative Title=
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|Dedication=
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|Piece Style=Romantic
|Instrumentation=Cello, Piano

| *****COMMENTS***** =

| *****END OF TEMPLATE***** }}

6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian)

2010-08-21T05:20:33Z

Andrewt:

{{#fte:imslppage

| *****FILES***** =

===Original Version (Cello solo)===
=====Manuscripts=====
{{#fte:imslpfile
|Editor=Anna Magdalena Bach, copyist
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2007/6/5
|Publisher Information=Manuscript, n.d.
|Copyright=Public Domain
|Misc. Notes=
|File Name 1=Bach_Suites_Manuscripts.pdf
|File Description 1=Complete Score
|Page Count 1=37
|Misc. Notes=source "A"
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_(Kellner).pdf
|File Description 1=Complete Score
|Page Count 1=27 (25 music)
|Editor=Johann Peter Kellner, copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1726|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "B". 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_C.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=2 anonymous copyists
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1750-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "C". 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_D.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=anonymous copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1775-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "D". 300 dpi 8 bit grayscale for increased legibility. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
=====Printed Editions=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_E.pdf
|File Description 1=Complete Score
|Page Count 1=53 (50 music)
|Editor=First edition
|Image Type=Normal Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Paris: Janet et Cotelle, ca. 1824. Plate 1497|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "E". 600 dpi
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Sechs_Suiten_Für_Violoncello.pdf
|File Description 1=Complete Score
|Uploader 1=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted 1=2007/8/21
|Page Count 1=37 (#59-94)
|Amazon={{AmazonLinks|0486256413}} - Dover (reprint)
|File Name 2=BWV1007.pdf
|File Description 2=Suite No.1 in G, BWV 1007
|Editor=Alfred Dörffel (1821-1905)
|Scanner=Unknown
|Uploader 2=[[User:Shikamoo|shikamoo]]
|Date Submitted 2=2006/8/25
|Page Count 2=6
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]] (1851-1899), Band 27.1'' Leipzig: [[Breitkopf & Härtel]], 1879, plate B.W. XXVII (1)
|Copyright=Public Domain
|Misc. Notes=
|Image Type=Normal Scan
|File Name 3=BWV1008.pdf
|File Name 4=BWV1009.pdf
|File Name 5=BWV1010.pdf
|File Name 6=BWV1011.pdf
|File Name 7=BWV1012.pdf
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 3=4
|Page Count 4=6
|Page Count 5=7
|Page Count 6=6
|Page Count 7=8
|Uploader 3=[[User:Shikamoo|shikamoo]]
|Date Submitted 3=2006/8/25
|Uploader 4=[[User:Shikamoo|shikamoo]]
|Date Submitted 4=2006/8/25
|Uploader 5=[[User:Shikamoo|shikamoo]]
|Date Submitted 5=2006/8/25
|Uploader 6=[[User:Shikamoo|shikamoo]]
|Date Submitted 6=2006/8/25
|Uploader 7=[[User:Shikamoo|shikamoo]]
|Date Submitted 7=2006/8/25
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach-BWV1007-1012klengel.pdf
|File Name 2=PMLP04291-Bach-BWV1007klengel.pdf
|File Name 3=PMLP04291-Bach-BWV1008klengel.pdf
|File Name 4=PMLP04291-Bach-BWV1009klengel.pdf
|File Name 5=PMLP04291-Bach-BWV1010klengel.pdf
|File Name 6=PMLP04291-Bach-BWV1011klengel.pdf
|File Name 7=PMLP04291-Bach-BWV1012klengel.pdf
|File Description 1=Six Suites, BWV 1007-1012 - complete
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 1=44
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=12
|Page Count 7=8
|Editor=[[:Category:Klengel, Julius|Julius Klengel (1859-1933)]]
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2009/8/13
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d.(ca.1900), plate 22879
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_complete.pdf
|File Name 2=PMLP04291-Bach_-_Cello_Suite_No1_in_G_(Becker_Peters).pdf
|File Name 3=PMLP04291-Bach_-_Cello_Suite_No2_in_Dm_(Becker_Peters).pdf
|File Name 4=PMLP04291-Bach_-_Cello_Suite_No3_in_C_(Becker_Peters).pdf
|File Name 5=PMLP04291-Bach_-_Cello_Suite_No4_in_Eb_(Becker_Peters).pdf
|File Name 6=PMLP04291-Bach_-_Cello_Suite_No5_in_Cm_(Becker_Peters).pdf
|File Name 7=PMLP04291-Bach_-_Cello_Suite_No6_in_D_(Becker_Peters).pdf
|File Name 8=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_Color_Cover.pdf
|File Description 1=Complete Score
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|File Description 8=Color Covers
|Page Count 1=46
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=10
|Page Count 7=8
|Page Count 8=3
|Editor=Hugo Becker (1863 - 1941)
|Image Type=Normal Scan
|Scanner=[[User:Generoso|Generoso]]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/7/10
|Publisher Information=Leipzig: [[C.F. Peters]], No.238, n.d.(ca.1911). Plate 9148.
|Copyright=Public Domain
|Misc. Notes=
}}

====Suite No.1 in G, BWV 1007====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_suite1_Menuets.pdf
|File Description 1=Menuets I and II
|Page Count 1=1
|Editor=
|Image Type=Typeset
|Scanner=Yves Verbandt
|Uploader=[[User:Yverband|Yverband]]
|Date Submitted=2010/3/5
|Publisher Information=Yves Verbandt
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
====Suite No.6 in D, BWV 1012====
{{#fte:imslpfile
|File Name 1=Bach_-_Violin_Suite_No_6_(Violoncello)_Rus._Izdanie.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted=2007/8/21
|Page Count 1=13
|Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.
|Copyright=Public Domain
|Misc. Notes=
}}
===Arrangements and Transcriptions===
=====For Trumpet Solo (Lichtmann)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_arr_Lichtmann_Suite1_Tr_BWV1007.pdf
|File Description 1=Suite No.1 in G, BWV 1007, arranger's comments
|Page Count 1=13
|File Name 2=PMLP04291-Bach_arr_Lichtmann_Suite2_Tr_BWV1008.pdf
|File Description 2=Suite No.2 in D minor, BWV 1008
|Page Count 2=8
|File Name 3=PMLP04291-Bach_arr_Lichtmann_Suite3_Tr_BWV1009.pdf
|File Description 3=Suite No.3 in C - BWV 1009
|Page Count 3=12
|Editor=
|Arranger=Jay Lichtmann
|Image Type=New Composition
|Scanner=[http://uhaweb.hartford.edu/lichtmann/ Jay Lichtmann]
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/7/27
|Publisher Information=Jay Lichtmann
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Cello Quartet (Leonovich)=====
{{#fte:imslpfile
|File Name 1=PreludeandFugue.pdf
|File Description 1=Suite No.5, BWV 1011 - Prelude
|Editor=
|Arranger=Yuriy Leonovich
|Image Type=New Composition
|Scanner=Yuriy Leonovich
|Uploader=[[User:YuriyLcello|YuriyLcello]]
|Date Submitted=2007/6/8
|Page Count 1=8
|Publisher Information=Yuriy Leonovich, 2007
|Copyright=Creative Commons Attribution No Derivatives 3.0
|Misc. Notes=
}}
=====For Viola and Piano (Stade)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_-_Viola_-_Suite_No.1.pdf
|File Name 2=PMLP04291-Bach_-_Viola_-_Suite_No.2.pdf
|File Name 3=PMLP04291-Bach_-_Viola_-_Suite_No.4.pdf
|File Name 4=PMLP04291-Bach_-_Viola_-_Suite_No.6.pdf
|File Description 1=Suite No.1 in G, BWV 1007 (Viola Part only)
|File Description 2=Suite No.2 in D minor, BWV 1008 (Viola Part only)
|File Description 3=Suite No.4 in E{{flat}} (Viola Part only)
|File Description 4=Suite No.6 in D, BWV 1012 (Viola Part only)
|Page Count 1=6
|Page Count 2=6
|Page Count 3=8
|Page Count 4=8
|Editor=
|Arranger=Wilhelm Stade (1817-1902)
|Image Type=Normal Scan
|Scanner=[[User:Peter|Peter]] [[User talk:Peter|talk]]
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2008/9/27
|Publisher Information=Leipzig: Gustav Heinze, n.d. Plates G. 85-97 H.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Cello and Piano (Smith)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Sarabande_score.pdf
|File Name 2=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Gavottes_score.pdf
|File Name 3=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_cello.pdf
|File Name 4=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_color_cover.pdf
|File Description 1=Suite No.6 in D, BWV 1012: Sarabande - Piano Score
|File Description 2=Suite No.6 in D, BWV 1012: Gavottes - Piano Score
|File Description 3=Suite No.6 in D, BWV 1012: Sarabande and Gavottes - Cello part
|File Description 4=Color Cover
|Page Count 1=6
|Page Count 2=6
|Page Count 3=4
|Page Count 4=1
|Arranger=Leo Smith (1881-1952)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10723}}
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/5/22
|Publisher Information=New York: [[G. Schirmer]], 1915. Plate 24591-2
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
=====For Viola solo (Alphonse)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Johann_Sebastian_Bach_-_Unaccompanied_Cello_Suites_-_Suite_1_Prelude_transposed_for_Viola.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=J-Raimon Alphonse
|Image Type=New Composition
|Scanner=J-Raimon Alphonse
|Uploader=[[User:Jean|J-Raimon Alphonse]]
|Date Submitted=2008/8/3
|Publisher Information=J-Raimon Alphonse
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Viola solo=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Suite_No_4_in_E_flat_for_Viola_solo_(Paxton).pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Page Count 1=7
|Editor=
|Image Type=Normal Scan
|Scanner=[http://sheetmusic.library.sc.edu/Music.asp?mid=3082 USC]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/6/10
|Publisher Information=London: W. Paxton & Co., n.d.[1926]. Plate 67014.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Viola solo (Spindler)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_Suites_for_Viola_Ed.Russa.pdf
|File Description 1=Viola Part of Complete Suites
|Page Count 1=68
|Editor=
|Arranger=Fritz Spindler (1817-1905)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Zelenka|Zelenka]]
|Date Submitted=2009/3/9
|Publisher Information=Moscow: [[Muzgiz]], 1962, Plate 29137
|Copyright=Public Domain
|Misc. Notes=It seems to be a reissue of Hofmeister Edition. Spindler was a Viola player in Gewandhaus Orchestra Leipzig.
}}
=====For Double Bass (Vul)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-bach_vcs1p.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=Andrey Vul
|Image Type=Typeset
|Scanner=Andrey Vul
|Uploader=[[User:Andreyvul|Andreyvul]]
|Date Submitted=2009/6/4
|Publisher Information=Andrey Vul
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=For string bass solo
}}
=====For Piano solo (Godowsky)=====
{{#fte:imslpfile
|File Name 1=Godowsky_Bach_Suite_Nr.2.pdf
|File Description 1=Suite No.2 in D minor, BWV 1008
|Editor=
|Arranger=[[:Category:Godowsky, Leopold|Leopold Godowsky]] (1870-1938)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2007/6/22
|Page Count 1=30
|Publisher Information=New York: [[Carl Fischer]], 1924, plates 23078, 22950, 22936
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=Godowsky_Bach_Suite_Nr.3.pdf
|File Description 2=Suite No.3 in C, BWV 1009
|Page Count 2=33
|File Name 3=Bach-Godowsky-Cello-Suite-5.pdf
|File Description 3=Suite No.5 in C minor, BWV 1011
|Page Count 3=33 (#3-35)
}}
=====For Piano solo (Siloti)=====
{{#fte:imslpfile
|File Name 1=Siloti_-_Bach_Cello_Suite_Transcriptions.pdf
|File Description 1=Four Etudes (excerpts), piano transcription 1. Suite No.3, BWV 1009 - Prelude 2. Suite No.3, BWV 1009 - Bourée 3. Suite No.1, BWV 1007 - Prelude 4. Suite No.1, BWV 1007 - Courante
|Editor=Albert Spalding
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=15
|Publisher Information=Moscow: [[A. Gutheil]], n.d.[ca.1914], Plate A.10379 G.
|Reprint=London: Musica Obscura, n.d.
|Copyright=Public Domain
|Misc. Notes={{MIT project}}
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Siloti_-_Prelude_from_Cello_Suite_in_Eflat.pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Editor=
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=8
|Publisher Information=New York: [[Carl Fischer]], 1931. Plate 26114
|Copyright=Public Domain
|Misc. Notes={{MIT Project}}
}}

| *****WORK INFO*****

|Work Title=Six Suites for Violoncello Solo, BWV 1007-1012
|Alternative Title=
|Opus/Catalogue Number=BWV 1007-1012
|Number of Movements/Sections=6
|Dedication=
|Key= 
#G major
#D minor
#C major
#E{{Flat}} major
#C minor
#D major
|Year/Date of Composition=1720?
|Year of First Publication=
|Genre=Single instrumental piece (no piano)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Violoncello Solo
|Tags=suites ; vc

| *****COMMENTS***** =

The Suite No.5 for Solo Cello BWV 1011 was transcribed for Lute by Bach himself. See the [[Lute Pieces, BWV 995-1000 (Bach, Johann Sebastian)|Bach, Johann Sebastian - Suite for Lute in G minor BWV 995 (manuscript from J.S. Bach)]].
 
The 6th suite was likely intended for the Violoncello Piccolo, a shoulder-held instrument with 5 strings.
{{Bluefatbox|title=See Also|body=
<center>[[List of Compositions Featuring the Cello]]</center>
}}

| *****END OF TEMPLATE***** }}

6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian)

2010-08-21T05:10:08Z

Andrewt:

{{#fte:imslppage

| *****FILES***** =

===Original Version (Cello solo)===
=====Manuscripts=====
{{#fte:imslpfile
|Editor=Anna Magdalena Bach, copyist
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2007/6/5
|Publisher Information=Manuscript, n.d.
|Copyright=Public Domain
|Misc. Notes=
|File Name 1=Bach_Suites_Manuscripts.pdf
|File Description 1=Complete Score
|Page Count 1=37
|Misc. Notes=source "A"
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_(Kellner).pdf
|File Description 1=Complete Score
|Page Count 1=27 (25 music)
|Editor=Johann Peter Kellner, copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1726|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "B". 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_C.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=2 anonymous copyists
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1750-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "C". 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_D.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=anonymous copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1775-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "D". 300 dpi 8 bit grayscale for increased legibility. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
=====Printed Editions=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_E.pdf
|File Description 1=Complete Score
|Page Count 1=53 (50 music)
|Editor=First edition
|Image Type=Normal Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Paris: Janet et Cotelle, ca. 1824. Plate 1497
|Copyright=Public Domain
|Misc. Notes=source "E". 600 dpi
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Sechs_Suiten_Für_Violoncello.pdf
|File Description 1=Complete Score
|Uploader 1=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted 1=2007/8/21
|Page Count 1=37 (#59-94)
|Amazon={{AmazonLinks|0486256413}} - Dover (reprint)
|File Name 2=BWV1007.pdf
|File Description 2=Suite No.1 in G, BWV 1007
|Editor=Alfred Dörffel (1821-1905)
|Scanner=Unknown
|Uploader 2=[[User:Shikamoo|shikamoo]]
|Date Submitted 2=2006/8/25
|Page Count 2=6
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]] (1851-1899), Band 27.1'' Leipzig: [[Breitkopf & Härtel]], 1879, plate B.W. XXVII (1)
|Copyright=Public Domain
|Misc. Notes=
|Image Type=Normal Scan
|File Name 3=BWV1008.pdf
|File Name 4=BWV1009.pdf
|File Name 5=BWV1010.pdf
|File Name 6=BWV1011.pdf
|File Name 7=BWV1012.pdf
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 3=4
|Page Count 4=6
|Page Count 5=7
|Page Count 6=6
|Page Count 7=8
|Uploader 3=[[User:Shikamoo|shikamoo]]
|Date Submitted 3=2006/8/25
|Uploader 4=[[User:Shikamoo|shikamoo]]
|Date Submitted 4=2006/8/25
|Uploader 5=[[User:Shikamoo|shikamoo]]
|Date Submitted 5=2006/8/25
|Uploader 6=[[User:Shikamoo|shikamoo]]
|Date Submitted 6=2006/8/25
|Uploader 7=[[User:Shikamoo|shikamoo]]
|Date Submitted 7=2006/8/25
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach-BWV1007-1012klengel.pdf
|File Name 2=PMLP04291-Bach-BWV1007klengel.pdf
|File Name 3=PMLP04291-Bach-BWV1008klengel.pdf
|File Name 4=PMLP04291-Bach-BWV1009klengel.pdf
|File Name 5=PMLP04291-Bach-BWV1010klengel.pdf
|File Name 6=PMLP04291-Bach-BWV1011klengel.pdf
|File Name 7=PMLP04291-Bach-BWV1012klengel.pdf
|File Description 1=Six Suites, BWV 1007-1012 - complete
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 1=44
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=12
|Page Count 7=8
|Editor=[[:Category:Klengel, Julius|Julius Klengel (1859-1933)]]
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2009/8/13
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d.(ca.1900), plate 22879
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_complete.pdf
|File Name 2=PMLP04291-Bach_-_Cello_Suite_No1_in_G_(Becker_Peters).pdf
|File Name 3=PMLP04291-Bach_-_Cello_Suite_No2_in_Dm_(Becker_Peters).pdf
|File Name 4=PMLP04291-Bach_-_Cello_Suite_No3_in_C_(Becker_Peters).pdf
|File Name 5=PMLP04291-Bach_-_Cello_Suite_No4_in_Eb_(Becker_Peters).pdf
|File Name 6=PMLP04291-Bach_-_Cello_Suite_No5_in_Cm_(Becker_Peters).pdf
|File Name 7=PMLP04291-Bach_-_Cello_Suite_No6_in_D_(Becker_Peters).pdf
|File Name 8=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_Color_Cover.pdf
|File Description 1=Complete Score
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|File Description 8=Color Covers
|Page Count 1=46
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=10
|Page Count 7=8
|Page Count 8=3
|Editor=Hugo Becker (1863 - 1941)
|Image Type=Normal Scan
|Scanner=[[User:Generoso|Generoso]]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/7/10
|Publisher Information=Leipzig: [[C.F. Peters]], No.238, n.d.(ca.1911). Plate 9148.
|Copyright=Public Domain
|Misc. Notes=
}}

====Suite No.1 in G, BWV 1007====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_suite1_Menuets.pdf
|File Description 1=Menuets I and II
|Page Count 1=1
|Editor=
|Image Type=Typeset
|Scanner=Yves Verbandt
|Uploader=[[User:Yverband|Yverband]]
|Date Submitted=2010/3/5
|Publisher Information=Yves Verbandt
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
====Suite No.6 in D, BWV 1012====
{{#fte:imslpfile
|File Name 1=Bach_-_Violin_Suite_No_6_(Violoncello)_Rus._Izdanie.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted=2007/8/21
|Page Count 1=13
|Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.
|Copyright=Public Domain
|Misc. Notes=
}}
===Arrangements and Transcriptions===
=====For Trumpet Solo (Lichtmann)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_arr_Lichtmann_Suite1_Tr_BWV1007.pdf
|File Description 1=Suite No.1 in G, BWV 1007, arranger's comments
|Page Count 1=13
|File Name 2=PMLP04291-Bach_arr_Lichtmann_Suite2_Tr_BWV1008.pdf
|File Description 2=Suite No.2 in D minor, BWV 1008
|Page Count 2=8
|File Name 3=PMLP04291-Bach_arr_Lichtmann_Suite3_Tr_BWV1009.pdf
|File Description 3=Suite No.3 in C - BWV 1009
|Page Count 3=12
|Editor=
|Arranger=Jay Lichtmann
|Image Type=New Composition
|Scanner=[http://uhaweb.hartford.edu/lichtmann/ Jay Lichtmann]
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/7/27
|Publisher Information=Jay Lichtmann
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Cello Quartet (Leonovich)=====
{{#fte:imslpfile
|File Name 1=PreludeandFugue.pdf
|File Description 1=Suite No.5, BWV 1011 - Prelude
|Editor=
|Arranger=Yuriy Leonovich
|Image Type=New Composition
|Scanner=Yuriy Leonovich
|Uploader=[[User:YuriyLcello|YuriyLcello]]
|Date Submitted=2007/6/8
|Page Count 1=8
|Publisher Information=Yuriy Leonovich, 2007
|Copyright=Creative Commons Attribution No Derivatives 3.0
|Misc. Notes=
}}
=====For Viola and Piano (Stade)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_-_Viola_-_Suite_No.1.pdf
|File Name 2=PMLP04291-Bach_-_Viola_-_Suite_No.2.pdf
|File Name 3=PMLP04291-Bach_-_Viola_-_Suite_No.4.pdf
|File Name 4=PMLP04291-Bach_-_Viola_-_Suite_No.6.pdf
|File Description 1=Suite No.1 in G, BWV 1007 (Viola Part only)
|File Description 2=Suite No.2 in D minor, BWV 1008 (Viola Part only)
|File Description 3=Suite No.4 in E{{flat}} (Viola Part only)
|File Description 4=Suite No.6 in D, BWV 1012 (Viola Part only)
|Page Count 1=6
|Page Count 2=6
|Page Count 3=8
|Page Count 4=8
|Editor=
|Arranger=Wilhelm Stade (1817-1902)
|Image Type=Normal Scan
|Scanner=[[User:Peter|Peter]] [[User talk:Peter|talk]]
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2008/9/27
|Publisher Information=Leipzig: Gustav Heinze, n.d. Plates G. 85-97 H.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Cello and Piano (Smith)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Sarabande_score.pdf
|File Name 2=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Gavottes_score.pdf
|File Name 3=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_cello.pdf
|File Name 4=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_color_cover.pdf
|File Description 1=Suite No.6 in D, BWV 1012: Sarabande - Piano Score
|File Description 2=Suite No.6 in D, BWV 1012: Gavottes - Piano Score
|File Description 3=Suite No.6 in D, BWV 1012: Sarabande and Gavottes - Cello part
|File Description 4=Color Cover
|Page Count 1=6
|Page Count 2=6
|Page Count 3=4
|Page Count 4=1
|Arranger=Leo Smith (1881-1952)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10723}}
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/5/22
|Publisher Information=New York: [[G. Schirmer]], 1915. Plate 24591-2
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
=====For Viola solo (Alphonse)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Johann_Sebastian_Bach_-_Unaccompanied_Cello_Suites_-_Suite_1_Prelude_transposed_for_Viola.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=J-Raimon Alphonse
|Image Type=New Composition
|Scanner=J-Raimon Alphonse
|Uploader=[[User:Jean|J-Raimon Alphonse]]
|Date Submitted=2008/8/3
|Publisher Information=J-Raimon Alphonse
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Viola solo=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Suite_No_4_in_E_flat_for_Viola_solo_(Paxton).pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Page Count 1=7
|Editor=
|Image Type=Normal Scan
|Scanner=[http://sheetmusic.library.sc.edu/Music.asp?mid=3082 USC]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/6/10
|Publisher Information=London: W. Paxton & Co., n.d.[1926]. Plate 67014.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Viola solo (Spindler)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_Suites_for_Viola_Ed.Russa.pdf
|File Description 1=Viola Part of Complete Suites
|Page Count 1=68
|Editor=
|Arranger=Fritz Spindler (1817-1905)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Zelenka|Zelenka]]
|Date Submitted=2009/3/9
|Publisher Information=Moscow: [[Muzgiz]], 1962, Plate 29137
|Copyright=Public Domain
|Misc. Notes=It seems to be a reissue of Hofmeister Edition. Spindler was a Viola player in Gewandhaus Orchestra Leipzig.
}}
=====For Double Bass (Vul)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-bach_vcs1p.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=Andrey Vul
|Image Type=Typeset
|Scanner=Andrey Vul
|Uploader=[[User:Andreyvul|Andreyvul]]
|Date Submitted=2009/6/4
|Publisher Information=Andrey Vul
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=For string bass solo
}}
=====For Piano solo (Godowsky)=====
{{#fte:imslpfile
|File Name 1=Godowsky_Bach_Suite_Nr.2.pdf
|File Description 1=Suite No.2 in D minor, BWV 1008
|Editor=
|Arranger=[[:Category:Godowsky, Leopold|Leopold Godowsky]] (1870-1938)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2007/6/22
|Page Count 1=30
|Publisher Information=New York: [[Carl Fischer]], 1924, plates 23078, 22950, 22936
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=Godowsky_Bach_Suite_Nr.3.pdf
|File Description 2=Suite No.3 in C, BWV 1009
|Page Count 2=33
|File Name 3=Bach-Godowsky-Cello-Suite-5.pdf
|File Description 3=Suite No.5 in C minor, BWV 1011
|Page Count 3=33 (#3-35)
}}
=====For Piano solo (Siloti)=====
{{#fte:imslpfile
|File Name 1=Siloti_-_Bach_Cello_Suite_Transcriptions.pdf
|File Description 1=Four Etudes (excerpts), piano transcription 1. Suite No.3, BWV 1009 - Prelude 2. Suite No.3, BWV 1009 - Bourée 3. Suite No.1, BWV 1007 - Prelude 4. Suite No.1, BWV 1007 - Courante
|Editor=Albert Spalding
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=15
|Publisher Information=Moscow: [[A. Gutheil]], n.d.[ca.1914], Plate A.10379 G.
|Reprint=London: Musica Obscura, n.d.
|Copyright=Public Domain
|Misc. Notes={{MIT project}}
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Siloti_-_Prelude_from_Cello_Suite_in_Eflat.pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Editor=
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=8
|Publisher Information=New York: [[Carl Fischer]], 1931. Plate 26114
|Copyright=Public Domain
|Misc. Notes={{MIT Project}}
}}

| *****WORK INFO*****

|Work Title=Six Suites for Violoncello Solo, BWV 1007-1012
|Alternative Title=
|Opus/Catalogue Number=BWV 1007-1012
|Number of Movements/Sections=6
|Dedication=
|Key= 
#G major
#D minor
#C major
#E{{Flat}} major
#C minor
#D major
|Year/Date of Composition=1720?
|Year of First Publication=
|Genre=Single instrumental piece (no piano)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Violoncello Solo
|Tags=suites ; vc

| *****COMMENTS***** =

The Suite No.5 for Solo Cello BWV 1011 was transcribed for Lute by Bach himself. See the [[Lute Pieces, BWV 995-1000 (Bach, Johann Sebastian)|Bach, Johann Sebastian - Suite for Lute in G minor BWV 995 (manuscript from J.S. Bach)]].
 
The 6th suite was likely intended for the Violoncello Piccolo, a shoulder-held instrument with 5 strings.
{{Bluefatbox|title=See Also|body=
<center>[[List of Compositions Featuring the Cello]]</center>
}}

| *****END OF TEMPLATE***** }}

6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian)

2010-08-21T05:09:43Z

Andrewt:

{{#fte:imslppage

| *****FILES***** =

===Original Version (Cello solo)===
=====Manuscripts=====
{{#fte:imslpfile
|Editor=Anna Magdalena Bach, copyist
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2007/6/5
|Publisher Information=Manuscript, n.d.
|Copyright=Public Domain
|Misc. Notes=
|File Name 1=Bach_Suites_Manuscripts.pdf
|File Description 1=Complete Score
|Page Count 1=37
|Misc. Notes=source "A"
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_(Kellner).pdf
|File Description 1=Complete Score
|Page Count 1=27 (25 music)
|Editor=Johann Peter Kellner, copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1726|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "B". 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_C.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=2 anonymous copyists
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1750-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "C". 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_D.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=anonymous copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1775-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "D". 300 dpi 8 bit grayscale for increased legibility. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
=====Printed Editions=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_E.pdf
|File Description 1=Complete Score
|Page Count 1=53 (50 music)
|Editor=First edition
|Image Type=Normal Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Paris: Janet et Cotelle, ca. 1824. Plate 1497
|Copyright=Public Domain
|Misc. Notes=source "E" 600 dpi
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Sechs_Suiten_Für_Violoncello.pdf
|File Description 1=Complete Score
|Uploader 1=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted 1=2007/8/21
|Page Count 1=37 (#59-94)
|Amazon={{AmazonLinks|0486256413}} - Dover (reprint)
|File Name 2=BWV1007.pdf
|File Description 2=Suite No.1 in G, BWV 1007
|Editor=Alfred Dörffel (1821-1905)
|Scanner=Unknown
|Uploader 2=[[User:Shikamoo|shikamoo]]
|Date Submitted 2=2006/8/25
|Page Count 2=6
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]] (1851-1899), Band 27.1'' Leipzig: [[Breitkopf & Härtel]], 1879, plate B.W. XXVII (1)
|Copyright=Public Domain
|Misc. Notes=
|Image Type=Normal Scan
|File Name 3=BWV1008.pdf
|File Name 4=BWV1009.pdf
|File Name 5=BWV1010.pdf
|File Name 6=BWV1011.pdf
|File Name 7=BWV1012.pdf
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 3=4
|Page Count 4=6
|Page Count 5=7
|Page Count 6=6
|Page Count 7=8
|Uploader 3=[[User:Shikamoo|shikamoo]]
|Date Submitted 3=2006/8/25
|Uploader 4=[[User:Shikamoo|shikamoo]]
|Date Submitted 4=2006/8/25
|Uploader 5=[[User:Shikamoo|shikamoo]]
|Date Submitted 5=2006/8/25
|Uploader 6=[[User:Shikamoo|shikamoo]]
|Date Submitted 6=2006/8/25
|Uploader 7=[[User:Shikamoo|shikamoo]]
|Date Submitted 7=2006/8/25
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach-BWV1007-1012klengel.pdf
|File Name 2=PMLP04291-Bach-BWV1007klengel.pdf
|File Name 3=PMLP04291-Bach-BWV1008klengel.pdf
|File Name 4=PMLP04291-Bach-BWV1009klengel.pdf
|File Name 5=PMLP04291-Bach-BWV1010klengel.pdf
|File Name 6=PMLP04291-Bach-BWV1011klengel.pdf
|File Name 7=PMLP04291-Bach-BWV1012klengel.pdf
|File Description 1=Six Suites, BWV 1007-1012 - complete
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 1=44
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=12
|Page Count 7=8
|Editor=[[:Category:Klengel, Julius|Julius Klengel (1859-1933)]]
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2009/8/13
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d.(ca.1900), plate 22879
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_complete.pdf
|File Name 2=PMLP04291-Bach_-_Cello_Suite_No1_in_G_(Becker_Peters).pdf
|File Name 3=PMLP04291-Bach_-_Cello_Suite_No2_in_Dm_(Becker_Peters).pdf
|File Name 4=PMLP04291-Bach_-_Cello_Suite_No3_in_C_(Becker_Peters).pdf
|File Name 5=PMLP04291-Bach_-_Cello_Suite_No4_in_Eb_(Becker_Peters).pdf
|File Name 6=PMLP04291-Bach_-_Cello_Suite_No5_in_Cm_(Becker_Peters).pdf
|File Name 7=PMLP04291-Bach_-_Cello_Suite_No6_in_D_(Becker_Peters).pdf
|File Name 8=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_Color_Cover.pdf
|File Description 1=Complete Score
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|File Description 8=Color Covers
|Page Count 1=46
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=10
|Page Count 7=8
|Page Count 8=3
|Editor=Hugo Becker (1863 - 1941)
|Image Type=Normal Scan
|Scanner=[[User:Generoso|Generoso]]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/7/10
|Publisher Information=Leipzig: [[C.F. Peters]], No.238, n.d.(ca.1911). Plate 9148.
|Copyright=Public Domain
|Misc. Notes=
}}

====Suite No.1 in G, BWV 1007====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_suite1_Menuets.pdf
|File Description 1=Menuets I and II
|Page Count 1=1
|Editor=
|Image Type=Typeset
|Scanner=Yves Verbandt
|Uploader=[[User:Yverband|Yverband]]
|Date Submitted=2010/3/5
|Publisher Information=Yves Verbandt
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
====Suite No.6 in D, BWV 1012====
{{#fte:imslpfile
|File Name 1=Bach_-_Violin_Suite_No_6_(Violoncello)_Rus._Izdanie.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted=2007/8/21
|Page Count 1=13
|Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.
|Copyright=Public Domain
|Misc. Notes=
}}
===Arrangements and Transcriptions===
=====For Trumpet Solo (Lichtmann)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_arr_Lichtmann_Suite1_Tr_BWV1007.pdf
|File Description 1=Suite No.1 in G, BWV 1007, arranger's comments
|Page Count 1=13
|File Name 2=PMLP04291-Bach_arr_Lichtmann_Suite2_Tr_BWV1008.pdf
|File Description 2=Suite No.2 in D minor, BWV 1008
|Page Count 2=8
|File Name 3=PMLP04291-Bach_arr_Lichtmann_Suite3_Tr_BWV1009.pdf
|File Description 3=Suite No.3 in C - BWV 1009
|Page Count 3=12
|Editor=
|Arranger=Jay Lichtmann
|Image Type=New Composition
|Scanner=[http://uhaweb.hartford.edu/lichtmann/ Jay Lichtmann]
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/7/27
|Publisher Information=Jay Lichtmann
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Cello Quartet (Leonovich)=====
{{#fte:imslpfile
|File Name 1=PreludeandFugue.pdf
|File Description 1=Suite No.5, BWV 1011 - Prelude
|Editor=
|Arranger=Yuriy Leonovich
|Image Type=New Composition
|Scanner=Yuriy Leonovich
|Uploader=[[User:YuriyLcello|YuriyLcello]]
|Date Submitted=2007/6/8
|Page Count 1=8
|Publisher Information=Yuriy Leonovich, 2007
|Copyright=Creative Commons Attribution No Derivatives 3.0
|Misc. Notes=
}}
=====For Viola and Piano (Stade)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_-_Viola_-_Suite_No.1.pdf
|File Name 2=PMLP04291-Bach_-_Viola_-_Suite_No.2.pdf
|File Name 3=PMLP04291-Bach_-_Viola_-_Suite_No.4.pdf
|File Name 4=PMLP04291-Bach_-_Viola_-_Suite_No.6.pdf
|File Description 1=Suite No.1 in G, BWV 1007 (Viola Part only)
|File Description 2=Suite No.2 in D minor, BWV 1008 (Viola Part only)
|File Description 3=Suite No.4 in E{{flat}} (Viola Part only)
|File Description 4=Suite No.6 in D, BWV 1012 (Viola Part only)
|Page Count 1=6
|Page Count 2=6
|Page Count 3=8
|Page Count 4=8
|Editor=
|Arranger=Wilhelm Stade (1817-1902)
|Image Type=Normal Scan
|Scanner=[[User:Peter|Peter]] [[User talk:Peter|talk]]
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2008/9/27
|Publisher Information=Leipzig: Gustav Heinze, n.d. Plates G. 85-97 H.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Cello and Piano (Smith)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Sarabande_score.pdf
|File Name 2=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Gavottes_score.pdf
|File Name 3=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_cello.pdf
|File Name 4=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_color_cover.pdf
|File Description 1=Suite No.6 in D, BWV 1012: Sarabande - Piano Score
|File Description 2=Suite No.6 in D, BWV 1012: Gavottes - Piano Score
|File Description 3=Suite No.6 in D, BWV 1012: Sarabande and Gavottes - Cello part
|File Description 4=Color Cover
|Page Count 1=6
|Page Count 2=6
|Page Count 3=4
|Page Count 4=1
|Arranger=Leo Smith (1881-1952)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10723}}
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/5/22
|Publisher Information=New York: [[G. Schirmer]], 1915. Plate 24591-2
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
=====For Viola solo (Alphonse)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Johann_Sebastian_Bach_-_Unaccompanied_Cello_Suites_-_Suite_1_Prelude_transposed_for_Viola.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=J-Raimon Alphonse
|Image Type=New Composition
|Scanner=J-Raimon Alphonse
|Uploader=[[User:Jean|J-Raimon Alphonse]]
|Date Submitted=2008/8/3
|Publisher Information=J-Raimon Alphonse
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Viola solo=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Suite_No_4_in_E_flat_for_Viola_solo_(Paxton).pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Page Count 1=7
|Editor=
|Image Type=Normal Scan
|Scanner=[http://sheetmusic.library.sc.edu/Music.asp?mid=3082 USC]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/6/10
|Publisher Information=London: W. Paxton & Co., n.d.[1926]. Plate 67014.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Viola solo (Spindler)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_Suites_for_Viola_Ed.Russa.pdf
|File Description 1=Viola Part of Complete Suites
|Page Count 1=68
|Editor=
|Arranger=Fritz Spindler (1817-1905)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Zelenka|Zelenka]]
|Date Submitted=2009/3/9
|Publisher Information=Moscow: [[Muzgiz]], 1962, Plate 29137
|Copyright=Public Domain
|Misc. Notes=It seems to be a reissue of Hofmeister Edition. Spindler was a Viola player in Gewandhaus Orchestra Leipzig.
}}
=====For Double Bass (Vul)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-bach_vcs1p.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=Andrey Vul
|Image Type=Typeset
|Scanner=Andrey Vul
|Uploader=[[User:Andreyvul|Andreyvul]]
|Date Submitted=2009/6/4
|Publisher Information=Andrey Vul
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=For string bass solo
}}
=====For Piano solo (Godowsky)=====
{{#fte:imslpfile
|File Name 1=Godowsky_Bach_Suite_Nr.2.pdf
|File Description 1=Suite No.2 in D minor, BWV 1008
|Editor=
|Arranger=[[:Category:Godowsky, Leopold|Leopold Godowsky]] (1870-1938)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2007/6/22
|Page Count 1=30
|Publisher Information=New York: [[Carl Fischer]], 1924, plates 23078, 22950, 22936
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=Godowsky_Bach_Suite_Nr.3.pdf
|File Description 2=Suite No.3 in C, BWV 1009
|Page Count 2=33
|File Name 3=Bach-Godowsky-Cello-Suite-5.pdf
|File Description 3=Suite No.5 in C minor, BWV 1011
|Page Count 3=33 (#3-35)
}}
=====For Piano solo (Siloti)=====
{{#fte:imslpfile
|File Name 1=Siloti_-_Bach_Cello_Suite_Transcriptions.pdf
|File Description 1=Four Etudes (excerpts), piano transcription 1. Suite No.3, BWV 1009 - Prelude 2. Suite No.3, BWV 1009 - Bourée 3. Suite No.1, BWV 1007 - Prelude 4. Suite No.1, BWV 1007 - Courante
|Editor=Albert Spalding
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=15
|Publisher Information=Moscow: [[A. Gutheil]], n.d.[ca.1914], Plate A.10379 G.
|Reprint=London: Musica Obscura, n.d.
|Copyright=Public Domain
|Misc. Notes={{MIT project}}
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Siloti_-_Prelude_from_Cello_Suite_in_Eflat.pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Editor=
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=8
|Publisher Information=New York: [[Carl Fischer]], 1931. Plate 26114
|Copyright=Public Domain
|Misc. Notes={{MIT Project}}
}}

| *****WORK INFO*****

|Work Title=Six Suites for Violoncello Solo, BWV 1007-1012
|Alternative Title=
|Opus/Catalogue Number=BWV 1007-1012
|Number of Movements/Sections=6
|Dedication=
|Key= 
#G major
#D minor
#C major
#E{{Flat}} major
#C minor
#D major
|Year/Date of Composition=1720?
|Year of First Publication=
|Genre=Single instrumental piece (no piano)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Violoncello Solo
|Tags=suites ; vc

| *****COMMENTS***** =

The Suite No.5 for Solo Cello BWV 1011 was transcribed for Lute by Bach himself. See the [[Lute Pieces, BWV 995-1000 (Bach, Johann Sebastian)|Bach, Johann Sebastian - Suite for Lute in G minor BWV 995 (manuscript from J.S. Bach)]].
 
The 6th suite was likely intended for the Violoncello Piccolo, a shoulder-held instrument with 5 strings.
{{Bluefatbox|title=See Also|body=
<center>[[List of Compositions Featuring the Cello]]</center>
}}

| *****END OF TEMPLATE***** }}

6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian)

2010-08-21T05:08:36Z

Andrewt: Added 1 files to Suites for Violoncello Solo, BWV 1007-1012 (Bach, Johann Sebastian)

{{#fte:imslppage

| *****FILES***** =

===Original Version (Cello solo)===
=====Manuscripts=====
{{#fte:imslpfile
|Editor=Anna Magdalena Bach, copyist
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2007/6/5
|Publisher Information=Manuscript, n.d.
|Copyright=Public Domain
|Misc. Notes=
|File Name 1=Bach_Suites_Manuscripts.pdf
|File Description 1=Complete Score
|Page Count 1=37
|Misc. Notes=source "A"
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_(Kellner).pdf
|File Description 1=Complete Score
|Page Count 1=27 (25 music)
|Editor=Johann Peter Kellner, copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1726|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "B". 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_C.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=2 anonymous copyists
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1750-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "C". 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_D.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=anonymous copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1775-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "D". 300 dpi 8 bit grayscale for increased legibility. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
=====Printed Editions=====
{{#fte:imslpfile
|File Name 1=Bach_-_Sechs_Suiten_Für_Violoncello.pdf
|File Description 1=Complete Score
|Uploader 1=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted 1=2007/8/21
|Page Count 1=37 (#59-94)
|Amazon={{AmazonLinks|0486256413}} - Dover (reprint)
|File Name 2=BWV1007.pdf
|File Description 2=Suite No.1 in G, BWV 1007
|Editor=Alfred Dörffel (1821-1905)
|Scanner=Unknown
|Uploader 2=[[User:Shikamoo|shikamoo]]
|Date Submitted 2=2006/8/25
|Page Count 2=6
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]] (1851-1899), Band 27.1'' Leipzig: [[Breitkopf & Härtel]], 1879, plate B.W. XXVII (1)
|Copyright=Public Domain
|Misc. Notes=
|Image Type=Normal Scan
|File Name 3=BWV1008.pdf
|File Name 4=BWV1009.pdf
|File Name 5=BWV1010.pdf
|File Name 6=BWV1011.pdf
|File Name 7=BWV1012.pdf
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 3=4
|Page Count 4=6
|Page Count 5=7
|Page Count 6=6
|Page Count 7=8
|Uploader 3=[[User:Shikamoo|shikamoo]]
|Date Submitted 3=2006/8/25
|Uploader 4=[[User:Shikamoo|shikamoo]]
|Date Submitted 4=2006/8/25
|Uploader 5=[[User:Shikamoo|shikamoo]]
|Date Submitted 5=2006/8/25
|Uploader 6=[[User:Shikamoo|shikamoo]]
|Date Submitted 6=2006/8/25
|Uploader 7=[[User:Shikamoo|shikamoo]]
|Date Submitted 7=2006/8/25
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach-BWV1007-1012klengel.pdf
|File Name 2=PMLP04291-Bach-BWV1007klengel.pdf
|File Name 3=PMLP04291-Bach-BWV1008klengel.pdf
|File Name 4=PMLP04291-Bach-BWV1009klengel.pdf
|File Name 5=PMLP04291-Bach-BWV1010klengel.pdf
|File Name 6=PMLP04291-Bach-BWV1011klengel.pdf
|File Name 7=PMLP04291-Bach-BWV1012klengel.pdf
|File Description 1=Six Suites, BWV 1007-1012 - complete
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 1=44
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=12
|Page Count 7=8
|Editor=[[:Category:Klengel, Julius|Julius Klengel (1859-1933)]]
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2009/8/13
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d.(ca.1900), plate 22879
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_complete.pdf
|File Name 2=PMLP04291-Bach_-_Cello_Suite_No1_in_G_(Becker_Peters).pdf
|File Name 3=PMLP04291-Bach_-_Cello_Suite_No2_in_Dm_(Becker_Peters).pdf
|File Name 4=PMLP04291-Bach_-_Cello_Suite_No3_in_C_(Becker_Peters).pdf
|File Name 5=PMLP04291-Bach_-_Cello_Suite_No4_in_Eb_(Becker_Peters).pdf
|File Name 6=PMLP04291-Bach_-_Cello_Suite_No5_in_Cm_(Becker_Peters).pdf
|File Name 7=PMLP04291-Bach_-_Cello_Suite_No6_in_D_(Becker_Peters).pdf
|File Name 8=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_Color_Cover.pdf
|File Description 1=Complete Score
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|File Description 8=Color Covers
|Page Count 1=46
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=10
|Page Count 7=8
|Page Count 8=3
|Editor=Hugo Becker (1863 - 1941)
|Image Type=Normal Scan
|Scanner=[[User:Generoso|Generoso]]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/7/10
|Publisher Information=Leipzig: [[C.F. Peters]], No.238, n.d.(ca.1911). Plate 9148.
|Copyright=Public Domain
|Misc. Notes=
}}

====Suite No.1 in G, BWV 1007====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_suite1_Menuets.pdf
|File Description 1=Menuets I and II
|Page Count 1=1
|Editor=
|Image Type=Typeset
|Scanner=Yves Verbandt
|Uploader=[[User:Yverband|Yverband]]
|Date Submitted=2010/3/5
|Publisher Information=Yves Verbandt
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
====Suite No.6 in D, BWV 1012====
{{#fte:imslpfile
|File Name 1=Bach_-_Violin_Suite_No_6_(Violoncello)_Rus._Izdanie.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted=2007/8/21
|Page Count 1=13
|Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.
|Copyright=Public Domain
|Misc. Notes=
}}
===Arrangements and Transcriptions===
=====For Trumpet Solo (Lichtmann)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_arr_Lichtmann_Suite1_Tr_BWV1007.pdf
|File Description 1=Suite No.1 in G, BWV 1007, arranger's comments
|Page Count 1=13
|File Name 2=PMLP04291-Bach_arr_Lichtmann_Suite2_Tr_BWV1008.pdf
|File Description 2=Suite No.2 in D minor, BWV 1008
|Page Count 2=8
|File Name 3=PMLP04291-Bach_arr_Lichtmann_Suite3_Tr_BWV1009.pdf
|File Description 3=Suite No.3 in C - BWV 1009
|Page Count 3=12
|Editor=
|Arranger=Jay Lichtmann
|Image Type=New Composition
|Scanner=[http://uhaweb.hartford.edu/lichtmann/ Jay Lichtmann]
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/7/27
|Publisher Information=Jay Lichtmann
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Cello Quartet (Leonovich)=====
{{#fte:imslpfile
|File Name 1=PreludeandFugue.pdf
|File Description 1=Suite No.5, BWV 1011 - Prelude
|Editor=
|Arranger=Yuriy Leonovich
|Image Type=New Composition
|Scanner=Yuriy Leonovich
|Uploader=[[User:YuriyLcello|YuriyLcello]]
|Date Submitted=2007/6/8
|Page Count 1=8
|Publisher Information=Yuriy Leonovich, 2007
|Copyright=Creative Commons Attribution No Derivatives 3.0
|Misc. Notes=
}}
=====For Viola and Piano (Stade)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_-_Viola_-_Suite_No.1.pdf
|File Name 2=PMLP04291-Bach_-_Viola_-_Suite_No.2.pdf
|File Name 3=PMLP04291-Bach_-_Viola_-_Suite_No.4.pdf
|File Name 4=PMLP04291-Bach_-_Viola_-_Suite_No.6.pdf
|File Description 1=Suite No.1 in G, BWV 1007 (Viola Part only)
|File Description 2=Suite No.2 in D minor, BWV 1008 (Viola Part only)
|File Description 3=Suite No.4 in E{{flat}} (Viola Part only)
|File Description 4=Suite No.6 in D, BWV 1012 (Viola Part only)
|Page Count 1=6
|Page Count 2=6
|Page Count 3=8
|Page Count 4=8
|Editor=
|Arranger=Wilhelm Stade (1817-1902)
|Image Type=Normal Scan
|Scanner=[[User:Peter|Peter]] [[User talk:Peter|talk]]
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2008/9/27
|Publisher Information=Leipzig: Gustav Heinze, n.d. Plates G. 85-97 H.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Cello and Piano (Smith)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Sarabande_score.pdf
|File Name 2=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Gavottes_score.pdf
|File Name 3=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_cello.pdf
|File Name 4=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_color_cover.pdf
|File Description 1=Suite No.6 in D, BWV 1012: Sarabande - Piano Score
|File Description 2=Suite No.6 in D, BWV 1012: Gavottes - Piano Score
|File Description 3=Suite No.6 in D, BWV 1012: Sarabande and Gavottes - Cello part
|File Description 4=Color Cover
|Page Count 1=6
|Page Count 2=6
|Page Count 3=4
|Page Count 4=1
|Arranger=Leo Smith (1881-1952)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10723}}
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/5/22
|Publisher Information=New York: [[G. Schirmer]], 1915. Plate 24591-2
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
=====For Viola solo (Alphonse)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Johann_Sebastian_Bach_-_Unaccompanied_Cello_Suites_-_Suite_1_Prelude_transposed_for_Viola.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=J-Raimon Alphonse
|Image Type=New Composition
|Scanner=J-Raimon Alphonse
|Uploader=[[User:Jean|J-Raimon Alphonse]]
|Date Submitted=2008/8/3
|Publisher Information=J-Raimon Alphonse
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Viola solo=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Suite_No_4_in_E_flat_for_Viola_solo_(Paxton).pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Page Count 1=7
|Editor=
|Image Type=Normal Scan
|Scanner=[http://sheetmusic.library.sc.edu/Music.asp?mid=3082 USC]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/6/10
|Publisher Information=London: W. Paxton & Co., n.d.[1926]. Plate 67014.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Viola solo (Spindler)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_Suites_for_Viola_Ed.Russa.pdf
|File Description 1=Viola Part of Complete Suites
|Page Count 1=68
|Editor=
|Arranger=Fritz Spindler (1817-1905)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Zelenka|Zelenka]]
|Date Submitted=2009/3/9
|Publisher Information=Moscow: [[Muzgiz]], 1962, Plate 29137
|Copyright=Public Domain
|Misc. Notes=It seems to be a reissue of Hofmeister Edition. Spindler was a Viola player in Gewandhaus Orchestra Leipzig.
}}
=====For Double Bass (Vul)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-bach_vcs1p.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=Andrey Vul
|Image Type=Typeset
|Scanner=Andrey Vul
|Uploader=[[User:Andreyvul|Andreyvul]]
|Date Submitted=2009/6/4
|Publisher Information=Andrey Vul
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=For string bass solo
}}
=====For Piano solo (Godowsky)=====
{{#fte:imslpfile
|File Name 1=Godowsky_Bach_Suite_Nr.2.pdf
|File Description 1=Suite No.2 in D minor, BWV 1008
|Editor=
|Arranger=[[:Category:Godowsky, Leopold|Leopold Godowsky]] (1870-1938)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2007/6/22
|Page Count 1=30
|Publisher Information=New York: [[Carl Fischer]], 1924, plates 23078, 22950, 22936
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=Godowsky_Bach_Suite_Nr.3.pdf
|File Description 2=Suite No.3 in C, BWV 1009
|Page Count 2=33
|File Name 3=Bach-Godowsky-Cello-Suite-5.pdf
|File Description 3=Suite No.5 in C minor, BWV 1011
|Page Count 3=33 (#3-35)
}}
=====For Piano solo (Siloti)=====
{{#fte:imslpfile
|File Name 1=Siloti_-_Bach_Cello_Suite_Transcriptions.pdf
|File Description 1=Four Etudes (excerpts), piano transcription 1. Suite No.3, BWV 1009 - Prelude 2. Suite No.3, BWV 1009 - Bourée 3. Suite No.1, BWV 1007 - Prelude 4. Suite No.1, BWV 1007 - Courante
|Editor=Albert Spalding
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=15
|Publisher Information=Moscow: [[A. Gutheil]], n.d.[ca.1914], Plate A.10379 G.
|Reprint=London: Musica Obscura, n.d.
|Copyright=Public Domain
|Misc. Notes={{MIT project}}
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Siloti_-_Prelude_from_Cello_Suite_in_Eflat.pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Editor=
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=8
|Publisher Information=New York: [[Carl Fischer]], 1931. Plate 26114
|Copyright=Public Domain
|Misc. Notes={{MIT Project}}
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_E.pdf
|File Description 1=Complete Score
|Page Count 1=53 (50 music)
|Editor=First edition
|Image Type=Normal Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Paris: Janet et Cotelle, ca. 1824. Plate 1497
|Copyright=Public Domain
|Misc. Notes=source "E" 600 dpi
}}

| *****WORK INFO*****

|Work Title=Six Suites for Violoncello Solo, BWV 1007-1012
|Alternative Title=
|Opus/Catalogue Number=BWV 1007-1012
|Number of Movements/Sections=6
|Dedication=
|Key= 
#G major
#D minor
#C major
#E{{Flat}} major
#C minor
#D major
|Year/Date of Composition=1720?
|Year of First Publication=
|Genre=Single instrumental piece (no piano)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Violoncello Solo
|Tags=suites ; vc

| *****COMMENTS***** =

The Suite No.5 for Solo Cello BWV 1011 was transcribed for Lute by Bach himself. See the [[Lute Pieces, BWV 995-1000 (Bach, Johann Sebastian)|Bach, Johann Sebastian - Suite for Lute in G minor BWV 995 (manuscript from J.S. Bach)]].
 
The 6th suite was likely intended for the Violoncello Piccolo, a shoulder-held instrument with 5 strings.
{{Bluefatbox|title=See Also|body=
<center>[[List of Compositions Featuring the Cello]]</center>
}}

| *****END OF TEMPLATE***** }}

File:PMLP04291-Bach - Cello Suites source E.pdf

2010-08-21T05:08:34Z

Andrewt:

6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian)

2010-08-21T05:08:31Z

Andrewt:

{{#fte:imslppage

| *****FILES***** =

===Original Version (Cello solo)===
=====Manuscripts=====
{{#fte:imslpfile
|Editor=Anna Magdalena Bach, copyist
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2007/6/5
|Publisher Information=Manuscript, n.d.
|Copyright=Public Domain
|Misc. Notes=
|File Name 1=Bach_Suites_Manuscripts.pdf
|File Description 1=Complete Score
|Page Count 1=37
|Misc. Notes=source "A"
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_(Kellner).pdf
|File Description 1=Complete Score
|Page Count 1=27 (25 music)
|Editor=Johann Peter Kellner, copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1726|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "B". 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_C.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=2 anonymous copyists
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1750-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "C". 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_D.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=anonymous copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1775-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "D". 300 dpi 8 bit grayscale for increased legibility. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
=====Printed Editions=====
{{#fte:imslpfile
|File Name 1=Bach_-_Sechs_Suiten_Für_Violoncello.pdf
|File Description 1=Complete Score
|Uploader 1=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted 1=2007/8/21
|Page Count 1=37 (#59-94)
|Amazon={{AmazonLinks|0486256413}} - Dover (reprint)
|File Name 2=BWV1007.pdf
|File Description 2=Suite No.1 in G, BWV 1007
|Editor=Alfred Dörffel (1821-1905)
|Scanner=Unknown
|Uploader 2=[[User:Shikamoo|shikamoo]]
|Date Submitted 2=2006/8/25
|Page Count 2=6
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]] (1851-1899), Band 27.1'' Leipzig: [[Breitkopf & Härtel]], 1879, plate B.W. XXVII (1)
|Copyright=Public Domain
|Misc. Notes=
|Image Type=Normal Scan
|File Name 3=BWV1008.pdf
|File Name 4=BWV1009.pdf
|File Name 5=BWV1010.pdf
|File Name 6=BWV1011.pdf
|File Name 7=BWV1012.pdf
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 3=4
|Page Count 4=6
|Page Count 5=7
|Page Count 6=6
|Page Count 7=8
|Uploader 3=[[User:Shikamoo|shikamoo]]
|Date Submitted 3=2006/8/25
|Uploader 4=[[User:Shikamoo|shikamoo]]
|Date Submitted 4=2006/8/25
|Uploader 5=[[User:Shikamoo|shikamoo]]
|Date Submitted 5=2006/8/25
|Uploader 6=[[User:Shikamoo|shikamoo]]
|Date Submitted 6=2006/8/25
|Uploader 7=[[User:Shikamoo|shikamoo]]
|Date Submitted 7=2006/8/25
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach-BWV1007-1012klengel.pdf
|File Name 2=PMLP04291-Bach-BWV1007klengel.pdf
|File Name 3=PMLP04291-Bach-BWV1008klengel.pdf
|File Name 4=PMLP04291-Bach-BWV1009klengel.pdf
|File Name 5=PMLP04291-Bach-BWV1010klengel.pdf
|File Name 6=PMLP04291-Bach-BWV1011klengel.pdf
|File Name 7=PMLP04291-Bach-BWV1012klengel.pdf
|File Description 1=Six Suites, BWV 1007-1012 - complete
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 1=44
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=12
|Page Count 7=8
|Editor=[[:Category:Klengel, Julius|Julius Klengel (1859-1933)]]
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2009/8/13
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d.(ca.1900), plate 22879
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_complete.pdf
|File Name 2=PMLP04291-Bach_-_Cello_Suite_No1_in_G_(Becker_Peters).pdf
|File Name 3=PMLP04291-Bach_-_Cello_Suite_No2_in_Dm_(Becker_Peters).pdf
|File Name 4=PMLP04291-Bach_-_Cello_Suite_No3_in_C_(Becker_Peters).pdf
|File Name 5=PMLP04291-Bach_-_Cello_Suite_No4_in_Eb_(Becker_Peters).pdf
|File Name 6=PMLP04291-Bach_-_Cello_Suite_No5_in_Cm_(Becker_Peters).pdf
|File Name 7=PMLP04291-Bach_-_Cello_Suite_No6_in_D_(Becker_Peters).pdf
|File Name 8=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_Color_Cover.pdf
|File Description 1=Complete Score
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|File Description 8=Color Covers
|Page Count 1=46
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=10
|Page Count 7=8
|Page Count 8=3
|Editor=Hugo Becker (1863 - 1941)
|Image Type=Normal Scan
|Scanner=[[User:Generoso|Generoso]]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/7/10
|Publisher Information=Leipzig: [[C.F. Peters]], No.238, n.d.(ca.1911). Plate 9148.
|Copyright=Public Domain
|Misc. Notes=
}}

====Suite No.1 in G, BWV 1007====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_suite1_Menuets.pdf
|File Description 1=Menuets I and II
|Page Count 1=1
|Editor=
|Image Type=Typeset
|Scanner=Yves Verbandt
|Uploader=[[User:Yverband|Yverband]]
|Date Submitted=2010/3/5
|Publisher Information=Yves Verbandt
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
====Suite No.6 in D, BWV 1012====
{{#fte:imslpfile
|File Name 1=Bach_-_Violin_Suite_No_6_(Violoncello)_Rus._Izdanie.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted=2007/8/21
|Page Count 1=13
|Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.
|Copyright=Public Domain
|Misc. Notes=
}}
===Arrangements and Transcriptions===
=====For Trumpet Solo (Lichtmann)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_arr_Lichtmann_Suite1_Tr_BWV1007.pdf
|File Description 1=Suite No.1 in G, BWV 1007, arranger's comments
|Page Count 1=13
|File Name 2=PMLP04291-Bach_arr_Lichtmann_Suite2_Tr_BWV1008.pdf
|File Description 2=Suite No.2 in D minor, BWV 1008
|Page Count 2=8
|File Name 3=PMLP04291-Bach_arr_Lichtmann_Suite3_Tr_BWV1009.pdf
|File Description 3=Suite No.3 in C - BWV 1009
|Page Count 3=12
|Editor=
|Arranger=Jay Lichtmann
|Image Type=New Composition
|Scanner=[http://uhaweb.hartford.edu/lichtmann/ Jay Lichtmann]
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/7/27
|Publisher Information=Jay Lichtmann
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Cello Quartet (Leonovich)=====
{{#fte:imslpfile
|File Name 1=PreludeandFugue.pdf
|File Description 1=Suite No.5, BWV 1011 - Prelude
|Editor=
|Arranger=Yuriy Leonovich
|Image Type=New Composition
|Scanner=Yuriy Leonovich
|Uploader=[[User:YuriyLcello|YuriyLcello]]
|Date Submitted=2007/6/8
|Page Count 1=8
|Publisher Information=Yuriy Leonovich, 2007
|Copyright=Creative Commons Attribution No Derivatives 3.0
|Misc. Notes=
}}
=====For Viola and Piano (Stade)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_-_Viola_-_Suite_No.1.pdf
|File Name 2=PMLP04291-Bach_-_Viola_-_Suite_No.2.pdf
|File Name 3=PMLP04291-Bach_-_Viola_-_Suite_No.4.pdf
|File Name 4=PMLP04291-Bach_-_Viola_-_Suite_No.6.pdf
|File Description 1=Suite No.1 in G, BWV 1007 (Viola Part only)
|File Description 2=Suite No.2 in D minor, BWV 1008 (Viola Part only)
|File Description 3=Suite No.4 in E{{flat}} (Viola Part only)
|File Description 4=Suite No.6 in D, BWV 1012 (Viola Part only)
|Page Count 1=6
|Page Count 2=6
|Page Count 3=8
|Page Count 4=8
|Editor=
|Arranger=Wilhelm Stade (1817-1902)
|Image Type=Normal Scan
|Scanner=[[User:Peter|Peter]] [[User talk:Peter|talk]]
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2008/9/27
|Publisher Information=Leipzig: Gustav Heinze, n.d. Plates G. 85-97 H.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Cello and Piano (Smith)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Sarabande_score.pdf
|File Name 2=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Gavottes_score.pdf
|File Name 3=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_cello.pdf
|File Name 4=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_color_cover.pdf
|File Description 1=Suite No.6 in D, BWV 1012: Sarabande - Piano Score
|File Description 2=Suite No.6 in D, BWV 1012: Gavottes - Piano Score
|File Description 3=Suite No.6 in D, BWV 1012: Sarabande and Gavottes - Cello part
|File Description 4=Color Cover
|Page Count 1=6
|Page Count 2=6
|Page Count 3=4
|Page Count 4=1
|Arranger=Leo Smith (1881-1952)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10723}}
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/5/22
|Publisher Information=New York: [[G. Schirmer]], 1915. Plate 24591-2
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
=====For Viola solo (Alphonse)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Johann_Sebastian_Bach_-_Unaccompanied_Cello_Suites_-_Suite_1_Prelude_transposed_for_Viola.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=J-Raimon Alphonse
|Image Type=New Composition
|Scanner=J-Raimon Alphonse
|Uploader=[[User:Jean|J-Raimon Alphonse]]
|Date Submitted=2008/8/3
|Publisher Information=J-Raimon Alphonse
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Viola solo=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Suite_No_4_in_E_flat_for_Viola_solo_(Paxton).pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Page Count 1=7
|Editor=
|Image Type=Normal Scan
|Scanner=[http://sheetmusic.library.sc.edu/Music.asp?mid=3082 USC]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/6/10
|Publisher Information=London: W. Paxton & Co., n.d.[1926]. Plate 67014.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Viola solo (Spindler)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_Suites_for_Viola_Ed.Russa.pdf
|File Description 1=Viola Part of Complete Suites
|Page Count 1=68
|Editor=
|Arranger=Fritz Spindler (1817-1905)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Zelenka|Zelenka]]
|Date Submitted=2009/3/9
|Publisher Information=Moscow: [[Muzgiz]], 1962, Plate 29137
|Copyright=Public Domain
|Misc. Notes=It seems to be a reissue of Hofmeister Edition. Spindler was a Viola player in Gewandhaus Orchestra Leipzig.
}}
=====For Double Bass (Vul)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-bach_vcs1p.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=Andrey Vul
|Image Type=Typeset
|Scanner=Andrey Vul
|Uploader=[[User:Andreyvul|Andreyvul]]
|Date Submitted=2009/6/4
|Publisher Information=Andrey Vul
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=For string bass solo
}}
=====For Piano solo (Godowsky)=====
{{#fte:imslpfile
|File Name 1=Godowsky_Bach_Suite_Nr.2.pdf
|File Description 1=Suite No.2 in D minor, BWV 1008
|Editor=
|Arranger=[[:Category:Godowsky, Leopold|Leopold Godowsky]] (1870-1938)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2007/6/22
|Page Count 1=30
|Publisher Information=New York: [[Carl Fischer]], 1924, plates 23078, 22950, 22936
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=Godowsky_Bach_Suite_Nr.3.pdf
|File Description 2=Suite No.3 in C, BWV 1009
|Page Count 2=33
|File Name 3=Bach-Godowsky-Cello-Suite-5.pdf
|File Description 3=Suite No.5 in C minor, BWV 1011
|Page Count 3=33 (#3-35)
}}
=====For Piano solo (Siloti)=====
{{#fte:imslpfile
|File Name 1=Siloti_-_Bach_Cello_Suite_Transcriptions.pdf
|File Description 1=Four Etudes (excerpts), piano transcription 1. Suite No.3, BWV 1009 - Prelude 2. Suite No.3, BWV 1009 - Bourée 3. Suite No.1, BWV 1007 - Prelude 4. Suite No.1, BWV 1007 - Courante
|Editor=Albert Spalding
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=15
|Publisher Information=Moscow: [[A. Gutheil]], n.d.[ca.1914], Plate A.10379 G.
|Reprint=London: Musica Obscura, n.d.
|Copyright=Public Domain
|Misc. Notes={{MIT project}}
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Siloti_-_Prelude_from_Cello_Suite_in_Eflat.pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Editor=
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=8
|Publisher Information=New York: [[Carl Fischer]], 1931. Plate 26114
|Copyright=Public Domain
|Misc. Notes={{MIT Project}}
}}

| *****WORK INFO*****

|Work Title=Six Suites for Violoncello Solo, BWV 1007-1012
|Alternative Title=
|Opus/Catalogue Number=BWV 1007-1012
|Number of Movements/Sections=6
|Dedication=
|Key= 
#G major
#D minor
#C major
#E{{Flat}} major
#C minor
#D major
|Year/Date of Composition=1720?
|Year of First Publication=
|Genre=Single instrumental piece (no piano)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Violoncello Solo
|Tags=suites ; vc

| *****COMMENTS***** =

The Suite No.5 for Solo Cello BWV 1011 was transcribed for Lute by Bach himself. See the [[Lute Pieces, BWV 995-1000 (Bach, Johann Sebastian)|Bach, Johann Sebastian - Suite for Lute in G minor BWV 995 (manuscript from J.S. Bach)]].
 
The 6th suite was likely intended for the Violoncello Piccolo, a shoulder-held instrument with 5 strings.
{{Bluefatbox|title=See Also|body=
<center>[[List of Compositions Featuring the Cello]]</center>
}}

| *****END OF TEMPLATE***** }}

6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian)

2010-08-21T05:07:03Z

Andrewt:

{{#fte:imslppage

| *****FILES***** =

===Original Version (Cello solo)===
=====Manuscripts=====
{{#fte:imslpfile
|Editor=Anna Magdalena Bach, copyist
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2007/6/5
|Publisher Information=Manuscript, n.d.
|Copyright=Public Domain
|Misc. Notes=
|File Name 1=Bach_Suites_Manuscripts.pdf
|File Description 1=Complete Score
|Page Count 1=37
|Misc. Notes=source "A"
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_(Kellner).pdf
|File Description 1=Complete Score
|Page Count 1=27 (25 music)
|Editor=Johann Peter Kellner, copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1726|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "B" 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_C.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=2 anonymous copyists
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1750-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_D.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=anonymous copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1775-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "D" 300 dpi 8 bit grayscale for increased legibility. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
=====Printed Editions=====
{{#fte:imslpfile
|File Name 1=Bach_-_Sechs_Suiten_Für_Violoncello.pdf
|File Description 1=Complete Score
|Uploader 1=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted 1=2007/8/21
|Page Count 1=37 (#59-94)
|Amazon={{AmazonLinks|0486256413}} - Dover (reprint)
|File Name 2=BWV1007.pdf
|File Description 2=Suite No.1 in G, BWV 1007
|Editor=Alfred Dörffel (1821-1905)
|Scanner=Unknown
|Uploader 2=[[User:Shikamoo|shikamoo]]
|Date Submitted 2=2006/8/25
|Page Count 2=6
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]] (1851-1899), Band 27.1'' Leipzig: [[Breitkopf & Härtel]], 1879, plate B.W. XXVII (1)
|Copyright=Public Domain
|Misc. Notes=
|Image Type=Normal Scan
|File Name 3=BWV1008.pdf
|File Name 4=BWV1009.pdf
|File Name 5=BWV1010.pdf
|File Name 6=BWV1011.pdf
|File Name 7=BWV1012.pdf
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 3=4
|Page Count 4=6
|Page Count 5=7
|Page Count 6=6
|Page Count 7=8
|Uploader 3=[[User:Shikamoo|shikamoo]]
|Date Submitted 3=2006/8/25
|Uploader 4=[[User:Shikamoo|shikamoo]]
|Date Submitted 4=2006/8/25
|Uploader 5=[[User:Shikamoo|shikamoo]]
|Date Submitted 5=2006/8/25
|Uploader 6=[[User:Shikamoo|shikamoo]]
|Date Submitted 6=2006/8/25
|Uploader 7=[[User:Shikamoo|shikamoo]]
|Date Submitted 7=2006/8/25
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach-BWV1007-1012klengel.pdf
|File Name 2=PMLP04291-Bach-BWV1007klengel.pdf
|File Name 3=PMLP04291-Bach-BWV1008klengel.pdf
|File Name 4=PMLP04291-Bach-BWV1009klengel.pdf
|File Name 5=PMLP04291-Bach-BWV1010klengel.pdf
|File Name 6=PMLP04291-Bach-BWV1011klengel.pdf
|File Name 7=PMLP04291-Bach-BWV1012klengel.pdf
|File Description 1=Six Suites, BWV 1007-1012 - complete
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 1=44
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=12
|Page Count 7=8
|Editor=[[:Category:Klengel, Julius|Julius Klengel (1859-1933)]]
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2009/8/13
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d.(ca.1900), plate 22879
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_complete.pdf
|File Name 2=PMLP04291-Bach_-_Cello_Suite_No1_in_G_(Becker_Peters).pdf
|File Name 3=PMLP04291-Bach_-_Cello_Suite_No2_in_Dm_(Becker_Peters).pdf
|File Name 4=PMLP04291-Bach_-_Cello_Suite_No3_in_C_(Becker_Peters).pdf
|File Name 5=PMLP04291-Bach_-_Cello_Suite_No4_in_Eb_(Becker_Peters).pdf
|File Name 6=PMLP04291-Bach_-_Cello_Suite_No5_in_Cm_(Becker_Peters).pdf
|File Name 7=PMLP04291-Bach_-_Cello_Suite_No6_in_D_(Becker_Peters).pdf
|File Name 8=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_Color_Cover.pdf
|File Description 1=Complete Score
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|File Description 8=Color Covers
|Page Count 1=46
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=10
|Page Count 7=8
|Page Count 8=3
|Editor=Hugo Becker (1863 - 1941)
|Image Type=Normal Scan
|Scanner=[[User:Generoso|Generoso]]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/7/10
|Publisher Information=Leipzig: [[C.F. Peters]], No.238, n.d.(ca.1911). Plate 9148.
|Copyright=Public Domain
|Misc. Notes=
}}

====Suite No.1 in G, BWV 1007====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_suite1_Menuets.pdf
|File Description 1=Menuets I and II
|Page Count 1=1
|Editor=
|Image Type=Typeset
|Scanner=Yves Verbandt
|Uploader=[[User:Yverband|Yverband]]
|Date Submitted=2010/3/5
|Publisher Information=Yves Verbandt
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
====Suite No.6 in D, BWV 1012====
{{#fte:imslpfile
|File Name 1=Bach_-_Violin_Suite_No_6_(Violoncello)_Rus._Izdanie.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted=2007/8/21
|Page Count 1=13
|Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.
|Copyright=Public Domain
|Misc. Notes=
}}
===Arrangements and Transcriptions===
=====For Trumpet Solo (Lichtmann)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_arr_Lichtmann_Suite1_Tr_BWV1007.pdf
|File Description 1=Suite No.1 in G, BWV 1007, arranger's comments
|Page Count 1=13
|File Name 2=PMLP04291-Bach_arr_Lichtmann_Suite2_Tr_BWV1008.pdf
|File Description 2=Suite No.2 in D minor, BWV 1008
|Page Count 2=8
|File Name 3=PMLP04291-Bach_arr_Lichtmann_Suite3_Tr_BWV1009.pdf
|File Description 3=Suite No.3 in C - BWV 1009
|Page Count 3=12
|Editor=
|Arranger=Jay Lichtmann
|Image Type=New Composition
|Scanner=[http://uhaweb.hartford.edu/lichtmann/ Jay Lichtmann]
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/7/27
|Publisher Information=Jay Lichtmann
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Cello Quartet (Leonovich)=====
{{#fte:imslpfile
|File Name 1=PreludeandFugue.pdf
|File Description 1=Suite No.5, BWV 1011 - Prelude
|Editor=
|Arranger=Yuriy Leonovich
|Image Type=New Composition
|Scanner=Yuriy Leonovich
|Uploader=[[User:YuriyLcello|YuriyLcello]]
|Date Submitted=2007/6/8
|Page Count 1=8
|Publisher Information=Yuriy Leonovich, 2007
|Copyright=Creative Commons Attribution No Derivatives 3.0
|Misc. Notes=
}}
=====For Viola and Piano (Stade)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_-_Viola_-_Suite_No.1.pdf
|File Name 2=PMLP04291-Bach_-_Viola_-_Suite_No.2.pdf
|File Name 3=PMLP04291-Bach_-_Viola_-_Suite_No.4.pdf
|File Name 4=PMLP04291-Bach_-_Viola_-_Suite_No.6.pdf
|File Description 1=Suite No.1 in G, BWV 1007 (Viola Part only)
|File Description 2=Suite No.2 in D minor, BWV 1008 (Viola Part only)
|File Description 3=Suite No.4 in E{{flat}} (Viola Part only)
|File Description 4=Suite No.6 in D, BWV 1012 (Viola Part only)
|Page Count 1=6
|Page Count 2=6
|Page Count 3=8
|Page Count 4=8
|Editor=
|Arranger=Wilhelm Stade (1817-1902)
|Image Type=Normal Scan
|Scanner=[[User:Peter|Peter]] [[User talk:Peter|talk]]
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2008/9/27
|Publisher Information=Leipzig: Gustav Heinze, n.d. Plates G. 85-97 H.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Cello and Piano (Smith)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Sarabande_score.pdf
|File Name 2=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Gavottes_score.pdf
|File Name 3=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_cello.pdf
|File Name 4=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_color_cover.pdf
|File Description 1=Suite No.6 in D, BWV 1012: Sarabande - Piano Score
|File Description 2=Suite No.6 in D, BWV 1012: Gavottes - Piano Score
|File Description 3=Suite No.6 in D, BWV 1012: Sarabande and Gavottes - Cello part
|File Description 4=Color Cover
|Page Count 1=6
|Page Count 2=6
|Page Count 3=4
|Page Count 4=1
|Arranger=Leo Smith (1881-1952)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10723}}
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/5/22
|Publisher Information=New York: [[G. Schirmer]], 1915. Plate 24591-2
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
=====For Viola solo (Alphonse)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Johann_Sebastian_Bach_-_Unaccompanied_Cello_Suites_-_Suite_1_Prelude_transposed_for_Viola.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=J-Raimon Alphonse
|Image Type=New Composition
|Scanner=J-Raimon Alphonse
|Uploader=[[User:Jean|J-Raimon Alphonse]]
|Date Submitted=2008/8/3
|Publisher Information=J-Raimon Alphonse
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Viola solo=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Suite_No_4_in_E_flat_for_Viola_solo_(Paxton).pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Page Count 1=7
|Editor=
|Image Type=Normal Scan
|Scanner=[http://sheetmusic.library.sc.edu/Music.asp?mid=3082 USC]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/6/10
|Publisher Information=London: W. Paxton & Co., n.d.[1926]. Plate 67014.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Viola solo (Spindler)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_Suites_for_Viola_Ed.Russa.pdf
|File Description 1=Viola Part of Complete Suites
|Page Count 1=68
|Editor=
|Arranger=Fritz Spindler (1817-1905)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Zelenka|Zelenka]]
|Date Submitted=2009/3/9
|Publisher Information=Moscow: [[Muzgiz]], 1962, Plate 29137
|Copyright=Public Domain
|Misc. Notes=It seems to be a reissue of Hofmeister Edition. Spindler was a Viola player in Gewandhaus Orchestra Leipzig.
}}
=====For Double Bass (Vul)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-bach_vcs1p.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=Andrey Vul
|Image Type=Typeset
|Scanner=Andrey Vul
|Uploader=[[User:Andreyvul|Andreyvul]]
|Date Submitted=2009/6/4
|Publisher Information=Andrey Vul
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=For string bass solo
}}
=====For Piano solo (Godowsky)=====
{{#fte:imslpfile
|File Name 1=Godowsky_Bach_Suite_Nr.2.pdf
|File Description 1=Suite No.2 in D minor, BWV 1008
|Editor=
|Arranger=[[:Category:Godowsky, Leopold|Leopold Godowsky]] (1870-1938)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2007/6/22
|Page Count 1=30
|Publisher Information=New York: [[Carl Fischer]], 1924, plates 23078, 22950, 22936
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=Godowsky_Bach_Suite_Nr.3.pdf
|File Description 2=Suite No.3 in C, BWV 1009
|Page Count 2=33
|File Name 3=Bach-Godowsky-Cello-Suite-5.pdf
|File Description 3=Suite No.5 in C minor, BWV 1011
|Page Count 3=33 (#3-35)
}}
=====For Piano solo (Siloti)=====
{{#fte:imslpfile
|File Name 1=Siloti_-_Bach_Cello_Suite_Transcriptions.pdf
|File Description 1=Four Etudes (excerpts), piano transcription 1. Suite No.3, BWV 1009 - Prelude 2. Suite No.3, BWV 1009 - Bourée 3. Suite No.1, BWV 1007 - Prelude 4. Suite No.1, BWV 1007 - Courante
|Editor=Albert Spalding
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=15
|Publisher Information=Moscow: [[A. Gutheil]], n.d.[ca.1914], Plate A.10379 G.
|Reprint=London: Musica Obscura, n.d.
|Copyright=Public Domain
|Misc. Notes={{MIT project}}
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Siloti_-_Prelude_from_Cello_Suite_in_Eflat.pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Editor=
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=8
|Publisher Information=New York: [[Carl Fischer]], 1931. Plate 26114
|Copyright=Public Domain
|Misc. Notes={{MIT Project}}
}}

| *****WORK INFO*****

|Work Title=Six Suites for Violoncello Solo, BWV 1007-1012
|Alternative Title=
|Opus/Catalogue Number=BWV 1007-1012
|Number of Movements/Sections=6
|Dedication=
|Key= 
#G major
#D minor
#C major
#E{{Flat}} major
#C minor
#D major
|Year/Date of Composition=1720?
|Year of First Publication=
|Genre=Single instrumental piece (no piano)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Violoncello Solo
|Tags=suites ; vc

| *****COMMENTS***** =

The Suite No.5 for Solo Cello BWV 1011 was transcribed for Lute by Bach himself. See the [[Lute Pieces, BWV 995-1000 (Bach, Johann Sebastian)|Bach, Johann Sebastian - Suite for Lute in G minor BWV 995 (manuscript from J.S. Bach)]].
 
The 6th suite was likely intended for the Violoncello Piccolo, a shoulder-held instrument with 5 strings.
{{Bluefatbox|title=See Also|body=
<center>[[List of Compositions Featuring the Cello]]</center>
}}

| *****END OF TEMPLATE***** }}

6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian)

2010-08-21T05:06:00Z

Andrewt: Added 1 files to Suites for Violoncello Solo, BWV 1007-1012 (Bach, Johann Sebastian)

{{#fte:imslppage

| *****FILES***** =

===Original Version (Cello solo)===
=====Manuscripts=====
{{#fte:imslpfile
|Editor=Anna Magdalena Bach, copyist
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2007/6/5
|Publisher Information=Manuscript, n.d.
|Copyright=Public Domain
|Misc. Notes=
|File Name 1=Bach_Suites_Manuscripts.pdf
|File Description 1=Complete Score
|Page Count 1=37
|Misc. Notes=source "A"
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_(Kellner).pdf
|File Description 1=Complete Score
|Page Count 1=27 (25 music)
|Editor=Johann Peter Kellner, copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1726|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "B" 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_C.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=2 anonymous copyists
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1750-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
=====Printed Editions=====
{{#fte:imslpfile
|File Name 1=Bach_-_Sechs_Suiten_Für_Violoncello.pdf
|File Description 1=Complete Score
|Uploader 1=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted 1=2007/8/21
|Page Count 1=37 (#59-94)
|Amazon={{AmazonLinks|0486256413}} - Dover (reprint)
|File Name 2=BWV1007.pdf
|File Description 2=Suite No.1 in G, BWV 1007
|Editor=Alfred Dörffel (1821-1905)
|Scanner=Unknown
|Uploader 2=[[User:Shikamoo|shikamoo]]
|Date Submitted 2=2006/8/25
|Page Count 2=6
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]] (1851-1899), Band 27.1'' Leipzig: [[Breitkopf & Härtel]], 1879, plate B.W. XXVII (1)
|Copyright=Public Domain
|Misc. Notes=
|Image Type=Normal Scan
|File Name 3=BWV1008.pdf
|File Name 4=BWV1009.pdf
|File Name 5=BWV1010.pdf
|File Name 6=BWV1011.pdf
|File Name 7=BWV1012.pdf
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 3=4
|Page Count 4=6
|Page Count 5=7
|Page Count 6=6
|Page Count 7=8
|Uploader 3=[[User:Shikamoo|shikamoo]]
|Date Submitted 3=2006/8/25
|Uploader 4=[[User:Shikamoo|shikamoo]]
|Date Submitted 4=2006/8/25
|Uploader 5=[[User:Shikamoo|shikamoo]]
|Date Submitted 5=2006/8/25
|Uploader 6=[[User:Shikamoo|shikamoo]]
|Date Submitted 6=2006/8/25
|Uploader 7=[[User:Shikamoo|shikamoo]]
|Date Submitted 7=2006/8/25
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach-BWV1007-1012klengel.pdf
|File Name 2=PMLP04291-Bach-BWV1007klengel.pdf
|File Name 3=PMLP04291-Bach-BWV1008klengel.pdf
|File Name 4=PMLP04291-Bach-BWV1009klengel.pdf
|File Name 5=PMLP04291-Bach-BWV1010klengel.pdf
|File Name 6=PMLP04291-Bach-BWV1011klengel.pdf
|File Name 7=PMLP04291-Bach-BWV1012klengel.pdf
|File Description 1=Six Suites, BWV 1007-1012 - complete
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 1=44
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=12
|Page Count 7=8
|Editor=[[:Category:Klengel, Julius|Julius Klengel (1859-1933)]]
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2009/8/13
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d.(ca.1900), plate 22879
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_complete.pdf
|File Name 2=PMLP04291-Bach_-_Cello_Suite_No1_in_G_(Becker_Peters).pdf
|File Name 3=PMLP04291-Bach_-_Cello_Suite_No2_in_Dm_(Becker_Peters).pdf
|File Name 4=PMLP04291-Bach_-_Cello_Suite_No3_in_C_(Becker_Peters).pdf
|File Name 5=PMLP04291-Bach_-_Cello_Suite_No4_in_Eb_(Becker_Peters).pdf
|File Name 6=PMLP04291-Bach_-_Cello_Suite_No5_in_Cm_(Becker_Peters).pdf
|File Name 7=PMLP04291-Bach_-_Cello_Suite_No6_in_D_(Becker_Peters).pdf
|File Name 8=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_Color_Cover.pdf
|File Description 1=Complete Score
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|File Description 8=Color Covers
|Page Count 1=46
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=10
|Page Count 7=8
|Page Count 8=3
|Editor=Hugo Becker (1863 - 1941)
|Image Type=Normal Scan
|Scanner=[[User:Generoso|Generoso]]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/7/10
|Publisher Information=Leipzig: [[C.F. Peters]], No.238, n.d.(ca.1911). Plate 9148.
|Copyright=Public Domain
|Misc. Notes=
}}

====Suite No.1 in G, BWV 1007====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_suite1_Menuets.pdf
|File Description 1=Menuets I and II
|Page Count 1=1
|Editor=
|Image Type=Typeset
|Scanner=Yves Verbandt
|Uploader=[[User:Yverband|Yverband]]
|Date Submitted=2010/3/5
|Publisher Information=Yves Verbandt
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
====Suite No.6 in D, BWV 1012====
{{#fte:imslpfile
|File Name 1=Bach_-_Violin_Suite_No_6_(Violoncello)_Rus._Izdanie.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted=2007/8/21
|Page Count 1=13
|Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.
|Copyright=Public Domain
|Misc. Notes=
}}
===Arrangements and Transcriptions===
=====For Trumpet Solo (Lichtmann)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_arr_Lichtmann_Suite1_Tr_BWV1007.pdf
|File Description 1=Suite No.1 in G, BWV 1007, arranger's comments
|Page Count 1=13
|File Name 2=PMLP04291-Bach_arr_Lichtmann_Suite2_Tr_BWV1008.pdf
|File Description 2=Suite No.2 in D minor, BWV 1008
|Page Count 2=8
|File Name 3=PMLP04291-Bach_arr_Lichtmann_Suite3_Tr_BWV1009.pdf
|File Description 3=Suite No.3 in C - BWV 1009
|Page Count 3=12
|Editor=
|Arranger=Jay Lichtmann
|Image Type=New Composition
|Scanner=[http://uhaweb.hartford.edu/lichtmann/ Jay Lichtmann]
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/7/27
|Publisher Information=Jay Lichtmann
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Cello Quartet (Leonovich)=====
{{#fte:imslpfile
|File Name 1=PreludeandFugue.pdf
|File Description 1=Suite No.5, BWV 1011 - Prelude
|Editor=
|Arranger=Yuriy Leonovich
|Image Type=New Composition
|Scanner=Yuriy Leonovich
|Uploader=[[User:YuriyLcello|YuriyLcello]]
|Date Submitted=2007/6/8
|Page Count 1=8
|Publisher Information=Yuriy Leonovich, 2007
|Copyright=Creative Commons Attribution No Derivatives 3.0
|Misc. Notes=
}}
=====For Viola and Piano (Stade)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_-_Viola_-_Suite_No.1.pdf
|File Name 2=PMLP04291-Bach_-_Viola_-_Suite_No.2.pdf
|File Name 3=PMLP04291-Bach_-_Viola_-_Suite_No.4.pdf
|File Name 4=PMLP04291-Bach_-_Viola_-_Suite_No.6.pdf
|File Description 1=Suite No.1 in G, BWV 1007 (Viola Part only)
|File Description 2=Suite No.2 in D minor, BWV 1008 (Viola Part only)
|File Description 3=Suite No.4 in E{{flat}} (Viola Part only)
|File Description 4=Suite No.6 in D, BWV 1012 (Viola Part only)
|Page Count 1=6
|Page Count 2=6
|Page Count 3=8
|Page Count 4=8
|Editor=
|Arranger=Wilhelm Stade (1817-1902)
|Image Type=Normal Scan
|Scanner=[[User:Peter|Peter]] [[User talk:Peter|talk]]
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2008/9/27
|Publisher Information=Leipzig: Gustav Heinze, n.d. Plates G. 85-97 H.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Cello and Piano (Smith)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Sarabande_score.pdf
|File Name 2=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Gavottes_score.pdf
|File Name 3=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_cello.pdf
|File Name 4=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_color_cover.pdf
|File Description 1=Suite No.6 in D, BWV 1012: Sarabande - Piano Score
|File Description 2=Suite No.6 in D, BWV 1012: Gavottes - Piano Score
|File Description 3=Suite No.6 in D, BWV 1012: Sarabande and Gavottes - Cello part
|File Description 4=Color Cover
|Page Count 1=6
|Page Count 2=6
|Page Count 3=4
|Page Count 4=1
|Arranger=Leo Smith (1881-1952)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10723}}
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/5/22
|Publisher Information=New York: [[G. Schirmer]], 1915. Plate 24591-2
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
=====For Viola solo (Alphonse)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Johann_Sebastian_Bach_-_Unaccompanied_Cello_Suites_-_Suite_1_Prelude_transposed_for_Viola.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=J-Raimon Alphonse
|Image Type=New Composition
|Scanner=J-Raimon Alphonse
|Uploader=[[User:Jean|J-Raimon Alphonse]]
|Date Submitted=2008/8/3
|Publisher Information=J-Raimon Alphonse
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Viola solo=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Suite_No_4_in_E_flat_for_Viola_solo_(Paxton).pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Page Count 1=7
|Editor=
|Image Type=Normal Scan
|Scanner=[http://sheetmusic.library.sc.edu/Music.asp?mid=3082 USC]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/6/10
|Publisher Information=London: W. Paxton & Co., n.d.[1926]. Plate 67014.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Viola solo (Spindler)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_Suites_for_Viola_Ed.Russa.pdf
|File Description 1=Viola Part of Complete Suites
|Page Count 1=68
|Editor=
|Arranger=Fritz Spindler (1817-1905)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Zelenka|Zelenka]]
|Date Submitted=2009/3/9
|Publisher Information=Moscow: [[Muzgiz]], 1962, Plate 29137
|Copyright=Public Domain
|Misc. Notes=It seems to be a reissue of Hofmeister Edition. Spindler was a Viola player in Gewandhaus Orchestra Leipzig.
}}
=====For Double Bass (Vul)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-bach_vcs1p.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=Andrey Vul
|Image Type=Typeset
|Scanner=Andrey Vul
|Uploader=[[User:Andreyvul|Andreyvul]]
|Date Submitted=2009/6/4
|Publisher Information=Andrey Vul
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=For string bass solo
}}
=====For Piano solo (Godowsky)=====
{{#fte:imslpfile
|File Name 1=Godowsky_Bach_Suite_Nr.2.pdf
|File Description 1=Suite No.2 in D minor, BWV 1008
|Editor=
|Arranger=[[:Category:Godowsky, Leopold|Leopold Godowsky]] (1870-1938)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2007/6/22
|Page Count 1=30
|Publisher Information=New York: [[Carl Fischer]], 1924, plates 23078, 22950, 22936
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=Godowsky_Bach_Suite_Nr.3.pdf
|File Description 2=Suite No.3 in C, BWV 1009
|Page Count 2=33
|File Name 3=Bach-Godowsky-Cello-Suite-5.pdf
|File Description 3=Suite No.5 in C minor, BWV 1011
|Page Count 3=33 (#3-35)
}}
=====For Piano solo (Siloti)=====
{{#fte:imslpfile
|File Name 1=Siloti_-_Bach_Cello_Suite_Transcriptions.pdf
|File Description 1=Four Etudes (excerpts), piano transcription 1. Suite No.3, BWV 1009 - Prelude 2. Suite No.3, BWV 1009 - Bourée 3. Suite No.1, BWV 1007 - Prelude 4. Suite No.1, BWV 1007 - Courante
|Editor=Albert Spalding
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=15
|Publisher Information=Moscow: [[A. Gutheil]], n.d.[ca.1914], Plate A.10379 G.
|Reprint=London: Musica Obscura, n.d.
|Copyright=Public Domain
|Misc. Notes={{MIT project}}
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Siloti_-_Prelude_from_Cello_Suite_in_Eflat.pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Editor=
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=8
|Publisher Information=New York: [[Carl Fischer]], 1931. Plate 26114
|Copyright=Public Domain
|Misc. Notes={{MIT Project}}
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_D.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=anonymous copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1775-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "D" 300 dpi 8 bit grayscale for increased legibility. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}

| *****WORK INFO*****

|Work Title=Six Suites for Violoncello Solo, BWV 1007-1012
|Alternative Title=
|Opus/Catalogue Number=BWV 1007-1012
|Number of Movements/Sections=6
|Dedication=
|Key= 
#G major
#D minor
#C major
#E{{Flat}} major
#C minor
#D major
|Year/Date of Composition=1720?
|Year of First Publication=
|Genre=Single instrumental piece (no piano)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Violoncello Solo
|Tags=suites ; vc

| *****COMMENTS***** =

The Suite No.5 for Solo Cello BWV 1011 was transcribed for Lute by Bach himself. See the [[Lute Pieces, BWV 995-1000 (Bach, Johann Sebastian)|Bach, Johann Sebastian - Suite for Lute in G minor BWV 995 (manuscript from J.S. Bach)]].
 
The 6th suite was likely intended for the Violoncello Piccolo, a shoulder-held instrument with 5 strings.
{{Bluefatbox|title=See Also|body=
<center>[[List of Compositions Featuring the Cello]]</center>
}}

| *****END OF TEMPLATE***** }}

6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian)

2010-08-21T04:59:17Z

Andrewt:

{{#fte:imslppage

| *****FILES***** =

===Original Version (Cello solo)===
=====Manuscripts=====
{{#fte:imslpfile
|Editor=Anna Magdalena Bach, copyist
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2007/6/5
|Publisher Information=Manuscript, n.d.
|Copyright=Public Domain
|Misc. Notes=
|File Name 1=Bach_Suites_Manuscripts.pdf
|File Description 1=Complete Score
|Page Count 1=37
|Misc. Notes=source "A"
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_(Kellner).pdf
|File Description 1=Complete Score
|Page Count 1=27 (25 music)
|Editor=Johann Peter Kellner, copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1726|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "B" 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_C.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=2 anonymous copyists
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1750-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
=====Printed Editions=====
{{#fte:imslpfile
|File Name 1=Bach_-_Sechs_Suiten_Für_Violoncello.pdf
|File Description 1=Complete Score
|Uploader 1=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted 1=2007/8/21
|Page Count 1=37 (#59-94)
|Amazon={{AmazonLinks|0486256413}} - Dover (reprint)
|File Name 2=BWV1007.pdf
|File Description 2=Suite No.1 in G, BWV 1007
|Editor=Alfred Dörffel (1821-1905)
|Scanner=Unknown
|Uploader 2=[[User:Shikamoo|shikamoo]]
|Date Submitted 2=2006/8/25
|Page Count 2=6
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]] (1851-1899), Band 27.1'' Leipzig: [[Breitkopf & Härtel]], 1879, plate B.W. XXVII (1)
|Copyright=Public Domain
|Misc. Notes=
|Image Type=Normal Scan
|File Name 3=BWV1008.pdf
|File Name 4=BWV1009.pdf
|File Name 5=BWV1010.pdf
|File Name 6=BWV1011.pdf
|File Name 7=BWV1012.pdf
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 3=4
|Page Count 4=6
|Page Count 5=7
|Page Count 6=6
|Page Count 7=8
|Uploader 3=[[User:Shikamoo|shikamoo]]
|Date Submitted 3=2006/8/25
|Uploader 4=[[User:Shikamoo|shikamoo]]
|Date Submitted 4=2006/8/25
|Uploader 5=[[User:Shikamoo|shikamoo]]
|Date Submitted 5=2006/8/25
|Uploader 6=[[User:Shikamoo|shikamoo]]
|Date Submitted 6=2006/8/25
|Uploader 7=[[User:Shikamoo|shikamoo]]
|Date Submitted 7=2006/8/25
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach-BWV1007-1012klengel.pdf
|File Name 2=PMLP04291-Bach-BWV1007klengel.pdf
|File Name 3=PMLP04291-Bach-BWV1008klengel.pdf
|File Name 4=PMLP04291-Bach-BWV1009klengel.pdf
|File Name 5=PMLP04291-Bach-BWV1010klengel.pdf
|File Name 6=PMLP04291-Bach-BWV1011klengel.pdf
|File Name 7=PMLP04291-Bach-BWV1012klengel.pdf
|File Description 1=Six Suites, BWV 1007-1012 - complete
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 1=44
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=12
|Page Count 7=8
|Editor=[[:Category:Klengel, Julius|Julius Klengel (1859-1933)]]
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2009/8/13
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d.(ca.1900), plate 22879
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_complete.pdf
|File Name 2=PMLP04291-Bach_-_Cello_Suite_No1_in_G_(Becker_Peters).pdf
|File Name 3=PMLP04291-Bach_-_Cello_Suite_No2_in_Dm_(Becker_Peters).pdf
|File Name 4=PMLP04291-Bach_-_Cello_Suite_No3_in_C_(Becker_Peters).pdf
|File Name 5=PMLP04291-Bach_-_Cello_Suite_No4_in_Eb_(Becker_Peters).pdf
|File Name 6=PMLP04291-Bach_-_Cello_Suite_No5_in_Cm_(Becker_Peters).pdf
|File Name 7=PMLP04291-Bach_-_Cello_Suite_No6_in_D_(Becker_Peters).pdf
|File Name 8=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_Color_Cover.pdf
|File Description 1=Complete Score
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|File Description 8=Color Covers
|Page Count 1=46
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=10
|Page Count 7=8
|Page Count 8=3
|Editor=Hugo Becker (1863 - 1941)
|Image Type=Normal Scan
|Scanner=[[User:Generoso|Generoso]]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/7/10
|Publisher Information=Leipzig: [[C.F. Peters]], No.238, n.d.(ca.1911). Plate 9148.
|Copyright=Public Domain
|Misc. Notes=
}}

====Suite No.1 in G, BWV 1007====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_suite1_Menuets.pdf
|File Description 1=Menuets I and II
|Page Count 1=1
|Editor=
|Image Type=Typeset
|Scanner=Yves Verbandt
|Uploader=[[User:Yverband|Yverband]]
|Date Submitted=2010/3/5
|Publisher Information=Yves Verbandt
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
====Suite No.6 in D, BWV 1012====
{{#fte:imslpfile
|File Name 1=Bach_-_Violin_Suite_No_6_(Violoncello)_Rus._Izdanie.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted=2007/8/21
|Page Count 1=13
|Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.
|Copyright=Public Domain
|Misc. Notes=
}}
===Arrangements and Transcriptions===
=====For Trumpet Solo (Lichtmann)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_arr_Lichtmann_Suite1_Tr_BWV1007.pdf
|File Description 1=Suite No.1 in G, BWV 1007, arranger's comments
|Page Count 1=13
|File Name 2=PMLP04291-Bach_arr_Lichtmann_Suite2_Tr_BWV1008.pdf
|File Description 2=Suite No.2 in D minor, BWV 1008
|Page Count 2=8
|File Name 3=PMLP04291-Bach_arr_Lichtmann_Suite3_Tr_BWV1009.pdf
|File Description 3=Suite No.3 in C - BWV 1009
|Page Count 3=12
|Editor=
|Arranger=Jay Lichtmann
|Image Type=New Composition
|Scanner=[http://uhaweb.hartford.edu/lichtmann/ Jay Lichtmann]
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/7/27
|Publisher Information=Jay Lichtmann
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Cello Quartet (Leonovich)=====
{{#fte:imslpfile
|File Name 1=PreludeandFugue.pdf
|File Description 1=Suite No.5, BWV 1011 - Prelude
|Editor=
|Arranger=Yuriy Leonovich
|Image Type=New Composition
|Scanner=Yuriy Leonovich
|Uploader=[[User:YuriyLcello|YuriyLcello]]
|Date Submitted=2007/6/8
|Page Count 1=8
|Publisher Information=Yuriy Leonovich, 2007
|Copyright=Creative Commons Attribution No Derivatives 3.0
|Misc. Notes=
}}
=====For Viola and Piano (Stade)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_-_Viola_-_Suite_No.1.pdf
|File Name 2=PMLP04291-Bach_-_Viola_-_Suite_No.2.pdf
|File Name 3=PMLP04291-Bach_-_Viola_-_Suite_No.4.pdf
|File Name 4=PMLP04291-Bach_-_Viola_-_Suite_No.6.pdf
|File Description 1=Suite No.1 in G, BWV 1007 (Viola Part only)
|File Description 2=Suite No.2 in D minor, BWV 1008 (Viola Part only)
|File Description 3=Suite No.4 in E{{flat}} (Viola Part only)
|File Description 4=Suite No.6 in D, BWV 1012 (Viola Part only)
|Page Count 1=6
|Page Count 2=6
|Page Count 3=8
|Page Count 4=8
|Editor=
|Arranger=Wilhelm Stade (1817-1902)
|Image Type=Normal Scan
|Scanner=[[User:Peter|Peter]] [[User talk:Peter|talk]]
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2008/9/27
|Publisher Information=Leipzig: Gustav Heinze, n.d. Plates G. 85-97 H.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Cello and Piano (Smith)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Sarabande_score.pdf
|File Name 2=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Gavottes_score.pdf
|File Name 3=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_cello.pdf
|File Name 4=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_color_cover.pdf
|File Description 1=Suite No.6 in D, BWV 1012: Sarabande - Piano Score
|File Description 2=Suite No.6 in D, BWV 1012: Gavottes - Piano Score
|File Description 3=Suite No.6 in D, BWV 1012: Sarabande and Gavottes - Cello part
|File Description 4=Color Cover
|Page Count 1=6
|Page Count 2=6
|Page Count 3=4
|Page Count 4=1
|Arranger=Leo Smith (1881-1952)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10723}}
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/5/22
|Publisher Information=New York: [[G. Schirmer]], 1915. Plate 24591-2
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
=====For Viola solo (Alphonse)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Johann_Sebastian_Bach_-_Unaccompanied_Cello_Suites_-_Suite_1_Prelude_transposed_for_Viola.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=J-Raimon Alphonse
|Image Type=New Composition
|Scanner=J-Raimon Alphonse
|Uploader=[[User:Jean|J-Raimon Alphonse]]
|Date Submitted=2008/8/3
|Publisher Information=J-Raimon Alphonse
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Viola solo=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Suite_No_4_in_E_flat_for_Viola_solo_(Paxton).pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Page Count 1=7
|Editor=
|Image Type=Normal Scan
|Scanner=[http://sheetmusic.library.sc.edu/Music.asp?mid=3082 USC]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/6/10
|Publisher Information=London: W. Paxton & Co., n.d.[1926]. Plate 67014.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Viola solo (Spindler)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_Suites_for_Viola_Ed.Russa.pdf
|File Description 1=Viola Part of Complete Suites
|Page Count 1=68
|Editor=
|Arranger=Fritz Spindler (1817-1905)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Zelenka|Zelenka]]
|Date Submitted=2009/3/9
|Publisher Information=Moscow: [[Muzgiz]], 1962, Plate 29137
|Copyright=Public Domain
|Misc. Notes=It seems to be a reissue of Hofmeister Edition. Spindler was a Viola player in Gewandhaus Orchestra Leipzig.
}}
=====For Double Bass (Vul)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-bach_vcs1p.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=Andrey Vul
|Image Type=Typeset
|Scanner=Andrey Vul
|Uploader=[[User:Andreyvul|Andreyvul]]
|Date Submitted=2009/6/4
|Publisher Information=Andrey Vul
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=For string bass solo
}}
=====For Piano solo (Godowsky)=====
{{#fte:imslpfile
|File Name 1=Godowsky_Bach_Suite_Nr.2.pdf
|File Description 1=Suite No.2 in D minor, BWV 1008
|Editor=
|Arranger=[[:Category:Godowsky, Leopold|Leopold Godowsky]] (1870-1938)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2007/6/22
|Page Count 1=30
|Publisher Information=New York: [[Carl Fischer]], 1924, plates 23078, 22950, 22936
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=Godowsky_Bach_Suite_Nr.3.pdf
|File Description 2=Suite No.3 in C, BWV 1009
|Page Count 2=33
|File Name 3=Bach-Godowsky-Cello-Suite-5.pdf
|File Description 3=Suite No.5 in C minor, BWV 1011
|Page Count 3=33 (#3-35)
}}
=====For Piano solo (Siloti)=====
{{#fte:imslpfile
|File Name 1=Siloti_-_Bach_Cello_Suite_Transcriptions.pdf
|File Description 1=Four Etudes (excerpts), piano transcription 1. Suite No.3, BWV 1009 - Prelude 2. Suite No.3, BWV 1009 - Bourée 3. Suite No.1, BWV 1007 - Prelude 4. Suite No.1, BWV 1007 - Courante
|Editor=Albert Spalding
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=15
|Publisher Information=Moscow: [[A. Gutheil]], n.d.[ca.1914], Plate A.10379 G.
|Reprint=London: Musica Obscura, n.d.
|Copyright=Public Domain
|Misc. Notes={{MIT project}}
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Siloti_-_Prelude_from_Cello_Suite_in_Eflat.pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Editor=
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=8
|Publisher Information=New York: [[Carl Fischer]], 1931. Plate 26114
|Copyright=Public Domain
|Misc. Notes={{MIT Project}}
}}

| *****WORK INFO*****

|Work Title=Six Suites for Violoncello Solo, BWV 1007-1012
|Alternative Title=
|Opus/Catalogue Number=BWV 1007-1012
|Number of Movements/Sections=6
|Dedication=
|Key= 
#G major
#D minor
#C major
#E{{Flat}} major
#C minor
#D major
|Year/Date of Composition=1720?
|Year of First Publication=
|Genre=Single instrumental piece (no piano)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Violoncello Solo
|Tags=suites ; vc

| *****COMMENTS***** =

The Suite No.5 for Solo Cello BWV 1011 was transcribed for Lute by Bach himself. See the [[Lute Pieces, BWV 995-1000 (Bach, Johann Sebastian)|Bach, Johann Sebastian - Suite for Lute in G minor BWV 995 (manuscript from J.S. Bach)]].
 
The 6th suite was likely intended for the Violoncello Piccolo, a shoulder-held instrument with 5 strings.
{{Bluefatbox|title=See Also|body=
<center>[[List of Compositions Featuring the Cello]]</center>
}}

| *****END OF TEMPLATE***** }}

6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian)

2010-08-21T04:58:19Z

Andrewt: Added 1 files to Suites for Violoncello Solo, BWV 1007-1012 (Bach, Johann Sebastian)

{{#fte:imslppage

| *****FILES***** =

===Original Version (Cello solo)===
=====Manuscripts=====
{{#fte:imslpfile
|Editor=Anna Magdalena Bach, copyist
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2007/6/5
|Publisher Information=Manuscript, n.d.
|Copyright=Public Domain
|Misc. Notes=
|File Name 1=Bach_Suites_Manuscripts.pdf
|File Description 1=Complete Score
|Page Count 1=37
|Misc. Notes=source "A"
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_(Kellner).pdf
|File Description 1=Complete Score
|Page Count 1=27 (25 music)
|Editor=Johann Peter Kellner, copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1726|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "B" 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
=====Printed Editions=====
{{#fte:imslpfile
|File Name 1=Bach_-_Sechs_Suiten_Für_Violoncello.pdf
|File Description 1=Complete Score
|Uploader 1=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted 1=2007/8/21
|Page Count 1=37 (#59-94)
|Amazon={{AmazonLinks|0486256413}} - Dover (reprint)
|File Name 2=BWV1007.pdf
|File Description 2=Suite No.1 in G, BWV 1007
|Editor=Alfred Dörffel (1821-1905)
|Scanner=Unknown
|Uploader 2=[[User:Shikamoo|shikamoo]]
|Date Submitted 2=2006/8/25
|Page Count 2=6
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]] (1851-1899), Band 27.1'' Leipzig: [[Breitkopf & Härtel]], 1879, plate B.W. XXVII (1)
|Copyright=Public Domain
|Misc. Notes=
|Image Type=Normal Scan
|File Name 3=BWV1008.pdf
|File Name 4=BWV1009.pdf
|File Name 5=BWV1010.pdf
|File Name 6=BWV1011.pdf
|File Name 7=BWV1012.pdf
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 3=4
|Page Count 4=6
|Page Count 5=7
|Page Count 6=6
|Page Count 7=8
|Uploader 3=[[User:Shikamoo|shikamoo]]
|Date Submitted 3=2006/8/25
|Uploader 4=[[User:Shikamoo|shikamoo]]
|Date Submitted 4=2006/8/25
|Uploader 5=[[User:Shikamoo|shikamoo]]
|Date Submitted 5=2006/8/25
|Uploader 6=[[User:Shikamoo|shikamoo]]
|Date Submitted 6=2006/8/25
|Uploader 7=[[User:Shikamoo|shikamoo]]
|Date Submitted 7=2006/8/25
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach-BWV1007-1012klengel.pdf
|File Name 2=PMLP04291-Bach-BWV1007klengel.pdf
|File Name 3=PMLP04291-Bach-BWV1008klengel.pdf
|File Name 4=PMLP04291-Bach-BWV1009klengel.pdf
|File Name 5=PMLP04291-Bach-BWV1010klengel.pdf
|File Name 6=PMLP04291-Bach-BWV1011klengel.pdf
|File Name 7=PMLP04291-Bach-BWV1012klengel.pdf
|File Description 1=Six Suites, BWV 1007-1012 - complete
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 1=44
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=12
|Page Count 7=8
|Editor=[[:Category:Klengel, Julius|Julius Klengel (1859-1933)]]
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2009/8/13
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d.(ca.1900), plate 22879
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_complete.pdf
|File Name 2=PMLP04291-Bach_-_Cello_Suite_No1_in_G_(Becker_Peters).pdf
|File Name 3=PMLP04291-Bach_-_Cello_Suite_No2_in_Dm_(Becker_Peters).pdf
|File Name 4=PMLP04291-Bach_-_Cello_Suite_No3_in_C_(Becker_Peters).pdf
|File Name 5=PMLP04291-Bach_-_Cello_Suite_No4_in_Eb_(Becker_Peters).pdf
|File Name 6=PMLP04291-Bach_-_Cello_Suite_No5_in_Cm_(Becker_Peters).pdf
|File Name 7=PMLP04291-Bach_-_Cello_Suite_No6_in_D_(Becker_Peters).pdf
|File Name 8=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_Color_Cover.pdf
|File Description 1=Complete Score
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|File Description 8=Color Covers
|Page Count 1=46
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=10
|Page Count 7=8
|Page Count 8=3
|Editor=Hugo Becker (1863 - 1941)
|Image Type=Normal Scan
|Scanner=[[User:Generoso|Generoso]]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/7/10
|Publisher Information=Leipzig: [[C.F. Peters]], No.238, n.d.(ca.1911). Plate 9148.
|Copyright=Public Domain
|Misc. Notes=
}}

====Suite No.1 in G, BWV 1007====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_suite1_Menuets.pdf
|File Description 1=Menuets I and II
|Page Count 1=1
|Editor=
|Image Type=Typeset
|Scanner=Yves Verbandt
|Uploader=[[User:Yverband|Yverband]]
|Date Submitted=2010/3/5
|Publisher Information=Yves Verbandt
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
====Suite No.6 in D, BWV 1012====
{{#fte:imslpfile
|File Name 1=Bach_-_Violin_Suite_No_6_(Violoncello)_Rus._Izdanie.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted=2007/8/21
|Page Count 1=13
|Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.
|Copyright=Public Domain
|Misc. Notes=
}}
===Arrangements and Transcriptions===
=====For Trumpet Solo (Lichtmann)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_arr_Lichtmann_Suite1_Tr_BWV1007.pdf
|File Description 1=Suite No.1 in G, BWV 1007, arranger's comments
|Page Count 1=13
|File Name 2=PMLP04291-Bach_arr_Lichtmann_Suite2_Tr_BWV1008.pdf
|File Description 2=Suite No.2 in D minor, BWV 1008
|Page Count 2=8
|File Name 3=PMLP04291-Bach_arr_Lichtmann_Suite3_Tr_BWV1009.pdf
|File Description 3=Suite No.3 in C - BWV 1009
|Page Count 3=12
|Editor=
|Arranger=Jay Lichtmann
|Image Type=New Composition
|Scanner=[http://uhaweb.hartford.edu/lichtmann/ Jay Lichtmann]
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/7/27
|Publisher Information=Jay Lichtmann
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Cello Quartet (Leonovich)=====
{{#fte:imslpfile
|File Name 1=PreludeandFugue.pdf
|File Description 1=Suite No.5, BWV 1011 - Prelude
|Editor=
|Arranger=Yuriy Leonovich
|Image Type=New Composition
|Scanner=Yuriy Leonovich
|Uploader=[[User:YuriyLcello|YuriyLcello]]
|Date Submitted=2007/6/8
|Page Count 1=8
|Publisher Information=Yuriy Leonovich, 2007
|Copyright=Creative Commons Attribution No Derivatives 3.0
|Misc. Notes=
}}
=====For Viola and Piano (Stade)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_-_Viola_-_Suite_No.1.pdf
|File Name 2=PMLP04291-Bach_-_Viola_-_Suite_No.2.pdf
|File Name 3=PMLP04291-Bach_-_Viola_-_Suite_No.4.pdf
|File Name 4=PMLP04291-Bach_-_Viola_-_Suite_No.6.pdf
|File Description 1=Suite No.1 in G, BWV 1007 (Viola Part only)
|File Description 2=Suite No.2 in D minor, BWV 1008 (Viola Part only)
|File Description 3=Suite No.4 in E{{flat}} (Viola Part only)
|File Description 4=Suite No.6 in D, BWV 1012 (Viola Part only)
|Page Count 1=6
|Page Count 2=6
|Page Count 3=8
|Page Count 4=8
|Editor=
|Arranger=Wilhelm Stade (1817-1902)
|Image Type=Normal Scan
|Scanner=[[User:Peter|Peter]] [[User talk:Peter|talk]]
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2008/9/27
|Publisher Information=Leipzig: Gustav Heinze, n.d. Plates G. 85-97 H.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Cello and Piano (Smith)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Sarabande_score.pdf
|File Name 2=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Gavottes_score.pdf
|File Name 3=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_cello.pdf
|File Name 4=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_color_cover.pdf
|File Description 1=Suite No.6 in D, BWV 1012: Sarabande - Piano Score
|File Description 2=Suite No.6 in D, BWV 1012: Gavottes - Piano Score
|File Description 3=Suite No.6 in D, BWV 1012: Sarabande and Gavottes - Cello part
|File Description 4=Color Cover
|Page Count 1=6
|Page Count 2=6
|Page Count 3=4
|Page Count 4=1
|Arranger=Leo Smith (1881-1952)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10723}}
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/5/22
|Publisher Information=New York: [[G. Schirmer]], 1915. Plate 24591-2
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
=====For Viola solo (Alphonse)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Johann_Sebastian_Bach_-_Unaccompanied_Cello_Suites_-_Suite_1_Prelude_transposed_for_Viola.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=J-Raimon Alphonse
|Image Type=New Composition
|Scanner=J-Raimon Alphonse
|Uploader=[[User:Jean|J-Raimon Alphonse]]
|Date Submitted=2008/8/3
|Publisher Information=J-Raimon Alphonse
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Viola solo=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Suite_No_4_in_E_flat_for_Viola_solo_(Paxton).pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Page Count 1=7
|Editor=
|Image Type=Normal Scan
|Scanner=[http://sheetmusic.library.sc.edu/Music.asp?mid=3082 USC]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/6/10
|Publisher Information=London: W. Paxton & Co., n.d.[1926]. Plate 67014.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Viola solo (Spindler)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_Suites_for_Viola_Ed.Russa.pdf
|File Description 1=Viola Part of Complete Suites
|Page Count 1=68
|Editor=
|Arranger=Fritz Spindler (1817-1905)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Zelenka|Zelenka]]
|Date Submitted=2009/3/9
|Publisher Information=Moscow: [[Muzgiz]], 1962, Plate 29137
|Copyright=Public Domain
|Misc. Notes=It seems to be a reissue of Hofmeister Edition. Spindler was a Viola player in Gewandhaus Orchestra Leipzig.
}}
=====For Double Bass (Vul)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-bach_vcs1p.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=Andrey Vul
|Image Type=Typeset
|Scanner=Andrey Vul
|Uploader=[[User:Andreyvul|Andreyvul]]
|Date Submitted=2009/6/4
|Publisher Information=Andrey Vul
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=For string bass solo
}}
=====For Piano solo (Godowsky)=====
{{#fte:imslpfile
|File Name 1=Godowsky_Bach_Suite_Nr.2.pdf
|File Description 1=Suite No.2 in D minor, BWV 1008
|Editor=
|Arranger=[[:Category:Godowsky, Leopold|Leopold Godowsky]] (1870-1938)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2007/6/22
|Page Count 1=30
|Publisher Information=New York: [[Carl Fischer]], 1924, plates 23078, 22950, 22936
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=Godowsky_Bach_Suite_Nr.3.pdf
|File Description 2=Suite No.3 in C, BWV 1009
|Page Count 2=33
|File Name 3=Bach-Godowsky-Cello-Suite-5.pdf
|File Description 3=Suite No.5 in C minor, BWV 1011
|Page Count 3=33 (#3-35)
}}
=====For Piano solo (Siloti)=====
{{#fte:imslpfile
|File Name 1=Siloti_-_Bach_Cello_Suite_Transcriptions.pdf
|File Description 1=Four Etudes (excerpts), piano transcription 1. Suite No.3, BWV 1009 - Prelude 2. Suite No.3, BWV 1009 - Bourée 3. Suite No.1, BWV 1007 - Prelude 4. Suite No.1, BWV 1007 - Courante
|Editor=Albert Spalding
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=15
|Publisher Information=Moscow: [[A. Gutheil]], n.d.[ca.1914], Plate A.10379 G.
|Reprint=London: Musica Obscura, n.d.
|Copyright=Public Domain
|Misc. Notes={{MIT project}}
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Siloti_-_Prelude_from_Cello_Suite_in_Eflat.pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Editor=
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=8
|Publisher Information=New York: [[Carl Fischer]], 1931. Plate 26114
|Copyright=Public Domain
|Misc. Notes={{MIT Project}}
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_source_C.pdf
|File Description 1=Complete Score
|Page Count 1=42 (41 music)
|Editor=2 anonymous copyists
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1750-1800|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}

| *****WORK INFO*****

|Work Title=Six Suites for Violoncello Solo, BWV 1007-1012
|Alternative Title=
|Opus/Catalogue Number=BWV 1007-1012
|Number of Movements/Sections=6
|Dedication=
|Key= 
#G major
#D minor
#C major
#E{{Flat}} major
#C minor
#D major
|Year/Date of Composition=1720?
|Year of First Publication=
|Genre=Single instrumental piece (no piano)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Violoncello Solo
|Tags=suites ; vc

| *****COMMENTS***** =

The Suite No.5 for Solo Cello BWV 1011 was transcribed for Lute by Bach himself. See the [[Lute Pieces, BWV 995-1000 (Bach, Johann Sebastian)|Bach, Johann Sebastian - Suite for Lute in G minor BWV 995 (manuscript from J.S. Bach)]].
 
The 6th suite was likely intended for the Violoncello Piccolo, a shoulder-held instrument with 5 strings.
{{Bluefatbox|title=See Also|body=
<center>[[List of Compositions Featuring the Cello]]</center>
}}

| *****END OF TEMPLATE***** }}

6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian)

2010-08-21T04:52:03Z

Andrewt:

{{#fte:imslppage

| *****FILES***** =

===Original Version (Cello solo)===
=====Manuscripts=====
{{#fte:imslpfile
|Editor=Anna Magdalena Bach, copyist
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2007/6/5
|Publisher Information=Manuscript, n.d.
|Copyright=Public Domain
|Misc. Notes=
|File Name 1=Bach_Suites_Manuscripts.pdf
|File Description 1=Complete Score
|Page Count 1=37
|Misc. Notes=source "A"
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_(Kellner).pdf
|File Description 1=Complete Score
|Page Count 1=27 (25 music)
|Editor=Johann Peter Kellner, copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1726|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=source "B" 600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
=====Printed Editions=====
{{#fte:imslpfile
|File Name 1=Bach_-_Sechs_Suiten_Für_Violoncello.pdf
|File Description 1=Complete Score
|Uploader 1=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted 1=2007/8/21
|Page Count 1=37 (#59-94)
|Amazon={{AmazonLinks|0486256413}} - Dover (reprint)
|File Name 2=BWV1007.pdf
|File Description 2=Suite No.1 in G, BWV 1007
|Editor=Alfred Dörffel (1821-1905)
|Scanner=Unknown
|Uploader 2=[[User:Shikamoo|shikamoo]]
|Date Submitted 2=2006/8/25
|Page Count 2=6
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]] (1851-1899), Band 27.1'' Leipzig: [[Breitkopf & Härtel]], 1879, plate B.W. XXVII (1)
|Copyright=Public Domain
|Misc. Notes=
|Image Type=Normal Scan
|File Name 3=BWV1008.pdf
|File Name 4=BWV1009.pdf
|File Name 5=BWV1010.pdf
|File Name 6=BWV1011.pdf
|File Name 7=BWV1012.pdf
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 3=4
|Page Count 4=6
|Page Count 5=7
|Page Count 6=6
|Page Count 7=8
|Uploader 3=[[User:Shikamoo|shikamoo]]
|Date Submitted 3=2006/8/25
|Uploader 4=[[User:Shikamoo|shikamoo]]
|Date Submitted 4=2006/8/25
|Uploader 5=[[User:Shikamoo|shikamoo]]
|Date Submitted 5=2006/8/25
|Uploader 6=[[User:Shikamoo|shikamoo]]
|Date Submitted 6=2006/8/25
|Uploader 7=[[User:Shikamoo|shikamoo]]
|Date Submitted 7=2006/8/25
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach-BWV1007-1012klengel.pdf
|File Name 2=PMLP04291-Bach-BWV1007klengel.pdf
|File Name 3=PMLP04291-Bach-BWV1008klengel.pdf
|File Name 4=PMLP04291-Bach-BWV1009klengel.pdf
|File Name 5=PMLP04291-Bach-BWV1010klengel.pdf
|File Name 6=PMLP04291-Bach-BWV1011klengel.pdf
|File Name 7=PMLP04291-Bach-BWV1012klengel.pdf
|File Description 1=Six Suites, BWV 1007-1012 - complete
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 1=44
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=12
|Page Count 7=8
|Editor=[[:Category:Klengel, Julius|Julius Klengel (1859-1933)]]
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2009/8/13
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d.(ca.1900), plate 22879
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_complete.pdf
|File Name 2=PMLP04291-Bach_-_Cello_Suite_No1_in_G_(Becker_Peters).pdf
|File Name 3=PMLP04291-Bach_-_Cello_Suite_No2_in_Dm_(Becker_Peters).pdf
|File Name 4=PMLP04291-Bach_-_Cello_Suite_No3_in_C_(Becker_Peters).pdf
|File Name 5=PMLP04291-Bach_-_Cello_Suite_No4_in_Eb_(Becker_Peters).pdf
|File Name 6=PMLP04291-Bach_-_Cello_Suite_No5_in_Cm_(Becker_Peters).pdf
|File Name 7=PMLP04291-Bach_-_Cello_Suite_No6_in_D_(Becker_Peters).pdf
|File Name 8=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_Color_Cover.pdf
|File Description 1=Complete Score
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|File Description 8=Color Covers
|Page Count 1=46
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=10
|Page Count 7=8
|Page Count 8=3
|Editor=Hugo Becker (1863 - 1941)
|Image Type=Normal Scan
|Scanner=[[User:Generoso|Generoso]]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/7/10
|Publisher Information=Leipzig: [[C.F. Peters]], No.238, n.d.(ca.1911). Plate 9148.
|Copyright=Public Domain
|Misc. Notes=
}}

====Suite No.1 in G, BWV 1007====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_suite1_Menuets.pdf
|File Description 1=Menuets I and II
|Page Count 1=1
|Editor=
|Image Type=Typeset
|Scanner=Yves Verbandt
|Uploader=[[User:Yverband|Yverband]]
|Date Submitted=2010/3/5
|Publisher Information=Yves Verbandt
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
====Suite No.6 in D, BWV 1012====
{{#fte:imslpfile
|File Name 1=Bach_-_Violin_Suite_No_6_(Violoncello)_Rus._Izdanie.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted=2007/8/21
|Page Count 1=13
|Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.
|Copyright=Public Domain
|Misc. Notes=
}}
===Arrangements and Transcriptions===
=====For Trumpet Solo (Lichtmann)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_arr_Lichtmann_Suite1_Tr_BWV1007.pdf
|File Description 1=Suite No.1 in G, BWV 1007, arranger's comments
|Page Count 1=13
|File Name 2=PMLP04291-Bach_arr_Lichtmann_Suite2_Tr_BWV1008.pdf
|File Description 2=Suite No.2 in D minor, BWV 1008
|Page Count 2=8
|File Name 3=PMLP04291-Bach_arr_Lichtmann_Suite3_Tr_BWV1009.pdf
|File Description 3=Suite No.3 in C - BWV 1009
|Page Count 3=12
|Editor=
|Arranger=Jay Lichtmann
|Image Type=New Composition
|Scanner=[http://uhaweb.hartford.edu/lichtmann/ Jay Lichtmann]
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/7/27
|Publisher Information=Jay Lichtmann
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Cello Quartet (Leonovich)=====
{{#fte:imslpfile
|File Name 1=PreludeandFugue.pdf
|File Description 1=Suite No.5, BWV 1011 - Prelude
|Editor=
|Arranger=Yuriy Leonovich
|Image Type=New Composition
|Scanner=Yuriy Leonovich
|Uploader=[[User:YuriyLcello|YuriyLcello]]
|Date Submitted=2007/6/8
|Page Count 1=8
|Publisher Information=Yuriy Leonovich, 2007
|Copyright=Creative Commons Attribution No Derivatives 3.0
|Misc. Notes=
}}
=====For Viola and Piano (Stade)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_-_Viola_-_Suite_No.1.pdf
|File Name 2=PMLP04291-Bach_-_Viola_-_Suite_No.2.pdf
|File Name 3=PMLP04291-Bach_-_Viola_-_Suite_No.4.pdf
|File Name 4=PMLP04291-Bach_-_Viola_-_Suite_No.6.pdf
|File Description 1=Suite No.1 in G, BWV 1007 (Viola Part only)
|File Description 2=Suite No.2 in D minor, BWV 1008 (Viola Part only)
|File Description 3=Suite No.4 in E{{flat}} (Viola Part only)
|File Description 4=Suite No.6 in D, BWV 1012 (Viola Part only)
|Page Count 1=6
|Page Count 2=6
|Page Count 3=8
|Page Count 4=8
|Editor=
|Arranger=Wilhelm Stade (1817-1902)
|Image Type=Normal Scan
|Scanner=[[User:Peter|Peter]] [[User talk:Peter|talk]]
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2008/9/27
|Publisher Information=Leipzig: Gustav Heinze, n.d. Plates G. 85-97 H.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Cello and Piano (Smith)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Sarabande_score.pdf
|File Name 2=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Gavottes_score.pdf
|File Name 3=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_cello.pdf
|File Name 4=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_color_cover.pdf
|File Description 1=Suite No.6 in D, BWV 1012: Sarabande - Piano Score
|File Description 2=Suite No.6 in D, BWV 1012: Gavottes - Piano Score
|File Description 3=Suite No.6 in D, BWV 1012: Sarabande and Gavottes - Cello part
|File Description 4=Color Cover
|Page Count 1=6
|Page Count 2=6
|Page Count 3=4
|Page Count 4=1
|Arranger=Leo Smith (1881-1952)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10723}}
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/5/22
|Publisher Information=New York: [[G. Schirmer]], 1915. Plate 24591-2
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
=====For Viola solo (Alphonse)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Johann_Sebastian_Bach_-_Unaccompanied_Cello_Suites_-_Suite_1_Prelude_transposed_for_Viola.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=J-Raimon Alphonse
|Image Type=New Composition
|Scanner=J-Raimon Alphonse
|Uploader=[[User:Jean|J-Raimon Alphonse]]
|Date Submitted=2008/8/3
|Publisher Information=J-Raimon Alphonse
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Viola solo=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Suite_No_4_in_E_flat_for_Viola_solo_(Paxton).pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Page Count 1=7
|Editor=
|Image Type=Normal Scan
|Scanner=[http://sheetmusic.library.sc.edu/Music.asp?mid=3082 USC]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/6/10
|Publisher Information=London: W. Paxton & Co., n.d.[1926]. Plate 67014.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Viola solo (Spindler)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_Suites_for_Viola_Ed.Russa.pdf
|File Description 1=Viola Part of Complete Suites
|Page Count 1=68
|Editor=
|Arranger=Fritz Spindler (1817-1905)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Zelenka|Zelenka]]
|Date Submitted=2009/3/9
|Publisher Information=Moscow: [[Muzgiz]], 1962, Plate 29137
|Copyright=Public Domain
|Misc. Notes=It seems to be a reissue of Hofmeister Edition. Spindler was a Viola player in Gewandhaus Orchestra Leipzig.
}}
=====For Double Bass (Vul)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-bach_vcs1p.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=Andrey Vul
|Image Type=Typeset
|Scanner=Andrey Vul
|Uploader=[[User:Andreyvul|Andreyvul]]
|Date Submitted=2009/6/4
|Publisher Information=Andrey Vul
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=For string bass solo
}}
=====For Piano solo (Godowsky)=====
{{#fte:imslpfile
|File Name 1=Godowsky_Bach_Suite_Nr.2.pdf
|File Description 1=Suite No.2 in D minor, BWV 1008
|Editor=
|Arranger=[[:Category:Godowsky, Leopold|Leopold Godowsky]] (1870-1938)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2007/6/22
|Page Count 1=30
|Publisher Information=New York: [[Carl Fischer]], 1924, plates 23078, 22950, 22936
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=Godowsky_Bach_Suite_Nr.3.pdf
|File Description 2=Suite No.3 in C, BWV 1009
|Page Count 2=33
|File Name 3=Bach-Godowsky-Cello-Suite-5.pdf
|File Description 3=Suite No.5 in C minor, BWV 1011
|Page Count 3=33 (#3-35)
}}
=====For Piano solo (Siloti)=====
{{#fte:imslpfile
|File Name 1=Siloti_-_Bach_Cello_Suite_Transcriptions.pdf
|File Description 1=Four Etudes (excerpts), piano transcription 1. Suite No.3, BWV 1009 - Prelude 2. Suite No.3, BWV 1009 - Bourée 3. Suite No.1, BWV 1007 - Prelude 4. Suite No.1, BWV 1007 - Courante
|Editor=Albert Spalding
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=15
|Publisher Information=Moscow: [[A. Gutheil]], n.d.[ca.1914], Plate A.10379 G.
|Reprint=London: Musica Obscura, n.d.
|Copyright=Public Domain
|Misc. Notes={{MIT project}}
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Siloti_-_Prelude_from_Cello_Suite_in_Eflat.pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Editor=
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=8
|Publisher Information=New York: [[Carl Fischer]], 1931. Plate 26114
|Copyright=Public Domain
|Misc. Notes={{MIT Project}}
}}

| *****WORK INFO*****

|Work Title=Six Suites for Violoncello Solo, BWV 1007-1012
|Alternative Title=
|Opus/Catalogue Number=BWV 1007-1012
|Number of Movements/Sections=6
|Dedication=
|Key= 
#G major
#D minor
#C major
#E{{Flat}} major
#C minor
#D major
|Year/Date of Composition=1720?
|Year of First Publication=
|Genre=Single instrumental piece (no piano)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Violoncello Solo
|Tags=suites ; vc

| *****COMMENTS***** =

The Suite No.5 for Solo Cello BWV 1011 was transcribed for Lute by Bach himself. See the [[Lute Pieces, BWV 995-1000 (Bach, Johann Sebastian)|Bach, Johann Sebastian - Suite for Lute in G minor BWV 995 (manuscript from J.S. Bach)]].
 
The 6th suite was likely intended for the Violoncello Piccolo, a shoulder-held instrument with 5 strings.
{{Bluefatbox|title=See Also|body=
<center>[[List of Compositions Featuring the Cello]]</center>
}}

| *****END OF TEMPLATE***** }}

6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian)

2010-08-21T04:49:23Z

Andrewt:

{{#fte:imslppage

| *****FILES***** =

===Original Version (Cello solo)===
=====Manuscripts=====
{{#fte:imslpfile
|Editor=Anna Magdalena Bach, copyist
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2007/6/5
|Publisher Information=Manuscript, n.d.
|Copyright=Public Domain
|Misc. Notes=
|File Name 1=Bach_Suites_Manuscripts.pdf
|File Description 1=Complete Score
|Page Count 1=37
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_(Kellner).pdf
|File Description 1=Complete Score
|Page Count 1=27 (25 music)
|Editor=Johann Peter Kellner, copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1726|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000
|Copyright=Public Domain
|Misc. Notes=600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}
=====Printed Editions=====
{{#fte:imslpfile
|File Name 1=Bach_-_Sechs_Suiten_Für_Violoncello.pdf
|File Description 1=Complete Score
|Uploader 1=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted 1=2007/8/21
|Page Count 1=37 (#59-94)
|Amazon={{AmazonLinks|0486256413}} - Dover (reprint)
|File Name 2=BWV1007.pdf
|File Description 2=Suite No.1 in G, BWV 1007
|Editor=Alfred Dörffel (1821-1905)
|Scanner=Unknown
|Uploader 2=[[User:Shikamoo|shikamoo]]
|Date Submitted 2=2006/8/25
|Page Count 2=6
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]] (1851-1899), Band 27.1'' Leipzig: [[Breitkopf & Härtel]], 1879, plate B.W. XXVII (1)
|Copyright=Public Domain
|Misc. Notes=
|Image Type=Normal Scan
|File Name 3=BWV1008.pdf
|File Name 4=BWV1009.pdf
|File Name 5=BWV1010.pdf
|File Name 6=BWV1011.pdf
|File Name 7=BWV1012.pdf
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 3=4
|Page Count 4=6
|Page Count 5=7
|Page Count 6=6
|Page Count 7=8
|Uploader 3=[[User:Shikamoo|shikamoo]]
|Date Submitted 3=2006/8/25
|Uploader 4=[[User:Shikamoo|shikamoo]]
|Date Submitted 4=2006/8/25
|Uploader 5=[[User:Shikamoo|shikamoo]]
|Date Submitted 5=2006/8/25
|Uploader 6=[[User:Shikamoo|shikamoo]]
|Date Submitted 6=2006/8/25
|Uploader 7=[[User:Shikamoo|shikamoo]]
|Date Submitted 7=2006/8/25
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach-BWV1007-1012klengel.pdf
|File Name 2=PMLP04291-Bach-BWV1007klengel.pdf
|File Name 3=PMLP04291-Bach-BWV1008klengel.pdf
|File Name 4=PMLP04291-Bach-BWV1009klengel.pdf
|File Name 5=PMLP04291-Bach-BWV1010klengel.pdf
|File Name 6=PMLP04291-Bach-BWV1011klengel.pdf
|File Name 7=PMLP04291-Bach-BWV1012klengel.pdf
|File Description 1=Six Suites, BWV 1007-1012 - complete
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 1=44
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=12
|Page Count 7=8
|Editor=[[:Category:Klengel, Julius|Julius Klengel (1859-1933)]]
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2009/8/13
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d.(ca.1900), plate 22879
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_complete.pdf
|File Name 2=PMLP04291-Bach_-_Cello_Suite_No1_in_G_(Becker_Peters).pdf
|File Name 3=PMLP04291-Bach_-_Cello_Suite_No2_in_Dm_(Becker_Peters).pdf
|File Name 4=PMLP04291-Bach_-_Cello_Suite_No3_in_C_(Becker_Peters).pdf
|File Name 5=PMLP04291-Bach_-_Cello_Suite_No4_in_Eb_(Becker_Peters).pdf
|File Name 6=PMLP04291-Bach_-_Cello_Suite_No5_in_Cm_(Becker_Peters).pdf
|File Name 7=PMLP04291-Bach_-_Cello_Suite_No6_in_D_(Becker_Peters).pdf
|File Name 8=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_Color_Cover.pdf
|File Description 1=Complete Score
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|File Description 8=Color Covers
|Page Count 1=46
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=10
|Page Count 7=8
|Page Count 8=3
|Editor=Hugo Becker (1863 - 1941)
|Image Type=Normal Scan
|Scanner=[[User:Generoso|Generoso]]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/7/10
|Publisher Information=Leipzig: [[C.F. Peters]], No.238, n.d.(ca.1911). Plate 9148.
|Copyright=Public Domain
|Misc. Notes=
}}

====Suite No.1 in G, BWV 1007====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_suite1_Menuets.pdf
|File Description 1=Menuets I and II
|Page Count 1=1
|Editor=
|Image Type=Typeset
|Scanner=Yves Verbandt
|Uploader=[[User:Yverband|Yverband]]
|Date Submitted=2010/3/5
|Publisher Information=Yves Verbandt
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
====Suite No.6 in D, BWV 1012====
{{#fte:imslpfile
|File Name 1=Bach_-_Violin_Suite_No_6_(Violoncello)_Rus._Izdanie.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted=2007/8/21
|Page Count 1=13
|Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.
|Copyright=Public Domain
|Misc. Notes=
}}
===Arrangements and Transcriptions===
=====For Trumpet Solo (Lichtmann)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_arr_Lichtmann_Suite1_Tr_BWV1007.pdf
|File Description 1=Suite No.1 in G, BWV 1007, arranger's comments
|Page Count 1=13
|File Name 2=PMLP04291-Bach_arr_Lichtmann_Suite2_Tr_BWV1008.pdf
|File Description 2=Suite No.2 in D minor, BWV 1008
|Page Count 2=8
|File Name 3=PMLP04291-Bach_arr_Lichtmann_Suite3_Tr_BWV1009.pdf
|File Description 3=Suite No.3 in C - BWV 1009
|Page Count 3=12
|Editor=
|Arranger=Jay Lichtmann
|Image Type=New Composition
|Scanner=[http://uhaweb.hartford.edu/lichtmann/ Jay Lichtmann]
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/7/27
|Publisher Information=Jay Lichtmann
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Cello Quartet (Leonovich)=====
{{#fte:imslpfile
|File Name 1=PreludeandFugue.pdf
|File Description 1=Suite No.5, BWV 1011 - Prelude
|Editor=
|Arranger=Yuriy Leonovich
|Image Type=New Composition
|Scanner=Yuriy Leonovich
|Uploader=[[User:YuriyLcello|YuriyLcello]]
|Date Submitted=2007/6/8
|Page Count 1=8
|Publisher Information=Yuriy Leonovich, 2007
|Copyright=Creative Commons Attribution No Derivatives 3.0
|Misc. Notes=
}}
=====For Viola and Piano (Stade)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_-_Viola_-_Suite_No.1.pdf
|File Name 2=PMLP04291-Bach_-_Viola_-_Suite_No.2.pdf
|File Name 3=PMLP04291-Bach_-_Viola_-_Suite_No.4.pdf
|File Name 4=PMLP04291-Bach_-_Viola_-_Suite_No.6.pdf
|File Description 1=Suite No.1 in G, BWV 1007 (Viola Part only)
|File Description 2=Suite No.2 in D minor, BWV 1008 (Viola Part only)
|File Description 3=Suite No.4 in E{{flat}} (Viola Part only)
|File Description 4=Suite No.6 in D, BWV 1012 (Viola Part only)
|Page Count 1=6
|Page Count 2=6
|Page Count 3=8
|Page Count 4=8
|Editor=
|Arranger=Wilhelm Stade (1817-1902)
|Image Type=Normal Scan
|Scanner=[[User:Peter|Peter]] [[User talk:Peter|talk]]
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2008/9/27
|Publisher Information=Leipzig: Gustav Heinze, n.d. Plates G. 85-97 H.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Cello and Piano (Smith)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Sarabande_score.pdf
|File Name 2=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Gavottes_score.pdf
|File Name 3=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_cello.pdf
|File Name 4=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_color_cover.pdf
|File Description 1=Suite No.6 in D, BWV 1012: Sarabande - Piano Score
|File Description 2=Suite No.6 in D, BWV 1012: Gavottes - Piano Score
|File Description 3=Suite No.6 in D, BWV 1012: Sarabande and Gavottes - Cello part
|File Description 4=Color Cover
|Page Count 1=6
|Page Count 2=6
|Page Count 3=4
|Page Count 4=1
|Arranger=Leo Smith (1881-1952)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10723}}
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/5/22
|Publisher Information=New York: [[G. Schirmer]], 1915. Plate 24591-2
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
=====For Viola solo (Alphonse)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Johann_Sebastian_Bach_-_Unaccompanied_Cello_Suites_-_Suite_1_Prelude_transposed_for_Viola.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=J-Raimon Alphonse
|Image Type=New Composition
|Scanner=J-Raimon Alphonse
|Uploader=[[User:Jean|J-Raimon Alphonse]]
|Date Submitted=2008/8/3
|Publisher Information=J-Raimon Alphonse
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Viola solo=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Suite_No_4_in_E_flat_for_Viola_solo_(Paxton).pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Page Count 1=7
|Editor=
|Image Type=Normal Scan
|Scanner=[http://sheetmusic.library.sc.edu/Music.asp?mid=3082 USC]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/6/10
|Publisher Information=London: W. Paxton & Co., n.d.[1926]. Plate 67014.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Viola solo (Spindler)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_Suites_for_Viola_Ed.Russa.pdf
|File Description 1=Viola Part of Complete Suites
|Page Count 1=68
|Editor=
|Arranger=Fritz Spindler (1817-1905)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Zelenka|Zelenka]]
|Date Submitted=2009/3/9
|Publisher Information=Moscow: [[Muzgiz]], 1962, Plate 29137
|Copyright=Public Domain
|Misc. Notes=It seems to be a reissue of Hofmeister Edition. Spindler was a Viola player in Gewandhaus Orchestra Leipzig.
}}
=====For Double Bass (Vul)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-bach_vcs1p.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=Andrey Vul
|Image Type=Typeset
|Scanner=Andrey Vul
|Uploader=[[User:Andreyvul|Andreyvul]]
|Date Submitted=2009/6/4
|Publisher Information=Andrey Vul
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=For string bass solo
}}
=====For Piano solo (Godowsky)=====
{{#fte:imslpfile
|File Name 1=Godowsky_Bach_Suite_Nr.2.pdf
|File Description 1=Suite No.2 in D minor, BWV 1008
|Editor=
|Arranger=[[:Category:Godowsky, Leopold|Leopold Godowsky]] (1870-1938)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2007/6/22
|Page Count 1=30
|Publisher Information=New York: [[Carl Fischer]], 1924, plates 23078, 22950, 22936
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=Godowsky_Bach_Suite_Nr.3.pdf
|File Description 2=Suite No.3 in C, BWV 1009
|Page Count 2=33
|File Name 3=Bach-Godowsky-Cello-Suite-5.pdf
|File Description 3=Suite No.5 in C minor, BWV 1011
|Page Count 3=33 (#3-35)
}}
=====For Piano solo (Siloti)=====
{{#fte:imslpfile
|File Name 1=Siloti_-_Bach_Cello_Suite_Transcriptions.pdf
|File Description 1=Four Etudes (excerpts), piano transcription 1. Suite No.3, BWV 1009 - Prelude 2. Suite No.3, BWV 1009 - Bourée 3. Suite No.1, BWV 1007 - Prelude 4. Suite No.1, BWV 1007 - Courante
|Editor=Albert Spalding
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=15
|Publisher Information=Moscow: [[A. Gutheil]], n.d.[ca.1914], Plate A.10379 G.
|Reprint=London: Musica Obscura, n.d.
|Copyright=Public Domain
|Misc. Notes={{MIT project}}
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Siloti_-_Prelude_from_Cello_Suite_in_Eflat.pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Editor=
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=8
|Publisher Information=New York: [[Carl Fischer]], 1931. Plate 26114
|Copyright=Public Domain
|Misc. Notes={{MIT Project}}
}}

| *****WORK INFO*****

|Work Title=Six Suites for Violoncello Solo, BWV 1007-1012
|Alternative Title=
|Opus/Catalogue Number=BWV 1007-1012
|Number of Movements/Sections=6
|Dedication=
|Key= 
#G major
#D minor
#C major
#E{{Flat}} major
#C minor
#D major
|Year/Date of Composition=1720?
|Year of First Publication=
|Genre=Single instrumental piece (no piano)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Violoncello Solo
|Tags=suites ; vc

| *****COMMENTS***** =

The Suite No.5 for Solo Cello BWV 1011 was transcribed for Lute by Bach himself. See the [[Lute Pieces, BWV 995-1000 (Bach, Johann Sebastian)|Bach, Johann Sebastian - Suite for Lute in G minor BWV 995 (manuscript from J.S. Bach)]].
 
The 6th suite was likely intended for the Violoncello Piccolo, a shoulder-held instrument with 5 strings.
{{Bluefatbox|title=See Also|body=
<center>[[List of Compositions Featuring the Cello]]</center>
}}

| *****END OF TEMPLATE***** }}

6 Cello Suites, BWV 1007-1012 (Bach, Johann Sebastian)

2010-08-21T04:48:13Z

Andrewt: Added 1 files to Suites for Violoncello Solo, BWV 1007-1012 (Bach, Johann Sebastian)

{{#fte:imslppage

| *****FILES***** =

===Original Version (Cello solo)===
=====Manuscripts=====
{{#fte:imslpfile
|Editor=Anna Magdalena Bach, copyist
|Image Type=Manuscript Scan
|Scanner=
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2007/6/5
|Publisher Information=Manuscript, n.d.
|Copyright=Public Domain
|Misc. Notes=
|File Name 1=Bach_Suites_Manuscripts.pdf
|File Description 1=Complete Score
|Page Count 1=37
}}
=====Printed Editions=====
{{#fte:imslpfile
|File Name 1=Bach_-_Sechs_Suiten_Für_Violoncello.pdf
|File Description 1=Complete Score
|Uploader 1=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted 1=2007/8/21
|Page Count 1=37 (#59-94)
|Amazon={{AmazonLinks|0486256413}} - Dover (reprint)
|File Name 2=BWV1007.pdf
|File Description 2=Suite No.1 in G, BWV 1007
|Editor=Alfred Dörffel (1821-1905)
|Scanner=Unknown
|Uploader 2=[[User:Shikamoo|shikamoo]]
|Date Submitted 2=2006/8/25
|Page Count 2=6
|Publisher Information=''[[Bach-Gesellschaft Ausgabe]] (1851-1899), Band 27.1'' Leipzig: [[Breitkopf & Härtel]], 1879, plate B.W. XXVII (1)
|Copyright=Public Domain
|Misc. Notes=
|Image Type=Normal Scan
|File Name 3=BWV1008.pdf
|File Name 4=BWV1009.pdf
|File Name 5=BWV1010.pdf
|File Name 6=BWV1011.pdf
|File Name 7=BWV1012.pdf
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 3=4
|Page Count 4=6
|Page Count 5=7
|Page Count 6=6
|Page Count 7=8
|Uploader 3=[[User:Shikamoo|shikamoo]]
|Date Submitted 3=2006/8/25
|Uploader 4=[[User:Shikamoo|shikamoo]]
|Date Submitted 4=2006/8/25
|Uploader 5=[[User:Shikamoo|shikamoo]]
|Date Submitted 5=2006/8/25
|Uploader 6=[[User:Shikamoo|shikamoo]]
|Date Submitted 6=2006/8/25
|Uploader 7=[[User:Shikamoo|shikamoo]]
|Date Submitted 7=2006/8/25
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach-BWV1007-1012klengel.pdf
|File Name 2=PMLP04291-Bach-BWV1007klengel.pdf
|File Name 3=PMLP04291-Bach-BWV1008klengel.pdf
|File Name 4=PMLP04291-Bach-BWV1009klengel.pdf
|File Name 5=PMLP04291-Bach-BWV1010klengel.pdf
|File Name 6=PMLP04291-Bach-BWV1011klengel.pdf
|File Name 7=PMLP04291-Bach-BWV1012klengel.pdf
|File Description 1=Six Suites, BWV 1007-1012 - complete
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|Page Count 1=44
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=12
|Page Count 7=8
|Editor=[[:Category:Klengel, Julius|Julius Klengel (1859-1933)]]
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Carolus|Carolus]]
|Date Submitted=2009/8/13
|Publisher Information=Leipzig: [[Breitkopf & Härtel]], n.d.(ca.1900), plate 22879
|Copyright=Public Domain
|Misc. Notes=
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_complete.pdf
|File Name 2=PMLP04291-Bach_-_Cello_Suite_No1_in_G_(Becker_Peters).pdf
|File Name 3=PMLP04291-Bach_-_Cello_Suite_No2_in_Dm_(Becker_Peters).pdf
|File Name 4=PMLP04291-Bach_-_Cello_Suite_No3_in_C_(Becker_Peters).pdf
|File Name 5=PMLP04291-Bach_-_Cello_Suite_No4_in_Eb_(Becker_Peters).pdf
|File Name 6=PMLP04291-Bach_-_Cello_Suite_No5_in_Cm_(Becker_Peters).pdf
|File Name 7=PMLP04291-Bach_-_Cello_Suite_No6_in_D_(Becker_Peters).pdf
|File Name 8=PMLP04291-Bach_-_6_Cello_Suites_(Becker_Peters)_Color_Cover.pdf
|File Description 1=Complete Score
|File Description 2=Suite No.1 in G, BWV 1007
|File Description 3=Suite No.2 in D minor, BWV 1008
|File Description 4=Suite No.3 in C, BWV 1009
|File Description 5=Suite No.4 in E{{flat}}, BWV 1010
|File Description 6=Suite No.5 in C minor, BWV 1011
|File Description 7=Suite No.6 in D, BWV 1012
|File Description 8=Color Covers
|Page Count 1=46
|Page Count 2=6
|Page Count 3=6
|Page Count 4=6
|Page Count 5=6
|Page Count 6=10
|Page Count 7=8
|Page Count 8=3
|Editor=Hugo Becker (1863 - 1941)
|Image Type=Normal Scan
|Scanner=[[User:Generoso|Generoso]]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/7/10
|Publisher Information=Leipzig: [[C.F. Peters]], No.238, n.d.(ca.1911). Plate 9148.
|Copyright=Public Domain
|Misc. Notes=
}}

====Suite No.1 in G, BWV 1007====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_suite1_Menuets.pdf
|File Description 1=Menuets I and II
|Page Count 1=1
|Editor=
|Image Type=Typeset
|Scanner=Yves Verbandt
|Uploader=[[User:Yverband|Yverband]]
|Date Submitted=2010/3/5
|Publisher Information=Yves Verbandt
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
====Suite No.6 in D, BWV 1012====
{{#fte:imslpfile
|File Name 1=Bach_-_Violin_Suite_No_6_(Violoncello)_Rus._Izdanie.pdf
|File Description 1=Complete Score
|Editor=
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:ValeriyaSholokhova|ValeriyaSholokhova]]
|Date Submitted=2007/8/21
|Page Count 1=13
|Publisher Information=Moscow: [[Muzgiz|Muzyka]], n.d.
|Copyright=Public Domain
|Misc. Notes=
}}
===Arrangements and Transcriptions===
=====For Trumpet Solo (Lichtmann)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_arr_Lichtmann_Suite1_Tr_BWV1007.pdf
|File Description 1=Suite No.1 in G, BWV 1007, arranger's comments
|Page Count 1=13
|File Name 2=PMLP04291-Bach_arr_Lichtmann_Suite2_Tr_BWV1008.pdf
|File Description 2=Suite No.2 in D minor, BWV 1008
|Page Count 2=8
|File Name 3=PMLP04291-Bach_arr_Lichtmann_Suite3_Tr_BWV1009.pdf
|File Description 3=Suite No.3 in C - BWV 1009
|Page Count 3=12
|Editor=
|Arranger=Jay Lichtmann
|Image Type=New Composition
|Scanner=[http://uhaweb.hartford.edu/lichtmann/ Jay Lichtmann]
|Uploader=[[User:Homerdundas|homerdundas]]
|Date Submitted=2009/7/27
|Publisher Information=Jay Lichtmann
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=
}}
=====For Cello Quartet (Leonovich)=====
{{#fte:imslpfile
|File Name 1=PreludeandFugue.pdf
|File Description 1=Suite No.5, BWV 1011 - Prelude
|Editor=
|Arranger=Yuriy Leonovich
|Image Type=New Composition
|Scanner=Yuriy Leonovich
|Uploader=[[User:YuriyLcello|YuriyLcello]]
|Date Submitted=2007/6/8
|Page Count 1=8
|Publisher Information=Yuriy Leonovich, 2007
|Copyright=Creative Commons Attribution No Derivatives 3.0
|Misc. Notes=
}}
=====For Viola and Piano (Stade)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_-_Viola_-_Suite_No.1.pdf
|File Name 2=PMLP04291-Bach_-_Viola_-_Suite_No.2.pdf
|File Name 3=PMLP04291-Bach_-_Viola_-_Suite_No.4.pdf
|File Name 4=PMLP04291-Bach_-_Viola_-_Suite_No.6.pdf
|File Description 1=Suite No.1 in G, BWV 1007 (Viola Part only)
|File Description 2=Suite No.2 in D minor, BWV 1008 (Viola Part only)
|File Description 3=Suite No.4 in E{{flat}} (Viola Part only)
|File Description 4=Suite No.6 in D, BWV 1012 (Viola Part only)
|Page Count 1=6
|Page Count 2=6
|Page Count 3=8
|Page Count 4=8
|Editor=
|Arranger=Wilhelm Stade (1817-1902)
|Image Type=Normal Scan
|Scanner=[[User:Peter|Peter]] [[User talk:Peter|talk]]
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2008/9/27
|Publisher Information=Leipzig: Gustav Heinze, n.d. Plates G. 85-97 H.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Cello and Piano (Smith)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Sarabande_score.pdf
|File Name 2=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_Gavottes_score.pdf
|File Name 3=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_cello.pdf
|File Name 4=PMLP04291-Bach_-_Sarabande_and_Gavottes_from_Suite_No6_for_Cello_and_Piano_(Smith)_color_cover.pdf
|File Description 1=Suite No.6 in D, BWV 1012: Sarabande - Piano Score
|File Description 2=Suite No.6 in D, BWV 1012: Gavottes - Piano Score
|File Description 3=Suite No.6 in D, BWV 1012: Sarabande and Gavottes - Cello part
|File Description 4=Color Cover
|Page Count 1=6
|Page Count 2=6
|Page Count 3=4
|Page Count 4=1
|Arranger=Leo Smith (1881-1952)
|Image Type=Normal Scan
|Scanner={{SibleyScan|1802/10723}}
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/5/22
|Publisher Information=New York: [[G. Schirmer]], 1915. Plate 24591-2
|Copyright=Public Domain
|Misc. Notes={{SibleyProject}}
}}
=====For Viola solo (Alphonse)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Johann_Sebastian_Bach_-_Unaccompanied_Cello_Suites_-_Suite_1_Prelude_transposed_for_Viola.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=J-Raimon Alphonse
|Image Type=New Composition
|Scanner=J-Raimon Alphonse
|Uploader=[[User:Jean|J-Raimon Alphonse]]
|Date Submitted=2008/8/3
|Publisher Information=J-Raimon Alphonse
|Copyright=Creative Commons Attribution Share Alike 3.0
|Misc. Notes=
}}
=====For Viola solo=====
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Suite_No_4_in_E_flat_for_Viola_solo_(Paxton).pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Page Count 1=7
|Editor=
|Image Type=Normal Scan
|Scanner=[http://sheetmusic.library.sc.edu/Music.asp?mid=3082 USC]
|Uploader=[[User:Generoso|Generoso]]
|Date Submitted=2010/6/10
|Publisher Information=London: W. Paxton & Co., n.d.[1926]. Plate 67014.
|Copyright=Public Domain
|Misc. Notes=
}}
=====For Viola solo (Spindler)=====
{{#fte:imslpfile
||File Name 1=PMLP04291-Bach_Suites_for_Viola_Ed.Russa.pdf
|File Description 1=Viola Part of Complete Suites
|Page Count 1=68
|Editor=
|Arranger=Fritz Spindler (1817-1905)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Zelenka|Zelenka]]
|Date Submitted=2009/3/9
|Publisher Information=Moscow: [[Muzgiz]], 1962, Plate 29137
|Copyright=Public Domain
|Misc. Notes=It seems to be a reissue of Hofmeister Edition. Spindler was a Viola player in Gewandhaus Orchestra Leipzig.
}}
=====For Double Bass (Vul)=====
{{#fte:imslpfile
|File Name 1=PMLP04291-bach_vcs1p.pdf
|File Description 1=Suite No.1 in G, BWV 1007 - Prelude
|Page Count 1=2
|Editor=
|Arranger=Andrey Vul
|Image Type=Typeset
|Scanner=Andrey Vul
|Uploader=[[User:Andreyvul|Andreyvul]]
|Date Submitted=2009/6/4
|Publisher Information=Andrey Vul
|Copyright=Creative Commons Attribution 3.0
|Misc. Notes=For string bass solo
}}
=====For Piano solo (Godowsky)=====
{{#fte:imslpfile
|File Name 1=Godowsky_Bach_Suite_Nr.2.pdf
|File Description 1=Suite No.2 in D minor, BWV 1008
|Editor=
|Arranger=[[:Category:Godowsky, Leopold|Leopold Godowsky]] (1870-1938)
|Image Type=Normal Scan
|Scanner=
|Uploader=[[User:Hobbypianist|Hobbypianist]]
|Date Submitted=2007/6/22
|Page Count 1=30
|Publisher Information=New York: [[Carl Fischer]], 1924, plates 23078, 22950, 22936
|Copyright=Public Domain
|Misc. Notes=
|File Name 2=Godowsky_Bach_Suite_Nr.3.pdf
|File Description 2=Suite No.3 in C, BWV 1009
|Page Count 2=33
|File Name 3=Bach-Godowsky-Cello-Suite-5.pdf
|File Description 3=Suite No.5 in C minor, BWV 1011
|Page Count 3=33 (#3-35)
}}
=====For Piano solo (Siloti)=====
{{#fte:imslpfile
|File Name 1=Siloti_-_Bach_Cello_Suite_Transcriptions.pdf
|File Description 1=Four Etudes (excerpts), piano transcription 1. Suite No.3, BWV 1009 - Prelude 2. Suite No.3, BWV 1009 - Bourée 3. Suite No.1, BWV 1007 - Prelude 4. Suite No.1, BWV 1007 - Courante
|Editor=Albert Spalding
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=15
|Publisher Information=Moscow: [[A. Gutheil]], n.d.[ca.1914], Plate A.10379 G.
|Reprint=London: Musica Obscura, n.d.
|Copyright=Public Domain
|Misc. Notes={{MIT project}}
}}
{{#fte:imslpfile
|File Name 1=Bach_-_Siloti_-_Prelude_from_Cello_Suite_in_Eflat.pdf
|File Description 1=Suite No.4 in E{{flat}}, BWV 1010
|Editor=
|Arranger=[[:Category:Siloti, Alexander Ilyich|Alexander Siloti]] (1863-1945)
|Image Type=Normal Scan
|Scanner=Unknown
|Uploader=[[User:Peter|Peter]]
|Date Submitted=2007/7/31
|Page Count 1=8
|Publisher Information=New York: [[Carl Fischer]], 1931. Plate 26114
|Copyright=Public Domain
|Misc. Notes={{MIT Project}}
}}
{{#fte:imslpfile
|File Name 1=PMLP04291-Bach_-_Cello_Suites_(Kellner).pdf
|File Description 1=Complete Score
|Page Count 1=27 (25 music)
|Editor=Johann Peter Kellner, copyist
|Image Type=Manuscript Scan
|Scanner=Andrew Toering
|Uploader=[[User:Andrewt|Andrewt]]
|Date Submitted=2010/8/21
|Publisher Information=Manuscript, ca. 1726|Reprint=Kassel: Bärenreiter, No.5215/5216, 2000.
|Copyright=Public Domain
|Misc. Notes=600 dpi. The various blank spots and general illegibility are present in the original; they are not the faults of the scan.
}}

| *****WORK INFO*****

|Work Title=Six Suites for Violoncello Solo, BWV 1007-1012
|Alternative Title=
|Opus/Catalogue Number=BWV 1007-1012
|Number of Movements/Sections=6
|Dedication=
|Key= 
#G major
#D minor
#C major
#E{{Flat}} major
#C minor
#D major
|Year/Date of Composition=1720?
|Year of First Publication=
|Genre=Single instrumental piece (no piano)
|Librettist=
|Language=
|Piece Style=Baroque
|Instrumentation=Violoncello Solo
|Tags=suites ; vc

| *****COMMENTS***** =

The Suite No.5 for Solo Cello BWV 1011 was transcribed for Lute by Bach himself. See the [[Lute Pieces, BWV 995-1000 (Bach, Johann Sebastian)|Bach, Johann Sebastian - Suite for Lute in G minor BWV 995 (manuscript from J.S. Bach)]].
 
The 6th suite was likely intended for the Violoncello Piccolo, a shoulder-held instrument with 5 strings.
{{Bluefatbox|title=See Also|body=
<center>[[List of Compositions Featuring the Cello]]</center>
}}

| *****END OF TEMPLATE***** }}